It's easy to spot some likely influences here, but what influences coming through depends on what cut you're listening to, Chuck Berry, Nick Lowe, Slade, Skids, Cramps, Bowie and Ramones could all be influences when you listen to it from go to whoa, perhaps all of it connected with both the late 70s UK punk and power pop that clearly had some connection with the then-recent glittery and beer-stained past in the UK (and of course that had a clear connection with American rock n roll from many years earlier), probably built from those pasts and a present-tense need to rock n roll, this motors through the cuts in a machine made of rhythm, a Slant-Six ride with driver and the occupant in the shotgun seat singing and motivatin over the hills, bumper to bumper, side by side, bassline pronounced even when easing into garage at the end, slightly cynical and menacing but fueled up and headed toward some fun with speed and urgency, a Craig deck blasting through some new woofers bouncing on the back window, top down and a strong bottom, slightly stoned on speeders and/or drunk on Stroh's but nothing to interfere it from punching it home. -- winch (green noise)