{"title":"Marked Down","description":"","products":[{"product_id":"makeouts-the-in-a-strange-land-lp","title":"Makeouts - In A Strange Land – New LP","description":"\u003cp\u003eBACHELOR RECORDS. import, swedish garagepunk!\u003c\/p\u003e","brand":"Bachelor Records","offers":[{"title":"Default Title","offer_id":821123327,"sku":"SKU-16780","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-3169205-1663402556-1591.jpg?v=1671663959"},{"product_id":"magnetix-drogue-electrique-lp","title":"Magnetix - Drogue Electrique [MARKED DOWN] – New LP","description":"\u003cp\u003eNEW. (some ringwear)\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1616204840\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/slovenly.bandcamp.com\/album\/magnetix-drogue-electrique-lp\"\u003eMAGNETIX \"Drogue Electrique\" LP by Magnetix\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eSLOVENLY RECORDS. Plug it in and switch it on, but make sure your circuit breakers are fully operational. Magnetix are the ultimate French electro-rock super-hero diode with no other influences we can figure out other than Davie Allen and the Arrows starting static with The Cramps in a sound clash live from Pluto (far out, dig?). This nasty \"Drogue Electrique\" LP brings a full on sex beat that throbs with a creepy, fuzzed out sludge, grinding through your cranium like a rusty antenna. The ping-pong stereo vibrates wildly with a multichromatic display of analog effects meant to make your retinas shimmer and your ass wiggle. Cross the Magnetix and deal with death, this album is the penalty for fans of twee, and a reward for the lightning breed.\u003cbr\u003e\u003c\/p\u003e","brand":"Slovenly Records","offers":[{"title":"Default Title","offer_id":821257171,"sku":"SKU-22671","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3584882977_16.jpg?v=1671662354"},{"product_id":"vanna-inget-allvar-lp","title":"Vanna Inget - Allvar [MARKED DOWN] – New LP","description":"\u003cp\u003eNEW. MAN IN DECLINE RECORDS. VÅNNA INGET is punk with a little more melody and pop sensibility, not unlike classic bands THE AVENGERS, or Swedish contemporaries like MASSHYSTERI, KNUGEN FALLER, and BURNING KITCHEN. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=568168076\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/vannaingetswe.bandcamp.com\/album\/allvar-album\"\u003eAllvar (album) by Vånna Inget\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eOn their debut LP, ALLVAR, Vånna Inget captured a moment of spontaneity where driving minor chords and strong vocal harmonies made melancholy and anxiety feel like moods to strive for. Recorded in the band's home studio, ALLVAR was originally released in 2011, and only available in North America in a very limited quantity ahead of a U.S. tour. Man In Decline is proud to now make this amazing LP more widely available to fans on this side of the Atlantic. Since it's initial release, Allvar has been praised for the strength of the songwriting, the dynamic and varied tracks, and the production which allowed for the punk grit to come through while at the same time showcased the musicianship of the band. We think it's a bit premature to call this a \"modern classic\", as others have claimed, but the power of these songs is certainly undeniable.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3542515705\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/allvar\"\u003eAllvar by Vanna Inget\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Man In Decline Records","offers":[{"title":"Default Title","offer_id":821259779,"sku":"SKU-22778","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0617825137_16.jpg?v=1608599400"},{"product_id":"flip-tops-are-still-a-band-lp","title":"Flip Tops - Are Still A Band [BLUE VINYL IMPORT MARKED DOWN] – New LP","description":"\u003cp\u003e\"That's right pal!! REAL PUNK ROCK racket! 11 songs of pure hatred mixed with enough sugary syrup to give you that stomach ache you always wanted!! from the only surviving band from the Legendary Rip Off Records roster!!! That's right kids!\" - Bachelor Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Indeed, it is to the planet’s benefit that the Flip Tops are still a band, as this fast-acting 12” 45 is the year’s first real ass-kicker album—fast punk with pop ruckus, tight playing, cool guitar bits, and colorful yelling, guaranteed to outrace your feeble attempts gain sturdy comprehension thereof. “Enslaved Outraged” sounds like someone kicking the living shit out of some Undertones song on “Hypnotised,” whereas “Boyfriend Street” is a chordy, riffy ascension to a higher spiritual plane where you wind up getting the living shit kicked out of you as well. I salute the band’s tenacity and dedication to their craft, in the face of overwhelming odds of artistic foreclosure! I also salute the blue, pink, orange and red color scheme on the front cover! Best of all, my top flipped an even number of times, so it wound up back on how it was when i left the house!” — Rev. Norb (Razorcake\u003c\/p\u003e","brand":"Bachelor Records","offers":[{"title":"Default Title","offer_id":821308035,"sku":"SKU-24252","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ft_500m-600x600.jpg?v=1671157095"},{"product_id":"big-dick-s-t-lp","title":"Big Dick - S\/T [MARKED DOWN] - New LP","description":"\u003cp\u003eDIRT CULT RECORDS. Big Dick are a drum \u0026amp; bass duo from Ottawa, Ontario, Canada (you know, how of pretty much all of the best bands of the past few years). Named after the belligerent and bass-heavy Nomeansno song, Big Dick have cultivated their sound that borders on progressive punk\/post-hardcore tendencies, while also gravitating towards both the melodic and absurdly heavy. This band is equally at ease with their penchant for 90s era Canadian indie rock as they are with punk, hardcore, and noise rock bands of the last three decades.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1150572582\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/big-dick.bandcamp.com\/album\/big-dick\"\u003eBig Dick by Big Dick\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":821453475,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bigdick.jpeg?v=1585791928"},{"product_id":"seas-will-rise-disease-is-our-refrain-lp","title":"Seas Will Rise - Disease Is Our Refrain [Yellow\/Beige Marbled Vinyl] – New LP","description":"\u003cp\u003eNEW. MAN IN DECLINE RECORDS. MISSING THE INSERT. Seas Will Rise, featuring Landmine Marathon founder Eric Saylor on guitar and vocals, offers its debut full-length, \"Disease Is Our Refrain\". The Tempe, Arizona band plays heavy, brooding hardcore punk, inspired by the likes of Discharge and His Hero Is Gone.\u003c\/p\u003e\n\u003cp\u003eDisease Is Our Refrain was recorded and mixed by Landmine Marathon guitarist Ryan Butler at Arcane Digital Recording (Phobia, Misery Index), and mastered by From Ashes Rise frontman Brad Boatright at Audiosiege (Tragedy, OFF!). The album is the follow-up to the 2010 Cagematch EP. This is a split release with Anxiety Machine Records.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=822199611\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/seaswillrise.bandcamp.com\/album\/disease-is-our-refrain\"\u003eDisease is Our Refrain by Seas Will Rise\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Man In Decline Records","offers":[{"title":"Default Title","offer_id":821474431,"sku":"SKU-29199","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4027964095_16.jpg?v=1619228002"},{"product_id":"concrete-cross-s-t-lp","title":"Concrete Cross - s\/t [MARKED DOWN]- New LP","description":"\u003cp\u003eConcrete Cross formed out of the wreckage of several prematurely aborted NYHC bands including SICK OF TALK, DISNIHIL, and CELEBRITY MURDERS. Musically, there are nods to DIE KREUZEN, POISON IDEA, and CITIZEN'S ARREST while vocally, frontman, Artie Phillie delivers an Animosity-era CORROSION OF CONFORMITY manic performance. All the lyrics have to do with freaking the fuck out, but not in a fun way.\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3862559559\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/concrete-cross-s-t-lp\"\u003eConcrete Cross \"s\/t\" LP by Concrete Cross\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Man In Decline Records","offers":[{"title":"Default Title","offer_id":821474523,"sku":"","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2666564182_16.jpg?v=1612415749"},{"product_id":"warm-toy-machine-not-tired-to-blow-lp","title":"Warm Toy Machine - Not Tired To Blow [IMPORT Marked down] – New LP","description":"\u003cp\u003eNEW. P TRASH RECORDS. The band was established in 2008 in Toulouse (France) and they moved to Belgium (Brussels). They were strongly influenced by the rock'n'roll \/ garage scene from south France like The Magnetix, Sonic Chicken 4. They released in 2011 a 7 tracks vinyl selftitled, selfproduced and distributed by P.Trash Records (recorded by Lo' Spider, design by Elzo Durt).\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1583530252\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/warmtoymachine.bandcamp.com\/album\/not-tired-to-blow\"\u003eNot Tired To Blow by Warm Toy Machine\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"P Trash Records","offers":[{"title":"Default Title","offer_id":821476427,"sku":"SKU-29251","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/warmtoymachine.jpeg?v=1409867126"},{"product_id":"damaged-head-s-t-12","title":"Damaged Head - s\/t [CLEAR VINYL with SCREEN PRINT Marked Down] - New 12\"","description":"\u003cp\u003eThe DAMAGED HEAD S\/T 12″ CLEAR VINYL with SCREEN PRINT.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3034549360\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/damaged-head-ep\"\u003eDamaged Head EP by Damaged Head\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"These are one-sided, screenprinted 12″s with 6 songs of traditional hardcore with punk hooks played by ex-and current members of Heratys, Institution, Nitad, Agent Attitude, and Separation. Damaged Head is one of the best bands playing this style that we've heard in a long time.  These songs were released by Adult Crash in Europe as a 7″.\"\u003cbr\u003e\u003c\/p\u003e","brand":"Man In Decline Records","offers":[{"title":"Default","offer_id":821571151,"sku":"SKU-32038","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3690616940_16.jpg?v=1693519875"},{"product_id":"vanna-inget-ingen-botten-euro-version-lp","title":"Vanna Inget - Ingen Botten [MARKED DOWN] – New LP","description":"\u003cbr\u003e\u003cbr\u003e\nVÅNNA INGET released their debut album \"Allvar\". Although rapidly written and recorded, the chemistry is extraordinary and leaves one wondering if they had been working on it for years. \"Allvar\" was an unexpected success and VÅNNA INGET became a name associated with great expectations. Two years on, Vånna Inget has played over a hundred gigs spanning Sweden, Europe and the USA.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1446131917\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/erstetheketontraeger.bandcamp.com\/album\/ett-015-v-nna-inget-ingen-botten-lp\"\u003eETT - 015 - Vånna Inget - Ingen Botten LP by Vånna Inget\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e They have a steadily growing fan base and it certainly showed in May 2013 when the band played a triumphant concert to a large audience at Debaser Medis in Stockholm. A gig that was proof of how music can grow organically, by itself, once it has taken root in the heart of its people. VÅNNA INGETS music speaks volumes. It was clear from the opening track of \"Allvar\" and even more so with the band's second album. Produced by Jari Haapalainen (THE BEAR QUARTET, KAJSA GRYTT, INTERNATIONAL NOISE CONSPIRACY, ELDKVARN...) in legendary \"Varispeed Studios\" where THE HIVES recorded most of their records, the band recorded everything in the best, the old school way... drums, guitars, organ, bass and vocals live straight down on 2\" 16 ch tape. Where \"Allvar\" found power in its urgent and relentless delivery, \"Ingen Botten\" is a more nuanced affair. Sharp guitar riffs and shimmering organ melodies are woven together with an attentive and dynamic rhythm section. The band has also taken down the tempo in places and left room to move within the arrangements. But above all , there is a refined approach that goes beyond merely changing for the sake of change. VÅNNA INGET knows where they stand and nurture their songs to a maturity that makes them unique in a meeting between raw, punkish nerve and melodic sensibility. They possess the ability to turn claustrophobic themes of confinement and desperation into something that feels uplifting and liberating.\u003cbr\u003e Above all, Karolina Engdahl's vocals have grown to reach even higher levels of poignant intensity. She sings with a powerful, yet brittle, force. \"Ingen Botten\" fulfils the high expectations surrounding Vånna Inget during the two years since their debut. An album that broadens their scope and works its way deeper into the essence of what VÅNNA INGET truly is.\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Man in Decline Records","offers":[{"title":"Default Title","offer_id":821575823,"sku":"SKU-32297","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0240126612_16.jpg?v=1611273786"},{"product_id":"no-se-lower-berth-lp","title":"No\/\/Se' - Lower Berth [CLEAR VINYL MARKED DOWN] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"That album rules!\" -- Seth P.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=866485903\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/lower-berth\"\u003eLower Berth by ИO​\/​\/​\/​sé\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"13 new power-packed punch tracks from this incredible American punk band (now based in Portland\/Oakland). MID023 - ИO\/\/\/Sé “LOWER BERTH” LP: \u003cspan\u003e\u003cbr\u003e\u003cbr\u003eAfter delivering one of the best records of 2012, ИO\/\/\/Sé returns with their sophomore LP, “Lower Berth”. Lower Berth is comprised of songwriting prowess backed by killer riffs, infectious melodies, an impervious rhythm section, and absolutely no filler and fluff. The final product is 13 tracks of stick-in-your-brain groove that varies from stomping anthem (e.g., \"One Step Behind\") to DANGERHOUSE or BUZZCOCKS-esque pop genius (e.g., \"Buried Alive\"). ИO\/\/\/Sé mixes a wide array of disparate influences and creates something familiar but original. There are elements of old classics like WIPERS and X (Australia) along with newer bands like RED DONS, THE ESTRANGED, and MARKED MEN. If you are familiar with the first LP, Lower Berth will feel like a natural progression. If you’re new to the band, welcome and enjoy. For those keeping track, ИO\/\/\/Sé contains ex-members of YOUTH BRIGADE, GLASS \u0026amp; ASHES, and YOUNG LIVERS. \u003c\/span\u003e\u003cspan\u003eThis is a corelease with 1859 Records.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Man in Decline Records","offers":[{"title":"Default Title","offer_id":5028323843,"sku":"","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1362748163_10.jpg?v=1749077987"},{"product_id":"pageripper-bruce-lams-vol-iii-one-sided-12-ep","title":"Pageripper - Bruce Jams Vol. III one-sided 12\" [ORANGE VINYL MARKED DOWN!!!] – New 12\"","description":"7 new jams from this prolific, pissed-off, and punk band from Portland! Abrasive, yet catchy.  \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epageripper are a bunch of assholes from a rainy city.\"\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=493620349\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pageripper.bandcamp.com\/album\/bruce-jams-vol-iii\"\u003ebruce jams: vol. III by pageripper\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"1859 Records","offers":[{"title":"Default Title","offer_id":17054163203,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/pageripper.png?v=1456871389"},{"product_id":"bullnettle-s-t-lp","title":"Bullnettle - S\/T [MARKED DOWN] - New LP","description":"\u003cp\u003eGreat set from Annie Saunders and the gang. I used to play this record all the time at the brick and mortar and never tired of it.  It's a heart punch of focused low-fi punk rock and roll, comes from the heart and hits you the same place. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=203550194\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/bullnettle\"\u003eBullnettle by Bullnettle\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"There are people in the world who, if asked (hell, even if not asked), will try to convince you that This Is My Fist! was one of the most exciting and important bands of the early 2000s. I should know, because I'm one of those people. They broke up in 2012, and since that time, lead singer Annie Saunders spent some time playing in the ripping hardcore band Manipulation. But though I liked that band, when Annie reached out to tell me that she was attending veterinary school in Urbana, IL and had started a new band where she was singing, playing guitar, and writing songs, I asked her to send me some songs. I had already decided that I'd ask to release a record before the tracks had finished downloading onto my computer.  Self-described as a \"punkish,\" Bullnettle plays urgent, melodic, raspy, and lo-fi rock n roll. Fans of This is My Fist!, rejoice! We're releasing your new favorite record.\" - Dirt Cult Records\u003cbr\u003e\u003c\/p\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":33331144851593,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bullnett.jpg?v=1460509315"},{"product_id":"chandeliers-breaker-lp","title":"Chandeli'ers - Breaker [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChandeli'ers LP from the Dirt Cult label, vital vinyl for any fan of power pop, this version clearly coming out of that East Coast Rock sound.  (There are perhaps too many genres but I always felt East Coast Rock deserves to be one because it would help recognize something so important...so many bands that were placed in various genres could be connected to help show what the East Coast offered for the development of American music, from the R\u0026amp;B of the 1950s to all the bands of the 1960s and 1970s that remembered those lessons and the power of keeping it simple while rocking the house.  All those great bands of the mid-1970s that changed my life and played a big part in bringing me here to Green Noise were part of that.)  Anyway, this album is still part of that after all these decades.  I love this shit.  This will help your spring and summer, or any season.  This would be money well spent. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3199252246\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/breaker\"\u003eBreaker by Chandeli'ers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eChandeli’ers first full-length album. And their sophomore release. Hailing from Brooklyn, New York, Chandeli’ers bring you some pop-soaked rock \u0026amp; roll from ex-members of Ringers, The Besties, World Inferno Friendship Society \u0026amp; more. “Breaker” is a pop masterpiece gushing with rock influences from Elvis Costello to The Boss. If you like power pop, then THIS is your summer soundtrack. Split release w\/ Dead Broke Records","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":21516734339,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/chandeliers.jpg?v=1589050930"},{"product_id":"burlap-burnout-king-lp","title":"Burlap - Burnout King [IMPORT MARKED DOWN] - New LP","description":"Abrasive noisy Aussie punk.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3099099127\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/burlapsydney.bandcamp.com\/album\/burnout-king\"\u003eBurnout King by Burlap\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Black Wire Records","offers":[{"title":"Default Title","offer_id":30144331587,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/burlap.jpg?v=1477083674"},{"product_id":"warsong-control-lp","title":"Warsong - Control [MARKED DOWN] - New LP","description":"After leaving their mark on three continents, Zaragoza, Spain’s WARSONG are back with a new 12\", their first sung entirely in Spanish. This is their most complexly rich record to date - an arresting soundtrack for dark times. Those who have been following this band for a while will also notice less distortion, longer and more elaborated song structures, and an unexpected treat on “Dejando Atrás” featuring guest vocals from the singer of ACCIDENTE. I’d be hard pressed to find a current comparison because WARSONG has few musical contemporaries- they are truly carving out their own path. I hear the convergence of diverse elements such as THE ONLY ONES, early NEW ORDER, the WIPERS, SONIC YOUTH, and THE RAMONES blended up and spewed out against the neoliberal end times.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4201267118\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/sabotagerecords.bandcamp.com\/album\/warsong-control-lp\"\u003eWarsong – Control lp by sabotagerecords\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":37112595513505,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/warsong.jpg?v=1584212906"},{"product_id":"needle-exhchange-is-this-my-program-lp","title":"Needle Exchange - Is This My Program [IMPORT Marked Down] – New LP","description":"Formed in winter 2013 out of frustration at the banality of the local Vienna music scene, these three young upstarts make snotty 70's punk into the soundtrack of their own dysfunctional lives. Now based in Berlin they've just released a classic of heavy thud, rotz-riffing and above all catchy P fuckin R recorded by Toby from the MODERN PETS (the other PETS guitarist Alvar now helps the boys out live giving the sound even more whallop. NEEDLE EXCHANGE play the english way of 77'Punk mix with a good dose of REATARDS KBD! Fine you may ask yourself but IS THIS MY PROGRAM? Check it out for yourself you lazy fuck and find out!\u003cbr\u003e Mastered by Daniel from North London Bomb Factory\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=570411192\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/needleexchange.bandcamp.com\/album\/is-this-my-program-12\"\u003eIS THIS MY PROGRAM? (12\") by NEEDLE EXCHANGE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"P Trash Records","offers":[{"title":"Default Title","offer_id":38041909646,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0316740820_16.jpg?v=1627374437"},{"product_id":"dyscontrol-living-without-lp","title":"Dyscontrol - Living Without [IMPORT Marked Down] - New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2156149806\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dyscontrol.bandcamp.com\/album\/living-without\"\u003eLiving Without by Dyscontrol\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eA record like one of those you used to dub on tape and listened to on a stroll underneath a concrete sky in your industrial town. And while you looked up the grey tower buildings surrounding you, you suddenly felt the darkness crushing in on you. And your sadness went along with your anger and you took a look inside the windows and the music just screamed inside you.\u003cbr\u003e And for a moment you just forgot everything you lacked and you just felt good. DYSCONTROL from Halifax\/Canada (the new band of David Brown of CAREER SUICIDE) have captured this old feeling on their first full length, a record that makes you stomp and shiver. The dry and direct sound of the songs really define what is so excessively used under the monicker of Post-Punk these days.\u003cbr\u003e There are the WIPERS and MISSION OF BURMA influenced mid-tempo creepers \"Common threat\", \"Problem solution\" or \"Conductor\" with their anthemic bass lines and choruses. But there are also the faster \"Somnambulist\" or \"End of days\" that sound like late 80 UK Punks CRISIS and songs like \"Where you live\" and \"On my side\" that will remind you of the STATUES in their darker mood.\u003cbr\u003e All over this record there is this certain feeling of aggressive melancholia that reaches you deep down, grabs you and does not let you go. A record you definitely do not want to live without anymore. Mastered by Rob Seaton of the STATUES.","brand":"P Trash Records","offers":[{"title":"Default Title","offer_id":38042498510,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0273319396_16.jpg?v=1744936058"},{"product_id":"needles-pins-good-night-tomorrow","title":"Needles\/\/Pins - Good Night, Tomorrow [MARKED DOWN] – New LP","description":"SLEEVE DAMAGE: CORNER CREASE\u003cp\u003eVancouver power-trash trio Needles\/\/Pins began in 2009 as an excuse for three friends to hang out. Two LPs and a handful of 7 inch singles later, the band has come a long way but are still, at its core, a few friends having fun. 2017 sees the band set to release its third LP Good Night, Tomorrow. The record is a progression both musically and lyrically from their older material while still maintaining the hook-centric philosophy of their previous releases. The band has become legendary in Vancouver for wild shows and gruff but catchy punk rock melodies. It draws from classic punk roots like the wiry pop of The Buzzcocks and the gravely anthems of Stiff Little Fingers, but has a unique West Coast approach that would align itself with the catchiest of the Lookout! or Dirtnap Records catalog. Though none of the band’s songs overstay their welcome, you’ll find yourself humming one of their hooks days after seeing them play or hearing the record. Recorded with Jesse Gander (Japan-\u003cbr\u003edroids, White Lung) in Vancouver at Rain City Recorders, the record shows an organic growth from the power pop of their previous two albums. Guitarist and singer Adam Solomonian’s voice is gruffer from playing hundreds of shows, and you can see a richer appreciation of the group’s influences such as Jawbreaker and the Replace-\u003cbr\u003ements at play in the song writing. Tony Dubroy’s solid bass lines and Macey Budgell’s heavy drumming combine to form a powerful rhythm section that perfectly complement Solomonian’s simplistic-but-pointed guitar playing. Vancouver’s Mint Records have teamed up with Dirt Cult to co-release the record. Needles\/\/Pins have heavy North American touring planned for the summer including performances at Sled Island, Ottawa Explosion and Pop Montreal.\u003c\/p\u003e\n\u003cdiv class=\"field-label\"\u003e\u003cstrong\u003eTrack List: \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-items\"\u003e\n\u003cdiv class=\"field-item even\"\u003e1. Good Night\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e2. Violet\u003c\/div\u003e\n\u003cdiv class=\"field-item even\"\u003e3. Back To The Bright\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e4. Time And Tide\u003c\/div\u003e\n\u003cdiv class=\"field-item even\"\u003e5. Sleep\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e6. Miracle\u003c\/div\u003e\n\u003cdiv class=\"field-item even\"\u003e7. Boil\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e8. All The Same\u003c\/div\u003e\n\u003cdiv class=\"field-item even\"\u003e9. Pressure Points\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e10. Untitled (You're Fine)\u003c\/div\u003e\n\u003cdiv class=\"field-item even\"\u003e11. Something New\u003c\/div\u003e\n\u003cdiv class=\"field-item odd\"\u003e12. Tomorrow\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1335763564\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtcultrecords.bandcamp.com\/album\/good-night-tomorrow\"\u003eGood Night, Tomorrow by Needles\/\/Pins\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":37323251974305,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/needles-pins-good-night-tomorrow-3000_1024x1024_8e1debcb-941f-4692-964e-d82d04875804.jpg?v=1608177340"},{"product_id":"dark-light-kill-some-time-lp","title":"Dark\/Light - Kill Some Time [MARKED DOWN] - New LP","description":"\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eDark\/Light (pronounced DARK SLASH LIGHT) consists of vocalist Candy Schramer, guitarist\/vocalist Justin Schramer, drummer Mary Esquivel, and bassist Tarika Hanawalt. The band was formed in Portland Oregon, sometime back in 2013, yet the roots are much deeper. All four members grew up in the PNW, have known each other and played together in punk bands for years.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eSinger Candy and Justin have been together and playing music together since the late 90’s. They met in Oakland California at a party and it was love at first sight. They each bonded over, and lived for music - and knew early on they would be forever slaves to the beautiful noise they loved. They spent endless nights in the late 90’s at their house partying and dancing to old 60’s 70’s and 80’s punk and hardcore records, new wave oddities, and just plain old mutant rock n roll. Everything from the Sonics, 13th Floor Elevators, The Rats, The Wipers, Devo, Black Sabbath, Big Boys, Zero Boys, Pagans, The Avengers, Wire, Plasmatics, Butthole Surfers, Minutemen, Rezillos, 60's girl groups, 50's rockers, on and on and on. They started a couple punk projects who played a bunch of shows but never ended up putting out any records - the focus was purely just reckless fun and ripping shit up. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eIn 2000, the couple moved to Portland and started the Triggers with Tarika, and the infamous Jonny “Jonnycat” Harbin, then later Sleepwalkers RIP, with “Machine Gun” Mary. The Triggers broke up in 2005, while Sleepwalkers RIP split in 2008. Both bands put out records, played a ton of shows, toured, had a shit load of fun, and remained good friends after breaking up. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eAfter a few years and more individual musical projects (Salted City with Mary, Loose Values with Justin to name a couple), Candy and Justin decided to start a new band and quickly got together with old band mates Mary and Tarika. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eThis time around, the group of friends were older (maybe wiser?) and the songs were reflective of the pains, joys, and adventures of the years they had experienced. Weirder, darker, sadder, angrier. Dealing with loss, stress, trauma, insecurity, anxiety, depression, grief and feelings of isolation. Growing older as a misfit in an insane world. Dark themes maybe. Sometimes hopeful, sometimes bleak.  That’s how it goes living in Doom town USA. How do you turn all that bad shit back into something good again? How do you carve out a humble existence as a creative person in a country dominated by money, greed, and corruption? Turns out that just continuing to create and perform these songs really helps.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eAnyway, Dark\/Light was born. Many of the songs evolved from dreams- sometimes wholey formed by the subconscious. It always seems the best performances from an artist come when they are laying it all out on the table, stripping their soul bare, and giving everything they have - the good, the bad, the strange…\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eThis is what D\/L hopes to achieve with each performance - recording or live - to transform all the negative energy into something hopefully just a little more useful, and release it out into the universe where it will hopefully connect with at least one more lost mutant. \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-p1\"\u003e\u003cspan class=\"m_4906096181449951812gmail-m-4678037474267938896gmail-s1\"\u003e\u003cspan\u003eDark\/Light put out their debut recording, a 4 song EP on Jonnycat records in March 2016, and began recording a full length that Summer. Unfortunately, after it was recorded, bassist and old friend\/partner in crime Tarika decided to hang up the axe and quit the band. The band continued on, adding newest member and Portland punk celebrity Collin Sanders (Speds, Observers, Defect Defect, Steel Chains, and about 1,000 other rad ragers). Collin fit seamlessly into the group, and added a whole new dimension with his bass style and energy. They are already working on new material, and are preparing to record songs for a new EP with Collin sometime later this year.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003eDark\/Light - Kill Some Time\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2552811840\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtcultrecords.bandcamp.com\/album\/kill-some-time\"\u003eKill Some Time by Dark\/Light\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Dirt Cult Records","offers":[{"title":"Clear \/ Black swirl","offer_id":1194553933848,"sku":"","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Pink Mix","offer_id":2567181762584,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2291487687_10_1024x1024_e6e53063-a934-425c-af01-aedf92746718.jpg?v=1576999314"},{"product_id":"pod-the-s-t-lp","title":"Pod, The - s\/t - New LP","description":"\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cp\u003e\"\u003cspan\u003eLush soundscapes collide with electronic loops while cavernous black metal vocals run head first into ambient patterns...\"  \u003cem\u003e-Nine Circles\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e110 black LPs housed in a matte jacket with artwork by Katie Ellison, includes a digital download code.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1631976851\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thebandthepod.bandcamp.com\/album\/the-pod-2\"\u003eThe Pod by The Pod\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Accident Prone","offers":[{"title":"Default Title","offer_id":2112806780952,"sku":"AP031","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ap031-thepod-cover.jpg?v=1510337721"},{"product_id":"vvhile-more-lp","title":"VVhile - More [YELLOW VINYL Marked Down] - New LP","description":"\u003cul\u003e\n\u003cli\u003eTranslucent yellow vinyl!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eVVhile is duo from Belgrade, Serbia formed in May, 2011. The band is Stevan Cirovic on drums and vocals and Andrija Spicanovic on guitar and vocals.\u003c\/p\u003e\n\u003cp\u003eThe band plays atmospheric, psychedelic, and shoegazey rock reminiscent of early Ride or My Bloody Valentine, all the while remaining rooted in their hardcore pasts.\u003c\/p\u003e\n\u003cp\u003eFollowing the Dirt Cult release of their debut 7\", we jumped at the chance to be a part of releasing their debut LP in North America.\u003c\/p\u003e\n\u003cp\u003eAll copies on translucent yellow and come with a download code.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"VVhile is duo from Belgrade, Serbia formed in May, 2011. The band is Stevan Cirovic on drums and vocals and Andrija Spicanovic on guitar and vocals. The band plays atmospheric, psychedelic, and shoegazey rock reminiscent of early Ride or My Bloody Valentine, all the while remaining rooted in their hardcore pasts\". (Dirt Cult). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2575137899\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/vvvhile.bandcamp.com\/album\/more\"\u003eMore by VVHILE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eWhile they visit their punk pasts late in the set, this also seems a departure from their hardcore pasts (although I admitted know nothing about those pasts), mixing within songs and moving between cuts with rock-based soundscapes and songs that drive forward through the heavy melancholy with drumming and electric-guitar rhythms, recalling some of the so-called post punk and neo-psychedelic outfits of the 1980s, the ones that clearly had some connection with different years of the 1960s (surf, garage, freak out, psychedelic pop, acid rock), but also were clearly helping define some dominant elements of rock in the 1980s, offering pop songs wrapped in some more raw and menacing elements.  Of course, people with a better knowledge of the shoegazing bands that grew out of all that in the last 30 years can likely make other comparisons.  If you like those bands, you'll want to listen to all of this album.  While the sounds throughout have plenty of commonalities to create an effective cohesiveness, this also winds through different moods and tempos like a drive down a road that moves along rivers and ridges, through cities at night, towns in the twilight. -- winch\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}' itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDebut LP from the Serbian duo from Belgrad, Serbia - that throughout the last few years became already an integral band of the Twintoe family. With pleasure and warmth, we are glad to present the first full length which draws out brilliant wall of sounds, bright voices and wide ambiances with a punchy good ol' punk rock attitude. 3rd Release of VVHILE so far, though the first one to reveal MORE - come and find out\u003cbr\u003e\u003cbr\u003eThe record is a co-release between a few friends \/ labels:Twintoe Records\u003c\/span\u003e\u003cbr\u003eDirtcult Records (USA)\u003cbr\u003ePop Depresija (Serbia)\u003cspan\u003e \u003c\/span\u003epopdepresija.com\u003cbr\u003eNumavi Records (Austria)\u003cspan\u003e \u003c\/span\u003enumavi.bandcamp.com\u003cbr\u003eJazz Chairs\u003cspan\u003e \u003c\/span\u003evvhile.blogspot.com\/p\/jazz-chairs.html.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded in VVhile's basement by Filip Vlatkovic\u003cbr\u003eProduced by Filip Vlatkovic and VVhile\u003cbr\u003eMixed by Filip Vlatkovic and VVhile at \"Beat Beat studios\", Novi Sad\u003cbr\u003eMastered by Nick Zampiello at New Alliance East, Cambridge\u003cbr\u003eCover artwork by Emir Sehanovic Esh\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":2580501790744,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/vvhile_20cover_original.jpg?v=1595306436"},{"product_id":"vvhile-vanity-7","title":"VVhile -Vanity [MARKED DOWN] - New 7\"","description":"\u003cp\u003eI was turned on to VVHILE about a year ago by my friend Flo (Trapdoor Tourz\/Cut the Chord That...Records) and this record has been in the works ever since. Originally released on Twin Toe Records out of Germany (in an extremely limited quantity and with a different design), Dirt Cult is hoping that this pressing will serve as an introduction to a bit larger audience.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1400924672\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/vvvhile.bandcamp.com\/album\/vvhile-is-vanity\"\u003eVVhile is Vanity by VVHILE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHailing from Serbia, VVHILE began as a simple punk duo, playing Wipers like riffs, but soon started gravitating towards more experimental and noisy sounds.VVHILE deserves your attention whether you're a fan of the swirling psychedelic shoegaze of My Bloody Valentine or the angular punk of Hot Snakes. At times the duo sounds like a 10-piece (and this isn't just studio trickery. The live footage I've seen sounds about the same). This release looks and sounds different than anything Dirt Cult has ever released. We've pressed 500 copies all on clear Vinyl with an embossed record jacket and beautiful insert. Comes with a download code. - Dirt Cult Records\u003c\/p\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":2580513095704,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/VVHILE_IS_VANITY_400w.jpg?v=1512779761"},{"product_id":"gloom-sleeper-luminous-galaxies-lp","title":"Gloom Sleeper - Luminous Galaxies [MARKED DOWN] - New LP","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv\u003eGloom Sleeper return to the fray with a mighty sophomore album – a manic\u003c\/div\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3772293768\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gloomsleeper.bandcamp.com\/album\/luminous-galaxies\"\u003eLuminous Galaxies by GLOOM SLEEPER\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv\u003ecollision of driving pop melodicism, post-punk sang-froid and four-to-the-floor\u003cbr\u003egarage rock energy.\u003cbr\u003e\u003cbr\u003eOn this follow-up to Gloom Sleeper’s 2016 debut A Void, it’s plain to see that the Bielefeld band are learning fast.\u003cbr\u003e\u003cbr\u003ePhysically they’re in Germany, but their hearts are scattered all over the place:\u003cbr\u003eMacclesfield, where they’ve absorbed the raw gothic clatter of proto-Joy\u003cbr\u003eDivisionists Warsaw; Notting Hill, where the darkling shimmer of Killing Joke\u003cbr\u003esomehow found its way into the world; Manchester with the rawness of The\u003cbr\u003eSound‘s early works and finally Portland, Oregon with its classics like Wipers and today‘s Estranged... plus all manner of other US punk rock hotspots (New York, Detroit, Cleveland, you name it) dribble into the music like blood into water. They’re at their best when the strands unfurl across each other, like when the shredded-nerve guitars of City of Unrest soft-fade into a tense, crystalline synth finale. Meanwhile out-and-out rock’n’roll cuts like Perceptions and He Smiles prod and poke at your punk rock heart, daring you to reach into their sweaty embrace while simultaneously keeping you at a distance with a foreboding stare and an outstretched arm.\u003cbr\u003e\u003cbr\u003eCold always feels warm once you’ve acclimatised, of course, and these are songs you’ll wanna get inside – if they don’t get inside you first. Essentially, Luminous Galaxies is a stunning leap forward. The best bit? Oh, just the creeping suspicion that there’s even better to come... but for now, this is a mighty fine place to start. - Will Fitzpatrick\u003cbr\u003e\u003cbr\u003eApril 2018 on Per Koro Records in Europe and Dirt Cult Records in the\u003cbr\u003eUnited States.\u003cbr\u003e\u003cbr\u003eRecorded, mixed and mastered by Tobias Schwarz at RAMA Tonstudio in\u003cbr\u003eMannheim.\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":35548903243937,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3278456914_10.jpg?v=1524613717"},{"product_id":"hard-feelings-side-ways-lp","title":"Hard Feelings - Sideways [MARKED DOWN]- New LP","description":"\u003cspan\u003eFive years after\u003c\/span\u003e\u003cspan\u003e their debut LP \"Swell\", Hard Feelings return with \"Side Ways\"- an album boasting a more honed craft of their brand of twangy yet heavy melodic punk\u003c\/span\u003e\u003cspan\u003e. Despite\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eDuluth Minnesota\u003c\/span\u003e\u003cspan\u003e being nowhere near \"t\u003c\/span\u003e\u003cspan\u003ehe r\u003c\/span\u003e\u003cspan\u003eegion\"\u003c\/span\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cspan\u003e Hard Feelings \u003c\/span\u003e\u003cspan\u003ecarry the\u003c\/span\u003e\u003cspan\u003e definitive Southern \u003c\/span\u003e\u003cspan\u003e\"region rock\" torch with not only\u003c\/span\u003e\u003cspan\u003e an obvious Midwestern accent\u003c\/span\u003e\u003cspan\u003e (see: Frozen Teens, Dillinger Four) but also reminiscent of California-- for fans of \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHickey, The Bananas, Sexy, Tulsa, Dory Tourette \u0026amp; The Skirtheads. \"Side Ways\" makes you feel like you're in a sweaty basement in the coldest part of the country. Hopeless yet optimistic.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1103387381\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hardfeelingsmn.bandcamp.com\/album\/side-ways-12-lp\"\u003e\"Side Ways\" 12\" LP by HARD FEELINGS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cdiv class=\"yj6qo ajU\"\u003e\n\u003cdiv id=\":4kn\" class=\"ajR\" role=\"button\" data-tooltip=\"Show trimmed content\" aria-label=\"Show trimmed content\" tabindex=\"0\"\u003e\u003cimg class=\"ajT\" src=\"https:\/\/ssl.gstatic.com\/ui\/v1\/icons\/mail\/images\/cleardot.gif\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":8696568447095,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/hard_feelings_side_ways.jpg?v=1528842151"},{"product_id":"cliterati-violation-wound-split-lp","title":"Violation Wound \/ Cliterati  - Split [MARKED DOWN] - New LP","description":"\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2124309951\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/downloads.tankcrimes.com\/album\/cliterati-violation-wound\"\u003eCliterati \/ Violation Wound by Violation Wound \/ Cliterati\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Tank Crimes Records","offers":[{"title":"Default Title","offer_id":12176107438150,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3365632545_10.jpg?v=1531954785"},{"product_id":"allvaret-skam-och-skuld-lp","title":"Allvaret - Skam Och Skuld [BLUE VINYL Marked Down] - New LP","description":"\u003cdiv\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2523670721\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/erstetheketontraeger.bandcamp.com\/album\/ett-047-allvaret-skam-och-skuld-lp\"\u003eETT - 047 - ALLVARET - SKAM OCH SKULD LP by ALLVARET\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\"It’s always a good sign when you cannot explain why a band is so great. It means something new and inexplicable is at work in their music. Småland, Sweden’s\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eALLVARET\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis that great. The elements are easy enough to define: there are the surf-drenched guitars, the powerful vocals and the rock ‘n’ roll frenzy of X – a sound which has been brewing in Denmark and Sweden over the last decade with bands like MASSHYSTERI, THE VICIOUS, TERRIBLE FEELINGS, VANA INGET, and NO HOPE FOR THE KIDS. But there is something more than that, too. Their tuneful hooks take hold of you, drag you deep into their bleak and feral songs and threaten to tear you apart once you’ve been captured. Their music is simultaneously melancholic, frantic, and joyfully danceable. It’s wild and new and something wholly of its own. The energetic melodies that blast through\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eALLVARET\u003c\/span\u003e’s new album are simply mind-blowing. This Swedish punk band 2nd album may just be one of the best things that have ever been produced in the history of Swedish melodic punk rock. The anthemic vocals of Sushila are the perfect balance of aggression and sincerity, while the predominantly choppy guitar chords and the drumbeats keep up the motivating energy that drives their music. The ten short and catchy songs that make up this album are simple yet powerful, and the beginning of each new track jolts the listener back into their music. At first, the inability to understand their lyrics may seem jarring to the foreign listener. However, after listening to the entire album a few times, I forgot they were even singing in Swedish! The surf-rocky guitars and snappy punk drumming release sustaining energy, while the passionate tone of the harmonized male-female vocals, at times angry and at times melancholic, create the perfect blend of hooks that will grab you and lead you into a place set up by this musical phenomenon. Any fan of stripped-down garagey punk that is derived from the past but doesn’t live in it would be well-advised to check out\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eALLVARET\u003c\/span\u003e. Their latest album demonstrates the extent to which they have honed each of their many strengths, re-configuring rather than regurgitating influences and crafting songs which will lodge themselves firmly into the head of any listener, regardless of whether or not he or she can understand the lyrics.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis is the US release of the record in support of a November 2018 West Coast tour. Previously released in Europe on the marvelous Erste Theke Tontrager.\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":13063752679494,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Allvaret_cover.jpg?v=1583694828"},{"product_id":"columna-las-cosas-que-perdemos-lp","title":"Columna -  Las Cosas Que Perdemos [Burgundy Gold Vinyl MARKED DOWN] - New 12\"","description":"\u003cbr\u003e\u003cbr\u003eZaragoza, Spain’s Columna formed from the ashes of Warsong and released one of our favorite demo’s of 2017. “Las Cosas Que Perdemos”, the band’s debut 7-song LP, features several re-recorded songs from that session as well as some wonderful new additions.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=365953957\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/las-cosas-que-perdemos\"\u003eLas Cosas Que Perdemos by Columna\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe band plays moody, melodic, and political punk sung in Spanish. Fans of Arctic Flowers, Terrible Feelings, and Accidente should take note.\u003cbr\u003e\u003cbr\u003eA split release between Dirt Cult Records, Last Hour Records (US), and Sabotage Records (Europe). \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":13064037171270,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0808017859_10.jpg?v=1536274453"},{"product_id":"giant-sand-returns-to-valley-of-rain-lp","title":"Giant Sand - Returns To Valley Of Rain [IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eValley of Rain was Tucson’s Giant Sand’s debut album recorded in 1983, and eventually released by 1985. It included Howe Gelb on vocals, guitar and Winston Watson on drums for most of it, Tommy Larkins on drums for some of it and Scott Garber on fretless bass for all of it. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eNow some 30 years later, This new re-recording of that first album will be toured by the band this summer, playing only those Valley of Rain songs. GIANT SAND RETURNS TO VALLEY OF RAIN.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2456183606\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/giantsandmusic.bandcamp.com\/album\/returns-to-valley-of-rain\"\u003eReturns To Valley Of Rain by Giant Sand\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ctable cellpadding=\"0px\" cellspacing=\"0px\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e. At the time of the original recording, Howe was unacquainted with the possibilities of tube (valve) amps and had recorded most of the album with a Roland JC120 at the miraculous 8 track facilities of The Control Center in Korea Town, Los Angeles by Ricky “Mix” Novak. This impromptu recording had occurred because the band refused to cancel their first Los Angeles live gig, at Madame Wong’s, when the band (Giant Sandworms) had broken up days before in Tucson. Instead, Howe headed out anyway with Scott, the newest member who’d only been in the band for about a year, after band mainstays Billy Sed and Dave Seger reasonably decided ‘enough was enough’ following a rough and tenuous year spent in the lower east side of NYC attempting to further the band circa 1981\/82. Tucsonan Winston Watson was already living in Los Angeles and was brave\/kind enough to jump in for the live date with no rehearsal. The result was so sparked with adrenalin, that the trio set up an impromptu studio session the next day to attempt to capture the sonic thrust on tape. The total cost of the day and a half recording was $400 including one 1” reel of 30 minute tape. When Enigma Records offered to release the album they requested another 15 minutes of music to make it a full LP. Ron Goudie was then called in to oversee the extra recordings. It was then when Howe borrowed an amp that had been stored at the studio did he discover the bolster of a tube amp and his world changed. The amp was a slightly modified Fender Twin Reverb owned by Robbie Krieger of The Doors. 30 some years later, now that the band had been put to sleep indefinitely, those very first songs had begun creeping into the last Giant Sand tours.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":13349902450758,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-FIRE-534.jpg?v=1536889873"},{"product_id":"brave-hands-to-end-all-worth-lp","title":"Brave Hands - To End All Worth [MARKED DOWN]- New LP","description":"\u003cspan\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595672917\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/bravehands.bandcamp.com\/album\/to-end-all-worth\"\u003eTo End All Worth by Brave Hands\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\"After two home-dubbed demo tapes, an “official” cassette, and a lost 7-inch, Brave Hands have finally arrived, and the arrival is monumental. To End All Worth, the band’s debut album, is the culmination of years of basement-forged craftsmanship, when few were listening but the rats in the walls. The hard work the band put in hammering out these songs has manifested in a record that is beautiful and lasting, as sure of itself in its instrumentals as it is neurotically self-critical in its lyrics. This is a style of melodic punk rarely played anymore—raw, imperfect, threadbare, dizzying, sincere—passed over in favor of the fest-ready, social-media savvy, astroturfed pseudo-grunge that passes for “indie punk” these days. The politics on To End All Worth are deeply rooted in interconnected, intersectional experiences, and grapple with the personal pain of gender issues, race, class, and family— but you wouldn’t know it if you weren’t paying attention. In an age when “the next big thing” is born and then discarded with a careless flick of the thumb, Brave Hands have quietly delivered an album worthy of being remembered decades from now.\" - Sadie Smith (G.L.O.S.S., Dyke Drama, Peeple Watchin', etc)\u003c\/span\u003e","brand":"Salinas Records","offers":[{"title":"Default Title","offer_id":13387352145990,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-SAL-093.jpg?v=1536965250"},{"product_id":"overcharge-accelerate-lp-used","title":"Overcharge – Accelerate [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOvercharge- Accelerate LP.  \"Iron fist Rock N Roll reigns supreme on Overcharge's debut. 'Accelerate' hits hard with a bludgeoning, blur of roaring riffs forged in the fiery ashes of proto-Metal, Punk Rock and Thrash. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1011940392\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/unspeakableaxerecords.bandcamp.com\/album\/accelerate\"\u003eAccelerate by Overcharge\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eA brutally devastating concoction steeped in anger, drenched in distortion and brimming with an aggro onslaught of ear-shatteringly awesome tunes. Overcharge's music has a nice pounding, trebbley low-end that accentuates the punishingly-brutal, guitar solos that interweave themselves through each and every song. Burly fuckin' riffs for days on this record that spews an unrelenting whiplash of Punk-inflected Metal painting a grim, bleak picture across 10 finely crafted anti-hits. Raw, guttural power and skull-crushing Motorpunk never sounded so good. Fans of the Discharge, Motorhead, the Varukers, Broken Bones or Midnight will be all over this. Fuckin' killer debut.\"\u003c\/span\u003e","brand":"Dead Beat Records","offers":[{"title":"Default Title","offer_id":13697767243846,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-5982988-1408035654-5392_jpeg.jpg?v=1553803015"},{"product_id":"your-pest-band-automatic-aspiration-12","title":"Your Pest Band - Automatic Aspiration [MARKED DOWN] –  New 12\"","description":"\u003cspan\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4081125011\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtcultrecords.bandcamp.com\/album\/automatic-aspiration\"\u003eAutomatic Aspiration by Your Pest Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eBrand new 12” record from Japan’s best (and most prolific) power-pop punks! \u003c\/span\u003e\u003cspan class=\"il\"\u003eYour\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003ePest\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBand\u003c\/span\u003e\u003cspan\u003e deliver 6 new songs of lo-fi garage punk that sounds like The Zombies jamming with The Clash. The amount of territory covered in this 12” is pretty amazing for being a mere 6 songs: from the vocal-shredding punk, to rocksteady, to laid back and melancholy garage rock. This is a split release with Snuffy Smiles Records in Japan. The \u003c\/span\u003e\u003cspan class=\"il\"\u003eband\u003c\/span\u003e\u003cspan\u003e will be supporting the record with a US tour in early 2019. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":16637179953222,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/yourpest.jpg?v=1540402380"},{"product_id":"boink-something-colorful-for-sure-lp","title":"BOINK - Something Colorful For Sure [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGreen Noise gives 100% of the sale of these items to the women who own these labels, either in advance or when item sells.  If you have a woman-owned label, Green Noise will do the same for you.  (Same goes for bands fronted by any person of color, any artist from any minority group, people of the original tribes and nations of this land, any artist from a third world country, or any immigrant from anywhere).\u003c\/h2\u003e\n\u003cbr\u003e\u003cbr\u003ePortland craziness!\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShana Lindbeck- marimba\/percussion \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRebecca Rasmussen- guitar \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePaul Billy- bass \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePapi Fimbres- drums \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMichael Eff- guitar \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNoelle Magia- vocals \u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1358384877\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/boink-nadinerecords.bandcamp.com\/album\/something-colorful-for-sure\"\u003eSomething Colorful For Sure by Boink\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Nadine Records","offers":[{"title":"Default Title","offer_id":40973042581665,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3427605351_10.jpg?v=1578593895"},{"product_id":"pandemix-in-condemnation-lp","title":"Pandemix - In Condemnation [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePandemix is back with \u003ci\u003eIn Condemnation, \u003c\/i\u003ea 10 song LP expanding on their political, peace-punk indebted hardcore canon. The band churns out unapologetic outsider anthems in the tradition of CRASS records bands, with flashes of the angular iconoclastic wit of Flux of Pink Indians or Poison Girls juxtaposed against the jarring and heavy guitar textures of Profane Existence style crust punk. It’s the appropriate tone for Pandemix’s incisive social commentary. On the album closer “Column of Light,” they offer a thesis: “May every breath I ever draw be used in condemnation.” Vocalist Shannon Thompson's breath finds well deserved targets at nearly every lyrical turn. In “Can’t Assimilate” for example, she oscillates between a homophobic street harasser and a cop at a pride parade, finding no solace in any corner of the public sphere.\u003cspan class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=496610016\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtcultrecords.bandcamp.com\/album\/in-condemnation\"\u003eIn Condemnation by Pandemix\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan class=\"il\"\u003e\u003cspan class=\"il\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-p2\"\u003eThe antagonists on \u003ci\u003eIn Condemnation\u003c\/i\u003e are both political and personal. “It’s all about a relationship to violence,” she spits in “Synthetix.” “If it’s constant and random then you can’t politicize it.” This dismal sentiment clashes appropriately against a jagged bass line and harsh militaristic drum lines. In “Oblivion Lullabies,” a catchy rager that barrels ahead at full throttle, she turns her focus inward. “There’s something nameless inside me \/ Barren and burned \/ I can’t believe \/ That I could be the only one \/ Who feels like a voyeur in her own life.” A culture of constant performance and decentralized surveillance is critiqued not only for its usefulness to authoritarian figures but also for how it shapes the way we think about ourselves.\u003cspan class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-p2\"\u003eOn the soaring penultimate track, “Past Selves,” we are offered the closest thing to optimism that Pandemix is willing to offer. Its melodramatic, goosebump inspiring riff sets the mood for an anthem of finding strength in oneself in the face of a degrading cultural landscape.\u003cspan class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-Apple-converted-space\"\u003e  \u003c\/span\u003e“Remain steadfastly human in the face of all this dehumanization,” is the coping mantra Thompson offers as the record nears its end. Even at its most  uplifting, \u003ci\u003eIn Condemnation\u003c\/i\u003e shines brightness only in contrast to the constant misery and violence of modern life.\u003cbr\u003e\u003cspan class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"m_-6867158993954084278gmail-m_7625830415820727964gmail-m_598139033171524306gmail-p1\"\u003eThe record comes with a 12x12 poster, 24 page zine, and download code!\u003c\/p\u003e","brand":"Dirt Cult Records","offers":[{"title":"Red","offer_id":20015022145606,"sku":"","price":17.0,"currency_code":"USD","in_stock":false},{"title":"Black","offer_id":20015022178374,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Pandemix_Cover.jpg?v=1550956103"},{"product_id":"drunk-dial-3-escare-7","title":"Drunk Dial #3 - Escare [MARKED DOWN] - New 7\"","description":"\u003cp\u003e\u003cspan\u003eBLACK VINYL FIRST PRESSING.  #3 was only pressed in black. 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Two songs from the session, a cover of legendary German experimental rockers CAN b-side \"Mushroom\" and an original titled \"Electric Bolo,\" are featured on this 7\" record.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2516974323\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/drunkdialrecords.bandcamp.com\/album\/drunk-dial-3-escare\"\u003eDrunk Dial #3 - ESCARE by Drunk Dial Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2516974323\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=354083199\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/drunkdialrecords.bandcamp.com\/album\/drunk-dial-3-escare\"\u003eDrunk Dial #3 - ESCARE by Drunk Dial Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunk Dial Records","offers":[{"title":"Default Title","offer_id":20265366487110,"sku":"","price":4.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/CHUG3-cover.jpg?v=1606118613"},{"product_id":"guided-by-voices-warp-and-woof-lp","title":"Guided By Voices - Warp And Woof [MARKED DOWN] - New LP","description":"\u003cspan\u003eFollowing Guided By Voice’s sprawling double-album Zeppelin Over China, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp And Woof, exuberantly barreling through twenty-four songs in just thirty-seven minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eAfter completing Zeppelin, Pollard felt the itch to record a few EPs. Just as GBV had done back in 1994, he would use them to channel his everflowing ideas to an outlet. But when a magical boombox writing session produced six fully formed songs in under half an hour, Pollard realized he had an album on his hands. What to do?\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eWith a band so formidable they’ve been dubbed the Golden Age of GBV, they completed much of the recording on the road. The 2018 Space Gun Tour provided impromptu recording venues. Pollard recorded vocals in hotel rooms, complimentary condominiums, and small studios. Doug Gillard cut guitar tracks for “End It With Light” through his Mesa Boogie rig at the soundcheck at the Ottobar in Baltimore. Bobby Bare Jr. recorded his spacey main rhythm guitars for album closer, “Time Remains in Central Position” at the same show, but in the backstage green room. Kevin March added drum tracks in a studio in his hometown Montclair, New Jersey. Gillard played guitar on “Bury the Mouse” in a van hurtling at 60-plus m.p.h., and Mark Shue laid bass on “Angelic Weirdness” as he balanced on the speeding van’s bench seat…. \u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1240822171\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/guidedbyvoices.bandcamp.com\/album\/warp-and-woof\"\u003eWarp And Woof by Guided By Voices\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"GBV Inc.","offers":[{"title":"Default Title","offer_id":20695135420486,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/647603404127_main.jpg?v=1556301290"},{"product_id":"bikini-kill-reject-all-american-lp","title":"Bikini Kill - Reject All American - New LP","description":"\u003cspan\u003eREISSUED!!! BIKINI KILL's final studio album originally released in 1996 on Kill Rock Stars.\u003c\/span\u003e\u003cspan class=\"break\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eBikini Kill was a feminist punk band that was based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. KATHLEEN HANNA sang, TOBI VAIL played drums, BILLY KARREN (aka BILLY BOREDOM) played guitar and KATHI WILCOX played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early ’90s via their political lyrics, zines, and confrontational live performances.\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=502424213\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/bikinikill.bandcamp.com\/album\/reject-all-american\"\u003eReject All American by Bikini Kill\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e","brand":"Bikini Kill Records","offers":[{"title":"Default Title","offer_id":20801213988934,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5cc896c9086f4_main.jpg?v=1600197202"},{"product_id":"sinkane-depayse-new-lp","title":"Sinkane - Dépaysé [IMPORT ORANGE VINYL Marked Down] - New LP","description":"\u003cp\u003eLimited Edition: Orange vinyl.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2308265289\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sinkane.bandcamp.com\/album\/de-payse\"\u003eDépaysé by SINKANE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\"Under the name\u003cspan\u003e \u003c\/span\u003eSinkane, singer, songwriter, and multi-instrumentalist,\u003cspan\u003e \u003c\/span\u003eAhmed Gallab\u003cspan\u003e \u003c\/span\u003ehas spent over a decade steadily building up a catalog that explores more than anything else his dueling affinities for '70s funk and Aro-pop. Complemented by veins of indie rock, jazz, psych, and reggae, his work has trended toward the biographical and at times, the philosophical. Raised for the most part in the U.S., his narrative bears the complexities of immigration; an African Muslim in origin, he was born in London, lived his early childhood in Sudan, and at the age of five settled with his family in the American Midwest. More so than on any of his previous\u003cspan\u003e \u003c\/span\u003eSinkane\u003cspan\u003e \u003c\/span\u003ereleases, 2019's\u003cspan\u003e \u003c\/span\u003eDépaysé\u003cspan\u003e \u003c\/span\u003edelves deeply into\u003cspan\u003e \u003c\/span\u003eGallab's personal experience as an immigrant in an increasingly divided and discordant American era. The album's title is a French word referring to being \"removed from one's habitual surroundings,\" which succinctly describes the feeling of cultural displacement he'd endured many times throughout his life. Ultimately more celebratory than cynical,\u003cspan\u003e \u003c\/span\u003eDépaysé\u003cspan\u003e \u003c\/span\u003ebegins on a defiantly optimistic note with the rousing funk of \"Everybody\" and its thematic partner \"Everyone,\" a pair of inclusionary tracks praising unity through diversity. Elsewhere,\u003cspan\u003e \u003c\/span\u003eGallab\u003cspan\u003e \u003c\/span\u003ecomes to terms with what he refers to as his duality, merging his competing American and Sudanese cultures on the hard, circular grooves of \"The Searching\" and the colorful Afro-pop of \"Ya Sudan.\" The title cut dramatically pairs serpentine wah-wah guitar leads with a cinematic East-African melody while alternating between English and Arabic lyrics that apparently came to him a dream. Ironically, it's\u003cspan\u003e \u003c\/span\u003eGallab's unfailingly straightforward vocal delivery that provides some of the biggest juxtapositions in his music: the rich palette of soulful musical styles he draws from is often at odds with his strangely plain American diction. Yet, the vivid tones of his African heritage transmuted through his Ohio upbringing are a major part of his story, and with his melting pot of styles, influences, and cultures,\u003cspan\u003e \u003c\/span\u003eSinkane\u003cspan\u003e \u003c\/span\u003esets out to prove that we can be many things at once and still find acceptance and love.\" - Timothy Monger\n\u003cp\u003ein his own words:\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"It’s easy to be angry in moments like now. And that’s OK. But it takes courage to turn that anger into productive energy. The previous Sinkane album, 2017's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLife and Livin' It\u003c\/em\u003e, was released at a very crazy time: things like the Muslim ban, police shooting unarmed people of color, massive corruption in my native Sudan, fake news, Donald Trump, Brexit and so many other calamities all really forced me to think about my place in the world as a musician. I began to think about how I could use my music in a constructive way — not only to help myself but to help others who feel frustrated and powerless.\u003c\/p\u003e\n\u003cp\u003eI’m not a newbie to hate: I’m black, Muslim and even though I'm an American I'm often made to feel like a foreigner in my own country. And sometimes I\u003cspan\u003e \u003c\/span\u003e\u003cem\u003edo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeel like a foreigner — in fact, I once made a whole album, 2012's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMars\u003c\/em\u003e, about that feeling. I’ve made a lot of music out of my life story but I’ve always kept things vague enough that anyone listening to my music could relate to it on their own terms. And yet I have to admit that I never truly felt satisfied with that. I eventually realized that, in order to truly connect with other people, I first needed to connect with myself on a deeper level than before.\u003c\/p\u003e\n\u003cp\u003eThroughout the making of my new album I kept asking myself the same question: “As an immigrant to America, where do I belong?” So, during the writing process, I worked mainly by myself so that I could ensure the most honest and personal answers to that question. I read books by Joseph Campbell, the late novelist\/cultural theorist Daniel Quinn, Ta-Nehisi Coates, Pakistani novelist Mohsin Hamid, and the late African-American memoirist Philippe Wamba, hoping they’d guide me to some kind of answer. Then, one day when I was wandering around the fertile desert of the internet, I stumbled upon an amazing word: dépaysé.\u003c\/p\u003e\n\u003cp\u003eDépaysé is a French word that basically means “to be removed from one’s habitual surroundings.” By extension, it means to be disoriented, homeless. That's a feeling I relate to very much in these times — and I don’t think I’m the only one who feels this way. That word gave me clarity and made the journey inward that much more exciting.\u003c\/p\u003e\n\u003cp\u003eAfter I finished writing the album I brought the music to my band. Sinkane is an American band comprised of people from all over the world: I am Sudanese, guitarist Jonny Lam is Chinese, keyboardist Elenna Canlas is Filipina, drummer Chris St. Hilaire is Trinidadian, and bassist Michael “Ish” Montgomery is Black American. Our collective experience as children of the diaspora helped bring the music to life in the most honest way possible.\u003c\/p\u003e\n\u003cp\u003eSo here we are.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDépaysé\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the story of an immigrant’s journey of self-discovery in the Trump era. The music is loud and raw, and it's bursting with energy unlike anything I’ve ever done before. It starts with a call to arms: “Everybody,” a rock \u0026amp; roll song in the spirit of Sly Stone and funky early-'70s Afro-rock bands like the Funkees and the Hygrades. Every day we wake up to another horror story about racism, and it’s left many of us angry, confused and frustrated. But we can change the news for the better. We can show people that a multicolored world is a beautiful one. Celebrating our differences yields beauty in life. And that takes... everybody.\u003c\/p\u003e\n\u003cp\u003eThe second song of the album, the desert blues\/dancehall-tinged “Everyone,” continues that line of thought to its logical conclusion: love is the key to helping us understand one another.\u003c\/p\u003e\n\u003cp\u003eThe psychedelic, groovy East African-inspired title track came to me in a dream: I dreamed I was walking the streets of Omdurman at night, a city along the Nile in my native Sudan, when I heard someone playing guitar and singing in Arabic. It turned out to be my father! He was sitting cross-legged on the ground, under a streetlight in front of my childhood home. His voice sounded hypnotic, raw and powerful as he sang: “I am your life\/And all of our lives\/From within the city until our uprising\/Our days have left us in the city and, with our imagination, we move forward.” He sang that over and over, and I sing those same words in my song. This, along with the rest of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDépaysé\u003c\/em\u003e, has given me peace. I am no longer afraid of the unknown. I’m no longer confused about my duality of my Sudanese and American identities. Now I accept it. And it's made me feel new.\u003c\/p\u003e\n\u003cp\u003e“Ya Sudan” and “The Searching” explore that duality. In “Ya Sudan” I pay homage to my country of origin and in “The Searching” I discuss what it means to move forward from that. Truly understanding one's duality means seeing beyond where you came from: let go of any definition that others put on you and then you can truly see the beauty of your life experience. “Stranger” and “Be Here Now” address one of the most confusing aspects in the diaspora experience: religion. Lots of people have questions about their faith: What does this all mean? After all this work why do I still feel uncertain? What about all the bad people who are like me? And the good who are not? Those questions loom larger when you grow up with people different from you. I wanted to bring this up and let people like me know that they’re not alone in questioning their faith. I also thought it would be funny to spitefully ask God to take accountability for his actions. The Arabic lyrics translate to “Oh God, aren’t you our protector? Help me through these murky waters that seem part of your master plan.”\u003c\/p\u003e\n\u003cp\u003eAs always, I'm inspired by Sly Stone, Fela Kuti, George Clinton and Bob Marley, as well as the beautiful music of east Africa (especially the Dur Dur Band from Somalia, Mulatu Astatkefrom Ethiopia, and Mohammed Wardi from Sudan). These people all spoke their minds confidently in front of a beat that made you dance. They welcomed every kind of person into their worlds with open arms. We live in an often terrible time but that shouldn’t silence our desire to have a good time. To dance. To dream. To love. To be one with the world. To realize that we’re not alone.\u003c\/p\u003e\n\u003cp\u003eI want to make it clear that the world is a better place because of our differences. We’re all strangers in this ever-stranger land of America. We are\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eall\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe American Dream.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDépaysé\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a place we can all know as home, with elements of all our homes. It's an act of imaginary cartography — on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMars,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eI called that place “Caparundi,” a place where Africa, North America, South America, Asia, and the Caribbean all meet in joyous harmony. The music is playing there all night long. Come in and dance and sing. And stay for the conversation.\u003c\/p\u003e\n\u003cp\u003eSincerely,\u003c\/p\u003e\n\u003cp\u003eAhmed Gallab\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Default Title","offer_id":29240378261574,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/SINKANE.jpg?v=1562146044"},{"product_id":"gladys-knight-the-pips-letter-full-of-tears-new-lp","title":"Gladys Knight \u0026 the Pips - Letter Full of Tears - New LP","description":"\u003cp\u003eReissue of debut 1962 album.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Vinyl Lovers","offers":[{"title":"Default Title","offer_id":29398414590022,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Gladys_Knight_the_Pips_-_Letter_Full_of_Tears.jpg?v=1562967889"},{"product_id":"billie-holiday-stay-with-me-new-lp","title":"Holiday, Billie  - Stay with Me - New LP","description":"\u003cp\u003eEuropean reissue of 1958 album, recorded in 1955, this reissue with a bonus track recorded in 1957--\"Say It Isn't So\" (Irving Berlin).  Includes original liner notes and new liner notes.  Produced by Norman Granz.\u003c\/p\u003e\n\u003cp\u003eCozy Cole, drums; Billy Bauer, guitar; Billy Taylor, piano...at least that's what the sleeve claims (Ron Wynn's review below calls out other players).  Both call out Charlie Shavers.\u003c\/p\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003e\"Featuring recordings from February 1955 and released in 1958,\u003cspan\u003e \u003c\/span\u003eStay with Me\u003cspan\u003e \u003c\/span\u003eis a late entry in\u003cspan\u003e \u003c\/span\u003eBillie Holiday's career. She was fading, but hadn't lost the dramatic quality in her delivery, nor her ability to project and tell a shattering story. She's backed by trumpeter\u003cspan\u003e \u003c\/span\u003eCharlie Shavers, pianist\u003cspan\u003e \u003c\/span\u003eOscar Peterson, guitarist\u003cspan\u003e \u003c\/span\u003eHerb Ellis, bassist\u003cspan\u003e \u003c\/span\u003eRay Brown, and drummer\u003cspan\u003e \u003c\/span\u003eEd Shaughnessy.\" Ron Wynn\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eStay With Me\u003c\/em\u003e may not be as well known as \u003cem\u003eLady Sings the Blues\u003c\/em\u003e or \u003cem\u003eLady in Satin\u003c\/em\u003e, but it is arguably the most underrated of Billie Holiday's final series of LP's. As on those other records, Holiday's voice is worn out by years of abuse and ill health, but she retains her skill from timing, rhythm, and her signature flair for melancholic drama. Meanwhile, she is backed by an absolutely stellar band, most notably trumpeter Charlie Shavers, who punctuates every track with wonderful improvisation without overpowering the singer's fragile voice. The best track here, for my money, is \"I've Got My Love to Keep Me Warm,\" but \"I Wished on the Moon\" and \"Ain't Misbehavin'\" are also among the most enjoyable tracks Lady Day recorded during her time at Verve.\" - \u003c\/span\u003eKenneth Bridgham\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pan Am Records","offers":[{"title":"Default Title","offer_id":29411260727366,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/billie_Holiday.jpg?v=1563323280"},{"product_id":"thad-jones-mel-lewis-live-on-tour-switzerland-new-lp","title":"Jones, Thad \/ Mel Lewis - Live on Tour [1969] Switzerland [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis was first released as a CD in 1995 as \u003cem\u003eBasle, 1969,\u003c\/em\u003e and then reissued by Sonny Lester and his Groove Merchant label.  \u003c\/span\u003e\u003cspan\u003eThe arrangements are credited to trumpeter Thad Jones, and most of the compositions too, and even when they are doing Ellington's \"Come Sunday,\" Jones is clearly leading the proceedings.  Of course, I don't know Jones' voice well enough to recognize it, and the horn in the spotlight might belong to one of the other players.  The closer is credited to saxophonist Jerome Richardson and especially comes across to be a wonderful group effort focusing on both the groove and the individuals, as if perhaps Thad said, \u003cem\u003ehey I've got the arrangements and our horn charts will punch it home, but this is the band's chance to group up and show your stuff\u003c\/em\u003e. While this album contains the song \"Groove Merchant\" not all Groove Merchant offerings were really what one thinks of as 1960s' groove, as this releases shows.  This is big band.  Of course the band was formed in the 1960s so groove informs, and bop clearly comes to the front when the orchestra drops to the back.  The closer \"Groove Merchant\" is still big band, but it's also pure groove.  In fact, this helps provide a history lesson: the 1960s and 1950s influenced this music, and when those influences show, you're also (and perhaps mainly) seeing how this big band style laid down the foundations of the jazz of the 1950s and 1960s--bop and groove.  Since drummer Lewis was co-leader of the band, the rhythm section plays a big part and drives the music forward, but Lewis made the wonderful decision to avoid solos so the spotlight remains on the other players and we don't have to sit through any of those awkward drum solos.  (This may seem rather forward thinking but it actually might be respect for the past.  The idea of clipping the solos and focusing on rhythm might be remembered as a 1970s response to all the excess in progressive rock and jazz fusion, a lesson that was especially important with punk and funk and influenced nearly all musicians since the 1970s, but we must remember that focusing on rhythm and making everything part of everything was a strive to return to the fun music of the early 1960s, and it's important to recognize that all that music of the 1960s came from black music of the previous decades, from Bo Diddley back to New Orleans jazz.)  Anyway, getting back to this record: big band ain't my bag, but if it is yours, this is worth grabbing, nearly changed my mind about big band and certainly provided an appreciation for this team of musicians, has all that big-band punch and plenty of room for individual players to speak up and let their voice be heard.  Thad Jones and all the other horn players, \u003c\/span\u003epianist Roland Hanna, even bassist Richard Davis get plenty of space to showcase their solos while still staying grounded in the groove.  - winch \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e(This album is missing a few cuts that were included on the 1995 CD, but apparently this features all the best cuts because the following review is for the 1995 CD and all the \"highlights\" called out in the review are included on this vinyl release from 2008.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"This live concert, broadcast over Swiss radio features the \u003c\/span\u003eThad Jones\u003cspan\u003e\/\u003c\/span\u003eMel Lewis\u003cspan\u003e Orchestra at its prime. The remarkable all-star group includes two first trumpeters (\u003c\/span\u003eSnooky Young\u003cspan\u003e and \u003c\/span\u003eAl Porcino\u003cspan\u003e) and such soloists as trumpeters Richard Williams, \u003c\/span\u003eDanny Moore\u003cspan\u003e and \u003c\/span\u003eThad Jones\u003cspan\u003e, trombonist \u003c\/span\u003eJimmy Knepper\u003cspan\u003e, \u003c\/span\u003eJerome Richardson\u003cspan\u003e on soprano, Jerry Dodgion on flute and alto, baritonist \u003c\/span\u003ePepper Adams\u003cspan\u003e, pianist \u003c\/span\u003eRoland Hanna\u003cspan\u003e, bassist \u003c\/span\u003eRichard Davis\u003cspan\u003e and tenor great \u003c\/span\u003eJoe Henderson\u003cspan\u003e whose short stint with the band was long enough to include this European tour. Highlights of the superior set include \"Second Race,\" \"The Waltz You Swang For Me,\" \"Don't Get Sassy\" and \"Groove Merchant.\" Highly recommended to fans of the band, this Swiss CD can be found with a bit of a search.\" - \u003c\/span\u003eScott Yanow\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Groove Merchant","offers":[{"title":"Default Title","offer_id":29414333153350,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/thad_and_lewis.jpg?v=1563383820"},{"product_id":"naqvi-qasim-teenages-new-lp","title":"Naqvi, Qasim - Teenages [MARKED DOWN] - New LP","description":"\u003cp\u003e2019.  Electronic experimental. Music for Modular Synthesizer.  \u003cspan\u003eI'm a composer and drummer. I play drums in the group Dawn of Midi.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1236313194\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/qasimnaqvi.bandcamp.com\/album\/teenages\"\u003eTeenages by Qasim Naqvi\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003e\"Teenages is a masterclass in the almost forgotten art of playing synthesisers for their own sake.\" - The Guardian\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\"From the throbbing, alien hum of ‘Artilect’ to the naive Radiophonic-esque bleeping melody of ‘Palace Workers’, its expertly-cultivated moods will captivate current fans and win over new ones.\"- 9\/10 DJ Mag\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e“Gorgeous intricacy and sweeping scale”- Spin Magazine\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003e\"Unlike many contemporary modular synth releases, Teenages has arrived at an original sound, combining 20th Century experimental composition with 21st Century notions of artificial intelligence.\" - The Quietus\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e“This kind of modular synth work isn’t exactly an underpopulated field, but Teenages offers plenty to commend it. The balance of sun blinded textures and rough-housing tactility is spot on.” - 8\/10 Uncut Magazine\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\"This is no ordinary release of electronic music. It is a fully realized work of detailed composition, where each track contributes to an arc of music that displays theme and narrative\" - 8\/10 Exclaim Magazine\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1236313194\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/qasimnaqvi.bandcamp.com\/album\/teenages\"\u003eTeenages by Qasim Naqvi\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Erased Tapes Records","offers":[{"title":"Default Title","offer_id":29415693877318,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/qasim.jpg?v=1563424699"},{"product_id":"kicker-pure-drivel-new-lp","title":"Kicker - Pure Drivel [Coke Bottle \u0026 Black Half-n-Half Vinyl MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e 2019. UK meets East Bay punk rock. Fronted by Pete the Roadie and backed by members from Operation Ivy, Dystopia and Neurosis.\u003c\/p\u003e\n\u003cp\u003e“That Kicker is solid punk rock shenanigans” —Ami Lawless.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCoke Bottle Green \u0026amp; Black Half-n-Half Vinyl \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2560900729\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/downloads.tankcrimes.com\/album\/pure-drivel\" data-mce-href=\"http:\/\/downloads.tankcrimes.com\/album\/pure-drivel\"\u0026gt;Pure Drivel by Kicker\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRAZORCAKE: \"I kind of avoided this band for a while. I used to stay in a building next to a punk house and I got to know the tenants. We put up with each other despite my haircut and imported clothing—and I loved bonding with them over shared favorites like His Hero Is Gone—but when they suggested I check out this “very English punk-sounding” band Kicker I didn’t really take them seriously. Somehow the “ex members of” list, including folks from great bands like Dystopia and Neurosis, turned me off even more because I figured they should be sticking to what they do well and leave the whole crappy street punk thing to suburban bar bands dreaming of becoming the next Street Dogs (because that’s a barometer for success these days) and damn if I’m not eating my words on this one because this piece of plastic—their third full length release—is chock-full of straight rippers that are a blend of the darker elements of Sub\/Hum\/Ans, rough melodies of Oxymoron, and the intensity of early Rudimentary Peni, but with a more rock back beat. It’s such a simple, stupid sound that is the result of several people who obviously own way too many fucking records putting all them together. Great lyrics that aren’t cheesy. This is cheeky in a good way. It rocks in a good way. It’s punk in a good way.\" –Ian Wise \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"As a teenaged asshole hating every option I’d ever been given in life, fuckin’ music for that matter, it was the 20 minute hardcore 12″ that finally had me pissing up a rope trying to write about music that excited me. What the hell ever mattered to me at that point, jerking off or getting high (or both), died screaming as soon as I’d picked up a few shitty Portland-assed 90’s zines and a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBad Brains\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erecord. Today the futility of growing up and not calming down is probably some kind of cosmic torture, somehow even worse than listening to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePleasants-\u003c\/em\u003eera\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSuicidal Tendencies\u003c\/strong\u003e, yet I feel like less of a worthless heel in firing up Oakland, California punks\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e‘s third full-length ‘Pure Drivel’. Not because they ‘get’ it or because they’ve re-lit that old idealism in my failing mind but, because they’ve finally shoved that pretense off a three story building and popped my skull like a melon.\u003c\/p\u003e\n\u003cp\u003e\"You’re getting all that old straight-forward anarcho-punk spirit with some ’79 Oi! from the jocularly outrage of \u003cem\u003ePete the Roadie\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewhose ‘fuck, whatever’\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMicky Fitz\u003c\/em\u003e-esque jawing lends a classic UK punk retch to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e‘s evolved form of post-and-pre-Gilman East Bay punk rock. Though\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePete\u003c\/em\u003e‘s presence was a big deal from the start I don’t feel like he made it a big stink until the band’s second album, ‘Rendered Obsolete’ (2016), despite how memorable the single for “Innit” was on the debut; There he and bassist\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDave Edwardson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eNeurosis\u003c\/strong\u003e) would trade off once in a while but\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker \u003c\/strong\u003ewouldn’t truly feel like a ‘classic’ band until\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePete\u003c\/em\u003e‘d get weirder with his snot. Specific punk nostalgia is messy thing to work with because it can be a sore reminder that nothing was as it ever was; The twisted looks on my face after disproving any reminiscing over similarities with classic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eConflict\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAus Rotten\u003c\/strong\u003e must have been priceless. I wouldn’t say \u003cem\u003eMatt Parrillo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eDystopia\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMindrot\u003c\/strong\u003e) cranks far outside of the box on ‘Pure Drivel’ but this is a clean, composed and tightly wound record clearly not whipped out by drug-addled teenagers. That precision is even more pronounced throughout ‘Pure Drivel’ as drummer\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDave Mello\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eOperation Ivy\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSchlong\u003c\/strong\u003e) has a style that feels a bit more effortless than drummers previous. If you want to see the album as any kind of ‘throwback’ beyond its songwriting, flick on a pair of deeply rose-colored glasses and pretend this isn’t a professional record from way old pros.\u003c\/p\u003e\n\u003cp\u003e\"That old feeling and this new fidelity is the knife that the war-disturbed veteran would use to slit their wet-nurse’s throat before escape and it is a glorious sort of violence when it works. My favorite example might be the return of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDischarge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecirca 2002 but, it is all the more exciting when those names we know crank out a new original, so I appreciate that this certifiable ‘supergroup’ don’t appear to be screaming ‘remember us, you fucking cunts?’ at any point. What I love about ‘Pure Drivel’ is that you’re getting a raw point of view, a personality and an attitude that persists by ‘classic’ means but isn’t a forced chunk of worship. The tracklist is a minefield for the overly serious listener and a few key moments will diffuse anyone who’d show up to a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ealbum looking for a call to arms or revolution; Instead\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePete\u003c\/em\u003e‘s a storyteller, a man of many gripes who’ll have just as many jokes to tell, and this comes up front with the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBiafra\u003c\/em\u003e-esque “Mrs. Arnold” and doesn’t let up ’til the excessive end of “Goodnight and Fuck Off”. That mix of California hardcore punk and UK ’82 should feel like some sort of long forgotten mid-80’s record that has been remastered for 2019 and I’m grateful they haven’t phoned in the songwriting.\u003c\/p\u003e\n\u003cp\u003e\"I’m still an irritable shit, though, and there were a couple tracks here that I’d ended up skipping over beyond the tenth or so spin (“Goodnight and Fuck Off”, “Wankers on the Bus”). The strongest points of interest for my own taste came when\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewere at their most straight forward, “Down in the Bunker” is so pure I had to check if it was a cover, “Can’t Sleep” could very well be my theme song for the last few years, and I really liked “TL: DR” if only because I got more\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEdwardson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecirca ‘Pain of Mind’ (with a brief\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBlatz\u003c\/strong\u003e-like progression on the side) thanks to his shouts. Again, “Mrs. Arnold” is a centerpiece that comes after the almost melodic hardcore intro track, it resonated with me a bit like\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Business\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecirca ’97 when they’d comeback from the flop of ‘Keep the Faith’ going a bit harder. I could go on but each of these songs has its own appeal, some better than others, and the overall “Fuck off” of the experience resonates longer than any of the catchy punk songs within. I had fun with ‘Pure Drivel’ and I’d give moderately high recommendation of it to the punk inclined. For preview I’d say “Pure Drivel” or “Oxycontin and Vodka Pills” are good introductions to their sound and “Down to the Bunker” is my favorite but, “Mrs. Arnold” makes the most compelling first impression.\" - terraasymmetry\u003c\/p\u003e","brand":"Tankcrimes Records","offers":[{"title":"Default Title","offer_id":29436181643334,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-13229725-1592888769-7232_jpeg.jpg?v=1625893149"},{"product_id":"hard-charger-vol-4-take-the-guff-and-suffer-new","title":"Hard Charger - Vol. 4: Take the Guff and Suffer [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cspan\u003eCrust punk rock and roll!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=218002332\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/wastedtimerecords506.bandcamp.com\/album\/hard-charger-vol-4-take-the-guff-and-suffer-2\"\u003eHard Charger - Vol.4: Take The Guff and Suffer by Hard Charger\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eHard Charger is a Canadian crust punk \/ crust'n'roll band from Fredericton in New Brunswick, formed in 2006.\u003cbr\u003e\u003cbr\u003eIn the band's own words, \"This just is metal plated rock n roll, revved up and ready...the car analogy from their name is appropriate: shoe-wrecking-gas-pedal-mashing, F.U. waving, right reckless and nihilistic rock n roll\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Wasted Time \/ D7i","offers":[{"title":"Default Title","offer_id":29506649358406,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Hard_charger.jpg?v=1565907880"},{"product_id":"dots-s-t-12-ep-new-lp","title":"Dots - S\/T 12\" [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCool yet wild spasm sound that is somewhere between NOTS and certain eras of RAKTA?! Though maybe DOTS are more sorta art punks unable to hide their BLACK FLAG roots… Vicious sounds! Wild looping collapsing rhythm sectional idea explosions! Theramin! GINN-ish guitars! Spaced-out vocal incantations c\/o the punkest Camylle (also of MIDNITE SNAXXX and prob a million other groups?!). Doomed Bay Area sounds that will make you wanna dance and fuck shit up.\u003c\/p\u003e\n\u003cul class=\"meta-list table\"\u003e\n\u003cli\u003e\u003cspan class=\"meta-value\"\u003eLayla\u003ca href=\"http:\/\/maximumrocknroll.com\/dj\/layla-gibbon\/\"\u003e GIBBO\u003c\/a\u003eNS: Maximum Rock ‘n Roll.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1502831483\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;lt;a href=\"http:\/\/dirtcultrecords.bandcamp.com\/album\/dots\" data-mce-href=\"http:\/\/dirtcultrecords.bandcamp.com\/album\/dots\"\u0026amp;amp;gt;Dots by Dots\u0026amp;amp;lt;\/a\u0026amp;amp;gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eDebut record from this Oakland band. \u003cspan class=\"il\"\u003ePsychedelic\u003c\/span\u003e\u003cspan\u003e hardcore with pop riffs, theremin solos, space keyboard, and heavily distorted vocals. Dots are Camylle (vox\/theremin\/keyboard), Matt (guitar), John (drums) and Jason (bass). Oakland punk featuring members of Midnite Snaxxx, Bad Daddies, and FM Knives.\u003c\/span\u003e\n\u003cp\u003e\u003cspan\u003eLimited to 300 copies on black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOakland-based punk band\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDots\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003econnect to listeners to their wild blend of psychedelic hardcore, punk rock riffs, and pop melodics. Spacey keyboards and heavily distorted vocals are added to the heady mix that is performed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCamylle\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(vocals, theremin, keyboards),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMatt\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(guitar),\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJohn\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(drums), and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJason\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(bass).\u003c\/p\u003e\n\u003cp\u003eThe members of Dots rampage rambunctiously through their tunes in a toss-off, but always energetic and catchy manner. Spunky punk attitude runs amok as each clambering track propels into the other, bursting with angular guitar jangle, sharp percussive agitation, slap-dash drumwork, and wailed out exclamations.\u003c\/p\u003e\n\u003cp\u003eOpener “Throwing Pennies” jumps high with frenetic energy, while “Blackness” bludgeons and thrashes in metal style. Spacey keyboard notes swirl and crash against a running-for-its-life bass line on “Alpha Rat”.\u003c\/p\u003e\n\u003cp\u003eThe quick “Convalescence” slams with guitar immolation and pushy vocal shouts. The fiery relentlessness and pummeled drum beats continue of “Surf’s Up”. Chaos reigns on “Dethroned”, which flies by on speedy instrumentation and Camylle’s defiantly exclaimed vocals as she roars repeatedly,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“take you down”\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e“Spinal Tap” revels in crunchy guitar scramble and slammed drum beats, while album-ender “Judgement” cools it down ever-so-slightly with extended (yet still incendiary) guitar lines, calmer (yet still rubbery) bass line, rhythmic (yet still super-kinetic) drumwork, and Camylle’s fervent proclamations.\u003c\/p\u003e\n\u003cp\u003eIn late 2018, Matt and Camylle had pretty much wound up their noisy, messy punk band\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eB.D.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(also known as\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBad Daddies\u003c\/strong\u003e), which had been running on-and-off for about 7 years. They weren’t really looking for anything new to do, but when Jason and John approached them about getting louder and weirder, it seemed like a very good idea.\u003c\/p\u003e\n\u003cp\u003eCamylle plays with her other punk band\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMidnite Snaxxx\u003c\/strong\u003e, and curates the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTypical Girls\u003c\/em\u003ecompilation series for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEmotional Responsei\u003c\/strong\u003eeded to be something a bit off kilter to be intriguing. Camylle remembers,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“John messaged me about getting together and writing some songs. I just thought I didn’t have enough time [for it], unless it was really weird, and hardcore.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eJason, for his part, has played bass or sung in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“too many power pop bands and not enough punk since I was like 17.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eJason met John in his last pop band and the two became friends. Jason comments,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“John has been playing professionally, and drumming behind DJ’s since he was 12 or some crazy shit, at these wild Venezuelan rave\/functions in front of thousands of kids. He turned me on to beats and rhythms I never thought I could play.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOne day Jason visited John at his house and John very solemnly said,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“I need to show you something.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eJason recalls,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“I’m thinking the fucking 2001 Kubrick monolith is about to pop up and change my sad life, but it was just footage of B.D. playing under an interstate. Matt and Camylle were wearing the same outfit like some greaser gang and John and I were all, “Guess we’re quitting pop music”.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDots got it together, wrote some songs, played some shows, and, by early 2019, found themselves recording with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKelley Stoltz\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein San Francisco (with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThomas Jackson\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof Oakland’s\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBaus\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoccasionally on drums). And thus\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDots\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewas created.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased June 28, 2019\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eDots –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eS\/T\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eLP (Dirt Cult)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\"We’ve had an influx of “dark post punk” here at the Audio Ammunition underwater volcano stronghold these past few months.\u003cspan\u003e  \u003c\/span\u003eAmong them are Dots, They’re from Oakland and boasts members of such stellar acts as Midnite Snaxxx and FM Knives.\u003cspan\u003e  \u003c\/span\u003eWhat sets Dots apart from the rest of their ilk is their heavy use of psychedelic effects in their music, such as echo-y voice effects and wispy keys. This gives the songs here a haunting, disorienting feeling to them.\u003cspan\u003e  \u003c\/span\u003eIt’s like going on the “It’s a Small World” ride at Disneyland, feeling LSD effects while listening to Blatz or Jack Acid at high volume. You’ve been warned! - JC\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":29546224287814,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Dots.jpg?v=1566720777"},{"product_id":"active-listening-night-on-earth-new-lp","title":"Empath - Active Listening: Night On Earth [ROYAL BLUE VINYL Marked Down] - New LP","description":"\u003cp\u003e\u003cbr\u003eroyal blue vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1205052735\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/empathx.bandcamp.com\/album\/active-listening-night-on-earth\"\u003eActive Listening: Night on Earth by empath\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCatherine Elicson: Vocals and Guitar\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eEmily Shanahan: Keys\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eRandall Coon: Keys\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eGarrett Koloski: Drums\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe noise punk band broke onto the national scene with the release of 'Liberating Guilt and Fear' EP with renowned DIY Philly punk label Get Better Records which drew praise from Pitchfork, FADER, Rolling Stone and more, being compared to acts such as Broken Social Scene, Sonic Youth, Times New Viking, New Age and Priests. \u003c\/span\u003eEmpath began in 2016 when Garrett Koloski, Emily \"Jem\" Shanahan, and Catherine Elicson moved into a house in West Philadelphia together, with Randall Coon joining shortly after. Even with the simple vision to shred, there’s a natural sensitivity in the way Empath communicates. Between the contrast of Elicson’s lush, almost delicate vocals, Koloski’s boisterous drumming, and the half-harmonious wash of guitar and Shanahan and Coon’s synths, Empath equips us with a healthy dose of emotional repose.\u003cspan\u003e \u003c\/span\u003e Empath cemented themselves as\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eone of the buzziest emerging bands in indie music, being heralded as “America’s most inventive young psychedelic band” by Rolling Stone Magazine. They also garnered more support from Pitchfork, FADER, Stereogum, and more around “Soft Shape” and “Hanging Out of Cars,” the two standout singles from 'Active Listening: Night on Earth' LP. Their last single “Roses That Cry” received the “Best New Track” title from Pitchfork. Upon releasing the debut LP it received rave reviews from the top music publications in the world; being called “a noise pop gem” and given a 3.5\/5 stars by Rolling Stone Magazine and receiving an 8.0 from Pitchfork.\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003eAfter cultivating great success at the grass roots level Empath is ready to take the next step into their meteoritic rise with indie taste-maker Fat Possum Records. With the new global support of Fat Possum Records, Empath will be reissuing both 'Active Listening: Night on Earth' LP and 'Liberating Guilt and Fear' EP as a special edition dual-release with Get Better Records and taking to the road both in North America and overseas!\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Shaun Sutkus at Walter Schreifels's house in North Branch, NY\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMastered by Clay Jones at Pete’s Room, Oxford, MS\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"title\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Get Better Records","offers":[{"title":"Default Title","offer_id":29575251296326,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Empath_-_Active_Listening-_Night_On_Earth.jpg?v=1567389793"},{"product_id":"orquesta-akokan-s-t-new-lp","title":"Orquesta Akokán - S\/T [MARKED DOWN] - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1103010905\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/orquestaakokan.bandcamp.com\/album\/orquesta-akok-n\"\u003eOrquesta Akokán by Orquesta Akokán\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eStraight out of Havana, Cuba – a blazing presentation of deeply soulful mambo reminiscent of Benny Moré and banda gigante of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003ethe 1940’s and 50’s. Their latest self titled album boasts all original songs and was recorded at the historic state Areito Studio with Cuba’s finest players, young and old.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eDaptone Records is proud to introduce Orquesta Akokán, a big band collective of Havana’s top musicians both young and old, joining forces with some of the most creative and spirited talents of New York’s Latin music scene. Born out of a shared vision by singer José \"Pepito\" Gómez, producer Jacob Plasse, and arranger Michael Eckroth, the group reinvigorates the sound of the golden era of Cuban mambo with a bold new energy.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 30, 2018\u003c\/div\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":29597338632262,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Orquesta_Akokan.jpg?v=1567888432"},{"product_id":"tanning-bats-on-the-assembly-line-of-heads-black-vinyl-new-lp","title":"Tanning Bats - On the Assembly Line Of Heads - New LP","description":"\u003ch1\u003eHoly crap, it's a Twintoe Invasion! Green Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records!  \u003c\/h1\u003e\n\u003cp\u003eTanning Bats (2019), \u003cem\u003eOn the Assembly Line of Heads\u003c\/em\u003e, essential outing, great from go to whoa, plenty of surprises to reel you in along the way, the latest from Twintoe Records, a high-speed blender of classic influences, Tacoma garage of the early 60s and a bit of surf, Cleveland and NYC underground of the mid 70s, UK punk of the very late 70s, post punk and Greg Sage and Big Boys and new wave of the early 80s, and all the variety Dirtnap has brought you over the years, Tanning Bats slashing and dicing the influences like a Miracle Knife, slicing so fast through your onion you won't even have time to cry, and in the end, it's all about the Tanning Bats' sound.  It's really great.  Green Noise is very proud to bring this record to North America.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit. \u003c\/h1\u003e\n\u003cp\u003eBass: Robert Müller \u003cbr\u003eDrums \u0026amp; Percussions: Thomas Müller \u003cbr\u003eGuitars, Synth, Organ, Vocals \u0026amp; Backup Vocals: Assaf Bomgard \u003cbr\u003eAdditional Backup Vocals on 'The Riddle' - Andrija Spicanovic \u003cbr\u003eVocals on 'Malheur' - Zooey Agro \u003cbr\u003e\u003cbr\u003eAll songs are written and composed by Assaf Bomgard \u0026amp; Tanning Bats, apart from 'Malheur' - written by Zooey Agro, composed by Tanning Bats. \u003cbr\u003e'Rush Push Cash' - originally written by Yello, composed and arranged by Tanning Bats \u003cbr\u003e\u003cbr\u003eProduced and Arranged by Assaf Bomgard \u0026amp; Tanning Bats \u003cbr\u003eRecorded in June 2018 at the Bat Spa by Georg Pester \u003cbr\u003eMix - Felix-Florian Tödtloff \u003cbr\u003eMaster - Mikey Young \u003cbr\u003eArtwork - Burnbjoern \u003cbr\u003eOut on Twintoe Records June 2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599672369222,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Tanning_Bats_On_the_Assembly_Line_Of_Heads.jpg?v=1567967024"},{"product_id":"tanning-bats-on-the-assembly-line-of-heads-white-vinyl-new-lp","title":"Tanning Bats - On the Assembly Line Of Heads [IMPORT WHITE vinyl Green Noise USA Exclusive] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e (IMPORT WHITE vinyl Green Noise USA Exclusive) - New LP\u003c\/h1\u003e\n\u003cp class=\"Ld6Rm\"\u003e \u003c\/p\u003e\n\u003ch1\u003eGreen Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records! \u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"_3ikEe\"\u003eIf you want everything in your order to ship except the preorder, add the following $5 item to your order: \u003c\/p\u003e\n\u003cp class=\"Ld6Rm\"\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/products\/ship-early\" title=\"SHIP EVERYTHING EXCEPT PREORDER\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehttps:\/\/store.greennoiserecords.com\/products\/ship-early\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThis limited white-vinyl pressing (100 worldwide, all copies in the USA exclusively available at Green Noise Records).  Selling fast!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2863577067\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\"\u003e\u0026lt;a href=\"http:\/\/tanningbats.bandcamp.com\/album\/on-the-assembly-line-of-heads\" data-mce-href=\"http:\/\/tanningbats.bandcamp.com\/album\/on-the-assembly-line-of-heads\"\u0026gt;On The Assembly Line Of Heads by Tanning Bats\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit. \u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTanning Bats \u003c\/span\u003e\u003cem\u003eOn the Assembly Line of Heads\u003c\/em\u003e\u003cspan\u003e featured on \u003c\/span\u003e\u003cem\u003eRazorcake\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/razorcake.org\/razorcake-podcast-655-with-thirsty-thursdays-presented-by-the-dollar-boys\/\"\u003ePodcast #655\u003c\/a\u003e\u003cspan\u003e with Thirsty Thursdays Presented By The Dollar Boys (August 30, 2019).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBass: Robert Müller \u003cbr\u003eDrums \u0026amp; Percussions: Thomas Müller \u003cbr\u003eGuitars, Synth, Organ, Vocals \u0026amp; Backup Vocals: Assaf Bomgard \u003cbr\u003eAdditional Backup Vocals on 'The Riddle' - Andrija Spicanovic \u003cbr\u003eVocals on 'Malheur' - Zooey Agro \u003cbr\u003e\u003cbr\u003eAll songs are written and composed by Assaf Bomgard \u0026amp; Tanning Bats, apart from 'Malheur' - written by Zooey Agro, composed by Tanning Bats. \u003cbr\u003e'Rush Push Cash' - originally written by Yello, composed and arranged by Tanning Bats \u003cbr\u003e\u003cbr\u003eProduced and Arranged by Assaf Bomgard \u0026amp; Tanning Bats \u003cbr\u003eRecorded in June 2018 at the Bat Spa by Georg Pester \u003cbr\u003eMix - Felix-Florian Tödtloff \u003cbr\u003eMaster - Mikey Young \u003cbr\u003eArtwork - Burnbjoern \u003cbr\u003eOut on Twintoe Records June 2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599727943750,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Tannning_Bats_white_detail.jpg?v=1592197024"},{"product_id":"tanning-bats-on-the-assembly-line-of-heads-mint-vinyl-new-lp","title":"Tanning Bats - On the Assembly Line Of Heads [IMPORT GREEN-MINT vinyl Green Noise USA Exclusive) - New LP","description":"\u003ch1\u003eTanning Bats - On the Assembly Line Of Heads GREEN-MINT vinyl  Green Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records! \u003c\/h1\u003e\n\u003cp\u003eThis limited mint-colored vinyl pressing (100 worldwide, all copies in the USA exclusively available at Green Noise Records).  \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2863577067\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/tanningbats.bandcamp.com\/album\/on-the-assembly-line-of-heads\"\u003eOn The Assembly Line Of Heads by Tanning Bats\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit. \u003c\/h1\u003e\n\u003cp\u003eBass: Robert Müller \u003cbr\u003eDrums \u0026amp; Percussions: Thomas Müller \u003cbr\u003eGuitars, Synth, Organ, Vocals \u0026amp; Backup Vocals: Assaf Bomgard \u003cbr\u003eAdditional Backup Vocals on 'The Riddle' - Andrija Spicanovic \u003cbr\u003eVocals on 'Malheur' - Zooey Agro \u003cbr\u003e\u003cbr\u003eAll songs are written and composed by Assaf Bomgard \u0026amp; Tanning Bats, apart from 'Malheur' - written by Zooey Agro, composed by Tanning Bats. \u003cbr\u003e'Rush Push Cash' - originally written by Yello, composed and arranged by Tanning Bats \u003cbr\u003e\u003cbr\u003eProduced and Arranged by Assaf Bomgard \u0026amp; Tanning Bats \u003cbr\u003eRecorded in June 2018 at the Bat Spa by Georg Pester \u003cbr\u003eMix - Felix-Florian Tödtloff \u003cbr\u003eMaster - Mikey Young \u003cbr\u003eArtwork - Burnbjoern \u003cbr\u003eOut on Twintoe Records June 2019\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599763693638,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0730.jpg?v=1592196074"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/marked-down.oembed?page=34","provider":"Green Noise Records","version":"1.0","type":"link"}