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Methany, Pat –  Zero Tolerance for Silence [bootleg, recycled sleeve] – Used LP
Coq Au Vinyl

Methany, Pat – Zero Tolerance for Silence [bootleg, recycled sleeve] – Used LP

Regular price $ 33.00 $ 0.00

 

Never played. 

Most of these had the art pasted over blank sleeves, but some (this) had art pasted over recycled Pat Methany LPs (not "Zero Tolerance..." because that was only released on CD.

"We at Coq Au Vinyl are proud to present for first time on the vinyl format Zero Tolerance For Silence by legendary American jazz guitarist PAT Metheny! Previously only issued on the compact disc format in the year 1994, the album is often described as the jazz equivalent to Lou Reed's Metal Machine Music. To say Ztfs was "a departure" for Metheny is like saying "Jaco Pastorius liked cognac." Loud, dissonant layers of electric guitars and overdriven amplifiers were in stark contrast to the smooth melodic guitar jazz Metheny had built his fanbase and legend upon. At the time, some theorized that this was Metheny's "fuck you" to his label Geffen and perhaps a way of purposely ending his contract on a sour note. Others close to Metheny disputed those claims and instead describe the album as a pure expression of sounds Metheny had dreamt of making for some time. Metheny himself in 2008 said of the album, "That record speaks for itself in its own musical terms. To me, it is a 2-D view of a world in which I am usually functioning in a more 3-D way. It is entirely flat music, and that was exactly what it was intended to be." While generally panned by critics at the time as "unlistenable", once the album made its way to the ears of listeners less ::ahem:: discernible than the typical Downbeat subscriber, it was widely hailed as a masterpiece of free improvisation. If there is any doubt as to the albums greatness: It was described as "rubbish" by notorious Frank Zappa apologist Ben Watson in his 1994 The Wire review. Coq Au Vinyl is proud to present a one-time only vinyl pressing of Ztfs in a hand-stamped edition of 333 copies (worldwide) in handmade sleeves with audio digitally mastered from an original Japanese CD copy found at a church boot sale in a suburb of Antwerp.


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