{"title":"May 2026","description":"\u003ch1\u003enew releases, reissues, restocks, preorders, preorder arrivals, and used records added to the Green Noise website (or marked down) during May 2026!\u003c\/h1\u003e\n\u003cp\u003e(If you want to only see new releases that were recorded in\u003cspan\u003e \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/2026\"\u003e2026\u003c\/a\u003e\u003c\/span\u003e see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.)\u003c\/p\u003e","products":[{"product_id":"dead-moon-strange-pray-tell-lp","title":"Dead Moon - Strange Pray Tell - New LP","description":"\u003cp\u003eEssential Moon, most of it great, the rest even better, rock n roll ripped down to the bone, raw and timeless music that will rip out your heart, scary and wonderful like being young and running away, like finding love when you can't even find a home, \u003cmeta charset=\"utf-8\"\u003eso good it hurts, the greatest rock n roll record ever made on planet earth.  Even though I have said that before (and hopefully I'll say it again), it's still the truth.  -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3633198233\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deadmoonnight.bandcamp.com\/album\/strange-pray-tell\"\u003eStrange Pray Tell by Dead Moon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":17225921347,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1231405132_16.jpg?v=1616288787"},{"product_id":"burlap-burnout-king-lp","title":"Burlap - Burnout King [IMPORT MARKED DOWN] - New LP","description":"Abrasive noisy Aussie punk.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099099127\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/burlapsydney.bandcamp.com\/album\/burnout-king\"\u003eBurnout King by Burlap\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Black Wire Records","offers":[{"title":"Default Title","offer_id":30144331587,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/burlap.jpg?v=1477083674"},{"product_id":"giant-sand-returns-to-valley-of-rain-lp","title":"Giant Sand - Returns To Valley Of Rain [IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eValley of Rain was Tucson’s Giant Sand’s debut album recorded in 1983, and eventually released by 1985. It included Howe Gelb on vocals, guitar and Winston Watson on drums for most of it, Tommy Larkins on drums for some of it and Scott Garber on fretless bass for all of it. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow some 30 years later, This new re-recording of that first album will be toured by the band this summer, playing only those Valley of Rain songs. GIANT SAND RETURNS TO VALLEY OF RAIN.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2456183606\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/giantsandmusic.bandcamp.com\/album\/returns-to-valley-of-rain\"\u003eReturns To Valley Of Rain by Giant Sand\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ctable cellpadding=\"0px\" cellspacing=\"0px\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e. At the time of the original recording, Howe was unacquainted with the possibilities of tube (valve) amps and had recorded most of the album with a Roland JC120 at the miraculous 8 track facilities of The Control Center in Korea Town, Los Angeles by Ricky “Mix” Novak. This impromptu recording had occurred because the band refused to cancel their first Los Angeles live gig, at Madame Wong’s, when the band (Giant Sandworms) had broken up days before in Tucson. Instead, Howe headed out anyway with Scott, the newest member who’d only been in the band for about a year, after band mainstays Billy Sed and Dave Seger reasonably decided ‘enough was enough’ following a rough and tenuous year spent in the lower east side of NYC attempting to further the band circa 1981\/82. Tucsonan Winston Watson was already living in Los Angeles and was brave\/kind enough to jump in for the live date with no rehearsal. The result was so sparked with adrenalin, that the trio set up an impromptu studio session the next day to attempt to capture the sonic thrust on tape. The total cost of the day and a half recording was $400 including one 1” reel of 30 minute tape. When Enigma Records offered to release the album they requested another 15 minutes of music to make it a full LP. Ron Goudie was then called in to oversee the extra recordings. It was then when Howe borrowed an amp that had been stored at the studio did he discover the bolster of a tube amp and his world changed. The amp was a slightly modified Fender Twin Reverb owned by Robbie Krieger of The Doors. 30 some years later, now that the band had been put to sleep indefinitely, those very first songs had begun creeping into the last Giant Sand tours.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":13349902450758,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-FIRE-534.jpg?v=1536889873"},{"product_id":"tanning-bats-on-the-assembly-line-of-heads-black-vinyl-new-lp","title":"Tanning Bats - On the Assembly Line Of Heads - New LP","description":"\u003ch1\u003eHoly crap, it's a Twintoe Invasion! Green Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records!  \u003c\/h1\u003e\n\u003cp\u003eTanning Bats (2019), \u003cem\u003eOn the Assembly Line of Heads\u003c\/em\u003e, essential outing, great from go to whoa, plenty of surprises to reel you in along the way, the latest from Twintoe Records, a high-speed blender of classic influences, Tacoma garage of the early 60s and a bit of surf, Cleveland and NYC underground of the mid 70s, UK punk of the very late 70s, post punk and Greg Sage and Big Boys and new wave of the early 80s, and all the variety Dirtnap has brought you over the years, Tanning Bats slashing and dicing the influences like a Miracle Knife, slicing so fast through your onion you won't even have time to cry, and in the end, it's all about the Tanning Bats' sound.  It's really great.  Green Noise is very proud to bring this record to North America.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit. \u003c\/h1\u003e\n\u003cp\u003eBass: Robert Müller \u003cbr\u003eDrums \u0026amp; Percussions: Thomas Müller \u003cbr\u003eGuitars, Synth, Organ, Vocals \u0026amp; Backup Vocals: Assaf Bomgard \u003cbr\u003eAdditional Backup Vocals on 'The Riddle' - Andrija Spicanovic \u003cbr\u003eVocals on 'Malheur' - Zooey Agro \u003cbr\u003e\u003cbr\u003eAll songs are written and composed by Assaf Bomgard \u0026amp; Tanning Bats, apart from 'Malheur' - written by Zooey Agro, composed by Tanning Bats. \u003cbr\u003e'Rush Push Cash' - originally written by Yello, composed and arranged by Tanning Bats \u003cbr\u003e\u003cbr\u003eProduced and Arranged by Assaf Bomgard \u0026amp; Tanning Bats \u003cbr\u003eRecorded in June 2018 at the Bat Spa by Georg Pester \u003cbr\u003eMix - Felix-Florian Tödtloff \u003cbr\u003eMaster - Mikey Young \u003cbr\u003eArtwork - Burnbjoern \u003cbr\u003eOut on Twintoe Records June 2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599672369222,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Tanning_Bats_On_the_Assembly_Line_Of_Heads.jpg?v=1567967024"},{"product_id":"priors-s-t-new-lp","title":"Priors - S\/T - New LP","description":"\u003ch1\u003eGreen Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records!  \u003c\/h1\u003e\n\u003cdiv id=\"name-section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e1st press - 500 made, black 12'', 140 gram, inner discobag cardboard sleeve.  Previously released on cassette in Canada.  \"Montreal quintet PRIORS. Hailing, scaling, and wailing from a long-scrambling Canadian scene whose rep is not as revered as it should be, PRIORS furiously scrunches together lacerating fuzz riffs, maniacal snare drum abuse, and savagely scared shouting that's sometimes double-tracked into microchip-loose robot nervousness...\u003c\/span\u003e\u003cspan\u003erock'n'roll not only has gas in the tank, but space rocket fuel too, burning off into worlds beyond this square one.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3031425617\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/priors-s-t-lp\"\u003ePriors - s\/t LP by PRIORS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003eRECORDED AT DRONES BY CHRISTIAN SIMMONS\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMIXED AT SOUND SALVATION BY MAX DESHARNAIS AND PRIORS\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMASTERED BY MIKEY YOUNG\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003ePRIORS is:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eChance Hutchison\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eStuart Buckley\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eAlan Hildebrandt\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eDrew Demers\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSeb Godin\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit.   \u003c\/h1\u003e\n\u003c\/div\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599930417222,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Priors_twintoe.jpg?v=1567978490"},{"product_id":"cement-shoes-too-new-lp","title":"Cement Shoes - Too [marked down] - New LP","description":"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1984123795\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/cementshoes.bandcamp.com\/album\/too\"\u003eToo by Cement Shoes\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eAhh yes, the Shoes, baby! Richmond, VA's CEMENT SHOES lay down eight new tracks on, \"Too\", their debut album. If you're new to Da Shoes, their debut 7\" single on Feel It left both reviewers and punk\/hardcore millenials utterly confused and divided. The sage journalists at Razorcake even exclaimed, \"This is the kind of genuine hardcore punk that could reach a pretty damn wide audience if the world were a different place.\" Well, the world hasn't changed one degree for the better, buddy! Thankfully, Cement Shoes have returned to drive the point home with their finest-and-fullest-sounding record yet. The Shoes are truly cooking with gas now, bringing the best elements of snappy 80s punk\/HC and 70s hard rock to sonic fruition, with the necessary tongue-in-cheek sense of humor intact. \"Too\" presents itself as a sonic rendezvous where the '83 LA cast of punkers from \"Suburbia\", \"Funhouse\" era Stooges, Alice Cooper Band, Totalitär, and Cider are all invited. The whole room reeks of cheap beer and reefer, wah pedals lie on top of dirty shag carpet, and Joe Pesci is there to emcee the whole thing. Confused yet? So are we. But screw it, here's an album that sounds as timeless as the precious tape it was recorded on. A smoldering effigy to the way rock music used to simply exist and excite, and\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ea shining example of where the unlimited data of the aughts can actually be stretched.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded and mixed at Montrose Recording with Adrian Olsen.\u003cbr\u003eMastered by Bill McElroy at Slipped Disc.\u003cbr\u003eCover photograph by Natalie Kohlepp.\u003cbr\u003eCover illustrations by William Chapman.\u003c\/div\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":30234542833801,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Cement_Shoes_-_Too.jpg?v=1569057153"},{"product_id":"copy-of-dead-moon-in-the-graveyard-used-lp","title":"Dead Moon - In The Graveyard - New LP","description":"\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDEAD MOON’s first record! Originally released in 1988. Dead Moon were a band that existed outside of the constraints that time and style usually impose on artists. An authentic mix of psychedelic rock, punk, blues, country, and every other American music worth a damn. This LP features all time classics such as \"Graveyard\" ( A 13th Floor Elevators type vibrating psychedelic song), \"Don't Burn The Fires\" and \"I Hate The Blues.” It also features three classic covers.  Lo-fi as hell. Remastered from the original tapes. \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=170586599\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/deadmoonnight.bandcamp.com\/album\/in-the-graveyard\"\u003eIn the Graveyard by Dead Moon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":31213374734473,"sku":"","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3286207509_16.jpg?v=1594628493"},{"product_id":"dead-moon-defiance-new-lp","title":"Dead Moon - Defiance - New LP","description":"\u003cp\u003eAnother essential from Moon, accurately titled 3rd album, #3 in the same amount of years, ripping into a version of \"Milk Cow Blues\" to open the proceedings (as The Kinks did with The Kink Kontroversy in 1965) and then launching into the nonstop onslaught of Cole originals.  These Dead Moon albums from the early 1990s provided perfect timing to go commercial and cash in on the PNW grunge craze, and of course, Moon remained defiant as a raised fist, kicking over the cash register and knifing the heel into the concrete, always keeping it coming from the gut, this album wrapping the music around your throat and letting the barbs dig deep, pulling it taut until the blood surfaces, pushing the dagger into your heart, shoving you off and pulling you in, pushing you around and shaking your brain until your skull swells and you realize, oh this is what music sounds like when it's real, real as a clenched fist and raw as a bone. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1584865362\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deadmoonnight.bandcamp.com\/album\/defiance\"\u003eDefiance by Dead Moon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Dead Moon's third album – bursting into the 90s with Defiance – a record that arrived when some fellow Pacific Northwest underground rockers were getting ready to be flung head first into the mainstream.  DM remained defiantly underground, got gnarlier as they went on.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":31213416054921,"sku":"","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/MLADYS16_front_78b8d7e3-11ce-422a-928d-4951eee4d935.jpg?v=1573543480"},{"product_id":"cynics-the-no-siesta-tonite-live-in-madrid-1990-new-lp","title":"Cynics, The - NO SIESTA TONITE: LIVE IN MADRID 1990 [CLEAR VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"titulares\"\u003eCOKE BOTTLE CLEAR VINYL\u003c\/h3\u003e\n\u003cp\u003eFifteen tracks of wild garage-punk recorded live in Madrid during the Cynics 1990 Rock ‘N’ Roll tour. This album catches the Cynics at their high-energy best in front of a live crowd.\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4096581915\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/no-siesta-tonite-live-in-madrid-1990\"\u003eNo Siesta Tonite: Live In Madrid 1990 by The Cynics\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased January 1, 1994\u003cbr\u003e\u003cbr\u003eMichael Kastelic: Lead vocal, harmonica\u003cbr\u003eGregg Kostelich: Guitar, vocals\u003cbr\u003eKris Kasperowski: Bass\u003cbr\u003eTom Hohn: Drums, vocals\u003cbr\u003e\u003cbr\u003eProduced and recorded by Scott Warner\u003cbr\u003eMay 3, 1990 at The Ya'sta, Madrid, Spain\u003cbr\u003eMixed by Gregg Vizza and Scott Warner\u003cbr\u003eStudio facilities (Spain) by Tores Crespo (Sonex)\u003cbr\u003e\u003cbr\u003eSpecial thanks to: Norman Veenstra, Karen Mieczkowski, Judy Angel, and Jurgen Bayer\u003cbr\u003e\u003cbr\u003eArt and lettering by Wayno (1994)\u003c\/div\u003e\n\u003cbr\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":31962878378121,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0468481581_16.jpg?v=1579931759"},{"product_id":"cynics-the-blue-train-station-new-lp","title":"Cynics, The - Blue Train Station [BLUE VINYL] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003cb\u003e\u003cspan\u003eCarbon-based fossilized fuel fed furnace of a nonstop steam train flight that punches a hole in the ink-filled night with a unflagging Punk n Roll stomp, reminding you how many hairs you have on the back of your neck. \u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003cb\u003e\u003cspan\u003eThis record is an absolute of  free range unsanitized garage Rock n Roll purity. \u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003cb\u003e\u003cspan\u003eTo quote the sleeve: \u003ci\u003e“The band that won’t rest till bland, faceless “dance muzik” has been obliterated.\" \u003c\/i\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003cb\u003e\u003cspan\u003eThis record has balls of steel \u0026amp; they bang harder \u0026amp; faster than a shithouse door in a hurricane. \u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca data-encoded-attr-charset=\"dXRmLTg=\" data-encoded-tag-value=\"\" data-encoded-tag-name=\"meta\"\u003e\u003cb\u003e\u003cspan\u003eProcrastination is not in this equation !\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e OWN IT!  -- James Dixon\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2879020475\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/blue-train-sessions\"\u003eBlue Train Sessions by The Cynics\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eThe Cynics' debut 1987!!!  \u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eFirst time repressed since 1994.  Blue vinyl. \u003c\/span\u003e\u003cspan data-sanitized-datr\u003e\u003cbr\u003ea-mce-fragment=\"1\"\u0026gt;Focused on the short blasts, mostly originals, a few covers, concluding with an extended version of The Wheels (Belfast) 1966 Bo-Diddley-inspired b-side punk blast \"Road Block.\"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e  \u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-sanitized-itemprop=\"description\"\u003e\n\u003cspan\u003e2021 reissue of this garage classic from Pittsburgh's legendary Cynics, first time repressed since 1994.  This classic blast of guitar, rhythm and screaming vocals is now available on their own Get Hip label. \u003c\/span\u003e\u003cspan\u003eOriginally released in 1986 by Skyclad, this release shows the genesis of their wall of guitar sound and was The Cynics' first full-length LP. This album mixes versions of garage classics like \"Ain't No Friend of Mine\" and \"Soul Searchin'\" with scorching Cynics originals like \"No Way\", \"Waste of Time\", \"Love Me Then Go Away\" and the title track “Blue Train Station.” \u003c\/span\u003e\u003cspan\u003eThe punk and R\u0026amp;B roots of The Cynics sound sizzle on this classic piece, while thoroughly demonstrating the music and songwriting skills of the team of Kastelic and Kostelich.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":31963097858185,"sku":"","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-17708104-1614976921-2080.jpg?v=1650249306"},{"product_id":"maggies-marshmallows-s-t-new-lp","title":"Maggie's Marshmallows – S\/T [CREAM VINYL] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eGarage goo crawling out of the witch's stew, sticky and thick as a tar pit, influences might be Guantanamo Baywatch, Detroit Cobras, the Cramps and of course the source of it all, the garage rock of the 1960s.\u003c\/p\u003e\n\u003cp\u003eLTD. ED. CREAM COLOR VINYL. Debut album by Prague (Czech Republic) Garage-Punk trio. Recorded and produced by Detroit's Jim Diamond (Dirtbombs, \u003cspan\u003eThe White Stripes, Fleshtones, The Cynics,...). \u003c\/span\u003eRaw, wild female vocals reminiscent of The Brood and 60’s Girl Garage bands and really cool surf-tinged guitar sound.\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=270940044\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/the-maggies-marshmallows\"\u003eThe Maggie's Marshmallows by The Maggie's Marshmallows\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"customHeaderWrapper\"\u003e\n\u003cdiv class=\"band-navbar-wrapper flex\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}'\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGet Hip Recordings (GH-1175)\u003cbr\u003e\u003cbr\u003eThe Maggie’s Marshmallows, a young garage-punk trio grown in the moldy basement of a forgotten substation in Prague. Influenced by the fuzzed-out, underground sounds on the Back From The Grave compilations and shaped by surf tunes, ‘60s punk, and Mexican soap opera soundtracks, this female-fronted Czech three-piece packs a wallop! Garage, dark and dirty!  Recorded at Studio de la Trappe in South France, The Maggie’s Marshmallows features 12 tracks written throughout the band’s career. Featuring production by the legendary Jim Diamond (The White Stripes, Fleshtones, Dirtbombs, The Cynics), the album is a testament to the group’s evolving moods, tempered by an undercurrent of contemporary musical tastes; an LP filled to the brim with thick layers of reverb, primitive riffs, primordial rhythms—and guest organs by Jim Diamond himself! Dark and dirty, indeed.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003eMeg Janderova: Vocals, Bass\u003cbr\u003eVaclav Dobes: Guitar\u003cbr\u003eVojtech Buric: Drums\u003cbr\u003e\u003cbr\u003eProduced by Jim Diamond\u003cbr\u003e\u003cbr\u003eGet Hip Recordings (GH-1175)\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33686799712393,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_1149.jpg?v=1588670520"},{"product_id":"lvger-fvll-villain-new-lp","title":"Lvger - Fvll Villain  [marked down]–  New LP","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\"From the hard streets of NYC comes the bastard punk rock child of dirty rock'n'roll that is equally part MÖTORHEAD and THE EXPLOITED. This will appeal to punk, skins and metal-heads all... Check it out!! \u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eblack vinyl.  Check it out:\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=312481344\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/lvgernyc.bandcamp.com\/album\/fvll-villain\"\u003eFvll Villain by LVGER\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Contra Records ‎\/ Longshot Music","offers":[{"title":"Default Title","offer_id":34487802822817,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0370147242_16.jpg?v=1590713672"},{"product_id":"cooper-alice-dirty-diamond-new-lp","title":"Cooper, Alice - Dirty Diamonds [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eReissue of Alice's 2005 album.  1000 pressed. Translucent red vinyl.\u003c\/p\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":34656003063969,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/unspecified_1024x1024_56bf50ad-e0dd-4cc3-b78a-8ef52858bc09.jpg?v=1591931966"},{"product_id":"sharon-jones-the-dap-kings-soul-time-new-lp","title":"Sharon Jones \u0026 the Dap-Kings [HOT PINK VINYL] – Soul Time! – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1568361237\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/soul-time\"\u003eSoul Time! by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":35481078038689,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1805182181_16.jpg?v=1602296899"},{"product_id":"dead-moon-crack-in-the-system-new-lp","title":"Dead Moon - Crack In The System - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***** five-star classic.  certified good shit.  Strange Pray Tell was a hard act to follow, but this was Dead Moon at the helm...this is as essential as you can get, rocks out from go to whoa, all Cole originals except a version of Dylan's \"Times Are A Changin.\"  Essential set for fans.  -- winch.\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3272597191\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deadmoonnight.bandcamp.com\/album\/crack-in-the-system\"\u003eCrack In The System by Dead Moon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"A true DEAD MOON classic.  One of their most beloved LPs. Features the mega hit 'It's Okay' along with other classics like ‘Day After Day,’ ‘Cast Will Change,’ ‘Unknown Passage,’ and the best version of ‘TImes They Are Changin'’ ever recorded!  All hits, no misses on this one. Timeless.\" \u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":35539816710305,"sku":"","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2346409893_16.jpg?v=1596785322"},{"product_id":"numan-gary-pleasure-principle-first-recordings-orange-vinyl-2xlp-import-new-lp","title":"Numan, Gary – Pleasure Principle: First Recordings [Orange Vinyl 2xLP IMPORT] – New LP","description":"\u003cp\u003e2019 release.  1979 recordings.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e40th Anniversary Edition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDemos. Early Versions. Outtakes. BBC Session Tracks. Two previously unreleased tracks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOrange vinyl. Cut out sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eGary Numan is a pioneer, and his influence on so many artists is unmistakable and grand. Gary’s style connects him with fans of multiple genres... electronic, industrial, indie-rock, metal, etc. He remains an innovator, and his fan base continues to grow.\u003cbr\u003e\u003cbr\u003eBeggars Arkive are releasing two special titles to commemorate the legendary albums Gary Numan\/Tubeway Army issued in 1979 – These editions are titled Replicas – The First Recordings, and the debut under his own name, The Pleasure Principle – The First Recordings. They are both available on colored 2X vinyl. The Pleasure Principle… is on orange.\u003cbr\u003e\u003cbr\u003eWhile both of these albums have remained in print, these releases concentrate on the early recordings made prior to the completed albums and present the evolution of the albums. The tracks have been sequenced as they appeared on the original tapes and the audio has been taken from the high resolution digital transfers made by John Dent in 2007. One of the Freerange studio tapes suffered irreparable print through damage on two tracks so they were not used in the 2009 release. However an alternative source has been located so the tapes can now be presented as complete for this release.\u003cbr\u003e\u003cbr\u003eEven before the single “Are ‘Friends’ Electric?” was\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereleased, Numan had recruited a permanent drummer and keyboard player and demoed an album’s worth of new material between April 9-12, 1979 at Freerange Studio in London’s Covent Garden. This was supplemented by a second session, probably the following June, that yielded four further songs and two re-recordings. Following the hectic schedule of promoting “AFE?”, Numan recorded a new session for John Peel the day after the single hit #1 on the UK charts. Rather than record as Tubeway Army, the session was credited to Gary Numan and the group name abandoned at the peak of its success. As before, rather than promote the current album, Numan chose to record four new songs. While the album Replicas hit #1, Numan was busy recording a follow up in Marcus Music Studio. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":35844897964193,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14268448-1571416647-3774_jpeg.jpg?v=1598254601"},{"product_id":"stiff-richards-state-of-mind","title":"Stiff Richards - State of Mind [IMPORT] – New LP","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2 style=\"text-align: left;\"\u003e\n\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1309461135\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u0026lt;a href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/state-of-mind-lp\" data-mce-href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/state-of-mind-lp\"\u0026gt;State Of Mind LP by Stiff Richards\u0026lt;\/a\u0026gt;\u003c\/iframe\u003eComing from the Aussie rock tradition sure I suppose, blasting out of that perhaps, but maybe more precisely launching from the same places that had been the launching pad for those other Aussie rockets, post-war Michigan, Memphis and Missouri shot through shotgun shacks in cities like Tacoma and Detroit, tapping into the original inspiration, the heartbeat and the hunger, the howl and the growl, the rumble of the freight train and the scream of an engine, thunder booming and the rattle of hail on the roof,  let me go rock n roll, cities aflame.  This is the shit, I shit you not. -- winch (green noise)\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1 itemprop=\"name\"\u003e-------------------------------\u003c\/h1\u003e\n\u003ch2 itemprop=\"name\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunken Sailor Records (UK) \/ Legless Records (Australia)","offers":[{"title":"Default Title","offer_id":37243931197601,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2373742351_16.jpg?v=1617970175"},{"product_id":"your-food-poke-it-with-a-stick-louisville-1983-new-lp","title":"Your Food ‎– Poke It With A Stick [Louisville punk 1983] – New LP","description":"\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003efirst-ever reissue of 1983 album. \u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e“You knew you were in the presence of something powerful whenever they played. Their sound was open and catatonic. Cathartic. You recognized it right away.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Britt Walford (Slint drummer), remembering Louisville art-punks Your Food back when played out, in 1982-83. LP back in print for the first time in 35 years! Plus, first time in digital waves.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1368283662\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/yourfood.bandcamp.com\/album\/poke-it-with-a-stick\"\u003ePoke It With a Stick by Your Food\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":37741690159265,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4223343823_10.jpg?v=1613263654"},{"product_id":"nunofyrbeeswax-stratotoaster-import-us-green-noise-exclusive-new-lp","title":"Nunofyrbeeswax – Stratotoaster [Import] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003cu\u003e\u003cb\u003eNUNOFYRBEESWAX - Stratotoaster LP\u003c\/b\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Stratotoaster\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003estarts off modestly. Like a lit fuse on a rock \u0026amp; roll Roman candle, it doesn’t take long before brilliant fireballs start shooting out in all directions. This album is brimming with catchy-ass head bobbers. 'Glitch' and 'Danse Sauvage' are sure to set crowds into a frenzy. Angela and Dave take turns adding vocals across the album's 10 tracks, sometimes combining to the listener's delight like on the prickly chorus of 'Immerse'.  Angela's bouncy, sometimes creeping vocals are unstoppable. They spark flames on 'Touch Too Much', inspiring me to go out into the city streets wearing a snakeskin leotard in order to climb a sky scraper while screaming \"NOW IT'S TIME FOR A TOUCH TOO MUCH YEAH.\" Angela also pounds out rhythms on a minimal floor-tom + snare setup. Her vocals and drums combined are enough to start a stampede. Once you bring in Dave Grolsch's hot-rod guitar the Earth begins to rattle. 'Rock and Roll Specimen' sounds like someone strapped Chuck Berry to a jetpack and launched him into the stratosphere. 'Immerse' is like the creature from the black lagoon was handed an electric guitar and an overdriven amp. A highlight for me is 'What's Yr Problem'. Hearing the riff is is like getting slapped in the face by an electric eel. Towards the end of this song, the song is deconstructed into base elements as it tangles with hydraulic robot noises. Then horns proudly announce the return of the fully fleshed-out chorus before the song sputters out into static echoes. It's an epic battle between a rock \u0026amp; roll deity and a gigantic space robot (I would watch that movie). Over the 10 song fireworks show-gone-awry that is\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStratotoaster\u003c\/em\u003e, the music never ceases to get the head bobbing and the toes curling. When I first saw Nunofyrbeeswax perform at Festival de la Cour Denis in 2017 I was hypnotized. How can just two people create such an explosive, heart-pumping sound?! I imagine that hearing and seeing the songs of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStratotoaster\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eperformed live might be enough to make me spontaneously combust. I look forward to that day.\" (Odd House)\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\"Angela, Davide and Juan - Nunofyrbeeswax, write and play pop songs in a minimal \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003esetup - as raw as their heart beats. Their sound has been described as idiosyncratic blend of garage rock, post-punk, and proto-punk. Their music escapes easy associations , however, they have reminded audiences of bands such as Half Japanese, the Velvet Underground, The Ex, The Fall, B52's and The Cramps.\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"It was when I got to mix one of their shows in Bei Ruth (RIP) and finally got exposed to this very honest and sympathetic punk rock manifestation - Nunofyrbeeswax (and be sure you see this name around A LOT around Berlin), made up of 2 very rumbling combo of Spanish - Angela and Italian - Davide (by now already enough to fall in love with), not sparing a drop of sweat or drip of energy they got left up their sleeves just to produce their finest raw and energised rocknroll that one like me got nothing but love to. Faster than you know - we became brothers and sisters from other mothers and misters (Must be that 'way too close to Equator' vibe our origins have in common), shared the stage several times with Tanning Bats and always shared the common devotion to 'kill from the heart' On one other of these grey boring days at the end of the year, here in Berlin, if the sky could speak, it would literally be yelling again and again - \"This is going nowhere\" (huh and look at us now). I get a very surprising call that very quickly snaps me out of the monotone fatigue, it's my friend Angela from Nunofyrbeeswax, who's also based in Berlin (thank god im not innit alone) and she's telling me that they are done recording their new album she told me about recently. luckily enough on that same phone call I'm asked to join\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand co-produce their wonders while im mixing it too. Heck should I say no to this, tough a little pre-lock down depression almost got me getting cold feet - I do admit. Little did I know that sooner enough I'd get smashed by these 10 raw rocknroll gems (11 if you count the one they kept off) that are gonna suck my mind out through my ears and become new ear-worms I'd be singing in quarantined showers. Shaping sounds in front of a low dimmed mac-book screen in accursed first months of 2020 accompanied by the Nunies (as I refer to), sipping on very tasty espresso coffee Davide supplies from his work (hope they're not reading it). 'Stratotoaster' has been the rollercoaster that through me off my sluggishness comfy zone. Together with the Nunies we dig every ripper on the album to capture their truly wish to be fulfilled moments, later to be exploded on your stereo set. The Stratotoaster strikes you exactly where it should, and It should feel right.\"\u003cbr\u003e\" - Assaf (Twintoe Records)\u003cbr\u003e\u003cbr\u003e°°°°°°°°°°°°°°°°°°°°°°°°\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased November 19, 2020\u003cbr\u003e\u003cbr\u003eRecorded by Markus Mocydlarz at Superswampe, Berlin\u003cbr\u003eMixed - Assaf Bomgard\u003cbr\u003eTape Coloring - Hans\u003cbr\u003eMastered - Diego Ferri\u003cbr\u003e\u003cbr\u003eStratotoaster Sculpture - Jay Gard\u003cbr\u003eArtwork - Dj Vomit\u003cbr\u003e\u003cbr\u003eAll songs by Nunofyrbeeswax\u003cbr\u003eProduced by Nunofyrbeeswax and Assaf Bomgard\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":39387859157153,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2511306227_16.jpg?v=1615606703"},{"product_id":"dissekerad-s-t-new-lp","title":"Dissekerad - s\/t - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eHC from Sweden, kicking it out, ripping it up.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2455499766\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/dissekerad\"\u003eDissekerad by Dissekerad\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eDissekerad is from Stockholm, Sweden with members of TOTALITAR, AVSKUM, INSTITUTION, MAKABERT FYND, and others. As you would expect from that pedigree, they deliver no frills, traditional Swedish D-beat. Maximum RockNRoll called it \"classic\" and we agree: it sounds like the best of the style because it's played by members who have been banging away at their craft for decades. The self-titled LP contains 11 songs that are firmly D-beat in execution with enough ingenuity and creativity to keep things sounding new. Previously only available as an import through Skrammel Records in Sweden, the North American version, issued here by Man In Decline Records, was remastered by Jack Control of Enormous Door Mastering (POISON IDEA), which adds a sonic layer of punishing volume suited for the songs.\u003cbr\u003e\u003cbr\u003ePoffen: Vocals\u003cbr\u003eAndreé: Bass\u003cbr\u003ePyri: Drums\u003cbr\u003eMattis: Guitar\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eRecorded by Mattis at Årsta\u003cbr\u003eMastered by Jack Control at Enormous Door Mastering\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Man In Decline Records","offers":[{"title":"Default","offer_id":39400417165473,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0488769091_16.jpg?v=1616680704"},{"product_id":"place-to-bury-strangers-a-hologram-ep-blue-red-splatter-new-12","title":"Place to Bury Strangers, A –  Hologram EP [Blue\/Red Splatter MARKED DOWN] – New 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003ch2\u003e  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627635982\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aplacetoburystrangers.bandcamp.com\/album\/hologram-ep\"\u003eHologram EP by A Place To Bury Strangers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eHologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the ongoing global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"We are so sorry for the COVID-related manufacturing delays but we can confirm that Hologram vinyl is definitely coming your way on September 10, 2021.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e","brand":"Dedstrange Records","offers":[{"title":"Default Title","offer_id":40824801427617,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0266103936_16.jpg?v=1631477106"},{"product_id":"fela-kuti-live-with-ginger-baker-1971-2xlp-red-vinyl-3-sider-with-etching-new-lp","title":"Kuti, Fela – Live with Ginger Baker 1971 [2xLP red vinyl 3-sider with Etching] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally recorded in 1971 by Fela Kuti’s band, Africa 70, with the addition of former Cream drummer Ginger Baker, this album contains 4 songs plus a bonus track 16-minute drum duet between Baker and Africa 70’s drummer Tony Allen recorded at the 1978 Berlin Jazz Festival.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1328207216\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/felakuti.bandcamp.com\/album\/live-with-ginger-baker-1971\"\u003eLive with Ginger Baker (1971) by Fela Kuti\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe 50th-anniversary reissue of Live! is pressed on double red vinyl and features an etching of the album artwork on Side D. Side C features Ginger Baker and Tony Allen’s blinding, extended, dual-drums solos from 1978’s Berlin Jazz Festival, re-mastered at Abbey Road Studios in 2021. This anniversary reissue marks the first vinyl pressing of these performances.\u003c\/span\u003e\u003c\/p\u003e","brand":"Partisan Records \/ Knitting Factory Records","offers":[{"title":"Default Title","offer_id":41641090842785,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2448757562_16.jpg?v=1645681056"},{"product_id":"bartz-gary-jazz-is-dead-6-new-lp","title":"Bartz, Gary –  Jazz is Dead #6 – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003cdiv class=\"section credits toggle_section    toggle_section_remember\" data-toggle-section-id=\"credits\" id=\"credits\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eThe shadow that Gary Bartz casts over the last six decades of progressive Black music, and his continued dedication to same, makes him a logical and very welcome contributor to the Jazz Is Dead label. An alto saxophonist steeped in the history and tradition of his instrument who is also restlessly experimental and not prone to purism of any kind, he enjoys both the respect and admiration of his peers and the hero worship of several generations after him – including Adrian Younge and Ali Shaheed Muhammad, which inevitably led to Gary Bartz JID 006.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3185022862\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/garybartz.bandcamp.com\/album\/gary-bartz-jid006\"\u003eGary Bartz JID006 by Gary Bartz, Adrian Younge, Ali Shaheed Muhammad\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eA look at his body of work reveals dalliances with bebop, hard bop, free jazz, spiritual jazz, soul jazz, jazz-funk, fusion and acid jazz, all while resolutely remaining unmistakably Gary Bartz. There's early work with Eric Dolphy and McCoy Tyner in Charles Mingus' Jazz Workshop, work with Max Roach and Abbey Lincoln, a stint in Art Blakey's Jazz Messengers, and also one with Miles. There's his groundbreaking and highly influential Ntu Troop albums of the early ‘70s and his jazz-funk work including two classic albums with the Mizell Brothers, one of which supplied A Tribe Called Quest with a sample that was smooth like butter. And while on the subject of samples, the Bartz catalog has provided hip-hop and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eother genres with a rich source of them, and artists who have gone to his well when producing beats also include Black Sheep, Jurassic 5, Casual, RPM, Warren G, Photek, Statik Selektah, Chi-Ali, 3rd Bass, Showbiz, Z-Trip, Young Disciples, and many others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe socio-political content of much of Bartz’s work, particularly during the early ‘70s, is another factor that has captured the attention of and influenced many. He was wide awake to the pressing issues of his day, which sadly haven't changed much in a half-century—long before the term \"woke\" was ever coined—which adds continued relevance and resonance to albums like the two Harlem Bush Music LPs. Speaking his mind and expressing thoughts and feelings lyrically and vocally were a consistent aspect of his work during this era, but even with all this there's always still a space within Gary's oeuvre for the celebration of simple and beautiful basic truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Working with Gary Bartz epitomizes the ethos behind Jazz Is Dead,” says Younge. “He’s a luminary that has contributed so much to music culture, for decades.  His musical ability is expanding with age and we’re honored to be a part of his world.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Day By Day\" brings Bartz full circle by placing him in a more modern context which he contributed to creating in the first place. It takes certain sonic cues from Muhammad's old group, A Tribe Called Quest, while also calling to mind neo-soul a little bit. But the icing on the cake is the unexpected and gorgeous vocal chorus which is like the sun coming out and which once again harks back to an element familiar to Mizell fans.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith its propulsive bassline steadily prodding the track along, \"The Message\" is strongly rooted in classic ‘70s modal jazz and serves as the spiritual and emotional centerpiece of the album. The instrumental interplay and textures would have been perfectly at home on the Black Jazz label even though there's also a certain almost intangible postmodern, 21st century approach to that style, perfectly in keeping with Bartz's well-known tendency to look forward, not backwards.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe main thrust of \"Black And Brown\" is an immersion in classic jazz-funk, a short blast of vintage fusion riffing that ultimately feels like one of those classic extended ‘70s jams condensed down to its most intense just-under-three-minutes with Bartz blowing freely over very familiar musical territory and sounding like he's having an amazing time doing it. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf \"Spiritual Ideation\" calls anything immediately to mind, it's the overall vibe and atmosphere of the compositions on 1975's classic Mizell-produced The Shadow Do album. Its chords seem to move along in similar fashion to a few of the tracks on that album, but they're transposed on to what has quickly become the JID signature sound. Bartz’s tone and phrasing is instantly recognizable and sits on top of the Younge\/Muhammad-produced backing as snugly as it did on the Mizells' groove 45 years ago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBartz brought his historically busy touring and recording schedule into the new millennium, re-establishing his deep jazz credentials even as another generation of DJs and hip-hop producers discovered the untold riches contained in his back catalog. He remains spry, fit and energetic at age 80 and his new collaboration with Jazz Is Dead's Adrian Younge and Ali Shaheed Muhammad is the glorious proof. This is what Gary Bartz brings to this Jazz Is Dead collaboration, and as can be expected, his questing spirit fits the Jazz Is Dead style like a glove and has produced an album that's a cutting-edge addition to his immense canon as he effortlessly interfaces with the next generation. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAn American jazz saxophonist recording since the early 1960s. Jazz critic Stanley Crouch called Bartz \"one of the very best who has ever picked up the instrument\".\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\u003cspan\u003e-------\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cspan\u003eUnder Jazz Is Dead, younger artists are elaborating upon conversations started decades ago; jazz icons are utilizing vintage\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003eequipment to create new masters with Adrian Younge and Ali Shaheed Muhammad; the same equipment that recorded their coveted catalogs. The vitality embedded in the new masters epitomizes our quest for new life in music: Jazz Is Dead.\u003cbr\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section barcodes toggle_section    toggle_section_remember\" data-toggle-section-id=\"barcodes\" id=\"barcodes\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Jazz is Dead Records","offers":[{"title":"Default Title","offer_id":41643714576545,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1622486160_16.jpg?v=1645743238"},{"product_id":"various-artists-king-strings-king-federal-deluxe-guitar-grooves-1949-1962-new-lp","title":"Various Artists – King Strings: King-Federal-DeLuxe Guitar Grooves, 1949-1962 – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJOHN LEE HOOKER, ALBERT KING, JOHNNY \"GUITAR\" WATSON and more on Vinyl\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePressed at R.T.I.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSelected from the crown jewels of the rich King-Federal-DeLuxe discography, King Strings features rocking, socking guitar instrumentals from the Cincinnati-based family of labels cut between 1949 and 1962, programmed for power! Fashioned as a vintage King LP from the era and containing a killer line-up of the biggest talents the stable of labels offered, this is the historic various artists collection that should have been issued circa 1962. King was central to the underlying creative flow in R\u0026amp;B during the era, and the recordings here show the depth of style and synergy that the label routinely captured on vinyl. From the proto-funk groove of Hooker's \"Stomp Boogie\" (under the pseudonym Texas Slim) to two cuts of Baker magic captured in Paris over a decade later, and including key cuts from Freddy King, Albert King, Johnny \"Guitar\" Watson and many others in between, you'll individually hear a variety of instruments, tones and techniques, but together the clear, common artistry of the players' sovereign ability, sequenced like a long, climactic solo--this is the sound of some of the most heralded talent of the guitar generation! Includes a rich, detailed insert with rare photos and extensive liner notes by Colin Escott. Join six-string soul royalty for a showcase from the company that called itself The King of Them All! \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCut by Kevin Gray at Cohearent Audio.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTRACK LISTING:\u003cbr data-mce-fragment=\"1\"\u003eLet's Rock - Johnny Otis with Johnny \"Guitar\" Watson \u003cbr data-mce-fragment=\"1\"\u003eSan-Ho-Zay - Freddy King\u003cbr data-mce-fragment=\"1\"\u003eLouisiana Hop - Pete \"Guitar\" Lewis\u003cbr data-mce-fragment=\"1\"\u003eSteam Roller - Mickey Baker\u003cbr data-mce-fragment=\"1\"\u003eDyna-Flow - Albert King\u003cbr data-mce-fragment=\"1\"\u003eHonky Tonk (Part 1) - Bill Doggett\u003cbr data-mce-fragment=\"1\"\u003eStomp Boogie - Texas Slim (John Lee Hooker)\u003cbr data-mce-fragment=\"1\"\u003eAfter Hours - Jimmy Nolen\u003cbr data-mce-fragment=\"1\"\u003eThis Morning - Albert King\u003cbr data-mce-fragment=\"1\"\u003eDo What You Do - Mickey Baker\u003cbr data-mce-fragment=\"1\"\u003eFloyd's Guitar Blues - Bill Doggett\u003cbr data-mce-fragment=\"1\"\u003eStrollin' with Nolen - Jimmy Nolen\u003cbr data-mce-fragment=\"1\"\u003eSpace Guitar - Young John Watson\u003cbr data-mce-fragment=\"1\"\u003eHide Away - Freddy King\u003cbr data-mce-fragment=\"1\"\u003eGainesville - Roy Gaines\u003cbr data-mce-fragment=\"1\"\u003eThe Big Push - Cal Green \u0026amp; His Orchestra\u003c\/p\u003e","brand":"King Records \/ Sundazed Records","offers":[{"title":"Default Title","offer_id":41643787190433,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-5490_900.jpg?v=1645746984"},{"product_id":"reed-lou-coney-island-baby-new-lp","title":"Reed, Lou - Coney Island Baby [IMPORT] - New LP","description":"\u003cp\u003erepress of 1975 LP\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv itemprop=\"reviewBody\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"RCA Records","offers":[{"title":"Default Title","offer_id":41643918983329,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-11273069-1521261495-4179.jpg?v=1645754227"},{"product_id":"pop-iggy-iggy-ziggy-new-lp","title":"Pop, Iggy – Iggy \u0026 Ziggy: Cleveland '77 [IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live at The Agora Ballroom, Cleveland OH - March 21, 1977.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"In 1976, Iggy Pop had hit bottom after the messy breakup of the Stooges and he needed help, and when friend and fan David Bowie offered to lend him a hand, he was smart and grateful enough to accept. Bowie produced Iggy's first solo album, The Idiot, and after Iggy set up a tour to promote the record, Bowie put together the band and tagged along as their keyboard player.\"\u003c\/p\u003e","brand":"Cleopatra Records","offers":[{"title":"Default Title","offer_id":41643987796129,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-2978077-1496440499-7443.jpg?v=1645756292"},{"product_id":"stiff-richards-s-t-import-new-p","title":"Stiff Richards -  S\/T [IMPORT] – New LP","description":"\u003cbr\u003e\u003cp\u003eBlasting forward like a cannonball from the cannon built by some of the best of the past from key places on the map like Michigan and their homeland, barnstorming through the walls of your boredom and stupor...slap this platter on your hifi and blast the dust from the rafters in your attic, \u003cmeta charset=\"utf-8\"\u003ecrank it until the boards rattle loose. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4118856919\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stiffrichards.bandcamp.com\/album\/stiff-richards\"\u003eSTIFF RICHARDS by STIFF RICHARDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"...h\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eoly grail of modern garage rock - the 2017 self-titled debut album...Originally released on their own Stiff Records, it lays down all the elements that made last year’s mighty ‘State of Mind’ LP such an instant classic...\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003escintillating Aus-punk that recalls the heroic high-speed riffs of their countrymen...a full-on riot in 30 minutes - the rawest of rock’n’roll bleeding into\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe grimiest of power chords...Whether going full-throttle and aiming straight for the nerve receptors that get your head a-nodding and your toes a-tapping - like on sub-three-minute highlight ‘Strung Out’ - or sludgin’ their way through groovier cuts like ‘Bustin’ Out’, they’re never less than a treat that’s guaranteed to get your serotonin flowing and your speakers up to 11..\"  Will Fitzpatrick\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 itemprop=\"name\"\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunken Sailor Records (UK) \/ Legless Records (Australia)","offers":[{"title":"Default Title","offer_id":41683519570081,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3792600501_16.jpg?v=1646723764"},{"product_id":"younge-adrian-the-american-negro-new-lp","title":"Younge, Adrian  – The American Negro [2xLP] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003cdiv class=\"section credits toggle_section    toggle_section_remember\" data-toggle-section-id=\"credits\" id=\"credits\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe American Negro is an unapologetic critique, detailing the systemic and malevolent psychology that afflicts people of color.  This project dissects the chemistry behind blind racism, using music as the medium to restore dignity and self-worth to my people.  It should be evident that any examination of black music is an examination of the relationship between black and white America.  This relationship has shaped the cultural evolution of the world and its negative roots run deep into our psyche.  Featuring various special guests performing over a deeply soulful, elaborate orchestration, The American Negro reinvents the black native tongue through this album and it’s attendant short film (TAN) and 4-part podcast (invisible Blackness). The American Negro - both as a collective experience and as individual expressions - is insightful, provocative and inspiring and should land at the center of our ongoing reckoning with race, racism and the writing of the next chapter of American history.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564078374\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/adrianyounge.bandcamp.com\/album\/the-american-negro\"\u003eThe American Negro by Adrian Younge\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eAll music composed by Adrian Younge unless otherwise noted; produced, recorded and mixed by Adrian Younge at Linear Labs Studios, Los Angeles, CA. Mastered by Dave Cooley for Elysian Masters. All vocals written by Adrian Younge, unless otherwise mentioned; all instruments played by Adrian Younge, excluding The Linear Labs Orchestra; Executive Produced by Andrew Lojero. All songs published by Linear Labs Publishing (ASCAP). Album design by Julian Montague. Photography by Jazmin Hicks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll Dialogue written and performed by Adrian Younge; chorus performed by Loren Oden, Sam Harmonix, Chester Gregory and Jasmin Hicks. *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1) Revisionist History *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2) The American Negro\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Fender Rhodes piano, electric bass, electric guitar, alto, baritone and sopranino saxophone, bass clarinet, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by The Linear Labs Orchestra; conducted by Brooke DeRosa.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e3) The Black Broadcast *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e4) Revolutionize\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Acoustic piano, electric bass, electric guitars, vibraphone, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e5) Double Consciousness *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e6) Watch the Children\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Acoustic piano, electric bass, electric guitar, electric sitar, vibraphone, alto saxophone, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory, Sam Harmonix and Adrian Younge.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e7) Dying on the Run\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Fender Rhodes electric piano, celeste, electric bass, electric guitar, lap steel guitar, vibraphone, drums, flutes, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix .\u003cbr data-mce-fragment=\"1\"\u003e8) Intransigence of the blind *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e9) James Mincey Jr.\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Fender Rhodes electric piano, Hammond B3, vibraphone, electric bass, electric guitar, siren wah, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Written by Adrian Younge \u0026amp; Loren Oden; performed by Loren Oden, and dedicated to his uncle’s memory (James Mincey Jr.)\u003cbr data-mce-fragment=\"1\"\u003e10) Disadvantaged Without a Title *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e11) Mama (You Will Make It)\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Fender Rhodes electric piano, electric bass, electric guitar, electric sitar, carillon, marimba, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix.\u003cbr data-mce-fragment=\"1\"\u003e12) The Black Queen *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e13) Margaret Garner\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Acoustic piano, electric bass, electric guitars, vibraphone, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e14) Race is a Fallacy *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e15) Light on the Horizon\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Fender Rhodes electric piano, Hammond B3, harpsichord, electric bass, electric guitars, vibraphone, glockenspiel, alto and baritone saxophones, clarinet, bass clarinet, flutes, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Written and performed by Sam Dew.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e16) A Symphony for Sahara\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Acoustic piano, electric bass and drums.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e17) America is Listening *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e18) The March on America\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Hammond B3, electric bass, electric guitars, alto saxophone, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix\u003cbr data-mce-fragment=\"1\"\u003e19) Paradox of the Positive *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e20) The Death March\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Hammond B3, electric bass, electric guitar, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e21) Black Lives Matter *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e22) Rotten Roses\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Hammond B3, electric bass, electric guitars, vibraphone, alto saxophone, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e23) Jim Crow’s Dance *\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e24) Patriotic Portraits\u003cbr data-mce-fragment=\"1\"\u003ea. Musician: Adrian Younge\u003cbr data-mce-fragment=\"1\"\u003ei. Fender Rhodes electric piano, electric bass, electric guitar, electric sitar, marimba, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e25) George Stinney Jr.\u003cbr data-mce-fragment=\"1\"\u003ea. Musicians:\u003cbr data-mce-fragment=\"1\"\u003eAdrian Younge: Electric bass, acoustic piano, drums and percussion.\u003cbr data-mce-fragment=\"1\"\u003eb. Orchestra: Orchestrated by Adrian Younge and performed by the Linear Labs Orchestra.\u003cbr data-mce-fragment=\"1\"\u003ec. Vocals: Performed by Loren Oden, Chester Gregory and Sam Harmonix\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e26) Sullen Countenance *\u003c\/div\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section barcodes toggle_section    toggle_section_remember\" data-toggle-section-id=\"barcodes\" id=\"barcodes\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jazz is Dead Records","offers":[{"title":"Default Title","offer_id":41687458906273,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1468471959_16.jpg?v=1646798929"},{"product_id":"king-natalia-m-woman-mind-of-my-own-nyc-blues-import-new-lp","title":"King, Natalia M. –  Woman Mind of My Own [Orange Vinyl; IMPORT]– New LP","description":"\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003cdiv id=\"credits\" data-toggle-section-id=\"credits\" class=\"section credits toggle_section    toggle_section_remember\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1404847263\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nataliamking.bandcamp.com\/album\/woman-mind-of-my-own\"\u003eWoman Mind Of My Own by Natalia M. King\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003eQuand une Diva du Jazz s’essaye au Blues le résultat ne peut qu’être stupéfiant. La preuve en 9 titres !\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003ePour cette première incursion vers le Blues, Natalia M King a choisi le mode « immersion totale » ! En neuf titres parfaits l’Arlésienne d’adoption prouve que le talent n’a que faire des barrières musicales même si ténues dans le cas présent. « Woman Mind Of My Own » est un condensé de classe et de talent à l’état pur.\u003cbr\u003e\u003cbr\u003eWhen a Jazz Diva tries her hand at Blues the result can only be astounding. The proof in 9 titles!\u003cbr\u003e\u003cbr\u003eFor this first foray into the Blues, Natalia M King has chosen the “total immersion” mode! In nine perfect tracks, the adopted Arlesienne proves that talent does not care about musical barriers, even if slight in this case. \"Woman Mind Of My Own\" is pure class and talent.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Natalia M. King chooses to totally immerse us for her first time going Blues. With 9 perfect tracks, the American woman who now lives in Arles, France proves us that talent knows no musical barrier. Woman Mind Of My Own breathes true talent and pure class.\"\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\"...\u003c\/span\u003ea pioneering musician with a powerful impact, and a captivating voice who on her sixth album enters the ancient territory of blues, rhythm and blues and American ‘roots’ music.\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased 2022\u003cbr\u003e\u003cbr\u003eNatalia M.King: Vocals\u003cbr\u003eFabien Squillante: Slide Guitar, Bass, Acoustic Guitar, Electric Guitar, Percussions, Backing. Vocals\u003cbr\u003eIsmail Benhabytes: Keyboards, Percussions, Backing Vocals\u003cbr\u003eKania Allard: Backing Vocals\u003cbr\u003eRémi Vignolo: Drums\u003cbr\u003eRaphaël Ducasse: Double Bass\u003cbr\u003eOlivier Bridot: Trumpet\u003cbr\u003eSylvain \"Sly\" Fetis: Saxophone\u003cbr\u003eJonas Muel: Saxophone\u003cbr\u003eVincent Renaudineau: Trombone\u003cbr\u003ePhilip Ducap: Backing Vocals\u003cbr\u003eTim Julian: Bass\u003cbr\u003eFrançois Maincent: Backing Vocals\u003cbr\u003e\u003cbr\u003eGuests:\u003cbr\u003eElliott Murphy: Vocals , Harmonica (4)\u003cbr\u003eGrant Haua: Vocals, Guitar, Cajon (6)\u003cbr\u003eVincent Peirani: Accordion (8)\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Yves Jaget at IH Records Studios, Clamart, The Guitar Room, Paris, The Colour Field Recording Studio, Taurange New Zealand.\u003cbr\u003eMastered by Simon Capony, Basalte Studio\u003cbr\u003ePhotography by Philip Ducap\u003cbr\u003eCover design by Bruno Boussard\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Dixiefrog Records (France)","offers":[{"title":"Default Title","offer_id":41726360453281,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0012055642_10.jpg?v=1647808185"},{"product_id":"easy-love-s-t-new-lp","title":"Easy Love - S\/T  [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eHazy existentialism can transform a pretty melody into a guilt-ridden Dear John Letter. It can take the bratty simplicity of licking a lollipop on the boardwalk, whistling \"Les Sucettes,” and make it as heavy as clouds pillowing the California sun. Two years ago, Justine Brown—the 28-year-old drummer of dream-pop duo Summer Twins—began to explore the anxiety associated with regret. She was lovesick, secluded in her family home in Riverside, California. She had an electric guitar and a shoebox filled with painful memories. She referred to her project as “Easy Love.”\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=789522155\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/easylovemusic.bandcamp.com\/album\/easy-love\"\u003eEasy Love by Easy Love\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e “I betrayed the person I loved the most,” she says. “Being honest with him about it was heartbreaking, but also freeing.” Released from the shackles of regret, Easy Love became her musical wings. After spending half her life collaborating with her sister, for this project Justine played all the instruments and provided all the vocals.The result was an LP of 9 tracks recorded and engineered by Eric Penna throughout 2016. Most of the songs were recorded in her bedroom with guitars strewn across the bed, a vintage microphone set up next to her dresser, and an amp in the closet. Penna engineered and recorded Easy Love by exploring ‘90s Rock and 60’s French Pop —guided by Brown’s self-referential lyricism\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. On “No One Like You,” her lithe falsetto floats over a surfy track that’s groovy, above the waves, but dark once you swim under the current of regret found in her words: “There’s no excuse for how I treated you. I should have done things right.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e    Easy Love transforms Brown’s heartache into life-affirming guitar rock. It’s head bobbing \"yeah, yeah,” a strictly Californian variety. Melancholic, at times, on unplugged tracks like “The Melody.” It’s also deliciously simple. “I will shine, I’ll be just fine,” she sings on the track “I’ll Be Fine,” which blends the twee K Records vibe, with distorted ‘90s grunge-pop. On the album’s emotional ballad, “Love Letter,” Brown tells the story of reading an old letter from her former lover. It’s a dreamy waltz through a brokenhearted girl’s messy bedroom, where solitude breeds uneasy romance and ‘60s yé-yé naivety.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Easy Love live band consists of Justine Brown (lead vocals and rhythm guitar), Chelsea Brown (harmony vocals and lead guitar), Natalie Burris (bass), and Dave Jauregui (drums). Justine and Chelsea are also the core members of Summer Twins. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eAll songs written and performed by Justine Brown\u003cbr data-mce-fragment=\"1\"\u003eRecorded and Engineered by Eric Penna\u003cbr data-mce-fragment=\"1\"\u003eMastered by Nick Zampiello at New Alliance East\u003c\/div\u003e","brand":"Wallflower Records","offers":[{"title":"Default Title","offer_id":41747045417121,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0669177770_16.jpg?v=1648172166"},{"product_id":"fucked-up-dose-your-dreams-2xlp-new-lp","title":"Fucked Up - Dose Your Dreams [2xLP] - New LP","description":"\u003cspan\u003e“I was sent an unfinished version of Dose Your Dreams so that I might contribute string parts. I couldn’t stop listening to the rough mixes I received. A friend asked me how the record was. I replied, 'My God, FUCKED UP have made their Screamadelica.' And psych-rock-groove it is. The drums mixed wide, propensity for drones, for delay pedal, for repetition, groove. The politics and aesthetics of hardcore married to an 'open format' approach to genre. Elements of doo-wop, krautrock, groove, digital hardcore. 'None of Your Business Man' opens the album in familiar enough territory, a saxassisted exit from an office space. But things get psychedelic very quickly. By the time the title track arrives, MIKE HALIECHUK is whispering, wah pedals are in full effect, and we’re wearing oversized t-shirts and pinwheeling. 'Accelerate,' the lyrical centerpiece of the album, storms in like Boredoms on a bullet train and dissolves into a digital nightmare. The album closer, 'Joy Stops Time,' finds Fucked Up at their most Düsseldorfian, nearly eight minutes of blissful motorik. At the center of it all is DAMIAN ABRAHAM's scream—a man chained, a man tortured, a true protagonist. The effect is one of an epic, every chapter attempting its own narrative devices, its own genre hybridization—and it works, it works so insanely well...\"—Owen Pallett, June 2018. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527934440\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/fuckedup.bandcamp.com\/album\/dose-your-dreams\"\u003eDose Your Dreams by Fucked Up\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":41747288785057,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5b8436dc33061_main_877f453c-26db-4990-817d-fca4c8ddc59e.jpg?v=1648176529"},{"product_id":"city-boy-book-early-used-lp","title":"City Boy – Book Early - Used LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003eVG-\/VG-\u003c\/p\u003e\n\u003cp\u003eWhile this UK outfit hit the big time at home with the hit single opening track from this album, I never knew that, and that song is a bit much for me..and the only reason I remember this album was because when we were kids we'd smoke Marlboros, click on the 8-track and listen to the song \"Cigarettes.\"  Simple songs for simple kicks.  \"I may have lost you, but I've got your cigarettes...just a trace of lipstick on a filter tip.\"  When life soon turned extremely weird, cigarettes soon became so important to me so....  On the eight-track, \"Cigarettes\" was coupled with \"Summer in the School Yard\" on one of the 4 programs (or maybe you could click and get those two songs and ignore the rest of the album) so that song sounds so familiar and catchy to me. Returning to the album, I find those two songs bring back a flood of memories from 45 years ago, and while some of the album is bit much with the pomp elements, it's also fairly successful, fits in with all the British mildly progressive pop-rock post-Beatles albums of the 1970s, recalls many other UK bands of this era, ELO, Elton, Todd Rundgren, Sniff \u0026amp; the Tears, Hollies, (and the song \"Beth\" showing the influence of Queen), the pomp, the guitar licks and polished and heavy production grounded with some simplicity of composition and focus on the songs.  -- winch\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Mercury Records","offers":[{"title":"Default Title","offer_id":41759214600353,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-1547773-1298940309.jpg?v=1648495438"},{"product_id":"place-to-bury-strangers-a-hologram-ep-orange-vinyl-new-12","title":"Place to Bury Strangers, A –  Hologram EP [Orange Vinyl Marked Down] – New 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003ch2\u003e  \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHologram is the first release from New York Post-Punk legends A Place To Bury Strangers on their own newly formed label, Dedstrange. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2627635982\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aplacetoburystrangers.bandcamp.com\/album\/hologram-ep\"\u003eHologram EP by A Place To Bury Strangers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eHologram is the follow up to their highly regarded fifth album, Pinned, and is a sonic return to A Place To Bury Strangers’ rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in. Written and recorded during the ongoing global pandemic and in the midst of the decline of civilization, Hologram is a sonic vaccine to the horrors of modern life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"We are so sorry for the COVID-related manufacturing delays but we can confirm that Hologram vinyl is definitely coming your way on September 10, 2021.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e","brand":"Dedstrange Records","offers":[{"title":"Default Title","offer_id":41819014332577,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0266103936_16_5f876f5e-b9c2-4804-bff5-218cc967284c.jpg?v=1649832598"},{"product_id":"bitumen-cleareye-shining-new-lp","title":"Bitumen – Cleareye Shining [IMPORT Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eHeavy Machinery Records is delighted to announce Cleareye Shining, the savage sophomore LP from Melbourne post-punk outfit Bitumen.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154063360\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bitumenbitumen.bandcamp.com\/album\/cleareye-shining\"\u003eCleareye Shining by Bitumen\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eThe driving, metallic barrage of Bitumen’s signature sound is present within this track, aggrandized by dramatic synths, acoustic guitar and layered vocals. Out Of Athens is a song about “the indignity of unreciprocated love, being on holiday, and the comedy inherent in experiencing a personal romantic tragedy against a backdrop of sweetness, light and maybe even disco”.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMost of the songs on Cleareye Shining were in the embryonic stages when the pandemic hit, forcing the band to move away from attempting to capture a live sound and lean into making a cleaner studio album. Crafting nine individual songs each with its own character and internal logic, Bitumen took a precise and restrained approach, allowing the album room to explore breakbeats, piano, acoustic guitars and more intimate vocal work. Lyrically, Cleareye Shining sees shadowy figures in the throes of loving, lusting, plotting and fantasising. The result is 80s maximalism meets 90s industrial-electro. Robocop meets Basic Instinct. Always intense, always dramatic, and always demanding of your attention.\u003c\/span\u003e\n\u003c\/div\u003eMixed At – The Aviary\nMastered At – Stepford Audio\nDesigned At – Grin Creative\nComposed By, Performer, Bass, Vocals, Recorded By, Producer – Simon Maisch\nComposed By, Performer, Guitar, Producer – Bryce Maher\nComposed By, Performer, Guitar, Producer, Photography – Sam Varney\nComposed By, Performer, Vocals, Producer, Art Direction – Kate Binning\nCoordinator – Naretha Williams\nCurated By, Producer [Series curated and produced by] – Miles Brown\nDesign [Design production by] – Luke Fraser\nDesign, Layout – Maximillian E S-strewe\nDrum Programming [Additional drum programming by] – Alex Akers\nMastered By – David Walker\nMixed By – Mike Deslandes\nPhotography – Emily Herbert, Nicole Reed\nProducer [Additional vocal production by] – Charlie Saint-Alan\nLimited edition of 300 black vinyl copies in a gatefold sleeve\nPart of the Flash Forward Melbourne record series","brand":"It Records \/ Heavy Machinery Records","offers":[{"title":"Default Title","offer_id":41854668243105,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0948209650_16.jpg?v=1650519059"},{"product_id":"de-press-body-manifest-white-vinyl-new-lp","title":"De Press –  Body Manifest [IMPORT WHITE VINYL marked down] – New LP","description":"\u003cp\u003eLimited to 400 worldwide.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1858205412\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/depress1.bandcamp.com\/album\/body-manifest\"\u003eBody Manifest by De Press\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNorwegian band whose debut album \u003ci\u003eBlock to Block\u003c\/i\u003e was one of the most influential Norwegian rock releases. With their unmistakable blend of typical early 80s dark new wave rock and Eastern European influences (complete with Polish refugee Andrej Nebb's often \u003cmeta charset=\"utf-8\"\u003eunintelligible Norwegian-English-Polish lyrics), they have remained an oft-referenced band in Norwegian rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Apollon Records (Norway)","offers":[{"title":"Default Title","offer_id":41866209460385,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0141707827_16.jpg?v=1650789848"},{"product_id":"old-iron-verdun-split-clear-with-orange-marble-new-lp","title":"Old Iron\/Verdun –  Split [CLEAR WITH ORANGE MARBLE marked down]  – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJesse crossed paths with Florien of Verdun while touring with Kid Congo Powers and a lasting friendship was born. They kept in touch and eventually the idea of a split came up and the rest is history. Old Iron recorded their side of the split with Nick Wilbur at Anacortes Unknown and once again enlisted the mixing skills of Matt Bayles to bring everything into focus. Verdun recorded their side with Cyrille Gachet at Chicken Coop Studio.  \u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1605312596\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/oldiron.bandcamp.com\/album\/old-iron-verdun-split-2\"\u003eOld Iron\/Verdun Split by Old Iron\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Satanik Royalty Records","offers":[{"title":"Default Title","offer_id":41869882818721,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2850091785_16.jpg?v=1650873815"},{"product_id":"ufo-over-lappland-s-t-purple-pink-swirl-vinyl-new-lp","title":"UFO Över Lappland  – S\/T [PURPLE \u0026 PINK SWIRL VINYL marked down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eUFO Over Lappland from Umea in the northern part of Sweden (also home to Refused) are an instrumental kraut-rock band in the vein of Neu!, Amon Duul II, or early Kraftwerk, but with some post-rock sensibilities. Burnt Toast Vinyl is proud to re-release UFO Over Lappland's self-titled debut album on cd\/LP. Their original cassette release sold out very quickly in Sweden and was then picked up for cd\/LP release by Germany's Sulatron Records. That original vinyl pressing of the album has sold out. For this Burnt Toast Vinyl re-issue, the audio was remastered by Grammy winning engineer Stephen Roessner (Calibrated Sound, Saxon Shore) and was cut to lacquers by Bob Weston at his Chicago Mastering Service. The LPs are pressed on high quality space purple\/pink swirled vinyl from Gotta Groove in Cleveland.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3343023016\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ufooverlappland.bandcamp.com\/album\/ufo-ver-lappland\"\u003eUFO Över Lappland by UFO Över Lappland\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"We are presented with four fairly lengthy instrumental tracks, fashioned from long jams and distilled down to these awesome songs presented here, on this their first record. The album starts with the twelve plus minute epic that is ‘Keep On Keepin’ On Space Truckin’, a mission statement if ever there was one, with Hawkwind immediately springing to mind, combined with the motorik, pulsating rhythms of say Neu. The grinding, gnarled bass often doing the job of the lead guitar during some of the passages; it’s heavy but not loose, propelling itself ever spaceward in a questing fashion, plenty of bubbling synth…unlike a lot of space rock, they achieve a very focused sound, oh and it rocks like a bastard!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e..As debut albums go, it’s one of the finest in the genre that I’ve heard, highly recommended.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e– The Terrascope\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eRecorded and mixed at A\u0026amp;O Recording Studio \u0026amp; Parasit Studio on different occasions\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastered by Björn Engelmann at cutting room\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArtwork: Hugo Olsson\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUFO Över Lappland is...\u003cbr data-mce-fragment=\"1\"\u003ePeter Basun - Synths\u003cbr data-mce-fragment=\"1\"\u003eKrister Mörtsell - Guitar\u003cbr data-mce-fragment=\"1\"\u003eAndreas Rejdvik - Tubs\u003cbr data-mce-fragment=\"1\"\u003eChrister Blomquist - Bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePtolemaic Terrascope ~\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"We are presented with four fairly lengthy\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einstrumental tracks, fashioned from long jams and distilled down to these awesome songs presented here, on this their first record. The album starts with the twelve plus minute epic that is ‘Keep On Keepin’ On Space Truckin’, a mission statement if ever there was one, with Hawkwind immediately springing to mind, combined with the motorik, pulsating rhythms of say Neu. The grinding, gnarled bass often doing the job of the lead guitar during some of the passages; it’s heavy but not loose, propelling itself ever spaceward in a questing fashion, plenty of bubbling synth. ‘JaeDeJae’, follows this tremendous album opening song and is a little shorter being only seven minutes long, but they do cram a lot into it, sonar bleeps and controlled feedback, give way to an altogether funkier beast, a tremendous locked groove rhythm section, providing a bedrock for some fine guitar and synth playing, unlike a lot of space rock, they achieve a very focused sound, oh and it rocks like a bastard!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Podzol’, is more laidback, it gradually coalesces, forming an interesting piece of music, again a tight rhythm section gels and provide a bedrock for some more sonic invention, glimmering guitar tones, burbling synths, tribal drums and grinding bass, all lock together at various place to fine effect. The final song on the vinyl edition ends with ‘Nothing That Lives...Has Such Eyes’, it announces itself with another heavy, knotty, rhythm section, a real steady motorik groove is established early on, which twists and mutates a few times throughout its ten minutes, again allowing the guitar and synth to provide some fine astrally inclined melodies. The CD edition adds a bonus track ‘Lemmy On The Beach’, the title giving you some clue as to one of the band’s inspirations. As debut albums go, it’s one of the finest in the genre that I’ve heard, highly recommended.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Burnt Toast Vinyl","offers":[{"title":"Default Title","offer_id":41869926006945,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3328900689_16.jpg?v=1650874862"},{"product_id":"makeba-miriam-keep-me-in-min","title":"Makeba, Miriam – Keep Me In Mind [IMPORT] – New LP","description":"\u003cp\u003e\u003cbr\u003eA1 Lumumba Written-By – Angela Makeba*\u003c\/p\u003e\n\u003cp\u003eA2 For What It's Worth Written-By – Stephen Stills\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=280293406\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/miriammakeba.bandcamp.com\/album\/keep-me-in-mind-remastered\"\u003eKeep Me in Mind (Remastered) by Miriam Makeba\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eA3 Brand New Day Written-By – Van Morrison\u003c\/p\u003e\n\u003cp\u003eA4 I Shall Sing Written-By – Van Morrison\u003c\/p\u003e\n\u003cp\u003eA5 Kulala Written-By – Miriam Makeba\u003c\/p\u003e\n\u003cp\u003eB1 In My Life Written-By – John Lennon and Paul McCartney*\u003c\/p\u003e\n\u003cp\u003eB2 Down On The Corner Written-By – John Fogerty\u003c\/p\u003e\n\u003cp\u003eB3 Ibande Written-By – Miriam Makeba\u003c\/p\u003e\n\u003cp\u003eB4 Measure The Valleys Written-By – Judd Woldin, Robert Brittan\u003c\/p\u003e\n\u003cp\u003eB5 Tululu Written-By – Miriam Makeba\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduced For – Inherit Productions Remastered At – The Carvery Phonographic Copyright ℗ – Warner Bros. Records Inc. Copyright © – K7 Music GmbH Pressed By – Takt Direct – 0813084 Arranged By – George Butcher Art Direction, Photography By – Ed Thrasher Graphic Design – Matt Thame, Studio Auto Liner Notes – Francis Gooding Producer – Lewis Merenstein Remastered By – Frank Merritt\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"main_2FbVC\"\u003e\n\u003csection data-mce-fragment=\"1\" class=\"section_9nUx6 open_BZ6Zt\" id=\"release-credits\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content_1TFzi\"\u003e\n\u003cul data-mce-fragment=\"1\" class=\"list_1HutQ\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cspan data-mce-fragment=\"1\" class=\"link_15cpV\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"main_2FbVC\"\u003e\n\u003csection data-mce-fragment=\"1\" class=\"section_9nUx6 open_BZ6Zt\" id=\"release-notes\"\u003e\u003cheader data-mce-fragment=\"1\" role=\"\" class=\"header_W2hzl\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003c\/header\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content_1TFzi\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eLiner notes dated 2021-02 re: track A1: \"The song was written by her daughter, Bongi, and the Lumumba of the title is first and foremost Bongi's son, Miriam's grandson, who had been born in April 1968 on the very night of Martin Luther King's death. As the lyrics assert, Bongi's son had been named for Patrice Lumumba (...)\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBooklet page 14 re: track 1 \"The song was written by her daughter, Bongi, and the Lumumba of the title is first and foremost Bongi's son, Miriam's grandson, who had been born in April 1968 on the very night of Martin Luther King's death. As the lyrics assert, Bongi's son had been named for Patrice Lumumba (...)\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHype sticker:\u003cbr data-mce-fragment=\"1\"\u003eKeep Me In Mind\u003cbr data-mce-fragment=\"1\"\u003eMiriam Makeba\u003cbr data-mce-fragment=\"1\"\u003eDefinitive edition of classic 1970 album\u003cbr data-mce-fragment=\"1\"\u003eFeatures 'Lumumba' and versions of Buffalo Springfield's 'For What It's Worth' and Van Morrison's 'Brand New Day'\u003cbr data-mce-fragment=\"1\"\u003eFeaturing new liner notes by Francis Gooding (The Wire).\u003cbr data-mce-fragment=\"1\"\u003eRemastered by The Carvery from the original tapes\u003cbr data-mce-fragment=\"1\"\u003eStrut\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Strut Records (Europe)","offers":[{"title":"Default Title","offer_id":41870886666401,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3470282908_16.jpg?v=1650909185"},{"product_id":"john-the-conqueror-s-t-new-lp","title":"John the Conqueror. – S\/T [MARKED DOWN] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the self-titled debut album, John the Conqueror.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3855999459\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/johntheconqueror.bandcamp.com\/album\/john-the-conqueror\"\u003eJohn the Conqueror by John The Conqueror\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Retrocity Studios and Jesse Gimbel's Basement in Philadelphia, PA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Jesse Gimbel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Golden Mastering\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWritten by Pierre Moore\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePerformed by John the Conqueror\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}' itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\"\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alive Records","offers":[{"title":"Default Title","offer_id":41871023177889,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0014283695_16.jpg?v=1650912813"},{"product_id":"red-krayola-the-black-snakes-new-lp","title":"Red Crayola, The –  Black Snakes [MARKED DOWN] – New LP","description":"Artist Biography by Richie Unterberger: One of the longest-lived underground rock groups (if not the longest-lived), the Red Krayola lasted through the birth pangs of psychedelia past the death throes of post-punk. The one constant in their ever-shifting lineup has been principal singer\/songwriter\/visionary Mayo Thompson, who has seemed as concerned with deconstructing the language of \"rock\" music as with actually expressing himself within it. That has made the Red Krayola's catalog challenging, often difficult listening. The saving grace is the quirky charm of Thompson's songs and vocals, with a whimsical humor and open-mindedness rather atypical of avant rock. Epitaph for a Legend The Red Krayola, initially spelled Red Crayola, were formed in Houston as a trio in 1966. The International Artists label, which was building a roster of Texas psychedelic bands, signed the group after watching one of its performances in a shopping mall, of all places. The company was convinced that if the musicians could entertain a crowd without anything in the way of conventional command of their instruments, they must be onto something. Early demos (now on the compilation Epitaph for a Legend) indicated a spacy folk-rock bent. But although some of the material was reprised on its debut, The Parable of Arable Land, by this time the group was taking a more confrontational, experimental approach in the studio. With \"war sucks!\" chants and layers of \"free-form freak-out\" noise threatening to smother the songs underneath, the Red Krayola have been hailed as a precursor to the assault of industrial rock and made their International Artists labelmates the 13th Floor Elevators sound almost normal. Although the Krayola, like the Elevators, were able to attract a small cult following, that following consisted of a very small group of hardcore devotees, centered around hip metropolises like San Francisco and New York. Coconut Hotel [Not Released] An even more avant-garde follow-up, Coconut Hotel, was rejected for release by International Artists. A gentler, more song-based effort appeared in its place (God Bless the Red Krayola and All Who Sail on Her). But by the late '60s the Krayola had disbanded, partially due to disputes with their label. Thompson released a solo album in 1970 that was the very definition of \"quirky,\" with an eclectic folk-rock base that bore some rough similarities to Syd Barrett's work. The Red Krayola, however, were put in deep freeze as Thompson concentrated on non-musical media. The Krayola were unexpectedly resurrected in the late '70s, however. Thompson had moved to England, where he found that the old Red Krayola recordings enjoyed a cult among hip listeners. Thompson was never a champion of hippie ideals, and he was able to make the transition into the punk era effectively by forming new incarnations of the Red Krayola with such musicians as Gina Birch (the Raincoats), Epic Soundtracks (Swell Maps), and Lora Logic (X-Ray Spex). The Red Krayola's releases on underground European labels like Rough Trade and Recommended presented an ensemble that dove into the heart of post-punk, with skronky guitars and horns and disjointed, arty song structures. The Red Krayola Thompson joined Pere Ubu for a while in the early '80s. He always kept the Red Krayola going, however, although most of their releases went all but unheard in the U.S., as they were only available as obscure European indie imports. The situation changed to some degree in the mid-'90s, when the Krayola landed a U.S. deal with Drag City and Thompson returned to the States after a long residency in Europe, even embarking on some modest American touring. Albums such as The Red Krayola (1994), Coconut Hotel (1995), Hazel (1996), and Fingerpainting (1999) were still resolutely uncommercial, but the material was nonetheless more approachable for adventurous listeners who shied away from full-throttle avant rock. Thompson's collaborators included members of Gastr del Sol (e.g., Jim O'Rourke) and Slovenly. At the start of the new millennium the Red Krayola continued releasing material on Drag City, including the Blues Hollars and Hellos EP in 2000, Singles 1968-2002 in 2004, Introduction and Red Gold in 2006, and Sighs Trapped by Liars in 2007 with the conceptual art collective Art \u0026amp; Language. In 2010, Thompson and crew -- which included O'Rourke as a multi-instrumentalist and the Raincoats' Gina Birch on vocals -- collaborated with A\u0026amp;L again, and released the mischievous Five American Portraits. An unreleased collaboration with Art \u0026amp; Language recorded in 1984, Baby and Child Care, received a belated release in 2016.","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":41871098904737,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2828326917_16.jpg?v=1650915248"},{"product_id":"altar-of-eden-chimeras-import-yellow-vinyl-new-lp","title":"Altar of Eden - Chimeras [IMPORT YELLOW VINYL] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"tralbumData tralbum-about\"\u003eThanks to Drunken Sailor for sending Green Noise the last copies of the color-vinyl edition (100 pressed in yellow).  Picking up where the last long-player left off, this maybe even has more urgency, working harder to escape from the black, gray madness, burning like a branding iron, slashing like razor wire, pounding into your brain with the manic gatling gun drumming...like the last one, wrapped up tight in tension and menace, trying to rip free but the darkness too integral and internal to escape. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1511543910\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/chimeras-lp\"\u003eChimeras LP by Altar of Eden\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOriginally released on tape in 2021 and mastered for vinyl by North London Bomb Factory Mastering. Second LP from the project led by Albert Limones (Nosferatu\/ Creamers) following on from The Grotto Screams in 2021. Skeletal, brittle and skittish punk. Complex, layered tones with wobbly chorused bass, jagged drum patterns and bristling guitar. Amongst the rubble, 'Limones vocals are everything that hold this together, piercing and primal. Recalling Christian Death, Bauhaus, but Altar of Eden really stand alone The LP sounds like it’s been pulled from some tape archive from 1985. Not that it’s dated in any way. It’s just along the same strand of DNA..\u003cbr\u003eEssential. First 100 on Yellow Vinyl.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 1, 2022\u003c\/div\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":41872146432161,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2751589073_16.jpg?v=1650941910"},{"product_id":"euka-juanita-mabanzo-new-lp","title":"Euka, Juanita-  Mabanzo [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eStrut present the debut solo album Mabanzo by Congolese vocalist, Juanita Euka. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2422738062\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/juanitaeuka.bandcamp.com\/album\/mabanzo\"\u003eMabanzo by Juanita Euka\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eA familiar face to many from London’s vibrant live music scene over the last decade, Juanita has fronted London Afrobeat Collective’s dynamic live shows, the fusions and cross-pollinations of Animanz and maverick Cuban collective Wara. As a solo artist, she broke through in early 2020, performing her single ‘Alma Seca’ in series 3 of blockbuster series \u003cem\u003eKilling Eve\u003c\/em\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally from DR Congo and brought up in Buenos Aires, Juanita’s upbringing involved many different musical influences, not least her uncle, Congolese rumba giant Franco Luambo Makiadi. “In Argentina, I listened to a wide range of styles from African-American artists to Dominican stars like Juan Luis Guerra, the Congolese greats like my uncle and Papa Wemba and various artists from Argentina including Mercedes Sosa. Some of my main inspirations were (and still are) international Afro-Cuban artists like Celia Cruz and La Lupe.” Moving to the UK aged 14, she joined Afro-Peruvian band Malambo and immersed herself in London’s own sounds, from Soul to Jazz to Funk.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith her new album Mabanzo (meaning ‘Thoughts’), Juanita brings together her many and varied musical influences into play and pulls no lyrical punches. Killer dancefloor single ‘Nalingi\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eMobali Te’ is pure contemporary Congolese guitar gold, ‘Mboka Moka’ channels ‘80s boogie and Quincy horn stylings on an anthem for personal struggle and ‘Baño de Oro’ brings a heavy Afro-Cuban workout. Elsewhere, the epic ballad ‘Sueños de Libertad’ is an impassioned call for freedom and the lilting ‘For All It’s Worth’ champions love over materialism. Recorded entirely at home studios during lockdown, the album was painstakingly constructed by producer Greg Sanders with all musicians recorded remotely. “I have always written songs and poems since I was young,” reflects Euka. “I met Greg, a multi-instrumentalist and producer, while I was in Wara and we started the journey towards a solo project. Greg has that knowledge and vision of different sounds and it is the perfect way to celebrate my music journey. I have tried to bring all of the musical heritage that I have experienced into my album.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased March 25, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJuanita Euka: Lead Vocals, Backing Vocals\u003cbr data-mce-fragment=\"1\"\u003eGreg Sanders: Guitars, Bass Guitars, Keys, Synths, Programming\u003cbr data-mce-fragment=\"1\"\u003eSara Farina: Bass Guitar\u003cbr data-mce-fragment=\"1\"\u003eTom Herbert: Upright Bass\u003cbr data-mce-fragment=\"1\"\u003eChris Williams, Leo Richardsdon, Sam Rapley: Saxophones\u003cbr data-mce-fragment=\"1\"\u003eEliane Correa: Keys\u003cbr data-mce-fragment=\"1\"\u003eWill Fry, Ernesto Marichales, Leandro Mancini-Olivos, Richard Olatunde Baker, Lya Reis Guerruero: Percussion\u003cbr data-mce-fragment=\"1\"\u003eFlora Curzon: Violin\u003cbr data-mce-fragment=\"1\"\u003eKareem Dayes: Cello\u003cbr data-mce-fragment=\"1\"\u003eFabio De Oliveira, Ben Assiter, George Bird: Drumkit\u003cbr data-mce-fragment=\"1\"\u003eGraeme Flowers: Trumpet, Flugelhorn\u003cbr data-mce-fragment=\"1\"\u003eKieran McLeod, Landy Diaz: Trombone\u003cbr data-mce-fragment=\"1\"\u003eJonathan Whitten: Hammered Dulcimer\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll tracks arranged \u0026amp; produced by Greg Sanders\u003cbr data-mce-fragment=\"1\"\u003eAll tracks mixed by Lester Salmins\u003cbr data-mce-fragment=\"1\"\u003eRecorded in home studios during lockdown, March – September 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMastering and vinyl cut by Matt Colton at Metropolis\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/h1\u003e","brand":"Strut Records","offers":[{"title":"Default Title","offer_id":41876039565473,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4204986629_16.jpg?v=1651038995"},{"product_id":"ufo-over-lappland-spokraketer-green-smoke-vinyl-new-lp","title":"UFO Över Lappland  –  Spökraketer [green smoke vinyl MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eUFO Över Lappland from Umeå in the northern part of Sweden (also home to Cult of Luna, The Spacious Mind, and Refused) are an instrumental kraut-rock band in the vein of Neu!, Amon Düül II, or early Kraftwerk, but with psychedelic overtones and some post-rock sensibilities.\u003cbr data-mce-fragment=\"1\"\u003eSpökraketer is the follow up album to their self-titled debut that was re-issued in 2021 by Burnt Toast Vinyl. When UFO Över Lappland entered Parasit Studio (Gryssjön, Sweden) for their next recordings, the band had much more of a clear path to follow beyond the improvised jam sessions of their debut. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559600865\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/burnttoastvinyl.bandcamp.com\/album\/sp-kraketer\"\u003eSpökraketer by UFO Ōver Lappland\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThis time the songs were written and arranged, but still not set in stone. During the recording process, UFO Över Lappland took those base ideas, but added new sounds and experimented with spontaneous ideas during the recording sessions. The results are tighter and more focused, but the recordings are played live in the studio, maintaining a fluidity.\u003cbr data-mce-fragment=\"1\"\u003eAs with everyone else in the music industry, UFO Över Lappland have been affected by the pandemic, and pulling this record together has taken time with long production queues, but both Burnt Toast Vinyl and the band are very happy to release Spökraketer and share these tracks with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eall of you!\u003cbr data-mce-fragment=\"1\"\u003eThe title Spökraketer (Ghost rockets) refers to unknown flying objects observed in various sightings in northern Sweden during the 1940s. A full explanation to these observations has never been given, but declassified US Air Force documentation quotes the Swedish Air Intelligence Service that “these phenomena are obviously the result of a high technical skill which cannot be credited to any presently known culture on earth.” UFO Över Lappland, indeed!\u003cbr data-mce-fragment=\"1\"\u003eThomas Christensen is a photographer living in Greenland and UFO Över Lappland collaborated with him for appropriate photos of the Aurora Borealis to use for the album artwork.\u003cbr data-mce-fragment=\"1\"\u003eFrederik Lyxzén from Parasit Studio mixed the album. The audio was mastered by Grammy winning engineer Stephen Roessner (Calibrated Sound, Saxon Shore) and was cut to lacquers by Bob Weston at his Chicago Mastering Service. The LPs are pressed on high quality green\/ smoke swirled vinyl from Gotta Groove in Cleveland.\u003cbr data-mce-fragment=\"1\"\u003eUFO Över Lappland st\u003cbr data-mce-fragment=\"1\"\u003eUFO Över Lappland. They\u003cbr data-mce-fragment=\"1\"\u003eUFO Över Lappland received some European media attention from psych and kraut focused media as a result of the release and the band has played live in\u003cbr data-mce-fragment=\"1\"\u003eUmeå with touring bands, as well as other venues in Sweden with a planned German tour interrupted by the pandemic.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleases April 29, 2022\u003c\/div\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Burnt Toast Vinyl","offers":[{"title":"Default Title","offer_id":41876078428321,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3093527244_16.jpg?v=1651039833"},{"product_id":"cowboy-junkies-songs-of-the-recollection-new-lp","title":"Cowboy Junkies \/ Songs of the Recollection [IMPORT marked down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe brand new Cowboy Junkies album features covers of well known songs from artists including David Bowie, Gram Parsons, The Rolling Stones, Neil Young, Gordon Lightfoot, Bob Dylan and The Cure.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp\u003e1 Five Years – David Bowie\u003c\/p\u003e\n\u003cp\u003e2 Ooh Las Vegas – Gram Parsons\u003c\/p\u003e\n\u003cp\u003e3 No Expectations – Mick Jagger and Keith Richards\u003c\/p\u003e\n\u003cp\u003e4 Don't Let It Bring You Down – Neil Young\u003c\/p\u003e\n\u003cp\u003e5 Love In Mind – Neil Young\u003c\/p\u003e\n\u003cp\u003e6 The Way I Feel  – Gordon Lightfoot\u003c\/p\u003e\n\u003cp\u003e7 I've Made Up My Mind To Give Myself To You – Bob Dylan\u003c\/p\u003e\n\u003cp\u003e8 Marathon – Vic Chesnutt\u003c\/p\u003e\n\u003cp\u003e9 Seventeen Seconds – Laurence Tolhurst, Matthieu Hartley, Robert Smith, Simon Gallup\u003c\/p\u003e","brand":"Proper Records","offers":[{"title":"Default Title","offer_id":41876100645025,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374759893.jpg?v=1651040479"},{"product_id":"seratones-love-algorhythms-pink-purple-splatter-vinyl-louisiana-new-lp","title":"Seratones -  Love \u0026 Algorhythms [PINK \u0026 PURPLE SPLATTER VINYL Louisiana Marked Down] - New LP","description":"\u003cp\u003eWhile their last set seemed to come out of Ike \u0026amp; Tina and various acts from Seratones' Louisiana stomping grounds, this is not a band that stands still.  While the previous LP had an earthbound sound coming out of the 1960s, this one is heavy in the synthesizer department, and seems bound for outer space, and more connected with the 1980s.  It also seems more connected with other continents and island nations, and seems slightly more introspective, traveling to inner space as well as outer.  Of course, like the previous LP, and like most music from Louisiana, this is designed to move and groove, to move your mind and your behind.  -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=380047273\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/seratones.bandcamp.com\/album\/love-algorhythms\"\u003eLove \u0026amp; Algorhythms by Seratones\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eLove \u0026amp; Algorhythms is an interstellar synthesis of astral Soul, R\u0026amp;B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes’s voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler’s Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde’s Power of the Erotic. \u003cbr\u003e\u003cbr\u003eWith drummer Jesse Gabriel’s machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss \u0026amp; Giorgio Moroder’s ecstatic release. Each song hovers and pulsates in the wide, dark matter—constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003e-------------------\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMusicians:\u003cbr\u003eTravis Stewart\u003cbr\u003eJesse Gabriel\u003cbr\u003eA.J. Haynes\u003cbr\u003ePaul Butler\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e-------------------\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTwo of a Kind\u003cbr\u003eRestless Youth Entertainment (BMI) \/ A.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003ePleasure\u003cbr\u003eA.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eLove \u0026amp; Algorhythms\u003cbr\u003eRestless Youth Entertainment (BMI) \/ A.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eI’ll Be\u003cbr\u003eHall Notes (BMI) c\/o Princess Lola Two Music (BMI) \/ A.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eGood Day\u003cbr\u003eGabe Simon Music Publishing \/ These Are Songs of Pulse (ASCAP) \/ A.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eEvidence\u003cbr\u003eA.J. Haynes Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eGet Free\u003cbr\u003eGabe Simon Music Publishing \/ These Are Songs of Pulse \/ AJ Haynes Publishing \/ Gabeferguson \/ Travis Stewart Publishing (ASCAP) \/ Retribution Music (BMI)\u003cbr\u003e\u003cbr\u003eDark Matter\u003cbr\u003eRestless Youth Entertainment (BMI) \/ A.J. Haynes Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eGet Your Shit Together, Babe\u003cbr\u003eMusic of Hipgnosis \/ BMG Platinum Songs US \/ Extraordinaire Music LLC (BMI) \/ A.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003ePower of Your Light\u003cbr\u003eSaint Cyrillic Soup (ASCAP) \/ A.J. Haynes Publishing (ASCAP) \/ Gabeferguson (ASCAP) \/ Travis Stewart Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003eHigh\u003cbr\u003eA.J. Haynes Publishing (ASCAP)\u003cbr\u003e\u003cbr\u003e-------------------\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eProduced \u0026amp; Mixed by Paul Butler\u003cbr\u003eRecorded by Ram Cantu at Sonic Ranch, Tornillo, TX\u003cbr\u003eMastered by Rueben Cohen at Lurssen Mastering, Burbank CA\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e-------------------\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDesign: David Alabo\u003cbr\u003ePhotography: Joshua Asante\u003cbr\u003e\u003cbr\u003eManagement: Kim Ross\u003cbr\u003eBooking: US\/CAN Matt Hickey (Highroad Touring) \/\/ UK\/EU Alex Bruford (ATC Live)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThank you:\u003cbr\u003eTo the infinite faces of divine Love:\u003cbr\u003eThe ancestors for everlasting guidance and reassurance.\u003cbr\u003eGanesha for removing obstacles and grounding us in joy.\u003cbr\u003eArchangel Metatron for protection.\u003cbr\u003eSanta Marta for always providing what is needed.\u003cbr\u003e\u003cbr\u003eTo our community:\u003cbr\u003eTony Rancich \u0026amp; the whole Sonic Ranch family for holding abundant space for creation.\u003cbr\u003ePaul Butler for centering us in service to Song.\u003cbr\u003eDanielle Calodney for your visionary work \u0026amp; radiant spirit.\u003cbr\u003eDavid Alabo for your cosmic vision.\u003cbr\u003eJason Klein at Fender and Bill and Jacob Cardwell at C\u0026amp;C Drums for tools for our craft.\u003cbr\u003eKim Buie, John Allen \u0026amp; our New West family for honoring our creative journey.\u003cbr\u003eOur team Kim Ross, Matt Hickey, Alex Bruford \u0026amp; Elizabeth Gregory for your steadfast patience and dedication.\u003cbr\u003eOur beloveds Alex Holeman, Elise Labarre, \u0026amp; Kelly Ellis, for your Love and support.\u003c\/div\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":41876153303201,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3072944347_16.jpg?v=1651041496"},{"product_id":"red-krayola-the-amor-and-language-new-lp","title":"Red Krayola –   Amor and Language – New LP","description":"Artist Biography by Richie Unterberger: One of the longest-lived underground rock groups (if not the longest-lived), the Red Krayola lasted through the birth pangs of psychedelia past the death throes of post-punk. The one constant in their ever-shifting lineup has been principal singer\/songwriter\/visionary Mayo Thompson, who has seemed as concerned with deconstructing the language of \"rock\" music as with actually expressing himself within it. That has made the Red Krayola's catalog challenging, often difficult listening. The saving grace is the quirky charm of Thompson's songs and vocals, with a whimsical humor and open-mindedness rather atypical of avant rock. Epitaph for a Legend The Red Krayola, initially spelled Red Crayola, were formed in Houston as a trio in 1966. The International Artists label, which was building a roster of Texas psychedelic bands, signed the group after watching one of its performances in a shopping mall, of all places. The company was convinced that if the musicians could entertain a crowd without anything in the way of conventional command of their instruments, they must be onto something. Early demos (now on the compilation Epitaph for a Legend) indicated a spacy folk-rock bent. But although some of the material was reprised on its debut, The Parable of Arable Land, by this time the group was taking a more confrontational, experimental approach in the studio. With \"war sucks!\" chants and layers of \"free-form freak-out\" noise threatening to smother the songs underneath, the Red Krayola have been hailed as a precursor to the assault of industrial rock and made their International Artists labelmates the 13th Floor Elevators sound almost normal. Although the Krayola, like the Elevators, were able to attract a small cult following, that following consisted of a very small group of hardcore devotees, centered around hip metropolises like San Francisco and New York. Coconut Hotel [Not Released] An even more avant-garde follow-up, Coconut Hotel, was rejected for release by International Artists. A gentler, more song-based effort appeared in its place (God Bless the Red Krayola and All Who Sail on Her). But by the late '60s the Krayola had disbanded, partially due to disputes with their label. Thompson released a solo album in 1970 that was the very definition of \"quirky,\" with an eclectic folk-rock base that bore some rough similarities to Syd Barrett's work. The Red Krayola, however, were put in deep freeze as Thompson concentrated on non-musical media. The Krayola were unexpectedly resurrected in the late '70s, however. Thompson had moved to England, where he found that the old Red Krayola recordings enjoyed a cult among hip listeners. Thompson was never a champion of hippie ideals, and he was able to make the transition into the punk era effectively by forming new incarnations of the Red Krayola with such musicians as Gina Birch (the Raincoats), Epic Soundtracks (Swell Maps), and Lora Logic (X-Ray Spex). The Red Krayola's releases on underground European labels like Rough Trade and Recommended presented an ensemble that dove into the heart of post-punk, with skronky guitars and horns and disjointed, arty song structures. The Red Krayola Thompson joined Pere Ubu for a while in the early '80s. He always kept the Red Krayola going, however, although most of their releases went all but unheard in the U.S., as they were only available as obscure European indie imports. The situation changed to some degree in the mid-'90s, when the Krayola landed a U.S. deal with Drag City and Thompson returned to the States after a long residency in Europe, even embarking on some modest American touring. Albums such as The Red Krayola (1994), Coconut Hotel (1995), Hazel (1996), and Fingerpainting (1999) were still resolutely uncommercial, but the material was nonetheless more approachable for adventurous listeners who shied away from full-throttle avant rock. Thompson's collaborators included members of Gastr del Sol (e.g., Jim O'Rourke) and Slovenly. At the start of the new millennium the Red Krayola continued releasing material on Drag City, including the Blues Hollars and Hellos EP in 2000, Singles 1968-2002 in 2004, Introduction and Red Gold in 2006, and Sighs Trapped by Liars in 2007 with the conceptual art collective Art \u0026amp; Language. In 2010, Thompson and crew -- which included O'Rourke as a multi-instrumentalist and the Raincoats' Gina Birch on vocals -- collaborated with A\u0026amp;L again, and released the mischievous Five American Portraits. An unreleased collaboration with Art \u0026amp; Language recorded in 1984, Baby and Child Care, received a belated release in 2016.","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":41879142301857,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1993101955_16.jpg?v=1651117589"},{"product_id":"glad-songs-glad-days-used-lp","title":"Glad Songs!  Glad Days! – Used LP","description":"\u003cp\u003eVinyl: VG-\u003c\/p\u003e\n\u003cp\u003eSleeve: VG+\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1970, straight outta Minnesota and heaven bent, lots of strumming guitars and a strong desire to make the world a better place, picking up the garbage and being good to each other...and stay close to God.  Pretty darn charming, likely influenced by Sesame Street (which I think started this same year), one female singer dominates the proceedings with a Joan Baez type thing, but others get in there, like the kids singing about living in the city...they like it...and other charming moments like the sermon on side one, and when they ask what the kids like to sing about on side two...\"banana splits...rootbeer...and the Beatles...yeah.\"  Free to be you and me, man. \u003c\/p\u003e","brand":"Mine Publications \/ Universal Audio Corporation","offers":[{"title":"Default Title","offer_id":41879269179553,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_8550.jpg?v=1651120259"},{"product_id":"belle-and-sebastian-a-bit-of-previous-indie-exclusive-new-lp","title":"Belle And Sebastian - A Bit of Previous [Indie Exclusive Limited Edition] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eBelle And Sebastian pledge all income from “If They’re Shooting At You” earned on Bandcamp to the Red Cross:\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2750540351\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/belleandsebastian.bandcamp.com\/album\/a-bit-of-previous\"\u003eA Bit of Previous by Belle and Sebastian \u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eredcross.org.uk\/ukraine\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Bit of Previous is a classic Belle and Sebastian album preoccupied with songs and melodies that won’t leave your head and lyrics that can make you smile and ponder and sometimes be melancholic. It’s an album self-produced and recorded by Belle and Sebastian (with contributions from Brian McNeil, Matt Wiggins, Kevin Burleigh and Shawn Everett) and their most hands-on since The Boy With The Arab Strap.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo what is a A Bit of Previous? It’s a bit of everything, and a lot of what makes Belle and Sebastian so special and enduring. It’s a band tackling the insight, experience and responsibility that come with getting older with humour and irreverence and lyrical exactitude and musical bravado. It’s one of the UK’s most beloved pop portraitists asserting themselves as an infallible source of energy and fun.\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleases May 6, 2022\u003c\/div\u003e","brand":"Matador Records","offers":[{"title":"Default Title","offer_id":41889632944289,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2181990428_16.jpg?v=1651361729"},{"product_id":"roots-deeper-roots-import-new-lp","title":"Roots, The - Deeper Roots [South Africa jazz 1975] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSecond, and long out of print album by South Africa's Roots. Remastered from original audio tapes. Artwork completely restored by Steve Lewin. Limited to 700 copies.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3361916129\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rootssa.bandcamp.com\/album\/deeper-roots\"\u003eDeeper Roots by Roots\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA1 Don't Cry Written-By – Sipho Gumede 5:09\u003c\/p\u003e\n\u003cp\u003eA2 Deeper Roots Written-By – Sipho Gumede 3:48\u003c\/p\u003e\n\u003cp\u003eA3 To All My Friends Written-By – Jabu Nkosi 4:53\u003c\/p\u003e\n\u003cp\u003eB1 Steel Man Written-By – Jabu*, Sipho* 3:56\u003c\/p\u003e\n\u003cp\u003eB2 Song For My Baby Written-By – Jabu Nkosi 6:02\u003c\/p\u003e\n\u003cp\u003eB3 Ubabam Zakes Written-By – Jabu Nkosi 4:21\u003c\/p\u003e\n\u003cp\u003eMarketed By – WEA Records (Pty) Ltd. Phonographic Copyright ℗ – WEA Printed By – Artone Press\u003c\/p\u003e\n\u003cp\u003ePublished By – Mpumelelo\u003c\/p\u003e\n\u003cp\u003eAlto Saxophone [Uncredited] – Barney Rachabane\u003c\/p\u003e\n\u003cp\u003eBass [Uncredited] – Sipho Gumede\u003c\/p\u003e\n\u003cp\u003eDrums [Uncredited] – Peter Mureke\u003c\/p\u003e\n\u003cp\u003eGuitar [Uncredited] – Almon Memela\u003c\/p\u003e\n\u003cp\u003eOrgan, Piano [Uncredited] – Jabu Nkosi\u003c\/p\u003e\n\u003cp\u003eProducer – Almon Memela\u003c\/p\u003e\n\u003cp\u003eTenor Saxophone [Uncredited] – Duke Makhasa*\u003c\/p\u003e\n\u003cp\u003eTrumpet [Uncredited] – Dennis Mghale*\u003c\/p\u003e","brand":"Gallo Record Company \/ We Are Busy Bodies Records","offers":[{"title":"Default Title","offer_id":41890142159009,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2044814623_16.jpg?v=1651380122"},{"product_id":"chk-chk-chk-let-it-be-blue-2022-blue-vinyl-new-lp","title":"Chk Chk Chk (!!!) -  Let It Be Blue [BLUE VINYL IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e!!! present Let It Be Blue - spanning 11 tracks, the band's production forward album incorporates a multitude of styles and genres, easily becoming their most ecclectic release yet. The band have taken a new approach to recording over the past two years, primarily working in the box to start, as opposed to their usual studio focused approach. The result, a prominent electronic \/ dance-leaning edge prevades the band's familiar sonic motiffs and songwriting, pushing the towards new dynamic limits for the New York mainstays.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4227138220\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/chkchkchk.bandcamp.com\/album\/let-it-be-blue\"\u003eLet It Be Blue by !!!\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Warp Records (UK)","offers":[{"title":"Default Title","offer_id":41890186592417,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1052538381_16.jpg?v=1651381037"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/may-2026\/electronic.oembed","provider":"Green Noise Records","version":"1.0","type":"link"}