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Whitlock, Bobby – S/T – Used LP
Whitlock, Bobby – S/T – Used LP
Whitlock, Bobby – S/T – Used LP
Dunhill Records / ABC Reords

Whitlock, Bobby – S/T – Used LP

Regular price $ 15.00 $ 0.00

VG/VG.  (nice shape, especially for an album 50+ years old.).

 

Whitlock 1972. 

The man from Memphis (and Alabama), a lesser known living legend.  While he played on so many great recordings, including uncredited on "Exile on Main Street" this same year, this was his first solo album, and while his other albums had plenty of rock stars play on them, this first one is his best.  Perhaps Derek & the Dominoes was more Bobby Whitlock's album than anyone else, and clearly would have been a completely different (and lesser) album without him, this album is pure Whitlock.  While I might be alone in the following opinion, and we don't always have to rate one album over another (we can just say they are different), for me this is much more enjoyable.  It's a gem. -- winch 

It's interesting to note that around the time of this album, television had purposely began to focus almost entirely on urban settings (unless the show was set in the past), as they realized that most of their viewers were now living in cities, and gradually this plan worked well with manufacturers of clothes and nearly anything.  It really changed the way people think about so many things (and played a huge part in creating the world and mindset of today).  For the next ten years, rural became associated with hillbillies rather than cool anti-establishment figures, and cool would become clean and shiny.  Rural was inbred like the boys in Deliverance, and this had a gradual but huge effect on music.  English artists like Clapton, the Stones, and Elton John could get away with some rural and hillbilly, but in the States, for rock and rollers, it was mostly just Lynyrd Skynyrd.  So it's not surprising that the masses lost interest in artists like Bobby Whitlock (and most of the gritty southern soul singers).  But the music that was so popular owed so much to these musicians from towns like Memphis.  -- winch


Bobby Whitlock Biography by Rob Caldwell: "Though he's best known as a member of the short-lived but groundbreaking group Derek and the Dominoes, Whitlock has had a very impressive musical career. Raised in Arkansas and Memphis, by the time he was a teenager he was playing on many of the sessions at the legendary Stax Studios and was in fact the first white artist signed to Stax Records. With a soulful voice soaked in gospel, R&B, and blues and accomplished keyboard skills, it was only a matter of time before the limelight found him. Upon seeing him perform in a Memphis Club, he was asked by Delaney & Bonnie to join their band. Whitlock would soon be part of  Derek and the Dominoes project. Co-writing many of the songs and playing and singing on most (that's him doing the lead vocal on his own "Thorn Tree in the Garden"), Layla & Other Assorted Love Songs was almost as much a Whitlock album as it was a Clapton album. With the same band, he played on George Harrison's All Things Must Pass and was also an uncredited musician on the Rolling Stones' influential Exile on Main Street a few years later. The 1970s also saw him release four expressive solo albums. The first one, self titled, was released in 1972 and is the best of the bunch.
Raw Velvet featured some of Duanne Allman's most heartbreaking and breathtaking slide playing (uncredited due to contractual legalities) on the track "Dearest I Wonder," recorded shortly before he died. After his 1976 album Rock Your Sox Off, Whitlock layed low for most of the '80s and '90s, living on a farm in Mississippi and doing some session work (though not even much of that). In 1999, he finally returned with the aptly titled It's About Time.

 


 

 


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