Dog Shredder - Brass Tacks LP
NEW. GOOD TO DIE RECORDS. It began, as these things sometimes do, after a late-night conversation over cheap beer. The idea was simple, but somehow carried the weight of a creative imperative, even if no one realized it at the time: to learn to play Yes Heart of the Sunrise.
A random notion, to be sure, but one friends and former musical cohorts Josh Holland and Noah Burns couldnt shake. And so the conversation was had during other late nights, over other cheap beers.
Thats the thing about creative imperativesthey can be persistent. Occasionally, they even hold up during the light of day.
But the desire to cover someone elses song, even one as intimidating and epic as the one they had their collective creative eye and ear on does not a band make.
However, Josh and Noah were in more of a position than many to travel the road from the shadowy realm of pure concept to the concrete world of actuality, as theyd spent 10 years playing guitar and drums, respectively, in a thrashy, manic, prog-metal experiment called Cicadas, a band still beloved in their hometown of Bellingham, Wash., despite the fact that they hadnt played a show in years.
So, now they had that creative imperative and a history of fruitful collaboration to base their burgeoning band on. All the duo needed was a bass player and a band nameand, of course, some songs of their own. The first need was met in the form of Jeff Johnson, of Bellingham band the Russians, as well as occasional fill-in bass player for Joshs longtime horror-punk band, Black Eyes and Neckties, and providence provided the second, dropping the name Dog Shredder in their laps, and a band was born.
As for the matter of the songs, those were meticulously crafted in a dark, often cold and sometimes sweaty rehearsal space over the course of more than a year, so that when they were unleashed on a by-now anticipatory public, they would be fully formed and crackling with energy. From the beginning, Dog Shredders music was designed to be a jaw-dropping onslaught of sound and technique that would leave audiences in aweand if the bands that followed them onstage were ever-so-slightly intimidated, that would be O.K. too.
Dog Shredder accomplished this then, as now, with a foundation of impeccably played metal, overlaid with impossibly fast technical guitar playing and ridiculously nimble drumming, anchored by strong bass lines, broken up by tricky time signatures and informed by a collective love of bands like Botch, Battles, and Nomeansno. Needless to say, this is a band that purposefully defies easy categorization. In short, Dog Shredder somehow manages, through sheer musicianship, to dance on the razors edge between innovation and inaccessibilitya neat trick they pull off with seeming effortlessness. That high-wire act, performed at their unbridled live shows, has led Seattles Stranger to dub them downright unfuckwithable, which is a description as accurate as it is succinct.
Since those early days, the band has played frequently, sharing stages with everyone from Melt Banana to Marnie Stern, Helmet to Black Cobra, earning dedicated fan bases in the highly critical and discerning music scenes of Seattle and Portland. As well, theyve toured regularly, garnering new fans up and down the West Coast and beyond.
Dog Shredder has also put in no small amount of time at Portlands Toadhouse Studio, the result of which has been a pair of albums, the Boss Rhino EP, as well as the forthcoming Brass Tactics, a vinyl release on Seattles Good to Die Records. The albums are a perfect distillation of the calculated chaos that comprises Dog Shredders live sounda phenomenon that shouldnt even be possible, but, much like everything else concerning this band, somehow is.
And, in case you were wondering whether they ever made good on the creative imperative that spawned them, yes, Dog Shredder did indeed learn Heart of the Sunrise. Ask them real nice and they might even play it for you. [CR]