{"title":"October 2025","description":"\u003ch1\u003enew releases, reissues, restocks, preorders, preorder arrivals, marked down titles and used records added to the Green Noise webstore during October 2025!\u003c\/h1\u003e\n\u003cp\u003e(If you want to only see new releases that were recorded in\u003cspan\u003e \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/2025\" target=\"_blank\"\u003e2025\u003c\/a\u003e\u003c\/span\u003e, see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.)\u003c\/p\u003e","products":[{"product_id":"red-fang-s-t-lp","title":"Red Fang - s\/t [SPLATTER VINYL] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRed Fang is the formation of long time friends and collaborators Bryan Giles (Last of the Juanitas, Party Time), Aaron Beam (Dark Forces, Lachrymator), David Sullivan (Party Time, facedowninshit, Shiny Beast) and John Sherman (Party Time, Bad Wizard, Trumans Water, All Night). Unleashed on New Year's Eve of 2006 in Portland, Oregon, Red Fang stormed out of the gates, introducing a sweaty, seething basement to a new kind of unforgettable fist-pumping, beer-chugging rock music. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=468503817\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/redfang.bandcamp.com\/album\/red-fang\"\u003eRed Fang by Red Fang\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eSince that night, the band has continued with the same intensity, energy, and intimacy to quickly become a touring juggernaut, playing shows all over the US with bands like The Melvins, Big Business, and The Sword, to name just a few.  Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and horrifying. Synthesizing a variety of heavy music influences into their own distinct musical identity, the band easily shifts from barn-burning punk to mid-tempo, hyper-distorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualify the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive. Their instrumentation is fluid and effortless, and the vocals are delivered melodically and forcefully, with enough rasp and effect saturation to fit nicely within the music. Paired with elemental imagery, the lyrics are immense and satisfying without any pretense.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sargent House Records","offers":[{"title":"Default","offer_id":820983995,"sku":"SKU-9360","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-30796806-1716838623-8357.jpg?v=1723074046"},{"product_id":"dead-moon-stranded-in-the-mystery-zone-lp","title":"Dead Moon - Stranded in the Mystery Zone – New LP","description":"\u003cp\u003e2024 pressing of 1991 album.  Another essential, all Cole originals this time, all kick and killer, razor-wire wrapped around the rusty barbs at the top of a chain-link fence, raw as the truth and sharp as a blade, flicking it open and ripping it out, carving into the dark and shining like a moonlit night.  -- winch\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=953155669\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deadmoonnight.bandcamp.com\/album\/stranded-in-the-mystery-zone\"\u003eStranded in the Mystery Zone by Dead Moon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Highly sought by rock ‘n’ roll maniacs around the globe for its breathtaking songwriting and attitude, “Clouds of Dawn,” “A Fix On You,\" “Crazy  To the Bone,” “Down the Road,” and another half-dozen classics beloved by Dead Moon enthusiasts.\"\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":20021736963,"sku":"","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/868924000106_main.jpg?v=1463071471"},{"product_id":"waxahatchee-out-in-the-storm-lp","title":"Waxahatchee - Out in the Storm - New LP","description":"\u003cp\u003eOut in the Storm, Katie Crutchfield’s fourth album as Waxahatchee and the follow-up to her Merge debut Ivy Tripp, is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2820382927\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/waxahatchee.bandcamp.com\/album\/out-in-the-storm\"\u003eOut in the Storm by Waxahatchee\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe album was tracked at Miner Street Recordings in Philadelphia with John Agnello, a producer, recording engineer, and mixer known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date.\u003cbr\u003e\u003cbr\u003eLP (Standard)\u003cbr\u003e- album on black vinyl\u003cbr\u003e- 12\" × 24\" poster insert with a portrait of Katie Crutchfield on one side and full lyrics on the other\u003cbr\u003e- uncoated stock jacket with silver foil details\u003cbr\u003e- full download\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKatie Crutchfield: vocals, guitars, keyboards, bass, additional percussion\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKatie Harkin: vocals, guitars, keyboards, piano, additional percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAllison Crutchfield: keyboards, additional percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAshley Arnwine: drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKatherine Simonetti: bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJoey Doubek: additional percussion\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll songs written by Katie Crutchfield and published by Domino Publishing Company (BMI)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEngineered by John Agnello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by John Agnello and Katie Crutchfield\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracking assistance by Matt Schimelfenig\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracked at Miner Street Recordings in Philadelphia, PA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed at Water Music Recording Studios in Hoboken, NJ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Greg Calbi at Sterling Sound\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotos by Daniel Shea\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Daniel Murphy\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThank you: Rennie Jaffe, Timmy Hefner, Mac McCaughan, Laura Ballance, Eric Dimenstein, Mark Bowen, Steven Thomassen, Joey Doubek, Jess Clarke, Jeff Pachman, Sam Cook-Parrott, Kate Illes, Kathryn Formoso, Kate Hewett, Sharon, Bella and Sara Agnello, Kyle Gilbride, Cynthia Schemmer, Jeff Bolt, Marco Reosti, Joe Steinhardt, Brian McTear, Eloy Lugo, everyone at Merge, everyone at Ground Control Touring and Toutpartout and all of our families!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDemos credits:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKatie Crutchfield: vocals, guitar, bass, drum machine, keys\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKatherine Simonetti: bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAshley Arnwine: drums\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll songs written and recorded by Katie Crutchfield\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":69209882648,"sku":"MRG594","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/10_700_700_594_waxahatchee_900.jpg?v=1523064861"},{"product_id":"lost-sounds-memphis-is-dead-lp-used","title":"Lost Sounds - Memphis Is Dead [CLEAR VINYL] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMemphis is Dead repress! Yes, we have repressed the Lost Sounds, Memphis is Dead LP again. It has been remastered and is now on Smokey Clear vinyl!!!\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074603296\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lostsoundsbigneck.bandcamp.com\/album\/memphis-is-dead\"\u003eMemphis Is Dead by Lost Sounds\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFINAL RESTOCK: \u003c\/strong\u003e\u003cstrong\u003e(Thanks to Big Neck Records for sending us the last copies of the final pressing...likely will NEVER be repressed again!) \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIf you ain't already got it, essential addition to your collection.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSynth garage punk band from \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/memphis\"\u003eMemphis, Tennessee, USA\u003c\/a\u003e with \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Alicja+Trout\"\u003eAlicja Trout\u003c\/a\u003e (Black Sunday, River City Tanlines, Sweet Knives, The Clears...)\u003c\/strong\u003e\u003c\/span\u003e \u003cspan\u003e\u003cstrong\u003eon synths, guitars, vocals; Jay Reatard on synths, guitars, vocals; and Rich Crook (The \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Reatards\" target=\"_blank\"\u003eReatards\u003c\/a\u003e) drums.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e(Check out Crook's \u003ca href=\"https:\/\/store.greennoiserecords.com\/products\/lover-no-dreams-please-e-p-new-lp?_pos=1\u0026amp;_sid=fce1a13fd\u0026amp;_ss=r\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/products\/lover-no-dreams-please-e-p-new-lp?_pos=1\u0026amp;_sid=fce1a13fd\u0026amp;_ss=r\" target=\"_blank\"\u003eLover! LP\u003c\/a\u003e too, also $17.)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":39634224545953,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/lostsoundmem.jpg?v=1505426415"},{"product_id":"titus-andronicus-a-productive-cough-lp","title":"Titus Andronicus - A Productive Cough – New LP","description":"\u003cp\u003e\u003cspan\u003eWith A Productive Cough, Titus Andronicus has executed the most shocking departure yet—but only if, as ever mercurial singer-songwriter PATRICK STICKLES insists, “you haven’t been paying attention.” In a move that may infuriate the black-denim-and-PBR set, A Productive Cough sets aside lead-footed punk anthems in favor of a subtler, more spacious approach that pushes Stickles’ soul-baring songwriting to the fore, creating an intimacy between artist and audience with which previous Titus Andronicus efforts had only flirted.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eFeatures guest contributions from veteran pianist RICK STEPH (Cat Power, Lucero, Hank Williams Jr.), esteemed cellist JANE SCARPANTONI (R.E.M., Bob Mould, Lou Reed), listeners Brooklyn singer MEGG FARRELL, and many others. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2841520115\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/a-productive-cough\"\u003eA Productive Cough by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":40475364393121,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/673855060620_main.jpg?v=1629044897"},{"product_id":"king-gizzard-the-lizard-wizard-polygondwanaland-white-vinyl-fuzz-club-version-lp","title":"King Gizzard \u0026 The Lizard Wizard - Polygondwanaland (MILKY WHITE VINYL Fuzz Club Version) - Used LP","description":"\u003cp\u003e\u003cspan\u003e NM\/NM.  never played.  milky white vinyl 2018 pressing\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1017207616\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kinggizzard.bandcamp.com\/album\/polygondwanaland\"\u003ePolygondwanaland by King Gizzard \u0026amp; The Lizard Wizard\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Fuzz Club Records","offers":[{"title":"Default Title","offer_id":14666047324230,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374715239.jpg?v=1538600266"},{"product_id":"titus-andronicus-home-alone-on-halloween-lp","title":"Titus Andronicus - Home Alone On Halloween [ORANGE VINYL] - New 12\"","description":"\u003cp\u003e\u003cspan\u003eWith Home Alone on Halloween, noted rock band TITUS ANDRONICUS [hereafter +@] celebrate the spookiest of the seasons by staring into the abyss and confronting the bone-chilling terror which lies at the haunted heart of our human experience.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3116465347\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=84348286\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3140570701\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eBearing the justly feared catalog number MRG666, the 12-inch EP spans 31 minutes and features three tracks recorded concurrently with the group’s most recent full-length A Productive Cough, offering an autumnal tableau of dread and decay to complement its LP companion’s springtime visions of rebirth and new possibilities. The title track remixes A Productive Cough’s hardest-rocking selection, foregrounding its ominous strings and swelling organ and featuring a soulful new lead vocal from frequent +@ special-teams captain MATT \"MONEY\" MILLER, while “Only a Hobo” plucks an oft-forgotten gem from the dusty corners of the Bob Dylan songbook to paint a grim portrait of hopes dashed and potential squandered. Eeriest of all is “A Letter Home,” which, across nearly 17 minutes and more than 1,200 words, drags the listener along for a harrowing descent into the darkness and proves definitively that this ceremony is no mere monster mash. Pressed on orange vinyl in an edition of 1.300 copies.\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":15014420054086,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1543811188_16.jpg?v=1754123929"},{"product_id":"boink-something-colorful-for-sure-lp","title":"BOINK - Something Colorful For Sure [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGreen Noise gives 100% of the sale of these items to the women who own these labels, either in advance or when item sells.  If you have a woman-owned label, Green Noise will do the same for you.  (Same goes for bands fronted by any person of color, any artist from any minority group, people of the original tribes and nations of this land, any artist from a third world country, or any immigrant from anywhere).\u003c\/h2\u003e\n\u003cbr\u003e\u003cbr\u003ePortland craziness!\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShana Lindbeck- marimba\/percussion \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRebecca Rasmussen- guitar \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaul Billy- bass \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePapi Fimbres- drums \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Eff- guitar \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNoelle Magia- vocals \u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1358384877\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/boink-nadinerecords.bandcamp.com\/album\/something-colorful-for-sure\"\u003eSomething Colorful For Sure by Boink\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Nadine Records","offers":[{"title":"Default Title","offer_id":40973042581665,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3427605351_10.jpg?v=1578593895"},{"product_id":"flat-worms-into-the-iris-12","title":"Flat Worms - Into The Iris - New 12\"","description":"\u003cspan\u003e\"Six songs from Los Angeles-based FLAT WORMS, which feature TIM HELLMAN, JUSTIN SULLIVAN and WILL IVY. The Into The Iris EP follows an LP on Castle Face. Filled with anxiety and angst, Flat Worms summon perseverance in an apocalyptic era, passing through decrepit strip malls and surreal headlines. These songs were recorded by TY SEGALL in his home, and are being offered on God? Records.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4212248318\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/flatwormsmusic.bandcamp.com\/album\/into-the-iris\"\u003eInto the Iris by Flat Worms\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"God? 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This trans-generational meeting of the minds has yielded the most immediate and unadorned Titus Andronicus record to date. Clocking in at 38 minutes, it is also the shortest. Recorded over six days at Steve Albini’s Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus\u003cspan class=\"break\"\u003e \u003c\/span\u003eAndronicus, rock band, at its most irreducible, as monolithic as the album’s titular monument.\u003cspan class=\"break\"\u003e \u003c\/span\u003eTitus Andronicus is led by singer-songwriter PATRICK STICKLES, now flanked by longtime guitarist LIAM BETSON and the indomitable rhythm section of R.J. GORDON on bass and CHRIS WILSON on drums. An Obelisk is the first record to showcase this lineup from tip to tail, each track bearing distinctive fingerprints of each musician, their particular chemistry honed through extensive touring and rigorous rehearsals. Excepting the background vocals of RALPH DARDEN (Ted Leo and the Pharmacists), no outside musicians were utilized, leaving ample room for the pummeling drums and slashing guitars to thrive under the notoriously economical hand of Mould. Limited edition LP version pressed on gray and black vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":29202753716294,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5ce85576e614c_main.jpg?v=1583272353"},{"product_id":"harm-wulf-hijrah-new-lp","title":"Harm Wülf - Hijrah [MARKED DOWN RED VINYL] - New LP","description":"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1048079547\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/harmwulf.bandcamp.com\/album\/hijrah\"\u003eHijrah by Harm Wülf\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eTransparent-red, part of a first pressing of two colors.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eHarm Wülf is G. Hirsch, known for his lyric and vocal work in Blacklisted. Harm Wülf is inspired by a range of artists: from the tranquil resonance of Low, to the rhythmic acoustic strumming of Strength Through Joy, and the ascending power of Angels Of Light. Even calling to the insular\/grotesque Americana of Cormac McCarthy and Flannery O’Connor, etc. Most times sparse and austere and at others apocalyptically orchestrated, Harm Wülf has the sound of something long since missing.\u003cbr\u003e\u003cbr\u003e“Hijrah” is the sophomore album from Harm Wülf. Where the debut album (Deathwish, 2013) was primarily built on the singer\/songwriter experience, “Hijrah” introduces a wash of stark instrumentation with Jon Nean of Blacklisted on Bass and engineer\/musician Arthur Rizk (Inquisition, Prurient) on Percussion backing G. Hirsch as he performs all vocal, guitar, and harmonica duties. Altogether they have created a dark and emotional atmosphere that is more fully realized than ever before.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Deathwish Records","offers":[{"title":"Default Title","offer_id":30673028153481,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/harm_wulf.jpg?v=1571029040"},{"product_id":"kimbrough-junior-meet-me-in-the-city-new-lp","title":"Kimbrough, Junior - Meet Me in the City - New LP","description":"\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4178873007\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/juniorkimbrough.bandcamp.com\/album\/meet-me-in-the-city\"\u003eMeet Me In The City by Junior Kimbrough\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\"The majority of these recordings pre-date Junior's 1992 Fat Possum release, All Night Long. Though the production is not up to the standards of Junior's \"studio\" albums, the intensity of the performance more than makes up for it. Every effort has been made to preserve the integrity of the original home stereo recordings.\"\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eI believe side one is filled with home recordings from 1966, but I'm not sure about that.  The liner notes date the other cuts, one cut from 1996 and three more live 1993.  Anyway, essential blues, essential music.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 22, 1999\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30901120860297,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Junior_Kimbrough_Meet_me.jpg?v=1571722549"},{"product_id":"mitchell-willie-driving-beat-new-lp","title":"Mitchell, Willie - Driving Beat – New LP","description":"\u003cp\u003eReissue of 1966 LP.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1. Everything is Gonna Be Alright\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Nick-O-Demus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. The Time Ain't Long\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. The Champion - Part 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. I'm Moving On Now\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Stone Face\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. That Driving Beat\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. The Champion - Part II\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Doing The Stroll\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Pep Talk\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Fat Cat\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. 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Vocally many of the tunes were a mix of Lux Interior of the Cramps meets Cookie Monster-Specially when the vocals were done through the guitar's pickups as they were on many of the tunes.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan face=\"HelveticaNeue, Helvetica Neue, Helvetica, Arial, Lucida Grande, sans-serif\" id=\"yiv3324949093yui_3_16_0_ym19_1_1473260297004_10377\"\u003eRaw and primitive caveman thud comin' atchya care of Japan's most savage guitar stabbers...Swamps.\u003c\/span\u003e\u003cspan id=\"yiv3324949093yui_3_16_0_ym19_1_1473260297004_10378\"\u003e  \u003c\/span\u003e\u003cspan id=\"yiv3324949093yui_3_16_0_ym19_1_1473260297004_10446\"\u003eBoasting an impressive thunderous 3-guitar attack, these guys brandish some serious riff-heavy, six-string firepower that totally takes ya back to the rawer, trashier side of the Crypt Records back catalog.  Think Oblivians, Dirtys and Gories with a creepy, slimey Cramps-ey slither all harnessed by a demented lead screamer possessed by Hasil Adkins, Elvis and \u003c\/span\u003e\u003cspan\u003eLux Interior.  A rockin' riff-heavy mess bursting with fuzzed out, fucked up destructo-hits including the most wacked 'n cracked Devo cover yer ears will ever hear!\u003c\/span\u003e\u003cspan id=\"yiv3324949093yui_3_16_0_ym19_1_1473287739156_13224\"\u003e  LP c\u003cspan id=\"yiv3324949093yui_3_16_0_ym19_1_1473262101356_7876\"\u003eover painted by Stan Zenkoff of The A-Bones\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"name-section\"\u003e\n\u003ch2 class=\"trackTitle\" itemprop=\"name\"\u003e\n\u003cbr\u003eSWAMPS Facebook Page\u003cbr\u003ewww.facebook.com\/swamps.jp\/\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThis 1st LP-Kitano Homare - WAX 12\"LP released from\u003cbr\u003e\u003cbr\u003eSWAMPS - Kitano Homare\u003cbr\u003ein Japanese 北の誉\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003cspan class=\"tags-inline-label\"\u003eTags\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Dead Beat Records","offers":[{"title":"Default Title","offer_id":30986224042121,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/swamps.jpg?v=1572324813"},{"product_id":"green-al-is-love-new-cd","title":"Green, Al - Is Love - New CD","description":"\u003cp\u003e1975\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eL-O-V-E (Love)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:03\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eRhymes\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:33\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A3\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThe Love Sermon\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e6:36\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A4\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThere Is Love\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:03\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A5\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eCould I Be The One\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:05\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eLove Ritual\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:18\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B2\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eI Didn't Know\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e7:47\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B3\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eOh Me, Oh My (Dreams In My Arms)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:45\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B4\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eI Gotta Be More (Take Me Higher)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:45\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B5\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eI Wish You Were Here\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30989364199561,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/al_green_-_is_love_001_grande_33828f00-aef1-4b9f-829b-eac89de6616c.jpg?v=1572410446"},{"product_id":"green-al-full-of-fire-new-cd","title":"Green, Al - Full of Fire - New CD","description":"\u003cp\u003e1976\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eGlory, Glory\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:45\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThat's The Way It Is\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:37\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A3\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eAlways\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:17\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A4\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThere's No Way\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:28\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A5\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eI'd Fly Away\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:08\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eFull Of Fire\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e5:12\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B2\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eTogether Again\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e5:15\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B3\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eSoon As I Get Home\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:25\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B4\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eLet It Shine\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:12\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30989373177993,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/full_of_fire_front_grande_a39b2330-6622-435a-b7d3-8e4c69cc60a2.jpg?v=1572411663"},{"product_id":"copy-of-thigh-master-now-for-example-red-vinyl-new-lp","title":"Thigh Master - Now For Example (Fruit Punch Vinyl MARKED DOWN) - New LP","description":"\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Brisbane (via Melbourne), Australia. Second LP 'Now For Example'\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1463719903\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dippers.bandcamp.com\/album\/now-for-example\"\u003eNow For Example by Thigh Master\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHere it is! Brisbane (via Melbourne), Australia-based quartet Thigh Master are back with the long awaited second album Now For Example—the follow up to their debut Early Times. Following a string of sold-out singles as well as tours of U.S., Japan and Europe, the guitar-pop-guardians of the Brisbane underground deliver this latest, a twelve song hook-laden exertion, filled with imperious string bends and riffage framing witty tales of lethargic social observation, concocted by band leader Matthew Ford.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eNow For Example sees the most compelling and virtuosic combination of Thigh Master members to date, with Innez Tulloch (guitar \/ keys), Dusty Anastassiou (drums) and Daniel Ford (bass) contributing heavily to its foundations and creating a bulk of their parts off-the-cuff during recording sessions, which took place in various houses between Melbourne and Brisbane. The intervals of ragged, jangly guitar riffs interspersed with waves of distorted sonic mischief recall the late ’80s \/ early ’90s Flying Nun sound of The Clean, Bats and 3Ds.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Goner Records","offers":[{"title":"Default Title","offer_id":31009078378633,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Thigh_Master_cc490214-d149-4b6c-a15b-8aaed624bead.jpg?v=1572559638"},{"product_id":"aquarian-blood-a-love-that-leads-to-war-new-lp","title":"Aquarian Blood - A Love That Leads to War [GOLD VINYL] - New LP","description":"\u003ch1\u003eGold vinyl\u003c\/h1\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=401167677\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/aquarianblood.bandcamp.com\/album\/a-love-that-leads-to-war\"\u003eA Love That Leads To War by Aquarian Blood\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eA Love That Leads To War is a clear departure in style and mood for Memphis Tennessee’s Aquarian Blood. The band’s 2017’s debut LP on Goner Records, Last Nite In Paradise, is a chaotic punk epic rising and falling like the soundtrack to a paranoid nightmare. As a live act, the six-piece band’s sonic atrocity left clubs and house shows around Memphis on life support. The band’s follow up Goner release, A Love That Leads To War, is a more intimate offering of fifteen tracks. Indirectly sparked when full-band drummer Bill Curry was temporarily lost due to a broken arm, Aquarian Blood began playing out in February 2018 as the scaled-down, four-piece incarnation. This more personal album was written, recorded and (almost entirely) performed by founding husband\/wife duo J.B. Horrell (Ex-Cult) and NOTS alum Laurel Horrell.\u003cbr\u003e\u003cbr\u003eJust grazing the surface of the album can draw a line backwards from the acoustic entirety of A Love That Leads To War to Aquarian Blood’s unsettling past. The opening track “There’s A World” is a finger-picked fever dream nailing the rarified “beauty jumps into bed w\/ horror” sweet spot so squarely one can’t believe it’s not a cover of some hippy hangover perfection dating back to the Nixon administration. It’s no first-song\/best-song hat trick, but rather a\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003edeft setup of the next 39 minutes. “No Place I Know” “In the Water,” and “Their Dream” would fit in well in the shimmier side of the Shimmy Disc catalog, and “Thought of Her” is reminiscent of Damon and Naomi. Taken as a whole, though, this album retains the unsettling feel of the best atmospheric 60s loner psych better than any of the above, and the occasional addition of swirly moog and staccato drum pad beats keep it from slipping into nostalgia. A Love That Leads To War is the perfect sound to erase the summer and soundtrack the low-hum of cold-weather anxiety.\u003cbr\u003e\u003cbr\u003eRIYL: Syd Barrett, Roky Erickson, Father Yod, Skip Spence, Lower Plenty, Comus, Damon and Naomi, John Fahey, early-70s Richard and Linda Thompson, Edie Sedgwick in an empty swimming pool, Simon Finn, Jackson C. Frank, Pelt\/Jack Rose, Death in June, Current 93, and anything good that came out of the most unfortunately-named “Freak-folk” and “New Weird America” early-century moments.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 11, 2019\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Goner Records","offers":[{"title":"Default Title","offer_id":31009120288905,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_3490_1.jpg?v=1572562758"},{"product_id":"seratones-get-gone-new-cd","title":"Seratones - Get Gone - New CD","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1965109340\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/seratones.bandcamp.com\/album\/get-gone\"\u003eGet Gone by Seratones\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eLouisiana is kicking down your door and coming into your house, and you will welcome them with both arms, smoking set of rock 'n funk from the land that invented most of that anyway.  Bring it back home.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGet Gone, the potent debut album by the Shreveport, Louisiana natives in Seratones, makes a strong case that this little-known corner of the state is fertile ground, musically speaking. A.J. Haynes (vocals), Connor Davis (guitar), Adam Davis (bass) and Jesse Gabriel (drums) serve up a combination of Southern musicality, garage rock ferocity, and general badassery.\u003cbr\u003e\u003cbr\u003eHaynes’s powerful singing voice, first honed at Brownsville Baptist Church in Columbia, Louisiana at age 6, rings across every track. Davis’s bass and Gabriel’s playing propel every song with the grit, energy, and rawness of punk, the feeling of soul, and occasionally, a little jazz swing. The other Davis offers a clinic in guitar riffs, from swaggering blues to searing interstellar leads.\u003cbr\u003e\u003cbr\u003eRecorded at Dial Back Sound studios in Mississippi, Get Gone is all live takes, a portrait of the Seratones in their element. Add the soul and swagger of a juke joint with the electricity coursing through a basement DIY show, and you’d begin to approach the experience of seeing this foursome live. The well-paced, multi-faceted set showcases a band dedicated to sonic exploration. “Don’t Need It,” which opens with a muscular swing and tight guitar lines, builds into a monster finish with a nasty corkscrew of a guitar line\u003cspan class=\"bcTruncateMore\"\u003e. “Sun,” a brawny thrasher, courses with huge, raw voltage riffs. “Chandelier,” a mid-tempo burner and vocal workout by Haynes, goes from croon to a crescendo that would shake any crystals hanging from the rafters.\u003cbr\u003e\u003cbr\u003eShared history in the city’s music scene brought the Seratones together a few years ago. All four had played together with one or another in various local punk bands, bonding through all-ages basement shows, gigs at skate parks and BBQ joints, and late nights listening to jazz and blues records. In a city of multiple genres, no fixed musical identity and a flood of cover bands, these adventurous musicians carved out their own path, personifying the do-it-yourself ethos. The group was quickly recognized after forming, winning the Louisiana Music Prize in 2013.\u003cbr\u003e\u003cbr\u003e“Shreveport is always shifting its identity,” says Haynes. “You can do a lot of different things when it seems like every band is its own genre.”\u003cbr\u003e\u003cbr\u003eSeratones’s music, created with collaborative songwriting and spontaneous creativity, is certainly their own, due perhaps in part to Shreveport’s unique sonic geography. The city sits at a nexus roughly equidistant from Memphis soul, Mississippi Delta Blues, and New Orleans jazz, with Texas swing located just over the nearby state border. The band’s sound draws from those touch points and more, ranging from Black Sabbath to Kind of Blue. They’ll happily connect the dots between Ornette Coleman and Jello Biafra.\u003cbr\u003e\u003cbr\u003eSeratones have different names for the amalgamation of styles found on their debut: Their own “expression of freedom,” music that’s “all about waking people up,” a safe space to feel what you want. However you choose to describe it, Get Gone is unexpected and unbowed, a head-snapping showcase of the twin pillars of Southern music, restlessness and resourcefulness.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 6, 2016\u003cbr\u003e\u003cbr\u003eProduced by Jimbo Mathus\u003cbr\u003eAdditional production on tracks 3, 7, 10, \u0026amp; 11 by Clay Jones\u003cbr\u003eEngineered by Bronson Tew \u0026amp; Scott Bomar at Dial Back Sound, Water Valley, MS\u003cbr\u003eAdditional engineering on track 9 by Darren Osborn at Sandbox Recording Studio, Shreveport, LA\u003cbr\u003eMixed by Clay Jones at Pete's Room, Oxford, MS\u003cbr\u003eMastered by Matthew Barnhart at Chicago Mastering, Chicago, IL\u003cbr\u003eBand photography by Shannon O'Rear\u003cbr\u003eArtwork by Nate Treme\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003cspan class=\"tags-inline-label\"\u003eTags\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":31013451563145,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/seratones_get.jpg?v=1572817405"},{"product_id":"skyy-skyy-line-used-lp","title":"Skyy – Skyy Line – Used LP","description":"\u003cp\u003esleeve: VG\u003cbr\u003evinyl: G+  (good listening copy, considerable wear but nothing extreme, still has a sheen and sounds good.)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePretty classic disco funk, with emphasis on the latter.  Includes their biggest hit \"Call Me.\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"headline\"\u003eArtist Biography by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eRon Wynn\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003eA New York City octet, one of three funk and\/or disco bands in which producer\/keyboardist\u003cspan\u003e \u003c\/span\u003eRandy Muller\u003cspan\u003e \u003c\/span\u003ewas involved. The original lineup featured\u003cspan\u003e \u003c\/span\u003eDenise, Delores, and\u003cspan\u003e \u003c\/span\u003eBonny Dunning\u003cspan\u003e \u003c\/span\u003eas vocalists, with guitarists\u003cspan\u003e \u003c\/span\u003eSolomon Roberts\u003cspan\u003e \u003c\/span\u003eand Anibal Anthony Sierra, keyboardist\u003cspan\u003e \u003c\/span\u003eLarry Greenberg, bassist\u003cspan\u003e \u003c\/span\u003eGerald Lebon, and drummer\u003cspan\u003e \u003c\/span\u003eTommy McConnell.\u003cspan\u003e \u003c\/span\u003eMuller\u003cspan\u003e \u003c\/span\u003eorganized the group and they recorded for Salsoul from the late '70s until 1984. Their biggest hit was \"Call Me\" in 1981, an R\u0026amp;B chart-topper. They could do sweeping funk tracks, dance-oriented cuts, or light ballads, although they never enjoyed the crossover success of a group like\u003cspan\u003e \u003c\/span\u003eAtlantic Starr.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Salsoul Records","offers":[{"title":"Default Title","offer_id":31203436888201,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/skyy.jpg?v=1573192397"},{"product_id":"super-unison-stella-new-lp","title":"Super Unison - Stella [PURPLE VINYL] – New LP","description":"\u003ch1\u003e\u003c\/h1\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3395064729\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/superunison.bandcamp.com\/album\/stella\"\u003eStella by Super Unison\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eOakland, CA trio Super Unison features Meghan O’Neil (formerly of PUNCH) on bass and vocals, Kevin DeFranco on guitar, and Justin Renninger (formerly of Snowing) on drums. Formed in 2014, the band released their acclaimed album \"Auto\" on Deathwish in 2017.\u003cbr\u003e\u003cbr\u003eTheir new album \"Stella\" was recorded by Steve Albini (Nirvana, Pixies, Jawbreaker), produced by Don Devore (Ink \u0026amp; Dagger), and mastered by Jack Shirley (Deafheaven, Oathbreaker). It is an aggressive and sonically dynamic outpouring of post punk emotion. Though they tackle dark and personal subject matter, they ultimately find a light that cuts through the dark, and a way to get through the loss and loneliness we all face.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 26, 2018\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"tags-label\"\u003e\u003c\/h3\u003e\n\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e","brand":"Deathwish Records","offers":[{"title":"Default Title","offer_id":31205357715593,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/super.jpg?v=1573268718"},{"product_id":"shivas-the-better-off-dead-new-lp","title":"Shivas, The - Better Off Dead [MARKED DOWN] – New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=902679245\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/theshivas.bandcamp.com\/album\/better-off-dead-2\"\u003eBetter Off Dead by The Shivas\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eWhile all their albums spent time in this mode, this one is more moody and slow than some of their other material.  If you're looking for the garage rock stomp present on some of their albums (and live shows), look elsewhere, but if you really dug their more subdued material, this is another essential outing. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eBetter Off Dead is The Shivas 5th studio album and was recorded in January of 2015 at Dub Narcotic Studio in Olympia, Washington.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased February 19, 2016\u003cbr\u003e\u003cbr\u003eRecording personnel:\u003cbr\u003eJared Molyneux - Vocals, Guitar, Piano, Organ\u003cbr\u003eEric Shanafelt - Vocals, Bass Guitar\u003cbr\u003eKristin Leonard - Vocals, Drums\u003cbr\u003eIan Hartley - Vocals, Percussion\u003cbr\u003e\u003cbr\u003eEngineered by Calvin Johnson\u003cbr\u003eMixed by The Shivas \u0026amp; Calvin Johnson\u003cbr\u003eMastered by Ephriam Nagler\u003c\/div\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Shivas are a rock and roll band from Portland, Oregon formed in 2006. In the years since forming they have brought their\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003eraucous dance party to almost all 50 states, and over 25 countries worldwide, meanwhile releasing five full-length albums on labels such as Tender Loving Empire, K, and Burger Records.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"K Records","offers":[{"title":"Default Title","offer_id":31211817500809,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/shivas_better_off.jpg?v=1573503477"},{"product_id":"elizabeth-king-the-gospel-souls-the-d-vine-spirituals-recordings-new-lp","title":"Elizabeth King \u0026 The Gospel Souls – The D-Vine Spirituals Recordings – New LP","description":"\u003cp\u003eStunning gospel recording from 1972, the vocals and guitar work on spot and so great, moving from bluesy reflective to jump-up funky, made in Memphis and built to bring you down to your knees and rise you up to them tippy toes on your tired feet. -- winch \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3020763827\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/elizabethkinggospel.bandcamp.com\/album\/the-d-vine-spirituals-recordings\"\u003eThe D-Vine Spirituals Recordings by Elizabeth King \u0026amp; The Gospel Souls\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTracklist: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Heard The Voice\u003c\/li\u003e\n\u003cli\u003eWait On The Lord\u003c\/li\u003e\n\u003cli\u003eStretch Out\u003c\/li\u003e\n\u003cli\u003eDown Here Waiting\u003c\/li\u003e\n\u003cli\u003eJesus Is My Captain\u003c\/li\u003e\n\u003cli\u003eI Found Him\u003c\/li\u003e\n\u003cli\u003eCan't Do Nothing\u003c\/li\u003e\n\u003cli\u003eSo Soon\u003c\/li\u003e\n\u003cli\u003eThis Man\u003c\/li\u003e\n\u003cli\u003eI'll Fly Away\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e“Going through your trials, I guarantee you, trouble gonna come and you need something. Music soothe your mind. You still be in pain but you can sleep,” says Elizabeth King of the power of gospel music, during a conversation upstairs at producer Bruce Watson’s Delta-Sonic Studio in her hometown of Memphis, TN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThis first reissue from the D-Vine Spirituals Recordings showcases King, who has an incredible ability to simmer and then raise the heat. The gospel hit from King’s pen, “I Heard the Voice” is only the tip of the iceberg. Witness her intensity on “Jesus Is My Captain,” with a wah-wah guitar grooving, which also drives the funky “Wait on the Lord.” “Down Here Waiting” is the very definition of a Memphis backbeat. “I Found Him” finds her singing, “I found him to be my hellhound chaser. I found him to be my midnight rider.” The traditional “I’ll Fly Away” is done here a la Chuck Berry’s “Maybellene,” fast and joyful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBorn in Grenada, MS, King grew up in Charleston to a mother who taught her to sing. “I would sing hymn songs,” she says. Often ill as a child, she turned to song as a way to get through. As she grew up, she learned to interpret them in her own style. She laughs as she says, “I like to move when I sing.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMarried and moving to Memphis in 1960, followed by a short stint in Chicago (“I couldn’t get used to the weather or how they went to church”), then back to Memphis, King first joined the Gospel Souls in 1969 after seeing them in concert. (The male vocal band had previously been on Halo Records and Designer Records, the latter catalogue explored in several exemplary Big Legal Mess releases.) She had always envisioned being backed by male singers. She was told, “If they got jealous wives, I wouldn’t.” But it worked out. She says, “I stayed 33 years with them.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eProducer Juan D. Shipp, a gospel DJ-cum-label impresario, thought he would get a richer sound than the gospel music studios in common use in Memphis at the time when he stumbled on Tempo Studios downtown, which became his go-to. “It was a compact studio but boy did it sound good,” Shipp recalls, continuing, “You had to walk up the stairs to it.” He first recorded King and the Gospel Souls in 1972, issuing “I Heard The Voice” (which was later sub-leased to the Messenger label).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eShipp continues, “When you come to the studio, I worked the devil out of you to make it what it should be. We were working at ‘I Heard The Voice.’ I said, ‘Sing it like you making love to God.’ That song skyrocketed. It was 5½ years at #1. Nobody could sing it like the original!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eShipp brought in Lynn Askew on guitar and musicians affiliated with Tempo Studios for the rhythm section and keys.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWorking a day job for a florist, she was in a serious car accident that inspired “I Heard The Voice” B-side “Waiting on the Lord.” King says, “I had no feeling in my body. I couldn’t do nothing but pray. The fire department had to cut me out of it. I thought about it that day, that song.” She still has pain in her body every day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWhen the single was released, it caught on quickly. “I was riding down Union Ave.,” says King. “Rev. Shipp, he was on [the radio]. I say, ‘What,’ turn up the radio real loud. A guy from Memphis was at the red light. I said, ‘It’s me!.’ Every day, look like every twenty minutes, they was playing it. The phone started to ring. It kept us going everywhere.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIn order for King and the Gospel Souls to tour, but keep their day jobs and church commitments in town, they would hit the road on weekends, playing Saturday night and Sunday evening, eating after each concert, and driving back to Memphis in time to be at work by 8AM Monday morning. Plus, King would attend church services during the weeknights and work on choir rehearsals on Tuesday nights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe band was once asked to perform for inmates at the Tennessee State Prison farm near downtown Nashville, TN. “Everything was on lockdown ‘cause womens was fighting. I was so scared. You talk about somebody singing that day: I sang!,” says King.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe last two songs on this collection are sung by Walter Boone (on “So Soon”) and John Powell (“on This Man”), lead singers of the band before King joined. Even with her on board, they would take a solo or two at longer concerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eKing went on to raise 15 children and still sings in church, as well as on WMQM-AM Memphis on Saturday mornings around 10AM.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAskew later worked in construction, painting, and as a mechanic, but tragically died on the job.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eKing says she hopes this recording keeps people focused on the soul, saying, “You need joy. If you mind got joy, if you keep your mind set on Jesus, he give you perfect peace.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bible \u0026 Tire Recording Company","offers":[{"title":"Default Title","offer_id":33718624190601,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1574073405_16.jpg?v=1589029653"},{"product_id":"colt-45-so-many-changes-used-lp","title":"Colt 45 – So Many Changes - Used LP","description":"\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e VG+\/VG+\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eRare folk rock album, chock full of some low-rent charm, set of covers, Eagles, Air Supply, Detroit Spinners, Jerry Butler...such a variety of sources but delivered in a similar style.  Obviously from the 1970s.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Brylen Records","offers":[{"title":"Default Title","offer_id":34489246744737,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/colt-45-so-many-changes.jpg?v=1590717536"},{"product_id":"waxahatchee-saint-cloud-new-lp","title":"Waxahatchee - Saint Cloud - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ewith poster! and download\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll songs written by Katie Crutchfield\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished by Domino Publishing Company\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2443156388\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/waxahatchee.bandcamp.com\/album\/saint-cloud-2\"\u003eSaint Cloud by Waxahatchee\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eRecorded \u0026amp; mixed at Sonic Ranch in Tornillo, TX \u0026amp; Long Pond in Stuyvesant, NY\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Brad Cook\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEngineered by Jerry Ordonez\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional engineering by Jon Low\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Jon Low\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Brent Lambert at The Kitchen\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKATIE CRUTCHFIELD – vocals, acoustic guitar, piano, keys\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBRAD COOK – bass, acoustic guitar, piano, keys, synth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBOBBY COLOMBO – electric guitar, acoustic guitar, keys\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBILL LENNOX – electric guitar, acoustic guitar, keys, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNICK KINSEY – drums, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJOSH KAUFMAN – electric guitars, piano, organ, percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eKatie Crutchfield’s southern roots are undeniable. The name of her solo musical project Waxahatchee comes from a creek not far from her childhood home in Alabama and seems to represent both where she came from and where she’s going.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePhotos by Molly Matalon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSet production by Andreina Byrne\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign by Mike Krol\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThank you to Rennie Jaffe, Kevin Morby, Timmy Hefner, Allison Crutchfield, Marlee Grace Cook-Parrott, Lindsey Jordan, Eric Dimenstein, Laura Ballance, Aaron Dessner, Tony Rancich, Stella Cook, Mia Polao, Jean Garnett, Bonny Doon, Ryan Matteson, Steven Thomassen, Dave Sitek, Mark O’Donnell, Mac McCaughan, Justin Sullivan, Ardor Wood Farm, Ricky Schull, Josh Stirm, Tye Claridge, Darren Jessee, Amelia Meath, Nick Sanborn, everyone at Merge Records, Sonic Ranch \u0026amp; our families\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":35395276636321,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1508757841_16.jpg?v=1599538289"},{"product_id":"era-bleak-s-t-new-lp","title":"Era Bleak – S\/T – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003ePDX PUNK!!!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=149995826\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/era-bleak\"\u003eEra Bleak by Era Bleak\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eAs manifestos go, it’s difficult to argue with a statement as darkly straightforward as: ‘Things get shittier every week \/ No hope for the future in this era bleak’. That’s from the opening verse to Era Bleak’s theme song, which also happens to open up their debut album - it’s as accurate a summary of 2020 as you’re likely to find, made all the more emphatic by a frantic spasm of nervy guitar jerks and a 100mph rhythm section that knows the best way to get you there. Whether you’re looking for a soundtrack or antidote to - or even simply a distraction from - the horrors of the age, this record has most assuredly got your back.\u003cbr\u003e\u003cbr\u003eComprising members of Dark\/Light, Piss Test and other punk\/post-punk outfits who really should be filling out your record shelves right now, Era Bleak are one of those bands where every ingredient is key. If you really wanted to, you could draw comparisons with present-day heroes like Nots, Nylex or White Lung, but this Portland, Oregon quartet are comfortably and confidently ploughing their own furrow, pulling as many tricks from 1980s hardcore as they do from the awkward crunch of the weirdos who defined the Ron Johnson label. It’s a helluva racket, and it’ll make you feel like dancing drunk at a foam party inside a vat of toxic waste. (For clarity\u003cspan class=\"bcTruncateMore\"\u003e, OF FUCKING COURSE that’s a good thing).\u003cbr\u003e\u003cbr\u003eMaybe you’ll feel energised as singer Candy yells, ‘We’ve all got something to say \/ We’ve all got nothing to say’ on the vapid-slogan-bashing ‘Opinions’. Maybe you’ll want to punch the air with a bulldozer when ‘Mind Control Tower’ reaches its gloriously Adolescents-esque coda. Maybe the pulverising crunch of ‘Burning Sky’ will cause your adrenaline to surge like a blindfold slalom down a vertical drop straight into a pool of lava. Ultimately, this record gathers ten tracks’ worth of thrills, spills and hundred-dollar bills, and the results make for one of the finest punk records of the year.\u003cbr\u003e\u003cbr\u003eIn all likelihood, you’ll know some dipshits who greeted the sinister rise of the right-wing in recent years with glib remarks like, ‘At least the punk songs will be good.’ At the time, you were correct to roll your eyes in response before returning to the serious business of plotting to overthrow the government - there were and are more important things at stake. Listening to Era Bleak, however, we may have to concede that those dipshits had a point. What a fucking band. – Will Fitzpatrick\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e2020\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e--------------------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eI'll follow Candy (and everyone in this band) wherever they go and whatever band they're playing in, been listening to their records and seeing their shows since I moved to \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\" target=\"_blank\"\u003ePuddletown\u003c\/a\u003e back a million years ago, ringed into this store called \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/august-2020\/products\/era-bleak-s-t-new-lp\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/august-2020\/products\/era-bleak-s-t-new-lp\" target=\"_blank\"\u003eGreen Noise Records\u003c\/a\u003e, and the original owner Ryder Greene was nice enough to scribble me a list of \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\" target=\"_blank\"\u003elocal bands\u003c\/a\u003e I should always see, circled some so I understood, the \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=triggers\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=triggers\" target=\"_blank\"\u003eTriggers \u003c\/a\u003e(\u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/dirtnap-records\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/dirtnap-records\" target=\"_blank\"\u003eDirtnap\u003c\/a\u003e) where I first witnessed Candy at EJs or some place like that, and then Candy was in Sleepwalkers RIP and sometimes she would flip out and attack me and tackle me to the soggy floor because what the shit I had no shitting idea, that's my purse I don't know you, at first at least, but then I realized when she was drinking she was friendly as a maniac and always thought I was Joel Jett from Flip-Tops, etc., maybe because we were both bald-headed with big glasses and maybe because by that time me and Joel worked at \u003ca href=\"https:\/\/store.greennoiserecords.com\/\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/\" target=\"_blank\"\u003eGreen Noise\u003c\/a\u003e, and over the years, the people that ended up here in \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/august-2020\/products\/era-bleak-s-t-new-lp\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/august-2020\/products\/era-bleak-s-t-new-lp\" target=\"_blank\"\u003eEra Bleak\u003c\/a\u003e would show up kicking out the punk rock in so many bands at so many venues, I can hardly keep track, \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=piss+test\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=piss+test\" target=\"_blank\"\u003ePiss Test\u003c\/a\u003e, \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=dark%2Flight\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=dark%2Flight\" target=\"_blank\"\u003eDark\/Light\u003c\/a\u003e...and now here's the debut longplayer from Era Bleak, \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/august-2020\/products\/era-bleak-s-t-new-lp\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/august-2020\/products\/era-bleak-s-t-new-lp\" target=\"_blank\"\u003echeck it out\u003c\/a\u003e!!!  -- winch (green Noise records)\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e-----------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eERA BLEAK (Dirt Cult Records)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"The band’s name is perfect for our times, as this era certainly is\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebleak. As band member Zach Brooks put it, \"The year is 2020 and we are\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eliving in a 1980s punk dystopian sci-fi novel. A pandemic is raging.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhen we are not donning masks to go out in public, we have nothing to do\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebesides smoke legal weed out of electronic cigarettes and lose ourselves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ein disinformation. The president of the United States is Jello Biafra's\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eworst nightmare... a buffoon so grotesque we would have had a hard time\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebelieving the character was realistic had our current reality actually\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ebeen a 1980s punk dystopian sci-fi novel.” And as the opening track,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003efrom which the band takes their name, states, “Things get shittier every\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eweek \/ No hope for the future in this era bleak.” The music matches the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esentiment, too, with a spare, austere sound. The instrumentation is\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethin, the vocals belted out in a way that’s part spoken word, part\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esinging, and the whole thing feels like the soundtrack to a desolate\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epost apocalyptic punk rock world. Sometimes the guitars have an\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003einteresting surf sound, like on “MRI,” one of my favorites of the LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt’s a twisted sort of surf sound, though, like trying to surf a wave of\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003edirt and trash in the ruins of a major city. “Option” has an urgent feel\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eto it, with the bass driving things hard and the tempo picked up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esomewhat. It’s about the “panic stricken overload” we can get when faced\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ewith too many options in our modern consumer society. “Robot” has a cool\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emechanical rhythm and guitar line, with lyrics that are a call out to\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epeople who have no originality and obey the dictates of society like\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003erobots. Even with the minimalist instrumentation, Era Bleak manages to\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehave the energy of an 80s hardcore band, and the combination of hardcore\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand sparseness make for an interesting sound. Era Bleak is the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esoundtrack of today.\"\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":35489532018849,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0892996440_16.jpg?v=1616267799"},{"product_id":"drunk-dial-7-careful-black-vinyl-edition-new-7","title":"Drunk Dial #7 - Careful [black vinyl MARKED DOWN!] - New 7\"","description":"\u003ch1\u003e.\u003c\/h1\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch2\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\"\u003eAnother gem\u003c\/a\u003e from \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\"\u003eDrunk Dial\u003c\/a\u003e, the buzz materials just giving this a healthy dose of carefree and top-down cool breeze, racing along like a three-speed on its way to the swimming hole by your best friend's house, the original and the cover fitting together like a chain on a sprocket, on a bike built in the middle of summer in the mid \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/1970s\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/1970s\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/1970s\"\u003e1970s\u003c\/a\u003e in upper middle America (including \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Canada\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Canada\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Canada\"\u003eCanada\u003c\/a\u003e cuz that's part of North America), but completely covered with a fresh paint applied in the \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/1990s\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/1990s\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/1990s\"\u003e1990s\u003c\/a\u003e, the B-side a cover of \"Ingrown\" by the \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/australia\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/australia\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/australia\"\u003eAustralian\u003c\/a\u003e indie rock and pop trio Smudge, almost faithful but also escaping from the clouds that kept the sun from shining on that decade, punching through the melancholy that managed to even touch an \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/australia\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/australia\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/australia\"\u003eAussie\u003c\/a\u003e indie-rock\/power pop band, both sides of \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\"\u003ethis 7\"\u003c\/a\u003e full of that \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/power-pop\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/power-pop\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/power-pop\"\u003epower-pop\u003c\/a\u003e punch you love so much.  \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/drunk-dial\/products\/drunk-dial-7-careful-opaque-bone-vinyl-green-noise-us-exclusive-new-7\"\u003eCareful\u003c\/a\u003e features Dave Williams (Crusades, Sedatives \u0026amp; \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Adamyk+Band\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Adamyk+Band\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Adamyk+Band\"\u003eAdamyk Band\u003c\/a\u003e) from \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Ottawa\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Ottawa\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Ottawa\"\u003eOttawa\u003c\/a\u003e, \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Ontario\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Ontario\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Ontario\"\u003eOntario\u003c\/a\u003e, \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/canada\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/canada\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/canada\"\u003eCanada\u003c\/a\u003e. \u003c\/span\u003e \u003c\/h2\u003e\n\u003cp\u003eCanada Rocks!  (While I've never heard anybody talk about it, I have a genre I call Canada Rock, that starts circa 1970, borrows heavily from other pop and rock genres but moves along in it's own lane though the 1970s and 1980s, and informs a lot of the Canadian rock of the 1990s and even the Canadian pop-punk of the 21st century.  This single helps bring it back to the earlier times, to the 1990s at the very least.)  \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Pop\/rock ala Lemonheads, Blake Babies, Smudge, Dino Jr \u0026amp; the 90s CanRock heyday.\" -- Dave Williams\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor those who don’t know, here’s how \u003c\/span\u003e\u003cspan\u003eDrunk Dial Records\u003c\/span\u003e\u003cspan\u003e operates: we invite artists we adore into a recording studio to write and record an original song and cover a classic tune in one session.  But there’s a catch! The artist or band in question must compose and perform these songs while inebriated. The recordings are then released as a 7” vinyl single.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunk Dial Records","offers":[{"title":"Default Title","offer_id":36525580484769,"sku":"","price":4.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_6868_447e5845-3dc7-4e72-a199-e7c6b06874ec.jpg?v=1601528745"},{"product_id":"preservation-hall-jazz-band-a-tuba-to-cuba-new-lp","title":"Preservation Hall Jazz Band - A Tuba to Cuba - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579960507\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/preservationhalljazzband.bandcamp.com\/album\/a-tuba-to-cuba\"\u003eA Tuba to Cuba by Preservation Hall Jazz Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.” Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003epeople gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” \u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"credits-label\"\u003ereleased November 29, 2019\u003c\/h3\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":36852160463009,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2969476577_16.jpg?v=1606692273"},{"product_id":"terremotor-new-lp","title":"Terremotor -Veneno Da Cana [SAND MARBLED VINYL: LIMITED GREEN NOISE EXCLUSIVE COLOR; Instrumental Surf Rock; Brazil] – New LP","description":"\u003ch2\u003eSURF ROCK FROM BRAZIL, LIMITED GREEN-NOISE EXCLUSIVE edition of 40, Translucent SAND MARBLED vinyl with hand-numbered sleeve.\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"track-title\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eGreen Noise's biggest seller from the \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\" href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\" target=\"_blank\"\u003eOtitis Media label\u003c\/a\u003e has been the surf rock 7\" from Umuarama, Brazil's \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\/products\/terremotor-color-vinyl-instrumental-surf-rock-brazil-new-7\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\/products\/terremotor-color-vinyl-instrumental-surf-rock-brazil-new-7\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\/products\/terremotor-color-vinyl-instrumental-surf-rock-brazil-new-7\" target=\"_blank\"\u003eTerremotor\u003c\/a\u003e  \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\" href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/otitis-media-records\" target=\"_blank\"\u003eOtitis Media\u003c\/a\u003e) so we are proud to offer \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=terremotor\" href=\"https:\/\/store.greennoiserecords.com\/search?q=terremotor\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=terremotor\" target=\"_blank\"\u003eTerremotor's\u003c\/a\u003e new debut album in a Green Noise-exclusive limited edition of 40, translucent SAND MARBLED vinyl with flecks and streaks to match other colors on the hand-numbered sleeves, the sounds enough to make me laugh loud as a hyper child with the wonder of how bands can make instrumental surf rock 60 years later and still make every moment a total joy!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960191685\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/terremotorbrazil.bandcamp.com\/album\/veneno-da-cana\"\u003eVeneno da Cana by Terremotor\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  This band definitely does it, just nail it, make you want to crank it, each of the songs coming from the same place but rising into its own wave of cool sounds, the rhythm powering it along, and the band adding something to the formula to make every ride feel like it's never been done before, the boys from Umuarama, Brazil easing into the set with a paddle out past the breakers, and then jumping up and racing into the waves, traveling down the coastline to different exotic locales, stirring up the dark waters and then racing off to the shores, cutting along the break and relaxing under the flames of a beach fire...jumping the pond and searching for that endless summer, over to the warm Mediterranean  \"Alborean Waves\" between Spain and Morocco, mixing sounds of those lands to the surf instrumentals...heading into town for a brew and an intoxicated toast to the Ventures...and a nod to the Champs...guitars floating over the bassline like surfboards over the rhythms of the ocean...the two forces conversing and weaving like a conversation on \"Espinhela Caida,\" the surf controls direction of travel, and travel swerves under its own motor...the lightning-fast closer cut like the final ride of the day when the ocean is swelling and sun is sinking and you're pulling everything you can from that last wave.  A good ride makes you want to go again, and that's the way it is with this album, the end just making you want to drop what you're doing and drop your needle into these grooves again, \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=surf\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=surf\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=surf\" target=\"_blank\"\u003esurf\u003c\/a\u003e rock to take you away from the cold and quarantine to the warm amps and golden sun-soaked sand of Brazil\u003c\/span\u003e -- winch\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Terremotor is a surf rock band founded in 2015 by Duda Victor (guitar), Paulo Tropa (drums) and Jose Duarte (bass). Both \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003ePaulo\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cspan\u003e \u003c\/span\u003eTropa and Jose Duarte are also members of Nega Jurema. Duda Victor has been a member of two surf bands, Bufalos d’Agua (Londrina, Brazil) and Dirty Fuse (Athens, Greece). The day these three met was the beginning of the first surf rock band in Umuarama City.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":37462990323873,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/1DE91981-7A7E-4E1D-BB7C-6C1DCC96E6B6.jpg?v=1610759358"},{"product_id":"sino-hearts-the-rock-n-roll-hurricane","title":"Sino Hearts, the - Rock 'n Roll Hurricane  [MARBLED VINYL. PUNK ROCK from CHINA!!!] –  New LP","description":"\u003ch2\u003ePUNK ROCK FROM CHINA!!! \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmazing set from China, the boys from Beijing sinking their teeth into the flesh of every cut and crunching through to bone, nonstop great cuts from go to whoa, getting it going from the get go and never letting up, opening with a 60-second blast of punk rock and blasting through the whole side, flipside opening with the 60-second title track which ends with \"Let's Go\" to launch into the next number and never letting up, heart-punch rock 'n roll power pop with that 1-2 punch of punk rock, drops on the asphalt and hits the ground running, driven home like an ambulance ride on the main drag, running red lights with the bubblegum machine flashing, bypassing the hospital to get you to the rock n' roll doctor, thumping over manhole covers and taking you for a ride in their rock n roll machine, mother, jugs and speed blasting by the lovers, muggers, and thieves, hitting you with the defibrillator paddle to get your heart pumping again, overflowing with the punk rock sounds of driving rhythm and loud licks of electric guitar, fueled to the cap with influences from the fast and fun side of that garage rock from the 1960s and plenty of the punk rock of the 1970s, blasting out of influences like a brand new roadster burning rubber out of the early morning Shanghai smog.\u003c\/span\u003e -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1791069716\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thesinoheartschina.bandcamp.com\/album\/rock-n-roll-hurricane\"\u003eRock 'N Roll Hurricane by The Sino Hearts\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":37778397757601,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5DD232AF-0A95-426F-A16B-56CCCEB62F14_1.jpg?v=1613683028"},{"product_id":"space-lady-the-greatest-hits-new-lp","title":"Space Lady, The - Greatest Hits - New LP","description":"\u003cp\u003eIt's almost bizarre how her renditions somehow fit the songs so well...sure covering Electric Prunes or Peter Schilling's 1983 sequel to Bowie's 1969 song not surprisingly fit her style, but somehow she breathes life into and either brings new meaning or brings out meaning to hits by Steppenwolf, Sweet, Steve Miller, and ELO.  While many rock n rollers came from Boston, the Space Lady helps make it clear: Boston rocks!  -- winch (green noise records)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1629370113\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/spacelady.bandcamp.com\/album\/the-space-ladys-greatest-hits\"\u003eThe Space Lady's Greatest Hits by The Space Lady\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Space Lady began her odyssey on the streets of Boston and San\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrancisco in the late 70s, playing versions of contemporary pop\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emusic on accordion and dressed flamboyantly, transmitting messages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eof peace and harmony.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing the theft of her accordion, The Space Lady invested in a\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ethen-new Casio keyboard and an echo unit, birthing an otherworldly\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003enew dimension to popular song that has captured the imagination\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eof the world. Of her early street sets, only one recording was made, self-released originally on cassette and then transferred to a home-made CD.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘The Space Lady’s Greatest Hits’ features the best of these recordings\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- mostly covers of 60s and 70s hits alongside interstellar originals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand features archival photographs and liner notes from The Space\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLady herself. “Greatest Hits” contains The Space Lady’s personal\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003efavourites; her haunting take on The Electric Prunes’ “I Had Too\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMuch To Dream (Last Night),” “Ballroom Blitz”, \"Fly Like an Eagle,\"  “Major Tom” - amidst other reconstructed pop music. Originally released by Night School Records.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":40297553690785,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0276195720_16.jpg?v=1630169324"},{"product_id":"soft-shoulder-formerly-on-fluorescent-paper-new-lp","title":"Soft Shoulder - Formerly on Fluorescent Paper [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eSoft?  Soft as rusty angle-iron poking at your ribs...maybe it refers to the soft shoulder on the road that grabs your rubber and chucks you upside down bouncing your car head over hood down the hill and into the drainage ditch, the glass cracking, battery smashing, \u003cmeta charset=\"utf-8\"\u003e1980s new wave crackling on the radio mangled in the smashing, someone up above on the ambulance megaphone asking you something, \u003cmeta charset=\"utf-8\"\u003eelectronics sparking in the water puddled in the cement next to you.  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1473537227\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/softshoulder.bandcamp.com\/album\/soft-shoulder-formerly-on-fluorescent-paper-lp-gilgongo-records-2021\"\u003eSoft Shoulder - \"Formerly On Fluorescent Paper\" LP (Gilgongo Records, 2021) by Soft Shoulder\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e14 jaunts culled from the artist’s tape soup collage of several generations’ worth of punk and no-wave adjacent music. Be it jagged, angular, short tracks… atonal layers in otherwise listener-friendly settings… repetitive string clang aside gurgling synth and flailing reed-bite… Soft Shoulder continues to be the primary vehicle for Fella’s take on songwriting, in whatever the loosely defined genre(s) may be. However, compared to Not The New One (an eclectic collection of various incarnations), Contextual Depreciation (performance and practice tapes from the current group) and the recent Copy Machine Fall Down 7” (an abstract, long-distance-collaboration) …Formerly On Fluorescent Paper finds Fella alone. Written and recorded in the fever-dream of late 2020. Mastered by John Dieterich.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased July 9, 2021\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerformed and recorded by James Fella, late 2020 in Phoenix, AZ. Mastered by John Dieterich.\u003c\/div\u003e","brand":"Gilgongo Records","offers":[{"title":"Default Title","offer_id":40376409456801,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0830425097_16.jpg?v=1626390202"},{"product_id":"gloom-sleeper-luminous-galaxies-orange-vinyl-new-lp","title":"Gloom Sleeper - Luminous Galaxies [ORANGE VINYL MARKED DOWN] - New LP","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2233573669\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/luminous-galaxies\"\u003eLuminous Galaxies by Gloom Sleeper\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv\u003eGloom Sleeper return to the fray with a mighty sophomore album – a manic\u003c\/div\u003e\n\u003cdiv\u003ecollision of driving pop melodicism, post-punk sang-froid and four-to-the-floor\u003cbr\u003egarage rock energy.\u003cbr\u003e\u003cbr\u003eOn this follow-up to Gloom Sleeper’s 2016 debut A Void, it’s plain to see that the Bielefeld band are learning fast.\u003cbr\u003e\u003cbr\u003ePhysically they’re in Germany, but their hearts are scattered all over the place:\u003cbr\u003eMacclesfield, where they’ve absorbed the raw gothic clatter of proto-Joy\u003cbr\u003eDivisionists Warsaw; Notting Hill, where the darkling shimmer of Killing Joke\u003cbr\u003esomehow found its way into the world; Manchester with the rawness of The\u003cbr\u003eSound‘s early works and finally Portland, Oregon with its classics like Wipers and today‘s Estranged... plus all manner of other US punk rock hotspots (New York, Detroit, Cleveland, you name it) dribble into the music like blood into water. They’re at their best when the strands unfurl across each other, like when the shredded-nerve guitars of City of Unrest soft-fade into a tense, crystalline synth finale. Meanwhile out-and-out rock’n’roll cuts like Perceptions and He Smiles prod and poke at your punk rock heart, daring you to reach into their sweaty embrace while simultaneously keeping you at a distance with a foreboding stare and an outstretched arm.\u003cbr\u003e\u003cbr\u003eCold always feels warm once you’ve acclimatised, of course, and these are songs you’ll wanna get inside – if they don’t get inside you first. Essentially, Luminous Galaxies is a stunning leap forward. The best bit? Oh, just the creeping suspicion that there’s even better to come... but for now, this is a mighty fine place to start. - Will Fitzpatrick\u003cbr\u003e\u003cbr\u003eApril 2018 on Per Koro Records in Europe and Dirt Cult Records in the\u003cbr\u003eUnited States.\u003cbr\u003e\u003cbr\u003eRecorded, mixed and mastered by Tobias Schwarz at RAMA Tonstudio in\u003cbr\u003eMannheim.\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":40553382445217,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3278456914_10_18f59a73-3b59-413c-8c65-1037156c0ff7.jpg?v=1628537609"},{"product_id":"mind-the-edge-of-the-planet-new-lp","title":"Mind, The – Edge Of The Planet [IMPORT Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The future has arrived. And so have THE MIND. A cross-country collaboration made possible by modern technologies but driven by that ancient spirit of creative cooperation between like-minded musical peers. Who are these people you ask? Would calling them two guys from HOMOSTUPIDS and DRYROT summon thoughts of screaming loud guitar rock and aggressive tempos? Perhaps I should refer to them as being members of URANIUM ORCHARD and PLEASURE LEFTISTS. That will get your head somewhere in the area code necessary to digest what has been laid down for us here. To add that they've also played in FACTORYMEN and COSMIC SAND DOLLARS should then make you raise an eyebrow just enough to realize that this LP goes out THERE to the perimeter. It's hard to pin down. Sci-fi post-punk new-wave punk-rock. It's beautiful and rhythmic and weird.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1337853362\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/edge-of-the-planet-lp\"\u003eEdge Of The Planet LP by The Mind\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e Robotic and organic. Future primitive. And I haven't even mentioned the vocals yet - radiant sonic transmissions tuned in straight out of the ether. A girl's voice to tie it all together with an elegant Gordian knot, giving warm life to the cold musical machinery. The cryptic lyrics she's singing so beautifully should not alarm you at all. The record is called 'Edge of the Planet'. The trip to get there\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estarts now..\u003cbr data-mce-fragment=\"1\"\u003eRICH KRONEISS (Termbo)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"THE MIND – EDGE OF THE PLANET\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYeah, we get it. You picked up the Coneheads record and the Uranium Club discography and you love telling people how much you’ve fallen for these weird little bands. Got news for you though, dude – great though they evidently are, it’s time you realised how thoroughly un-weird your favourite bands truly are. Let’s take a journey into the world of The Mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYou’d probably classify this as ‘post-punk’, if only because that’s the only bracket into which they (very loosely) fit. Basslines pulse robotically while guitars splutter discordantly across sheets of static and electronic drums; like dub music shorn of its Caribbean groove and reinvented by retro-futuristic robots, hellbent on kicking out some brain-busting skronk while they wait for Skynet to take over.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOpener ‘Blah Bla Nothin’ weighs in like Pere Ubu staring at the chasm between ‘Dub Housing’ and ‘Lady From Shanghai’ before drowning in hiss, and ‘Enjoy Your Fantasy’ is the soundtrack to This Mortal Coil’s nightmares, powered by the distant sound of rolling drums and a fuzzy tension that bristles the hairs on the back of your neck while leaving you thoroughly unsettled. Elsewhere studio trickery and a dystopian sci-fi gloom hang over the whole thing like dust on a lampshade - basically it’s all over the place. And in case you hadn’t guessed, YES, ‘Edge of the Planet’ is all the better for it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExactly how The Mind came together is a mystery for other people to figure out; it’s enough to know that members of Pleasure Leftists, Homostupids and other bands somehow concocted these creeped-out masterpieces of thrilling discomfort. They’re as idiosyncratic and thoroughly in tune with their own voice as the early days of Throwing Muses; throwing their glorious chaos at the wall and allowing its own order to settle. Buy a copy, dummy – make weird your new normal.\"\u003cbr data-mce-fragment=\"1\"\u003eWill Fitzpatrick\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Drunken Sailor Records [UK]","offers":[{"title":"Default Title","offer_id":40554549051553,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3465597681_16.jpg?v=1628549773"},{"product_id":"eno-brian-the-shutov-assembly-2xlp-new-lp","title":"Eno, Brian - The Shutov Assembly [2xLP IMPORT] – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Reissue of Brian Eno’s 1992 album dedicated to Russian artist and friend Sergei Shutov, and a continuation of the atmospheric ambient work found on records such as On Land and Thursday Afternoon. Eno had discovered that Shutov often painted to his music but was unable to obtain many of his records in then-communist Russia. He resolved to collate a tape of previously unreleased material (recorded between 1985 and 1990) to give to Shutov and upon listening himself discovered a previously unnoticed thread that ran through the pieces, creating an unintentional full length work. Each piece is named after and derived from one of Eno’s audio-visual installations.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3890367769\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/brianenoallsaints.bandcamp.com\/album\/the-shutov-assembly-expanded-edition\"\u003eThe Shutov Assembly (Expanded Edition) by Brian Eno\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVinyl edition re-cut as a double LP for improved sound quality, and includes a download card to access full audio content.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eA natural successor to his seminal ambient sides On Land, Music For Airports and Thursday Afternoon, this collection of pieces recorded between 1985 and 1990 sees Eno moving blocks of sound in an abstract, painterly way, never losing his knack for uncovering startling moments of beauty in immersive, hypnotic arrangements.\u003cbr\u003e\u003cbr\u003e“It’s mysterious play of colours and textures remain indefinable, alluring, and exquisite all at once” – Head Heritage\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased November 10, 1992\u003cbr\u003e\u003cbr\u003e2014, All Saints Records\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\u003c\/div\u003e","brand":"All Saints Records","offers":[{"title":"Default Title","offer_id":40563654426785,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2835021383_16.jpg?v=1628640914"},{"product_id":"eno-brian-nerve-net-2xlp-import-new-lp","title":"Eno, Brian - Nerve net [2xLP IMPORT] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eA bold collection of electronically processed and heavily treated pop, Nerve Net features an array of notable guest musicians, including Robert Fripp, John Paul Jones and Robert Quine, not to mention Eno himself on instruments such as ‘African Organ’, ‘Moon Piano’ and ‘Tenor Fax’! Features the singles “Ali Click” and “Fractal Zoom”.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088606221\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/brianenoallsaints.bandcamp.com\/album\/nerve-net-expanded-edition\"\u003eNerve Net (Expanded Edition) by Brian Eno\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e“His funkiest and most rocking solo album in years” – All Music\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eoriginally released September 1, 1992\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eVinyl edition re-cut as a double LP for improved sound quality, and includes a download card to access full audio content.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\u003c\/div\u003e","brand":"All Saints Records","offers":[{"title":"Default Title","offer_id":40570152026273,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3405614951_16.jpg?v=1628702220"},{"product_id":"eno-brian-small-craft-on-a-milk-sea-2xlp-import-new-lp","title":"Eno, Brian - Small Craft on a Milk Sea [2xLP IMPORT] – New LP","description":"\u003ch1 class=\"header_3FV2N\"\u003e\n\u003cspan class=\"link_15cpV\"\u003eBrian Eno\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eWith\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003eJon Hopkins\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp;\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"link_15cpV\"\u003eLeo Abrahams\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eSmall Craft On A Milk Sea\u003c\/h1\u003e\n\u003cp\u003eFirst vinyl release (2020) of 2010 release (originally only on CD).\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xxUmAsCxwzw?si=RrunESDLhScivFOD\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eJohn Bush\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eBrian Eno's best recordings are timeless. Even his great recordings are practically timeless. His recordings after the '80s, however, gradually acquired a different description: dated. His work of the 2000s was heavily collaborational, fortunately showing him to be still curious about the varieties of musical expression -- beyond what he's been able to display while producing.\u003cspan\u003e \u003c\/span\u003eSmall Craft on a Milk Sea\u003cspan\u003e \u003c\/span\u003eregains the timeless, ageless feel of his best ambient work. It stands as his first record for Warp, a label that has long worshiped at the altar of headphone electronica, although much of this album is the fruit of sessions originally recorded (but declined) for the Lovely Bones soundtrack; some of it was written and recorded by\u003cspan\u003e \u003c\/span\u003eEno\u003cspan\u003e \u003c\/span\u003eand frequent collaborator\u003cspan\u003e \u003c\/span\u003eLeo Abrahams\u003cspan\u003e \u003c\/span\u003ewhile they were touring\u003cspan\u003e \u003c\/span\u003eEverything That Happens Will Happen Today,\u003cspan\u003e \u003c\/span\u003eEno's 2008 pop album with\u003cspan\u003e \u003c\/span\u003eDavid Byrne. Warp has been known for quality control for over 20 years, and this one is no different -- it's the best\u003cspan\u003e \u003c\/span\u003eEno\u003cspan\u003e \u003c\/span\u003erecord in 20 years. The opener, \"Emerald and Lime,\" is a piece of bright ambience. The title track has the dark textures of the later ambient works (Ambient 4: On Land), while the middle section has nods to contemporary electronic music -- \"Flint March\" is pummeling, percussive techno, and the next track, \"Horse,\" also indulges -- then it's back to opaque, spacious ambience with \"Calcium Needles\" and \"Emerald and Stone.\" Here too, some tracks have the earthy bass of\u003cspan\u003e \u003c\/span\u003eAmbient 4: On Land, others the formless but inviting void of\u003cspan\u003e \u003c\/span\u003eDiscreet Music, still others the heart-stopping piano isolationism of the original\u003cspan\u003e \u003c\/span\u003eAmbient 1: Music for Airports.\u003cspan\u003e \u003c\/span\u003eEno\u003cspan\u003e \u003c\/span\u003emay be trading on his earlier developments in ambience to a small degree, but\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.allmusic.com\/album\/small-craft-on-a-milk-sea-mw0002041188\" class=\"album-link\"\u003eSmall Craft on a Milk Sea\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis a good and proper balance of curiosity and expression.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\u003c\/div\u003e","brand":"Warp Records \/ Opal Records","offers":[{"title":"Default Title","offer_id":40570303119521,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-16549197-1608421646-8702_jpeg.jpg?v=1628705545"},{"product_id":"eno-brian-lux-2xlp-import-new-lp","title":"Eno, Brian - Lux [2xLP IMPORT] – New LP","description":"\u003ch3 class=\"review-author headline\"\u003eReview by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThom Jurek\u003c\/span\u003e\u003cspan\u003e \\\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eOn his third offering for Warp,\u003cspan\u003e \u003c\/span\u003eBrian Eno\u003cspan\u003e \u003c\/span\u003ereturns to ambient music once again. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1882668944\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/brianenoallsaints.bandcamp.com\/album\/lux\"\u003eLUX by Brian Eno\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eHe displayed it on his label debut, 2010's\u003cspan\u003e \u003c\/span\u003eSmall Craft on a Milk Sea, but the various pieces on it were either rejects from The Lovely Bones soundtrack or developed with\u003cspan\u003e \u003c\/span\u003eLeo Abrahams\u003cspan\u003e \u003c\/span\u003eon the\u003cspan\u003e \u003c\/span\u003eEverything That Happens Will Happen Today\u003cspan\u003e \u003c\/span\u003etour. The music on\u003cspan\u003e \u003c\/span\u003eLux\u003cspan\u003e \u003c\/span\u003eis a single, 75-minute composition divided into four segments that are between 18 and 20 minutes. They were composed to accompany an exhibit of\u003cspan\u003e \u003c\/span\u003eEno's visual art in Turin.\u003cspan\u003e \u003c\/span\u003eLux\u003cspan\u003e \u003c\/span\u003eadheres to his ambient principle of making music that is \"rewarding attention but not being so strict as to demand it. There is an elemental drift in all four parts of this work, but that's not all there is. Aided once again by\u003cspan\u003e \u003c\/span\u003eAbrahams\u003cspan\u003e \u003c\/span\u003eon Moog guitar, and violins and violas by\u003cspan\u003e \u003c\/span\u003eNeil Catchpole,\u003cspan\u003e \u003c\/span\u003eEno's electronic textures and drones are also accented by the piano's stray single notes or minimal chords, and skeletal use of bass and\/or acoustic guitar. But that sense of drift, while inescapable, is actually deliberate and tactile. Music swells and wanes. Alterations of mood and the suggestion of various light shades can be altered in startling fashion--15:47 of \"Lux 1,\" when the piece's tonality drops with piano keys played in the lower register deliberately adding an ominous sense of drama. Here again,\u003cspan\u003e \u003c\/span\u003eEno's sense of creating space all around the droning themes simply moves one idea along to the next place. As each section fades and disappears, the next emerges, unobtrusively, the new one contains only the trace memory of what previously transpired. While each track exists in a self-contained sphere, it is holistic in its relationship to the others. The listener's isn't so much absorbed in actively engaging the composition, but absorbed by it. That said, there is great reward in focusing on what \"happens.\" That's because\u003cspan\u003e \u003c\/span\u003eLux\u003cspan\u003e \u003c\/span\u003ebetrays implications of vastness just underneath its dulcet tones and restrained palette.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\"\u003e\u003c\/div\u003e","brand":"Warp Records \/ Opal Records","offers":[{"title":"Default Title","offer_id":40570478493857,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0575725265_16.jpg?v=1628706763"},{"product_id":"standells-the-live-on-tour-1966-new-lp-1","title":"Standells, The - Live on Tour––1966! – New LP","description":"\u003cp\u003eLive in Ann Arbor (opening for fellow folks Los Angeles the Beach Boys).\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2623433242\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thestandells.bandcamp.com\/album\/live-on-tour-1966\"\u003eLive On Tour - 1966! by The Standells\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eStephen Thomas Erlewine: Unlike a lot of '60s rock \u0026amp; roll bands, the Standells actually released a live album while they were active. That record, In Person at PJ's, was cut in 1965 prior to the band's big 1966 hit \"Dirty Water\" and prior to the band having much in the way of original material, either; they were just a covers band cranking away on their home turf. Sundazed's archival 2015 release, Live On Tour 1966!, is a different beast, finding the band taking \"Dirty Water\" out on tour and playing at Hill Auditorium in the college town of Ann Arbor, Michigan during October of 1966. The Standells still rely on covers to fill out their nearly 35-minute set -- they smother on the organ for a slow-grooving \"Please Please Please\" and steer Wilson Pickett's \"In the Midnight Hour\" toward a hopping frat beat; they also debut a version of the Kinks' \"Sunny Afternoon\" which would later pop up on their second album, The Hot Ones! -- but this is firmly grounded in the greasy, garagey stomp heard on \"Dirty Water\" and \"Some Times Good Guys Don't Wear Black.\" These two hits naturally close out the group's ten-track set; both are played with a trebly gusto that doesn't feel as heavy or trashy as the original singles, but part of the appeal of this set is its lightness. The Standells do rock hard, as evidenced on their questioning originals \"Why Did You Hurt Me?\" and \"Why Pick on Me?\" but Live On Tour 1966! is distinguished by their good humor: how the group ribs the college crowd about the Wolverines playing Minnesota, how the band cornily introduces a tune by saying \"for this song we got an Oscar…Mayer wiener,\" and how they interject dirty jokes into \"Gloria\" (\"it looks like Jayne Mansfield with a hernia,\" \"she takes out her false teeth and gums me to death\"). Everything the Standells do in this concert is in good fun and, accordingly, the album is a bit of a party too.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Standells’ amazing string of punkish, tough-guy anthems, like “Dirty Water” and “Sometimes Good Guys Don’t Wear White,” define the legacy of mid-sixties garage rock like nothing else. With the success of these records came ‘66 tours with the Rolling Stones and Beach Boys. From all reports, the Standells proved a superb live act. But for decades, their on-stage reputation rested on an earlier, Pre-Tower label live album documenting the Standells in an unrecognizably clean-cut night club incarnation. But there’s a happy ending to this story. It turns out the Standells were in fact recorded at their peak, LIVE ON TOUR-1966! At last, here’s the whole knock-out live act from the year the Standells stormed the charts. All the ‘66 hits are here including “Sometimes Good Guys Don’t Wear White,” “Why Pick On Me?” and of course, “Dirty Water” (in tremendous versions, all of them). Fan faves are also on board, like the fuzzed-out “Mr. Nobody” and stomping “Why Did You Hurt Me.” Highlights also include high energy covers of “Midnight Hour” and “Please, Please, Please,” to name just a few of these crowd-pleasers, showcasing the Standells’ R\u0026amp;B roots updated with ‘66 sheen. Hearing the Standells’ road-tested, extended take on “Gloria” is not to be missed, either! Rescued from a professionally recorded concert at the University of Michigan, the Standells are captured in astonishingly clean sound that rivals their legendary studio recordings. This may just be the finest recorded example of vintage live ‘66 American garage rock.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLed by the snotty, voice of drummer Dick Dodd, the entrancing keyboards of Larry Tamblyn and the searing guitar of Tony Valentino, the Standells cut \"Dirty Water” and a laundry list of mighty garage-rock anthems that would one day fuel the eager young minds (and sticky fingers) of the Stooges, Ramones and Green Day, as well as legions of adenoidal punk-rockers yet to come!\u003c\/p\u003e","brand":"Sundazed Records","offers":[{"title":"Default Title","offer_id":40571824734369,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2217200408_10.jpg?v=1628726076"},{"product_id":"james-etta-at-last-new-lp","title":"James, Etta - At Last! [IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEtta James debut LP \u003c\/span\u003e\u003cstrong\u003eoriginally released in 1960\u003c\/strong\u003e\u003cspan\u003e, featuring the classic hit song “At Last”. Blues, soul, jazz, R\u0026amp;B and rock vocalist Etta James needs no introduction. An icon from early rock’n’roll's pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal styling. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated, but never matched.  \u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856757864\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2225682623\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/etta-james.bandcamp.com\/album\/at-last\"\u003eAt Last by Etta James\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856757864\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1025592617\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/etta-james.bandcamp.com\/album\/at-last\"\u003eAt Last by Etta James\u003c\/a\u003e\u003c\/iframe\u003eAllMusic Review by Stephen Cook\nAfter spending a few years in limbo after scoring her first R\u0026amp;B hits \"Dance With Me, Henry\" and \"Good Rocking Daddy,\" Etta James returned to the spotlight in 1961 with her first Chess release, At Last. James made both the R\u0026amp;B and pop charts with the album's title cut, \"All I Could Do Was Cry,\" and \"Trust in Me.\" What makes At Last a great album is not only the solid hits it contains, but also the strong variety of material throughout. James expertly handles jazz standards like \"Stormy Weather\" and \"A Sunday Kind of Love,\" as well as Willie Dixon's blues classic \"I Just Want to Make Love to You.\" James demonstrates her keen facility on the title track in particular, as she easily moves from powerful blues shouting to more subtle, airy phrasing; her Ruth Brown-inspired, bad-girl growl only adds to the intensity. James would go on to even greater success with later hits like \"Tell Mama,\" but on At Last one hears the singer at her peak in a swinging and varied program of blues, R\u0026amp;B, and jazz standards.","brand":"Ermitage Records (Italy)","offers":[{"title":"Default Title","offer_id":40571991294113,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-13534916-1556039291-3366_jpeg.jpg?v=1628727449"},{"product_id":"jansch-bert-from-the-outside-gold-vinyl-import-new-lp","title":"Jansch, Bert – From the Outside [Gold Vinyl IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cmeta charset=\"utf-8\"\u003eRecalling the elegant simplicity of Jansch’s early works, ‘From The Outside’ sees Jansch return to the uncomplicated yet supremely effective sound of his eponymous debut. This is Bert laid bare – eschewing the more intricate arrangements of his surrounding works for the holy trinity of guitar, banjo and voice, perhaps reflective of his state of mind at the time. Stand-out tracks include ‘River Running’ and ‘Blackbird In The Morning’ which were both (amazingly) omitted from the original vinyl release.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2802421084\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bertjansch.bandcamp.com\/album\/from-the-outside\"\u003eFrom The Outside by Bert Jansch\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e1. Sweet Rose\u003cbr data-mce-fragment=\"1\"\u003e2. Blackbird In The Morning\u003cbr data-mce-fragment=\"1\"\u003e3. Read All About It\u003cbr data-mce-fragment=\"1\"\u003e4. Change The Song\u003cbr data-mce-fragment=\"1\"\u003e5. Shout\u003cbr data-mce-fragment=\"1\"\u003e6. From The Outside\u003cbr data-mce-fragment=\"1\"\u003e7. If You’re Thinking ‘Bout Me Babe\u003cbr data-mce-fragment=\"1\"\u003e8. Silver Raindrops\u003cbr data-mce-fragment=\"1\"\u003e9. Why Me (Still Love Her Now That She’s Gone)\u003cbr data-mce-fragment=\"1\"\u003e10. Get Out Of My Life\u003cbr data-mce-fragment=\"1\"\u003e11. Time Is An Old Friend\u003cbr data-mce-fragment=\"1\"\u003e12. River Running\u003cbr data-mce-fragment=\"1\"\u003e13. High Emotion\u003cbr data-mce-fragment=\"1\"\u003e14. I Sure Wanna Know\u003cbr data-mce-fragment=\"1\"\u003e15. From The Inside\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e“The Jimi Hendrix of the acoustic guitar” - Neil Young\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"At one point, I was absolutely obsessed with Bert Jansch. When I first heard that LP, I couldn’t believe it. It was so far ahead of what everyone else was doing. No one in America could touch that.” - Jimmy Page\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"I particularly like his second record. The album before it [1965's Bert Jansch] is more revered and held up by most journalists as being the seminal one, but I think the songs are better on It Don't Bother Me, particularly the title track. The fact that they were both recorded in a kitchen at his mate's house is another reason why it has never dated.” - Johnny Marr\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"I will never stop learning from Bert Jansch. His records have proved to be a great gift to everyone and for me they are also an education and a well of inspiration.” - Graham Coxon\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\"Simply, I think Bert was a truly unique musician. Somehow he could elegantly bridge differing musical and singing traditions to sing and play in a way that sounded only like Bert Jansch.” - Anne Briggs\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e","brand":"Earth Records","offers":[{"title":"Default Title","offer_id":40578100527265,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0420431374_16.jpg?v=1628801374"},{"product_id":"reincarnate-leave-it-or-take-it-demos-and-rarities-nwobhm-new-lp","title":"Reincarnate - Leave It or Take It: Demos and Rarities [Marked Down 1982-1983 NWOBHM] - New LP","description":"\u003cdiv class=\"info\"\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficial reissue containing all track from the Take It or Leave It single and the 1983 Demo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IWh2lXkzRoo?si=uxZ0uwJxroXcCLXY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Splattered Records","offers":[{"title":"Default Title","offer_id":40578819424417,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-15013162-1585498929-5747_jpeg.jpg?v=1628810900"},{"product_id":"the-munsters-s-t-pumpkin-splatter-vinyl-new-lp","title":"Munsters, The ‎– S\/T [Pumpkin Splatter Vinyl MARKED DOWN] – New LP","description":"corny crazzee bubblegummy fun from 1964 \"inspired by the TV characters,\" not really packaged as the characters playing, but just a band with songs about Munsters and monsters, mostly vocal cuts, three instrumentals.  It's part of the more awful side surf and hot rod rock albums from this era by barely named or confusingly named or not named bands, complete with heaps of truly awful songs, great stuff.  Side two is even better (and\/or worse), opening with the awful \"TV Monster Show,\" which is so great, and then the surf instrumental \"Eerie Beach\" (don't look out Dick Dale), the truly awkward \"You Created a Monster\" where they try to make a broken heart song into a monster song, complete with a corny cool garage sound, and sort of the same idea with \"Ride the Midnight Special,\" awkwardly trying to make a garage train song into a monster song, and of course along the way, naming lots of USA towns so we are pulled in to be part of the fun, or so is the idea, the side ending with the basement rock instrumental \"Down in the Basement.\" -- winch (green noise)\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rh5ttN3DEFw?si=obbZBL0KXf280yk2\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/39kise2cOOY?si=1ozAPdma3bElZbYT\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/39kise2cOOY?si=1ozAPdma3bElZbYT\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Real Gone \/ Decca Records","offers":[{"title":"Default Title","offer_id":40583913078945,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/cd28148a9f228d6161061fe4af95b704_1024x1024_2e1dcd0a-ef4c-423a-b893-872fc234897f.jpg?v=1628882787"},{"product_id":"daydream-s-t-import-new-lp","title":"Daydream – S\/T [IMPORT]– New LP","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003eWhile I'd never heard Daydream's debut until now, once I heard their second long-player on Dirt Cult, it was just a matter of time before Green Noise snabbed  copies of their debut from France label Symphony Of Destruction, which is the perfect name of a label for this band, \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=portland\" href=\"https:\/\/store.greennoiserecords.com\/search?q=portland\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=portland\" target=\"_blank\"\u003ePortland punk\u003c\/a\u003e that does not disappoint, stomping through the sludgy punk like a beast trying to escape its own fate, slashing your ears like a whipping of razor wire, churning like a outboard motor running on trichlorethylene through some dark waters thick with mud and death. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2944385789\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/symphonyofdestruction.bandcamp.com\/album\/s-t-lp-3\"\u003es\/t Lp by DAYDREAM\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"Daydream has been one of my favorite PDX bands for several years now. Their sound is difficult to describe. It’s noisy and chaotic but held together by riffs and melodies that will get stuck in your head for days. It sounds like Lebenden Toten through a Jesus Lizard filter...Their first was released by Symphony of Destruction in Italy, and seemed to go under the radar, at least in the United States.\" -- Dirt Cult\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003ePS: True Portland History.  This old Portland dude invited his uppercrust East Coast asshole friends out to see his town, Portland town, and they were not impressed, saw it as a hillbilly backwoods town, called it \"Stumptown\" because the streets of downtown were filled with stumps.  They went back home to their mansions in New England.  The Portland dude was all pissed off and got a bunch of TNT dynamite and blew all the stumps to smithereens.  When the dust cleared, he invited his uppercrust East Coast asshole friends back out to see the progress.  The rainy season had descended, and his friends were not impressed.  All the stumps in the roads were now giant potholes filled with mud, so they still made fun of his frontier town and called it \"Puddletown.\"  Both the names circulated (and are still around today) and that really pissed off the Portland dude, so he planted a bunch of roses, and declared it the City of Roses.  And then a slurry of bands like Daydream started punk rocking out.  That's it, all you need to know about Portland for now. -- winch\u003c\/div\u003e","brand":"Symphony Of Destruction (France)","offers":[{"title":"Default Title","offer_id":40592689332385,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3298008307_16.jpg?v=1629060340"},{"product_id":"mad-macka-seminal-robots-import-new-lp","title":"Mad Macka and Panhandler -  Seminal Robots [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eSeminal Robots is the realisation of Mad Macka's dream to record an album using the same 4 track* that Bruce Springsteen used to record Nebraska (*same model, not exact same unit). Sonically speaking the results are more than serviceable but there's a lot less yodelling and soapboxing, more skronk and dark humour.\u003cbr\u003e\u003cbr\u003eTwo full band tracks recorded at Hobo HQ head up Sides 1 and 2.\u003cbr\u003e\u003cbr\u003ePanhandler adds tasteful harp throughout and serves up a massive dose of dark pathos on last track Poor You.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3919044667\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/swashbucklinghoborecords.bandcamp.com\/album\/seminal-robots-2\"\u003eSeminal Robots by mad macka \u0026amp; panhandler\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eSeminal Robots\u003cbr\u003eRecorded, Mixed \u0026amp; Mastered by Dr Rock \u0026amp; Larmo Cusack\u003cbr\u003eArtwork by Panhandler\u003cbr\u003eLayout by Sol\u003cbr\u003eSwashbuckling Hobo Records (SH031)\u003c\/div\u003e","brand":"Swashbuckling Hobo Records (Australia)","offers":[{"title":"Default Title","offer_id":40655338700961,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1334454143_16.jpg?v=1629876260"},{"product_id":"cooper-alice-welcome-to-my-nightmare-used-cd","title":"Cooper, Alice - Welcome to My Nightmare - Used CD","description":"\u003cp style=\"font-weight: 400;\"\u003eVG+\/VG+\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eBrilliant move for Mr. Cooper--give yourself the same name as the band, and make sure your first solo is a good one.  While this doesn't match the power of ACG in their prime, it's Mr. Cooper's best solo outing, still using Bob Erzin as a producer and covering much of the same subject matter as we'd seen with the Alice Cooper Group. \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eWhen singers went solo, they often went the pop or singer\/writer route, but not Alice Cooper.  (I'd guess that Ozzy took notice of this strategy) -- winch\u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Atlantic Records","offers":[{"title":"Default Title","offer_id":40754507415713,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0509.jpg?v=1630644999"},{"product_id":"leonhart-peplowski-rosenthal-tate-sensitive-to-the-touch-the-music-of-harold-arlen-used-cd","title":"Leonhart, Jay – Sensitive to the Touch: The Music of Harold Arlen - Used CD","description":"\u003cp style=\"font-weight: 400;\"\u003eVG+\/VG+\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003eKen Dryden: :Ignore the cheesy art on the cover, this swinging quartet session featuring the music of Harold Arlen is worth checking out. Bassist Jay Leonhart is the leader, with Ken Peplowski on clarinet and tenor sax, Ted Rosenthal on piano and drummer Grady Tate, who adds a nice vocal to \"Ill Wind.\" No credit is given for the superb fresh arrangements, especially the humorous snappy \"Ding Dong The Witch Is Dead,\" a sly waltzing \"If I Only Had A Brain,\" and a bluesy \"Accentuate The Positive.\" Recommended.\"\u003c\/p\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-kJsBDdybm8?si=5gjtVcIJnMhBgVGJ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"LRC Records","offers":[{"title":"Default Title","offer_id":40754653266081,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0510.jpg?v=1630645786"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/october-2025\/dead-moon.oembed","provider":"Green Noise Records","version":"1.0","type":"link"}