{"title":"September 2026","description":"\u003ch1\u003enew releases, reissues, restocks, preorders, preorder arrivals, and used records added to the Green Noise website (or marked down) during September 2026!\u003c\/h1\u003e\n\u003cp\u003e(If you want to only see new releases that were recorded in\u003cspan\u003e \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/2026\"\u003e2026\u003c\/a\u003e\u003c\/span\u003e see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.)\u003c\/p\u003e","products":[{"product_id":"miracle-workers-moxies-revenge-lp","title":"Miracle Workers - Moxie's Revenge [COLOR VINYL] – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ePortland Garage Punk! \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis album contains the classic August 1983 recording session that produced some of the Miracle Workers’ earliest releases. Three songs wound up on their debut 45 on Moxie while another two wound up on their Sounds Interesting EP. The remainder are unreleased garage masterpieces! Gatefold but no poster.  \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=66355180\/size=small\/bgcol=333333\/linkcol=9a64ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/moxies-revenge\"\u003eMoxie's Revenge by Miracle Workers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"GREEN VINYL","offer_id":44490114072737,"sku":"SKU-31837","price":19.0,"currency_code":"USD","in_stock":true},{"title":"PURPLE VINYL","offer_id":44490114105505,"sku":"SKU-31838","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2091067489_10.jpg?v=1659995296"},{"product_id":"mike-rep-and-friends-darby-creek-drifter-lp","title":"Mike Rep And Friends - Darby Creek Drifter – New LP","description":"\u003cp\u003eThe name Mike \"Rep\" Hummel means many things to different people. Many equate Rep with 70's \"Proto-Punk\", 80's\"D.I.Y.\" or a pioneering founder of 90's \"Lo-Fi\" (Rep prefers the term \"Mega-Fi\" himself). Along with his bands Mike Rep \u0026amp; The Quotas \u0026amp; the seminal (Ohio) True Believers, he was also a a cohort in the 90's Columbus \"supergroup\" Ego Summit among a plethora of other Ohio band involvements. Also known for recording and\/or mixing (\"Lovingly Fucking With\") such bands of note as Times New Viking, Jim Shepard, The Gibson Brothers, Strapping Fields Hands, Mount Carmel and dozens of others, mostly in their formative garage\/basement incarnations. \"I prefer deflowering to retooling. Both present worthwhile challenges but working with virgin talent won't get you an STD\" he once infamously said. Still others remember him for his groundbreaking Columbus Ohio homegrown label \"New Age Records\" (named before there was such a thing as New Age music) which evolved into the 80's\/90's cassette pioneering signpost to new space \"OldAge\/NO Age\" label through the 90's. And so the name Mike Rep Hummel has a polarizing effect on many who either admire or deride his body of work. Hummel's new record \"Darby Creek Drifter\" is one that is sure to draw the line even deeper into the sand. Rep sez; \"As my pal Bob Pollard\" once quipped, \"this does not rock\". But it rolls baby, it rolls.\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0qVK0bcqvLQ?si=TNi5tLjkwQEn_VKg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA1 Kansas Legend\u003c\/strong\u003e Bass – Jerry Felty Mandolin – Dave Townsend (4) Written-By – McKinnon*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA2 Book Taped To My Forehead\u003c\/strong\u003e Lead Guitar – Johnny Furnace, T.A. Lafferty Written-By – R. House*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA3 It's A Fright\u003c\/strong\u003e Written-By – J. Felty*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA4 Wreck On The Highway\u003c\/strong\u003e Written-By – D. Dixon*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA5 Pale Blue Eyes\u003c\/strong\u003e Featuring – The General (6), Tommy Jay Performer – Harrisburg Players* Written-By – V.U.*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA6 Grandfather's Clock\u003c\/strong\u003e Other – Don Rep And Red Written-By – H.C. Work*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB1 Long Nosed Gar\u003c\/strong\u003e Bass, Vocals – Jerry Felty Drums, Vocals – Jen Eling Performer – Sherry Gingery, Ted Lust Written-By – Hummel*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB2 She's An Outsider \u003c\/strong\u003eWritten-By – Hummel*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB3 Doesn't Take Away The Pain\u003c\/strong\u003e Written-By – T. Lust*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB4 Mr. Bo Derek \u003c\/strong\u003eLead Guitar, Acoustic Guitar, Drums – Nudge Squidfish Lyrics By [Additional] – Hummel* Written-By – JJ Walker*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB5 From A Stone Bass\u003c\/strong\u003e – Jerry Felty Written-By – Hummel*, T. Devin*\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eB6 Five To One Drums\u003c\/strong\u003e – Jen Eling Performer – The Jack Taylor Singers Written-By – The Doors\u003c\/p\u003e","brand":"540 Records","offers":[{"title":"Default Title","offer_id":998202303,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-6115225-1411512022-8035.jpg?v=1660529287"},{"product_id":"egrets-on-ergot-serve-us-tender-12","title":"Egrets On Ergot  - Serve Us Tender – Used 12\"","description":"\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003eVinyl: NM (never played)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003eSleeve: VG+ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003eA\u003c\/span\u003ell songs: \u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eplayed by Heather Galipo, Adam Brooks, Matt Sherin, Jose Molina \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=611101198\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/egretsonergot.bandcamp.com\/album\/serve-us-tender-ep\"\u003eServe Us Tender EP by Egrets on Ergot\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"Iris Seen\" and \"Raven's Ravine\" \u003cbr\u003ewritten by Egrets on Ergot + Madison Wise \u0026amp; \u003cspan id=\"package_description_1\" class=\"peekaboo-text\"\u003eConstancio Sanchez \u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003esecond guitar: \"Iris Seen\", \"Joke On Round Eye\", and \"Ravens' Ravine\" played by David Cluff \u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003ePaul Roessler: keys on \"Skin To Soul\" and \"Exfoliate\" \u003cbr\u003evocals on \"Ravens' Ravine\" \u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eengineered\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_1\" class=\"peekaboo-text\"\u003e and produced \u003cbr\u003eby Paul Roessler \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Plastic Shaman Records","offers":[{"title":"Default Title","offer_id":19594264963,"sku":"","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0220263469_10.jpg?v=1660066802"},{"product_id":"warsong-control-lp","title":"Warsong - Control [MARKED DOWN] - New LP","description":"After leaving their mark on three continents, Zaragoza, Spain’s WARSONG are back with a new 12\", their first sung entirely in Spanish. This is their most complexly rich record to date - an arresting soundtrack for dark times. Those who have been following this band for a while will also notice less distortion, longer and more elaborated song structures, and an unexpected treat on “Dejando Atrás” featuring guest vocals from the singer of ACCIDENTE. I’d be hard pressed to find a current comparison because WARSONG has few musical contemporaries- they are truly carving out their own path. I hear the convergence of diverse elements such as THE ONLY ONES, early NEW ORDER, the WIPERS, SONIC YOUTH, and THE RAMONES blended up and spewed out against the neoliberal end times.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4201267118\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/sabotagerecords.bandcamp.com\/album\/warsong-control-lp\"\u003eWarsong – Control lp by sabotagerecords\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":37112595513505,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/warsong.jpg?v=1584212906"},{"product_id":"ch3-put-em-up-lp","title":"Channel 3 - Put 'Em Up - New LP","description":"\u003cp\u003eIncludes special die-cut stencil insert. Limited edition red vinyl. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Was this album recorded in 2017? I need to double-check…yes! Yes, it was.\u003c\/p\u003e\n\u003cp\u003eThe latest release from Southern California punks\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4290876359\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/channelthree.bandcamp.com\/album\/put-em-up-2\"\u003ePut 'Em Up by CH3\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003eChannel 3, also known as CH3, encompasses everything good about early 80s punk rock. Featuring cacophonous vocals with healthy injections of reverb, devil-may-care attitude to lyricism, amalgamate instrumental styling, and an overall raucous joy permeating throughout,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePut ‘Em Up\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis dripping with old school vibes albeit without ever feeling encased in boring nostalgia. Instead the 10 songs comprising the record are a roller coaster from start to finish–and you will be glad you took the ride!\u003c\/p\u003e\n\u003cp\u003eTheir first full-length LP in more than a decade, CH3’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePut ‘Em Up\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emanages to walk the tightrope of sounding aggressive without being frightening or unapproachable. Instead we find an overall silliness and immaturity built from ‘80s teen angst carried over into adulthood. And it works. Is it pure, unadulterated escapism? Absolutely! And what’s wrong with that? In our often unbelievably insane times, acne-ridden, testosterone-drenched shenanigans can be as good a medicine for stressful days as it was then.\u003c\/p\u003e\n\u003cp\u003eYet, like any great punk band, CH3 do not shy away from political dialogue. The album’s title track (and music video–see below) make no bones about expressing anger at our president and his policies. Lyrics such as “It’s not the same \/ These voices of change \/ Was once discussion now a spitting rage \/ Bring us your tired, bring us your poor \/ Just drop ‘em off at the prison doors” and “When they come will you put up a fight?” are an unabashed rallying call against corrupt authority. Considering much of what we now define as “punk rock attitude” grew from the political climate of Reagan and Thatcher, it is practically the genre’s duty to act as a mouthpiece for the disenchanted.\u003c\/p\u003e\n\u003cp\u003e\"Though listeners could argue that the album lacks the bite that early ‘80s singles such as “Catholic Boy” and “Got a Gun” delivered,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePut ‘Em Up\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003estill packs a fair punch. Tracks including “Model Citizen,” “Not That it Matters,” “The God That You Deserve,” to name a few, prove the band has not only kept their initial aggression but also learned to focus it. Yes the simplistic, unrefined crunch of their early recordings has given way to a somewhat more polished sound–albeit one not far at all from that of their early days. It shows the band’s growth, crafting songs which are both cohesive and chaotic at once. Meanwhile, mellower entries such as “Half the Day” as well as the deftly executed cover of Ella Fitzgerald’s “Blue Skies” help break up any monotony while showcasing the band’s virtuosity in different styles and genres.\" - Shockwave\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eChannel 3 (CH3) easily qualifies as one of the most underrated bands in the history of OC punk... a hybrid punk experiment that toes the line between the old school grit of bands like the Germs, and the hook-heavy sensibility of The Replacements. -Noisey \u003c\/p\u003e","brand":"TKO Records","offers":[{"title":"Default Title","offer_id":2454352855064,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2856102505_10.jpg?v=1531018651"},{"product_id":"sharon-jones-and-the-dap-kings-100-days-100-nights-lp","title":"Sharon Jones and the Dap-Kings - 100 Days, 100 Nights - New LP","description":"Renowned Soul and Funk band Sharon Jones \u0026amp; the Dap-Kings released 100 Days, 100 Nights on their self-owned independent label, Daptone Records. Since the 2005 release of their Naturally LP, the band has continued to build a worldwide following for their raw soulful recordings and blistering live performances. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=33074880\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/100-days-100-nights\"\u003e100 Days, 100 Nights by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eLike the highly acclaimed Naturally LP before it, 100 Days, 100 Nights was recorded in their self-built, self-operated, all analog recording studio in Bushwick, Brooklyn and bares the unmistakable Daptone Soul Sound - highly in demand among music fans and tastemakers alike. In the 2007, producers such as Kanye West, Mark Ronson, Hank Shocklee, and Kenny Dope have been among those who came knocking at Daptone's door seeking the inimitable Dap-Kings sound. The Dap-Kings lend a tougher edge to their own productions for such artists as Rhymefest, Lily Allen, Ghostface Killah and Amy Winehouse. Meanwhile, Sharon Jones herself has passed the time between touring lending her soulful voice to projects for Lou Reed, Rufus Wainwright, They Might Be Giants and others.","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":3355542650904,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0145800625_16.jpg?v=1593211284"},{"product_id":"andre-williams-poor-mr-santa-7-used","title":"Williams, Andre ‎– Poor Mr. Santa - Used 7\"","description":"\u003cp\u003eVG+\/VG+\u003c\/p\u003e","brand":"Norton Records","offers":[{"title":"Default Title","offer_id":12405503852614,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-3313209-1455038314-4274_jpeg.jpg?v=1535925986"},{"product_id":"shadowy-men-on-a-shadowy-planet-sport-fishin-new-lp","title":"Shadowy Men on a Shadowy Planet - Sport Fishin' - New LP","description":"\u003cp\u003ereissue of 1993 long player, second LP and final vinyl for this outfit.  People could have been a lot happier in the 1990s if they would have stuck with this band. -- winch \u003c\/p\u003e\n\u003cp\u003e(Also available in the Sporting Good Department of Walmart, which is oddly true.  I think they must have thought it really was all about sport fishin')\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2175920109\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shadowymen.bandcamp.com\/album\/sport-fishin-the-lure-of-the-bait-the-luck-of-the-hook\"\u003eSport Fishin':  The Lure of the Bait, The Luck of the Hook by Shadowy Men on a Shadowy Planet\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003e\"Sometimes having the right guy at the controls can make all the difference.\u003cspan\u003e \u003c\/span\u003eShadowy Men on a Shadowy Planet\u003cspan\u003e \u003c\/span\u003ehad made some great records with\u003cspan\u003e \u003c\/span\u003eCoyote Shivers\u003cspan\u003e \u003c\/span\u003eas producer, but for 1993's\u003cspan\u003e \u003c\/span\u003eSport Fishin': The Lure of the Bait, the Luck of the Hook, the trio left their Canadian homeland and booked time in Chicago with engineer and gadfly\u003cspan\u003e \u003c\/span\u003eSteve Albini.\u003cspan\u003e \u003c\/span\u003eAlbini\u003cspan\u003e \u003c\/span\u003edid nothing to alter the group's musical approach, but on\u003cspan\u003e \u003c\/span\u003eSport Fishin'\u003cspan\u003e \u003c\/span\u003ehe gave their recordings a sonic backbone\u003cspan\u003e \u003c\/span\u003ethe Shadowy Men\u003cspan\u003e \u003c\/span\u003ehad never managed before.\u003cspan\u003e \u003c\/span\u003eAlbini's talent for capturing great guitar and drum sounds did wonders to beef up the tone of\u003cspan\u003e \u003c\/span\u003eBrian Connelly's six-string work (the song title \"We're Not a Fucking Surf Band\" might have been a bit much, but here the protest seems justified), and numbers like \"Farbs,\" \"That Wuz Ear Me Callin' a Horse,\" and \"Honey, You're Wasting Ammo\" allowed him to make the most of the more robust audio. Bassist\u003cspan\u003e \u003c\/span\u003eReid Diamond\u003cspan\u003e \u003c\/span\u003eand drummer\u003cspan\u003e \u003c\/span\u003eDon Pyle\u003cspan\u003e \u003c\/span\u003ewere similarly well served in the mix, and the group's collective performances rank with their very best, technically dazzling and full of wit and imagination.\u003cspan\u003e \u003c\/span\u003eSport Fishin'\u003cspan\u003e \u003c\/span\u003eis\u003cspan\u003e \u003c\/span\u003eSMOASP's hardest-hitting recording, and the band managed to do it without losing their personality along the way; the songs still owe their greatest inspiration to several generations of instrumental pop and rock, and the fact the band had the opportunity to crank up the amps and hit things harder doesn't rob them of their melodic sensibility or their wit.\u003cspan\u003e \u003c\/span\u003eSport Fishin': The Lure of the Bait, the Luck of the Hook\u003cspan\u003e \u003c\/span\u003ewould prove to be the last album from\u003cspan\u003e \u003c\/span\u003eShadowy Men on a Shadowy Planet, but it saw them going out on a high note.\" -- Mark Deming\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yep Roc Records","offers":[{"title":"Default Title","offer_id":29411587424326,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Shadowy_Men_on_a_Shadowy_Planet_-_Sport_Fishin.jpeg?v=1569375447"},{"product_id":"x-under-the-big-black-sun-new-lp","title":"X - Under The Big Black Sun - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1030566542\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/xtheband.bandcamp.com\/album\/under-the-big-black-sun\"\u003eUnder The Big Black Sun by X\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eA lot of people consider 1982's UNDER THE BIG BLACK SUN to be X's best album. And even those people who don't think it's their best album still consider it one of the best albums of the '80s.\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cul class=\"tralbumCommands dupe_purchases_fix\"\u003e\n\u003cli class=\"buyItem package\"\u003e“X’s first album issued on a major label, 1982’s Under the Big Black Sun, is arguably their finest record. All 11 songs are exceptional, from both a performance and compositional point of view. Ray Manzerek’s production is more akin to hard rock bands than their earlier punk works, but the songs still pack quite a punch. Before the recording of the album, singer Exene Cervenka’s sister was killed by a drunk driver, and the band decided to work out their grief in the music, as evidenced by two of the album’s best tracks: the melodic “Riding With Mary” and the vintage ’50s sound of “Come Back to Me.” The highlights don’t stop there, however; also included are the Led Zepplin’esque “The Hungry Wolf” (an early video favorite of MTV), the accelerating “Motel Room in My Bed,” the rocker “Blue Spark,” the spacious title track, and the album closer “The Have Nots.” Again, Cervenka and John Doe supply some great vocal harmonies (perhaps the only punk band to ever do so), while Billy Zoom shows off great rockabilly chops throughout. Under The Big Black Sun is one of the quintessential rock records from the ’80s.” – G.Prato\n\u003cdiv id=\"package-price-982197196\" class=\"ft\"\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":29480068382790,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3313473600_10.jpg?v=1750832069"},{"product_id":"peebles-ann-straight-from-the-heart-new-lp","title":"Peebles, Ann - Straight From The Heart - New LP","description":"\u003cp\u003eEssential 1971 set, some insane understated guitar and then keyboard coming to the front on the mini bridge, horns helping punch it home, rock solid rhythm section for the foundation that backs Ann without getting in the way.  That's just the opening cut, and the set never lets up, slinking in close and taking hold, grabbing you right from the get go and never letting go, \u003cmeta charset=\"utf-8\"\u003estaying strong from go to whoa.  Talk about totality and tight, in the pocket, bass, drum, and guitar in sync with Ann as she takes it all in and makes it her own, beauty and grit, funk and soul.  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=634545499\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/annpeebles.bandcamp.com\/album\/straight-from-the-heart\"\u003eStraight From The Heart by Ann Peebles\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf Al Green is heads on the Hi Records coin, ANN PEEBLES is tails. The signature female artist on the legendary Memphis soul and R\u0026amp;B label, Ann Peebles rocked the pre-disco '70s with songs of love, lost love, and love straight up taken. Released in 1972, Straight From The Heart preceded by just two years Peebles' über-classic, I Can't Stand The Rain, proving the young, soon to be American R\u0026amp;B icon didn't need worldwide fame and record sales for a license to be fierce and provocative (see the album track \"I Feel Like Breaking Up Somebody's Home Tonight\").\u003c\/p\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30901114994825,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/annstraight_36872425-a48f-4e77-b009-452bd1ada4f2.jpg?v=1571721912"},{"product_id":"unreleasables-the-solitary-confinement-new-lp","title":"Unreleasables, The - Solitary Confinement - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eUnreleasables- Solitary Confinement LP.  London derelicts, the Unreleasables, sonicly proclaim it's out with the new and in with the old on their most crude 'n corrosive slab to date.  Across twelve putrid inches, the Unreleasables blast through a high-octane mix of disdain and disharmony making 'Solitary Confinement' your safety pin sanctuary for nasty biting Punk Rock.  \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=290710294\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theunreleasables.bandcamp.com\/album\/solitary-confinement\"\u003eSolitary Confinement by The Unreleasables\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThis is Punk built on guitar riffs -- mean, angry, and measured -- paired with equally aggro production that works well with their agitated, chaotic sounds.  You can practically smell the beer flying through yer speakers as the Unreleasables tear through twelve brash cuts that sound like an inebriated, molotov-concoction of the Dead Boys, Pagans, Zero Boys, Ramones and the Dwarves.   It’s all 1-2-FUCK-YOU Punk Rock with loud slashing guitars and snotty vitriolic vocals from a band that forges their influences into their own nihilistic, sonic edge.  Delightfully rotten sounds from London with super cool looking solitarily stoned cover art by Darren Merinuk.  Includes an insert lyrics sheet.\u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Dead Beat Records","offers":[{"title":"Default Title","offer_id":30984349188233,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Unreleasables-_Solitary_Confinement.jpg?v=1572230350"},{"product_id":"tomy-the-cougars-ambush-new-lp","title":"Tomy \u0026 the Cougars – Ambush – New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=539604662\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/tomyandthecougars.bandcamp.com\/album\/ambush\"\u003eAMBUSH by TOMY \u0026amp; THE COUGARS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"title\"\u003eTOMY \u0026amp; THE COUGARS \u003c\/span\u003e\u003cspan class=\"location secondaryText\"\u003eMarseille, France\u003c\/span\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn these tough times and from the most beautiful city of France, TOMY \u0026amp; THE COUGARS brings you catchy punk rock mixed with an equally energetic power pop. Melodies, guitars, passion, attitude, this is what humanity request before the end of the world!\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWow total earblast here! Tomy And The Cougars spark that classic '78-'80 era of bouncy punk\/power pop electricity and carve out some seriously catchy ear candy on this primo snot-punk slab. You can totally tell these guys light their snotty, 3-chord, firecrackers offa the charred, smoldering, wick of first wave pop-boppers like The Buzzcocks, The Boys, Protex and The Undertones. With infectious vocal harmonies and a jagged, interweaving twin guitar attack, Tomy And The Cougars lay down nearly a dozen two minute blasts of contagious juvenile fun. A sweaty Ritalin fueled rager cut from the same tattered cloth as fellow miscreants The Stitches, Modern Pets, The Gaggers and The Briefs. Recorded by Rudy Romeur from La Flingue and The Irritones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRecorded, mixed and mastered by Rudy \"Rock\" Romeur somewhere in Maseille, march 2016\u003cbr\u003ePhoto by Marion Haering\u003cbr\u003eArtwork by Olivier Gasoil\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Dead Beat Records","offers":[{"title":"Default Title","offer_id":30986262216841,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/tomy.jpg?v=1572326841"},{"product_id":"reatards-grown-up-fucked-up-new-lp-2","title":"Reatards - Grown Up, Fucked Up - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2407813321\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/thereatards.bandcamp.com\/album\/grown-up-fucked-up\"\u003eGrown Up, Fucked Up by The Reatards\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e2nd album of pure teenage attack from Jay Reatard, this time with Sean Albundy and Rich Crook playing guitar \u0026amp; drums, and recorded with Alicja Trout (Lost Sounds). For this reissue, the original DATs were used to stay as close to the sound of the original lp as possible. The three incredible tracks from Empty's \"Your So Lewd\" 45 are included as well. Liner notes by Meghan Smith, Eric Friedl, and Zac Ives.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePut the needle down or push play on the cd player, and stand back.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the opening chords of \"Blew My Mind,\" you'll be hooked. Complete classic garage punk explosion, Memphis style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eShortly after the release of Teenage Hate, the debut album from the Reatards, an 18-year-old Jay Reatard started working on a new album. He was spitting out punk rock anthems a mile a minute at this point, so a new record made sense. And what else was there to do? He’d quit school a couple years back so a normal day for Jay meant he was bumming around midtown Memphis winding people up. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt this point, Eric Friedl had introduced Jay to Meghan Smith, via mail or phone or something. And they became fast friends. Smith and Blake Wright ran Empty Records out of Seattle, and the label made plans to release Grown Up Fucked Up. After a complete mess of a European tour with the Persuaders, Jay came back and recorded the album with some help from his girlfriend at the time (and future Lost Sounds bandmate) Alicja Trout. It soon became clear that there was a harder edge to everything. While Teenage Hate had been nasty, it was rooted in the Crypt \/ Oblivians scene of scuzzy rock, with covers of Fear, but also Buddy Holly. Grown Up Fucked Up was a power pogo into Killed By Death-style punk rock. The songs jumped off the record and grabbed you by the throat. They were passionate, ridiculous and utterly authentic. It wasn’t too long afterwards that he put out the equally amazing “Your So Lewd” single (now included on the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ealbum as well). Like everything Jay did, he did it his way. His recordings hold up because they are completely unique. He created a scene full of imitations, but no one duplicated him.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eGoner wanted to make sure they stayed true to Jay’s aesthetic with the repress, so they didn’t mess with it much. Smith sent over the original DAT recordings and the record was sourced directly from them. Kyle Johnson at Rocket Science Audio handled the transfer, and Jason Ward mastered to vinyl. Doug Easley took care of the digital mastering. The record was pressed at Memphis Record Pressing. Man, Jay would have loved that so much of this happened in Memphis. Goner is proud to put it out there again: Grown Up Fucked Up by the Reatards.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Goner Records","offers":[{"title":"Default Title","offer_id":31008881148041,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Reatards_-_Grown_Up_Fucked_Up_7c8d36e4-4855-4a63-8b49-03767a5732dc.jpg?v=1572549590"},{"product_id":"moar-future-furby-new-lp","title":"MOAR – Future Furby [IMPORT GREEN NOISE USA EXCLUSIVE] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGREEN NOISE US EXCLUSIVE!!! Only available in the US through Green Noise Records!!!  Limited copies. \u003c\/h1\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2016258600\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/bellybuttonrecords.bandcamp.com\/album\/future-furby\"\u003eFuture Furby by MOAR\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e17 songs recorded in May 2017 in a big garage box in Antwerp\u003cbr\u003eRecorded and mixed by Rafael at Tooth Mountain\u003cbr\u003eMastered by Thomas Valkiers at Hightime Studio\u003cbr\u003e\u003cbr\u003eFB:\u003cspan\u003e \u003c\/span\u003ewww.facebook.com\/MOAR-449435968489882\/\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eManu Mahie \/ drums\u003cbr\u003eVictor Goemaere\/ bass\u003cbr\u003eRafael Valles Hilario\/ Voc + Git + Bullshit\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sound is filthy fuzzy as the lint in your belly button...fuzzy as a bare wire sizzling in a puddle of mud on a cement floor...fuzzy as a teddy bear wrapped in bare wire behind the dryer in your aunt's basement.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Belly Button Records","offers":[{"title":"Default Title","offer_id":31562384441481,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2323217945_16.jpg?v=1577780468"},{"product_id":"king-dick-the-machine-new-7","title":"King Dick – The Machine – New 7\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGREEN NOISE US EXCLUSIVE!!! Only available in the US through Green Noise Records!!!  Limited copies. \u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eSix highly distorted up!tempo drumcomputer punk tunes by Wim De Busser aka King Dick. Angry like a banana-fish, lovely like a poopoo.\u003cbr\u003eRecorded, mixed and mastered at the magic desk studio.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3030916107\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/bellybuttonrecords.bandcamp.com\/album\/the-machine\"\u003eThe Machine by King Dick\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 22, 2018\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003elicense\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Belly Button Records","offers":[{"title":"Default Title","offer_id":31562519609481,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3477899171_16.jpg?v=1577782443"},{"product_id":"bad-brains-rock-for-light-new-lp","title":"Bad Brains - Rock For Light – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBad Brains Records is proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek and bass player Darryl Jenifer. In addition to new mixes, that version used an altered track order. \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains’ recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACK LISTING\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA1 Coptic Times\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA2 Attitude\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA3 We Will Not\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA4 Sailin' On\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA5 Rally Round Jah Throne\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA6 Right Brigade\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA7 F.V.K. (Fearless Vampire Killers)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA8 Riot Squad\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eA9 The Meek Shall Inherit The Earth\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB1 Joshua's Song\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB2 Banned In D.C.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB3 How Low Can A Punk Get\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB4 Big Takeover\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB5 I And I Survive\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB6 Destroy Babylon\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB7 Rock For Light\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eB8 At The Movies\u003c\/strong\u003e\u003c\/p\u003e","brand":"Bad Brains Records","offers":[{"title":"Default Title","offer_id":31971925885065,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-385506-1308549430_jpeg.jpg?v=1580033653"},{"product_id":"tuff-guac-green-and-handsome-new-lp","title":"Tuff Guac – Green and Handsome [Marked Down IMPORT GREEN NOISE USA EXCLUSIVE GREEN VINYL – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGREEN NOISE US EXCLUSIVE!!! Only available in the US through Green Noise Records!!!  Limited copies. \u003c\/h1\u003e\n\u003ch1\u003e\u003cem\u003e NOTE: Bottom right corner got creased in route from Belgium.\u003c\/em\u003e\u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"leftColumn\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eTuff Guac is Rafael Valles Hilario's (MOAR, Brorlab, The Jagged Frequency, Belly Button records) solo project. This record contains 13 catchy garage cowboy pop tunes. All music was written, performed, recorded and mixed by Rafael at Tooth Mountain studio late 2018 - early 2019.\u003cbr\u003e\u003cbr\u003eMost songs come from quick bedroom recordings made in the morning when I had a low crunchy voice. The belly button cassette \"At The Office\" was the precursor of this project. I think this is the most spontaneous music I can produce for the moment as it's not made with any goals or expectations from me or somebody else. Maybe the next record will be something totally different! We'll see, it was just a shitload of fun making these noises and I hope you enjoy them to!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1074778699\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=683578180\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/bellybuttonrecords.bandcamp.com\/album\/green-and-handsome\"\u003eGreen and Handsome by Tuff Guac\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1074778699\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=173491575\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/bellybuttonrecords.bandcamp.com\/album\/green-and-handsome\"\u003eGreen and Handsome by Tuff Guac\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased February 21, 2020\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1074778699\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=364383912\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/bellybuttonrecords.bandcamp.com\/album\/green-and-handsome\"\u003eGreen and Handsome by Tuff Guac\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1074778699\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/bellybuttonrecords.bandcamp.com\/album\/green-and-handsome\"\u003eGreen and Handsome by Tuff Guac\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Belly Button Records","offers":[{"title":"Default Title","offer_id":32741514281097,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2589822612_16.jpg?v=1584068347"},{"product_id":"bobkat-65-back-off-me-new-lp","title":"BOBKAT'65 – Back Off Me – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnother essential listen from the Get Hip label,  \"Inspired by mid-1960s American Teenbeat Kiddie Garage records, three friends from Northern Spain decide to form a band...\" I'm not sure exactly what \"Teenbeat Kiddie Garage\" refers to, maybe some tag they use in Europe or maybe something others know about from reading about 1960s music...I never do much reading about music... but this is great like a birthday cake, a knockout combo of the best sounds from the 1960s, girl group, bubblegum, American garage, British Invasion...both the popular top-40 girl group sounds and the more low budget stuff that ended up on Scopitone machines and dinky labels from America and from other countries...the band exploring different tones, tempos, moods and styles to keep it a joy from go to whoa, like ten Piece-A-Cake Lipsmacker kisses on the warm seat of a minibike. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2705816844\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bobkat65.bandcamp.com\/album\/bobkat65-back-off-me\"\u003eBobkat'65 - Back Off Me by BOBKAT'65\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eInspired by mid-1960s American “Teenbeat Kiddie Garage” records, three friends from Asturias in Northern Spain, ANA (Guitar \u0026amp; Vocals), PAULA (Bass \u0026amp; Vocals) and DIEGO (Drums), decide to form a band. Even their name is unique, inspired by the BOBKAT model guitar manufactured by the Harmony Company in the mid-60s.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn July 2017 GET HIP released BOBKAT ’65’s debut album, unifying theme mirrors that of the vast majority of tunes featured on the Pebbles and Teenage Shutdown compilation series: loneliness—the feeling of being an outcast, finding it difficult to fit in. Songs range in style from moody ballads to beat-pounding, punk-tinged rants influenced by well-known ’60s garage groups like The Dovers, Billy \u0026amp; The Kids, The Nightcrawlers, and Thursday’s Children–all delivered, of course, with BOBKAT’65’s unique Kiddie Teenbeat Garage Rock vibe. With these masterpieces they toured all Europe before they were ready to record again.  \u003cspan class=\"bcTruncateMore\"\u003eFor their second full-length “BACK OFF ME” the band has enlisted ace Detroit garage producer Jim Diamond. While the style and influences remain the same, their new songs show significant improvement in writing skills, arrangement choices and performance. They showcase the band’s maturity and skillfullness while keeping their ever-present love for the Teenbeat sounds that inspired them intact.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 25, 2019\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33044322844809,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/GH-1966.jpg?v=1585348127"},{"product_id":"outtacontroller-sure-thing-new-lp","title":"Outtacontroller – Sure Thing [IMPORT marked down]– New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ewith a kick blend of pop and punk-rock punch, power pop at its finest, a mix of The Nerves and Cheap Trick, \u003c\/span\u003e\u003ca data-auth=\"NotApplicable\" href=\"https:\/\/greennoiserecords.us16.list-manage.com\/track\/click?u=71a799573e6005b7f0e86c48b\u0026amp;id=717a8b9b9c\u0026amp;e=411c4e91bf\" target=\"_blank\"\u003eDirtnap\u003c\/a\u003e\u003cspan\u003e and the garage pop of the \u003c\/span\u003e\u003ca data-auth=\"NotApplicable\" href=\"https:\/\/greennoiserecords.us16.list-manage.com\/track\/click?u=71a799573e6005b7f0e86c48b\u0026amp;id=3d843f6b17\u0026amp;e=411c4e91bf\" target=\"_blank\"\u003e1960s\u003c\/a\u003e\u003cspan\u003e, soda pop with a shot of whiskey, good times with a cloud of melancholy hanging around without spoiling the fun or the forward motion that the school of \u003c\/span\u003e\u003ca data-auth=\"NotApplicable\" href=\"https:\/\/greennoiserecords.us16.list-manage.com\/track\/click?u=71a799573e6005b7f0e86c48b\u0026amp;id=7ad565aebc\u0026amp;e=411c4e91bf\" target=\"_blank\"\u003eRamones\u003c\/a\u003e\u003cspan\u003e taught us, the torch is passed like the last cigarette in the pack, take three chords and pass it on\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3717042889\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;lt;a href=\"http:\/\/aliensnatch.bandcamp.com\/album\/outtacontroller-sure-thing\" data-mce-href=\"http:\/\/aliensnatch.bandcamp.com\/album\/outtacontroller-sure-thing\"\u0026amp;amp;amp;gt;OUTTACONTROLLER - Sure Thing by ALIEN SNATCH! RECORDS\u0026amp;amp;amp;lt;\/a\u0026amp;amp;amp;gt;\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003efasterandlouderblog.blogspot.com\u003cspan\u003e \u003c\/span\u003e(USA)Outtacontroller has been around so long that it's kind of hard to believe that its new album Sure Thing is only its third full-length. The Halifax, Nova Scotia foursome was at the center of an incredible wave of Canadian-based powerpop\/punk bands in the early 2010s. And while the band has customarily gone several years between albums, it has never really stopped being the quintessential buzz-saw punk\/pop group. Longtime mainstays of the illustrious P. Trash Records (RIP), Outtacontroller have now turned up where almost every great powerpop\/punk band eventually lands: Alien Snatch Records! Sure Thing does not mess with a winning formula. It sticks to Outtacontroller's signature style of power pop meets garage punk meets the almighty Ramones. The band delivers ten tracks of thumping punk pop that ought to be cranked loud in the car en route to a night of fun times. Sure Thing offers up a solid mix of Ramones-inspired punk tunes (\"Glassy Eyes\", \"You For You\"), powerful pop numbers (\"Too Soon\", \"Operator\"), and big hooky rockers (\"Don't Need It\") to get your head bobbing and your toes tapping. Singer\/guitarists Terry A'hearn and James O'Toole handled the production themselves, and the record sounds absolutely great\u003cspan class=\"bcTruncateMore\"\u003e. Of course I'm a huge fan of this musical style, and Outtacontroller have put on a clinic on how to pull it off. Sometimes you don't need a band to reinvent the wheel. If you like good, simple punk tunes executed with energy and enthusiasm, you will be inclined to say that this is an album that very much lives up to its title.(Josh Rutlegde)\u003cbr\u003e-------------------\u003cbr\u003erpmonline.co.uk\u003cspan\u003e \u003c\/span\u003e(UK) Wielding buzz saw guitars, power-punk riffs, and fuzzed-out garage vocals OUTTACONTROLLER comes crashing out of the gates of North End Halifax with frantic, gritty pop songs about girls, gumption, and graveyards. As soon as the first sonic blast hits the airwaves you know you’re in safe power pop punk rock hands as the familiar Ramones influence of lush melodies infuse with that caustic Buzzcocks raw guitar and skin-tight percussion. Hell as the record unfolds its like the layers of an onion as the influences get peeled away. The Boys, Ramones, Buzzcocks, as well as a whole host of chart lovelies from the 70s and 80s fill the airwaves. To be fair who wouldn’t be influenced by some top turns in the new wave punk rock scene ranging from Husker Du and the American alt scene or college radio days but always in the back of the engine room looms The Ramones. Songs like ‘Operator’ ease more into the laid back new wave category whilst I love the straight down the line rock and roll of ‘Nothing Comes From Nothing’ with its happy go lucky chord changes and gang vocals it gotta make you feel good and it bloody well does. The songs never outstay their welcome and they run through their set with consummate ease like their having the best of times and why wouldn’t they? ‘You For You’ rattles along as tight as hell with the treble up on the bass as it thumps out the rhythm towards the chorus. Great stuff. That buzz saw tempo is maintained for the next few tunes as we rattle along to the finale. Maybe if they used some keyboards you’d be hailing their Attractions influences but these guys don’t meddle too much with the formula and as we enter the home straight we double down on the Brudas gang vocals and melodies and wrap up a most enjoyable record. Nothing groundbreaking but like I say enjoyable none the less. They pay their respects to their forefathers and get lost in some great pop hooks along the way it certainly is a ‘Sure Thing’ that this was going to light up my day and have me singing along before I could even press loop on the old player. Power pop no matter how many bands play it as long as they do it well it always sounds great. (DD)\u003cbr\u003e--------------------------------\u003cbr\u003e50thirdand3rd.com\u003cspan\u003e \u003c\/span\u003e(UK) March 2020 Halifax, power poppers OUTTACONTROLLER have been the purveyors of fine punked out power-pop for almost 10 years now and their latest LP ‘Sure Thing‘ is another triumph. It’s pretty straight forward really, OUTTACONTROLLER play old school super hooky power-punk held together with wads of bubblegum that brings to mind all the usual suspects from the 70s like Cheap Trick, the Nerves, and of course the Ramones. With an album cover featuring a 70s-era television and a song about telephone operators, perhaps the band is even alluding to the golden era. But influences aside, OUTTACONTROLLER has a lot more to offer than just a revival, these dudes know how to lay down a hook. ‘Sure Thing‘ is a solid record combining the power of power-pop, the looseness of punk and a love of sugary pop melodies so it’s hard to pick out a favorite. But tracks like the opener ‘Too Soon‘,’Hurry Up and Wait‘ and the cavity-inducing ‘Glassy Eyes‘ will certainly become lodged in your brain Every song comes in at under three minutes, but like we’ve said before; who needs three minutes for a song when the magic happens in two! (Stephen)\u003cbr\u003e--------------------\u003cbr\u003eelgiradiscos.com\u003cspan\u003e \u003c\/span\u003e(ES) March 2020 La rueda lleva siglos inventada, pero sin ella el mundo se paralizaría. Outtacontroller tampoco inventan la rueda, pero después de llevar años en la carretera y hacer casi cinco años desde su último larga duración se descuelgan con otro vehículo repleto de riffs y desarrollos atemporales que no por mil veces oídos te suenan repetitivos. Los de Halifax, o sea básicamente, Terry A'hearn y James O'Toole, se han descolgado con diez nuevas canciones que aglutinan todos los esquemas que a los fans del punk y del power pop, o de su simbiosis, les abren el corazón. Juegan sobre seguro, por hacer un chascarrillo con el título de este, su tercer, larga duración. Un disco sólido donde los haya desde ese inicio catártico que es \"Too Soon\", con la urgencia del más acelerado punk, y que te retrotrae como no puede ser de otra manera a los grandes clásicos del género como si de unos incipientes Stiff Little Fingers se tratara, hasta la final \"Flashpoint\" y su \"Ouh Yeah\" que representa el punto de máxima ignición de los recuerdos más emblemáticos y canónicos del género. No hay ni un segundo de descanso, y el infeccioso coro de \"Glassy Eyes\" te inunda de power pop, de ese power pop iniciático de The Nerves y del espíritu de las grandes bandas ochenteras, como la aguerrida \"Operator\", plena de referencias desde su mismo título. \"Nothing Come Nothing\" es un puñetazo al estómago y el influjo de Buzzcocks rebosa en los coros rebeldes de pandillas alborotadoras a la salida del bar nocturno y que continúan en \"For You\" o en \"Hurry Up and Wait\". De eso se trata, de cervezas y buen rollo, y si por el camino se queda algún espejo retrovisor, pues qué se le va a hacer. \"Sure Thing\" es un disco sólido, bien construido, potente y enérgico como solo las grandes bandas del género han sido capaces de construir. Un disco para acelerar el coche, que no será el auto más despampanante del mundo, pero que discurre por carreteras conocidas y por ello la velocidad se hace amigable, disfrutable y segura, porque las ruedas en las que se apoyan parecen nuevas de lo que relucen. \"Don't Need It\" lo deja meridianamente claro. Un disco donde la magia de las canciones se resuelve en dos minutos ¿para que necesitan tres? (SP)\u003cbr\u003e\u003cbr\u003emanierenversagen.de\u003cspan\u003e \u003c\/span\u003e(GER) March 2020 Hey. Die Sonne scheint und die Straßen sind genauso leer wie die Köppe meiner Mitmenschen und die Regale im Supermarkt. Keine Konzerte, Kinos oder Kneipen geöffnet – also die perfekte Zeit, sich auf die Veranda zu hocken und die neue LP von Outtacontroller in voller Lautstärke den Nachbarn um die Ohren zu knallen. OK, eine Fensterbank oder ein Klo tuns auch, die 10 Songs von den 4 Kanadiern aus Halifax klingen überall ziemlich gut und wenn man mal drüber nachdenkt, ist die Akustik auf so einer Toilette bestimmt sogar besser als im Freien auf meiner großzügigen Front Porch. Außerdem bringt die Band diese optimistische Welle von Frühling und Scheißegal Stimmung mit, die so typisch für den kanadischen Power Pop Punk Rock ist. Ich brauch das gerade mal. Falls ihr mich sucht, ich sitz da vorne auf dem Schaukelstuhl.\u003cbr\u003e\u003cbr\u003evoixdegaragegrenoble.blogspot.com\u003cspan\u003e \u003c\/span\u003eMarch 2020: Déjà en regardant cette pochette on peut se faire une bonne idée de ce qu’on va entendre sur ce 3ème album : « 4 zazous qui prennent du fun en jouant une musique remuante »… Ces canadiens étaient jusque là passé sous mon radar (c’est peut-être pour ça qu’un de leur récent EP s’appelait ‘No echoe’). Mais je me dis que je vais rattraper vite mon retard ! Cependant je vais également, encore longtemps me raviver les oreilles avec ce ‘Sure thing’ !!! La vache ça fait du bien en ces temps morose de tomber sur ces chansons aussi enthousiaste et enthousiasmante ! Dès la 3ème écoute certaines chansons semblent faire partie de votre vie, comme tout droit sortie des compils Yellow Pills ! Et ce qui est formidable c’est pour entourer ces instant hits ils y a une collection de chansons toujours catchy et excitantes !\u003cbr\u003eDe la Power Pop par le versant sautillant ! Emballant. Euphorisant. Tout ce qu’on a aimé, aime, et aimera toujours dans le genre!\u003cbr\u003e\u003cbr\u003ealiensnatch.com\u003cspan\u003e \u003c\/span\u003eFEB 2020: I am a Rocker, I’m a Roller, I’m an OUTTACONTROLLER! Halifax, Novia Scotia’s own OUTTACONTROLLER unleash their next album after the exclusive killer EP \"No Echo\" on the spanish Jarama Records. Hell yeah, we loved the hit single \"Cheap Leather Jacket\" and spun it day-in and day-out. We’ve been full on fans of their fuzzed out BARRACUDAS surf pop and the perfect sing a long harmonies. For months our heads have been spinning from their album überhit \"Glassy Eyes\" - pure adrenalin RAMONES pop songs on the spot. OUTTACONTROLLER has this punchy punk rock bass line and overwhelming chorus - this the most powerful present day power pop. Five years after their last record \"Television Zombie\" on the sadly missed PTrash Records, \"Sure Thing\" continues to kick off on 45rpm. Comes with two sided colored insert.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Alien Snatch! Records","offers":[{"title":"Default Title","offer_id":33405400318089,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3019811981_16.jpg?v=1587081509"},{"product_id":"lovely-eggs-the-wildlife-import-new-lp","title":"Lovely Eggs, The – Wildlife [IMPORT] – New LP","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Lovely Eggs are an underground punk rock duo from Lancaster, northern England.  \u003c\/span\u003e\u003cspan\u003eThey have a fierce punk rock ethos that music should have no rules. \u003c\/span\u003e\u003cspan\u003eFor Holly and David being in a band is a way of life. True to this, they live the way they play. Fiercely, constantly in search of the good times. \u003c\/span\u003e\u003cspan\u003eWith observational and often surreal lyrics about life The Lovely Eggs have a powerful stripped down sound: one vintage guitar amp, one Big Muff distortion pedal, a guitar and a drum kit.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1685637131\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thelovelyeggs.bandcamp.com\/album\/wildlife\"\u003eWildlife by The Lovely Eggs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eWith releases in the UK, Europe, USA and Japan, The Lovely Eggs have played hundreds of gigs around the UK, USA and Europe supporting the likes of Half Japanese, Shonen Knife, The Slits, Young Marble Giants, The Television Personalities and Art Brut as well as a two month tour of America and a string of dates at SXSW in Austin, Texas. Holly Ross was previously in the band Angelica.\u003c\/span\u003e\u003c\/p\u003e","brand":"Egg Records","offers":[{"title":"Default Title","offer_id":35395754885281,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2104867639_10.jpg?v=1764495847"},{"product_id":"lovely-eggs-the-this-is-eggland-import-new-lp","title":"Lovely Eggs, The – This is Eggland [IMPORT ORANGE VINYL] – New LP","description":"\u003ctable cellspacing=\"0px\" cellpadding=\"0px\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eThe Lovely Eggs are one of the most unique, innovative and genuine bands on the British Underground music scene. Heavier and more in-your-face than anything they’ve done previously, married couple Holly Ross (guitar\/vocals) and David Blackwell (drums) bring together a fierce DIY ethos, surreal sense of humour and kitchen-sink realism. Working with a producer for the very first time, Dave Fridmann (Mercury Rev, The Flaming Lips) lends his magic dust to bring out the best of The Lovely Eggs’ explosive blend of motoric krautrock, 60s psychedelia and punk rock attitude, all flipped over and egged up. \u003cbr\u003e\u003cbr\u003eAfter drawing up a drunken list of dream producers they wanted to work with, Fridmann was at the top. So began a piece of detective work to find a number for his studio (and after a couple of wrong numbers), they finally left a message on his answer machine. As Holly explains; “I just put it down as another madcap idea to go down in our catalogue of drunken escapades. But one year later we received an email from Dave Fridmann. He had got the answerphone message, listened to our stuff and wanted to work with us. It was just totally bizarre!”\u003cbr\u003e\u003cbr\u003eThe result is a gratifyingly rich sounding record, which still retains the raw energy of the band’s sound but harnesses a real power and dynamism. It’s much heavier than anything they’ve done before. As Holly says: “It's pretty relentless.. We still write about everyday life and the stuff that goes on in our world, it's just the new album is more fierce and really tells it like it is.”\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThis Is Eggland is a giant leap forward in their wild-ride of a career. The album is like listening in on The Lovely Eggs’ own secret world.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Lovely Eggs are an underground punk rock duo from Lancaster, northern England.  \u003c\/span\u003e\u003cspan\u003eThey have a fierce punk rock ethos that music should have no rules. \u003c\/span\u003e\u003cspan\u003eFor Holly and David being in a band is a way of life. True to this, they live the way they play. Fiercely, constantly in search of the good times. \u003c\/span\u003e\u003cspan\u003eWith observational and often surreal lyrics about life The Lovely Eggs have a powerful stripped down sound: one vintage guitar amp, one Big Muff distortion pedal, a guitar and a drum kit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith releases in the UK, Europe, USA and Japan, The Lovely Eggs have played hundreds of gigs around the UK, USA and Europe supporting the likes of Half Japanese, Shonen Knife, The Slits, Young Marble Giants, The Television Personalities and Art Brut as well as a two month tour of America and a string of dates at SXSW in Austin, Texas. Holly Ross was previously in the band Angelica.\u003c\/span\u003e\u003c\/p\u003e","brand":"Egg","offers":[{"title":"Default Title","offer_id":35396084891809,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-11524203-1553115166-3925_jpeg.jpg?v=1597864896"},{"product_id":"viv-and-the-sect-this-will-pass-new-lp","title":"Viv and the Sect – This Will Pass [YELLOW VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eKick set of garage rock from Mexico City!  Yellow Vinyl edition of 150.  LAST COPIES IN PRINT!!!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1619286726\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2926288026\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/this-will-pass\"\u003eThis Will Pass by Viv and the Sect\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1619286726\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/this-will-pass\"\u003eThis Will Pass by Viv and the Sect\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1619286726\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=750486533\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/this-will-pass\"\u003eThis Will Pass by Viv and the Sect\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1619286726\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/this-will-pass\"\u003eThis Will Pass by Viv and the Sect\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eViv \u0026amp; The Sect formed in Mexico City with a basic lineup of guitar, drums, and vocals. Before long, the trio of Aleph Aguilar, Rho Moran, and Israel Lopez recorded their first original song, “So Excited.” With strong ‘60s R\u0026amp;B and Garage influences, it landed a spot on the Mundo Salvaje compilation (Rabia Teen Records, 2012) alongside tracks from other Mexican Garage bands like Los Inferno, Mustang 66 and Los Explosivos. Viv \u0026amp; The Sect were finally able to reach the Spanish R\u0026amp;R audience, who is always receptive to sounds with vintage influences and contemporary stylings alike.\u003cbr\u003e\u003cbr\u003eShortly after the compilation’s release, Lopez left the group. John Moss signed on as lead singer and rhythm guitarist, generating an incredible group chemistry that inspired the first sketches for “My Love Is Real” and “This Will Pass”—two songs that would define the sound and style of the reconfigured band.\u003cbr\u003e\u003cbr\u003eViv \u0026amp; The Sect made their live debut at Foro Cultural Box Vintage. Surrounded by other luminaries of the Mexican underground scene, the band realized their need to add a bass player to the lineup. After several trials, they discovered Mario Anguiano who became the band’s official bassist.\u003cbr\u003e\u003cbr\u003eOver the years, Viv focused on building\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003etheir fan base, playing live shows, radio broadcasts, and other media platforms, becoming a major contender in the emerging Mexican Underground R\u0026amp;R scene. During that time, they had many opportunities to share the stage with complementary Garage groups like Los Mustang 66, The Cavernarios, Los Explosivos, and Los Ovnis and opened for international touring acts including Los Peyotes (Buenos Aires, Argentina) and Pittsburgh Garage legends, The Cynics (USA).\u003cbr\u003e\u003cbr\u003eThe Cynics’ guitarist and Get Hip Recordings owner Gregg Kostelich was so impressed with Viv’s live performance, style, and presence, he asked them to sign with the label. With Gregg’s guidance, the band began recording their debut album This Will Pass at Progreso Nacional Studios in Mexico DF under the production of Hugo Quezada (Robota). The album also features mastering by legendary producer Jim Diamond (The White Stripes, Dirtbombs, The Cynics).\u003cbr\u003e\u003cbr\u003eThe album’s raw, edgy, dark sound and the intensity of its songs (all original) are reminiscent of early ‘60s Garage Punk bands found on the Back From The Grave, Teenage Shutdown and other ‘60s compilations. However, the band’s outstanding songwriting skills have more in common with Love, The Music Machine, Electric Prunes, and other ‘60s West Coast Garage-Psych legends.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded at Progreso Nacional Studios\u003cbr\u003eProduced by Hugo Quezada (Robota)\u003cbr\u003eMastered by Jim Diamond\u003c\/h3\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":35566171455649,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3987713055_16.jpg?v=1596952315"},{"product_id":"errol-dunkley-darling-ooh-root-beer-vinyl-new-lp","title":"Dunkley, Errol ‎– Darling Ooh! [Root Beer Vinyl MARKED DOWN] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eReggae 1972, 2020 remastered reissue of debut album from Mr. Dunkley (Kingston, Jamaica)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"description\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eErrol Dunkley was an early reggae star and one of the youngest, recording his first side (“My Queen”) at the age of 12 for Prince Buster in 1964 and scoring his first hit (“You’re Gonna Need Me”) in 1967. Later, he became a key performer in the ‘70s Brit-Reggae scene, just missing the Top Ten in 1978 with his remake of John Holt’s “OK Fred.” Helmed by groundbreaking female producer Sylvia Pottenger, \u003c\/span\u003e\u003cspan\u003eDarling Ooh! \u003c\/span\u003e\u003cspan\u003eis actually his 1972 debut album, but like a \u003c\/span\u003e\u003cspan\u003elot of records that came out on small Jamaican mprints that later got swallowed into the mammoth Trojan label, its history is complicated; this record came out on the Gay Feet label under the title Presenting \u003c\/span\u003e\u003cspan\u003eErrol Dunkley \u003c\/span\u003e\u003cspan\u003eand also on the Trojan imprint Attack the same year as \u003c\/span\u003e\u003cspan\u003eDarling Ooh! \u003c\/span\u003e\u003cspan\u003ewith different art and an expanded track listing (and, just to make things more confusing, a 1979 Trojan reissue had the Gay Feet track listing and the Attack artwork). Our Real Gone reissue reproduces the 1972 Attack release with its, er, fetching cover art and expanded track listing (featuring the first appearance of\u003cbr\u003ethe hit “A Little Way Different”); even better, we ponied up for a new remastering (by Mike Milchner at SonicVision) so this record sounds better than it ever has! Limited “root beer” vinyl pressing limited to 1000 copies, a classic roots-reggae release!\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eSIDE ONE\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e1. You Never Know\u003cbr\u003e2. Movie Star\u003cbr\u003e3. Created by the Father\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e4. A Little Way Different\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003e5. Like to Be Boosed\u003cbr\u003e6. Hilite Part 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIDE TWO\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003e1. Darling Ooh!\u003cbr\u003e2. Baby I Love You\u003cbr\u003e3. You’re Gonna Need Me\u003cbr\u003e4. I’m Not the Man for You\u003cbr\u003e5. It Was Nice While It Lasted\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003e6. Hilite Part 2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"social\"\u003e\n\u003cdiv class=\"social-sharing \" data-permalink=\"https:\/\/shop.realgonemusic.com\/products\/errol-dunkley-darling-ooh-vinyl-lp\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 class=\"hide_mobile\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRE\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Real Gone Records","offers":[{"title":"Default Title","offer_id":35738451869857,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/848064009375_1024x1024_e76a5204-c3cb-4fa2-940d-1cd55ac3561c.jpg?v=1597783046"},{"product_id":"h-c-mcentire-eno-axis-copper-marble-vinyl-new-lp","title":"McEntire, H.C. - Eno Axis [COPPER MARBLE VINYL Marked Down] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"trackInfoInner\" data-mce-fragment=\"1\"\u003e\n\u003ch4 class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\u003c\/h4\u003e\n\u003ch4 class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003ch4\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/h4\u003e\n\u003cheader\u003e\n\u003ch4\u003eH.C. McEntire frontwoman of Mount Moriah\u003cspan\u003e, strikes out on her own \u003c\/span\u003eEarly rise, start the fire, till the rows, pass the tithes.” So starts \u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMcEntire's \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003esophomore release, \u003c\/span\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eEno\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAxis\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e. It’s a set of directions delivered with assurance and authority, reaching the listener without pretension almost as a sermon or spell. McEntire has always had one foot planted in the traditional country gospel roots of her upbringing while boldly wrestling with its complications, creating an Americana sound of her own. But that has never rung as true as it does now on the transcendent psalms of \u003c\/span\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003eEno Axis.\u003c\/i\u003e\n\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"cc-icons commercial\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3142929524\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/hcmcentire.bandcamp.com\/album\/eno-axis\"\u003eEno Axis by H.C. McEntire\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003eEngineered and mixed by Missy Thangs\u003cbr data-mce-fragment=\"1\"\u003eJanuary\/February 2020 at Fidelitorium in Kernersville, NC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdditional engineering by Justin Morris and Luke Norton\u003cbr data-mce-fragment=\"1\"\u003eJanuary 2020 in Durham, NC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProduced by H.C. McEntire, Luke Norton, and Missy Thangs\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered by Sarah Register in NYC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDesign by Daniel Murphy\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLyrics by H.C. McEntire except where noted\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerformed by:\u003cbr data-mce-fragment=\"1\"\u003eH.C. McEntire (vocals, guitar)\u003cbr data-mce-fragment=\"1\"\u003eLuke Norton (guitars, keys, backing vocals)\u003cbr data-mce-fragment=\"1\"\u003eCasey Toll (bass)\u003cbr data-mce-fragment=\"1\"\u003eDaniel Faust (drums, percussion)\u003cbr data-mce-fragment=\"1\"\u003eNathan Bowles (banjo)\u003cbr data-mce-fragment=\"1\"\u003eAllyn Love (pedal steel)\u003cbr data-mce-fragment=\"1\"\u003eMario Arnez (backing vocals)\u003cbr data-mce-fragment=\"1\"\u003eJustin Morris (backing vocals)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEndless gratitude to Merge, Missy, Sarah, all our families and friends and animals.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to the mighty, mystical Eno River.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor you, Ayden.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/www.hcmcentire.com\/\" data-mce-href=\"http:\/\/www.hcmcentire.com\/\" data-mce-fragment=\"1\"\u003ewww.hcmcentire.com\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\" data-mce-fragment=\"1\"\u003elicense\u003c\/h3\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":36562190762145,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3949712624_16.jpg?v=1601853594"},{"product_id":"hirs-collective-the-friends-lovers-favorites-clear-vinyl-new-lp","title":"HIRS Collective, The ‎– Friends Lovers Favorites [CLEAR VINYL]- New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first full length record from Philadelphia's THE HIRS COLLECTIVE, \"Friends. Lovers. Favorites.\", is the product of almost four years of hard work between The Collective and their friends, lovers, and favorites who they have invited to join their intentional, ever growing, and never ending collective of anti-authoritarian freaks, queers, outcasts, \u0026amp; weirdos. There are collaborations with Laura Jane Grace(Against Me), Shirley Manson(Garbage), Martin Crudo(Limp Wrist), Marissa Paternoster(Screaming Females), Erica Freas(RVIVR), Sadie Switchblade(G.L.O.S.S.), Alice Bag and Candace Hansen(Alice Bag \u0026amp; The Sissy Bears), Pierce(Soul Glo), \u0026amp; many more!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eComes in a gatefold jacket with two sided insert, and printed sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664539976\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/srarecords.bandcamp.com\/album\/the-hirs-collective-friends-lovers-favorites\"\u003eTHE HIRS COLLECTIVE - FRIENDS. LOVERS. FAVORITES. by THE HIRS COLLECTIVE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Get Better Records ‎\/ SRA Records","offers":[{"title":"Default Title","offer_id":36574589386913,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0380390433_16_1.jpg?v=1601942799"},{"product_id":"sweet-reaper-sidekick-import-new-lp-1","title":"Sweet Reaper - Sidekick [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/h2\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eWhen I start doubting about what I'm doing, I slap a new platter like this one on the record player, and I'm back at the edge of my seat and dying to tell you about the music I found, knowing there gotta be other Green Noisers out there that would also love this shit, shit to lift you out of the gloom and keep you going, this set moving along so much like a skateboard ride down the blacktop of a steep hill, swerving in and out of sunlight and shadow, smog that shrouds and sun that shines on the sidewalk, clearly fresh trucks mounted on a new board but stickers showing on the deck and head buzzing with sounds of the past, freak out and hot-rod rock of the 1960s and the best of the \u003cmeta charset=\"utf-8\"\u003epunk, hard rock, skate speed rock and power pop of the 1970s, shooting out of all that like a new skateboard rocketing out of the morning smog.  -- winch (green noise records)\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2066380733\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/sweet-reaper-sidekick\"\u003eSWEET REAPER - Sidekick by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003ca href=\"http:\/\/razorcake.org\/\" rel=\"nofollow ugc\"\u003erazorcake.org\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eThe endless shores of California are at the heart of this ragtag group of miscreants’ inspiration to pick up instruments and bash out electrifying rock’n’roll. Here we have Ventura’s Sweet Reaper, who features members of Massenger, Vnlvx, and The Spires, and sound like The Plugz being blasted through a Twin Reverb on two banana boards bombing a palm-lined hill. Yet underneath the fuzzy distortion are the tried-and-true melodies of undeniably well-written songs. The sun may be setting on the horizon, but the night is young, and Sweet Reaper are about to get the party started. –Daryl (Naked Time)\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/beatinmybones.com\/\" rel=\"nofollow ugc\"\u003eBEATINMYBONES.COM\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(UK) DEC 2020 The Reaper is back. That Sweet, sweet reaper is back. Another record for us freaks and weirdos. Another record to blast out sky high, on repeat. The brand new record is out, and I promise you it is again another super exciting record for us Garage Rock fiends, and it is definitely another exceptional record put out on Alien Snatch! Records. These 10 songs will make you feel like you are on some intense trip and the comedown doesn’t even cross your mind. A little something to settle your nerves. A little something to make you feel less awkward; this record is brilliant. Sidekick\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003econsists of solid anthems that will make you long for going to shows and being covered in lukewarm beer. Those were the days. Sweet Reaper make constant masterpieces; they’ve been around long enough now for us all to recognise this. Every single song on Sidekick is just a filthy and slick record. If like me your attention span is piss poor, then this record is going to serve you well. You can’t be still and listen to this record; it just makes you want to throw things, do things. Anything but sit still. Being still makes me feel uneasy (but I LOVE being asleep) and the new Sweet Reaper record just makes you want to soak up this record in all ways possible. There are no bad songs on this record. But let’s be honest, Sweet Reaper have never made a bad song or an average record. Everything I’ve heard so far just leaves me in awe, and Sidekick goes above and beyond. Their last record, Closer Still only came out this year and to hear something like Sidekick in the same year is just a real treat for the ears. What did we do to deserve this band! With Christmas coming up (raise your hand if you too are spending it alone!) maybe force people to listen to this record instead of those awful mushy Christmas songs. Sweet Reaper are of course one of those bands that you just need to see live, and given how that’s probably not going to happen any time soon- all we can do is play the records loud and get others to fall in love with them too. At the moment I think Isle of Life is my favourite\/the one I keep on going back to. There’s something about it that gives off a beach feel; it just makes you want to watch the waves crash against some rocks, and let that sea air get right into your skin. They’ve got the same energy and feel to their sound like my favourite French babes, dr chan. There is something about both bands that just makes you forget everything around you, and just makes you feel liberated when you listen to the songs. Sidekick is such an effortlessly slick record, and for me not knowing a new record was coming just adds to the excitement. It’s an unexpected masterpiece; I love every single song on this record. I love how Spaceship makes you feel like you’ve gone into another world. I love how Doomsday Clock is probably going to lose our minds when we can finally see this band play live. I love how Same Old Thing is just under 2 minutes long and makes you feel like you’ve discovered the likes of the Ramones for the first time all over again. It’s just such a perfect record, and again they’ve made one that you can play over and over, and not get bored. The production on this record is on point, and every song on this record radiates such beautiful energy. I love how every song could be played at a houseparty continuously and not one single person would get tired of it. I just adore Sweet Reaper and their sound\/style. Buy this record and play it loud!\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/manierenversagen.de\/\" rel=\"nofollow ugc\"\u003emanierenversagen.de\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eNanu, da kommt aber unverhofft schnell Nachschub vom Reaper. Ich hab gerade erst die Texte und Tanzschritte vom ersten Album auswendig gelernt, da wird schon wieder neuer Zucker in eine formschöne 12″ Vinylscheibe gepresst.\u003cbr\u003eWie zu erwarten, ist auch diese Platte voll von tollen Melodien und kommt inklusive der Atmosphäre, die an die Leichtigkeit der Westküste Amerikas erinnert. Kein Wunder, wenn die drei Leute der Band sich doch ausdrücklich für Ventura und gegen L.A. entschieden haben. Für den Strand und gegen die Großstadt. Für das Bier auf der Porch und gegen das Crack in der Gosse. Für das Lagerfeuer im Garten und gegen das brennende Ölfass vor dem Liquor Store. Ja, und das hört man. Auch jetzt wieder erscheinen die 10 poppigen Garage Perlen bei dem Berliner Alien Snatch und ich glaube, damit hat das Label auch dieses Jahr gewonnen. Glückwunsch.Fun Fact: Sweet Reaper haben sich benannt nach einem Tattoo des Gitarristen und Sängers, Seth Petterson, das einen Sensenmann zeigt. Er stand wohl in einer Schlange im Liquor Store und hinter ihm hat ein Typ nur gemeint, „Hey Man. Sweet Reaper!“\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/onetwoxu.de\/\" rel=\"nofollow ugc\"\u003eonetwoxu.de\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eSehr geiler Garagepunk von einem Trio aus Ventura, Kalifornien. Ihre recht straighte Spielart davon mag zuerst etwas unscheinbar wirken, landet dann aber in ihrer ausgesprochen tighten Darbietung und mehr als beachtlichen Hookdichte einen Volltreffer nach dem anderen.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/stillinrock.com\/\" rel=\"nofollow ugc\"\u003estillinrock.com\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eSweet Reaper, c'est (en autre) le groupe de Seth Pettersen qui a dessiné le best of août 2018 de Still in Rock (lien). Si j'en suis arrivé à ses talents de dessinateur, c'est grâce à sur sa musique sur laquelle je suis tombé un long dimanche de septembre. Accompagné de ses deux potes (Danny et Sasha), Sweet Reaper délivre une très bonne garage pop qui donnerait l'envie d'aller surfer quelques holy waves du côté de Saturne. Formé en 2016, le groupe tire son origine dans les quelques chansons de Seth que l'on retrouve sur son Bandcamp perso. On peut y lire que \"Sweet Reaper is a bedroom classic recorded by Seth Pettersen while stuck at home nursing a broken ankle. With 13 of his breeziest tunes to date, Seth Pettersen shines as a true master of the surf garage pop scene. Sweet Reaper is bound to reap your heart\". L'album est finalement devenu un groupe, bref, le fait est qu'il fait dans le surf et qu'il mérite son pesant de cacahuètes martiennes. Cet LP contient en effet quelques hits dont le niveau est plutôt astronomique. Sweet Reaper est de ces groupes-là, capables de véritables coups de grisou. \"Reapers Back\", le premier titre, est l'un des meilleurs de cet album. Simple et efficace, il fait de Sweet Reaper un Sweet Performer qui, en deux minutes à peine, vient de gagner notre écoute pour tout l'album. Et \"Sidekick\" de ne pas démériter non plus. L'aspect quasi power pop sur la voix de Seth Pettersen est tout à fait génial, voilà une nouvelle épopée garage pop à faire frémir les Jaccuzi Boys \u0026amp; co. \"Isle of Life\" complète le trio introductif sans la moindre gêne. L'album laisse souvent place au même rythme, ce qui a l'avantage de nous convaincre de la nécessité d'un mouvement constant. \"Tapey\", le 4ème morceau, est la grande réussite de cet album. Un brin plus noir que les autres, elle magnifie les aspects de surf music du Sweet Reaper. Seuls les meilleurs surfent la nuit, Sweet Reaper en est incontestablement. \"Black Widow\" de continuer dans un garage surf moins surprenant, mais toujours Seth vient égayer les morceaux. Sweet Reaper est brut, ses structures sont directes et il s'évite l'embarras des groupes qui veulent aller de solos en solos. Il veut performer et nous convaincre avec ses mélodies, pas sa technique. Il veut nous donner ce qu'il sait qu'on aime, c'est, en ce sens, une démarche opposée à celle de ORB (article d'hier) qui veut surprendre chaque auditeur. \"Doomsday Clock\" prend le relais, toujours avec cette idée de fin du monde et d'invasion. \"Outta My Mind\" est du même calibre, et \"Spaceship\" vient enfin donner sa dose d'UFO à ce très bon Sidekick. Une fois encore, c'est à mon sens lorsque Seth rapproche ses intentions de la power pop\/bubblegum que Sweet Reaper est le meilleur. Le mot spaceshippppp est parfaitement étendu, on se rappelle alors le \"Booored\" de Magic Potion. Ce titre est huge. HUGE! \"Same Old Thing\" est plus rock'n'roll tandis que la conclusion est assurée par l'excellent \"Jet Pilot\". Le vaisseau va vite, Sweet Reaper est punk lorsqu'il veut.Beaucoup de groupes de la scène garage se concentrent sur les martiens. C'est devenu le nouveau signe de ralliement. J'ai ainsi noté l'apparition d'une scène de pop martienne il y a 2 ans environ, et celle du punk martien (il y a tout juste 15 jours). Ces scènes ont en commun de traduire un sentiment martien, leur musique semble avoir été irradié aux vaisseaux. Il n'y a rien de cela avec Sweet Reaper qui en reprend simplement l'esthétique. Non pas que ce soit problématique, mais cela veut dire que le martien est une icône naissante de la scène plus qu'un style musical ou une influence sonore. Sweet Reaper est la plus belle des confirmations de ce fait là. Son album est très bon. Lorsqu'il introduit de la bubblegum à son univers surf \/ garage \/ UFO, on frôle alors les sommets de ce que la scène garage a produit ces derniers temps. Il suffirait donc de peu pour que Sweet Reaper devienne le meilleur compagnon de vos soirées 2018\/2019. Un gros label, une production mid-fi et la dose de bubble pourrait suffire à l'explosion.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased December 15, 2020\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":37341615915169,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0773126637_16.jpg?v=1611613230"},{"product_id":"sino-hearts-the-rock-n-roll-hurricane","title":"Sino Hearts, the - Rock 'n Roll Hurricane  [MARBLED VINYL. PUNK ROCK from CHINA!!!] –  New LP","description":"\u003ch2\u003ePUNK ROCK FROM CHINA!!! \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmazing set from China, the boys from Beijing sinking their teeth into the flesh of every cut and crunching through to bone, nonstop great cuts from go to whoa, getting it going from the get go and never letting up, opening with a 60-second blast of punk rock and blasting through the whole side, flipside opening with the 60-second title track which ends with \"Let's Go\" to launch into the next number and never letting up, heart-punch rock 'n roll power pop with that 1-2 punch of punk rock, drops on the asphalt and hits the ground running, driven home like an ambulance ride on the main drag, running red lights with the bubblegum machine flashing, bypassing the hospital to get you to the rock n' roll doctor, thumping over manhole covers and taking you for a ride in their rock n roll machine, mother, jugs and speed blasting by the lovers, muggers, and thieves, hitting you with the defibrillator paddle to get your heart pumping again, overflowing with the punk rock sounds of driving rhythm and loud licks of electric guitar, fueled to the cap with influences from the fast and fun side of that garage rock from the 1960s and plenty of the punk rock of the 1970s, blasting out of influences like a brand new roadster burning rubber out of the early morning Shanghai smog.\u003c\/span\u003e -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1791069716\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thesinoheartschina.bandcamp.com\/album\/rock-n-roll-hurricane\"\u003eRock 'N Roll Hurricane by The Sino Hearts\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":37778397757601,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_1689.jpg?v=1614980046"},{"product_id":"gaye-marvin-greatest-hits-used-cd","title":"Gaye, Marvin - Greatest Hits – Used CD","description":"\u003ch2\u003eCD • COMPACT DISC • \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCD • COMPACT DISC • \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCD • COMPACT DISC • \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCD • COMPACT DISC • \u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Motown Records","offers":[{"title":"Default","offer_id":39247144878241,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_1933.jpg?v=1614140606"},{"product_id":"fruit-bats-the-pet-parade-red-black-vinyl-new-lp","title":"Fruit Bats –  The Pet Parade [Red\/Black Swirl Vinyl MARKED DOWN] – New LP","description":"\u003cp\u003eNew album by Fruit Bats, sounds influenced by Dylan, the members of the Fab Four solo, Windy City indie artists of the 1990s, and many of those post-Beatles bands and artists of the 1970s who stripped it down and dressed it up, stripped it down to the songs, dressed it up with some production layers. -- winch\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene. While many of the songs on The Pet Parade were actually written before the pandemic, it’s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (The Hold Steady, Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anaïs Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Parade—drummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes, Muzz), singer-songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron \u0026amp; Wine)—were forced to self-record their parts in bedrooms and home studios across America.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eProduced by Josh Kaufman\u003cbr\u003e\u003cbr\u003eEngineered by Josh Kaufman and Eric D. Johnson\u003cbr\u003ewith additional engineering by Matt Barrick, Joe Russo, and Brian Kantor\u003cbr\u003e\u003cbr\u003eMixed and mastered by D. James Goodwin\u003cbr\u003e\u003cbr\u003eAll songs written by Eric D. Johnson (Furry Good Horns\/BMI)\u003cbr\u003eexcept “Discovering” by Eric D. Johnson and Josh Kaufman (Clarabelle Songs\/ASCAP)\u003cbr\u003e\u003cbr\u003eFront cover photo by Linda Beedy\u003cbr\u003eBack cover photo by Annie Beedy\u003cbr\u003eLayout and art direction by Daniel Murphy\u003c\/div\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":39658406150305,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0755298080_16.jpg?v=1618533736"},{"product_id":"negative-space-cruelty-import-new-lp","title":"Negative Space - Cruelty [IMPORT Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-sanitized-itemprop=\"description\"\u003e\u003c\/div\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1772979907\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/spacenegative.bandcamp.com\/album\/cruelty\"\u003eCruelty by Negative Space\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Drunken Sailor Records (UK)","offers":[{"title":"Default Title","offer_id":40553227878561,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1099775099_16.jpg?v=1628536318"},{"product_id":"ero-guro-yin-dang-import-usa-green-noise-exclusive-new-lp","title":"Ero Guro – Yin Dang [IMPORT USA GREEN NOISE EXCLUSIVE] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGREEN NOISE US EXCLUSIVE!!! Only available in the US through Green Noise Records!!!  Limited copies.\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cp\u003eBeautiful madness (well beautiful to me, for people who like junk like Total Punk and Lumpy Records) headrush drill bits the bugs of insanity, coming at you like an feral animal slopping around in the mud in your driveway, crawling through your basement window, drooling on the linoleum, \u003cmeta charset=\"utf-8\"\u003eclawing at the floor, slowing for the \"Intro\" (4th cut), working back into a tightly wound frenzy, staggering into walls, falling uninvited into rooms of the unsuspecting, lurking from the shadows like the madness that clouds your thoughts, remote controlling the bugs in your brain, into the attic to toy with the gizmos in your skull, trying to work its way out of the tension but dragged down deeper into it, \u003cmeta charset=\"utf-8\"\u003emoving from \"I Wanna Live\" to \"I Wanna Die.\" -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451311227\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bellybuttonrecords.bandcamp.com\/album\/yin-dang\"\u003eYin Dang by Ero Guro\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003ePunk in Gutter-flutter squeely-squeely pigpig garagerock style!\u003cbr\u003eFrom Diest (Belgium)? yes indeed\u003cbr\u003e\u003cbr\u003eAfter their last Belly Button X Ronny Rex 7\" (which sold out in no-time)\u003cbr\u003ewe teamed up with Drink \u0026amp; Drive records to bring you this fresh dose of pain in the ass.\u003cbr\u003eRecorded a while ago at their rehearsal space by Frankie Traandruppel and mastered at the belly button cave also known as Tooth Mountain.\u003cbr\u003eEnjoy and try not to blink your eyes\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased January 24, 2021\u003cbr\u003e\u003cbr\u003eThanks To Sam (Brorlab, Bontridders) for her nice voice on \"Wanna Die\".\u003cbr\u003ePhoto : Jeroen Bocken\u003cbr\u003eArt \u0026amp; Design : Mick Swinnen \u0026amp; Elzo Durt\u003c\/div\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Belly Button Records","offers":[{"title":"Default Title","offer_id":40825171181729,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2290108223_16.jpg?v=1631480479"},{"product_id":"avola-zone-used-lp","title":"Avola - Zone [GLOW-IN-THE-DARK VINYL] -New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"There’s certainly a zone being explored on Vern Avola’s newest record, but I’m not sure it’s one of our earthly dimension. Rather, this record reminds me of the sonic areas explored by Wolf Eyes and their fellow psych-noise travelers shortly after the turn of the century. Avola uses a variety of synths (in most press photos, she’s hunched over one) to create these bristly, finicky musical organisms, and while she’s not the first to have this idea (many of the ideas explored through Zone can be traced back to Throbbing Gristle and beyond), she works it well.\"\u003cbr\u003e–YellowGreenRed\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3944752246\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/avola.bandcamp.com\/album\/zone\"\u003eZone by Avola\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\"'Zone' is the hypnotic record by Avola. Portland-based musician\/producer Vern Avola takes listeners through droning synth dream of tension and release. It's juxtaposition of beauty to harsh is truly remarkable. \"Zone\" is aptly named. We're already excited to see what comes next for this already talented artist (Vern is a member of Elrond and Prizehog). Check it out online and snap up a vinyl record if you feel moved.\" - Telegraph Audio Mastering\u003cbr\u003e\u003cbr\u003e\"Glitchy, squelching soundscapes that are sometimes a little synth-rock, sometimes like eerie soundtrack music, occasionally ugly dissonance and just pure sonic confusion.\"\u003cbr\u003e–Decibel\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eComposed, Performed, Recorded and Mixed by Vern Avola\u003cbr\u003eMastered by Collin Gorman Weiland\u003cbr\u003eAlbum Artwork by Kellesimone Waits\u003cbr\u003eCo-Released on vinyl by Nadine Records -- NENE-009 and Sleeping Giant Glossolalia -- SGG-061\u003c\/div\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eAvola is Vern Avola (Elrond, Avola\/EMS, DEAD, Bear Spray, ex-Prizehog, etc.) \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Sleeping Giant Glossolalia \/ Nadine Records","offers":[{"title":"Default Title","offer_id":41032696856737,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-12539854-1537246397-9241_jpeg.jpg?v=1633818191"},{"product_id":"jubarte-ataca-das-profundezas-emerjo-green-black-splatter-vinyl-surf-rock-brazil-new-lp","title":"Jubarte Ataca - Das Profundezas, Emerjo [Green\/Black Splatter Vinyl; Surf Rock; Brazil] – New LP","description":"\u003ch2\u003eINSTRUMENTAL SURF ROCK FROM BRAZIL!!  \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eLimited edition release on multi-colored splatter vinyl. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eComes with an 11\" x 22\" poster.\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGreen noise copies are a beautiful green and black splatter.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2995163781\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jubata.bandcamp.com\/album\/das-profundezas-emerjo\"\u003eDas Profundezas, Emerjo! by Jubarte Ataca\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":41226688037025,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2762540444_16.jpg?v=1636856270"},{"product_id":"mccaughan-mac-the-sound-of-yourself-new-lp","title":"McCaughan, Mac – The Sound of Yourself [Peak Orange\/Pink Vinyl MARKED DOWN] – New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753309608\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/macmccaughan.bandcamp.com\/album\/the-sound-of-yourself\"\u003eThe Sound of Yourself by Mac McCaughan\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eFeaturing:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatt Douglas – sax on “Burn a Fax”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSabrina Ellis – vocals on “Sleep Donor”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnnie Hayden – vocals on “I Hear a Radio”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMary Lattimore – harp on “Moss Light” and “Found Cricket”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Benjamin Lerner – vocals on “I Hear a Radio,” drums on “Circling Around”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatt McCaughan – percussion on “Moss Light”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMackenzie Scott – vocals on “Burn a Fax”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJon Wurster – drums on “Dawn Bends”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYo La Tengo – organ, vocals, bass and electric guitar on “Dawn Bends”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWritten and produced by Mac McCaughan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Beau Sorenson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Matt Barnhart at Chicago Mastering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover photo \u0026amp; inner sleeve portrait: Oona McCaughan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBack cover illustration: Andrew Kuo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInner sleeve \u0026amp; label tree photos: Arthur McCaughan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSpecial thanks to everyone at Merge and everyone who played on here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor Andrea, Oona and Arthur, who let me make all these sounds.\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":41261508755617,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1201045749_16.jpg?v=1637647682"},{"product_id":"mchone-carson-still-life-peak-edition-color-vinyl-new-lp","title":"McHone, Carson – Still Life [PEAK Edition COLOR VINYL MARKED DOWN] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTHE PLAYERS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Romano – Drums, Bass, Guitars, Vocals, Arrangements, Percussion\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDavid Nardi – Saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Lalama – Piano, Organ, Accordion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarson McHone – Vocals, Guitars\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; 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width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3154660043\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=4083775726\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/topdown-pdx.bandcamp.com\/album\/hard-feelings\" data-mce-href=\"http:\/\/topdown-pdx.bandcamp.com\/album\/hard-feelings\"\u0026gt;Hard Feelings by TOP DOWN\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3154660043\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3403293614\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/topdown-pdx.bandcamp.com\/album\/hard-feelings\" data-mce-href=\"http:\/\/topdown-pdx.bandcamp.com\/album\/hard-feelings\"\u0026gt;Hard Feelings by TOP DOWN\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3154660043\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/topdown-pdx.bandcamp.com\/album\/hard-feelings\" data-mce-href=\"http:\/\/topdown-pdx.bandcamp.com\/album\/hard-feelings\"\u0026gt;Hard Feelings by TOP DOWN\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDown the Road written by Fred Cole \/ DEAD MOON\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eszim:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eguitar\/vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChuck Struggler: bass\/vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003edrums:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRayk Krügermann\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eszim – git\/voc\u003cbr\u003eChuck Struggler – bass\/voc\u003cbr\u003eCristian Prigoana – drums\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Tobias Lill at Don Xuan Recording Studios , Berlin\u003cbr\u003eMastered by Daniel Husayn at North London Bomb Factory, London\u003cbr\u003e\u003cbr\u003ePublished by No Chance Berlin\u003cbr\u003e\u003cbr\u003eCover photo by Davide Maione\u003cbr\u003eArtwork by szim and Chuck Struggler\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"No Chance Berlin","offers":[{"title":"Default Title","offer_id":41700894965921,"sku":"","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0802031742_16_47232cd4-a0e9-4fe2-8083-e0fd5e173793.jpg?v=1647133673"},{"product_id":"copy-of-various-artists-surf-you-next-tuesday-2-the-revenge-color-vinyl-international-surf-rock-comp-new-lp","title":"Various Artists–  Surf You Next Tuesday 2! The Revenge   [2xLP Color Vinyl. International Surf Rock Comp] – New LP","description":"\u003cdiv\u003e\n\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eOur man from Australia has always loved the comps we offer at Green Noise, \"while one thing may not tickle your fancy you only have 2-3 minutes to wait until the next track starts pumping!\" for this one \"\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eThat is not the case here as all tracks are a delightful collection of all the fun that can be had with the components of a set of drums and a couple of reverbing guitars. \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eThese records from start to finish never let up.  There has been some work just getting all these bands together on 2 LPs.  \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eThis compilation from Otitis Media Records \u003cem\u003eSurf You Next Tuesday The Revenge 2\u003c\/em\u003e is a follow up to their first Surf Rock Compilation \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e\u0026amp; is an absolute of  the Crème De La Crème of Surf Rock bands from all corners of the earth. \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eFrom The 'New Wave' coming from Brazil with Monster Mullet Mafia \u0026amp; Surf Aliens across to The Orions from Israel, \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003eThe Green Reflectors\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e\u003cspan\u003efrom Nova Scotia \u0026amp; The Routes \u0026amp; The Fuziyama Surfers from Japan  plus stacks more, a total of thirty-three bands\/ tracks in a gatefold double record set.  \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eThe artwork from Noah Drumright is worth the ticket alone however it is the collection of first class bands globally \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003ethat is a showcase of what is happening around this planet under the tag “Surf”.  \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eSomewhere up there the late Dick Dale is looking down smiling on this, probably the best Surf Rock compilation ever made. It’s just that damn good from start to finish.  \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eThis has just made Otitis Media Records the label to watch and should be a prized collectable for anyone that loves music. It’s a Classic!\"  James Dixon\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=627527631\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/omrtxusa.bandcamp.com\/album\/surf-you-next-tuesday-2-the-revenge\"\u003eSurf You Next Tuesday 2! The Revenge by Otitis Media Records LLC\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eA collection of surf bands from over the globe and around the States come together to contribute one choice cut for this kick-ass 2022 compilation. This album is an essential surf rock listening experience, tunes from around the globe. Surf's up!!! It's always summer somewhere, and summer can come early to your house!!! Endless summer!!!\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":41895230177441,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0924616300_16.jpg?v=1651543774"},{"product_id":"villarreal-daniel-panama-77-new-lp","title":"Villarreal, Daniel - Panamá 77 [BABY BLUE VINYL] - New LP","description":"\u003cdiv\u003eLong out of print, dig this fresh “Baby Blue” color vinyl pressing for 2026, a limited edition of 1000 copies worldwide.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=781567185\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/panam-77\"\u003ePanamá 77 by Daniel Villarreal\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003ch3\u003eStarting with fire for most of the first side, Villarreal and the band then settle into a more reflective groove for much of the rest of the set...chuck the fuel on the fire and watch it burn down to ember, bust out the bellows to keep it going, stir it up with fire iron and the sparks float and dance into the night sky...gravity anchors the load while the log lightens to ember and ash, escapes the tethers and roots that hold it down...highly successful set of groove, probably mostly coming from his Panama home but also hinting back to 50 years ago with some the best and must unique offerings from CTI. -- winch (green noise)\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003ePanamá 77 – a vibrant and verdant suite of multi-textural, jazz-laced psychedelic instrumental folk-funk – is the debut album by Panamá-born, Chicago-based drummer and DJ Daniel Villarreal.\u003cbr\u003e\u003cbr\u003eThough it’s a debut work in the eyes of the world, Villarreal has long been a widely known and beloved character on the Chicago music scene. On almost any night of the week, you’ll find him DJing at atleast one spot on bustling 18th Street in his home neighborhood of Pilsen. (The decadent track “18th \u0026amp; Morgan” is an homage to that strip, with its lowrider meets Roy Ayers vibe, vividly depicting Villarreal’s daily life driving to a gig in his classic baby-blue Mercedes sedan, wearing a beaver-skin Stetson and tinted aviators.) If he’s not there, he’s playing drums with Dos Santos, Valebol, The Los Sundowns or Ida y Vuelta (all bands he co-leads), or sitting in with Wild Belle or Rudy De Anda.\u003cbr\u003e\u003cbr\u003eVillarreal may be most known for his big style and magnetic personality, but to musicians on the scene, it’s as much for his talents as a malleable and reliable drummer, with a deep pocket in many styles and sounds. Through Dos Santos and Ida y Vuelta, he’s demonstrated a range of knowledge and skill in various stripes of folkloric Latin music; but, ironically, he didn’t\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereally play traditional Latin music until he moved to the States from his hometown Panamá City. His deepest roots in drumming are from the progressive punk and hardcore scenes of Central America, where his bands NOHAYDIA and 2 Huevos 1 Camino were active in the late 90s. Those formative experiences are the foundation of his career in music.\u003cbr\u003e\u003cbr\u003eAfter his teen years thrashing on the punk scene, Villarreal started a life-changing tutelage with Freddy Sobers, the drummer of El General and Nando Boom (both known for pioneering reggaeton music in Panamá). “He taught me how to play all kinds of rhythms and told me I didn’t have to just play punk music,” Villarreal told the Chicago Reader in 2021. “He played everything from Rush to reggaeton to Chick Corea to salsa music… He told me if I wanted to be a good drummer, I had to learn all the styles. He took me under his wing, and I learned a lot from him.”\u003cbr\u003e\u003cbr\u003eVillarreal evokes another Panamanian legend in “Patria,” a tribute to the organist and composer Avelino Muñoz. “My father, who also played the organ, used to listen to him growing up. I was always curious about its haunted sound. This recording is a total obeisance to Muñoz, my father and my country.”\u003cbr\u003e\u003cbr\u003eVillarreal migrated to the US in the early 2000s. His first decade was spent living on a farm near Woodstock, Illinois, where he was a social worker, connecting migrant laborers with community health clinics. He also spent that time raising his two daughters, Estelle and Fania. But all his spare time went to nurturing his passion for drums. As he found more collaborators, played more gigs and became more embedded in the music community, in the early 2010s he moved down the highway into the City of Chicago, determined to grind it out as a full-time musician.\u003cbr\u003e\u003cbr\u003eAfter another decade of non-stop sideman work, which included the growing national awareness and success of Dos Santos, Villarreal began to imagine what his own solo record could be. A handful of studio experiments in 2017 and 2018 got him close to the sound in his mind, but it wasn’t until he traveled to Los Angeles for a gig in 2019 that he caught a lasting spark. A simple stereo recording of Villarreal improvising with a first-time ensemble of friends – including Elliot Bergman, Jeff Parker, Kellen Harrison, and Bardo Martinez – inspired him to go into album-forming mode. The songs “Bella Vista” and “Activo” are excerpts from that first session, with added layers of auxiliary percussion, edited and shaped by Villarreal with engineer Dave Vettraino.\u003cbr\u003e\u003cbr\u003eAs Villarreal and Vettraino dove into post-production, the need for more material to fill out the album became clear, so more sessions were scheduled with players from Villareal’s and International Anthem’s shared circles. Guitarist Nathan Karagianis, who also plays with Dos Santos, joined them at Jamdek Studios in Chicago along with organist Cole DeGenova, and bassist Gordon Walters. In Los Angeles at Chicali Outpost (aka the garden behind International Anthem co-founder Scottie McNiece’s home), Villarreal recorded again with Bardo Martinez on bass and synths, Kyle Davis on keyboards, Anna Butterss on bass, and Jeff Parker, again, on guitar.\u003cbr\u003e\u003cbr\u003eThe Chicali Outpost session was recorded by engineer Ben Lumsdaine outdoors in open air, mainly because of safety precautions (it was in October 2020, and even the smallest of gatherings were still rare then), but also because the climate and context of the garden was ripe for music-making. One of the most electric tunes from that session is “Uncanny,” a psychedelic funk dub with spacey William Onyeabor-style synths. Villarreal recalls that “we were jamming in Bardo's little garage studio the night before we did the recording at Scottie’s house. I remember starting the main groove and Bardo jumping in with a wacky bass line. We celebrated how weird it was even though we weren't playing the same groove together, it came out in a strange, wonderful way that surprised us.”\u003cbr\u003e\u003cbr\u003eAnother highlight from those recordings is “In\/On.” The base track is built around an improvisation by Villarreal, Butterss, and Parker, which was one of the first bits of music the three of them made together. It was also one of the first times Parker had played in person with other musicians in the almost 6 months since the pandemic began, and the joy of collective improvisation can be felt emanating from every note he plays. As Villarreal describes it, “for me, the song is about how we are all IN and ON. As if we are about to start something so you walk in and turn an ON switch. No one knows what's going to happen after that but we are all into it. We are all IN. I also think it’s a fun reference because in Spanish there is only one word - ‘en’ - for both of those English words ‘in’ and ‘on’.”\u003cbr\u003e\u003cbr\u003eVillarreal spent much of 2021 adding layers of percussion, editing and piecing the music together with Vettraino at International Anthem studios in Chicago. Other additions made in the final stages included Aquiles Navarro (of Irreversible Entanglements), who recorded horns for “Uncanny” at his family’s home in Panamá. Marta Sofia Honer wrote string arrangements and recorded a Curtis Mayfield-style symphony of violins and violas for “Cali Colors” and “18th \u0026amp; Morgan.” And back in LA for a final overdub session at Martinez’s garage studio, Villarreal and Martinez added backing vocals and synths to “Uncanny,” and even more synths to “18th \u0026amp; Morgan” and “Parque En Seis.” As the album took its final form, Villarreal named the collection Panamá 77, an homage to his birth place and year.\u003cbr\u003e\u003cbr\u003eVillarreal says: “This album is an affirmation of both my origin story and who I am today. I see my life and my music as a collaboration of improvisation and intention all in the spirit of community and joy.”\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 20, 2022\u003cbr\u003e\u003cbr\u003e01) Bella Vista\u003cbr\u003eComposed by Elliot Bergman, Kellen Harrison, Jeff Parker, and Daniel Villarreal. Recorded by Kellen Harrison on February 7th, 2019, at Freehand Hotel, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, bells, congas, handclaps\u003cbr\u003eKellen Harrison - bass guitar\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eElliot Bergman - baritone saxophone\u003cbr\u003e\u003cbr\u003e02) Ofelia\u003cbr\u003eComposed by Cole DeGenova and Daniel Villarreal. Recorded by Doug Malone on September 13th, 2020, at JAMDEK, Chicago, IL.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, donkey jaw, congas\u003cbr\u003eCole DeGenova - organ, farfisa, mellotron\u003cbr\u003eGordon Walters - bass guitar\u003cbr\u003eNathan Karagianis - electric guitar\u003cbr\u003e\u003cbr\u003e03) Uncanny\u003cbr\u003eComposed by Kyle Davis, Bardo Martinez, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 13th, 2020, at Chicali Outpost, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, congas, shakers, vocals\u003cbr\u003eBardo Martinez - bass guitar, synthesizers, electric guitar, vocals\u003cbr\u003eKyle Davis - rhodes piano\u003cbr\u003eAquiles Navarro - trumpets\u003cbr\u003e\u003cbr\u003e04) I Didn’t Expect That\u003cbr\u003eComposed by Anna Butterss, Jeff Parker, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 16th, 2020, at Chicali Outpost, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit\u003cbr\u003eAnna Butterss - double bass\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eCole DeGenova - hammond organ\u003cbr\u003e\u003cbr\u003e05) In\/On\u003cbr\u003eComposed by Anna Butterss, Jeff Parker, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 15th, 2020, at Chicali Outpost, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, bells, shakers, congas Anna Butters - bass guitar\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eDave Vettraino - air organ\u003cbr\u003e\u003cbr\u003e06) Cali Colors\u003cbr\u003eComposed by Anna Butterss, Jeff Parker, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 16th, 2020, at Chicali Outpost, Los Angeles, CA. String Arrangements by Marta Sofia Honer.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, bells, shakers\u003cbr\u003eAnna Butterss - double bass\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eMarta Sofia Honer - violin \u0026amp; viola\u003cbr\u003e\u003cbr\u003e07) Activo\u003cbr\u003eComposed by Elliot Bergman, Bardo Martinez, Jeff Parker, and Daniel Villarreal. Recorded by Kellen Harrison on February 7th, 2019, at Freehand Hotel, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, tambourine, shaker\u003cbr\u003eElliot Bergman - electric kalimba\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eBardo Martinez - bass guitar\u003cbr\u003e\u003cbr\u003e08) Sombras\u003cbr\u003eComposed by Anna Butterss, Jeff Parker, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 16th, 2020, at Chicali Outpost, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, congas, shells, tambourine Anna Butterss - double bass\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eCole DeGenova - farfisa\u003cbr\u003e\u003cbr\u003e09) Parque En Seis\u003cbr\u003eComposed by Kyle Davis, Bardo Martinez, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 13th, 2020, at Chicali Outpost, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, congas, bells\u003cbr\u003eKyle Davis - rhodes piano, bells\u003cbr\u003eBardo Martinez - bass guitar, synthesizers, bells\u003cbr\u003e\u003cbr\u003e10) Patria\u003cbr\u003eComposed by Avelino Muñoz. Recorded by Doug Malone on September 13th, 2020, at JAMDEK, Chicago, IL.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit\u003cbr\u003eCole DeGenova - organ\u003cbr\u003eGordon Walters - bass guitar\u003cbr\u003eNathan Karagianis - electric guitar\u003cbr\u003e\u003cbr\u003e11) 18th \u0026amp; Morgan\u003cbr\u003eComposed by Kyle Davis, Bardo Martinez, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 13th, 2020, at Chicali Outpost, Los Angeles, CA. String Arrangements by Marta Sofia Honer.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, bongos\u003cbr\u003eKyle Davis - rhodes piano, synthesizers\u003cbr\u003eBardo Martinez - bass guitar, synthesizers\u003cbr\u003eMarta Sofia Honer - viola \u0026amp; violin\u003cbr\u003e\u003cbr\u003e12) Messenger\u003cbr\u003eComposed by Anna Butterss, Jeff Parker, and Daniel Villarreal. Recorded by Ben Lumsdaine on October 16th, 2020, at Chicali Outpost, Los Angeles, CA.\u003cbr\u003e\u003cbr\u003eDaniel Villarreal - drumkit, congas, claves\u003cbr\u003eAnna Butterss - double bass\u003cbr\u003eJeff Parker - electric guitar\u003cbr\u003eAquiles Navarro - whistles\u003cbr\u003e\u003cbr\u003eIARC0054 album credits:\u003cbr\u003e\u003cbr\u003eProduced by: Daniel Villarreal, Dave Vettraino \u0026amp; Scott McNiece.\u003cbr\u003eRecorded by: Ben Lumsdaine, Doug Malone, Kellen Harrison, Dave Vettraino, Bardo Martinez, Marta Sofia Honer, Aquiles Navarro, and Regina Martinez.\u003cbr\u003eEdited \u0026amp; Mixed by: Dave Vettraino \u0026amp; Daniel Villarreal.\u003cbr\u003eMastered by: David Allen.\u003cbr\u003e\u003cbr\u003eFront Cover Photo by: Ariana Lebedev.\u003cbr\u003eBack Cover Photo by: Carolina Sánchez.\u003cbr\u003eTitles by: Natalie Miller.\u003cbr\u003eInsert Photos by: Ariana Lebedev \u0026amp; Carolina Sánchez.\u003cbr\u003eLayout \u0026amp; Insert Design by: Craig Hansen.\u003cbr\u003e\u003cbr\u003eThis album is dedicated to the memory of my grandmother Ofelia De León, “Abuela Fella.\"\u003cbr\u003e\u003cbr\u003eThank you to my daughters Estelle \u0026amp; Fania Villarreal, Emily Stock, my father Daniel Villarreal and mother Ana Cecilia de Villarreal, Francesca Reinisch, Scottie McNiece, Jamie Gray, Alex Chavez, Beto Martinez, Chet Zenor, Brian Seyler, and everyone at the International Anthem warehouse.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":42006392340641,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3339571584_16.jpg?v=1654063583"},{"product_id":"sweet-reaper-street-sweeper-import-new-lp","title":"Sweet Reaper - Street Sweeper [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eThe first time on vinyl!!! Pressing of debut album!!!  Originally released only on cassette.  I didn't even know this existed, but it's pretty wonderful to hear their beginnings!  It's so much like the others, and it's really quite different, tank-topped kids with strawberried knees and a buzz in their eyes, imperfection built like a board in 6th period wood shop in 7th grade, maybe showing a M.O.T.O influence that I didn't recognize on the others, skate rock and power pop poured into a drained pool with a Beach Boys show playing in the distance, hints of the Who and the Kinks showing up, maybe a bit of \u003cmeta charset=\"utf-8\"\u003eEddie Cochran mixed with Cheap Trick, still sounding like a late-summer early morning skateboard ride.  I don't know, I loved the others, but this might end up being my favorite.   Get it!  It's great!  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3872261910\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/sweet-reaper-street-sweeper\"\u003eSWEET REAPER - Street Sweeper by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_1\" class=\"peekaboo-text\"\u003e180g vinyl with double-sided colored insert.\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003ca rel=\"nofollow ugc\" href=\"http:\/\/razorcake.org\/\"\u003erazorcake.org\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eThe endless shores of California are at the heart of this ragtag group of miscreants’ inspiration to pick up instruments and bash out electrifying rock’n’roll. Here we have Ventura’s Sweet Reaper, who features members of Massenger, Vnlvx, and The Spires, and sound like The Plugz being blasted through a Twin Reverb on two banana boards bombing a palm-lined hill. Yet underneath the fuzzy distortion are the tried-and-true melodies of undeniably well-written songs. The sun may be setting on the horizon, but the night is young, and Sweet Reaper are about to get the party started. –Daryl (Naked Time)\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/manierenversagen.de\/\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":42013645439137,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1346557610_16.jpg?v=1654224320"},{"product_id":"the-electronic-system-vol-ii-yellow-vinyl-new-lp","title":"Electronic System, The – Vol. II [Yellow Vinyl] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronic System Vol. II  (Limited Yellow Vinyl Edition) LP\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w2Jq1sRV3TQ?si=0ob0_GQi8uFd101f\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the early-to-mid 1970s, Belgian recording engineer and synthesist Daniel Lacksman née Lanckmans recorded and released a series of pop music records, using early analog synthesizers as a central sonic element. Under an admittedly confusing array of names, Lacksman (who later founded the group Telex) created music that was equal parts innovation and ear-candy accessibility. Those often happy-go-lucky records gained some popularity throughout Europe, but their lasting influence can be heard in the music of Portishead, Massive Attack, The Moog Cookbook, and Air, not to mention among the lengthy list of 21st century artists who have sampled these recordings. And a casual survey online quickly reveals that these records are among the most collectible of their kind, with original copies commanding hundreds of dollars. Among those albums, the one Lacksman recorded in 1973 under the pseudonym Electronic System featured the first full flowering of his synthesizer mastery. His hit recording 'Coconut' had enabled him to buy a modular synthesizer, which offered a vastly expanded sonic palette if you had the patience to re-wire for each sound you wanted to achieve. Which was the perfect set-up for a studio engineer like Lacksman'the result is an album full of sonic surprises, with each track presenting multiple, unique synthesizer tones and attacks, even on such nakedly commercial moves as his cover of Ritchie Valens' 'La Bamba.' An analog synth tour de force! reissue has been mastered from the original tapes by Lacksman himself, and liner notes by Bill Kopp that include exclusive quotes from Lacksman and photos from his private archive. yellow vinyl pressing limited to 900 copies!\u003c\/p\u003e\n\u003cp\u003eSIDE ONE\u003cbr\u003e1. Top Jerk\u003cbr\u003e2. Dedicated to Gerard\u003cbr\u003e3. Fats\u003cbr\u003e4. I Start a Dream Today\u003cbr\u003e5. La Bamba No. 2\u003cbr\u003eSIDE TWO\u003cbr\u003e1. Plic-Ploc\u003cbr\u003e2. Electronic Flair\u003cbr\u003e3. Moog Jealousy\u003cbr\u003e4. Going Back to Moog City\u003cbr\u003e5. It’s Raining Today\u003cbr\u003e6. Top Tang\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Real Gone Records","offers":[{"title":"Default Title","offer_id":42155709726881,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-16085490-1603168672-3859.jpg?v=1656652861"},{"product_id":"guebru-emahoy-tsegue-mariam-spielt-eigen-kompositionen-new-lp","title":"Guebru, Emahoy Tsegue-Mariam  -  Spielt Eigen Kompositionen – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eFirst volume of solo piano compositions by Emahoy Tsege Mariam Gebru, finally back in print.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1646049526\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/emahoytsegemariamgebru.bandcamp.com\/album\/spielt-eigen-kompositionen\"\u003eSpielt Eigen Kompositionen by Emahoy Tsege Mariam Gebru\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eBorn to an aristocratic family in Addis Ababa in December of 1923, Emahoy spent much of her youth and young adulthood studying classical music in Europe. She returned to Ethiopia in the 40s, where the war interrupted her musical studies. In 1948 during a church service in Ethiopia, she found her faith and began years of religious training.\u003cbr\u003e\u003cbr\u003eThroughout her physical and spiritual journeys, Emahoy continued to compose for the piano. She first released this album in Germany 1963 as small private press record. The tracks reflect her own travels, seamlessly moving between Western classical and traditional Ethiopian modes, evoking Erik Satie, the orthodox liturgy, and meditative Christian music all at once. Her work is like no one else in the world, lyrical, hypnotic, full of spiritual warmth and a direct connection to the divine.\u003cbr\u003e\u003cbr\u003eEmahoy is now 98 years old and still lives in Jerusalem. She continues to play, and the funds from her work go to the righteous causes to which she has dedicated her life.\u003cbr\u003e\u003cbr\u003eWe are incredibly proud to present this music on vinyl\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eagain, mastered by Timothy Stollenwerk and presented in collaboration with the EMAHOY TSEGE MARIAM MUSIC PUBLISHER and Foundation. This black vinyl LP version includes a new reproduction of the original artwork, with the composer’s own notes, translated from the original German.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 13, 2022\u003cbr\u003e\u003cbr\u003eAll compositions and performances by Emahoy Tsege Mariam Gebru.\u003cbr\u003e\u003cbr\u003eRemastered by Timothy Stollenwerk \/ Stereophonic.\u003cbr\u003e\u003cbr\u003eGerman translation by Sarah Helen Keller\u003cbr\u003e\u003cbr\u003eA Mississippi Records release.\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":42214999457953,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0196988306_10.jpg?v=1657559360"},{"product_id":"ibibio-sound-machine-doko-mien-new-lp","title":"Ibibio Sound Machine-  Doko Mien [MARKED DOWN] – New LP","description":"\u003cdiv class=\"signed-out-artists-bio-text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"bio-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3734958923\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ibibiosoundmachine.bandcamp.com\/album\/doko-mien\"\u003eDoko Mien by Ibibio Sound Machine\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003col id=\"band-links\"\u003e\u003c\/ol\u003e\n\u003cspan\u003e\u003ca data-sanitized-data-mce-fragment=\"1\" data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003c\/a\u003eAll tracks written by Ibibio Sound Machine. Copyright control.\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eEno Williams: Vocals\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eAlfred ‘Kari’ Bannerman: Guitar\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eTony Hayden: Trombone, Keyboards\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eScott Baylis: Trumpet, Keyboards\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eMax Grunhard: Saxophone, Keyboards, Programming\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eAnselmo Neto: Percussion\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eDerrick McIntyre: Bass Guitar\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eJose Joyette: Drums\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eJaelee Small: Backing Vocals\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eChantal Brown: Backing Vocals\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eEmmanuel Rentzos: Additional Keyboard on ‘Wanna Come Down’, ‘Just Go Forward (Ka I So)’ \u0026amp; ‘Basquiat’\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eLawrence Narhkom: Trumpet on ‘Basquiat’\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eIllay Chester: String Arrangement and Cello on ‘Guess We Found a Way’\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eProduced by Max Grunhard\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eRecorded by Max Grunhard, Tony Hayden \u0026amp; Gareth Finnegan at Vanguard Studios and Peckham Road Studio, London\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eMixed by Gareth Finnegan, Max Grunhard \u0026amp; Tony Hayden at Vanguard Studios, London\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eAdditional Production: Tony Hayden\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eAdditional Mixing: Gigi Piscitelli\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eMastered by Guy Davie at Electric Mastering, London\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eClothing Design: Laura Lang\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eCover Photography: Dan Wilton\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eLive Photography: Graham Perowne\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eGraphic Design: Daniel Murphy\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\"\u003eWe would like to thank the amazing Mike Andrews, the lovely people at Merge Records, and the fabulous Oliver Ward \u0026amp; Steve Nickolls at UTA for making all this possible.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":42256036036769,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1880834563_16.jpg?v=1658133643"},{"product_id":"ray-shilpa-portrait-of-a-lady-new-lp","title":"Ray, Shilpa – Portrait of a Lady - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis concept album was primed for a 4-sider double album, and it brings me joy that Shilpa had the wisdom to fit this into two sides.  Welcome the immigrants from India (and every other country), and let their children grow up with punk rock, and maybe we will have more powerful and beautiful albums like this one.  Obviously rising out of pain, this tells a classic American story, timely tales presented as a collection of songs, the set moving through many tempos and styles (and female singer influences) to fit the different parts and moods of the stories.  -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=157144298\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shilparay.bandcamp.com\/album\/portrait-of-a-lady\"\u003ePortrait of a Lady by Shilpa Ray\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Nobody grows up wanting to be an artist’s artist. Appreciated by the sub sect of the sub sect is like being the beauty queen at the leper colony.\"  -- Shilpa Ray\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\"With her raging new album Portrait of a Lady, New York punk rock\/art pop songwriter Shilpa Ray has created her most searing and personal album to date. Written in the wake of the #metoo movement and the weathering years of the Trump Administration, the record finds Ray processing her own experiences with abuse, layering autobiographical detail with ferocious bon mots and surrealistic rock \u0026amp; roll gloss.  Featuring singles like the Stooges-styled “Manic Pixie Dream Cunt,” the reverb soaked dream pop of “Heteronormative Horseshit Blues,” and the hard-charging “Bootlickers of the Patriarchy,” the album draws from a stylistic palette of synths, electronic beats, and hard rock guitars, inspired by artists like Ministry, Billy Idol, Pat Benatar, and the glittery, jagged but still pop guitars of Los Angeles hair metal. The idea for Portrait of a Lady Ray stretches back Ray’s experience with photos from Nan Goldin’s The Ballad of Sexual Dependency, a personal expose of the photographer’s time in the No Wave scene of New York in the late ‘70s. “It shook me to my core and made me reflect on my own experiences with sexual assault and abuse,” Ray says. She couldn’t shake the idea of a concept album—a full-throated rock album about being a survivor—but found herself hesitating until 2019, when she began to approach the concept in earnest. “I kept asking, ‘How do you do this?’ But Goldin’s work—as well as the writings of music journalist and musician Jes Skolnik—inspired Ray to throw herself into the difficult work. To match her personal and fearless lyrics, which range from darkly funny to harrowing, Ray and her co-producer\/collaborator Jeff Berner gather a wide batch of sounds, from unhinged garage rock to soul ballads. The songs shimmer with neon gloss, from the electronic piano and harmony-packed excoriation of privilege “Straight Man’s Dream” to the heartbreaking showstopper “Cry For the Camera,” and from the noise interlude of “No” to the leather clad strut of “Lawsuits \u0026amp; Suicide,” a tale of manipulation set to ‘80s hard rock-inspired new wave, drawn from Ray’s childhood memories of MTV. “In the ‘80s, everything looked like candy, but it was sharp—there’s an anger to it,” she says. That anger is present on the record, but it shares space with acceptance, gallows humor, and strength. “No survivor has a set way of dealing with what they had to survive. There’s no homogenized experience or interpretation of it,” Ray says. Portrait Of A Lady isn't a political record so much as a personal one, dedicated to “showing the good, the bad, and the ugly as well as the power one can ultimately hold being a survivor.”\u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll Songs Written and Arranged by Shilpa Ray (SESAC 2021)\u003cbr data-mce-fragment=\"1\"\u003eProduced by Shilpa Ray and Jeff Berner\u003cbr data-mce-fragment=\"1\"\u003eEngineered and Mixed by Jeff Berner @ Studio G\u003cbr data-mce-fragment=\"1\"\u003eAssistant Engineer – Jeet Baidyaroy\u003cbr data-mce-fragment=\"1\"\u003eMastered by Sarah Register\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtwork\u003cbr data-mce-fragment=\"1\"\u003ePhotography by Ebru Yildiz\u003cbr data-mce-fragment=\"1\"\u003eMake Up – Stephanie Peterson\u003cbr data-mce-fragment=\"1\"\u003eMan’s Arm – Jasno Swarez\u003cbr data-mce-fragment=\"1\"\u003eLayout and Design – Tom Wanderer\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSincerest Gratitude - Nan Goldin and Jes Skolnik for inspiring me to write this album and giving me the power to speak my truth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpecial Thanks – Amos Poe, Claudia Summers, JR Skola, Lisa Gottheil, Alex Courides, Ric Leichtung, New York Nightlife Fund, Studio G, Peter Agoston, Mara Kuge, Gandhar Savur and Northern Spy Records for helping me get to the finish line.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album is dedicated to the survivors. May we one day be able to reclaim ourselves.\u003c\/div\u003e","brand":"Northern Spy Records","offers":[{"title":"Default Title","offer_id":42362179649697,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3091269741_16.jpg?v=1660153293"},{"product_id":"spit-take-falling-star-new-lp","title":"spit-take -  Falling Star [blue swirl vinyl MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConnecticut indie rock family trio's latest \u0026amp; greatest full-length album, after a slew of various releases. Dreary \u0026amp; melodic indie pop, as earnest as it is fresh. Born in 2013, this trio has been making a buzz for themselves in the tightly-knit pocket of New England DIY. For fans of Pavement, That Dog, Superchunk, Beat Happening, etc. This is a batch of songs not to be missed this year. First 100 on Limited Blue Swirl color vinyl! (Comes w\/ download)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2753512293\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/spit-take.bandcamp.com\/album\/falling-star\"\u003eFalling Star by spit-take\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSong premiere for \"Our Room\" on New Noise Magazine @\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/newnoisemagazine.com\/song-premiere-spit-take-our-room\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/newnoisemagazine.com\/song-premiere-spit-take-our-room\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003enewnoisemagazine.com\/song-premiere-spit-take-our-room\u003c\/a\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Dead Broke Records","offers":[{"title":"Default Title","offer_id":42376217100449,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1399664864_10.jpg?v=1660524921"},{"product_id":"new-lows-abhorrent-endings-white-vinyl-new-lp","title":"New Lows -  Abhorrent Endings [WHITE vinyl One sided EP MARKED DOWN] – New 12\"","description":"\u003cmeta charset=\"utf-8\"\u003eBoston\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2652223231\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/newlowsband.bandcamp.com\/album\/abhorrent-endings\"\u003eAbhorrent Endings by New Lows\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Deathwish Records","offers":[{"title":"Default Title","offer_id":42376268710049,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1671470139_16.jpg?v=1660526481"},{"product_id":"jansch-bert-birthday-blues-new-lp","title":"Jansch, Bert – Birthday Blues – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eBert 1969.  Richie Unterberger: \"It's no accident that Jansch's 1969 album sounds like a modified version of the Pentangle. He was a member of the great British folk-rock group at the time of this album's release, which was produced by Shel Talmy (who also worked with the Pentangle). And he's backed by the group's sterling rhythm section of Danny Thompson (bass) and Terry Cox (drums), with occasional touches of harmonica (played by British blues singer Duffy Power), alto sax, and flute. The effect is akin to hearing an unbalanced Pentangle, with no John Renbourn on dueling guitar or Jacqui McShee on vocals. That's not at all a bad thing -- Jansch was one of the group's main motors, and can still be a compelling writer and performer on his own. All of the cuts on this LP are originals, showing the artist leaning a little more toward bluesy styles than usual, though the mood is predominantly British folk.\" \u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ya0P7ShrZkw?si=9f2xEfvt5-uaJ-Te\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZEs-IOhzOcM?si=YMS2HMPRmUN9vfck\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"review-headline-container\"\u003e\n\u003ch2 class=\"review-author\"\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"I will never stop learning from Bert Jansch. His records have proved to be a great gift to everyone and for me they are also an education and a well of inspiration.” - Graham Coxon\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"Simply, I think Bert was a truly unique musician. Somehow he could elegantly bridge differing musical and singing traditions to sing and play in a way that sounded only like Bert Jansch.” - Anne Briggs\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e“The Jimi Hendrix of the acoustic guitar” - Neil Young\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"At one point, I was absolutely obsessed with Bert Jansch. When I first heard that LP, I couldn’t believe it. It was so far ahead of what everyone else was doing. No one in America could touch that.” - Jimmy Page\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"Superior Viaduct Records","offers":[{"title":"Default Title","offer_id":42384144203937,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-10348910-1495774167-1013.jpg?v=1660691946"},{"product_id":"lightning-bolt-oblivion-hunter-rainbow-splatter-new-lp","title":"Lightning Bolt - Oblivion Hunter [Rainbow Splatter Vinyl] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRainbow Splatter vinyl.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197236637\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lightningbolt.bandcamp.com\/album\/oblivion-hunter\"\u003eOblivion Hunter by Lightning Bolt\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"writing\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eForming in 1995 and performing locally around Providence, Rhode Island, Lightning Bolt started out a sloppy but determined art-school trio with a penchant for Skin Graft-style noise-rock and aggressive live shows. It took them two years to get a record out, and when they finally did, it was released in a limited run of 750 copies. Since then, they've tightened up-- even dropping a member to become a bass\/drums duo-- and the live shows which were once simply tenacious have slowly developed into juggernauts, atomic blasts of crystalline fury that send shards of feedback and blistering distortion into anyone who dares witness such savagery in the flesh.\u003c\/p\u003e\n\u003cp\u003e -------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFormed in 1994, Lightning Bolt redefined what it meant to be DIY. An utterly singular band in every way, unbridled creativity and energy propelled them well past most categorical boundaries, least of which is the boundary between band and audience. Theirs is an immersive experience – a sound so huge it can swallow us all with ease.\u003cbr\u003e\u003cbr\u003eOblivion Hunter is a monster. Not a compilation, not concept album and more than the sum of its parts, the record is a peek into the band's inner world on their home turf (the Hilarious Attic in Providence), collecting deep explorations into distortion, bass manipulation and its intersection with rhythm. The result is a cathartic listening experience that finds blast-beats colliding with distorted vocals and all shapes and sizes of guitar noises, even some metallic riffage on the album closer and aptly named \"World Wobbly Wide.\"\u003cbr\u003e\u003cbr\u003eThroughout, the sound is amped-up and free with an ear on the railroad tracks to the big sounds of industry and clamor. Bass sounds jump out of the speaker cones that conjure up ears in alien propulsion systems, nights in faraway wind tunnels. It is truly the sonic oblivion and YOU are now the Oblivion Hunter.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"writing\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"writing\"\u003e\u003c\/div\u003e","brand":"Thrill Jockey Records","offers":[{"title":"Default Title","offer_id":42384476209313,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3992895950_16.jpg?v=1660699593"},{"product_id":"led-zeppelin-bbc-sessions-used-cd","title":"Led Zeppelin – BBC Sessions [2xCD] – Used CD","description":"","brand":"Atlantic Records","offers":[{"title":"Default Title","offer_id":42402194849953,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/image_7b5fee54-54d1-472a-82a7-eeddb7c2f1ea.jpg?v=1661046666"},{"product_id":"freak-genes-hologram-silver-vinyl-new-lp","title":"Freak Genes -  Hologram [SILVER VINYL marked down] – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAnother stellar set from this UK outfit, the skin of electronic robots growing over them as the years go by, embracing that while shaking it off to rattle the bones, shaking up the human blood inside to keep it pumping, quite a bit different than the last ones, quite a bit like them, maybe returning to more of the frantic paranoia of the third album, but also settling into their signature sounds like we heard on the fourth set, pounding square pistons into cylinders, yanking the rip chord, kicking the powerplant into action...along with punk, post-punk and no wave influences, possible influences surfacing this time might include Tubeway Army, Roxy Music, Sparks, Moroder, and Talking Heads, another essential listen for fans. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1689673330\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/freakgenes.bandcamp.com\/album\/hologram\"\u003eHologram by Freak Genes\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u0026gt;How much longer can we (LIVE)…if we’re only an (IMAGE)? That’s the question Freak Genes (FG) pose in their new album Hologram. Put down your electric scriber. Answers on wax only. Discover the difference between manifest and (MIRAGE), solid and (SHAPELESS), real and (INFORMATION_REDACTED).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut here is what we actually know: Freak Genes are Charlie Murphy (LIFE_FORMS, GAMMA, FRESH_SPECIMEN, ISOLATION) and Andrew Anderson (PROTO_IDIOT, KAKE?). Hologram is their (FIFTH) album. The (LABEL) is Feel It Records. The playing length is (INFORMATION_REDACTED). There are (THIRTEEN) tracks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd here is what might well be: this is for fans of (THE_UNITS, FAD_GADGET, FURTHER_INFORMATION_REDCATED).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFind them and find out from (RELEASE DATE).\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFreak Genes are Charlie Q Murphy and Andrew K Anderson.\u003cbr data-mce-fragment=\"1\"\u003eAll songs written by CQ Murphy and AK Anderson.\u003cbr data-mce-fragment=\"1\"\u003eRecorded by CQ Murphy, AK Anderson, and Phil J Booth.\u003cbr data-mce-fragment=\"1\"\u003eDrums by PJ Booth.\u003cbr data-mce-fragment=\"1\"\u003eVocals on Hologram, New Crime, and The Future is Mine by Ketty M Marinova.\u003cbr data-mce-fragment=\"1\"\u003eSynth solo on New Crime by Jonathan R Meager.\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Mikey D Young.\u003cbr data-mce-fragment=\"1\"\u003eArtwork by CQ Murphy.\u003cbr data-mce-fragment=\"1\"\u003eDesign by Viktoriya V Staykova.\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":42428555722913,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3596250554_16.jpg?v=1661713661"},{"product_id":"lee-bains-the-glory-fires-old-time-folks-2xlp-new-lp","title":"Lee Bains + The Glory Fires – Old-Time Folks [2xLP Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eOn August 5th, Lee Bains + The Glory Fires will release Old-Time Folks, their fourth full-length studio album, via Don Giovanni Records.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088937922\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leebainsiii.bandcamp.com\/album\/old-time-folks\"\u003eOld-Time Folks by Lee Bains + The Glory Fires\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince releasing their first album There Is a Bomb in Gilead in 2012, the road-worn Birmingham, Alabama band – singer and guitarist Lee Bains, bassist Adam Williamson, and drummer Blake Williamson – has built a reputation as being what NPR calls “punks revved up by the hot-damn hallelujah of Southern rock” who carry on “the Friday-night custom of burning down the house,” a raw live sound that they captured with Texas punk producer Tim Kerr on studio albums Dereconstructed (2014) and Youth Detention (2017) before recording a full-on live album at their favorite hometown dive, Live at the Nick (2019).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir work has come to be known, too, for Bains’s lyrics and their literate, incisive social commentary on the band’s beloved homeplace, leading him to publish poetry in the New Yorker and speak at universities from Mississippi to Sweden. Bains and the Williamson brothers can also be found collaborating with artists like Lonnie Holley and Swamp Dogg, lending their bombast to truck-bed protests of Donald Trump and Roy Moore, playing benefit shows for striking Alabama coal miners and Southern Black LGBTQ\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eliberation organizations, and presenting gospel-music live streams for Birmingham and Atlanta food banks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the Glory Fires have spent a decade propagating what the New York Times calls “pandemonium with a conscience,” in recent years, as the band drove their 400,000+-mile van between shows, they found themselves listening to records that were more produced, arranged, and textured than their own past work, to records that struck them as timeless and immense, ones that invited you in, to get lost in the details. On many bleary-eyed interstate drives, they talked about wanting to make a classic record–not a transparent document of their playing live with the occasional embellishment–but a record. They talked about working with a producer who had made such albums. About taking Bains’s songs and deconstructing them, stripping them down to their most minimal elements, reimagining them, and building them back up again. They talked about closely considering arrangements. Digging into their varied influences. Swapping instruments. Getting high-fidelity sounds. Inviting guest musicians. Incorporating percussion and synthesizers and horns and strings. Maybe even doing a song or two without a blaring electric guitar, or even–gasp–without a guitar at all.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo, that’s what they did. They contacted Athens, Georgia’s David Barbe, whose work with the Drive-By Truckers, Sugar, Son Volt, Vic Chesnutt and countless other artists has earned him a legendary reputation amongst Southern independent rockers, and they agreed to set about bringing this vision to fruition. After months of recording demos with John Paul Foster in Montevallo, Alabama and going over arrangements with Texas punk stalwart Tim Kerr, who the band calls their “coach,” the band decamped to Athens to record with Barbe at Chase Park Transduction in December of 2019. Soon after laying down the initial tracks, the COVID-19 pandemic erupted, and the usually hard-touring trio soon found themselves at home with yet more time to consider, flesh out, and arrange this new batch of songs. The result is an album whose levels of dynamics, nuance, range, and intimacy are new for the band. Enriching those explorations are kindred musical spirits like pianist Thayer Sarrano, organist Jay Gonzalez (Drive-By Truckers), singer Kym Register (Loamlands), horn players William Washington and Theresa May (Mourning A BLKstar), and string arranger Annie Leeth, whose idiosyncratic contributions to the album deepen that sense of collectivism that the lyrics invoke.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was nearly named A People’s History, and its thirteen songs are focused on that mission–to investigate the band’s stomping grounds of Alabama and West Georgia, and to summon stories of that land’s peoples, rising up collectively to defend and liberate themselves from systems of power and exploitation. Just as the album’s music meanders between jagged rock’n’roll and churchy swells, feedback-drenched dirges and orchestral rave-ups, the lyrics lead us through those rich varied lands and time itself: black-masked protestors face SWAT tanks in smoggy cities; Muscogee warriors encircle a colonial fort along a muddy river; incarcerated workers noisily strike in a maximum-security prison surrounded by cottonfields; coal miners barricade the entrance of a mine; kids talk politics in the alley out back of a punk show; families gather outside a country church to prepare a dinner on the grounds. As we encounter these people and places, we sink deeper into what Bains calls “old-time,” that which connects us to those who have gone before, to the land, to each other, and to something deeper and older still.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile tackling such lofty political, historical and philosophical concepts, the album is also the band’s most intimate, vulnerable and spiritual to date. The perspective is both outward- and inward-facing, Bains never taking on the persona or experience of others, but rather writing about the way his own limited experience and perspective of the band’s place can lift the veils of false narratives, and uncover “piles of winding stories” through time. Throughout the record, great forces–whether exploitative or liberatory, reconciliatory or confrontational, grand or humble, condemning or merciful–show up in the smallest, most personal moments of our lives and relationships, both public and private. Little by little, we are drawn into a long arc of freedom, justice, and beloved community, and into a celebration of and thanksgiving for those who do its work. Bains uses words like a chef, fusing them together like the chips from a multitude of trees are pressed together into particle board. These are songs that are not just songs, but stories and poetry, as well, and Bains’s sense of melody makes the stories into anthems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn an age characterized by individualism, and at a time when the past seems to be the sole domain of the status quo, Old-Time Folks illustrates the deep, thick, tangled roots of liberation, collectivism, mutuality and solidarity in the Deep South, and where they are flowering and bringing forth fruit today.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased August 5, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePRODUCED, ENGINEERED, AND MIXED by David Barbe at Chase Park Transduction, Athens, Georgia\u003cbr data-mce-fragment=\"1\"\u003eMASTERED by Joe Lambert at Joe Lambert Mastering, Jersey City, New Jersey\u003cbr data-mce-fragment=\"1\"\u003eSTRING ARRANGEMENTS by Lee Bains and Annie Leeth\u003cbr data-mce-fragment=\"1\"\u003eHORN ARRANGEMENTS by Lee Bains, Theresa May, William Washington, Blake Williamson\u003cbr data-mce-fragment=\"1\"\u003eCOVER ART by Nazrene Alsiro\u003cbr data-mce-fragment=\"1\"\u003eBACK COVER ART by Andrea Morales and Chinita Muhammed\u003cbr data-mce-fragment=\"1\"\u003eILLUSTRATION AND LETTERING by Tracy Chahwan\u003cbr data-mce-fragment=\"1\"\u003eLAYOUT by John Yates\u003c\/div\u003e","brand":"Don Giovanni Records","offers":[{"title":"Default Title","offer_id":42428660711585,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2697179632_16.jpg?v=1661719892"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/september-2026.oembed?page=9","provider":"Green Noise Records","version":"1.0","type":"link"}