Drunken Sailor Records
Knowso - Specialtronics Green Vision [IMPORT] – New LP
Regular price
$ 22.00
the latest (and debut vinyl LP) from Knowso (Cleveland, Ohio), propelled by bassline pushing the bottom to the top, jerky forward-driving rhythm like a pissed off kid pounding the pavement with his pogo stick, menace and destination on his mind, dirt and determination in his actions, across the basement, up the stairs, down the drive and out to the sidewalk, hitting every crack in sight and making some where they weren’t before, greasy grimy gopher bounce pounding it until the grimace on the kid’s dirty face folds into a grin, not really sounding like other Cleveland bands, but to me at least, clearly sounding like my old Cleveland stomping ground, featuring comix illustrator Nathan Ward (bass/guitar/vocals/sleeve art), Adam Zegarac (guitar/vocals), Jayson Gerycz (drums/recording).
released August 8, 2020. Ever since Rocket From The Tombs gave way to Pere Ubu and The Dead Boys, Cleveland’s been producing endless shots of adrenaline courtesy of the wildest, weirdest sounds around. Knowso may not have much sonically in common with their city’s elder statesmen, but they’re following in the same spiritual tradition, blasting away with a take on punk rock that’s tense, spiky and powerful. Following on from their ‘Look At The Chart’ 12” for California’s premier trash-rock stable Neck Chop, and a 7” for Total Punk, ‘Specialtronics Green Vision’ is their debut album - and as full-lengths go, it’s a helluva first offering.
Cuts like ‘Calamine’ echo the likes of Devo in their jerked-out fury, but whereas there’s a whole raft of slopcore bands in recent years who’ve focused on the other-worldly side of Mothersbaugh and co., Knowso rub their angular tendencies against clenched-teeth riffage and a brutal sense of righteous outrage. The effect is somewhere in between Steve Albini’s more pointed rackets, Black Flag in both ‘weirdo freakout’ and ‘perfect slice of fury’ modes, and (unexpectedly) even the screwy rhetoric of Welsh wonders Future Of The Left.
They have a killer CV - Knowso boast members of Cruelster, Perverts Again and Cloud Nothings among their line-up - but still, this is a record that sounds everything and nothing like those bands, with a healthy number of bonus ingredients thrown in. ‘Peaceful And Extinct’ shows them at their smartarse best, bouncing between (hey, bear with me) tasteful riffology and sheer power, while ‘Digital God’ is just a heads-down thrill ride. But hey, it’s a record full of surprises and wonder, like ice cream topped with barbed wire, and it’s one of the best things you’ll hear all year. Insert your own ‘think so? I knowso’ joke here; I’d write one myself but I’m too busy putting this on repeat play for the rest of forever.
Will Fitzpatrick.
Cuts like ‘Calamine’ echo the likes of Devo in their jerked-out fury, but whereas there’s a whole raft of slopcore bands in recent years who’ve focused on the other-worldly side of Mothersbaugh and co., Knowso rub their angular tendencies against clenched-teeth riffage and a brutal sense of righteous outrage. The effect is somewhere in between Steve Albini’s more pointed rackets, Black Flag in both ‘weirdo freakout’ and ‘perfect slice of fury’ modes, and (unexpectedly) even the screwy rhetoric of Welsh wonders Future Of The Left.
They have a killer CV - Knowso boast members of Cruelster, Perverts Again and Cloud Nothings among their line-up - but still, this is a record that sounds everything and nothing like those bands, with a healthy number of bonus ingredients thrown in. ‘Peaceful And Extinct’ shows them at their smartarse best, bouncing between (hey, bear with me) tasteful riffology and sheer power, while ‘Digital God’ is just a heads-down thrill ride. But hey, it’s a record full of surprises and wonder, like ice cream topped with barbed wire, and it’s one of the best things you’ll hear all year. Insert your own ‘think so? I knowso’ joke here; I’d write one myself but I’m too busy putting this on repeat play for the rest of forever.
Will Fitzpatrick.