The Rubinoos 1976!!! Black and Red vinyl.  Unheard recordings. Pure Rubinoos, but this catches these California brats in a more rough and tumble mode rolling, the covers showing exactly where they were coming from, straight from black music and white-bread versions of that music, from the bubblebum of the DeFranco Family (1973), The Archies (1969) and early Beatles, as well as Jonathan Richman's "Government Center" (they'd played on Richman's version), going into rocking instrumental mode with covers of The Meters (1969) and "Walk Don't Run" (done by Johnny Smith and Chet Atkins in the 1950s but clearly this version is coming from the 1960 version by the Ventures), and a mash up of King Curtis's 1967 "Memphis Stew" with a 1970s Pepsi jingle, complete with cuss words a plenty helping to show how crazy this was, likely trying to show their love for the past and not ignoring the black music but making sure they weren't some retro Beatlemania-type crap, the crazy mash-up followed with the punk-garage of "I Want Her so Bad" (also done by Psycotic Pineapple in 1978 who apparently originally featured Tommy Dunbar from the Rubinoos).  Great set by this group of power poppers when they were wild and crazy and full of piss and vinegar. -- winch (green noise)

he CBS Tapes (due out on June 25, 2021 on Yep Roc Records) chronicles that occasion, and its previously unreleased 11 tracks certainly reveal a wildly diverse set list that includes, yet reaches beyond, the power pop that the band is well known for. Selections range from the Modern Lovers (“Government Center”) to the Meters (“Cissy Strut”); King Curtis (“Memphis Soul Stew”) to the DeFranco Family (“Heartbeat, It’s a Love Beat”). The Rubinoos also tackle the bubblegum classic “Sugar, Sugar,” the iconic surf instrumental “Walk Don’t Run,” and a couple Beatles tunes (“She Loves You” and “I Want to Hold Your Hand”), along with a trio of now-rare originals (“All Excited,” “I Want Her So Bad,” and “Nooshna Kavolta”)

The CBS Tapes captures something unusual—a look into the recording process before it begins in earnest. This isn’t a lo-fi sloppy rehearsal tape, a stripped-down demo, or a polished finished product. Done without second takes and overdubs, the band’s loose, unencumbered live performances exude a joyful energy that embodies the band’s spirit. These recordings do benefit from Glenn Kolotkin’s engineering and mixing on the fly. By 1976, Kolotkin had already worked with acts like Janis Joplin, Journey, and Jimi Hendrix, and would go on to produce Santana, Joan Jett, and the Ramones.

The Rubinoos’ performances also are rather rude and juvenile; not really surprising since Rubin, Dunbar, and drummer Donn Spindt were still in their teens, only bassist Royse Ader had finished high school. Listening to these tapes after so many years made Dunbar think, “What a bunch of foul-mouthed little punks we were,” while Rubin felt their obnoxious behavior and crude language reflect the irreverent, bratty attitude that has always been part of the Rubinoos’ makeup.

Although still teenagers in 1976, these guys weren’t inexperienced. Dunbar and Rubin first formed the Rubinoos as 13-year-olds in 1970, so they could play a dance at their school, Bay High School in Berkeley, California. Spindt took over on drums a year later while Ader became the bassist in 1974. The band joined the fabled U.S. indie label Beserkley Records (Jonathan Richman & the Modern Lovers, Greg Kihn), through Dunbar’s brother Robbie, the guitarist in Beserkley’s first signee, Bay Area rock stars Earth Quake. The Rubinoos’ cover of the DeFranco Family’s “Gorilla” appeared on Beserkley’s Chartbusters sampler.

The Rubinoos’ 1977 self-titled debut attracted a good deal of attention and accolades. New York Rocker proclaimed it “the best pop album of the decade.” The group appeared on American Bandstand and their version of “I Think We’re Alone Now” reached no. 45 on the Billboard Hot 100 and Top 40 in Cashbox. Just last year, the New York Times’ Brian Raftery included the closing track, “I Never Thought It Would Happen,” in his piece “12 Essential Lesser-Known Power-Pop Songs.”

uccess continued with The Rubinoos’ second album, Back to the Drawing Board, featuring the hit single “I Wanna Be Your Boyfriend,” and the band opened for Elvis Costello on his Armed Forces U.S. tour. The ’80s began with an ill-fated third album whose demos were released on 1994’s critically lauded Basement Tapes. The Todd Rundgren-produced mini-LP, Party of Two, contained the popular “If I Had You Back.” The Rubinoos returned triumphantly in 1999 with Paleophonic, which Allmusic described as a “delicious platter [that] picks up where their classic recordings left off.”

The 21st century has seen the Rubinoos still going strong. They have released three studio albums (Automatic Toaster, Twist Pop Sin, and 45), an all-covers album (Crimes Against Music), a children’s music album (Biff-Boff-Boing), three live albums, and several compilations, including a 63-song retrospective Everything You Always Wanted to Know About the Rubinoos.

The Rubinoos reached another career high point with 2019’s From Home. Their Yep Roc debut (and first national release in 40 years) featured the band’s steady lineup since 1980: Rubin, Dunbar, Spindt, and bassist Al Chan. From Home was instigated by acclaimed indie rock troubadour and lifelong Rubinoos fan Chuck Prophet. Together, they created a set of songs that American Songwriter’s Hal Horowitz called “pure, unadulterated, unfiltered, industrial-strength power pop sung by adults who never lost their boyish innocence.”

Now with The CBS Tapes, you can experience the Rubinoos’ unadulterated boyish innocence in all its unfiltered glory.