{"title":"July 2026","description":"\u003ch1\u003enew releases, reissues, restocks, preorders, preorder arrivals, and used records added to the Green Noise website (or marked down) during July 2026!\u003c\/h1\u003e\n\u003cp\u003e(If you want to only see new releases that were recorded in\u003cspan\u003e \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/2026\"\u003e2026\u003c\/a\u003e\u003c\/span\u003e see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.)\u003c\/p\u003e","products":[{"product_id":"beat-beat-beat-living-in-the-future-cd","title":"Beat Beat Beat - Living In The Future - New CD","description":"\u003cp\u003eNEW Dirtnap Records. 77 punk hooks with the energy and forward drive of early hardcore, complete with attention-to-detail power-pop-esque songwriting skills. Saints meet Adolescents? Heartbreakers meets early Briefs? Recorded in Atlanta with Dave Carbona, Living In The Future unleashes 12 sleazy, swaggering punk\/pop (NOT pop punk!) onto the undeserving masses.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2612877219\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/beat-beat-beat-living-in-the-future\"\u003eBEAT BEAT BEAT - Living In The Future by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":820868771,"sku":"477","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/beatx3.jpg?v=1445287217"},{"product_id":"ends-concrete-disappointment-cd","title":"Ends, The - Concrete Disappointment - New LP or CD","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEarly Dirtnap, kick-ass set of punk rock, clearly doused in bottles of 1970s punk from the US and the UK, rogued that junk, drunk it up and and made it their own, kicking it out nonstop! -- winch\u003c\/p\u003e\n\u003cp\u003eIt's the second album (first of all new material) from Austin, TX's best punk rock band, The Ends! Taking a slightly different approach than on their debut, The Ends incorporate 5 decades of rock n' roll influence into their punk rock attack, from 50's Chuck Berry riffing to 60's garage, to NY Dolls swagger, to English pub\/punk 77 sound, all the way up to the present day.\u003c\/p\u003e\n","brand":"Dirtnap Records","offers":[{"title":"LP","offer_id":820883151,"sku":"","price":12.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":2580766162968,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ab67616d0000b27317c61c7a3308f0cb45d125e0.jpg?v=1721343837"},{"product_id":"bad-sports-kings-of-the-weekend-lp","title":"Bad Sports - Kings Of The Weekend - New LP","description":"\u003cp\u003eBlack vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4249603301\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-kings-of-the-weekend\"\u003eBad Sports - Kings Of The Weekend by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eBad Sports was formed in 2007 in Denton, Texas by Orville Neeley, Daniel Fried and Gregory Rutherford, who came from a variety of different bands in the North Texas area.\u003c\/p\u003e\n\u003cp\u003eTheir debut self titled full length was released in late 2009 on Douchemaster Records following a string of singles, and showed the band's songwriting mature into a more refined pop territory without losing their edge.\u003c\/p\u003e\n\u003cp\u003eThe group's energetic live shows (including a show-stopping performance at Dirtnap Records' 2011 SXSW Showcase) have won over audiences across the US, as well as helped gain them notoriety as one of the best live acts in the nation.\u003c\/p\u003e\n\u003cp\u003eProlific to a fault, Bad Sports members currently also play in the High Tension Wires, OBN IIIs, the live incarnation of Mind Spiders, Wiccans, Video, and many more.\u003c\/p\u003e\n\u003cp\u003eKings Of The Weekend, the band's debut for Dirtnap Records, picks up right where the last one left off, showing a penchant for highly developed pop songwriting skills mixed with the speedy garage punk\/pop sound of their first LP. A great recording by Mark Ryan of The Mind Spiders\/Marked Men fame really compliments the band's sound, making this one of our absolute faves of 2011, as well as the 4th LP in a row Dirtnap has released by Texas bands. We should really just move there!\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":34972733472929,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Bad_sports_kings.jpg?v=1570827185"},{"product_id":"white-wires-wwiii-lp","title":"White Wires - WWIII - New LP","description":"\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4098474620\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewhitewires.bandcamp.com\/album\/wwiii\"\u003eWWIII by the White Wires\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eHere it is, the 3rd album from Ottawa Ontario's White Wires, and it's their best one yet! We're not just saying that, either!\u003c\/p\u003e\n\u003cp\u003eConfident, heart-felt, refreshingly irony-free pop that's just about the catchiest thing you've ever heard. This is a rock solid album that really hits a stride as it goes along. One thing we've always admired about this band is how each of their albums are very distinct from one another, but are unmistakably, undeniably The White Wires.The first record was the \"garage\" album, the 2nd was the \"punk\" album, this one is the pop masterpiece. Get ready. All copies come with download coupon.\u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Dirtnap Records","offers":[{"title":"Default","offer_id":821340107,"sku":"SKU-25475","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0845195618_16.jpg?v=1721338563"},{"product_id":"sugar-stems-cant-wait-gold-vinyl-lp","title":"Sugar Stems - Can't Wait - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=676004666\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/sugar-stems-cant-wait\"\u003eSugar Stems - Can't Wait by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBetsy (The Flips) and Jon (Teenage Rejects, Catholic Boys, Tuff Bananas, Sticks'n'Stones, Rumble) Heibler started the Sugar Stems in the fall of 2007 with bassist Steph Swinney Conard (also of The Flips). The band played its first show in May of 2008, and originally featured Zach Byrne (Goodnight Loving) on guitar. The current lineup was cemented when Drew Fredrichsen (Leg Hounds, Jetty Boys) took over on guitar and backing vocals. The band released its debut single, \"Beat Beat Beat\" b\/w \"Crybaby\", on Bachelor Records in 2009 and a year later issued its full-length debut Sweet Songs of the Sugar Stems on Bachelor and Dusty Medical Records. Those of us who'd been long awaiting an heir apparent to The Shivvers and Nikki and the Corvettes literally jumped for joy when we heard Sweet Songs, spending the subsequent months dancing in the streets and angrily rebuking local radio stations for failing to play \"I Gotta Know\". If you think it's a stretch to call said album a modern classic of power pop, you probably haven't heard it!\u003c\/p\u003e\n\u003cp\u003eThe Sugar Stems returned in 2012 with a pair of incredible singles on Certified PR Records that suggested the band had somehow managed to improve upon perfection. It was perfectly appropriate, then, that the title of the band's long-awaited sophomore album would be Can't Wait. Released at the tail end of 2012 by Screaming Apple Records (Germany) and Dream On Records (Japan), Can't Wait now gets an American release on Dirtnap. This terrific LP shows \"growth\" in all the best ways. Without abandoning its signature honeyed melodies and high-spirited candy pop style, the band has made a more mature and consistent album that's definitely its best to date. The production has been stepped up another notch, and every song sounds like a hit. If you missed the singles \"Greatest Pretender\" and \"Like I Do\", they're here in all their infectious glory. But it's the more melancholy tracks that really showcase Betsy Heibler's development into one of the finest songwriters working today. Songs like \"Make Up Your Mind\" and the gorgeous \"Love You To Pieces\" are steeped in the timeless traditions of Brill Building and British Invasion pop, yet feel entirely fresh in the year 2013. Even when the songs themselves are not exactly happy, there's something about the Sugar Stems' music that just makes you feel good. No sophomore jinx here, folks. Can't Wait was totally worth the wait. Why is this band not huge?! ALL COPIES COME WITH DOWNLOAD COUPON. GOLD VINYL OUT OF PRINT, BLACK STILL AVAILABLE.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":37346644295841,"sku":"SKU-28772","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Sugar_Stems_Can_t.jpg?v=1570844075"},{"product_id":"bad-sports-bras-lp","title":"Bad Sports - Bras - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3280859380\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-bras\"\u003eBad Sports - Bras by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eDenton\/Austin's Bad Sports are back with their third album - and second on Dirtnap. Produced by the Marked Men's Mark Ryan and Jeff Burke, Bras is a major departure from the '77 pop\/punk feel of 2011's terrific Kings of the Weekend. This time the band brings a tougher, harder-edged sound and takes on a wider variety of musical styles. While still very much in the classic vein of Texan garage\/punk, Bad Sports are also bringing to mind the heyday of New York City punk. With hints of Dead Boys snarl, Dictators thump, and even some artier Lou Reed\/Television leanings, this record finds the trio refining its songwriting chops and rocking harder than ever. The album's got a little bit of everything - from booming Cheap Trick style power pop to straight-up catchy garage punk to grimy proto-punk not far removed from Orville's other band OBN IIIs. And while Bras builds on the foundation of previous records, quite frankly it blows away anything else the band has done to date. Scorching tracks like \"Washed Up\" and \"Race To The Bottom\" beg to be played at obnoxiously loud volumes, while \"Nothing In This World\" might be the best pop song you hear this year. Elsewhere, \"Get You\" and \"Terrible Place\" manage to satisfy the fan base even as they push the band's sound to the next level. Lots of bands pay lip service to the idea of duplicating the energy of their live shows on record. Bad Sports have gone out and done it! Turn it up!\u003c\/p\u003e\n\u003cp\u003eAll vinyl copies come with printed inner sleeve and download coupon. Yellow vinyl is out of print, black still available.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":821507135,"sku":"SKU-29998","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bad_sports_bras.jpg?v=1570826857"},{"product_id":"estranged-the-s-t-black-vinyl-lp","title":"Estranged, The - s\/t - New LP","description":"\u003cp\u003eThe Estranged return with their 3rd (4th, if you count the singles comp LP) album for Dirtnap.\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1974045883\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/estranged-the-s-t\"\u003eEstranged, The - s\/t by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eContinuing in The Estranged's tradition of mutating and evolving with each subsequent release, the new album is an epic, sprawling masterpiece of tense, ominous angst-ridden postpunk.\u003c\/p\u003e\n\u003cp\u003eThey've heavily toned down both the Wipers influence of the 1st album and the blatant death-rock vibe of the 2nd. Instead, this one finds the band establishing a streamlined, punchier sound that both rocks a little harder than the last album, while retaining some of the textured soundscape feel which fans have come to expect.\u003c\/p\u003e\n\u003cp\u003eThe influences on their newest album range from the Cure to Echo \u0026amp; the Bunnymen to The Troggs to The Chameleons. Lyrically, they have more of an ambiguous angst ridden approach, musically showing the bands continued maturity in their song writing and recording process.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":821575687,"sku":"","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Estranged_The.jpg?v=1570844500"},{"product_id":"suspicious-beasts-never-bloom-lp","title":"Suspicious Beasts - Never Bloom [Import] – New LP","description":"\u003cp\u003eWonderful jangle garage pop from Japan, in some ways recalling the psychedelic-era folk-rock of bands like The Byrds, the forays into hillbilly-rock with bands like Quicksilver and the Stones and the power pop bands of the 1970s--the ones who included some inspiration from the Everly Brothers.  And while we are going back to Don and Phil, we should go back further and recognize that the blues element of this outing clearly owe something to Broonzy and Leadbelly.  On the other hand, the second side makes it clear that this is still a punk band, and the personnel involved help point out that even the more subdued material is like a slowed-down toned-down more-front-porch version the Denton (and Japan) additions to the Dirtnap label (additions that helped define the sound of the seminal label), and this album helps show that under that hard-driving punched-up rhythm that makes much of the punk rock of Dirtnap so enjoyable, you have the careless joy and heartfelt melancholy that graced so many great power pop recordings.  It's worth mentioning that Yusuke Okada would end up half of Lost Balloons because while a comparison of his two bands will reveal some differences, at the core they have much in common, and most fans of Lost Balloons will likely find plenty to enjoy here. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=507116739\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/suspicious-beasts-never-bloom\"\u003eSUSPICIOUS BEASTS - Never Bloom by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eALIEN SNATCH RECORDS. The SUSPICIOUS BEASTS debut LP \"Used to Be Beautiful\" was our most amazing out-of-nowhere top-ten record of last year! Now it's a pure freakout out to see them as first Japanese band on ALIEN SNATCH! Great garage psych pop you may never heard that rootsy out of nippon. Apart from the overall oddity \"Never Bloom\" is full of exotic driving twangy folk melancholy, mind-warping harmonic upbeat kicks, frontman Yusuke sings with desperate intoxicated recklessness, always evoking a surrounding of a sultry, mellow summer on a porch, fading away in throwing stones atmospherics. This album is the party for pop, psych and garage fans, it takes all of you into a great train trip without being phoney and predictable. All girls played this record to loved it! What else is a record label mission? Incredible recording\/production job by Fumito \u0026amp; Jeff Burke (MARKED MEN, RADIOACTIVITY) in Tokyo and Denton, TX. Fans of 'modern' bands as JACUZZI or GOLDEN BOYS, KING TUFF, MOONHEARTS, REIGNING SOUND or GOODNIGHT LOVING take note!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ereleased September 5, 2013\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFumito Yamazaki, Masashi Watanabe, Miso Takaoka, Takahide Maruyama\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecording\/production job by Fumito \u0026amp; Jeff Burke (MARKED MEN, RADIOACTIVITY) in Tokyo and Denton, TX\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMRR - MAXIMUMROCKNROLL(US) #369 FEB 2014 SUSPICIOUS BEASTS – “Never Bloom” LP - This one is pretty slick. It’s mid-tempo catchy pop with this great underlying twanginess. (Do not tell me that “twanginess” is not a word) and it’s a little folky. Yeah it is. If that scares you, it shouldn’t, because this is pretty badass. That this is a Japanese band is kind of mind blowing. For me this is very reminiscent of LPs by MUJERES and HEAD ON ELECTRIC, both of which came out in the last year or so. You might see this on my best of 2013 list. (KK)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLo-Fi Your Brain Out (ESP) JAN 2014 We present you SUSPICIOUS BEASTS, whose name, or their leader Yusuke Okada, maybe doesn’t ring any bells, but surely you have heard of Jeff Burke, voice and guitar of Marked Men and Radioactivity. He was responsible for the recording and production of this album, which took place in Tokyo and Denton, Texas, along with Fumito Yamazaki, a member of the band. Now that we have your attention, let's talk about Never Bloom, the second album by Yusuke Okada, Fumito Yamazaki, Masashi Watanabe, Miso Takaoka and Takahide Maruyama, released by one of our new favorite labels, ALIEN SNATCH! RECORDS. After the first surprise when seeing the Japanese roots of the band, it takes a few seconds of \"Feel Okay\" to realize that those musical roots come from across the world, clinging to American music at its best. What at first glance appears to be just a garage band, is far more than that. Following a plethoric start, with a cheerful garage-pop, a southern touch and a piano giving it a perfect sweet twist, bringing back memories of The Strange Boys, in “Flowers” they show us their most brazen side. Garage punk à la Dead Ghosts or Black Lips, with vibrant guitars that intertwine Okada’s raw and raspy voice, adorned by vocals that elevate the song to a higher dimension. In a perfect album, despite having only 8 tracks, could not miss that moving ballad, sung from the depths of the heart, \"Last Song\". After hearing \"this is the last song, 'cause I wanna die\", one sighs with relief when \"To The Moon\" starts, another delicacy, another perfect combination of contagious rhythm, distant guitars and psychedelia that takes you to a walk on the moon, which links to \"Strange Patterns\" without blinking, adding an organ like fallen from heaven. By now you may have noticed that this has nothing to do with what Jeff Burke usually does, so what? The B-side will only reaffirm your faith in them or will make you believers once and for all. \"With The Devil\" is one of the most brilliant tracks of this particularly bright Never Bloom, with a more furious tone, faster, approaching punk without leaving the chapel, with that constant and magic echo. In \"You'll Never Know\", more organ, more psychedelia, setting the perfect soundtrack for a trip into the wilderness with your pocket full of peyote, and immediately we stumble upon the mega-harmonious garage of \"Who Wants To Buy My Soul\", gorgeous, bringing us tears of joy remembering what Harlem did a few years ago, giving a golden finale to a remarkable second reference.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRAZORCAKE (US) APRIL 2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnusually mid-paced power pop from Tokyo, Japan. Whereas you have acts like Gentleman Jesse And His Men or the Reigning Sound mixing in bouncy numbers alongside their slower ballads, nearly all of eight songs on this platter stay on course with a slow and simple pace. The dreary vocals don’t do much to help get me psyched on this record, which is a pity because the moments that do rock are overshadowed by the laid back nature of the rest of the tracks: sort of like drinking a six pack of beer and only getting a buzz from two of them. And with that, I just realized how appropriate the title of this record is.(JE)\u003c\/span\u003e\u003c\/p\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":821577675,"sku":"SKU-32391","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1030697698_16.jpg?v=1624777868"},{"product_id":"sugar-stems-only-come-out-at-night-clear-vinyl-lp","title":"Sugar Stems - Only Come Out At Night - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1627607477\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/sugar-stems-only-come-out-at-night\"\u003eSugar Stems - Only Come Out At Night by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eBetsy, Jon, Steph, and Drew are back with their third and finest album - and this time they're joined by Andy Harris (ex Goodnight\u003cbr\u003e Loving) on organ!\u003c\/p\u003e\n\u003cp\u003eOnly Come Out At Night is the second Sugar Stems album to be released on Dirtnap and follows last year's wonderful and warmly\u003cbr\u003e received Can't Wait.\u003c\/p\u003e\n\u003cp\u003eSugar Stems are still the best power pop band going today, and again the band has delivered a beautifully crafted\u003cbr\u003e and immaculately produced collection of songs. Continuing in the direction of Can't Wait, this album finds Betsy's\u003cbr\u003e songwriting reaching new levels of sophistication and maturity. And with the added dimension of keyboards, the band's sound is fuller\u003cbr\u003e and richer than ever. Longtime fans hoping for impossibly catchy melodies and big hooks will not be disappointed in Only Come Out At Night. \"The One\" and\u003cbr\u003e \"Radio Heartthrob\" will have you wondering aloud why they're not massive radio hits. And tracks like \"Haunted\" and \"Run Rabbit Run\"\u003cbr\u003e demonstrate that Sugar Stems can still rock with the best of 'em. But by no means has the band delivered a mere repeat of previous\u003cbr\u003e albums. The '60s-inspired \"Some Might Say\" and acoustic \"Million Miles\" are gorgeous pop gems that pick up where previous\u003cbr\u003e masterpieces like \"Love You To Pieces\" left off. And while \"growing up\" can sometimes be the death of a pop band, the 1-2 opening punch\u003cbr\u003e of \"Baby Teeth\" and \"I Know Where I'm Going\" suggests that Sugar Stems are only getting better as their music probes deeper into\u003cbr\u003e fully adult themes. Betsy has become a veritable powerhouse on vocals, and the band as a whole has never sounded tighter or more\u003cbr\u003e assured.\u003c\/p\u003e\n\u003cp\u003eBoasting the band's most beautiful melodies to date along with near flawless production, Only Come Out At Night will delight existing\u003cbr\u003e Sugar Stems fans and attract a whole lot of new ones. Whether you're a power pop aficionado or a lover of great music in general, this is\u003cbr\u003e one you won't want to miss. Cover art is an original water color painting by Betsy!\u003c\/p\u003e\n\u003cp\u003eAll copies come with download coupon.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":821587003,"sku":"","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Sugar_Stems.jpg?v=1575149908"},{"product_id":"downtown-struts-hope-youre-done-12","title":"Downtown Struts - Hope You're Dope [SPLATTER VINYL] – Used 12\"","description":"\u003cp\u003eVG+\/VG+\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2826581007\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/downtownstruts.bandcamp.com\/album\/hope-youre-dope\"\u003eHope You're Dope by Downtown Struts\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe beast has transformed. \"Victoria!\" took DTS all over the world, and this inward reflection clearly shows that Dan Cooper and the gang have come back with a new outlook on things - one that is likely to appeal to a whole new crowd, on top of the leagues of fans across the world who have already fallen in love with the struts. Tinges of this new direction were scattered through their recent split with NOTHINGTON (Asian Man Records, 2013), but this recording session definitely explores new musical avenues and influences; and yielded something leagues apart from their last full length, \"Victoria\" (2012). Much like you can follow the (musical) progression of hugely successful bands like WEEZER, BUILT TO SPILL, or GREEN DAY, this album allows you to gain a deeper understanding of a band that may not have left such a multi-dimensional impression with their first few releases. This band certainly has grown and evolved, and the men have as well. The spectacular songwriting that DTS has consistently pumped out will never stop, and it's refreshing to see that unlike so many bands, they're building upon it, not rehashing it; and not just giving fans a familiar, calculated new release to get bored with quickly. It's exciting to know these guys are still in their early 20's, and have so much more to offer as well... It's a fair assessment that lots of DOWNTOWN STRUTS' fans will absolutely love this right out of the package; and it will have to grow on others.  Staying true to the passion that DTS have for life, friendship, and making top-quality tunes, this EP really shows how diverse one band can be, and how their message and angst can manifest itself many ways!  Take a chance on this EP - you'll be glad you did!\u003c\/p\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":997811119,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-6316132-1464072871-6087.jpg?v=1659063528"},{"product_id":"no-se-lower-berth-lp","title":"No\/\/Se' - Lower Berth [CLEAR VINYL MARKED DOWN] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"That album rules!\" -- Seth P.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=866485903\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/lower-berth\"\u003eLower Berth by ИO​\/​\/​\/​sé\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"13 new power-packed punch tracks from this incredible American punk band (now based in Portland\/Oakland). MID023 - ИO\/\/\/Sé “LOWER BERTH” LP: \u003cspan\u003e\u003cbr\u003e\u003cbr\u003eAfter delivering one of the best records of 2012, ИO\/\/\/Sé returns with their sophomore LP, “Lower Berth”. Lower Berth is comprised of songwriting prowess backed by killer riffs, infectious melodies, an impervious rhythm section, and absolutely no filler and fluff. The final product is 13 tracks of stick-in-your-brain groove that varies from stomping anthem (e.g., \"One Step Behind\") to DANGERHOUSE or BUZZCOCKS-esque pop genius (e.g., \"Buried Alive\"). ИO\/\/\/Sé mixes a wide array of disparate influences and creates something familiar but original. There are elements of old classics like WIPERS and X (Australia) along with newer bands like RED DONS, THE ESTRANGED, and MARKED MEN. If you are familiar with the first LP, Lower Berth will feel like a natural progression. If you’re new to the band, welcome and enjoy. For those keeping track, ИO\/\/\/Sé contains ex-members of YOUTH BRIGADE, GLASS \u0026amp; ASHES, and YOUNG LIVERS. \u003c\/span\u003e\u003cspan\u003eThis is a corelease with 1859 Records.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Man in Decline Records","offers":[{"title":"Default Title","offer_id":5028323843,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1362748163_10.jpg?v=1749077987"},{"product_id":"suspicious-beasts-used-to-be-beautiful-lp","title":"Suspicious Beasts - Used To Be Beautiful [Import] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003ehoo-ray! this is the coolest record we heard out of Japan since years! end! stop here! You need the full story? Then it has to be started back in the day when this rocknroll counter revolution spaceship was geared up in high school. Fink and all the kids kicked off the golden 90´s of Japanese buzzsaw punk with the RAYDIOS, FIRESTARTER, HAVENOTS and a bunch of killer 45 from Nippon. (MW)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2827552251\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/suspicious-beasts-used-to-be-beautiful-lp\"\u003eSUSPICIOUS BEASTS -  Used To Be Beautiful LP by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMRR - MAXIMUMROCKNROLL(US) #369 Almost immediately, this Japanese band reminded me of REIGNING SOUND, complete with some organ and harmonica. I’m really glad I got this one. Awesome crooning over ’60s garage inspired pop? Yes, please. Mix tape gold! No lyrics included. (DZ)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSUNDAY EXPERIENCE (UK) In short the dogs danders, this babe is so hot it literally melts the turntable on impact. Many thanks are due to those dudes over at alien snatch who shipped this beauty out in quick fire time. Mentioned in passing a little while back in despatches this is the limited re-press of Japans Suspicious Beasts’ debuting full length platter entitled ‘used to be beautiful’. to cut to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe chase a grade A slab of smoking rock-a-hula is what’s on offer for your hard earned readies which from the minute the stylus crackle fades on the opening ‘Sister Maree’ to its reluctant release at the parting ‘pretty horse’ will have the purists among you simply swooning and wanting more. Amid these grooves there are nuggets aplenty from the hot rodding rubber burning scowling and smoking hot ‘let’s go to the church’ – a blistering cover of a (I’m embarrassed to admit unfamiliar) lost gem by the hit here grilled, souped up and fitted with a full on kick ass V12 grind much reminiscent of the Mono Men at the height of their powers to the slinky and demurred 50’s shoo bop of ‘punch me in the face’ rethreaded here with a killer Thunders \/ Palladin like vibe that tailgates their rendering of ‘love is strange’ – this album just doesn’t understand the notion of disappointing. ’darkest sunshine’ is ablaze in howling harmonicas from out of which the sounds of frenetic and frenzied riff scowls surge to a dirty, raw and primal coda that heads might imagine being the sound of a rabid Baby Woodrose with a rocket up their back pipe. And just when you think it can’t get any better the subtly sexy ’let me breathe’ saunters in with the ghost of Link sitting on its shoulder to cook up a wig flipping strut gouged blues shimmy. Add in to the mix the previously mentioned ’pretty horse’ which still sounds to these ears like a kooky kaleidoscopic 50’s bubble grooved haze refracted through an Elephant 6 collective lens by Olivia tremor control and neutral milk hotel under the ever watchful eye of the mercurial Meek whilst ‘jail inside your heart’ is just pure classic era lazy eyed Neil Young. All said best of the set by the merest whisker is the opener ’Sister Maree’ – I kid you not when I say I’d sworn I’d died and gone to heaven upon hearing this for this honey swoons and kicks with such honky tonk flair as to have you thinking it was the Small Faces channelling Dylan. Absolutely essential listening.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased December 1, 2011\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":7590565315,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/suspbeasts.jpg?v=1442347904"},{"product_id":"lost-balloons-s-t-lp","title":"Lost Balloons - s\/t  [Import CLEAR VINYL] - New LP","description":"\u003ch2\u003e\u003cspan style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003e\u003cspan style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003e\u003cmeta charset=\"utf-8\"\u003ewarm as a summer breeze, power pop essentials from the duo \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Yusuke+Okada\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Yusuke+Okada\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Yusuke+Okada\" target=\"_blank\"\u003eYusuke Okada\u003c\/a\u003e (\u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/japan\" href=\"https:\/\/store.greennoiserecords.com\/collections\/japan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/japan\" target=\"_blank\"\u003eJapan\u003c\/a\u003e) of \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Suspicious+Beasts\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Suspicious+Beasts\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Suspicious+Beasts\" target=\"_blank\"\u003eSuspicious Beasts\u003c\/a\u003e and \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Jeff+Burke\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Jeff+Burke\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Jeff+Burke\" target=\"_blank\"\u003eJeff Burke\u003c\/a\u003e (\u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/texas\" href=\"https:\/\/store.greennoiserecords.com\/collections\/texas\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/texas\" target=\"_blank\"\u003eTexas\u003c\/a\u003e) of \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Marked+Men\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Marked+Men\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Marked+Men\" target=\"_blank\"\u003eMarked Men\u003c\/a\u003e, \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Radioactivity\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Radioactivity\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Radioactivity\" target=\"_blank\"\u003eRadioactivity\u003c\/a\u003e, the two playing all instruments and splitting the songwriting\/singing duties. (And Okada does the cool sleeve artwork.) You can clearly hear elements of both of these two artists’ home states in these records, arguably more than their other bands. In fact, some of the most powerful moments clearly seem a one-of-a-kind blending of not just these two artists but of music traditions of Texas and Japan. And if you listen carefully through the punk of these two \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Lost+Balloons\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Lost+Balloons\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Lost+Balloons\" target=\"_blank\"\u003eLost Balloons\u003c\/a\u003e' records (or lots of punk records) you can hear the pop that is clearly on display here. like everything these two have done, both albums by the \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Lost+Balloons\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Lost+Balloons\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Lost+Balloons\" target=\"_blank\"\u003eLost Balloons\u003c\/a\u003e (the other one on \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/dirtnap-records\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/dirtnap-records\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/dirtnap-records\" target=\"_blank\"\u003eDirtnap\u003c\/a\u003e) are gems, shining like the summer sun. -- winch (green noise) \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3419764607\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/aliensnatch.bandcamp.com\/album\/lost-balloons-s-t\"\u003eLOST BALLOONS - s\/t by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\"featuring long year close friends Yusuke Okada (SUSPICIOUS BEASTS) and Jeff Burke (RADIOACTIVITY, MARKED MEN) both on guitar and vocals. Started in Japan in 2011 as a practice space recording project grew to power pop explosion and punk experimentals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003eBoth are incredible musicians with enormous creativity and songwriting output. Overall the multitude of outcomes we adore their artistic earnestness - so we´re more than proud to release the debut LOST BALLOONS record! We got it literally shipped the day before they had their first show ever - trivia fact is that also RADIOACTIVITY had their first tour in Europe after we put their debut 7\" out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\" face=\"Verdana, Arial, Helvetica, sans-serif\"\u003e Hands down, Jeff Burke is blessed with killer songwriting, paired up with his undeniable breathtaking voice he´s relentlessly winning in our game. Garage aficionado Yusuke reflects the luminous amplification, the new flourishes to stretch the already perfect formula and good potion of nuttiness and open shoelaces. It derives to an album full of hyperactive hymns to acoustic pop hits and some dips of psychedelia and square synths. C’mon - this is a melodic hit collection and if it ain´t in you top ten of 2015 it´ll hit it next year. Yes, we plan rerelease this album in 2045 as a seven double A-Side 7\" box due to popular demand. For now, the 180g vinyl on clear vinyl with a cardboard inner sleeve should heighten your demand. All artwork original hand drawn by Yusuke Okada.\" \u003cbr\u003e- Alien Snatch Records\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Alien Snatch! Records","offers":[{"title":"Default Title","offer_id":13551102275,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_6516.jpg?v=1607196812"},{"product_id":"character-actor-s-t-7","title":"Character Actor - s\/t [MARKED DOWN] - New 7\"","description":"\u003cspan style=\"color: #000000; font-family: arial, helvetica, sans-serif;\" color=\"#000000\" face=\"arial, helvetica, sans-serif\"\u003e\u003cspan style=\"font-family: arial, helvetica, sans-serif;\" color=\"#000000\" face=\"arial, helvetica, sans-serif\"\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=493827935\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/character-actor\"\u003eCharacter Actor by Character Actor\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003eCHARACTER ACTOR (Jeff Schroeck - Vocals\/Guitar; Evan Kiel – Bass; Brian Gorsegner – Drums) is the result of three old friends living in close proximity and entering fatherhood within a relatively short span of time. With Jeff’s and Brian’s bands (The \u003cspan class=\"m_-5186707975442595074m_-4603262221900041748m_-5260044134627419787gmail-il\"\u003eErgs\u003c\/span\u003e!, Night Birds, Black Wine) in varying stages of hibernation, the two shared a much needed weekly escape to the garage to write some loud, fuzzy pop songs. Evan joined on bass, and the quintessential dad-rock project was born. Soon after, the band recorded, this, their 4-song debut, a 4 song EP.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eRecorded and mixed by Eric Bennett at Lakhouse Music Academy in Asbury Park, NJ\u003cbr\u003e\u003cbr\u003eMastered by Daniel Husayn at North London Bomb Factory Mastering\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":8696503500919,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/unnamed_c9d6f3ff-47e2-4656-a0f8-77b6048acdcd.jpg?v=1528846700"},{"product_id":"bad-sports-constant-stimulation","title":"Bad Sports - Constant Stimulation - New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3341504298\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=3664865918\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-constant-stimulation\"\u003eBad Sports - Constant Stimulation by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3341504298\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=586584238\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-constant-stimulation\"\u003eBad Sports - Constant Stimulation by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3341504298\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-constant-stimulation\"\u003eBad Sports - Constant Stimulation by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack vinyl (red vinyl sold out)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTexas trio Bad Sports release their fourth full-length to Dirtnap and with it, push their sound into a more modern sphere of punk. Orville Neeley (guitars \/ vocals), Daniel Fried (bass \/ vocals) and Gregory Rutherford (drums) have spent over ten years together and the progression is justified.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis time, the production quality is more lean and tense, giving an air that is decidedly frustrated, more world-weary. And not to say that this isn’t an enjoyable listen - it’s just not the kind of record to pogo in a pit and shotgun a beer to. Bad Sports has grown in substance.There’s a balance to keeping enough of the old and forging ahead with the new to remain relevant and compelling.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFans will find much to get enthusiastic over and feel invigorated about as Bad Sports is still great at simply being a stripped-down classic-leaning punk band with deep power-pop vs. proto-punk feelings. Make no mistake, though: Bad Sports are not a “retro” band. Constant Stimulation is simply a timeless-yet-modern masterpiece, that sounds like it could have come out of just about any era of rock, but is also as NOW as anything else currently out there.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir history with its Texas peers of the same ilk paired along with their time spent in projects like OBN III’s, Radioactivity, Wax Museums and VIDEO (among others), has served Bad Sports well. They’ve honed themselves into being a complicated and calculating rock machine instead of just a talented party band, dishing out fuzzed-out fury, chugging chords and yelled vocals. Now, there’s a little more finesse and more care taken to let Neeley’s words and voice ring out; as close to sing-singing the band has come on a record.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a general nimble brightness to the production, throughout. Gone are the days of fuzz and total distortion making the songs into jumping fleas from one track to the next. Adding a little pacing and extending their palette - the lazy chug in “Everything We Wanted” is fed by ample tremolo and loiters in its own 90s slacker rock vibe while “Ode to Power” and “Constant Stimulation” could be intertwined among the tracklists of the newest Rolling Blackouts C.F. or Shame records - equalizes things a bit because the main chunk of this record is straight-up punk, fed on busted pieces of guitar strings and broken drumsticks. It’s lean and tough.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e2012’s King of the Weekend and 2013’s Bras was love (and lack thereof)-focused, covered in equal parts, sweat, lipstick, beer, grime and glitter. Granted, there are little flashes of heartbreak thrown in on Constant Stimulation, but not quite like before. This record broils and stews over a response to the modern world and its eroding and addling effects, kicking its lyrics out to be heard clearly. No track exemplifies this better than the title track on which Neeley sings, “I need constant stimulation in my ears and in my eyes or I don’t sleep at night…deprivation chambers only worsen my dreams.” Maybe this more spaciously spare sound is their response to that veritable constant stimulation. Welcome to the modern age.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack List LP:\u003c\/strong\u003e\u003cbr\u003e1.      Giving In\u003cbr\u003e2.      Don’t Deserve Love\u003cbr\u003e3.      All Revved Up To Kill\u003cbr\u003e4.      Comes Close\u003cbr\u003e5.      Gains And Losses\u003cbr\u003e6.      Ode To Power\u003cbr\u003e7.      Constant Stimulation\u003cbr\u003e8.      Easy Truth\u003cbr\u003e9.      Everything We Wanted\u003cbr\u003e10.     Cardboard Suits\u003cbr\u003e11.     Distant Life\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":34422830039201,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/8861BAEC-4699-4EDF-8123-72BA40A3723C.jpg?v=1573185737"},{"product_id":"swearin-fall-into-the-sun-lp","title":"Swearin' - Fall Into The Sun [COKE-BOTTLE VINYL] - New LP","description":"\u003cp\u003e\u003cspan\u003eAfter releasing two beloved full-lengths, Swearin’ and Surfing Strange, the Philadelphia band SWEARIN’ quietly put things on hold. It was due, at least in part, to the band’s main songwriters, ALLISON CRUTCHFIELD and KYLE GILBRIDE, ending their romantic relationship. But when the band found themselves in a room again years later, the conversation turned back to Swearin’. They realized that what they all wanted was to not just play shows, but to make a new record. They wanted to do something that reflected the people they’d become during those intervening years. Before long, Crutchfield and Gilbride had a new batch of Swearin’ songs, ones that meshed with the sound they’d originally developed together but boldly pushed things forward. Fall into the Sun is a Swearin’ record that doesn’t try to obscure the passage of time but instead embraces it. Listening to Fall into the Sun, Swearin’ is a more confident, collaborative version than the one people first came to know. Crutchfield and Gilbride always had an innate ability to mirror the other’s movements in songs, but here, they build a focused lyrical perspective across their songs, one that’s thankful for their past, but looks boldly toward the future.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2986405369\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/swearin.bandcamp.com\/album\/fall-into-the-sun\"\u003eFall into the Sun by Swearin'\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":34878701076641,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5b8436617930e_main.jpg?v=1548030259"},{"product_id":"various-artists-american-noise-vol-2-lp","title":"Various Artists - American Noise, Vol. 2 - New LP","description":"\u003cspan\u003e\u003cb\u003eSHIPPING NOW!!\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTrack List :\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.      TAD – Jack\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.      Cherubs - Shoofly\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3.      Laughing Hyenas – Wild Heart\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4.      Die Kreuzen – Gone Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.      Killdozer - Lupus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6.      The Crucifucks - Wisconsin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7.      Cosmic Psychos – Dead Roo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8.      Young Fresh Fellows – Sittin’ On A Pitchfork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9.      The Fluid – Our Love\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10.     Gumball - Accelerator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11.     Urge Overkill - Faroutski\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12.     The Singing Irishman – Balloon Man\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDescription:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAmerican Noise: Vol. 2 is the anticipated second limited edition vinyl \u003c\/span\u003e\u003cspan\u003erelease soundtrack companion to The Smart Studios Story, a \u003c\/span\u003e\u003cspan\u003egroundbreaking documentary about the history of Madison, Wisconsin’s \u003c\/span\u003e\u003cspan\u003eSmart Studios and its role in recording and supporting DIY\/independent \u003c\/span\u003e\u003cspan\u003emusic in the Midwest. The critically acclaimed film chronicles 30 \u003c\/span\u003e\u003cspan\u003eyears of Midwest rock history and links early indie bands to the \u003c\/span\u003e\u003cspan\u003elarger story of American rock history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile American Noise: Vol 1 (available at \u003c\/span\u003e\u003ca href=\"http:\/\/www.thesmartstudiosstory.com\/\" rel=\"noopener noreferrer\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.thesmartstudiosstory.com\u0026amp;source=gmail\u0026amp;ust=1542742009132000\u0026amp;usg=AFQjCNFjCxTqCty6AEAkx87QEShsq8QcWw\"\u003ewww.thesmartstudiosstory.com\u003c\/a\u003e\u003cspan\u003e) shared the earliest Butch Vig recordings \u003c\/span\u003e\u003cspan\u003eof local, unsigned bands, Vol 2 includes artists who traveled from \u003c\/span\u003e\u003cspan\u003eother scenes in the US to record at the fledgling studio between \u003c\/span\u003e\u003cspan\u003e1987 and 1993.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis era coincides with the growing reputation of producers Butch Vig \u003c\/span\u003e\u003cspan\u003eand Steve Marker - two self-taught, DIY studio owners whose skills \u003c\/span\u003e\u003cspan\u003etook the raw sound of local bands and created polished, powerful \u003c\/span\u003e\u003cspan\u003eanalog recordings. Through touring bands, college radio, and The Sub \u003c\/span\u003e\u003cspan\u003ePop Singles Club, their early work, most notably with KILLDOZER and \u003c\/span\u003e\u003cspan\u003eDIE KREUZEN, caught the attention of credible indie labels like Sub \u003c\/span\u003e\u003cspan\u003ePop, Touch and Go, and Alternative Tentacles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing the release of Nirvana’s pivotal, Nevermind, both Butch and \u003c\/span\u003e\u003cspan\u003ethe studio received an explosion of attention. More and more artists \u003c\/span\u003e\u003cspan\u003esought to record with Butch and many of them wanted to do it in the \u003c\/span\u003e\u003cspan\u003ecrumbling, two-story red brick building on East Washington Avenue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll of the tracks on American Noise Vol. 2 come out of this period.  \u003c\/span\u003e\u003cspan\u003eSonically, it spans the broad spectrum of Smart's clientele at the \u003c\/span\u003e\u003cspan\u003etime. Pop, acoustic, beat and the heaviest of heavy, chuck full of \u003c\/span\u003e\u003cspan\u003edirt, growl and thump the way Smart was always able to deliver.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOne time only pressing of 500 on black vinyl. Sorry, no download \u003c\/span\u003e\u003cspan\u003ecoupon on this one.\u003c\/span\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":18865973821510,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/American_Noise_2_5x5.jpg?v=1542733227"},{"product_id":"copy-of-bad-sports-bras-lp","title":"Bad Sports - Bras - New CD","description":"\u003cp\u003eDenton\/Austin's Bad Sports are back with their third album - and second on Dirtnap. Produced by the Marked Men's Mark Ryan and Jeff Burke, Bras is a major departure from the '77 pop\/punk feel of 2011's terrific Kings of the Weekend. This time the band brings a tougher, harder-edged sound and takes on a wider variety of musical styles. While still very much in the classic vein of Texan garage\/punk, Bad Sports are also bringing to mind the heyday of New York City punk. With hints of Dead Boys snarl, Dictators thump, and even some artier Lou Reed\/Television leanings, this record finds the trio refining its songwriting chops and rocking harder than ever. The album's got a little bit of everything - from booming Cheap Trick style power pop to straight-up catchy garage punk to grimy proto-punk not far removed from Orville's other band OBN IIIs. And while Bras builds on the foundation of previous records, quite frankly it blows away anything else the band has done to date. Scorching tracks like \"Washed Up\" and \"Race To The Bottom\" beg to be played at obnoxiously loud volumes, while \"Nothing In This World\" might be the best pop song you hear this year. Elsewhere, \"Get You\" and \"Terrible Place\" manage to satisfy the fan base even as they push the band's sound to the next level. Lots of bands pay lip service to the idea of duplicating the energy of their live shows on record. Bad Sports have gone out and done it! Turn it up!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":29239926325318,"sku":"SKU-29998CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/badsportsbras3x372_24060093-db02-415f-9cb1-956bde382742.jpeg?v=1562134174"},{"product_id":"red-aunts-come-up-for-a-closer-look-2xlp-new-lp","title":"Red Aunts - Come Up For A Closer Look [2xLP] - New LP","description":"\u003cp\u003eThe Red Aunts were an all-female punk band that formed in 1991 in Long Beach, California, when Terri Wahl (guitar \/ vocals) recruited friends Kerry Davis (guitar \/ vocals), Debi Martini (bass \/ vocals), and Lesley Ishino (drums). Their brand of unfiltered music is toxic, taking a sharp claw to every riot grrrl cliché it can shred. \u003cspan class=\"break\"\u003e \u003c\/span\u003eAfter five albums, several years of touring and a huge fanbase, they called it quits in 1998. The ladies recently decided it was time to wake people up and save the music with their unique form of rock. \u003cstrong\u003eCome Up for a Closer Look is their “Greatest Hits” compilation, a gatefold-sleeve double-album complete with killer art and photos, plus liner notes by Red Aunts fan Sasha Frere-Jones.\u003c\/strong\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e“The Red Aunts are nothing to mess with ... wonderfully reckless rock.” —L.A. Times\u003c\/p\u003e\n\u003cp\u003e——————————-\u003c\/p\u003e\n\u003cp\u003e“Martini’s bandmates Terri Wahl, Kerry Davis, and Lesley Ishino confirmed the news of Debi Martini’s death, referring to her death as “sudden and unexpected.” They continued, “She was our rock goddess and our anchor and we will always treasure our time together and all that we accomplished. ... We are devastated. We love you Debi.”\u003c\/p\u003e\n\u003cp\u003e“Red Aunts got started in 1991 when Wahl recruited her friends Martini, Davis, and Ishino. Their first practice was in Martini’s garage. “Nobody really had a background in music, so chords and letters didn’t have much meaning as our own language,” Martini said.\u003c\/p\u003e\n\u003cp\u003e“Their first two albums—1993’s \u003cem\u003eDrag\u003c\/em\u003e and 1994’s \u003cem\u003eBad Motherfucken 40 O-Z\u003c\/em\u003e—were released on the indie label Sympathy for the Record Industry. Their final three albums were all released by Epitaph: 1995’s \u003cem\u003e#1 Chicken\u003c\/em\u003e, 1996’s \u003cem\u003eSaltbox\u003c\/em\u003e, and 1998’s \u003cem\u003eGhetto Blaster\u003c\/em\u003e. The band broke up in 1998. In 2014, a greatest hits compilation of their work called \u003cem\u003eCome Up For a Closer Look\u003c\/em\u003e was released on In the Red. Red Aunts reunited in 2016 and played a string of shows.” Pitchfork January 2020.\u003c\/p\u003e","brand":"In The Red Records","offers":[{"title":"Default Title","offer_id":29621826420806,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/redauntscome_a43060f2-4e7a-4ab7-989e-2ca1c105554f.jpg?v=1568615527"},{"product_id":"bad-sports-constant-stimulation-new-cd","title":"Bad Sports - Constant Stimulation - New CD","description":"\u003ch2\u003eCD • COMPACT DISC • CD • COMPACT DISC • CD\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCD comes with entire Living With Secrets 12” EP as bonus tracks\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3341504298\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=3664865918\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-constant-stimulation\"\u003eBad Sports - Constant Stimulation by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3341504298\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=586584238\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-constant-stimulation\"\u003eBad Sports - Constant Stimulation by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3341504298\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/bad-sports-constant-stimulation\"\u003eBad Sports - Constant Stimulation by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003eTexas trio Bad Sports release their fourth full-length to Dirtnap and with it, push their sound into a more modern sphere of punk. Orville Neeley (guitars \/ vocals), Daniel Fried (bass \/ vocals) and Gregory Rutherford (drums) have spent over ten years together and the progression is justified.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis time, the production quality is more lean and tense, giving an air that is decidedly frustrated, more world-weary. And not to say that this isn’t an enjoyable listen - it’s just not the kind of record to pogo in a pit and shotgun a beer to. Bad Sports has grown in substance.There’s a balance to keeping enough of the old and forging ahead with the new to remain relevant and compelling.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFans will find much to get enthusiastic over and feel invigorated about as Bad Sports is still great at simply being a stripped-down classic-leaning punk band with deep power-pop vs. proto-punk feelings. Make no mistake, though: Bad Sports are not a “retro” band. Constant Stimulation is simply a timeless-yet-modern masterpiece, that sounds like it could have come out of just about any era of rock, but is also as NOW as anything else currently out there.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir history with its Texas peers of the same ilk paired along with their time spent in projects like OBN III’s, Radioactivity, Wax Museums and VIDEO (among others), has served Bad Sports well. They’ve honed themselves into being a complicated and calculating rock machine instead of just a talented party band, dishing out fuzzed-out fury, chugging chords and yelled vocals. Now, there’s a little more finesse and more care taken to let Neeley’s words and voice ring out; as close to sing-singing the band has come on a record.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere’s a general nimble brightness to the production, throughout. Gone are the days of fuzz and total distortion making the songs into jumping fleas from one track to the next. Adding a little pacing and extending their palette - the lazy chug in “Everything We Wanted” is fed by ample tremolo and loiters in its own 90s slacker rock vibe while “Ode to Power” and “Constant Stimulation” could be intertwined among the tracklists of the newest Rolling Blackouts C.F. or Shame records - equalizes things a bit because the main chunk of this record is straight-up punk, fed on busted pieces of guitar strings and broken drumsticks. It’s lean and tough.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e2012’s King of the Weekend and 2013’s Bras was love (and lack thereof)-focused, covered in equal parts, sweat, lipstick, beer, grime and glitter. Granted, there are little flashes of heartbreak thrown in on Constant Stimulation, but not quite like before. This record broils and stews over a response to the modern world and its eroding and addling effects, kicking its lyrics out to be heard clearly. No track exemplifies this better than the title track on which Neeley sings, “I need constant stimulation in my ears and in my eyes or I don’t sleep at night…deprivation chambers only worsen my dreams.” Maybe this more spaciously spare sound is their response to that veritable constant stimulation. Welcome to the modern age.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCD comes with entire Living With Secrets 12” EP as bonus tracks\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrack List LP:\u003c\/strong\u003e\u003cbr\u003e1.      Giving In\u003cbr\u003e2.      Don’t Deserve Love\u003cbr\u003e3.      All Revved Up To Kill\u003cbr\u003e4.      Comes Close\u003cbr\u003e5.      Gains And Losses\u003cbr\u003e6.      Ode To Power\u003cbr\u003e7.      Constant Stimulation\u003cbr\u003e8.      Easy Truth\u003cbr\u003e9.      Everything We Wanted\u003cbr\u003e10.     Cardboard Suits\u003cbr\u003e11.     Distant Life\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cstrong\u003eTrack List CD:\u003c\/strong\u003e\u003cbr\u003e1.      Giving In\u003cbr\u003e2.      Don’t Deserve Love\u003cbr\u003e3.      All Revved Up To Kill\u003cbr\u003e4.      Comes Close\u003cbr\u003e5.      Gains And Losses\u003cbr\u003e6.      Ode To Power\u003cbr\u003e7.      Constant Stimulation\u003cbr\u003e8.      Easy Truth\u003cbr\u003e9.      Everything We Wanted\u003cbr\u003e10.     Cardboard Suits\u003cbr\u003e11.     Distant Life\u003cbr\u003e12.     Don’t Get You Hopes Up\u003cbr\u003e13.     Living With Secrets\u003cbr\u003e14.     Done To Death\u003cbr\u003e15.     Anymore\u003cbr\u003e16.     Pacify My Love\u003cbr\u003e17.     Where Are You?\u003cbr\u003e18.     Why Should I Care?\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":35566021836961,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Constant_Stiumlation_Cover_5x5_563b3057-cbbb-4e1b-924f-748cf9cca406.jpg?v=1573349026"},{"product_id":"gories-the-the-shaw-tapes-new-lp","title":"Gories, The  – The Shaw Tapes: Live In Detroit 5\/27\/1988 – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhile \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=the+gories\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=the+gories\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ethe Gories\u003c\/a\u003e mostly went unnoticed at the time, in retrospect they were big-ass dirtbombs chucked in the swimming pool of american music, splashing mud, ripples spreading out, still coloring the waters today.  So many bands rose out of this muddy water, surfaced in the wake of the Gories, a band that fueled their music with the fire inside, and the fire that was burning in their city all their lives, and the fire that was the music of 1945 - 1965, post war blues, \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=John+Lee+Hooker\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=John+Lee+Hooker\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eHooker\u003c\/a\u003e and Kirkland, \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Bo+Diddley\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Bo+Diddley\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBo Diddley\u003c\/a\u003e and 60s garage, obscure \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Detroit\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Detroit\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDetroit \u003c\/a\u003eoutfits. The bands of \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Detroit\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Detroit\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDetroit \u003c\/a\u003ewere often seen as ahead of the times, but in many ways they were so far behind, ignoring most of everything that had been happening recently.  \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Detroit\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Detroit\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDetroit\u003c\/a\u003e \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=1969\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=1969\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e1969\u003c\/a\u003e might have been the biggest influence on punk that ever existed, but in a way it was behind, coming out of black music and mid 60s garage, mostly ignoring all the recent fads of country rock and progressive rock, living that loud sound because it was their own, industrial and isolated by geography, poverty and racism, from places where factories ran the cities and blacks were the majority.  What the Gories and other Wanghead bands did in the 1980s was in many ways similar to what Detroit bands did in the late 60s, getting behind the wheel of an old eight banger of yesterday and charging forward like there is no tomorrow. \u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gXxkHxINQ18?si=R1APKoJ1K-kwE4I2\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Third Men Records","offers":[{"title":"Default Title","offer_id":31282403049609,"sku":"700498004114","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-5141482-1385613224-5337_jpeg.jpg?v=1574618135"},{"product_id":"redding-otis-otis-blue-new-lp","title":"Redding, Otis – Otis Blue – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eBruce Eder\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003eOtis Redding's third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to\u003cspan\u003e \u003c\/span\u003eRedding's versions of songs by\u003cspan\u003e \u003c\/span\u003eSam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing. Two of them, \"A Change Is Gonna Come\" and \"Shake,\" are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with \"Wonderful World,\" which is seldom compiled elsewhere. Also featured are\u003cspan\u003e \u003c\/span\u003eRedding's spellbinding renditions of \"(I Can't Get No) Satisfaction\" (a song epitomizing the fully formed Stax\/Volt sound and which\u003cspan\u003e \u003c\/span\u003eMick Jagger\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eKeith Richards\u003cspan\u003e \u003c\/span\u003eoriginally wrote in tribute to and imitation of\u003cspan\u003e \u003c\/span\u003eRedding's style), \"My Girl,\" and \"You Don't Miss Your Water.\" \"Respect\" and \"I've Been Loving You Too Long,\" two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of\u003cspan\u003e \u003c\/span\u003eAretha Franklin\u003cspan\u003e \u003c\/span\u003eand the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of\u003cspan\u003e \u003c\/span\u003eB.B. King's \"Rock Me Baby\" that has the singer sharing the spotlight with\u003cspan\u003e \u003c\/span\u003eSteve Cropper, his playing alternately elegant and fiery, with\u003cspan\u003e \u003c\/span\u003eWayne Jackson\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eGene \"Bowlegs\" Miller's trumpets and\u003cspan\u003e \u003c\/span\u003eAndrew Love's and\u003cspan\u003e \u003c\/span\u003eFloyd Newman's saxes providing the backing.\u003cspan\u003e \u003c\/span\u003eRedding's powerful, remarkable singing throughout makes\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.allmusic.com\/album\/otis-blue-mw0000264238\" class=\"album-link\"\u003eOtis Blue\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003egritty, rich, and achingly alive, and an essential listening experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidered by many soul connoisseurs to be Otis Redding's finest and most fully realized LP, 1966's \u003c\/span\u003e\u003ci\u003eOtis Blue\u003c\/i\u003e\u003cspan\u003e delivers a compelling encapsulation of all of the qualities that made Redding the greatest soul performer of his era. In addition to the artist's self-penned classics \"Respect\" and \"I've Been Loving You Too Long,\" Otis Blue spotlights the artist's peerless interpretive skills, as he puts his dynamic stamp upon such iconic tunes as the Rolling Stones' \"(I Can't Get No) Satisfaction,\" The Temptations' \"My Girl,\" B.B. King's \"Rock Me Baby,\" \"You Don't Miss Your Water\" and Solomon Burke's \"Down in the Valley.\" Otis also pays tribute to his idol Sam Cooke, giving his all to a trio of Cooke tunes, \"A Change Is Gonna Come,\" \"Shake\" and \"Wonderful World.\" This exact reproduction of this original Stax label LP is mastered from the original mono tapes and pressed on pristine High-Definition vinyl.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sundazed Records","offers":[{"title":"Default Title","offer_id":31530556489865,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP5064-mini.jpg?v=1577504657"},{"product_id":"moral-panic-s-t-new-lp","title":"Moral Panic – S\/T [Second Album IMPORT]– New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003esparks flying as this Brooklyn outfit \u003cmeta charset=\"utf-8\"\u003ejumps from the gate and blasts through this set, screaming from the garage and running at it like a maniac in a road race, middle american punk from the beginning fueling the engine, tuned up with the fury of hardcore, garage punk rock and roll fast as fuck, toes to the radiator from go to whoa, running it down like a young punk itching to break free from all the bullshit, piss and vinegar and a bottle of white lightning, pissed off at the party and whips the bottle on a live wire, lit on benzedrine and splits the scene, gotta get out of town and don't care what gets in the way.  I don't care what the landlord or the neighbors say, gonna blast this one from the rafters all night.-- winch (green noise records)\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=219040327\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"http:\/\/aliensnatch.bandcamp.com\/album\/moral-panic-s-t\"\u003eMORAL PANIC - s\/t by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e    \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003emaximumrocknroll.com\u003cspan\u003e \u003c\/span\u003e Man, these guys come out of the gates swinging, with a faster-paced, almost frenetic number. This is punk rock. Sure, it’s catchy, but it’s got this nervous energy that keeps the listener on edge. They keep up the pace for the entire record. This thing just shreds. At times I’m reminded of the DEAD BOYS, only amped up a tad. And just for the hell of it, they throw in a PAGANS cover. Excellent record. (KENNY KAOS)\u003cbr\u003e\u003cbr\u003erazrocake.org\u003cspan\u003e \u003c\/span\u003e#112 Let this stand as a testament to those who´ve thought their corker of a debut was a fluke: it wasn´t. Ten more tracks of high-octane punk with lineage hearkening back both to Modwest hardcore and L.A.-via Arizona legends the CONSUMERS all saturated in pummel and wail, grime and groove. Nineteen minutes later you´re left dazed´n´wondering just what ran over you and hoping it'll pass this way again to do the same. (JA)\u003cbr\u003e\u003cbr\u003ebigtakeover.com\u003cspan\u003e \u003c\/span\u003e#85 Where has all the punk rock gone? Well, if you’re seeking more than the typical mutual admiration society jerk-off that has become punk these days, look no further. Brooklyn’s MP don’t adhere to stylistic cues, don’t pander to their audience, and they don’t care what you think of them. What they do is play 10 songs in under 20 minutes with lightning speed, balance “tight”\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand “loose” like the best of any Killed by Death band, and do it better than your friend’s boring hardcore outfit that played five times in the past month. What do they sound like? Cleveland’s Pagans at 45. There’s no posturing, no begging you to think they’re cool, no BS. You get these songs and you like ’em or you don’t. Now f off.\u003cbr\u003e\u003cbr\u003eyellowgreenred.com\u003cspan\u003e \u003c\/span\u003e(USA) Sep 2019 Second full-length album from Brooklyn’s Moral Panic, and just like the first, it’s self-titled. They’ve apparently got better things to do than name their albums, and considering the crisp, hardcore-influenced garage-punk they’re doling out, I suppose I can’t complain. Much like their debut, I’m reminded of Video, as well as Career Suicide and Carbonas, maybe a little Dead Boys too, but there’s no confusing Moral Panic with a band that existed decades ago. They’re tight and to the point, and while they may lack the bite or individual edge one might associate with a group released by Total Punk or Feel It, Moral Panic run through their set with confidence and skill. The only thing I’m waiting for is some distinguishable aspect to Moral Panic’s songs, of which there currently really isn’t, but perhaps distinction is not their goal so much as tough, workmanlike garage-punk. To their credit, the song “Flower Violence” has a chorus of “so sick of this flower violence \/ just want some power violence”, which may be the first instance of a garage-punk band celebrating Man Is The Bastard and Crossed Out in song. It’s a start! (JC)\u003cbr\u003e\u003cbr\u003eox-fanzine.com\u003cspan\u003e \u003c\/span\u003e#145 Titellos war bereits das 2017er Debütalbum der in Brooklyn, NY ansässigen Band, die damals auf Slovenly veröffentlichte und jetzt zu Alien Snatch gewechselt ist mit diesem aufs Wesentliche reduzierten Punkrock-Snack: Die zehn Songs auf 45 rpm sind nach knapp zwanzig Minuten durch. Ähnlich egal wie das mit dem fehlenden Titel dürfte der Band sein, dass es schon andere mit diesem Namen gibt, der freilich so perfekt passt, dass man diese Wiederholung verzeiht. MORAL PANIC klingen für mich schon vom Namen her wie das, was geboten wird: Snotty Punkrock mit auch mal gniedeliger Gitarre, angepisstem Gesang und mächtig Drive. PAGANS (deren „Not now no way“ wird hier gecovert), DEAD BOYS, DICTATORS und Co. wurden wiederholt in diesem Kontext bemüht, die Wiederholung macht den Vergleich nicht lahmer oder unzutreffender. Zeitlose Musik, nicht nur für Traditionalisten.\u003cbr\u003e\u003cbr\u003edigitfanzine.chez.com\u003cspan\u003e \u003c\/span\u003eAttention MORAL PANIC déboule à 200 à l'heure ! Fast powerpunk à la CARBONAS avec de légères touches de hardcore et des morceaux qui me rappellent les Dirtys (\"Gear Guy\"), voire les NEW BOMB TURKS ou les CANDY SNATCHERS... Une belle cover du \"Not Now No Way\" des PAGANS en prime.\u003cbr\u003e\u003cbr\u003ealiensnatch.com\u003cspan\u003e \u003c\/span\u003eNo-holds-barred killer record from Brooklyn, NY with 45rpm paced short \u0026amp; snotty CARBONAS style shockers. Deadly fast punk guitars with DICTATORS hooks and moves, midwest PAGANS kicks and early GG ALLIN. We waited for this album for more than a year and the release has sent us into dizzying emotional heights. The record comes in at nineteen minutes for all the short attention slashers out there. Mixing and mastering was done by Jeff Burke (RADIOACTIVITY, LOST BALLOONS), and you can hear it. These rockers hammer out ten absurd scorching songs, including \"Not Now, No Way\" by Cleveland´s finest. Featuring Ex-LIVIDS members this is their second album after releasing their debut on Slovenly Records.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eSNATCH!094\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Alien Snatch! Records","offers":[{"title":"Default Title","offer_id":32999040909449,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1022800302_16.jpg?v=1587063873"},{"product_id":"copy-of-zerodent-landscapes-of-merriment-import-gray-vinyl-new-lp","title":"Zerodent - Landscapes of Merriment [IMPORT GRAY VINYL] - New LP","description":"\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eApocalyptic reign of bash´n´pop! Second album by this Perth, OZ outfit after their self-titled debut on ALIEN SNATCH!.\u003cbr\u003e\u003cbr\u003eIn the meantime, they had a US-Tour with appearances at GONER FEST 13 and a Live at WFMU-set and a follow-up 7\" on ALMOST READY. On \"Landscapes of Merriment\" you get loads of mid-tempo-crushers, solid as rock Australian punk. Typical ZERODENT is WARSAW-WIRE-sque dystopia piercing blue-collar British punk simplification. This is cliché-free, skipping phases of adolescence minimalistic songwriting. We´re more than proud to present this album from a living band and not from \"lost recordings\" or a reissue from ´76 and kick-off an European Tour in 2019. Songs to climb walls, rip fences and bullwhip the agendas. Check the deadly serious video of \"Stay In\" on your devices! 194 copies black vinyl, 91 on concrete-grey vinyl for mail order only. Out 9\/17\/18. Skate through Landscapes of Merriment and inhale the dust.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1221153913\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/aliensnatch.bandcamp.com\/album\/zerodent-landscapes-of-merriment\"\u003eZERODENT - Landscapes of Merriment by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003eMAMIXIMUMROCKNROLL.COM\u003cspan\u003e \u003c\/span\u003e(US) Double the pleasure with ZERODENT’s second LP. Perth’s most remote punks channel some canonical punk sounds here (and always), taking a fairly cold post-punk approach up front, but heating things a bit with an early ’80s UK punk bite. A very measured offering, but it’s got enough brains to catapult it past mere case study. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003eDUSTEDMAGAZINE.COM\u003cspan\u003e \u003c\/span\u003e(US) OCT 2018 Zerodent, a punk rock outfit out of Perth, Australia, returns with a faster, louder and more fleshed out follow-up to its 2016 debut. The band picked up a new rhythm section in the interim, adding Clinton Bell and Dylan Prosser, which may account for increase in density. The core duo of Predrag Delibasich and Lee Jenkins remain, slashing strings and barking mad poetry, in a thrashing, slamming, stinging continuum between Wire-ish post-punk and Clash-like clangor. Landscapes of Merriment is Zerodent’s best so far, and that’s saying something. I first caught up with Zerodent during our first Bandcamp feature (we’re working on another now), and observed of the Soulmender EP that “the temptation is to compare them to blunt and basic outfits like Eddy Current Suppression Ring, the punch and hook of these three cuts links them back to angry, funny, tuneful British punk like the Buzzcocks and Half Man Half Biscuit.” Landscapes explores rougher territories, still tuneful but more bruising. The recoil from these guitar licks kicks like machine gun butts. You can get a long way on a riff and some adrenaline in this sort of music, but Zerodent goes beyond that with actual hooks and even, sometimes, melody, though often expressed through the instruments rather than Jenkins spoke-sung, workingman’s rants. The double-timed drumming and ringing guitar chords of “Stay In,” recall the sweat-soaked anthemry of the Marked Men. There’s a song in there, even if it’s hammered to pieces by aggression, and you can hear it in your head when it’s over. “Perpetual Obligation” has the same kind of melodic heft, a tune that gives shape to its rattling, battering assault. Even the super-jacked, close to hard-core “It Was Never Meant to Be,” buries a hook in its juddering onslaught, and good luck trying to get it out once lodged. This is not to minimize the sheer, onrushing exultation of a punk band on its game, punching out violent tumults of guitar, bass, drums and shouts. Zerodent does that really well. But when you come out, covered with lacerations, spilled beer and anomie, you have a song in your head, too. Score. (JK)\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\\\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":34487530979489,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/SNATCH090_ZERODENT_LandscapesOfMerriment_LP_400_e61ee6fe-a00c-4a87-8f01-5347d4fcfb2c.jpg?v=1614793292"},{"product_id":"phone-jerks-s-t-new-lp-1","title":"Phone Jerks – S\/T – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eMAMIXIMUMROCKNROLL.COM\u003cspan\u003e \u003c\/span\u003e\"Goddamn, this thing is delivered with a sense of urgency that I find infectious. Imagine bands like the RIP OFFS and TEENGENERATE. Everything about this is intense: the pace, the vocals, the lyrics, the guitar, the drums, the bass...I said “everything,” didn’t I? Did I stutter? I can’t wait to get my own copy. Excellent. (KK)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3678110631\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/aliensnatch.bandcamp.com\/album\/phone-jerks-s-t\"\u003ePHONE JERKS - s\/t by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eALIENSNATCH.COM\u003cspan\u003e \u003c\/span\u003ePHONE JERKS are a foursome from Moncton, New Brunswick. This is raw crab-shrapnel-Canada! Three dudes and Emily on drums, all on lead vocals means technically a dial-up connection from the ice speedway smash up derby to budget rock heaven. If you remember BRENTWOODS and LOLI \u0026amp; CHONES you´re should bet on her, the boys crank it more in a wired METROS way to winter dance party SPACESHITS with some euro teen degenrate REAL LOSERS spikes. Yes, this reference list from the all late 90´s to millenium band league which did NOT suck. You need to look very close today to find this shower of frequencies, blown-out fidelity lo-fi rock combined with flying-ice-cream-cups-fun. Take RADIOACTIVITY, SICK THOUGHTS, REATARDS and TOTAL PUNK pilgrims, with more buckets of simple \u0026amp; stupid party collusion and you be catapulted back to the bands above you may have not grown-up by then. It´s\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003elo-fi garage punk! You´re lost in a infinite time-loop! PHONE JERKS had 2017 a 45 \"Can´t Stand the Maritimes\" on GOODBYE BOOZY (the Italian who never did anything else in life expect what he does best) which sold out quick, but pheew, the album blows the single away. Recorded by Dave Belliveau (DISASTERBATERS) nad mixed \u0026amp; mastered by James O'Toole of OUTTACONTROLLER - it´s so good you don´t need to fake orgasms here. Ripping covers of \"Violence, Anarchy, Baby, Mother, Daddy-O, Dig\" by DA SLYME and \"Revolution\" by X. We are writing 2018 and we started 1998, this is the blueprint and the easiest shooting-fish-in-the barrel of an autobiographical ALIEN SNATCH! release. We would have released this PHONE JERKS LP any year of out label history, but where have they been the last twenty years? If Greg Lowery would run RIP OFF Records instead of real estates, this would be his condo of choice! Their power pop origin and band name phone schtick is highly reminiscent to ring-ring BUSY SIGNALS to MARK SULTAN´s BBQ taking a message to hang BLONDIE after the beep. Get this record and reaffirm your life choices! Cruise to lose!\u003cbr\u003e\u003cbr\u003efasterandlouderblog.blogspot.com\u003cspan\u003e \u003c\/span\u003e(USA) Phone Jerks have released an album? On Alien Snatch Records?! One of my favorite bands put out a record on one of my all-time favorite labels, and nobody knew anything about it until a week ago?! Now that was a fiercely-guarded secret! Respect! Alien Snatch Records has been setting the standard for what a punk rock label ought to be for 20 years now. From assembling a roster including the likes of the Kidnappers, Real Losers, Fevers, Yum Yums, Minds, and Leg Hounds in its early 2000s heyday to releasing brilliant music by current-day bands such as Freak Genes and The #1s, Alien Snatch has remained a go-to for any fan of garage-punk and power pop. Moncton, New Brunswick's mighty Phone Jerks could not be a more fitting addition to the Alien Snatch family. Their debut LP hearkens back to countless beloved garage-punk LPs of the '90s and early 2000s. And I gotta tell you the thing is absolutely KILLER! Upon hearing \"Nothing There\", you just might find yourself convinced that The Rip Offs have gotten back together! Alien Snatch honcho Daniel has astutely pointed out that he could have released this album in any year of the label's history. These tunes are that timeless. Of course Phone Jerks sound like a band that could have been peers with Loli and the Chones, The Metros, Teengenerate, etc. Yet they also align perfectly with modern-day greats like Gino \u0026amp; The Goons and Sick Thoughts. This, my friends, is garage-punk the way it ought to be: trashy, lo-fi, and intentionally devoid of originality. Why are there not more bands like this?! Being four upstanding Canadians who value your hard-earned dollar, Phone Jerks have delivered almost entirely brand-new material for this debut album (along with covers of \"Revolution\" by Australia's X and \"Violence, Anarchy, Baby, Mother, Daddy-O, Dig\" by Newfoundland punk legends Da Slyme). No tracks from the Goodbye Boozy 7\" have been repeated, and only two songs re-appear from the band's demo tape. The instant you dig into \"Bitchiker\", you will find yourself fondly recalling a time when every new Rip Off Records release was an event worth celebrating. And come on: how can an album that begins with a song about killing someone not be the best record of the year?! These songs are all so ripping and catchy and tremendously fun to listen to. This is an album that you just have to crank super loud. And half the fun of this record is going through it track by track and asking, \"Who are they ripping off here?\"! The fact that Phone Jerks have three different lead singers makes it all that much cooler. Emily, Tyler, and Brian each bring something unique to the table (and you know, they all seem intent on smashing that table). The production (kudos Dave Belliveau and James O'Toole!) is spot-on for what budget rock ought to be. You know how modern-day reviewers are so fond of using \"crackling\" as an adjective? This album is crackling. Literally. So why aren't there more bands like Phone Jerks? I don't know, but maybe there will be after their debut album makes the rounds! Canada is ahead of the curve as always (especially in Moncton, where they observe the Atlantic Time Zone). With me poised to name an Alien Snatch release album of the year, it sure feels like old times! (JR)\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003er\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Alien Snatch! Records","offers":[{"title":"Default Title","offer_id":34635086299297,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2285194035_16.jpg?v=1591814003"},{"product_id":"numan-gary-the-pleasure-principle-new-lp","title":"Numan, Gary – The Pleasure Principle – New LP","description":"\u003cp\u003ereissue of debut solo, released September 1979 (January 1980 in the US)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eVocals, Keyboards, Percussion [Synthetic]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eGary Numan\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eWritten-By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/12588-Gary-Numan\" class=\"rollover_link\" target=\"_blank\"\u003eGary Numan\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eAirlane\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:18\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eMetal\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:33\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A3\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eComplex\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:14\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A4\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eFilms\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:09\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A5\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eM.E.\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e5:37\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B1\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eTracks\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:52\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B2\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eObserver\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:53\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B3\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eConversation\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e7:38\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B4\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eCars\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:53\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B5\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eEngineers\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:00\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":34643057574049,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-45996-1478712716-1998_jpeg.jpg?v=1605068429"},{"product_id":"wares-survival-new-lp","title":"Wares ‎– Survival [MARKED DOWN] - New LP","description":"\u003cdiv class=\"uk-width-1-1 uk-width-medium-1-2 uk-width-large-1-2 item-meta\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eWares is a musical project engineered by Edmonton songwriter Cassia J. Hardy. From teeth rattling electric convulsions to soft-spoken acoustic refrains, the musical inflections explored on each Wares release are as varied as they are enthralling.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1910186298\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wares.bandcamp.com\/album\/survival\"\u003eSurvival by Wares\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFew albums combine raw vulnerability with shredding solos as seamlessly as Wares’ Survival. On her first release for Mint Records, Edmonton’s Cassia Hardy blazes through riff-wielding indie-rock symphonies for anyone striving to stay alive and create a brighter future. By sharing her own journey towards hope, she hopes to light a path for anyone lost in the dark. As Hardy explains in its liner notes, “this record is dedicated to decolonial activists, anti-fascist agitators, prairie queers fighting for community and a better life.”\u003cspan class=\"break\"\u003e \u003c\/span\u003eSince Wares’ origin as a solo project, Hardy’s guitar skills have taken centre stage. Learning how to play thrash-metal solos provided her with the instrumental ability to create emotionally riveting songs, rising to meet the intensely personal lyrics about her life experiences. While the Flying V hasn’t left her hands since the days of playing riffs by Megadeth and Metallica, she learned to meld these six-string pyrotechnics with loud-quiet-loud dynamics into a sound that feels vibrantly original.\u003cspan class=\"break\"\u003e \u003c\/span\u003ePrevious Wares releases have flickered with a slow burn, yet Survival lights the fuse from ominous to explosive in its first sixty seconds. This change in mood can be credited to the past year of touring across Canada with the stalwart live band of keyboardist Jamie Mclean, bassist Matthew Gooding, and drummer Holly Greaves, who also perform throughout the album. Their arrangements are meticulous, while Hardy’s production alongside engineers Mason Pixel and Jesse Gander (Japandroids, White Lung) refine these songs into crystalline clarity.\u003cspan class=\"break\"\u003e \u003c\/span\u003eHardy’s dramatically enunciated vocal delivery has earned comparisons to Destroyer’s Dan Bejar, but she draws more inspiration from Arthur Russell and cult Albertan queer-punk group Fist City. Her sonic imagination travels far beyond overdriven shredding, from the swooning acoustic guitars of “Jenny Says” to the Hold Steady-style organ-rock of “Surface World.” The result is 2020’s answer to Against Me!’s Transgender Dysphoria Blues or G.L.O.S.S.’s Trans Day Of Revenge with a far wider musical range.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e• Riff-wielding indie rock symphonies from Edmonton’s Cassia Hardy\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cbr\u003e• Produced with Mason Pixel and Jesse Gander (Japandroids, White Lung)\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cbr\u003e• For fans of Arthur Russell, Fist City, Destroyer, Against Me!’s Transgender Dysphoria Blues and G.L.O.S.S.’s Trans Day Of Revenge \u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cbr\u003e• No export to UK \/ EU and Canada\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded mostly at Bikini Bottom by Mason Pitzel\u003cbr\u003eMixed  by Jesse Gander\u003cbr\u003eMastered  by Ryan Morey\u003cbr\u003e\u003cbr\u003eCover by Kira Buro\u003cbr\u003ePhoto by Josh Bookhalter and Charlie Paget\u003cbr\u003e\u003cbr\u003eCassia Hardy: Vocals, guitars, keys, percussion\u003cbr\u003eJamie McLean: Keys, backup vocals\u003cbr\u003eMatthew Gooding: Bass\u003cbr\u003eHolly Greaves: Drums, percussion, backup vocals\u003cbr\u003eMason Pitzel: ‘Drums’\u003cbr\u003e\u003cbr\u003eLove and thanks to: Ann \u0026amp; Cecil Hardy, Niko Stratis, Jesse Northey, The SMF, The Aviary, The Empress, The Quiltbag, RCYK, Mustafa, Marlaena, Jessica, Trevor McNeeley, Leila Sidi, Mal \u0026amp; Trev, PJ \u0026amp; Erin, Cat \u0026amp; Jaye, Andy \u0026amp; Liz, and everyone who’s hosted us, shared a stage with us, and helped us out on the way.\u003cbr\u003e\u003cbr\u003eThis record is dedicated to decolonial activists, anti fascist agitators, prairie queers fighting for community and a better life.\u003cbr\u003e\u003cbr\u003eThanks for listening.\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_no_style\"\u003e\u003c\/ul\u003e","brand":"Mint Records","offers":[{"title":"Default Title","offer_id":35448261410977,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3260539775_10.jpg?v=1596444353"},{"product_id":"executors-all-against-all-new-lp","title":"Execütors ‎– All Against All [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Execütors- All Against All LP.  \u003c\/span\u003e\u003cspan id=\"yiv0328566560yui_3_7_2_46_1370518188108_393\" class=\"yiv0328566560\"\u003eBubbling up from the toxic smokestacks of New Jersey comes the east coast's newest shit-makers Execütors.  These guys sound like a scummy \u003c\/span\u003e\u003cspan\u003ehammer and sickle thug-punk band \u003c\/span\u003e\u003cspan id=\"yiv0328566560yui_3_16_0_1_1433792464404_18735\" class=\"yiv0328566560\"\u003ecoming straight outta the UK in the\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e early 80's. Punchy hard-edged, pub rock Punk in the vein of Cock Sparrer, Blitz, Anti Nowhere League and GBH, but they go a little further than that.  For one they speed things up a little more than their predecessors making the songs come off a little more brut and in your face.  They also throw in some burly, riffy as fuck guitar  that really bring these rough n tough, boot-stompin anthems to life.  At times you can hear echoes of The mighty Templars amped up and boozed out with signature solos blazing.  \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnd everything is held together by a snide, snotty as fuck screamer with tempers flaring and a spite-filled axe to grind.  Fourteen roughneck, brick wall smashers in all and nary a dud in the bunch.\" -- dead beat\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=530698709\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/executors.bandcamp.com\/album\/all-against-all\"\u003eAll Against All by Executors\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Dead Beat Records","offers":[{"title":"Default Title","offer_id":35480355373217,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3240056936_16.jpg?v=1596539162"},{"product_id":"hayley-and-the-crushers-s-t-new-lp","title":"Hayley and the Crushers – S\/T [YELLOW VINYL Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003egreat set, \u003c\/span\u003e\u003cspan\u003epure garage-pop fun, fun as going to the record swap on Saturday Night, great as sucking the purple from a grape-flavored popsicle on a dog day in the summertime, going back to Suzi Soul, Ramones, and The Go-Go's for inspiration, going back to surf for lots of her guitar parts, kicking out the guitar licks and singing her songs about swap meets, love and having fun, popping bubblegum and pushing you to the ground, looking over her store-bought white-framed sunglasses, zipping up the chrome on her second-hand go-go boots. Go-go girl go.-- winch\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=778179945\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/hayleyandthecrushers.bandcamp.com\/album\/cool-lame\"\u003eCool\/Lame by Hayley and the Crushers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eOne part punk-pop, one part sunny surf, all \"poolside glitter trash,\" San Luis Obispo, California's Hayley and the Crushers\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003eoffer up a tsunami of bold, bad girl fun. Fizzy, frothy, and a little dangerous, be careful just how far you paddle out. There's blood in the water and the mermaids in this part of the Crusherverse are known to nibble.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eHayley and the Crushers has already sent a chlorinated wave of electricity across the West Coast. Now, the San Luis Obispo, CA trio is ready to introduce the entire world to their wet and wild brand of \"poolside glitter trash.\" Cool\/Lame,\" released on 9\/28\/18 on Eccentric Pop Records is proudly hip, square, and full of reverb-soaked spunk. The band's 2016 full length \"Jewel Case\" has been applauded by Razorcake and Pork magazines for its \"new oldies sound\" reminiscent of the Go Gos, drive-in movies, and teenage hijinx. The trio's syrupy garage-tinged pop has been described as \"like Bazooka Joe bubblegum stuck to the bottom of your combat boot,\" and front woman\/guitarist Hayley Crusher is akin to Gidget with budget model Gretsch. Call them a \"demonic version of the Go Gos\" or just plain fun, and you'd be equally accurate. With wild stage antics and warm soda pop pumping through their veins, Hayley and the Crushers is a kind of frantic fun that can only have come from California's Crusherverse.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded by Bart Thurber, House of Faith Studios, Oakland, CA\u003cbr\u003eMastered by John Rogers\u003cbr\u003eGuitar: Hayley Cain\u003cbr\u003eBass: Reid Cain\u003cbr\u003eDrums: Gabriel Olivarria\u003cbr\u003eAdditional percussion: Chris Maneri\u003c\/div\u003e","brand":"Eccentric Pop Records","offers":[{"title":"Default Title","offer_id":35670641574049,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1957271372_16.jpg?v=1597459879"},{"product_id":"doctors-of-madness-dark-times-new-lp","title":"Doctors of Madness - Dark Times [IMPORT]  - New LP","description":"\u003cp\u003e\u003cspan class=\"mw-headline\" id=\"2019:_New_Doctors_of_Madness_album\"\u003e New Doctors of Madness album\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e42 years after recording\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSons of Survival\u003c\/i\u003e, Strange returned to the studio to record another album under the name 'Doctors of Madness'. The songs on the album were written by Strange in a short period of time, and were recorded at Doghouse Studios in Oxfordshire, England, with producer\u003cspan\u003e \u003c\/span\u003eJohn Leckie, who had worked with Strange on the band's second album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFigments of Emancipation\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eThe new album, entitled\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDark Times\u003c\/i\u003e, was released on 13 September 2019 on the Molecular Scream label through Cargo Records (except in North America, where it was to be released by Cherry Bomb\/Mailboat Records). The \"unashamedly political\" album contained eight songs: \"So Many Ways To Hurt You\", \"Make It Stop!\", \"Sour Hour\", \"Walk Of Shame\", \"This Kind Of Failure\", \"This Is How To Die\", \"Blood Brother\" and \"Dark Times\".\u003c\/p\u003e\n\u003cp\u003eGuest musicians who participated in the recording of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDark Times\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincluded\u003cspan\u003e \u003c\/span\u003eJoe Elliott\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003eDef Leppard\u003cspan\u003e \u003c\/span\u003e(vocals on five songs) and\u003cspan\u003e \u003c\/span\u003eSarah Jane Morris\u003cspan\u003e \u003c\/span\u003eof\u003cspan\u003e \u003c\/span\u003ethe Communards\u003cspan\u003e \u003c\/span\u003e(vocals on four songs). There were also contributions from\u003cspan\u003e \u003c\/span\u003eTerry Edwards\u003cspan\u003e \u003c\/span\u003e(Tindersticks,\u003cspan\u003e \u003c\/span\u003eNick Cave,\u003cspan\u003e \u003c\/span\u003ePJ Harvey,\u003cspan\u003e \u003c\/span\u003eMadness), Steve 'Boltz' Bolton (Paul Young,\u003cspan\u003e \u003c\/span\u003eThe Who,\u003cspan\u003e \u003c\/span\u003eAtomic Rooster) and young protest singer Lily Bud. The Japanese power duo Sister Paul, comprising Susumu Ukei on bass and Mackii Ukei on drums, played on all eight tracks. The critical acclaim was unanimous. The record was released in the US on Cherry Bomb Records and in Japan via Crocus Records, and featured in end-of-year 'Top Albums' roundups.\u003c\/p\u003e","brand":"Cherry Bomb Records","offers":[{"title":"Default Title","offer_id":35931964965025,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14164968-1569066940-4643_jpeg.jpg?v=1598657412"},{"product_id":"pigbag-dr-heckle-and-mr-jive-new-lp","title":"Pigbag - Dr. Heckle and Mr. Jive - New LP","description":"\u003cp\u003ereissue of 1982 album (recorded 1981).\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3025578173\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pigbagcov.bandcamp.com\/album\/dr-heckle-and-mr-jive\"\u003eDr. Heckle And Mr. Jive by Pigbag\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan\u003eAlong with \u003c\/span\u003ethe Pop Group\u003cspan\u003e and \u003c\/span\u003eRip Rig \u0026amp; Panic\u003cspan\u003e, \u003c\/span\u003ePigbag\u003cspan\u003e was a brilliant U.K. underground group who created a unique fusion of funk, disco, and post-punk that drew on the diverse, groove-oriented music of \u003c\/span\u003eCan\u003cspan\u003e, \u003c\/span\u003eFela Kuti\u003cspan\u003e, \u003c\/span\u003eMiles Davis\u003cspan\u003e, and \u003c\/span\u003eJames Brown\u003cspan\u003e. \u003c\/span\u003eDr. Heckle \u0026amp; Mr Jive\u003cspan\u003e was the debut album they cut in 1981 with producer \u003c\/span\u003eDick O'Dell\u003cspan\u003e for his Y Records label. The label was defining a new punk-funk sound with the scattered shards of the punk explosion; with groups such as \u003c\/span\u003ethe Pop Group\u003cspan\u003e, \u003c\/span\u003ethe Slits\u003cspan\u003e, and \u003c\/span\u003ePigbag\u003cspan\u003e, this scene started picking up on ethnic music grooves and melded them with the D.I.Y. approach of punk. The taut instrumental funk of \"Getting Up,\" \"Big Bag,\" \"Brian the Snail,\" \"Wiggling,\" and \"Brazil Nuts\" became an underground dance-floor classic. With their first single and anthem, \"Papa's Got a Brand New Pig Bag,\" the group incidentally scratched the surface of the mainstream and appeared in the pop charts. But overground success was very self-consciously avoided with their debut LP, which deals in experimental, long-form workouts and edgy funk grooves somewhat reminiscent of \u003c\/span\u003eA Certain Radio\u003cspan\u003e and the New York disco scene of the early '80s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Call of the Void Records","offers":[{"title":"Default Title","offer_id":35932062351521,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-135289-1152368022_jpeg.jpg?v=1598658390"},{"product_id":"lovely-eggs-the-i-am-a-moron-rsd-edition-new-lp","title":"Lovely Eggs, The – I Am Moron [IMPORT Neon Pink Vinyl Special Edition] – New LP","description":"\u003cp\u003eUK import. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eCooking up another special release with collaborator Casey Raymond the band will release a very special edition of their new album \"I am Moron\" on special edition. \"I am Moron\" is the follow up to their critically acclaimed 2017 album \"This is Eggland\".It is their second album co-produced and mixed by Dave Fridmann (The Flaming Lips, MGMT, Tame Impala) and continues their journey through Eggland into the unknown.Throughout their 13 year career, The Lovely Eggs have embraced isolation.Both metaphorically and geographically the married couple have chosen to shun the social conventions of normal life and dedicated their band and their life to the pursuit of what feels right.Operating out of their hometown of Lancaster The Lovely Eggs are lonely pioneers and self confessed kings of idiocy.Working in an industry whose currency is money, success and nepotism, The Lovely Eggs want none of it.They call out everything fake and plastic about the music industry and demand you to re-evaluate on their terms.They're undoubtedly the most real band in Britain, operating in a world when true authenticity is hard to find.They have also spent more time on hold to the Working Tax credit hotline than any other band on the planet.\"I Am Moron\" was self recorded by the band in Lancaster (\"The Twin Peaks of Northern England\") between Lancaster Musicians Co-op and their home.During the recording, Lancaster Musicians Co-op was threatened with closure so the band put their album on hold to fight the eviction. While the band were writing the album they became fascinated by the Mars One program- a global project which aims to establish a permanent human settlement on Mars.Applicants are offered a one way ticket- never to see earth again.This fascinated Holly and David who drew parallels between this mission and their own isolation as a band.Continuing the heaviness of \" This is Eggland\" \"I am Moron\" brings more depth to their sound bringing with it a mix of heavy psych, pop and strangeness.Some songs flicker between an earthly realism and the otherworldly loneliness of a one way space mission.While in contrast, Insect Repellent launches a gonzo-style attack against the middle classes and Bearpit questions the essence of working class freedom.With no booking agent, manager, record label or publisher The Lovely Eggs are truly independent.And support for them is snowballing.They are selling out bigger and bigger venues and more eggheads are joining them in their crusade against bullshit.The Lovely Eggs say it how it is. They've never been afraid to swim against the current and now they've got an army of fans behind them.Don't miss out on the most collectible record of the year! Tracks: 1.Long Stem Carnations 2.You Can Go Now 3.This Decision 4.You've Got The Ball 5.Bear Pit 6.I Wanna 7.24 Eyes 8.The Mothership 9.Insect Repellent 10.The Digital Hair 11.Still Second Rate 12.New Dawn\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: inherit; font-style: inherit;\"\u003e\u003ci\u003e\u003cem style=\"font-weight: inherit;\"\u003eI Am Moron\u003c\/em\u003e\u003c\/i\u003e, the sixth album by\u003cspan\u003e \u003c\/span\u003eThe Lovely Eggs, may just be the ideal antidote to the current chaos. The Lancaster, England-based duo released their debut album back in 2009 and have been blazing a fiercely independent trail ever since. Embracing the DIY mindset, The Lovely Eggs operate without the aid of a manager, booking agent, or record label. It’s an attitude that, coupled with the utterly fantastic music, has earned them a loyal and loving fanbase.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: inherit; font-style: inherit;\"\u003eThe band’s sound has, over the years, managed to incorporate everything from the art-punk of Half Japanese and the surrealist writings of Richard Brautigan to the superb silliness of cult comedian John Shuttleworth. Psychedelia has become a more prominent influence since 2018’s Dave Fridmann-produced LP,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem style=\"font-weight: inherit;\"\u003eThis is Eggland\u003c\/em\u003e\u003c\/i\u003e. Sonically, album opener, “Long Stem Carnations” picks up where that album left off. The sci-fi electronics subside, the song kicks in and we’re hurtling along at 100mph as vocalist\/guitarist Holly Ross tells us, “I’m as strong as a Wagon Wheel\/I’m connected to how you feel.” Fridmann is back behind the desk and the songs sound huge swathed in his psychedelicized production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: inherit; font-style: inherit;\"\u003eThe heart-racing rush of each successive song gives\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem style=\"font-weight: inherit;\"\u003eI Am Moron\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ea brilliantly breathless momentum. The band’s humor coupled with a genuine sense of anger and, on occasion, outright disgust. If you follow the band on social media or hear them in interviews, you’ll know how passionate they are. Their gleefully surreal punk infused with urgency. The ridiculously catchy, word association pop of “You Can Go Now” feels like a sonic spring clean as everything and everyone from “microwave meals” to entertainment itself are shown the door. “This Decision” just about takes my head off and finds Ross and drummer David Blackwell (also her husband) providing a raw, beautifully frazzled blast of psych-punk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: inherit; font-style: inherit;\"\u003e“You’ve Got the Ball” takes a bit of a left-turn with a hypnotic, rhythmic mantra that may or may not be about football\/soccer. Who cares? It sounds fresh, fun, and completely off-its-rocker. “Bear Pit,” the snarling strop of “I Wanna,” and the manic “24 Eyes” are guaranteed to knock some socks off; cutting to the chase with a triple-header of unrestrained, punk-rock goodness. “The Mothership” is an unexpected moment of calm, the sound of the duo drifting through the lonely vacuum of outer space as Ross sings, “I sleep alone\/I just wanna sleep alone.” A brief moment to catch your breath. “Insect Repellent” might just be one of the best tracks here. Lurching into life with a brilliantly heavy groove, “investment opportunities\/repellent!\/luxury coleslaw\/ repellent!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: inherit; font-style: inherit;\"\u003e“The Digital Hair” is just over a minute of psych-punk ranting while “Still Second Rate” perfectly captures the band’s knack for a catchy, energetic art-punk barnburner. Ross explains in the press release: “Second Rate means different things to different people. For some people the idea of a Pot Noodle sandwich would be unthinkable but to David it’s a delicious after-hours snack.” Tuck in!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: inherit; font-style: inherit;\"\u003eLike any good hosts, The Lovely Eggs may have just gone and saved the very best for last with the epic, “New Dawn.” The verse pulls us in with a propulsive rhythm as Ross sings about “the solitude of living\/the screw that will not turn.” The melancholy morphs into euphoria as the chorus ushers in a new, hopeful dawn. The song ends with the image of Ross in some country kitchen smearing excrement over marble worktops. The first steps towards overthrowing our wealthy, Tory voting overlords?\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem style=\"font-weight: inherit;\"\u003eI Am Moron\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis one of those albums that seems to have arrived at the perfect time; it’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem style=\"font-weight: inherit;\"\u003eexactly\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewhat I needed to hear. I honestly can’t wait for you to hear it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr data-track-position=\"A1\" class=\"first tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA1\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eLong Stem Carnations\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A2\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA2\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eYou Can Go Now\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A3\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA3\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThis Decision\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A4\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA4\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eYou've Got The Ball\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A5\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA5\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eBear Pit\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A6\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA6\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eI Wanna\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B1\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB1\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e24 Eyes\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B2\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB2\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThe Mothership\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B3\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB3\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eInsect Repellant\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B4\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB4\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThe Digital Hair\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B5\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB5\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eStill Second Rate\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"tracklist_track_duration\" width=\"25\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B6\" class=\"tracklist_track track\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB6\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eNew Dawn\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Egg Records","offers":[{"title":"Default Title","offer_id":35932724101281,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Lovely_Eggs_-_I_Am_Moron__RSD_Special_Edition.jpg?v=1598665251"},{"product_id":"obnox-canabible-ohio-ep-2x7-new-7","title":"Obnox - Canabible Ohio EP [2x7\"] - New 7\"","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBim Thomas' one man soul-punk bomb OBNOX, and Black Gladiator is psyched like a mug to be part of this expanding, dark dope cloud. This “Canabible Ohio” double 7” joint features five new tracks of dank punk stank with a level of pure b-boyism unfelt since the golden era of the Def Jam days. Dig “Deep In The Dusk (Redux)”* for the Jeep beat, replete with a broke ass MAGNETIX sample. Three of the four cover songs in this set represent the sordid history of Ohio rock and soul: GAUNT’s twisted “Flying,” KING JAMES VERSION’s “He’s Forever,” a tore up, one-in-a-million 60’s shouter which no one even knew about until the recent release of Numero Group’s Boddie Recordings box - a song which no other need attempt after this, and the all time MCCOYS classic “Hang On Sloopy” gets the ‘NOX treatment proper. A cover of the URINALS “I’m A Bug” rounds the set out, cuz we’re stupid like that. Records are housed in a full-color gatefold jacket in a limited edition of 500 copies.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2347399192\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/slovenly.bandcamp.com\/album\/obnox-canabible-ohio-ep\"\u003eOBNOX  \"Canabible Ohio\" EP by Obnox\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eObnox is the solo project of prolific multi-instrumentalist and Sandusky, Ohio native Lamont “Bim” Thomas (drums, rhythm guitar, tambourine, tympani, vocals). \u003c\/p\u003e\n\u003cp\u003eObnox is Cleveland’s reigning one-man industry of punk-junk-funk and draws comparisons to Swell Maps, Teengenerate, and Beefeater.  \u003c\/p\u003e","brand":"Slovenly Records","offers":[{"title":"Default Title","offer_id":35942223577249,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3625141059_16.jpg?v=1598798961"},{"product_id":"brandy-the-gift-of-repetition-new-lp","title":"Brandy – The Gift Of Repetition – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProud as a parent to bring you the latest creation bought you by \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/total-punk\"\u003eTotal Punk Records\u003c\/a\u003e, the label that reminds us just what total punk sounds like, brand-new Brandy reminding us that \u003cmeta charset=\"utf-8\"\u003eREPETITION is indeed the gift that keeps giving, the band hammering out the punk rock like building a house, one built to last, with a bit of shimmy shake added to the machine rhythms, shaking it up and nailgunning a roof on the factory...electronics snaking their ways into some songs but the hammer stamping the sounds into the repetitive aggressive drive that dominates the proceedings, like smashing a plugged-in computer console in a trim press on an assembly line...the whole thing reminds me of Mean Janeen cranking the tunes and shaking her beautiful hefty hips while she runs computer parts through the trim press at Viking Die Cast back in the \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/michigan\" href=\"https:\/\/store.greennoiserecords.com\/collections\/michigan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/michigan\" target=\"_blank\"\u003eMichigan\u003c\/a\u003e rust belt in 1981, kicking rats from drill press coolant puddle and kicking out the jams.  -- \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/books\/products\/winch-kalamazoo-growing-up-sideways-in-the-1970s-new-book\"\u003ewinch\u003c\/a\u003e (green noise)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2005440776\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/totalpunkrecords.bandcamp.com\/album\/the-gift-of-repetition-lp\"\u003eThe Gift Of Repetition LP by BRANDY\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eNew York's Brandy (Ex-Pampers, Running) are back with their sophomore LP and first on TOTAL PUNK. \"The Gift of Repetition\" is an eight track study in just that. Loud plodding and rhythmic. It will have you bobbing your head till it breaks off your neck. They all share vocal duties often chanting over each other and the lyrics are singular in vision. Bleak with a grin. Synth is added on a few tracks with mind-melting results. When the only other bands that come to mind are A-Frames, Lamps and Mayyors you are obviously doing something right. Pulsing, throbbing, and 100% TOTAL PUNK!!!\u003cbr\u003e\u003cbr\u003eLIMITED TO 350 COPIES.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases September 18, 2020\u003c\/div\u003e","brand":"Total Punk Records","offers":[{"title":"Default Title","offer_id":36256691454113,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3407086712_16.jpg?v=1601741191"},{"product_id":"protruders-used-lp","title":"Protruders - Poison Future - Used LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eVG+ \/ VG +. Never played.  \"After four self-released cassettes, Montréal's premier art-punk\/neo-proto-punk band Protruders makes its vinyl debut with a 25-minute 12-inch of very groovy sounds. The sound is a bit clearer and maybe a little beefier—some of the noise gives way to a more relaxed and expansive approach. The psych quotient is higher. But the heart of the band is still beating for the sort of raw open-minded non-generic punk that once came from the likes of Rocket From The Tombs, Swell Maps, Dead Moon, Dancing Cigarettes, etc. “Fruit Hang” has a perfect mid-70s style garage feel—like a Boston pre-punk band tearin’ it up at the Rat! This could be the hit, kidz! Skronky sax gives “Hydrophytol” a kinda Hawkwind\/no-wave feel. And dig “No Stone”—a slower one, catchy as hell—I swear it could pass for an outtake from the Saints circa 1978. Solid—another hit! At five minutes, the title track stretches things out a bit. This one has a definite Ubu\/Voidoids vibe—nasty angular spazz-punk with a little more sax blat added. Very nice guitar stuff happening here. We get some weirdo HC action on “Stabilizer” and more hot guitar squiggles. “Tax 101” is maybe a “typical” Protruders song—that means good! “Wrong Way Sign,” pushes things over the six-minute mark, with a strong psych-punk feel (Wipers?) and some totally swell rock-jam stuff at the end. Wow. This record is a significant step for the band and an impressive way to start their vinyl career as they gain the higher visibility they deserve. Most excellent!\" -Eddie Flowers (Vulcher Magazine\/The Gizmos)\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1061390339\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/protruders.bandcamp.com\/album\/poison-future\"\u003ePoison Future by protruders\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003ereleased April 20, 2019\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded and mixed with Peter Greenwood at The Bottle Garden, Montréal, QC 2018.\u003cbr data-mce-fragment=\"1\"\u003eMastered by Daniel Husayn at North London Bomb Factory.\u003cbr data-mce-fragment=\"1\"\u003eCover design by Joe C.\u003c\/div\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":39401302130849,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3636090612_16.jpg?v=1620051278"},{"product_id":"john-paul-keith-preorder-import-limited-edition-green-vinyl-green-noise-exclusive-new-lp","title":"Keith, John Paul – The Rhythm of the City [IMPORT Limited Edition GREEN VINYL: Green Noise Exclusive MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003ePure Memphis from John Paul Keith, the whole history of the city and the influences from all the classic Memphis labels showing in the songs, backed with horns and a backbeat to punch it home.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2566229020\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/johnpaulkeith.bandcamp.com\/album\/the-rhythm-of-the-city\"\u003eThe Rhythm of the City by John Paul Keith\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003eWhenever American music doesn’t know what to do with itself, it gets back to what Memphis gave us, a sound that showed up in so many settings and so many styles.  While the sounds might be the mix of a movement that grew like a tree across the map of the United States, up from its Delta and New Orleans roots and developed in so many cities and black communities of the Great Migration, so much of the foundation was formed in Memphis, and sound would show up so many places, providing the punch and reminders that music so often needed, in the world of funk of course, up in Chicago and Detroit and even helping Sly Stone change music forever, but Memphis also helped remind the cities of the East Coast how to get their rock and roll back to where it belonged, giving the music some punch, drive and rhythm, teaching the kids how to “Walk the Dog,” and infusing the sounds with Memphis focus to help launch the underground rock and punk of the 1970s.  When the blues is getting excessive, add some Memphis punch and focus.  When the pop is getting limp, add some Memphis soul.  When country rock got boring, punch it up with some Memphis drive.  Memphis rockabilly showed up so many places, out to folks like X in Los Angeles, Robert Gordon in New York City, so many outfits of the 1980s, and adding horns to your rock n roll clearly owes a lot to Memphis, making its way into unlikely places like Fear in L.A. or X-Ray Spex in the U.K., and the driving Memphis-style horn charts didn’t just help power the garage bands of the 1960s, and Chicago bands of the late 1960s and early 1970s, it made its way into hard rock too: when the Alice Cooper Group didn’t want to play the blues like everyone else, the band added showtunes and horror soundtracks to the rock n roll, but the main reason it was so enjoyable was because it punched it home with the power of Memphis, even giving us hard rock with Memphis-style horn charts, and so many bands took cues from those examples, from Bowie and through the 1970s and into the 1980s.  When hard rock bands in the late 1970s weren’t going to go new wave or metal, and didn’t want to descend further into the pomp-rock excess, the lessons of Memphis gave them direction.  Memphis showed up everywhere, from glam rock to pub rock, from garage rock to punk rock...and Mr. Keith brings the sounds back to his home, gets it back to its roots without sounding like a museum piece.  While the set remains seamless and cohesive, it slinks and shuffles between styles, sequenced wonderfully, The Rhythm of the City indeed, the city mentioned in the title obviously referring to his hometown Memphis, grabbing you with the distinctively Memphis brand of pop on “The Sun is Going to Shine Again,” keeping the grip with the title track, emerging from the blues with the horn-driven \"Keep On Keep On,\" dipping down for the bluesy soul of \"I Don't Wanna Know,” back up for that Memphis version of power pop on \"Ain't Done with You Yet,\" shuffling off toward Kansas City with \"If I Had Money,\" all the cuts hugely successful, the simple pop songs really hitting home, really helping to show what middle American artists like the Everly Brothers and The Box Tops did for American music, this album sometimes backed with female vocals, usually using horns and always a backbeat to punch it home, the whole history of the city and the influences from all the classic Memphis labels showing in the songs on stellar set.  -- winch (green noise)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003eGREEN VINYL!! Limited edition (100 pressed).  Green Noise Exclusive!!!  \u003c\/h1\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWild Honey Records is very happy to announce John Paul Keith’s 5th album ‘The Rhythm Of The City’! “I was at my home in Memphis one evening and heard a car pass by blasting Al Green's ‘Love and Happiness,’ which was recorded just a couple miles away,” says singer-songwriter John Paul Keith. “I was struck by how Howard Grimes' drumming just seems to embody something about the feel and the pace of life for me here. I thought to myself, ‘Howard Grimes is the rhythm of the city.’ My next thought was, ‘That sounds like a title track.’” Conjuring up his own unique musical mélange –a sweet spot where the sound of Sun blues, Stax soul, and Hi R\u0026amp;B all meet – it’s a record steeped in the geography and culture of Memphis, which Keith has called home for the last 15 years. “The vibe came about organically from playing Beale Street and Graceland and working with horn sections more frequently the last few years,” says Keith. Keith’s fifth solo album – and his first self-produced effort – 'The Rhythm of the City' finds him expanding his approach on a horn-heavy 10-song collection that’s in thrall to the classic sounds of Bluff City soul and rock and roll. The Rhythm of the City was recorded to tape at Electraphonic Studios, and engineered by Keith’s frequent collaborator, Scott Bomar (bandleader of the Bo-Keys, Don Bryant producer, and film composer for Dolemite Is My Name). “Rhythm confidently stakes its claim as Keith’s best album, with a mix of stinging love songs (“How Can You Walk Away”) halting heartbreakers (“I Don’t Wanna Know”), bluesy rambles (“If I Had Money”) and deep soul explorations (“How Do I Say No) that feel like instant classics.” (Bob Mehr, author, Trouble Boys: The True Story of The Replacements)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFor fans of: Reigning Sound, Stax Records, Wilco, Chuck Prophet, Sun Records, Motel Mirrors.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ereleased 2021\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll songs written by John Paul Keith except \"The Sun's Gonna Shine Again\", written by John Paul Keith and Scott Bomar.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by John Paul Keith\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExecutive producer: Ronny Russell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEngineered by Scott Bomar and Adam Hill and mixed by Scott Bomar at Electraphonic Recording, Memphis, TN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Jim Demain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHorn arrangements on tracks 1, 2, 7, and 9 by Art Edmaiston\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHorn arrangements on tracks 3, 4, 5, 6, 8, and 10 by Marc Franklin\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJohn Paul Keith: vocals, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTierinii Jackson: vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTikyra Jackson: vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Wilson: bass, vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDanny Banks: drums, vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAl Gamble: organ, piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarc Franklin: trumpet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArt Edmaiston: tenor saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKirk Smothers: baritone saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArchie “Hubbie” Turner: clavinet\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGraphic design by Christopher Capelle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover photograph by Jim Herrington\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBack photograph by Matthew Wilson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInterior photographs by Max Kaplan\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTierinii Jackson and Tikyra Jackson appear courtesy of Southern Avenue Music.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":39552971112609,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/WhatsAppImage2021-04-02at11.05.33.jpg?v=1617377344"},{"product_id":"alostmen-kologo-new-lp","title":"Alostmen – Kologo [IMPORT] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFormed by Stevo Atambire and produced by Wanlov (Fok’n Bois) and Percy Yip Tong, Alostmen’s music is based around the Frafra traditions of the kologo, a stringed lute, using traditional instrumentation in entirely new ways. “I like to force my instrument to work,” explains Stevo. “I’m a yout’man and into rap, reggae, Malian music. I add these to the band’s sound.”\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3456124364\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1924347740\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/alostmen.bandcamp.com\/album\/kologo\"\u003eKologo by Alostmen feat. Ambolley\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e“I had toured with Stevo in my band Afro Gypsy in 2017,” Wanlov continues, “and we recorded the tracks for this album on the road in Uganda and North West Ghana in hotel rooms” The band comprises Stevo (kologo, vocals), Jo Ajusiwine (goje fiddle, vocals), Aminu Amadu (talking drum) and Sowah (gome box, djembe and conga) while featured guests include highlife legend Gyedu-Blay Ambolley and Ghanaian stars Yaa Pono and Medikal.\u003cbr\u003e\u003cbr\u003e“We are Alostmen because we were lost in the street, the forgotten people,” explains Stevo. “People at home see music as a teaching so I always try give my community hope to achieve.”\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e","brand":"Strut Records","offers":[{"title":"Default Title","offer_id":40338758172833,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2460842692_16.jpg?v=1625962784"},{"product_id":"raw-nerves-futile-efforts-new-lp","title":"Raw Nerves - Futile Efforts [PDX HC MARKED DOWN Blue Vinyl] - New LP","description":"\u003cp\u003ePortland HC.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVocals: Mike Dubose\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGuitar\/Vocals: Matt Noble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGuitar: Matt Burks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBass: Jonathan Hughes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums: Erik Trexel\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Stan Wright\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Adam Pike\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by Brad Boatwright\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLacquer cut by Adam Gonsalves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover by Pete Yahnke Railand\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2521856207\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rawnerves.bandcamp.com\/album\/futile-efforts\"\u003eFutile Efforts by Raw Nerves\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Man In Decline Records","offers":[{"title":"Default Title","offer_id":40522591469729,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3803884258_16.jpg?v=1628209104"},{"product_id":"no-more-art-sorrows-of-youth-new-lp","title":"NMA (No More Art) – Sorrows Of Youth [MARKED DOWN] - New LP","description":"\u003cp\u003eblack vinyl\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNo More Art delivers a much-anticipated full-length LP after tempting us with a handful of fantastic 7″s (including the split 7\" with DOOM TOWN released on MAN IN DECLINE RECORDS). \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4206009746\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nomoreart.bandcamp.com\/album\/sorrows-of-youth\"\u003eSorrows of Youth by No More Art\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eFor those unfamiliar, No More Art plays dark, driving melodic punk that embodies the spirit of THE WIPERS and combines it with the execution of THE AVENGERS, and old LA band, THE BRAT. Guitarist Will Kinser spent some time playing in RED DONS, which comes through in the songwriting and execution, and they also share a kinship with bands like MASSHYSTERI and VANNA INGET. Pick this up if you like downstroked classic punk with minor chords and strong female vocals. Mastered At – North London Bomb Factory Recorded At – Yeah Yeah Yeah Studios, Hamburg Credits Artwork By – Alexandra Burden Bass, Lead Guitar – Max Mayer (3) Drums – Knut Beukert Engineer – Heiko Herzog Layout, Design – Jan-Frederic Goltz Lead Guitar, Rhythm Guitar – Will Kinser Mastered By – Daniel Sayer Photography By – Carlos Fernandez-Laser Producer – Will Kinser Producer, Engineer – Dennis Rux Rhythm Guitar, Lead Vocals – Milo Milone\u003c\/p\u003e","brand":"Man In Decline Records","offers":[{"title":"Default Title","offer_id":40876385173665,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4153842361_16.jpg?v=1631961807"},{"product_id":"clamm-beseech-me-new-lp","title":"Clamm (Australia)- Beseech Me [IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eCLAMM are Jack Summers, Maisie Everett and Miles Harding.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeseech Me recorded by Nao Anzai at Rolling Stock Recording Rooms, Collingwood\u003cbr data-mce-fragment=\"1\"\u003eMixed and Mastered by Mikey Young in Rye\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3404191428\/size=small\/bgcol=333333\/linkcol=0f91ff\/license_id=1646\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/clammxo.bandcamp.com\/album\/beseech-me\"\u003eBeseech Me by CLAMM\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs by CLAMM apart from\u003cbr data-mce-fragment=\"1\"\u003eI Feel Better Now – Written by Bend Sinister\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn this recording\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBass: Luke Scott\u003cbr data-mce-fragment=\"1\"\u003eDrums and backup vox: Miles Harding\u003cbr data-mce-fragment=\"1\"\u003eGuitar and vox: Jack Summers\u003c\/h3\u003e","brand":"Meat Machine Records","offers":[{"title":"Default Title","offer_id":41163015553185,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3143130429_16.jpg?v=1635563266"},{"product_id":"postage-s-t-new-lp","title":"Postage -  S\/T [MARKED DOWN] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"POSTAGE is four friends from tons of other bands including signal lost, male patterns, and after the fall. Mid tempo loud abrasive melodic pop punk for fans of  ALL.\" \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3354563857\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/postage\"\u003ePostage by Postage\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited to 300 on black vinyl. Housed in an oversized hand stamped envelope. Comes with download code and insert.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes unlimited streaming of \u003c\/span\u003e\u003cem\u003ePostage\u003c\/em\u003e\u003cspan\u003e via the free Bandcamp app, plus high-quality download in MP3, FLAC and more\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\u003c\/div\u003e\n\u003ch1 style=\"font-weight: 400;\"\u003e\u003c\/h1\u003e\n\u003ch1 style=\"font-weight: 400;\"\u003e\u003c\/h1\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":41285527404705,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0529609737_16.jpg?v=1638243808"},{"product_id":"jenny-trajinero-b-w-kids-of-today-new-7","title":"Jenny – Trajinero b\/w Kids of Today [MARKED DOWN] – New 7\"","description":"\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003e\u003c\/a\u003e\n\u003cdiv data-sanitized-itemprop=\"description\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003e\u003c\/a\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv data-sanitized-itemprop=\"description\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1231444195\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/trajinero-b-w-kids-of-today\"\u003eTrajinero b\/w Kids of Today by Jenny\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003e\u003c\/a\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003eJENNY \"Trajinero b\/w Kids of Today\" is the sophomore EP by Justin Maurer (CLOROX GIRLS, MANIAC, SUSPECT PARTS, L.A. DRUGZ) featuring a little help from his friends Jacobo Fernandez (LAS BRUSCAS, LES TRAGIQUES, DESOBEDIENTES) and Gabriel Lopez (ESPECTROPLASMA, SONIDO GALLO NEGRO) as well as his former bandmates in LA DRUGZ who play on the B-Side \"Kids of Today\".\u003c\/span\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\"Trajinero\" is JENNY's debut Spanish language single with the B-side \"Kids of Today\" sung in English. \"Trajinero\" was conceived during Maurer's visit to Mexico City in November 2020. Maurer, Fernandez, and his girlfriend Corey were enjoying a Sunday afternoon boat ride in the swamps of Xochimilco, Mexico City, and Maurer was fascinated by the rough and tumble trajineros who expertly manned their hand-painted gondolas in the canals. Over a bottle of ice-cold Don Julio Blanco, Maurer and Fernandez envisioned a plot where a lovelorn working-class trajinero must commit crimes to keep his upper-middle class fresa girlfriend happy. Loosely based on the plot of Emilio \"El Indio\" Fernández 1943 film Maria Candelaria, our protagonist commits a crime of passion and ends up in jail. He makes a plea to himself for his own happiness and survival, a passionate cry of \"Ni Carcel\/Ni Ella\/Ni Nerds\" which translates to \"Not jail, not\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003eher, not nerds.\" (The Mexican Spanish equivalent of nerds, ñoños, is sung on the final word of the song.)\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003eMaurer has been a student of the Spanish language for a couple of decades with stints living and working in both Spain and Mexico. Native Spanish speaker and homegrown chilango, Fernandez, helped him with the lyrics – scrawled quickly during an acoustic rehearsal on the rooftop of his Mexico City apartment a few days before entering T-Vox Studios to record.\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003eCovid-19 was in full swing in Mexico City in November 2020 when \"Trajinero\" was laid down and Maurer, Fernandez, and engineer Gabriel Lopez all double masked in the studio which is attached to the Lopez family home in Aragon; near the airport where Maurer had his flight home a few hours later. He nearly missed his flight, but a stone-cold hit was recorded. Lopez's uncle Miguel Angel was dancing around the studio throughout the session which the boys took to be a good sign. Along with engineering and mixing the single, Lopez also played lead guitar and Vox Organ.\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\"Kids Of Today\" is a catchy banger recorded by Grammy award-winning engineer Mark Rains at Stationhouse Studios Los Angeles. The uptempo B-side features former LA DRUGZ bandmates Cezar Mora (THE BAD MACHINE, THE WAYWARD CHAPEL), James Carman (REFLECTORS, MANIAC, IMAGES), and Johnny \"JD\" Reyes (REFLECTORS) handily backing Maurer up.\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e\u003cbr data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003eSplit release with Wanda Records (EU)\u003c\/span\u003e\u003cspan data-sanitized-data-mce-fragment=\"1\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":41523145212065,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0028569850_10.jpg?v=1643257701"},{"product_id":"various-artists-jetstar-records-the-rock-sides-clear-vinyl-new-lp","title":"Various Artists –  Jetstar Records: the Rock Sides [Clear Vinyl]  – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first-ever compilation of the rare and unissued garage and rockabilly from Jetstar Records! Largely done under the watchful eye of Dale Hawkins (who penned “Suzie Q”) including an unearthed blistering version of Q, lost tracks from the mythical Kenny Baker, coveted cuts from The Floyd Dakil Trio (“Dance Franny Dance”), Arthur K Adams (John Peel fave “Beetle Bust Out”) and more! Pressed on clear vinyl!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051285506\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jetstarrecords.bandcamp.com\/album\/jetstar-records-the-rock-sides\"\u003eJetstar Records - The Rock Sides by Jetstar Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cp\u003eA1 Dale Hawkins– Susie Q\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051285506\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1434857461\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jetstarrecords.bandcamp.com\/album\/jetstar-records-the-rock-sides\"\u003eJetstar Records - The Rock Sides by Dale Hawkins\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eA2 The Five Americans– Slippin' And Slidin'\u003c\/p\u003e\n\u003cp\u003eA3 Terry Haynes (2)– It's Gonna Work Out Fine\u003c\/p\u003e\n\u003cp\u003eA4 Kenny Baker (10)– Look Around\u003c\/p\u003e\n\u003cp\u003eA5 Floyd Dakil Combo– Dance, Franny, Dance\u003c\/p\u003e\n\u003cp\u003eA6 The Five Americans– I'm Feeling O.K.\u003c\/p\u003e\n\u003cp\u003eA7 Arthur K. Adams*– Beetle Bust Out\u003c\/p\u003e\n\u003cp\u003eA8 Dale Hawkins– Little Bird\u003c\/p\u003e\n\u003cp\u003eA9 Kenny Baker (10)– I'm Thru With You\u003c\/p\u003e\n\u003cp\u003eB1 Floyd Dakil Combo– Look What You've Gone And Done\u003c\/p\u003e\n\u003cp\u003eB2 The Five Americans– It's You Girl\u003c\/p\u003e\n\u003cp\u003eB3 Kenny Baker (10)– You're Not Here\u003c\/p\u003e\n\u003cp\u003eB4 Arthur K. Adams*– Wildwood Flower\u003c\/p\u003e\n\u003cp\u003eB5 Terry Haynes (2)– Further Down The Line\u003c\/p\u003e\n\u003cp\u003eB6 The Five Americans– Say That You Love Me\u003c\/p\u003e\n\u003cp\u003eB7 Dale Hawkins– I'll Fly High\u003c\/p\u003e\n\u003cp\u003eB8 The Five Americans– I'm Gonna Leave Ya\u003c\/p\u003e\n\u003cp\u003eB9 Kenny Baker (10)– Now You Are Gone\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRECORD STORE DAY 2022 RELEASE\u003cbr data-mce-fragment=\"1\"\u003eLIMITED TO 2,000 COPIES WORLDWIDE\u003cbr data-mce-fragment=\"1\"\u003eLIMITED TO 1,650 COPIES IN NORTH AMERICA\u003c\/p\u003e\n\u003cp\u003ePhonographic Copyright ℗ – Sundazed Music Sleeve Notes – David Holzer Record Store Day \"RSD First\" release, part of the April 23rd drops. The US Record Store Day website states that this release was released in a quantity of 1,500 copies\u003c\/p\u003e","brand":"Sundazed Records","offers":[{"title":"Default Title","offer_id":41869843234977,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-22895537-1650066770-2020.jpg?v=1650872656"},{"product_id":"drunk-dial-9-ditches-preorder-black-vinyl-new-7","title":"Drunk Dial #9 - Ditches (BLACK vinyl MARKED DOWN!) - New 7\"","description":"\u003ch1\u003e200 pressed in black! \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1478061381\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkdialrecords.bandcamp.com\/album\/drunk-dial-9-ditches\"\u003eDrunk Dial #9 - Ditches by Ditches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003eAbsolutely essential entry in the Drunk Dial catalog...if you've heard the 2020 album from Ditches (which understandably went quick as a fuse, sold out quick as packs of Black Cat firecrackers on the day before the 4th of July), than you're already in the know...if not, this serves as a kick-ass intro to this band from Sweden.  While they might be tired of the comparison (maybe not because Jeff Burke's name always shows up on the credits of their records), one can't help hear the Dirtnap Denton influence, a can of pop and punch shook up and popped for action, a flask of whiskey poured into a can of Annie Green Springs, spower pop with plenty of punk punch, the band letting it rip on these two sides, ripped on various liquids and edibles, offering one original and as always a cover on the flipside, this one revealing another possible influence, if so this one coming from much closer to home, \"Abra Cadaver\" from Swedish outfit The Hives\u003cspan\u003e, Ditches dragging the song deeper into the dank basement of a late night.  Get it, crank it and let the summer of 2022 begin with a bang!!! -- winch (green noise)\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"For those who don’t know, here’s how Drunk Dial Records operates: we invite artists we adore into a recording studio to write and record an original song and cover a classic tune in one session.  But there’s a catch! The artist or band in question must compose and perform these songs while inebriated. The recordings are then released as a 7” vinyl single.\"\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunk Dial Records","offers":[{"title":"Default Title","offer_id":41912249581729,"sku":"","price":4.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_8797_6499e6ae-43bb-4eac-8842-8682e91287e2.jpg?v=1651964629"},{"product_id":"ovlov-buds-color-vinyl-new-lp","title":"Ovlov – Buds [GREEN VINYL] - New LP","description":"\u003cdiv d=\"\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eTitle: Buds (INDIE EXCLUSIVE, RANDOM COLORED VINYL)\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003cli\u003eLabel: Exploding In Sound Records\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2748407737\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/explodinginsoundrecords.bandcamp.com\/album\/buds\"\u003eBuds by Ovlov\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"pt-2\"\u003e\"Over the course of twelve years, a litany of splits and EPs, two beloved full lengths, and even a couple break-ups, Northeastern fuzz-rock heroes Ovlov have earned a loyal cult following - all while staunchly following their own path at every turn. Now, the band has returned with their third full length, Buds, an album three years in the making that find the band deftly maintaining their endearingly steadfast identity while also reckoning with the inevitability of change. Made up of brothers along with their childhood friend, Ovlov's musical DNA is rooted in the kind of familiarity that can only come from real friends playing together. It's largely that chemistry that steers the band's approach: if it doesn't feel right for everyone, don't do it. Their inclinations paid off with both of their full length albums, AM and Tru, both release impossible to keep on the shelves and constantly going out of stock upon repressing. Ovlov manage to gain more followers with every passing day, just by making albums that people relate to. Buds maintains Ovlov's undeniable gift for buoyant melodies but with a more world weary approach. The album finds the band turning to their music to make sense of life, relationships, what's worth holding on to and what needs to be left behind - all housed within the band's signature cacophony of Big Muff pedals and infectious hooks. The album finds the band stretching out in new directions, taking different approaches to their songwriting and welcoming guest vocals from Jordyn Blakely (Smile Machine, Stove), Alex Gehring (Ringo Deathstarr), and Erin McGrath (Dig Nitty). Buds isn't just worth the wait, it's proof that, while there may be a lot of bands, there is only one Ovlov.\"\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv d=\"\"\u003e\u003c\/div\u003e","brand":"Exploding In Sound Records","offers":[{"title":"Default Title","offer_id":41922219180193,"sku":"","price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1547987440_16.jpg?v=1652235409"},{"product_id":"sweet-reaper-street-sweeper-import-new-lp","title":"Sweet Reaper - Street Sweeper [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eThe first time on vinyl!!! Pressing of debut album!!!  Originally released only on cassette.  I didn't even know this existed, but it's pretty wonderful to hear their beginnings!  It's so much like the others, and it's really quite different, tank-topped kids with strawberried knees and a buzz in their eyes, imperfection built like a board in 6th period wood shop in 7th grade, maybe showing a M.O.T.O influence that I didn't recognize on the others, skate rock and power pop poured into a drained pool with a Beach Boys show playing in the distance, hints of the Who and the Kinks showing up, maybe a bit of \u003cmeta charset=\"utf-8\"\u003eEddie Cochran mixed with Cheap Trick, still sounding like a late-summer early morning skateboard ride.  I don't know, I loved the others, but this might end up being my favorite.   Get it!  It's great!  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3872261910\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/sweet-reaper-street-sweeper\"\u003eSWEET REAPER - Street Sweeper by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_1\" class=\"peekaboo-text\"\u003e180g vinyl with double-sided colored insert.\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003ca rel=\"nofollow ugc\" href=\"http:\/\/razorcake.org\/\"\u003erazorcake.org\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eThe endless shores of California are at the heart of this ragtag group of miscreants’ inspiration to pick up instruments and bash out electrifying rock’n’roll. Here we have Ventura’s Sweet Reaper, who features members of Massenger, Vnlvx, and The Spires, and sound like The Plugz being blasted through a Twin Reverb on two banana boards bombing a palm-lined hill. Yet underneath the fuzzy distortion are the tried-and-true melodies of undeniably well-written songs. The sun may be setting on the horizon, but the night is young, and Sweet Reaper are about to get the party started. –Daryl (Naked Time)\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/manierenversagen.de\/\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":42013645439137,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1346557610_16.jpg?v=1654224320"},{"product_id":"cola-deep-in-view-cloudy-clear-vinyl-new-lp","title":"Cola  – Deep In View [Cloudy Clear Vinyl marked down] – New LP","description":"PITCHFORK: \"Featuring members of the recently disbanded Ought, the post-punk trio makes its debut with skeletal songs of modern anxiety and isolation. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1556721730\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bandcola.bandcamp.com\/album\/deep-in-view\"\u003eDeep in View by Cola\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe name Cola partly stands for “Cost of Living Adjustment,” an ironically dry source of inspiration for a rock band. But in the context of former Ought frontman Tim Darcy’s latest project, the economic term speaks to an artistic outlook as well. Joined by fellow ex-Ought bassist Ben Stidworthy and drummer Evan Cartwright (U.S. Girls, The Weather Station), the trio’s debut album addresses modern anxieties wrought by technology in a world on the brink, bringing their imagistic worldview to the present. Cola’s sleek sound fits in with the melodic side of contemporary post-punk, with sharper hooks and more succinct songwriting than the members’ past work. What remains is Darcy's charismatic spoken-sung drawl, picking up right where his last band left off. Before announcing their split in 2021, Ought refined their approach to contemplative, cathartic art-rock across three albums. On the quartet’s emotionally raw 2014 debut, Darcy’s voice strained like a young David Byrne searching for something to believe in. By 2015’s Sun Coming Down, their songs grew longer and their lyrics more repetitive, with the snarled delivery of Mark E. Smith. Darcy tried out a Roy Orbison quiver on his 2017 solo album, and on Ought’s final LP, he was accompanied by a 70-person choir. No such embellishments appear on Deep in View, as the three musicians strip their songs to skeletal essentials. \u003cbr\u003e\u003cbr\u003eIn that sense, Cola has a few things in common with the Smile, the Radiohead side project featuring Thom Yorke and Jonny Greenwood. Both bands formed in the shadow of their members’ better known projects and emerged with a familiar, streamlined sound. “So Excited” was the first song that Darcy, Stidworthy, and Cartwright wrote together in late 2019, its choruses ringing with the disaffected catchiness of the Strokes. After the pandemic hit, their in-person recordings were replaced by file trading over Google Drive, though it’s impossible to tell the difference. Sandwiching the meat of the song between off-kilter instrumental passages, “Fulton Park” touches on feelings of disconnection. As its choruses fall apart, Darcy sings about being “pulled over for imitating landscapes,” an imaginary world he escaped to during his loneliest moments in lockdown. Darcy’s lyrics have always been concerned with human connection, but these songs were written from a more reclusive perspective than Ought’s grandiose epics. “Mint” describes his solitary experiences making tea, dusting his record shelves, and pacing the halls. It feels like both a cry for help and an admission of self-sabotage when he sings “I’d call someone\/I don’t call anyone.” On “Water Table” Darcy sounds just as alone, becoming one with technology while he stops worrying about going extinct. Cartwright’s caveman drum beat, without the use of cymbals, leaves a lot of space for the lyrics, as do his martial snare rolls on “Gossamer,” propelling one of the album’s most evocative lines: “I feel abrasions like a seawall feels the rain.” It’s interesting to hear the multiple demos of “Degree,” which Cola have released alongside the album version. The twinkly guitar riffs that made it to the final cut are undeniably pleasant, but I found myself wishing they would have kept some of the droning organs, echoing drum machines, and sputtering breakbeats that appeared in earlier renditions. The uniformity of the album’s first nine songs becomes clear by the time they reach closer “Landers,” switching out their minimalist rock arrangement for moody pianos and soft drum brushes. Cola haven’t reinvented the wheel, but these subtle experiments suggest they still have boundaries to push.\"\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cheader data-include-experiments=\"true\" data-in-view='{\"pattern\":\"ContentHeader\"}' data-event-click='{\"pattern\":\"ContentHeader\"}' data-event-boundary=\"click\" data-testid=\"SplitScreenContentHeaderWrapper\" class=\"SplitScreenContentHeaderWrapper-kZKchS hIuzND ReviewPageContentHeader-kGyHEu cwWfHg\"\u003e\n\u003cdiv class=\"GridWrapper-vNBSO bKMgMh grid grid-margins grid-items-0 SplitScreenContentHeaderGrid-bscspN gkPLCT\"\u003e\n\u003cdiv class=\"GridItem-buSdEM kFFJpN grid--item\"\u003e\n\u003cdiv class=\"BaseWrap-sc-TURhJ BaseText-fFzBQt SplitScreenContentHeaderDekDown-fkIOvp eTiIvU ifBumJ etXaLE\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\u003c\/div\u003e\n\u003cdiv class=\"ArticlePageContentBackGround-eCrksR ksmyRn\"\u003e\n\u003cdiv class=\"ArticlePageChunks-lglntq zseeC\"\u003e\n\u003cdiv class=\"GridWrapper-vNBSO dUTyLv grid grid-margins grid-items-2 grid-layout--adrail narrow\"\u003e\n\u003cdiv class=\"GridItem-buSdEM PibmB grid--item grid-layout__content\"\u003e\n\u003cdiv data-testid=\"BodyWrapper\" class=\"BodyWrapper-ctnerm ldYAyc body body__container article__body\"\u003e\n\u003cdiv class=\"body__inner-container\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eDeep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date.\u003cbr\u003eDeep in View is the debut album from former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums). Titled after philosopher Alan Watts’ anthology of the same name, the record is built on a foundation of elegant guitar grooves and knotty rhythms, offering commentary on modern life and technology through curious lyrical vignettes, where quotidian objects and scenes are never just as they seem. Deep In View is equally a product of introspective songwriting as it is a consideration of the abstract landmarks of an increasingly media-mediated society. It also presents the most concise and melodic songs Darcy and Stidworthy have written to date. “I love when I find a record that has many different angles from which it can be approached,” Darcy explains. The band’s affinity for polysemy is first-and-foremost a chord struck in the name Cola, which most obviously is the fizzy beverage that Darcy deadpans is ”bound by laws older than man to poison most ordinary life on earth” in closing track “Landers”, but also can be traced back to a term in poetics as well as an acronym about social security that refers to “Cost of Living Adjustment”. Cola is also about drinking in the endless crispness of a streamlined (and streamed) world, and the often unsettling sense of satisfaction and emptiness that subsequently sets in. Fundamentally, this record is about passion and what happens to a person when they find themselves increasingly encountering a passionless landscape of consumption. This peeling back of layers is integral to both Cola’s mindset as well as their worldview, which despite a claustrophobic time in the making sees them joyfully exploring new realms as musicians. Cola started collaborating in fall 2019 when Darcy and Stidworthy, both formerly of Ought, reached out to their friend Cartwright, who they had frequently met on the road while he was drumming with various other projects. “It wasn’t the post-Ought band right off the bat,” Darcy says, “we really just took time to enjoy the process of collaborating and writing songs together.” The band’s organic chemistry solidified quickly after a few sessions of jamming in-person. Then, as the pandemic began, they were forced to decamp and write songs separately. Working in solitude ended up becoming a “defining color as well as a barrier” to the album, says Darcy. He notes that he wrote the lyrics to “Fulton Park” as a “dream landscape”, a sort of alternative to the frustration and depression he was experiencing at the time. The imposed isolation of writing at home led Stidworthy (who helped compose the album’s guitar parts and plays the piano on “Landers”) to “create little worlds with the songs”. The keen brushstrokes of all three members combined feels languidly tactile, replete with profound meaning that is almost archeological in its sense of economy and personal touch. This sense of relaxed exploration could only occur because of the mutual trust between the trio: Stidworthy adds, “I could go really far in cultivating a mood for a demo and send it to them and know that it could only improve.” Meanwhile, Cartwright (who also plays guitar on the project and coded Supercollider synth parts in the studio), found that he was subliminally incorporating drum ideas and patterns from when he first started playing as a teen, embedded deep in his muscle memory. The resulting record delights in its aversion to superficiality. Although Darcy’s characteristically wry voice remains front-and-center, shifting from decisive to distressed and detached, his lyrical invocations remain only the first key to a much more intricate universe of sound and longing. Individual tracks often feel like small revelations, and each element contributes to a streamlined and yet poetically expansive set of meanings, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. Much greater than the sum of its parts, Deep in View is an album of artful and energetic post-punk that sparks novel interpretations with every listen, like an object that takes on new shape with each angle from which you hold it. credits released May 20, 2022 Written by Tim Darcy \u0026amp; Ben Stidworthy Supercollider, Guitar (Blank Curtain) \u0026amp; Drums by Evan Cartwright Guitar, Vocals and Lyrics by Tim Darcy Bass, Guitar \u0026amp; Keys by Ben Stidworthy Recorded by Valentin Ignat Mixed by Gabe Wax Mastered By Harris Newman Artwork \u0026amp; Layouts by Katrijn Oelbrandt\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I love when I find a record that has many different angles from which it can be approached,” Darcy explains. The band’s affinity for polysemy is first-and-foremost a chord struck in the name Cola, which most obviously is the fizzy beverage that Darcy deadpans is ”bound by laws older than man to poison most ordinary life on earth” in closing track “Landers”, but also can be traced back to a term in poetics as well as an acronym about social security that refers to “Cost of Living Adjustment”. Cola is also about drinking in the endless crispness of a streamlined (and streamed) world\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, and the often unsettling sense of satisfaction and emptiness that subsequently sets in. Fundamentally, this record is about passion and what happens to a person when they find themselves increasingly encountering a passionless landscape of consumption. This peeling back of layers is integral to both Cola’s mindset as well as their worldview, which despite a claustrophobic time in the making sees them joyfully exploring new realms as musicians.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCola started collaborating in fall 2019 when Darcy and Stidworthy, both formerly of Ought, reached out to their friend Cartwright, who they had frequently met on the road while he was drumming with various other projects. “It wasn’t the post-Ought band right off the bat,” Darcy says, “we really just took time to enjoy the process of collaborating and writing songs together.” The band’s organic chemistry solidified quickly after a few sessions of jamming in-person. Then, as the pandemic began, they were forced to decamp and write songs separately. Working in solitude ended up becoming a “defining color as well as a barrier” to the album, says Darcy. He notes that he wrote the lyrics to “Fulton Park” as a “dream landscape”, a sort of alternative to the frustration and depression he was experiencing at the time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe imposed isolation of writing at home led Stidworthy (who helped compose the album’s guitar parts and plays the piano on “Landers”) to “create little worlds with the songs”. The keen brushstrokes of all three members combined feels languidly tactile, replete with profound meaning that is almost archeological in its sense of economy and personal touch. This sense of relaxed exploration could only occur because of the mutual trust between the trio: Stidworthy adds, “I could go really far in cultivating a mood for a demo and send it to them and know that it could only improve.” Meanwhile, Cartwright (who also plays guitar on the project and coded Supercollider synth parts in the studio), found that he was subliminally incorporating drum ideas and patterns from when he first started playing as a teen, embedded deep in his muscle memory.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe resulting record delights in its aversion to superficiality. Although Darcy’s characteristically wry voice remains front-and-center, shifting from decisive to distressed and detached, his lyrical invocations remain only the first key to a much more intricate universe of sound and longing. Individual tracks often feel like small revelations, and each element contributes to a streamlined and yet poetically expansive set of meanings, as the rhythms of the punchy and exuberant guitar parts, urgent basslines, and unexpected drum patterns all tangle with each other in an elegant dance. Much greater than the sum of its parts, Deep in View is an album of artful and energetic post-punk that sparks novel interpretations with every listen, like an object that takes on new shape with each angle from which you hold it.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten by Tim Darcy \u0026amp; Ben Stidworthy\u003cbr data-mce-fragment=\"1\"\u003eSupercollider, Guitar (Blank Curtain) \u0026amp; Drums by Evan Cartwright\u003cbr data-mce-fragment=\"1\"\u003eGuitar, Vocals and Lyrics by Tim Darcy\u003cbr data-mce-fragment=\"1\"\u003eBass, Guitar \u0026amp; Keys by Ben Stidworthy\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Valentin Ignat\u003cbr data-mce-fragment=\"1\"\u003eMixed by Gabe Wax\u003cbr data-mce-fragment=\"1\"\u003eMastered By Harris Newman\u003cbr data-mce-fragment=\"1\"\u003eArtwork \u0026amp; Layouts by Katrijn Oelbrandt\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Fire Talk Records","offers":[{"title":"Default Title","offer_id":42099276644513,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3650618678_16.jpg?v=1655780490"},{"product_id":"cave-nick-and-warren-ellis-la-panthere-des-neiges-original-soundtrack-new-lp","title":"Cave, Nick and Warren Ellis -  La Panthère Des Neiges (Original Soundtrack) [IMPORT WHITE VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLa Panthère Des Neiges\u003cbr data-mce-fragment=\"1\"\u003eA film by Marie Amiguet and Vincent Munier\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3212460911\/size=small\/bgcol=333333\/linkcol=0f91ff\/license_id=2337\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/invada.bandcamp.com\/album\/la-panth-re-des-neiges-original-soundtrack\"\u003eLa Panthère Des Neiges (Original Soundtrack) by Nick Cave \u0026amp; Warren Ellis\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the heart of the Tibetan highlands, photographer Vincent Munier brings writer Sylvain Tesson on his quest to find the snow leopard.\u003cbr data-mce-fragment=\"1\"\u003eHe introduces him to the subtle art of waiting from a blind spot, tracking animals and finding the patience to catch sight of the beasts.\u003cbr data-mce-fragment=\"1\"\u003eThrough their journey in the Tibetan peaks, inhabited by invisible presences, the two men engage in a conversation on our place among the living beings and celebrate the beauty of the world.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusic composed and performed by Nick Cave \u0026amp; Warren Ellis\u003cbr data-mce-fragment=\"1\"\u003eRecorded in February and March 2021 at Soundtree, London by Luis Almau, assisted by Ben Jones, Colin McIlhagga.\u003cbr data-mce-fragment=\"1\"\u003eProduced by Nick Cave, Warren Ellis, Luis Almau\u003cbr data-mce-fragment=\"1\"\u003eMixed by Luis Almau, Warren Ellis, Nick Cave\u003cbr data-mce-fragment=\"1\"\u003eMastered by James Trevascus at Bakewell Audio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music written by Nick Cave \u0026amp; Warren ellis\u003cbr data-mce-fragment=\"1\"\u003ePublished by Kobalt Music\u003cbr data-mce-fragment=\"1\"\u003eWords on Les Cerfs, Les Ours, We Are Not Alone by Sylvain Tesson\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSleeve photography by Vincent Munier\u003cbr data-mce-fragment=\"1\"\u003eSleeve art by Chris Reeder\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNick Cave:\u003cbr data-mce-fragment=\"1\"\u003eVocals, piano, vibraphone, backing vocals, bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWarren Ellis:\u003cbr data-mce-fragment=\"1\"\u003eViolin, viola, flute, synthesizer, loops, piano, timpani, glockenspiel, celeste, bass guitar, tenor guitar, vocal loop, Vietnamese bagpipes, hurdy-gurdy, backing vocals\u003cbr data-mce-fragment=\"1\"\u003eAcoustic guitar and drums on l’apparition\/we are not alone – Luis Almau\u003cbr data-mce-fragment=\"1\"\u003eStrings on L'attaque Des Loups, Les Cerfs, Les Yaks, Des Affûts Elliptiques, Les Princes, Les Ours, L’apparition\/We Are Not Alone by 12 Ensemble Quartet (Eloisa-Fleur Thom – violin, Alessandro Ruisi – violin, Luba Tunnicliffe – viola, Max Ruisi – cello)\u003c\/div\u003e","brand":"Invada Records, Lakeshore Records, Goliath Records","offers":[{"title":"Default Title","offer_id":42102295888033,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1837114490_10.jpg?v=1655865606"},{"product_id":"copy-of-cave-nick-and-warren-ellis-la-panthere-des-neiges-original-soundtrack-import-picture-disc-new-lp","title":"Cave, Nick and Warren Ellis -  La Panthère Des Neiges (Original Soundtrack) [IMPORT PICTURE DISC] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLa Panthère Des Neiges\u003cbr data-mce-fragment=\"1\"\u003eA film by Marie Amiguet and Vincent Munier\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3212460911\/size=small\/bgcol=333333\/linkcol=0f91ff\/license_id=2337\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/invada.bandcamp.com\/album\/la-panth-re-des-neiges-original-soundtrack\"\u003eLa Panthère Des Neiges (Original Soundtrack) by Nick Cave \u0026amp; Warren Ellis\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the heart of the Tibetan highlands, photographer Vincent Munier brings writer Sylvain Tesson on his quest to find the snow leopard.\u003cbr data-mce-fragment=\"1\"\u003eHe introduces him to the subtle art of waiting from a blind spot, tracking animals and finding the patience to catch sight of the beasts.\u003cbr data-mce-fragment=\"1\"\u003eThrough their journey in the Tibetan peaks, inhabited by invisible presences, the two men engage in a conversation on our place among the living beings and celebrate the beauty of the world.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusic composed and performed by Nick Cave \u0026amp; Warren Ellis\u003cbr data-mce-fragment=\"1\"\u003eRecorded in February and March 2021 at Soundtree, London by Luis Almau, assisted by Ben Jones, Colin McIlhagga.\u003cbr data-mce-fragment=\"1\"\u003eProduced by Nick Cave, Warren Ellis, Luis Almau\u003cbr data-mce-fragment=\"1\"\u003eMixed by Luis Almau, Warren Ellis, Nick Cave\u003cbr data-mce-fragment=\"1\"\u003eMastered by James Trevascus at Bakewell Audio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music written by Nick Cave \u0026amp; Warren ellis\u003cbr data-mce-fragment=\"1\"\u003ePublished by Kobalt Music\u003cbr data-mce-fragment=\"1\"\u003eWords on Les Cerfs, Les Ours, We Are Not Alone by Sylvain Tesson\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSleeve photography by Vincent Munier\u003cbr data-mce-fragment=\"1\"\u003eSleeve art by Chris Reeder\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNick Cave:\u003cbr data-mce-fragment=\"1\"\u003eVocals, piano, vibraphone, backing vocals, bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWarren Ellis:\u003cbr data-mce-fragment=\"1\"\u003eViolin, viola, flute, synthesizer, loops, piano, timpani, glockenspiel, celeste, bass guitar, tenor guitar, vocal loop, Vietnamese bagpipes, hurdy-gurdy, backing vocals\u003cbr data-mce-fragment=\"1\"\u003eAcoustic guitar and drums on l’apparition\/we are not alone – Luis Almau\u003cbr data-mce-fragment=\"1\"\u003eStrings on L'attaque Des Loups, Les Cerfs, Les Yaks, Des Affûts Elliptiques, Les Princes, Les Ours, L’apparition\/We Are Not Alone by 12 Ensemble Quartet (Eloisa-Fleur Thom – violin, Alessandro Ruisi – violin, Luba Tunnicliffe – viola, Max Ruisi – cello)\u003c\/div\u003e","brand":"Invada Records, Lakeshore Records, Goliath Records","offers":[{"title":"Default Title","offer_id":42102362538145,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1837114490_10_c6ac5700-a25b-46a8-bef6-e932c22d291f.jpg?v=1655866055"},{"product_id":"zevon-warren-preludes-2xlp-new-lp","title":"Zevon, Warren –  Preludes: Rare And Unreleased Recordings [2xLP boxset w\/ book] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eFollowing Warren Zevon's death in 2003, his son Jordan Zevon discovered 126 unreleased outtakes and demos in a piano-sized touring case. This discovery would be distilled down to the best of these recordings and eventually released as a 2CD set titled Preludes released on May 1, 2007. When the album was released it featured sixteen unreleased recordings from Zevon's personal archives, as well as six never-before released songs and a five-part 2000 interview with KGSR's Jody Denberg. This release will be pressed for the first time on black vinyl. This double LP set features all of the exclusive bonus tracks as well as a beautiful 20-page perfect bound book, all packaged in a hardbound slipcase. released May 2022\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=727671121\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/warrenzevon.bandcamp.com\/album\/preludes\"\u003ePreludes by Warren Zevon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003cdiv class=\"format_item_3SAJn\"\u003e\u003ca class=\"link_1ctor\" hreflang=\"en\" href=\"https:\/\/www.discogs.com\/search?format_exact=Box+Set\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":42102492463265,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0855179480_16.jpg?v=1655869078"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/july-2026.oembed?page=8","provider":"Green Noise Records","version":"1.0","type":"link"}