{"title":"December 2024","description":"\u003ch1 data-mce-fragment=\"1\"\u003enew releases, reissues, restocks, preorders, preorder arrivals, marked down titles and used records added to the Green Noise webstore during December 2024!\u003c\/h1\u003e\n\u003cp data-mce-fragment=\"1\"\u003e(If you want to only see new releases that were recorded in\u003cspan data-mce-fragment=\"1\"\u003e 2024\u003c\/span\u003e, see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.) \u003c\/p\u003e","products":[{"product_id":"marked-men-fix-my-brain-lp","title":"Marked Men, The - Fix My Brain - New LP","description":"\u003cp\u003e2024 repress of the 3rd Marked Men LP, which shows the band's pop sensibilities in full bloom. Originally issued on Swami Records in 2006, this release put the Marked Men on many people's radar, and remains some folks' favorite to this day. \u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3180559538\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/marked-men-fix-my-brain\"\u003eMarked Men - Fix My Brain by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":34941148922017,"sku":"","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Marked_Men_The_-_Fix_My_Brain.jpg?v=1604623055"},{"product_id":"vanna-inget-ingen-botten-euro-version-lp","title":"Vanna Inget - Ingen Botten [MARKED DOWN] – New LP","description":"\u003cbr\u003e\u003cbr\u003e\nVÅNNA INGET released their debut album \"Allvar\". Although rapidly written and recorded, the chemistry is extraordinary and leaves one wondering if they had been working on it for years. \"Allvar\" was an unexpected success and VÅNNA INGET became a name associated with great expectations. Two years on, Vånna Inget has played over a hundred gigs spanning Sweden, Europe and the USA.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1446131917\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/erstetheketontraeger.bandcamp.com\/album\/ett-015-v-nna-inget-ingen-botten-lp\"\u003eETT - 015 - Vånna Inget - Ingen Botten LP by Vånna Inget\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e They have a steadily growing fan base and it certainly showed in May 2013 when the band played a triumphant concert to a large audience at Debaser Medis in Stockholm. A gig that was proof of how music can grow organically, by itself, once it has taken root in the heart of its people. VÅNNA INGETS music speaks volumes. It was clear from the opening track of \"Allvar\" and even more so with the band's second album. Produced by Jari Haapalainen (THE BEAR QUARTET, KAJSA GRYTT, INTERNATIONAL NOISE CONSPIRACY, ELDKVARN...) in legendary \"Varispeed Studios\" where THE HIVES recorded most of their records, the band recorded everything in the best, the old school way... drums, guitars, organ, bass and vocals live straight down on 2\" 16 ch tape. Where \"Allvar\" found power in its urgent and relentless delivery, \"Ingen Botten\" is a more nuanced affair. Sharp guitar riffs and shimmering organ melodies are woven together with an attentive and dynamic rhythm section. The band has also taken down the tempo in places and left room to move within the arrangements. But above all , there is a refined approach that goes beyond merely changing for the sake of change. VÅNNA INGET knows where they stand and nurture their songs to a maturity that makes them unique in a meeting between raw, punkish nerve and melodic sensibility. They possess the ability to turn claustrophobic themes of confinement and desperation into something that feels uplifting and liberating.\u003cbr\u003e Above all, Karolina Engdahl's vocals have grown to reach even higher levels of poignant intensity. She sings with a powerful, yet brittle, force. \"Ingen Botten\" fulfils the high expectations surrounding Vånna Inget during the two years since their debut. An album that broadens their scope and works its way deeper into the essence of what VÅNNA INGET truly is.\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Man in Decline Records","offers":[{"title":"Default Title","offer_id":821575823,"sku":"SKU-32297","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0240126612_16.jpg?v=1611273786"},{"product_id":"vice-device-void-vision-split-cd","title":"Vice Device \/ Void Vision - Split - New CD","description":"\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eVoid Vision is a one woman cold\/synth\/new wave project from Philadelphia, whose sound is much more electro, opening with a beat that's a dead ringer for classic New Order, before in swoop ominous, buzzing, arpeggiated synths, underpinning, swirling sci-fi melodies, and some eighties style percussive flourishes. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=16039298\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/accidentpronerecords.bandcamp.com\/album\/vice-device-void-vision-split\"\u003eVice Device \/ Void Vision (Split) by Accident Prone Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe female vocals much more girlish, and more down in the mix, the sound darkly distorted, with some buzzing post punk guitar crunch wound into the otherwise woozy, skeletal synthiness. The sound slipping from cold and clinical and robotic, to swirly and psychedelic and seriously tripped out. \"Not Much Of Anything\" sounds like a more robotic Gary Numan, icy vox over percolating metallic melodies, flurries of electronic drums, and some dizzying atonal music box melodies draped over the chorus. And VV closes with a killer cover of Queen's \"Take My Breath Away\", here re-envisioned as a brooding, psychedelic synth ballad, FX heavy vocals, witchy and sultry, delivered over plink\/plonk music box synth lines, and swirling clouds of dubbed out shimmer! (Review By: Aquarius Records)\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Accident Prone","offers":[{"title":"Default Title","offer_id":44120041870,"sku":"AP028","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ap028-vicedevice-voidvision-cover.jpg?v=1500504200"},{"product_id":"pod-the-s-t-lp","title":"Pod, The - s\/t - New LP","description":"\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cp\u003e\"\u003cspan\u003eLush soundscapes collide with electronic loops while cavernous black metal vocals run head first into ambient patterns...\"  \u003cem\u003e-Nine Circles\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e110 black LPs housed in a matte jacket with artwork by Katie Ellison, includes a digital download code.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1631976851\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thebandthepod.bandcamp.com\/album\/the-pod-2\"\u003eThe Pod by The Pod\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Accident Prone","offers":[{"title":"Default Title","offer_id":2112806780952,"sku":"AP031","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ap031-thepod-cover.jpg?v=1510337721"},{"product_id":"professor-longhair-mardi-gras-in-new-orleans-new-lp","title":"Professor Longhair - Mardi Gras in New Orleans (1949 - 1957) - New LP","description":"\u003cp\u003e\u003cspan\u003eReissue of an anthology originally issued in 1981, housing cuts from 1949 - 1957.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838725381\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=294424529\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/professorlonghair.bandcamp.com\/album\/the-bach-of-rock\"\u003eThe Bach of Rock by Professor Longhair\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838725381\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1007488534\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/professorlonghair.bandcamp.com\/album\/the-bach-of-rock\"\u003eThe Bach of Rock by Professor Longhair\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838725381\/size=small\/bgcol=333333\/linkcol=0f91ff\/artwork=none\/track=4091929440\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/professorlonghair.bandcamp.com\/album\/the-bach-of-rock\"\u003eThe Bach of Rock by Professor Longhair\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Plenty of rarities are featured on\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMardi Gras in New Orleans\u003c\/em\u003e\u003cspan\u003e, making it a valuable cross-section of \u003c\/span\u003eProfessor Longhair\u003cspan\u003e's early releases. Both sides of the pianist's first two 78s for Star Talent Records are aboard, as well as sides he cut for Mercury, Federal (\"Curly Haired Baby,\" \"Gone So Long\"), Wasco (\"East St. Louis Baby\"), Atlantic, and Ebb.\" -- \u003c\/span\u003eBill Dahl\u003c\/p\u003e\n\u003cp\u003e\"Justly worshipped as a founding father of New Orleans R\u0026amp;B,\u003cspan\u003e \u003c\/span\u003eRoy \"Professor Longhair\" Byrd\u003cspan\u003e \u003c\/span\u003ewas nevertheless so down-and-out at one point in his long career that he was reduced to sweeping the floors in a record shop that once could have moved his platters by the boxful. That\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003emade such a marvelous comeback testifies to the resiliency of this late legend, whose Latin-tinged rhumba-rocking piano style and croaking, yodeling vocals were as singular and spicy as the second-line beats that power his hometown's musical heartbeat.\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ebrought an irresistible Caribbean feel to his playing, full of rolling flourishes that every Crescent City ivories man had to learn inside out (Fats Domino,\u003cspan\u003e \u003c\/span\u003eHuey Smith, and\u003cspan\u003e \u003c\/span\u003eAllen Toussaint\u003cspan\u003e \u003c\/span\u003eall paid homage early and often).  Longhair\u003cspan\u003e \u003c\/span\u003egrew up on the streets of the Big Easy, tap dancing for tips on Bourbon Street with his running partners. Local 88s aces Sullivan Rock, Kid Stormy Weather, and\u003cspan\u003e \u003c\/span\u003eTuts Washington\u003cspan\u003e \u003c\/span\u003eall left their marks on the youngster, but he brought his own conception to the stool. A natural-born card shark and gambler,\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ebegan to take his playing seriously in 1948, earning a gig at the Caldonia Club. Owner Mike Tessitore bestowed\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ewith his professorial nickname (due to\u003cspan\u003e \u003c\/span\u003eByrd's shaggy coiffure).  Longhair\u003cspan\u003e \u003c\/span\u003edebuted on wax in 1949, laying down four tracks (including the first version of his signature \"Mardi Gras in New Orleans,\" complete with whistled intro) for the Dallas-based Star Talent label. His band was called the Shuffling Hungarians, for reasons lost to time! Union problems forced those sides off the market, but\u003cspan\u003e \u003c\/span\u003eLonghair's next date for Mercury the same year was strictly on the up-and-up. It produced his first and only national R\u0026amp;B hit in 1950, the hilarious \"Bald Head\" (credited to\u003cspan\u003e \u003c\/span\u003eRoy Byrd \u0026amp; His Blues Jumpers).  The pianist made great records for Atlantic in 1949, Federal in 1951, Wasco in 1952, and Atlantic again in 1953 (producing the immortal \"Tipitina,\" a romping \"In the Night,\" and the lyrically impenetrable boogie \"Ball the Wall\"). After recuperating from a minor stroke,\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ecame back on Lee Rupe's Ebb logo in 1957 with a storming \"No Buts - No Maybes.\" He revived his \"Go to the Mardi Gras\" for\u003cspan\u003e \u003c\/span\u003eJoe Ruffino's Ron imprint in 1959; this is the version that surfaces every year at Mardi Gras in New Orleans. \u003cspan\u003eOther than the ambitiously arranged \"Big Chief\" in 1964 for Watch Records, the '60s held little charm for \u003c\/span\u003eLonghair\u003cspan\u003e. He hit the skids, abandoning his piano playing until a booking at the fledgling 1971 Jazz \u0026amp; Heritage Festival put him on the comeback trail. He made a slew of albums in the last decade of his life, topped off by a terrific set for Alligator, \u003c\/span\u003eCrawfish Fiesta\u003cspan\u003e.  \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003etriumphantly appeared on the PBS-TV concert series Soundstage, co-starred in the documentary Piano Players Rarely Ever Play Together (which became a memorial tribute when\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003edied in the middle of its filming; funeral footage was included), and saw a group of his admirers buy a local watering hole in 1977 and rechristen it Tipitina's after his famous song. He played there regularly when he wasn't on the road; it remains a thriving operation.  Longhair\u003cspan\u003e \u003c\/span\u003ewent to bed on January 30, 1980, and never woke up. A heart attack in the night stilled one of New Orleans' seminal R\u0026amp;B stars, but his music is played in his hometown so often and so reverently you'd swear he was still around.\"  -- \u003cspan\u003eBill Dahl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTracks A1 to A7 rec. 1949\u003cbr\u003eTracks A8 to B2 rec. 1951\u003cbr\u003eTrack B3 rec. circa 1952\u003cbr\u003eTrack B4 rec. 1952\u003cbr\u003eTrack B5 rec. 1954\u003cbr\u003eTracks B6 to B8 rec. 1958\u003c\/span\u003e\u003c\/p\u003e","brand":"Nighthawk Records","offers":[{"title":"Default Title","offer_id":29351654195270,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-11071420-1509306497-8540.jpg?v=1724883511"},{"product_id":"cowboys-the-the-bottom-of-a-rotten-flower-new-lp","title":"Cowboys, The - The Bottom Of A Rotten Flower - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2361413132\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/thecowboysnow.bandcamp.com\/album\/the-bottom-of-a-rotten-flower\"\u003eThe Bottom of a Rotten Flower by The Cowboys\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003e\"The fourth album by THE COWBOYS (from Bloomington, Indiana) is kinda like a modern Midwestern version of The Who Sell-Out or Something Else by The Kinks—a basic R\u0026amp;R band stretching its wings to embrace more varied musical elements and dig into deeper subject matter. The Cowboys grow up! And they grow in number too, with CHRIS KRAMER Kramer (NOBUNNY\/SLUSHY) joining the brilliant MARK MCWHIRTER for a killer guitar team. Vocalist\/songwriter KEITH HARMAN alters his whooping nasal-punk a bit, with a more naturalistic approach when it fits the mood. His songwriting skills are mighty. ZACKERY WORCEL (bass) and JORDAN TARANTINO (drums) provide a solid, relentless groove. There are 16 hooky gems in this new LP. To compare the Cowboys’ songs to Pete Townshend and Ray Davies was no casual thing up front. Check 'Doghouse Rag' for primo late-60s Kink-kwality pop. Then there’s the insanely hooky 'Some Things Never Change,' with its nod to early 70s Sparks. This song should be a smash hit RIGHT NOW! And dig 'Bodie, Don’t Jump' in all its bubblegum glory! The deceptively short 'Deuce' with its 70s-style pop exploding into VU-like noise, etc. It’s very cool to see a modern R\u0026amp;R band progress in the true sense of the word--to mature and seek new horizons. I’ve personally seen them when they opened the very first show by the reunited Gizmos in 2014, and then when they played with us again in Chicago 2017, to this new album. It’s an impressive climb. For anybody into garage-rock or power-pop, this has gotta be an instant CLASSIC! But I’m just gonna call it rock’n’roll.\"—Eddie Flowers, Vulcher Magazine\/The Gizmos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eby Matt Keim\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"The Cowboys\u003c\/strong\u003e are here. Please love them. In exchange for your heart, they will give you sixteen songs from their new album, which show off songwriting and musicianship not often seen in the world of underground \"punk\" music that they spin through. This is really a misnomer, because The Cowboys are not punk, and they're not rock, and they're not country. They are the distillation of five hopeless romantics' love of music channeled through the well-oiled machine of seven years of experience as an independent band. They are Indiana's best kept secret, so get in while the getting's good.\u003c\/p\u003e\n\u003cp\u003e\"The album runs all across the board with genre and style. You can find Brian Wilson's 60s pop,  Billy Joel's storytelling, Sheer Mag's 70s riffs, and even the best song ever to have not been written by Bruce Springsteen. The magic of it, though, is that each of these outings across America's history of rock music is not just a mimicry of a style. They all sound distinctly Cowboys. This is a testament to their skilled songwriting, \u003cstrong\u003eKeith Harman's \u003c\/strong\u003epunk-by-way-of-country voice, and probably the band's time spent slinging covers early in their career. Their goal is not to fit a genre, it's to play the best song they can.\u003c\/p\u003e\n\u003cp\u003e\"And songs they have a-plenty. The album starts with the one-two punch of the punk-by-way-of-a-high-school-dance number, “Open Sores,” and the driving “Stillborn Genius”. This is a bit of a feint, because they immediately slow it down on the 60s pop crooner, “Take My Flower and Run,” and the piano ballad, “Doghouse Rag,” which escapes the danger of feeling trite by the sheer magic of Harman's vocal talent.  This pattern of hop-skipping around tempos and genres continues throughout, and the songs blaze by with an average run time of two minutes a pop, all of which makes a strong case for this being the best front-to-back album of 2019.\u003c\/p\u003e\n\u003cp\u003e\"The best of these songs create truly exceptional experiences out of seemingly disparate parts.  The chorus of “Female Behavior Book” is absolutely electric with Beach Boys-esque melodies and a driving punk rhythm section.  Album closer, “Deuce,” takes The Strokes to a field party at a friend's barn and dips it in aching teenage nostalgia. The finest track of them all, though, is the afore-mentioned Bruce Springsteen rocker, featuring, of all things, a saxophone. It's a beautiful ride through missed opportunities, mistakes, and heartache without forsaking a broken heart's hope of redemption.\u003c\/p\u003e\n\u003cp\u003e\"Which is really what this band is about. Creating striking moments out of everyday experiences and then slipping them into your soul.  Whenever the ear is not being carried away by the melodies, or the beat's not driving you to dance, the lyrics are more than enough to sink your teeth into. The most thrilling moment comes when Harman flips a common bank robber's threat of \"Nobody moves\/Nobody gets hurt\" into a warning about not taking a chance on love. This band has the talent, the music has the heart, somebody get a PR machine behind them and make them famous.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003ereleased February 14, 2019 \u003cbr\u003e\u003cbr\u003eRecorded, mixed, and mastered by Mike Bridavsky at Russian Recording. \u003cbr\u003eCover photo by Caroline Marchildon. \u003cbr\u003eCover design by Zack Worcel.\u003c\/span\u003e\u003c\/p\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":29554062786630,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Cowboys_The_-_The_Bottom_Of_A_Rotten_Flower.jpg?v=1574794821"},{"product_id":"burnside-r-l-come-on-in-new-lp","title":"Burnside, R. L. – Come On In – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813378908\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=3640536830\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rlburnside.bandcamp.com\/album\/come-on-in\"\u003eCome On In by R.L. Burnside\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813378908\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=3284940729\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rlburnside.bandcamp.com\/album\/come-on-in\"\u003eCome On In by R.L. Burnside\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813378908\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rlburnside.bandcamp.com\/album\/come-on-in\"\u003eCome On In by R.L. Burnside\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eThis has some great raw blues that will please most fans of blues as well as fans of other brands of music, but some blues purists might wanna stick with some of Burnside's other recordings.  On the other hand fans of gut-bucket funk and garage punk blues will want to grab this one with both hands!\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e$2.00 Initial Charge\u003cbr\u003e\u003cbr\u003e30¢ per 1\/5 mile\u003cbr\u003e\u003cbr\u003e20¢ Per Minute Stopped or Slow Traffic\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 25, 1998\u003cbr\u003e\u003cbr\u003eProducer, Recorded By, Mixed By – Martin Tino Gross* (tracks: 1, 3, 5, 7, 9 to 13)\u003cbr\u003eMastered By – Mark Yoshida\u003cbr\u003e\u003cbr\u003eTracks 1, 3, 5, and 9 mixed at Funhouse.\u003cbr\u003eTracks 2 and 11 mixed at the Money Shot Water Valley, MS.\u003cbr\u003eTrack 8 recorded in 1968.\u003cbr\u003eTrack 12 mixed at Audio Magic.\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}'\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30899181420681,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Burnside_come_on_in.jpg?v=1602476238"},{"product_id":"burnside-r-l-first-recordings-new-lp","title":"Burnside, R. L. – First Recordings – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. Just Like a Bird Without a Feather\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4025178927\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rlburnside.bandcamp.com\/album\/first-recordings\"\u003eFirst Recordings by R.L. Burnside\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e2. Goin' Down South\u003c\/p\u003e\n\u003cp\u003e3. Come on In\u003c\/p\u003e\n\u003cp\u003e4. Little Babe\u003c\/p\u003e\n\u003cp\u003e5. Rollin' and Tumblin'\u003c\/p\u003e\n\u003cp\u003e6. Jumper on the Line\u003c\/p\u003e\n\u003cp\u003e7. Skinny Woman\u003c\/p\u003e\n\u003cp\u003e8. Poor Black Mattie\u003c\/p\u003e\n\u003cp\u003e9. Long Haired Doney\u003c\/p\u003e\n\u003cp\u003e10. Peaches\u003c\/p\u003e\n\u003cp\u003e11. Walkin' Blues\u003c\/p\u003e\n\u003cp\u003e12. Hobo Blues\u003c\/p\u003e\n\u003cp\u003e13. My Time Ain't Long\u003c\/p\u003e\n\u003cp\u003e14. Sat Down on My Bed and Cried\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}' class=\"trackView leftMiddleColumns has-art\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" itemscope=\"\"\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30899242401929,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/burnside_first.jpeg?v=1623214459"},{"product_id":"kimbrough-junior-god-knows-i-tried-new-lp","title":"Kimbrough, Junior - God Knows I Tried - New LP","description":"\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2466560274\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/juniorkimbrough.bandcamp.com\/album\/god-knows-i-tried\"\u003eGod Knows I Tried by Junior Kimbrough\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30901141995657,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Junior_God_Knows.jpg?v=1571723583"},{"product_id":"dmz-relics-new-lp","title":"DMZ – Relics [PINK MARBLE VINYL BOSTON 1978] – New LP","description":"\u003cp\u003eessential Boston underground rock from the 1970s.  Color vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eJoe Viglione\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003e\"When\u003cspan\u003e \u003c\/span\u003eDMZ\u003cspan\u003e \u003c\/span\u003emade their debut on Sire, it was as disappointing as major-label debuts by fellow Bostonians\u003cspan\u003e \u003c\/span\u003ethe Nervous Eater and\u003cspan\u003e \u003c\/span\u003eWillie Alexander's Boom Boom Band. Flo \u0026amp; Eddie\u003cspan\u003e \u003c\/span\u003ejust didn't know what to do with\u003cspan\u003e \u003c\/span\u003eDMZ.  Meanwhile, four\u003cspan\u003e \u003c\/span\u003eCraig Leon-produced tracks released on BOMP -- which is the parent company of Voxx -- and five demo tapes that were recorded on four-track comprise this excellent collection. \"When I Get Off\" was the number two Garage Record of the Year in 1978 in Boston's Real Paper, and it is a psychedelic masterpiece. The dueling guitars, slashing riff, and great Corraccio bass complement\u003cspan\u003e \u003c\/span\u003eMono Mann\u003cspan\u003e \u003c\/span\u003eaka\u003cspan\u003e \u003c\/span\u003eJeff Connolly's blitzkrieg vocals. Here is a slice of pyschedlia that is the fans outdoing the bands they idolize. Also, as with\u003cspan\u003e \u003c\/span\u003eWillie Alexander's demos, it seems\u003cspan\u003e \u003c\/span\u003eCraig Leon\u003cspan\u003e \u003c\/span\u003edid a much better job on smaller budgets. The lyrics are sexist, but fun in \"Barracuda\" -- definitely not the\u003cspan\u003e \u003c\/span\u003eHeart\u003cspan\u003e \u003c\/span\u003esong -- \"Lift up Your Hood,\" and the aforementioned \"When I Get Off.\" There is also a cool cover of\u003cspan\u003e \u003c\/span\u003eRoky Erickson's \"You're Gonna Miss Me\" and a fantastic album jacket of the band photographed at what looks like the Rat nightclub inside a red background covered in barbed wire fence. A definite statement about the heart and soul of demos having a special something major-label homogenization fails to establish.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Voxx Records","offers":[{"title":"Default Title","offer_id":31384231903369,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/MI0000864567.jpg?v=1584387316"},{"product_id":"bear-trade-silent-unspeakable-used-lp","title":"Bear Trade - Silent Unspeakable - Used LP","description":"\u003cp\u003eVG+\/VG+\u003c\/p\u003e\n\u003cp\u003echips and gravy vinyl.  Bear Trade.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1821539803\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/beartrade.bandcamp.com\/album\/silent-unspeakable\"\u003eSilent Unspeakable by beartrade\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e2nd album from Bear Trade\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRecorded, mixed at Suburban Home Studios, Leeds in the Autumn of 2016.\u003cbr\u003e\u003cbr\u003eProduced by Matt Johnson and Bear Trade.\u003cbr\u003e\u003cbr\u003eMastered by the illustrious Jason Sanderson.\u003cbr\u003e\u003cbr\u003ePeter played drums, Lloyd played bass, Callum and Greg played guitar and we all sang with the help of Helen.\u003cbr\u003e\u003cbr\u003eArtwork by Glynn Ribbins.\u003cbr\u003e\u003cbr\u003eAll songs by Greg Robson.\u003c\/div\u003e","brand":"Everything Sucks Music \/ Dead Broke Rekerds","offers":[{"title":"Default Title","offer_id":33812505198729,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/875E200E-A058-45E0-BC44-D8F7E0C81ADD.jpg?v=1609724857"},{"product_id":"phone-jerks-s-t-new-lp-1","title":"Phone Jerks – S\/T – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eMAMIXIMUMROCKNROLL.COM\u003cspan\u003e \u003c\/span\u003e\"Goddamn, this thing is delivered with a sense of urgency that I find infectious. Imagine bands like the RIP OFFS and TEENGENERATE. Everything about this is intense: the pace, the vocals, the lyrics, the guitar, the drums, the bass...I said “everything,” didn’t I? Did I stutter? I can’t wait to get my own copy. Excellent. (KK)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3678110631\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/aliensnatch.bandcamp.com\/album\/phone-jerks-s-t\"\u003ePHONE JERKS - s\/t by ALIEN SNATCH! RECORDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eALIENSNATCH.COM\u003cspan\u003e \u003c\/span\u003ePHONE JERKS are a foursome from Moncton, New Brunswick. This is raw crab-shrapnel-Canada! Three dudes and Emily on drums, all on lead vocals means technically a dial-up connection from the ice speedway smash up derby to budget rock heaven. If you remember BRENTWOODS and LOLI \u0026amp; CHONES you´re should bet on her, the boys crank it more in a wired METROS way to winter dance party SPACESHITS with some euro teen degenrate REAL LOSERS spikes. Yes, this reference list from the all late 90´s to millenium band league which did NOT suck. You need to look very close today to find this shower of frequencies, blown-out fidelity lo-fi rock combined with flying-ice-cream-cups-fun. Take RADIOACTIVITY, SICK THOUGHTS, REATARDS and TOTAL PUNK pilgrims, with more buckets of simple \u0026amp; stupid party collusion and you be catapulted back to the bands above you may have not grown-up by then. It´s\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003elo-fi garage punk! You´re lost in a infinite time-loop! PHONE JERKS had 2017 a 45 \"Can´t Stand the Maritimes\" on GOODBYE BOOZY (the Italian who never did anything else in life expect what he does best) which sold out quick, but pheew, the album blows the single away. Recorded by Dave Belliveau (DISASTERBATERS) nad mixed \u0026amp; mastered by James O'Toole of OUTTACONTROLLER - it´s so good you don´t need to fake orgasms here. Ripping covers of \"Violence, Anarchy, Baby, Mother, Daddy-O, Dig\" by DA SLYME and \"Revolution\" by X. We are writing 2018 and we started 1998, this is the blueprint and the easiest shooting-fish-in-the barrel of an autobiographical ALIEN SNATCH! release. We would have released this PHONE JERKS LP any year of out label history, but where have they been the last twenty years? If Greg Lowery would run RIP OFF Records instead of real estates, this would be his condo of choice! Their power pop origin and band name phone schtick is highly reminiscent to ring-ring BUSY SIGNALS to MARK SULTAN´s BBQ taking a message to hang BLONDIE after the beep. Get this record and reaffirm your life choices! Cruise to lose!\u003cbr\u003e\u003cbr\u003efasterandlouderblog.blogspot.com\u003cspan\u003e \u003c\/span\u003e(USA) Sep 2018 WHAT?! Phone Jerks have released an album? On Alien Snatch Records?! One of my favorite bands put out a record on one of my all-time favorite labels, and nobody knew anything about it until a week ago?! Now that was a fiercely-guarded secret! Respect! Alien Snatch Records has been setting the standard for what a punk rock label ought to be for 20 years now. From assembling a roster including the likes of the Kidnappers, Real Losers, Fevers, Yum Yums, Minds, and Leg Hounds in its early 2000s heyday to releasing brilliant music by current-day bands such as Freak Genes and The #1s, Alien Snatch has remained a go-to for any fan of garage-punk and power pop. Moncton, New Brunswick's mighty Phone Jerks could not be a more fitting addition to the Alien Snatch family. Their debut LP hearkens back to countless beloved garage-punk LPs of the '90s and early 2000s. And I gotta tell you the thing is absolutely KILLER! Upon hearing \"Nothing There\", you just might find yourself convinced that The Rip Offs have gotten back together! Alien Snatch honcho Daniel has astutely pointed out that he could have released this album in any year of the label's history. These tunes are that timeless. Of course Phone Jerks sound like a band that could have been peers with Loli and the Chones, The Metros, Teengenerate, etc. Yet they also align perfectly with modern-day greats like Gino \u0026amp; The Goons and Sick Thoughts. This, my friends, is garage-punk the way it ought to be: trashy, lo-fi, and intentionally devoid of originality. Why are there not more bands like this in 2018?! Being four upstanding Canadians who value your hard-earned dollar, Phone Jerks have delivered almost entirely brand-new material for this debut album (along with covers of \"Revolution\" by Australia's X and \"Violence, Anarchy, Baby, Mother, Daddy-O, Dig\" by Newfoundland punk legends Da Slyme). No tracks from the Goodbye Boozy 7\" have been repeated, and only two songs re-appear from the band's demo tape. The instant you dig into \"Bitchiker\", you will find yourself fondly recalling a time when every new Rip Off Records release was an event worth celebrating. And come on: how can an album that begins with a song about killing someone not be the best record of the year?! These songs are all so ripping and catchy and tremendously fun to listen to. This is an album that you just have to crank super loud. And half the fun of this record is going through it track by track and asking, \"Who are they ripping off here?\"! The fact that Phone Jerks have three different lead singers makes it all that much cooler. Emily, Tyler, and Brian each bring something unique to the table (and you know, they all seem intent on smashing that table). The production (kudos Dave Belliveau and James O'Toole!) is spot-on for what budget rock ought to be. You know how modern-day reviewers are so fond of using \"crackling\" as an adjective? This album is crackling. Literally. So why aren't there more bands like Phone Jerks in 2018? I don't know, but maybe there will be after their debut album makes the rounds! Canada is ahead of the curve as always (especially in Moncton, where they observe the Atlantic Time Zone). With me poised to name an Alien Snatch release album of the year, it sure feels like old times! (JR)\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 17, 2018\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Alien Snatch! Records","offers":[{"title":"Default Title","offer_id":34635086299297,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2285194035_16.jpg?v=1591814003"},{"product_id":"buzzcocks-a-different-kind-of-tension-new-lp","title":"Buzzcocks - A Different Kind of Tension - New LP","description":"buzzcocks 1979","brand":"Domino Recording","offers":[{"title":"Default Title","offer_id":34656265765025,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-372077-1331200544_jpeg.jpg?v=1629833730"},{"product_id":"pow-wows-broken-curses-new-lp","title":"Pow Wows – Broken Curses - New LP","description":"\u003cdiv class=\"info\"\u003eKick set of garage punk, \u003cmeta charset=\"utf-8\"\u003ea hot rod build in the 1960s but customized, picking up more recent influences along the way, clearly made up of pieces of so many of the best 1960s rock 'n roll machines, Them, Wailers, Yardbirds, Standells, Stooges, but clearly they are charging forward, sonically and historically, into the future.  Mastered by the master from the Motor City, Mr. Jim Diamond.  -- winch (green noise)\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3632187905\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/broken-curses\"\u003eBroken Curses by Pow Wows\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"info\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\"The long-awaited second album by Garage Rock heavyweights Pow Wows is here at last! Broken Curses delivers 10 songs chock full of addictive hooks, hot-wired fuzz guitars, and pounding rhythms that hearken back to the underworld of '60s Garage and '70s Punk while remaining undeniably fresh and modern. As Pow Wows rip through 50 years of Rock \u0026amp; Roll rant and rave they also paint a brooding and undoubtedly intense picture of the world today. These are tales of dystopia with a backbeat. Party Rock for end times.\u003cbr\u003e\u003cbr\u003e\"New tracks like \"Car Cemetery\" and \"Fire Song\" are blazing Garage Punk stompers while \"You Haven't Got Me Yet\" and \"Rebel Stomp\" are groovy, Detroit R\u0026amp;B-laced hipshakers. The darker side comes out in the hypnotic towers of \"Hidden Future\" and \"Traces\" while an homage to ‘60s greats The Equals (\"I Can See But You Don't Know\") provides some upbeat go-go dancefloor action you can clap your hands to. This roaring platter will take you on one hell of a trip in a half hour - the way it should be!\"\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThe sophomore album by Toronto garage-punks Pow Wows features 10 unstoppable new tracks overflowing with ’60s-influenced fuzz guitar, dynamic rhythms, and wild, amped-up vocals. On 180-gram red vinyl, limited to 300. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Steve Major at Verge Music Lab (Toronto, ON)\u003cbr\u003eMastered by Jim Diamond at Ghetto Recorders (Detroit, MI)\u003cbr\u003eArtwork by Jorge \"Dr.\" Alderete (Mexico D.F.)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"info\"\u003e\u003c\/div\u003e\n\u003cp class=\"info\"\u003e \u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":34696431009953,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/GH-1171.jpg?v=1592495374"},{"product_id":"buzzcocks-another-music-in-a-different-kitchen-new-lp","title":"Buzzcocks - Another Music in a Different Kitchen - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRestored and remastered from the original ¼\" tapes with 8-page booklet containing unseen images and extensive liner notes by writer, broadcaster, music journalist and cultural commentator Jon Savage.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncludes a voucher with a download code to redeem a digital version of the record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003cspan itemprop=\"author\"\u003eNed Raggett:\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003e\"General judgment holds\u003cspan\u003e \u003c\/span\u003ethe Buzzcocks' peerless singles, the definition of punk-pop at its finest, as the best expression of their work. However, while the singles showcased one particular side of the band, albums like the group's long-playing debut\u003cspan\u003e \u003c\/span\u003eAnother Music\u003cspan\u003e \u003c\/span\u003eshowcased the foursome's other influences, sometimes brilliantly. The big secret is\u003cspan\u003e \u003c\/span\u003eShelley's worship of Krautrock's obsessive focus on repetition and rhythm, which transforms what would be \"simply\" basic punk songs into at-times monstrous epics. The ghost of\u003cspan\u003e \u003c\/span\u003eCan\u003cspan\u003e \u003c\/span\u003eparticular hovers even on some of the shorter songs -- unsurprising, given\u003cspan\u003e \u003c\/span\u003eShelley's worship of that band's guitarist\u003cspan\u003e \u003c\/span\u003eMichael Karoli. \"Moving Away From the Pulsebeat\" is the best instance of this, with a rumbling\u003cspan\u003e \u003c\/span\u003eMaher\u003cspan\u003e \u003c\/span\u003erhythm supporting some trancelike guitar lines. As for the sheer rush of pop craziness,\u003cspan\u003e \u003c\/span\u003eAnother Music\u003cspan\u003e \u003c\/span\u003eis simply crammed with stellar examples. Lead-off track \"Fast Cars\" starts with the opening of\u003cspan\u003e \u003c\/span\u003eSpiral Scratch's \"Boredom\"'s intentionally hilarious two-note solo intact, before ripping into a slightly bemusing critique of the objects in question. Most of the similar tracks on the album may be more distinct for their speed, but\u003cspan\u003e \u003c\/span\u003eShelley\u003cspan\u003e \u003c\/span\u003ein particular always seems to sneak in at least one astonishing line per song, sometimes on his own and sometimes thanks to\u003cspan\u003e \u003c\/span\u003eDevoto\u003cspan\u003e \u003c\/span\u003evia older cowritten tunes redone for the record. One favorite standout: \"All this slurping and sucking -- it's putting me off my food!\" on \"You Tear Me Up.\" Top all this off with any number of perfect moments -- the guitar work during the breaks on \"Love Battery,\" the energizing yet nervous coda of \"Fiction Romance,\" the soaring angst throughout \"I Don't Mind\" -- and\u003cspan\u003e \u003c\/span\u003eAnother Music\u003cspan\u003e \u003c\/span\u003eflat out succeeds.\"\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Domino Recording","offers":[{"title":"Default Title","offer_id":34776413733025,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-13121566-1548437730-3805_jpeg.jpg?v=1592874916"},{"product_id":"biznaga-gran-pantalla-new-lp","title":"Biznaga  – Gran Pantalla – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSpain Punk Rock 2020.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cspan\u003eMadrid's BIZNAGA are back with their 3rd long player, but what the band itself considers in a way to be their first album\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, in that they've broken from the way they normally put together a record (as a collection of songs that work independently from one another). For \"Gran Pantalla\", they've written an album knowing that in 2k20, our every move \u0026amp; inquiry will continue to be recorded for eventual (or perhaps immediate) observation by someone on the other side of a Big Screen, after being processed by The Algorithm. Whatever we search for will later find us. The screen has captured us — so sit back, relax, and enjoy it.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1113848734\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/slovenly.bandcamp.com\/album\/biznaga-gran-pantalla-lp\"\u003eBIZNAGA \"Gran Pantalla\" LP by Biznaga\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\"Gran Pantalla\" is twelve tracks recorded \u0026amp; mixed by Raúl Peréz in Sevilla, mastered in Berlin by Tim Warren (Crypt Records). Performing entirely in Castellano (with heavily deep lyrics), and even working some flamenco handclaps into the mix, BIZNAGA is Spanish as fuck. \u003cstrong\u003eIf Joe Strummer were actually from Granada, The Clash would have sounded something like this.\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eGran Pantalla supone una ruptura con la forma en que hasta ahora habíamos concebido la composición de un disco. No se trata de un conjunto de canciones deslavazadas, que únicamente funcionan con independencia entre sí. En esta ocasión existe una unidad temática que las relaciona (‘disco conceptual’ lo llamaban en la antigüedad) y, sin obviar esa especie de selección natural que hace que unas canciones acaben imponiéndose a otras, estas funcionan también como un ‘todo’, siendo precisamente en ese ‘todo’, dónde alcanzan su máxima expresión. La idea\/concepto\/tema que motiva ese ‘todo’ es el único capaz de fagocitar al resto: la Pantalla. Pero ¿de qué hablamos cuando hablamos de la Pantalla? En realidad, de todo lo demás: de un dónde (somos), un cuando (somos), un cómo (somos) y un por qué (somos). Hablamos de un espejo que captura y transforma lo que refleja, que simula el universo entero, dándole un nuevo sentido para que habitemos en él. Cuando hablamos de la Pantalla, hablamos de Dios\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 6, 2020\u003cbr\u003e\u003cbr\u003eTodas las canciones compuestas, escritas e interpretadas por Biznaga\u003cbr\u003e\u003cbr\u003eGrabadas y mezcladas por Raúl Pérez en La Mina (Sevilla) durante 2k19\u003cbr\u003eMasterizadas por Tim Warren\u003cbr\u003eProducidas por Raúl Pérez y Biznaga\u003cbr\u003eEditadas por Slovenly Recordings\u003cbr\u003eFoto interior del disco: Iñigo de Amescua\u003cbr\u003eArte del disco: Néstor Sevillano.\u003cbr\u003e\u003cbr\u003eInteligencia artificial en 'La Pantalla: Usos\/Abusos': Alba García\u003cbr\u003ePalmas en 'Adorno': Raúl Pérez\u003cbr\u003eBiznaga son: Álvaro, Jorge, Pablo y Milki.\u003c\/div\u003e","brand":"Slovenly Records","offers":[{"title":"Default Title","offer_id":35414156673185,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4127936858_10.jpg?v=1602366340"},{"product_id":"nitwitz-the-dark-side-of-the-spoon-new-lp","title":"Nitwitz, The – Dark Side of the Spoon - New LP","description":"\u003cp\u003eDutch punks kicking it out, peeling out with tires smoking out of punk from around the globe in the 1970s where they got things started themselves, spitting out fast blasts of the fucking good stuff, influences from 1970s glam\/underground\/hard rock showing up like a bad child, Detroit, New York, Boston, Ireland, and Australia, the hard stuff that didn't get too lost in the excess of that era, rhythm and riff driven, not stopping for anyone, get on board or get out the way, pedal to the metal and speed shifting down that road called punk ROCK 'n roll!  Get it! -- winch (green noise records)\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485000412\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/dark-side-of-the-spoon\"\u003eDark Side of the Spoon by The Nitwitz\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eDark Side of the Spoon delivers 14 essential Dutch Punk by Amsterdam's legendary outfit, The Nitwitz!\u003cbr\u003e\u003cbr\u003eFounded in 1978, the young band barely caught the dissipating ripples of the first punk rock wave. In taking their lead from groups like the Stooges, MC5, the Ramones and Australia's Saints, the Nitwitz had little in common with the angry, unwashed masses of English spiky-tops who sang about \"the dole,\" depression, and gang warfare. (Although they had a definite fondness for a few fast-riffing exceptions like the Lurkers, Drones, and Stiff Little Fingers.) Instead, the 16-year-old Nitwitz waxed poetic about girls they liked, girls they didn’t like, school, their favorite TV cartoon show, and getting beat up by disco kids.\u003cbr\u003e\u003cbr\u003eThe Nitwitz disbanded in May 1982, changed singers, and returned as BGK. After a 14-year hiatus, the boys reunited  in 1996, contributing a single new track to Epitaph's Dutch Punk sampler. With the label's blessing, the Nitwitz hit the studio to bang out an album's worth of blistering new material. And so, Dark Side of the Spoon was born. Epitaph Europe ultimately declined to release the new LP--but their loss is Get Hip's gain! The Nitwitz are back and better than ever!! Get yourself a heaping Spoonful of classic Dutch punk.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003eTHE NITWITZ are\u003cbr\u003eCzar Peters the 1st: Larynx\u003cbr\u003eTony \"Slug\" Leeuwenburgh: Mosrite and Les Paul\u003cbr\u003eThumpin' Theo Brouwer: Fender Jazz bass\u003cbr\u003eSteven \"Marathon Man\" Nieuwendijk: Drums and cymbals\u003cbr\u003e\u003cbr\u003eAll selections written by Tony Leeuwenburgh\u003cbr\u003eExcept tracks 4, 6, 9, 10, 12 \u0026amp; 14 by Tony Leeuwenburgh \u0026amp; Erik Peters\u003cbr\u003e\u003cbr\u003e© Stemra 1998\u003cbr\u003eRecorded at Yland Studios, Amsterdam, Holland, Sept. 1997\u003cbr\u003eEngineered by Evert \"Big Thumb\" Kattee\u003cbr\u003eProduced by Evert \u0026amp; the Nitwitz\u003cbr\u003eGraphics by Studio Paul C. Pollmann\u003cbr\u003e\u003cbr\u003eLicensed from Rocketdog Records\u003c\/h3\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":36648522481825,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3954425165_16.jpg?v=1602545111"},{"product_id":"holy-sons-raw-and-disfigured-2xlp-orange-vinyl-new-lp","title":"Holy Sons - Raw and Disfigured [2xLP] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ebrand-new 2020 double album from \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/october-2020\/products\/holy-sons-raw-and-disfigured-2xlp-orange-vinyl-new-lp\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/october-2020\/products\/holy-sons-raw-and-disfigured-2xlp-orange-vinyl-new-lp\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/october-2020\/products\/holy-sons-raw-and-disfigured-2xlp-orange-vinyl-new-lp\"\u003eHoly Sons\u003c\/a\u003e of \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Portland\"\u003ePortland\u003c\/a\u003e, Oregon, sounding like late fall nights heading into the cold days of winter, slowly brewing vat of acid-rock with elements of a dark version of folk, a mix of Neil Young \u0026amp; Crazy Horse (both the Whitten and Sampedro years) and the more moody spaced out material from \u003ca data-mce-fragment=\"1\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Black+Sabbath\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/search?q=Black+Sabbath\" target=\"_blank\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/search?q=Black+Sabbath\"\u003eBlack Sabbath\u003c\/a\u003e and Babe Ruth (stuff from Volume 4 by the former and the cover of the folk song \"Black Dog\" on the debut album by the latter).  This seems a blend of now, and 30 years ago and 50 years ago, from the experimental bands of the 1990s and the slower material of the bands of the 1970s that grew out of Hendrix's moody experimentations on \u003cem data-mce-fragment=\"1\"\u003eElectric Ladyland,\u003c\/em\u003e as well as the more heavily produced and dark sides of folk from those two eras.  Clearly coming from the dark recesses, and a voyage into those places, trudging through the primordial mud into the present.  \u003c\/span\u003e -- winch (green noise)\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2148189974\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1588069936\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/holysons.bandcamp.com\/album\/raw-and-disfigured\"\u003eRaw and Disfigured by Holy Sons\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2148189974\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/holysons.bandcamp.com\/album\/raw-and-disfigured\"\u003eRaw and Disfigured by Holy Sons\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"The music of Emil Amos is at once intimate and expansive. Under the name Holy Sons, as well as with bands Om, Grails, and Lilacs and Champagne, Amos harnesses boundless sonic textures to embellish delicately crafted songs, he plays the bulk of the instruments and sings the majority of the vocals throughout the album, and is joined on a few pieces by drummer Steve Shelley (Sonic Youth). His music balances cues from classic and indie rock traditions with tenderness and sense of foreboding through unparalleled artistry. Holy Sons’ first double album Raw and Disfigured showcases Amos’ mastery of songcraft through a seemingly impossible combination of subtle yet potent gestures, bold arrangements, and resolute vulnerability. Recorded at Sonic Youth’s studio Echo Canyon West, Raw and Disfigured stands as Amos’ most ambitious and comprehensive album yet, a panoramic gallery of songs as beautiful as they are crushing.\"\u003c\/p\u003e","brand":"Thrill Jockey Records","offers":[{"title":"Default Title","offer_id":36807680491681,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3276217665_16.jpg?v=1605663950"},{"product_id":"m-80s-the-in-a-fury-new-lp","title":"M-80's, The – In a Fury [GREEN MARBLED VINYL] - New LP","description":"\u003ch4\u003eKick set of growling garage-punk rock n roll, \u003cmeta charset=\"utf-8\"\u003ein a hurry, in a Fury...bastard sons of Bo Diddley, Chuck Berry and Little Walter...a O.Z of menace and  a Q.P. of good times..moving between originals and covers without batting an eye...Daniel Boone and electric blues pushed into a bottle of Boonesfarm, the bottle tipped and downed and smashed on the railroad tracks.  Get it!  Get Hip or get dick!  -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3086133871\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/in-a-fury\"\u003eIn a Fury! by The M-80'S\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003ch2\u003e The appropriately names M-80's are a Norfolk, Virginia band. Their debut album In a Fury! serves up 12 originals and four covers that transfer the energy of the band's live performance to wax! (And whatever CD's are made of.)  \u003cmeta charset=\"utf-8\"\u003eProduced by Gregg Kostelich of the Cynics!  \u003c\/h2\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e1993\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE M-80's\u003cbr data-mce-fragment=\"1\"\u003eEddie Pierce: Vocals, harp\u003cbr data-mce-fragment=\"1\"\u003eWitt Drawls: Guitars\u003cbr data-mce-fragment=\"1\"\u003eRob Katherman: Bass\u003cbr data-mce-fragment=\"1\"\u003eRusty Floyd: Drums\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatured Players:\u003cbr data-mce-fragment=\"1\"\u003eJohn Finney: Sax\u003cbr data-mce-fragment=\"1\"\u003eRandy Melton: Piano on \"Come Talk to Me\"\u003cbr data-mce-fragment=\"1\"\u003eJoe West: Piano on \"Hands Off!\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEngineered by Joe West\u003cbr data-mce-fragment=\"1\"\u003eRecorded in 24 hours at Audiomation Studios, Pittsburgh, PA\u003cbr data-mce-fragment=\"1\"\u003eArt direction by Greg Matecko\u003cbr data-mce-fragment=\"1\"\u003eIllustration by Paul Bucciarelli\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll songs written by the M-80's and published by Black Powder Music (BMI) except \"Hands Off,\" \"I Can't Believe You,\" and \"Our Love Should Last Forever\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Bob Irwin and Vic Anesini\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":36867066495137,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1582260658_16.jpg?v=1604297698"},{"product_id":"burning-bus-a-s-t-new-lp","title":"Burning Bus, A - S\/T - New LP","description":"\u003ch4\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eLike so much that Howland has a hand in, this sounds like it was recorded in a basement, but this sounds more like the big basement of some cinder-block building in an abandoned industrial park \u003c\/span\u003e\u003cspan\u003ein Lima, Ohio or Muskegon, Michigan, rustbelt cement cellar that stretches back into the shadows, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003esteel pipes across the ceiling, busted bottles in the corner, rusty cans dating back decades, \u003c\/span\u003e\u003cspan\u003esomething lurking in the dark...an old engine hanging from a cherry picker and sweating oil and grime, pulled from a car that had rolled into drive-ins and junkyards from Buffalo to the Motor City, parked in the muddy shadows of a snowy lot outside the Grande Ballroom where MC5, Amboy Dukes, Stooges and ACG played... -- winch (green noise records)\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1738040209\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/aburningbus.bandcamp.com\/album\/s-t\"\u003es\/t by A Burning Bus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Don Howland-related album! That’s right, In The Red is putting out two albums by the man at the same time! That’s how much the label loves him and his music. This full length is by his now defunct five piece band Burning Bus. The band released two 7-inches earlier this decade and recorded this album, which has laid dormant until now. While Howland’s solo work and the Bassholes tend to be stripped-down, treble-kicking affairs, Burning Bus is a full throttle three guitar and bass attack. It’s much noisier and more brutal than anything else he’s done. Fans of Pussy Galore will want to take note.\u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":37214774460577,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3699642815_16.jpg?v=1606956634"},{"product_id":"personality-cult-new-arrows-black-vinyl-new-lp","title":"Personality Cult – New Arrows [BLACK VINYL] – New LP","description":"\u003cp\u003ePlease welcome Personality Cult to the Dirtnap Records roster!\u003c\/p\u003e\n\u003cp\u003eWhat started as a solo project for North Carolina’s Ben Carr has evolved into a full-band supergroup of sorts, featuring past and present members of Paint Fumes, Last Year’s Men, Natural Causes, Bass Drum Of Death, Missing Pages, Mind Spiders, Sweet Talk, Sweet Knives, and probably a bunch more that we’re forgetting about!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648015892\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtnaprecords.bandcamp.com\/album\/personality-cult-new-arrows\"\u003ePersonality Cult - New Arrows by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\n\u003ch3\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/products\/personality-cult-t-shirt?variant=31297387561097\"\u003e\u003c\/a\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDirtnap Records was tipped off to this monster of an album by Jeff Burke (Radioactivity\/Marked Men) as he was recording it a few months back in NYC. Soon after the sessions, Carr and Burke began trading the earliest mixes of the album with Carr recording all of the overdubs during and after his shifts at Wilmington, North Carolina’s flagship record shop, Gravity Records. After a single listen to the finished product, we were tripping over ourselves to immediately get ahold of the band and offer to put the record out. Seriously, it’s THAT good!\u003c\/p\u003e\n\u003cp\u003eFast propulsive punk with hooks for days, and dark undercurrents swirling underneath. While sonically this doesn’t fall too far from what you’d associate with many beloved Dirtnap bands of the past, these guys really nail the delicate balance of taking a familiar sound and putting their own unique spin on it, in the end sounding like nothing but themselves.\u003c\/p\u003e\n\u003cp\u003eFollowing a s\/t LP on Drunken Sailor Records, Personality Cult will release their Dirtnap debut (and debut as a full band) “New Arrows” on February 15th, 2020. This is the best new band we’ve heard in awhile, so do take note.\u003c\/p\u003e\n\u003cp\u003e ------------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePropulsive punk rock is hardly new ground for Ben Carr.\u003c\/p\u003e\n\u003cp\u003e And while the bands Carr is best known for -- Last Year’s Men, Paint Fumes and Natural Causes -- all existed in slightly different subgenres, the backbone of his music is always comprised of the same core ethos. That is to say, highly charged punk rooted in hardcore, though always with a wink and nod to some of indie rock’s more melodic forebears.\u003c\/p\u003e\n\u003cp\u003e Carr began creating music under the Personality Cult moniker alone, crafting the band’s eponymous 2018 debut by himself before a group even existed. For that set, Carr not only wrote all of the songs, but he performed nearly everything himself, with longtime bandmate Ian Rose taking over drums and helping with recording duties.\u003c\/p\u003e\n\u003cp\u003eUpon the debut’s release, Carr tapped local musicians Colin Sneed on drums (Bass Drum of Death), Johnny Valiant on bass (Sweet Knives) and recent Austin-to-Durham transplant Stephen Svacina on guitar (Missing Pages, Sweet Talk) making Personality Cult a ferocious and vital live entity, as they began playing around North Carolina’s Triangle and undertaking tours up and down the East Coast. \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn addition to booking shows for the new band, Carr also began immediately writing the songs and tracking the demos that would become their follow-up, New Arrows, which will see release in February 2020 on seminal punk label Dirtnap Records. Armed with a host of new songs, the group decamped to a practice space in Brooklyn where they recorded the nine-song set directly to tape with engineer Jeff Burke. (Radioactivity\/Marked Men)\u003c\/p\u003e\n\u003cp\u003eSoon after the sessions, Carr and Burke began trading the earliest mixes of the album with Carr recording all of the overdubs during and after his shifts at Wilmington, North Carolina’s flagship record shop, Gravity Records.\u003c\/p\u003e\n\u003cp\u003eProduced by Carr and mixed by Burke, New Arrows exists somewhere near the center of the punk amalgam created by Hüsker Dü, Stiff Little Fingers, Buzzcocks and The Adverts, while possessing plenty of the sugary melodic knack made legendary by bands like Devo, Big Star and Cheap Trick.\u003c\/p\u003e\n\u003cp\u003eAnd though it stays true to Carr’s now-trademark of high-energy, driving punk, New Arrows adds a new section to the songwriter’s resume. A record that is at once insightful yet cheeky, driving but hooky, and super fun while being incredibly caustic and undeniably thought-provoking, New Arrows is the sound of a solo project becoming a band before our eyes, of a one-man-operation unfolding and evolving in real-time.\u003c\/p\u003e\n\u003cp\u003eEngineered by Jeff Burke (Marked Men\/Radioactivity.\u003c\/p\u003e\n\u003cp\u003eTouring following release, including appearance at Dirtnap Records 20 Year Anniversary Fest.\u003c\/p\u003e\n\u003cp\u003eComes with 320 kps download coupon.  \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eNorth Carolina punk rock supergroup.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eArtist: Personality Cult\u003c\/p\u003e\n\u003cp\u003eTitle: New Arrows\u003c\/p\u003e\n\u003cp\u003eStreet Date: 02\/14\/2020\u003c\/p\u003e\n\u003cp\u003eCatalog Number: ZZZ-162\u003c\/p\u003e\n\u003cp\u003eFormat: LP\/digital\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLP: 881970016211\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTrack List:\u003c\/p\u003e\n\u003cp\u003e1. Nothing To Do With It\u003c\/p\u003e\n\u003cp\u003e2. Weigh Down\u003c\/p\u003e\n\u003cp\u003e3. Pressure Point\u003c\/p\u003e\n\u003cp\u003e4. Circles\u003c\/p\u003e\n\u003cp\u003e5. Figure\u003c\/p\u003e\n\u003cp\u003e6. Sharp Edges\u003c\/p\u003e\n\u003cp\u003e7. Telephone\u003c\/p\u003e\n\u003cp\u003e8. Dissolve You\u003c\/p\u003e\n\u003cp\u003e9. 5:30\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":37292420038817,"sku":"","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/F9924637-46B4-461D-B753-9EE87F83F46E_d2f04da0-c75f-4c8b-9f13-ebe2bb7f3307.jpg?v=1607840722"},{"product_id":"washington-kamasi-becoming-soundtrack-new-lp","title":"Washington, Kamasi – Becoming (Original Motion Picture Score) – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"companies\" data-toggle-section-id=\"companies\" class=\"section companies toggle_section    toggle_section_remember\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003eWorking on a soundtrack, Washington knew he had to back up and accent but not interfere with the story so this is likely in fairly sharp contrast to his other albums, and certainly to his live shows, here focusing on moods to resonate with the themes of the narrative, and in many ways this brings out the beauty of this music. As he backs up, the beauty comes forward. most jazz just really ain't my bag so I’ve never spent much time with his albums but you'll find me on the floor near the front of the stage at the funked out workouts (and reflective passages) of this live shows, and this album warms my inner spaces like flames in the fireplace warm the cold interiors of a house on a December night. While folks who know jazz can probably make comparisons and pick out many influences, the influence of music of Quincy Jones, MFSB, Grover Washington, Al Green, and Isaac Hayes seem to make their way into the grooves. He's also keen enough to bring some Chitown into the sounds, and the influence of Curtis Mayfield (and probably some other Windy City musicians) seem to be present. The Vince Guaraldi influence comes out and helps makes this perfect for the winter months: like soundtracks of Guaraldi, this album captures the hope, joy and melancholy of the season. Beautiful and thoroughly enjoyable, this perfect for that last album of the night (or year) as you think about the day and slip into slumber. -- winch (green noise)\u003cbr\u003e\u003cbr\u003ehttps:\/\/store.greennoiserecords.com\/collections\/december-2020\/products\/washington-kamasi-becoming-soundtrack-new-lp\u003cbr\u003e\u003cbr\u003e#artyommanukyan #becoming @artyommanukyan #kamasiwashington @kamasiwashington #seansonderegger @tonyaustindrums #tonyaustin \u003cbr\u003e@milesmosley #milesmosley \u003cbr\u003e#MattHaze @matthazemusic \u003cbr\u003e@daddykev #daddykev \u003cbr\u003e@remata @dontaewinslow \u003cbr\u003e#Emmy #sunsetsoundstudios @rickeywashington \u003cbr\u003e#rickeywashington #becomingsoundtrack #michelleobama #jazz2020 #jazz #blackmusic #blackmusicians @blackmusiciansunited_ @blackmusichonors @utkbma \u003cbr\u003e@youngturks #youngturks #youngturksrecordings #jazzsoundtrack #soundtrack #soundtracks #greennoiserecords @greennoiserecords #jazzvinyl #losangelesjazz #westcoastjazz #jazzrecords #jazzrecord #obama #blackamericans\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"credits\" data-toggle-section-id=\"credits\" class=\"section credits toggle_section    toggle_section_remember\"\u003e\n\u003ch3 data-for=\".credits\" class=\"toggle_section_control float_fix\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eAlto Flute, Flute\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eRickey Washington\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eCello\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eArtyom Manukyan,\u003cspan\u003e \u003c\/span\u003eJared Snyder (3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eComposed By, Producer, Arranged By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eKamasi Washington\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eContrabass Clarinet, Bass Clarinet, Clarinet [B♭]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eSean Sonderegger\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDrums, Percussion\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eTony Austin\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eElectric Bass, Double Bass [Upright Bass]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eMiles Mosley\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eEngineer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eTony Austin\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eGuitar\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eMatt Haze\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMastered By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eKevin \"Daddy Kev\" Moo*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMixed By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eRandy Emata\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eOrgan, Keyboards, Piano\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eKenneth Crouch\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003ePiano, Electric Piano [Rhodes]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eCameron Graves\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eSoprano Saxophone, Alto Saxophone, Tenor Saxophone\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eKamasi Washington\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eTrombone\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eRyan Porter\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eTrumpet\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eDontae Winslow\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eViola\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eChad Jackson (3),\u003cspan\u003e \u003c\/span\u003eMichael Whitson*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eViolin\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eJen Simone,\u003cspan\u003e \u003c\/span\u003eReiko Nakano,\u003cspan\u003e \u003c\/span\u003eTylana Renga,\u003cspan\u003e \u003c\/span\u003eYvette Devereaux\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"notes\" data-toggle-section-id=\"notes\" class=\"section notes toggle_section    toggle_section_remember\"\u003e\n\u003ch3 data-for=\".notes\" class=\"toggle_section_control float_fix\"\u003eNotes\u003c\/h3\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003eBlack-vinyl edition.\u003cbr\u003e\u003cbr\u003e\"The Emmy Nominated Score\" hype sticker.\u003cbr\u003e\u003cbr\u003eRecorded at Sunset Sound Studios, L.A.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Young Turks Recordings","offers":[{"title":"Default Title","offer_id":37296394272929,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Becoming_Kamasi-Washington.jpg?v=1607903435"},{"product_id":"freak-genes-iii-import-new-lp","title":"Freak Genes - III [IMPORT BLACK VINYL Marked Down] – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother spring-loaded set from this UK outfit, loads of fun and lots of weirdness, wired and wired for sound, hitting your eardrums with its electric rhythm stick, boinging across the floor like a robot on a pogo stick, up the walls and beeping around the perimeter like Pac-Man gobbling up some digits, changing moods and tempos as it moves between cuts, bouncing back in time to visit Syd Barrett, leapfrogging around the second half of the 1970s, thumping the rubber into Akron and ricocheting out to NYC for some no-wave, kangarooing across the pond for some new wave downunder, boomeranging back home for some post punk, quite a bit different than the last one, and quite a bit like it, if I recall correctly, this one maybe a bit more full on with the synthesizered sounds, another essential listen from Drunken Sailor. -- winch (green noise)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1630307271\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/iii-lp\"\u003eIII LP by Freak Genes\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"3rd LP from Freak Genes, they make cleverly deranged punk music for freaks, by freaks. Whether it's in their genes or acquired from years of dysfunctional ideas gone awry playing in bands, this album is a synth in your face. For their third LP, Freak Genes have unearthed 12 more sort-of-pop sort-of-not songs for your ears to enjoy. Making use of a synthesiser found in a skip and a guitar that won’t stay in tune, III is garage rock meets Gary Numan. There are some hit tracks, weird stuff and almost intentional accidents. If you like making functional use of dysfunctional ideas, this is for you…and if you love DAF, The Units, Lodger-era Bowie, 154-style Wire or The Flying Lizards then so much the better. Freak Genes III was made by Charlie Murphy (Red Cords) and Andrew Anderson (Hipshakes \/ Proto Idiot) and mixed\/mastered\/made good by Mikey Young. Strictly not for norms.\"\u003cbr\u003e\u003cbr\u003e\"The always wonderful Freak Genes are back with what is already their third album in 20 months. On Qwak Qwak, you could hear Andrew and Charlie flirting with electronic instrumentation. III (out on Drunken Sailor Records) finds them all-in on synth-pop. Think more 154 era Wire, less Pink Flag. That's quite a leap for\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003einside of two years, but in my business we call that a \"natural progression\" (Wire themselves did the same thing!). Everything that was charming, wonderfully weird, playfully non-conforming, and non-conventionally hooky about the duo's first two albums remains fully in tact. Perhaps the more cohesive synth-pop sound makes this particular album feel less all over the place. But I can assure you that it is still somewhat all over the place! The one-sheet promises \"garage rock meets Gary Numan\", and tracks like \"Get Ready To Go\" and \"Strange Light\" deliver exactly that. You can pick up the influences immediately yet still recognize distinct qualities of these guys' other bands. They are never afraid to experiment, but they always come back to writing memorable tunes with hooks. Meanwhile songs such as \"Breach\" and \"Now It's Done\" demonstrate that even synth pop era Freak Genes have not totally left post-punk behind. And if your favorite part of every Freak Genes album is coming across a song that makes you go \"I don't know what the hell this is, but I sure like it!\", \"Stitches\" and \"Close Up\" are oddball tracks that you will surely enjoy. There will never be such a thing as two Freak Genes songs that sound the same. Is it just me, or could \"Nothing In Between Us\" pass for one of The Cure's \"poppy\" songs?! I can't fully put my finger on what delights me so much about Freak Genes. I think it's that they've made me fall in love with post-punk and new wave again. This was music I grew up on, yet I've been mostly lukewarm on its modern adherents. Charlie and Andrew take those influences and actually have fun with them. Even if there's a dark turn or two on III, it remains a joyful musical creation that's an absolute pleasure to listen to. Originally inspired by the idea of recording misfit songs, Freak Genes have become a misfit band (and that's a lower case \"misfit\"....these guys are probably 20 albums away from attempting horror punk). And I hope that's what they continue to be forever.\" Fast and Louder blog.\u003cbr\u003e\u003cbr\u003eOut on 22nd march. First 100 on Transparent Green.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 22, 2019\u003c\/div\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":37316895670433,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3918259554_16.jpg?v=1628181207"},{"product_id":"freak-genes-iii-import-green-vinyl-new-lp-1","title":"Freak Genes - III [IMPORT GREEN VINYL] – New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother spring-loaded set from this UK outfit, loads of fun and lots of weirdness, wired and wired for sound, hitting your eardrums with its electric rhythm stick, boinging across the floor like a robot on a pogo stick, up the walls and beeping around the perimeter like Pac-Man gobbling up some digits, changing moods and tempos as it moves between cuts, bouncing back in time to visit Syd Barrett, leapfrogging around the second half of the 1970s, thumping the rubber into Akron and ricocheting out to NYC for some no-wave, kangarooing across the pond for some new wave downunder, boomeranging back home for some post punk, quite a bit different than the last one, and quite a bit like it, if I recall correctly, this one maybe a bit more full on with the synthesizered sounds, another essential listen from Drunken Sailor. -- winch (green noise)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1630307271\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/iii-lp\"\u003eIII LP by Freak Genes\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"3rd LP from Freak Genes, they make cleverly deranged punk music for freaks, by freaks. Whether it's in their genes or acquired from years of dysfunctional ideas gone awry playing in bands, this album is a synth in your face. For their third LP, Freak Genes have unearthed 12 more sort-of-pop sort-of-not songs for your ears to enjoy. Making use of a synthesiser found in a skip and a guitar that won’t stay in tune, III is garage rock meets Gary Numan. There are some hit tracks, weird stuff and almost intentional accidents. If you like making functional use of dysfunctional ideas, this is for you…and if you love DAF, The Units, Lodger-era Bowie, 154-style Wire or The Flying Lizards then so much the better. Freak Genes III was made by Charlie Murphy (Red Cords) and Andrew Anderson (Hipshakes \/ Proto Idiot) and mixed\/mastered\/made good by Mikey Young. Strictly not for norms.\"\u003cbr\u003e\u003cbr\u003e\"The always wonderful Freak Genes are back with what is already their third album in 20 months. On Qwak Qwak, you could hear Andrew and Charlie flirting with electronic instrumentation. III (out on Drunken Sailor Records) finds them all-in on synth-pop. Think more 154 era Wire, less Pink Flag. That's quite a leap for\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003einside of two years, but in my business we call that a \"natural progression\" (Wire themselves did the same thing!). Everything that was charming, wonderfully weird, playfully non-conforming, and non-conventionally hooky about the duo's first two albums remains fully in tact. Perhaps the more cohesive synth-pop sound makes this particular album feel less all over the place. But I can assure you that it is still somewhat all over the place! The one-sheet promises \"garage rock meets Gary Numan\", and tracks like \"Get Ready To Go\" and \"Strange Light\" deliver exactly that. You can pick up the influences immediately yet still recognize distinct qualities of these guys' other bands. They are never afraid to experiment, but they always come back to writing memorable tunes with hooks. Meanwhile songs such as \"Breach\" and \"Now It's Done\" demonstrate that even synth pop era Freak Genes have not totally left post-punk behind. And if your favorite part of every Freak Genes album is coming across a song that makes you go \"I don't know what the hell this is, but I sure like it!\", \"Stitches\" and \"Close Up\" are oddball tracks that you will surely enjoy. There will never be such a thing as two Freak Genes songs that sound the same. Is it just me, or could \"Nothing In Between Us\" pass for one of The Cure's \"poppy\" songs?! I can't fully put my finger on what delights me so much about Freak Genes. I think it's that they've made me fall in love with post-punk and new wave again. This was music I grew up on, yet I've been mostly lukewarm on its modern adherents. Charlie and Andrew take those influences and actually have fun with them. Even if there's a dark turn or two on III, it remains a joyful musical creation that's an absolute pleasure to listen to. Originally inspired by the idea of recording misfit songs, Freak Genes have become a misfit band (and that's a lower case \"misfit\"....these guys are probably 20 albums away from attempting horror punk). And I hope that's what they continue to be forever.\" Fast and Louder blog.\u003cbr\u003e\u003cbr\u003eOut on 22nd march. First 100 on Transparent Green.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 22, 2019\u003c\/div\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":37317158371489,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_9187.jpg?v=1608576271"},{"product_id":"maas-alex-luca-new-lp","title":"Maas, Alex - Luca [MARKED DOWN Black Angels' singer] - New LP","description":"\u003cp\u003e2020.  \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe music of Alex Maas has always mesmerised. Now, on his soul-baring solo debut Luca, the Texan and The Black Angel’s singer journey is taking an equally hypnotic detour along the wild trails of his indigenous homestead. Driven by the force of nature, each phase of life is celebrated through songs of love, hope, human connection whilst navigating perils of modern society and tentatively facing the darkness. It’s a record fuelled by memories of an upbringing in the strange, unique paradise of his father’s plant nursery in Seabrook, Texas by the waterfront of the Gulf of Mexico, and the Native American sounds that would drift through the garden’s hidden speakers, ricocheting off multi-coloured pottery mazes of curiosities from across the world. Casting shades of deeply personal wide-eyed innocence and the darker realms of paranoia, Luca has its sights set on the near and distant future. Subtle psychedelic flourishes and instrumentation come from a cast of expert players in Austin but this is a deeply personal endeavour.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased December 4, 2020\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=588660393\/size=small\/bgcol=333333\/linkcol=0f91ff\/license_id=1415\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/alexmaas.bandcamp.com\/album\/luca\"\u003eLuca by Alex Maas\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Innovative Leisure Records","offers":[{"title":"Default Title","offer_id":37336656478369,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4279666415_16.jpg?v=1608341888"},{"product_id":"singapore-sling-good-sick-fun-new-lp","title":"Singapore Sling – Good Sick Fun [IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e2020.  \u003cmeta charset=\"utf-8\"\u003eBlack vinyl edition of 300.  \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReykjavík maverick Henrik Björnsson is due to release ‘Good Sick Fun’, his eleventh album under the Singapore Sling project, on September 25th via Fuzz Club Inspired by goth-rock, dub and big-band jazz on top of the usual fuzzed-out rock’n’roll touchstones that are seared into Henrik’s work, the latest Singapore Sling full-length is as perversely hedonistic as they come – and that’s not without competition by any means.\u003c\/span\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=841898297\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=767135279\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/fuzzclub.bandcamp.com\/album\/good-sick-fun\"\u003eGood Sick Fun by Singapore Sling\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=841898297\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/fuzzclub.bandcamp.com\/album\/good-sick-fun\"\u003eGood Sick Fun by Singapore Sling\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eAn invitation to “rejoice in doing wrong”, in Henrik’s own words, ‘Good Sick Fun’ is the latest morbid and characteristically-depraved addition to a back-catalogue spanning nearly two decades from the cult Icelandic band. Arriving off the back of the 2019 ‘Killer Classics’ LP, Henrik says of the new album: “Old rock´n´roll is the main influence on this record, as on most of my records. When I release a record it means rock´n´roll has saved my life, my mind and my soul once again. And it does that quite frequently. Sometimes I start running astray, getting sucked into pointless garbage and thinking it actually matters. Then I realize that it´s absolute garbage and that nothing matters but rock´n´roll so I go and make a record instead.”\u003cbr\u003e","brand":"Fuzz Club Records","offers":[{"title":"Default Title","offer_id":37336701862049,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2045627679_16.jpg?v=1608343991"},{"product_id":"porcupine-what-youve-heard-isnt-real-12-ep-blue-swirl-vinyl-new-lp","title":"Porcupine - What You've Heard Isn't Real 12\" EP [BLUE SWIRL VINYL] - Used LP","description":"\u003cp\u003e\u003cspan\u003eVG+\/VG+  Original 2018 on pretty blue vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePorcupine was born in 2006 in La Crosse, Wis., where singer\/guitarist Casey Virock had previously launched another indie rock trio, Space Bike. Now based in Minneapolis, the band has evolved to full maturity, a potent force propelled by drummer Ian Prince and the most recent addition to the band, bassist Greg Norton (formerly of HÜSKER DÜ).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=866554753\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/porcupineband.bandcamp.com\/album\/what-youve-heard-isnt-real\"\u003eWhat You've Heard isn't Real by porcupine\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn naming the band, Virock saluted one of his favorite bands, Echo and the Bunnymen, and his songcraft and musical sensibilities swirl the Bunnymen and other New Wavers along with 1960s British psychedelica purveyors (especially Syd Barrett) and 1970s classic rockers. The result is muscular and edgy, infused with melodicism and angular guitar work that puts the band in a class with Queens of the Stone Age and Swervedriver. To date, the band has released two full-length albums (2009’s “The Trouble With You” and 2012’s “The Sensation of Being Somebody”) along with multiple singles and two EPs, the most recent (“Carrier Wave”) recorded with the iconic Steve Albini. Virock’s songs have been heard in television shows including “The Real World,” “Best Ink,” and “The Challenge,” and the band has opened for the Meat Puppets, Mission of Burma, Shiner and The Life and Times. As absorbing and compelling as Porcupine’s recordings are, they are a must-see live band, with Virock, Norton and Prince distilling the songs to their 100-proof essence.\" Six brand new songs produced \u0026amp; recorded by Kevin Bowe (Paul Westerberg\/The Replacements) including a GRANT HART cover!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e_____________________\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01. Lifetime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Distraction \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03. Standing by the Sea\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04. Pull\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05. Tell Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06. Exit 180 (Live)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCasey Virock - vocals, guitar\u003cbr\u003eGreg Norton - bass\u003cbr\u003eIan Prince - drums\u003cbr\u003e\u003cbr\u003ewords - Casey Virock\u003cbr\u003emusic - porcupine\u003cbr\u003e\u003cbr\u003erecorded + mixed by Kevin Bowe\u003cbr\u003emastered by Bruce Templeton\u003cbr\u003edesign by Laura Bennett\u003c\/span\u003e\u003c\/p\u003e","brand":"Dead Broke Records","offers":[{"title":"Default Title","offer_id":37362305204385,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3318682364_10_large_ddee3359-927c-486b-89be-57d8efb7ed0b.jpg?v=1608682046"},{"product_id":"sweeping-promises-hunger-for-a-way-out-new-lp","title":"Sweeping Promises –  Hunger For a Way Out - New LP","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePost punk with that poking and provoking angular sound, showing some elements from likely mid-70s influences such as the Talking Heads, The Shirts, Television, Blondie, and maybe even Curved Air, or maybe influenced by the bands influenced by those bands, and in the end, offering lots of different takes on their already developed signature sound, capturing your attention from the first few seconds, sounding like it will please the shit out of many listeners. -- winch\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2453257888\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/sweepingpromises.bandcamp.com\/album\/hunger-for-a-way-out\"\u003eHunger for a Way Out by Sweeping Promises\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"Straight from the depths of an unused Boston-area concrete laboratory comes the debut of Sweeping Promises. Written and recorded with a patented \"single mic technique\" just before quarantine, \"Hunger for a Way Out\", is a post-punk leaning gem of unpolished DIY sound. The title track kicks things off in absolutely classic fashion, full of spirited hooks that echo the early Rough Trade sound. Angular guitars and sharp synth notes float atop a raw rhythm section, while Lira Mondal's effervescent vocals truly define Sweeping Promises' sound. There's something simple yet otherworldly about these tracks - you have the DIY prowess of Kleenex\/LiLiPUT and Girls at Our Best!, a brooding new wave-y minimal synth sound woven in, and an undeniable pop-leaning appeal captured in vibrant monaural glory. It's hard to mistake these ten tracks of naturally urgent and driving post-punk for anything other than sheer brilliance. Sweeping Promises deliver in spades.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePackaged in a full color jacket with risograph lyric insert designed by D.H. Strother. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ecredits\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ereleased 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWritten, recorded, \u0026amp; mastered by Lira and Caufield except \"Falling Forward,\" ft. Spenser Gralla on drums.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003erecorded Fall '19-Spring '20.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eArtwork by D.H. Strother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":37457207525537,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0431503262_16.jpg?v=1611812609"},{"product_id":"grayson-wolfgang-gray-raw-new-lp","title":"Grayson Wolfgang Gray - Raw [MARKED DOWN] - New LP","description":"\u003cp\u003e\u003cspan\u003eGreen Noise is proud to offer this record as part of our 100% Back to Black program: Green Noise gives 100% of the sale of this item back to the artist.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=452630573\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/graysongray.bandcamp.com\/album\/raw\"\u003eRAW by Grayson Wolfgang gray\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn this album, the mix of styles (raw rock, DIY funk, and introspective pop and soul) and focus on short songs drenched in electric guitar sounds sometimes recalls elements of the classic Detroit band Black Merda (aka Black Murder) except while Black Merda's Motor City music from 1970 clearly came out of the previous decades, especially the blues and the 1960s (Hendrix, Sly Stone, and Curtis Mayfield), Gray obviously seems not only keenly aware of the same artists from the 1960s, the music on this album isn't as blues based, seems to glide closely over and pick up pieces from the times and places of the last three decades of the 20th century, from Hendrix to Shuggie Otis, from Richie Havens to Seal, and from the more reflective moments of hip hop and funk artists such as Prince and the Isley Brothers in the late 1970s, these artists providing some reference points but this remaining Grayson Wolfgang Gray's story and music, coming from the heart and experiences of the artist, from what he's experienced himself and what he has witnessed in the faces, on the news, on the streets and in the grooves, the record moving seamlessly between songs and styles, from the individual to the universal, a personal cry expanding to a message about America, pulling you in firmly but friendly and never letting go, going into \"These Days\" that recalls the more intimate and introspective side of the soul\/R\u0026amp;B of the 1980s, leading to a three-song progression on second side, from the raw punk funk refugee story to a vulnerable acoustic number, leaving you with a closing instrumental where the Hendrix (and maybe Black Merda) influence seems especially pronounced, and while this closer could have easily been stretched out into excess considering the side features three songs, but wisely, economy even shows on this acid-rock instrumental, the song clocking in at less than 2 1\/2 minutes, the second part of two instrumentals that sandwich the other cuts that explore different styles, Grayson himself tagging his Bandcamp page with words like punk, funk, indie pop, indie rock, and shoegaze, calling it \"Raw\" and always keeping it real.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Right Hand Records","offers":[{"title":"Default Title","offer_id":37656108892321,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0122102711_16.jpg?v=1612311085"},{"product_id":"brain-bagz-blood-bags-split-slc-nz-2020-new-lp","title":"Brain Bagz\/Blood Bags – Split [SLC \/ NZ marked down] - New LP","description":"\u003ch4\u003e\n\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eBLOODBAGS\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrewing, and stewing, doing a good stretch of crafting new crudity from their lair with their rusty weapons, these Auckland NZ natives cooked a fresh batch half dozen of groove grime last 2019 year for this split w\/their similarly monikered US tour buddies. Everything’s tagged and bagged right? Attempting to harness hyped-up evil Chrome Crank groove to Hound Dog Taylor raw boogie was never an easy ask. Here ya gets the blind stabs and stumbles at such targets.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3856054796\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bigneckrecords1.bandcamp.com\/album\/brain-bagz-blood-bags-split-lp\"\u003eBrain Bagz\/Blood Bags Split LP by Brain Bagz \/ Blood Bags\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eBRAIN BAGZ\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOutta Salt Lake City no less, an amalgam of fried and freakish sounds that polluted stereos decades before, but stewed altogether nicely for a fresh take on infectious garage psych bile...”Psychedelic Jungle”-era Cramps be a good starting point fer the swampy sludge these Utah natives muster. But there’s a heap of 13th Floor Elevatin’, Sky Saxon seediness, Screamers raw synth pulse, Crime caterwaul, Scientists throb, even doses of Oh Sees hypno drone groove stomp layered upon each other in these cats’ arsenic arsenal ....probably\/possibly the death cries of the band, BAGZ no more? Good we gots some tangible history before the going done \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003egone\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e...\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":39379243794593,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1637134318_16.jpg?v=1615509041"},{"product_id":"fire-heads-sex-scene-split-new-lp","title":"Fire Heads \/ Sex Scene - Split [marked down] - New LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis split LP from 2020, \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/march-2021\/products\/fire-heads-sex-scene-split-new-lp\" href=\"https:\/\/store.greennoiserecords.com\/collections\/march-2021\/products\/fire-heads-sex-scene-split-new-lp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/march-2021\/products\/fire-heads-sex-scene-split-new-lp\" target=\"_blank\"\u003eFire Heads\u003c\/a\u003e having elements of other bands where you'll find these Wisconsin maniacs (Hussy, Proud Parents, Dumb Vision, ETC.), but Fire Heads is its own animal, ripping at the songs like a half starving rabid canine that finally found some roadkill, some pissed off kid helping out by pulverizing the meat with a mallet, \u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/march-2021\/products\/fire-heads-sex-scene-split-new-lp\" href=\"https:\/\/store.greennoiserecords.com\/collections\/march-2021\/products\/fire-heads-sex-scene-split-new-lp\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/store.greennoiserecords.com\/collections\/march-2021\/products\/fire-heads-sex-scene-split-new-lp\" target=\"_blank\"\u003eSex Scenes\u003c\/a\u003e continuing the menacing story on the flipside as the pummel continues, black-magic creature-feature macabre coming at you like a fire and brimstone preacher warning you that the heavy gates of hell have swung open with a long creak and a heavy bang, a pissed off creature on crank stomping up and down on the spring loaded platform behind him, heavy as metal, HC driven into punk rock n roll, Fire Heads saying \"Motorhead thrash meets Coachwhips stomp\" and maybe that could go with both these Wisconsin outfits, sounding like the rust-belt factory-rat part of that state, the two bands fitting together like gears in a punch press. Premium shit.   -- winch (green noise records)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3632747892\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bigneckrecords1.bandcamp.com\/album\/fireheads-sex-scenes-split-lp\"\u003eFireheads\/Sex Scenes Split LP by Fireheads\/Sex Scenes\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSex Scenes singer Zach Otto sez \"‘Old Ones’ harkens back to a time of Lovecraftian monsters and unknown horrors. Underneath the surface it’s a coming to terms with understanding the worst monsters are in the mirror.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Sex Scenes make ugly music. Not so much in the literal sense — although, yes, sometimes in the literal sense — but in a thematic one. Singer Zach Otto writes unflinchingly about personal shortcomings and toxic character flaws, and the toll of leading a selfish life. He’s an absolutely rabid presence. If Stephen King’s Cujo fronted a band, it might sound something like this. And while the band (which includes Harrison Colby, Connor LaMue and Gregg Twigg) plays this music for thrills — every song is short, fast and ripping — they never romanticize its subject matter. Otto’s brutish growl only emphasizes how grotesque the sentiments driving these songs are. The result is a pointed inversion of punk’s rebel tropes, a takedown of the id-driven mindset that rock ‘n’ roll has historically glorified. For every badass raising hell, Otto’s lyrics remind us, there’s some poor soul on the receiving end of it. Sex Scenes’ new album invites listeners to laugh at humanity’s worst instincts, and maybe even identify with them a little. But it refuses to condone them. \"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":39399724351649,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3092876697_16.jpg?v=1615760972"},{"product_id":"no-negative-the-last-offices-import-new-lp","title":"No Negative – The Last Offices  [IMPORT Black Vinyl Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"How loud do you have to turn it up before your ears start to bleed? Before your speakers start to shred? Before you find yourself staring at a puddle of goo that was once your brain, now melted and bubbling on the hot ground beneath your feet? Pretty fucking loud, you’d imagine, although a short time in the presence of No Negative’s second album should help speed along that process. \u003c\/span\u003e\u003cspan\u003eFollowing on from 2015’s mighty debut The Good Never Comes, new offering The Last Offices LP takes the Montreal quartet’s penchant for raw, ragged noise and lobs it into a drum of molten steel, before fashioning the cooling results into something truly formidable. First off, this is very audibly (and thrillingly) a punk rock record. Yeah, you can hear the metal fascination that drove Black Flag down ever-heavier routes in the 80s, but also echoes of the explorative, spacey psych of Hawkwind and the pointed mindfuckery of the Butthole Surfers at their most crushingly bleak. Hell, even the expansive kraut-punk spirit of John Dwyer’s Oh Sees can be found here, albeit buried under the sheer force of something that is unmistakably hardcore. '\u003c\/span\u003e\u003cspan\u003eYour planet has been swallowed by a black hole… you can no longer taste or smell or see,' they claim on the ferociously bad trip of Transmission From The Black Hole, and that’s an accurate\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereflection of what it feels like to listen to this band operating at full pelt. They’re smart, they’re harrowing and they’re totally kick-ass. They’re the sound of a generation-wide existential crisis, making anthems for anyone who knows the only way through the mess of 2019 is to surrender your brain to the healing powers of The Riff and just watch everything evaporate. Hey, isn’t that where we came in?\"\u003cbr\u003eWill fitzpatrick.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2860495568\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/the-last-offices-lp\"\u003eThe Last Offices LP by No Negative\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":39444370194593,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4168051570_16.jpg?v=1616190521"},{"product_id":"drunk-dial-8-the-dumpies-preorder-black-vinyl-new-7","title":"Drunk Dial #8 - The Dumpies [BLACK VINYL Marked Down!] - New 7\"","description":"\u003cdiv\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003e Here at Green Noise, we're always hyped and excited to be part of this ongoing Drunk Dial punk-rock experiment\/experience and always so anxious to hear the results, and this one clearly tips the scales into territory called great shit, the band obviously knowing the lessons of making punk records, making them alive with excitement and sounds like their live shows while not making it worse by trying to make it better, this latest from the Dumpies really nails it, captures that idea, and captures the intent of Drunk Dial to get music right from the guts of the band into the grooves of the concise format of a 7\" record, packing side A with 3 cuts like the best moments from a live show before settling into the long song (2 minutes and five seconds!) with a cover of \u003cspan data-mce-fragment=\"1\"\u003eWest Coast Experimental Pop Art Band's classic \"I Won't Hurt You\" \u003cmeta charset=\"utf-8\"\u003e (Michael Lloyd, Shaun Harris, Bob Markley) from 1966 (55 years ago!!! and made popular again with its inclusion in \u003cem\u003eIsle of Dogs\u003c\/em\u003e soundtrack), not really faithful, but drunkenly respectful (and while the following comment is not meant as a jab at the classic original, thankfully this cover version is a bit more playful), \u003c\/span\u003eall of this 7\" exciting and inviting as an unannounced show at your local bar, the band making a promise that this was going to a good at the launch of the A side and keeping that promise through the end of the flipside (\u003cmeta charset=\"utf-8\"\u003ebut maybe they didn't keep the promise of the lyrics of \"I Won't Hurt You\" because it sounds like she might have gotten hurt with the broken glass of the broken bottles at the end.)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=938489620\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkdialrecords.bandcamp.com\/album\/drunk-dial-8-the-dumpies\"\u003eDrunk Dial #8 - The Dumpies by The Dumpies\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e     \u003c\/h1\u003e\n\u003cdiv\u003e\u003cb\u003eCHUG-8  |  The Dumpies\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ci\u003e100 pressed on opaque carnation pink \/ \u003cstrong\u003e200 on black vinyl.\u003c\/strong\u003e\u003c\/i\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003ci\u003etracklist:\u003c\/i\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003eA: Flamed Out \/ Dumb Luck \/ So Nice \u003c\/div\u003e\n\u003cdiv\u003eB: I Won't Hurt You (West Coast Experimental Pop Art Band)\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eFor those who don’t know, here’s how \u003c\/span\u003e\u003cspan\u003eDrunk Dial Records\u003c\/span\u003e\u003cspan\u003e operates: we invite artists we adore into a recording studio to write and record an original song and cover a classic tune in one session.  But there’s a catch! The artist or band in question must compose and perform these songs while inebriated. The recordings are then released as a 7” vinyl single.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunk Dial Records","offers":[{"title":"Default Title","offer_id":39493447188641,"sku":"","price":4.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/thumbnail_DUMPIES_COVER.jpg?v=1624132442"},{"product_id":"rexxx-pure-pleasure-ii-preorder-red-vinyl-milwaukie-power-pop-punk-new-lp","title":"Rexxx – Pure Pleasure II [RED VINYL] - New LP","description":"\u003ch1\u003eMilwaukie's finest, wonderful blend of power pop, garage and punk rock 'n roll, grabbing hold and never letting go, holding on like a leather-coated hug under the netless basketball hoop by the open door of your crush's garage, the bassline coming in like the dribble of a Spaulding, full of grit and shine, emery cloth buffing out the fender on your old El Camino, gray primer and cherry red, tar-stained snow at the edge of the asphalt, warm spring sun reminding you of summer coming, Blatz-stained beach towel on the beer-tab shores of Lake Michigan, Bubble Yum soaked in Kickinnic Whiskey, Briggs \u0026amp; Stratton rhythms scenting the air with gasoline and oil, snapping and napping in the arms of your main squeeze. Rust belt beauty.  -- winch (green noise records)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=257222439\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bigneckrecords1.bandcamp.com\/album\/pure-pleasure-ii\"\u003ePure Pleasure II by Rexxx\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/h1\u003e\n\u003ch4\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch1\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRexxx - Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRyan Reeve - Guitar, Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarrison Colby - Guitar, Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSam Reitman - Bass, Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJesse Buskov - Drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded\/Engineered by Josh Evert at Silver City Studios\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Justin Perkins at Mystery Room Mastering\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover Art by Harrison Colby.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eRexxx began as a supergroup of heavy hitters in the Milwaukee punk scene but very quickly proved themselves to be a genuine power pop force. Blending bubblegum melodies and grimy punk riffs, their debut album \"Pure Pleasure II\" delivers the hooks and double-downs on the sweaty looks. It's a 20 minute blur of party punk that cemented their place in the long lineage of Midwest power pop. With the pandemic starting two weeks after the initial cassette release of their debut, which also forced the cancellation of the promotional tour, Big Neck Records is providing the proper vinyl release of this instant classic in 2021.\u003cbr\u003e\u003cbr\u003e300 on seductive red vinyl\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases May 7, 2021\u003c\/div\u003e\n\u003ch2 class=\"_1zmv_\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":39540203880609,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1764400074_10.jpg?v=1617218738"},{"product_id":"radioactivity-erased-fear-new-7","title":"Radioactivity - \"Erased\" \/ \"Fear\" [IMPORT] – New 7\"","description":"\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThe first RADIOACTIVITY recordings after their acclaimed SILENT KILL album.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3193460818\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/radioactivitytx.bandcamp.com\/album\/erased\"\u003eErased by Radioactivity\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Erased was actually written just after we finished recording that record\" Jeff Burke reveals. The song sounds like an evolution of that sound, with a driven riff following the classic Burke's melanchonic melodies. The B-side, FEAR, goes back into the dark tone of the tough and radioactive Japanese days \"It was written in 2011 when I was living there, but only got recorded properly in 2018\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe single comes out on 4th September and celebrate Wild Honey's 50th release.\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch1\u003eRadioactivity is a continuation of The Novice, Jeff Burke's band while living in Japan. Jeff has since moved back to Texas, and out of respect to the Japanese lineup of the band, has changed the name to Radioactivity. Some of these songs are re-purposed Novice tracks, while others are brand new.\u003c\/h1\u003e\n\u003cp\u003eJeff is one of the most distinctive songwriters in the punk rock underground, and these songs will sound instantly familiar to any fans of The Marked Men or Potential Johns.\u003c\/p\u003e\n\u003cp\u003eBand members include Jeff Burke, Mark Ryan, and Gregory Rutherford, whose credits read like an all-star lineup of Texas punk and garage rock royalty, including members of The Marked Men, Mind Spiders, Bad Sports, Wax Museums, The Reds, VIDEO, and The Novice.\u003c\/p\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":39650674737313,"sku":"","price":9.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3138211439_16.jpg?v=1618451086"},{"product_id":"radioactivity-infected-sleep-import-new-7","title":"Radioactivity - \"Infected\" \/ \"Sleep\" [IMPORT] – New 7\"","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003ch2 class=\"tralbumData tralbum-about\"\u003eJeff Burke has been a solid but yet humble dark pop genius.  Be it with the Marked Men, the Potential Johns, Radioactivity or Lost Balloons, he has been penning poppy garage hits at a rate of which most songwriters can only dream on. These two new songs are the long-awaited follow-up to their 2015’ Silent Kill album, but yet they were written way before any other Radioactivity release “I think Sleep was the first song I wrote after the big earthquake in 2011, when I was living in Japan. An aftershock woke me up in the middle of the night” Jeff commented. “The song is is about dealing with the fear of death. First verse is the fear of dying suddenly, too early in life and the second verse is about the fear of dying slowly in old age” Two mid-tempo songs, that he believes somehow didn’t fit the mood of those two previous albums “The negative lyrics of Infected, in particular. I guess it’s about a relationship that was too one-sided to succeed… These two songs always felt like a set to me. I didn't want to use them on albums because I thought they sounded\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ebetter as a single” You can call it Punk-Rock, you can call it Garage-Punk: this is Burke’s songwriting to the top, combining grinding guitars, a lo-fi yet vibrant sound, and a unique and distinctive bittersweet singing.  It’s no wonder this is one of the best and most loved bands.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3365138199\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/radioactivitytx.bandcamp.com\/album\/infected-sleep\"\u003eInfected \/ Sleep by Radioactivity\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003eA-side\u003cbr\u003eInfected (Burke)\u003cbr\u003e\u003cbr\u003eB-side\u003cbr\u003eSleep (Burke)\u003c\/h3\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch1\u003eRadioactivity is a continuation of The Novice, Jeff Burke's band while living in Japan. Jeff has since moved back to Texas, and out of respect to the Japanese lineup of the band, has changed the name to Radioactivity. Some of these songs are re-purposed Novice tracks, while others are brand new.\u003c\/h1\u003e\n\u003cp\u003eBand members include Jeff Burke, Mark Ryan, and Gregory Rutherford, whose credits read like an all-star lineup of Texas punk and garage rock royalty, including members of The Marked Men, Mind Spiders, Bad Sports, Wax Museums, The Reds, VIDEO, and The Novice.\u003c\/p\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":39965926359201,"sku":"","price":9.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2248533768_16.jpg?v=1621640186"},{"product_id":"copy-of-nunofyrbeeswax-stratotoaster-black-vinyl-import-us-green-noise-exclusive-new-lp","title":"Free with TWINTOE Purchase: Nunofyrbeeswax – Stratotoaster [BLACK VINYL.  Import: US Green Noise Exclusive] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eOnly FREE with Purchase of other item from the \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe Label\u003c\/a\u003e).  ONLY ONE FREE ITEM WITH EACH ORDER.  Please make sure you only include this item if you have another \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe title \u003c\/a\u003ein your order.  (BTW: not all Nunofyrbeeswax titles are all \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe\u003c\/a\u003e.) \u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Stratotoaster\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003estarts off modestly. Like a lit fuse on a rock \u0026amp; roll Roman candle, it doesn’t take long before brilliant fireballs start shooting out in all directions. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2629652950\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/album\/stratotoaster\"\u003eStratotoaster by Nunofyrbeeswax\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThis album is brimming with catchy-ass head bobbers. 'Glitch' and 'Danse Sauvage' are sure to set crowds into a frenzy. Angela and Dave take turns adding vocals across the album's 10 tracks, sometimes combining to the listener's delight like on the prickly chorus of 'Immerse'.‍  Angela's bouncy, sometimes creeping vocals are unstoppable. They spark flames on 'Touch Too Much', inspiring me to go out into the city streets wearing a snakeskin leotard in order to climb a sky scraper while screaming \"NOW IT'S TIME FOR A TOUCH TOO MUCH YEAH.\" Angela also pounds out rhythms on a minimal floor-tom + snare setup. Her vocals and drums combined are enough to start a stampede. Once you bring in Dave Grolsch's hot-rod guitar the Earth begins to rattle. 'Rock and Roll Specimen' sounds like someone strapped Chuck Berry to a jetpack and launched him into the stratosphere. 'Immerse' is like the creature from the black lagoon was handed an electric guitar and an overdriven amp. A highlight for me is 'What's Yr Problem'. Hearing the riff is is like getting slapped in the face by an electric eel. Towards the end of this song, the song is deconstructed into base elements as it tangles with hydraulic robot noises. Then horns proudly announce the return of the fully fleshed-out chorus before the song sputters out into static echoes. It's an epic battle between a rock \u0026amp; roll deity and a gigantic space robot (I would watch that movie). Over the 10 song fireworks show-gone-awry that is\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStratotoaster\u003c\/em\u003e, the music never ceases to get the head bobbing and the toes curling. When I first saw Nunofyrbeeswax perform at Festival de la Cour Denis in 2017 I was hypnotized. How can just two people create such an explosive, heart-pumping sound?! I imagine that hearing and seeing the songs of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStratotoaster\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eperformed live might be enough to make me spontaneously combust. I look forward to that day.\" (Odd House)\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\"Angela, Davide and Juan - Nunofyrbeeswax, write and play pop songs in a minimal \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003esetup - as raw as their heart beats. Their sound has been described as idiosyncratic blend of garage rock, post-punk, and proto-punk. Their music escapes easy associations , however, they have reminded audiences of bands such as Half Japanese, the Velvet Underground, The Ex, The Fall, B52's and The Cramps.\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"It was when I got to mix one of their shows in Bei Ruth (RIP) and finally got exposed to this very honest and sympathetic punk rock manifestation - Nunofyrbeeswax (and be sure you see this name around A LOT around Berlin), made up of 2 very rumbling combo of Spanish - Angela and Italian - Davide (by now already enough to fall in love with), not sparing a drop of sweat or drip of energy they got left up their sleeves just to produce their finest raw and energised rocknroll that one like me got nothing but love to. Faster than you know - we became brothers and sisters from other mothers and misters (Must be that 'way too close to Equator' vibe our origins have in common), shared the stage several times with Tanning Bats and always shared the common devotion to 'kill from the heart' On one other of these grey boring days at the end of the year, here in Berlin, if the sky could speak, it would literally be yelling again and again - \"This is going nowhere\" (huh and look at us now). I get a very surprising call that very quickly snaps me out of the monotone fatigue, it's my friend Angela from Nunofyrbeeswax, who's also based in Berlin (thank god im not innit alone) and she's telling me that they are done recording their new album she told me about recently. luckily enough on that same phone call I'm asked to join\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eand co-produce their wonders while im mixing it too. Heck should I say no to this, tough a little pre-lock down depression almost got me getting cold feet - I do admit. Little did I know that sooner enough I'd get smashed by these 10 raw rocknroll gems (11 if you count the one they kept off) that are gonna suck my mind out through my ears and become new ear-worms I'd be singing in quarantined showers. Shaping sounds in front of a low dimmed mac-book screen in accursed first months of 2020 accompanied by the Nunies (as I refer to), sipping on very tasty espresso coffee Davide supplies from his work (hope they're not reading it). 'Stratotoaster' has been the rollercoaster that through me off my sluggishness comfy zone. Together with the Nunies we dig every ripper on the album to capture their truly wish to be fulfilled moments, later to be exploded on your stereo set. The Stratotoaster strikes you exactly where it should, and It should feel right.\"\u003cbr\u003e\" - Assaf (Twintoe Records)\u003cbr\u003e\u003cbr\u003e°°°°°°°°°°°°°°°°°°°°°°°°\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased November 19, 2020\u003cbr\u003e\u003cbr\u003eRecorded by Markus Mocydlarz at Superswampe, Berlin\u003cbr\u003eMixed - Assaf Bomgard\u003cbr\u003eTape Coloring - Hans\u003cbr\u003eMastered - Diego Ferri\u003cbr\u003e\u003cbr\u003eStratotoaster Sculpture - Jay Gard\u003cbr\u003eArtwork - Dj Vomit\u003cbr\u003e\u003cbr\u003eAll songs by Nunofyrbeeswax\u003cbr\u003eProduced by Nunofyrbeeswax and Assaf Bomgard\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":40022769270945,"sku":"","price":0.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2511306227_16_b79d2c61-e0c2-49e5-a1bf-c13ebf722703.jpg?v=1622315247"},{"product_id":"imposition-man-resilience-black-vinyl-import-us-green-noise-exclusive-new-lp","title":"FREE with TWINTOE Purchase... Imposition Man –  Resilience  [Import: US Green Noise Exclusive] – New LP","description":"\u003ch1\u003eOnly FREE with Purchase of other item from the \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe Label\u003c\/a\u003e).  ONLY ONE FREE ITEM WITH EACH ORDER.  Please make sure you only include this item if you have another \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe title \u003c\/a\u003ein your order.   \u003c\/h1\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003ea co-release of Twintoe Records \u0026amp; Order05 Records.  Available exclusively in the US through Green Noise Records.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3731503803\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/album\/resilience\"\u003eResilience by Imposition Man\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e“Imposition Man’s newest extended player takes the unique blend of desperation and cynicism littered throughout their sporadically released demos and EPs and transforms it into an official statement.  8 tracks of isolated music for isolated people, this is impeccably executed dystopian post punk. Menacing basslines that bounce and wriggle through the barbed wire, urged mercilessly forward all the while by that relentless Alesis snare as, marched forward like all of us, against our will, into the roaring twenties.  Vocals echo detachment while a chorused guitar still somehow emits hope of a silver lining. Tough times are ahead but at least Imposition Man provide the vessel to express whatever the fuck it is we’re all going through. Out now on Zoom.\" (Onton \/ Diät, Clock of Time)\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased 2021\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Imposition Man\u003cbr\u003eMastered by Mikey Young\u003cbr\u003eArtwork by Zoran Pungercar\u003c\/div\u003e\n\u003ch1\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":40064372572321,"sku":"","price":0.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1995330888_16.jpg?v=1622763428"},{"product_id":"various-artists-pacific-northwest-pandoras-box-new-lp","title":"Various Artists – Pacific Northwest Pandora's Box – New LP","description":"\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003eCollected cuts from Garland Records, obscure label from Salem, Oregon, includes a few singles from 1970, the rest unreleased until now, opening with a band called White Feather doing a truly awful cover of Jimi Hendrix, great stuff, keeping the proceedings great through the two sides, distinctively Oregonian.  - winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199421931\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sundazedmusic.bandcamp.com\/album\/pacific-northwest-pandoras-box\"\u003ePacific Northwest Pandora's Box by Garland Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Rare and unissued Pacific Northwest hard rock! Having staked a solid claim on everything from garage, psych, country, and soul, Salem Oregon's Garland Records also put some slamming 70s rock to tape. Featuring four blistering tracks from Eclipse (the PNW's answer to KISS right down to the face paint), the thundering \"Thor's Hammer,\" insane originals, and a couple turned-to-11 takes on Hendrix tunes.\"\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"Beat Rocket \/ Garland Records","offers":[{"title":"Default Title","offer_id":40365825294497,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4152729361_16.jpg?v=1626296044"},{"product_id":"damaged-head-tunnel-vision-hc-lp","title":"Damaged Head – Tunnel Vision [Sweden HC] - New LP","description":"\u003cp\u003eSweden HC\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4054636002\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/tunnel-vision\"\u003eTunnel Vision by Damaged Head\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Man In Decline Records","offers":[{"title":"Default Title","offer_id":40395696472225,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0072737489_16.jpg?v=1626638189"},{"product_id":"black-valley-moon-spectral-melodies-color-vinyl-new-7","title":"Black Valley Moon –  Spectral Melodies Vol. 1 [COLOR VINYL] – New 7\"","description":"\u003ch1\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eunlike their debut 7\" in 2020 (which was a mix of instrumental and vocal cuts), this one is all instrumental, kick-ass surf rock featuring \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDown By Law guitarist Sam Williams and drummer Dave Kamrath, clearly coming from the 1960s but mixing up the influences and adding their own flavors, the first two cuts having titles that let you know they are stretching the surf across western deserts and spooky houses but maintaining the signature surf sound of the early 1960s, clearly adding some spaghetti western to the opener, recalling a punk band doing Billy Strange doing Morricone, the second cut going to a seance but clearly this ghost is moving out of the house and grabbing his stick and hitting the waves, the flipside also maintaining these surf rock sounds but clearly adding some shake and rhythms from other places that I can't quite place, likely bits of flavors from both punk and soundtracks of old movies from the 1960s (which both of course had their own influences that might have also influenced this band), all of it drenched in surf reverb and green-room inspired rhythms, but also shooting from the tube and charging forward on some of their own sounds and signatures, \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e\"\u003cspan data-mce-fragment=\"1\"\u003eBlack Valley Moon is (currently) an\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003einstrumental trio influenced by sounds of the past and present. Surf, vintage pop, rock, garage, spaghetti westerns and punk all find their way into our music.\"  Random color vinyl.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"notes\" data-toggle-section-id=\"notes\" class=\"section notes toggle_section    toggle_section_remember\"\u003e\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 560px; height: 435px;\" src=\"https:\/\/bandcamp.com\/VideoEmbed?track=4185090259\u0026amp;bgcol=333333\u0026amp;linkcol=0f91ff\" mozallowfullscreen=\"1\" webkitallowfullscreen=\"1\" allowfullscreen=\"1\" seamless\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=708004515\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blackvalleytampa.bandcamp.com\/album\/spectral-melodies-vol-1\"\u003eSpectral Melodies Vol. 1 by Black Valley Moon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":40400801398945,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0885685763_16.jpg?v=1626719011"},{"product_id":"spokenest-gone-gone-gone-used-lp","title":"Spokenest – Gone, Gone, Gone [IMPORT Clear With Black Haze Vinyl] – New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=255226538\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/spokenest.bandcamp.com\/album\/gone-gone-gone\"\u003eGone, Gone, Gone by Spokenest\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e“New 12 song, 30 minuted LP. 3 years in the making. Dissonance and melody. Superchunk and hardcore,” guitarist and co-vocalist Daryl Gussin explains. Joined by drummer Adrian Tenney, the pair formed out of God Equals Genocide to create some lo-fi brilliance.\n\nArriving about three years after the release of their debut 12″ EP We Move, Gone, Gone, Gone is a jam-packed collection of swiftly delivered raucous-pretty hits, a sun-drenched living room window before \u0026amp; after being broken. The duo is comprised of drummer\/vocalist Adrian Tenney (also of Badlands) and guitarist\/vocalist Daryl Gussin, whose voices mesh sweetly \u0026amp; perfectly, layered over ferocious whirlwinds of guitar and drums. This one’s dying for you to play it loud and often.\nAngry, visceral and urgent. Essential.","brand":"Drunken Sailor Records (UK)","offers":[{"title":"Default Title","offer_id":40660218806433,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2105355744_16.jpg?v=1629925562"},{"product_id":"various-artists-pacific-northwest-stash-box-green-vinyl-new-lp","title":"Various Artists – Pacific Northwest Stash Box [GREEN VINYL] – New LP","description":"\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Unreleased dank garage PNW nugs! From the thriving hotbed of sixties garage and psychedelia of the PNW and Salem’s orphic Garland Records comes this potent cache of rare and previously unreleased recordings. Chiefly composed of moody and mellow folk rockers and ethereal groovers, there are also a few far-out, heady reconstructions of familiar faves.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1987782475\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/garlandrecords.bandcamp.com\/album\/pacific-northwest-stash-box\"\u003ePacific Northwest Stash Box by Garland Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Beat Rocket \/ Garland Records","offers":[{"title":"Default Title","offer_id":41032943796385,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0231035586_16.jpg?v=1633827789"},{"product_id":"future-kills-new-lp","title":"Future Kills –  Mind Tasters, Floor Wasters [PURPLE VINYL DAMAGED SLEEVE MARKED DOWN] - New LP","description":"\u003ch2\u003e\n\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003ecorner crushes.\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTrash compactor noise and noisy punk from SLC!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3111937847\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bigneckrecords1.bandcamp.com\/album\/mind-tasters-floor-wasters\"\u003eMind Tasters, Floor Wasters by Future Kill\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMind Tasters Floor Wasters, is the first stab from Future Kill. Recorded during the Circus Fire that was 2020 with a cast of characters too numerous and or depraved to mention, this... \"album\" reeks of all the alienation, deception, contempt, add yours here, add yours here and psycho sexualis you could shake a stick or wave a flag at. Sounding like an old drug warped Rock n Roll disc stuck into the chest of a Berg flick it's sure to be thee misanthropic party record of the year and beyond. Idk though, you listen and figure it out you are the listener. Just remember, the Trash is fiiine. FUTURE. KILL. Mikey Blackhurst and Kristin Maloney from Brain Bagz fame are part of Future Kill.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFuture Kill is the brainchild of Mikey Blackhurst and Kristin Maloney from Brain Bagz fame. Mind Tasters Floor Wasters, is the first stab from Future Kill. Recorded during the Circus Fire that was 2020 with a cast of characters too numerous and or depraved to mention, this... \"album\" reeks of all the alienation, deception, contempt, add yours here, add yours here and psycho sexualis you could shake a stick or wave a flag at. Sounding like an old drug warped Rock n Roll disc stuck into the chest of a Berg flick it's sure to be thee misanthropic party record of the year and beyond. Idk though, you listen and figure it out you are the listener. Just remember, the Trash is fiiine. FUTURE. KILL..\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 20, 2021\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":41213101605025,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2475793320_10.jpg?v=1636530432"},{"product_id":"sharon-jones-and-the-dap-kings-its-a-holiday-soul-party-new-lp","title":"Sharon Jones and the Dap-Kings -It's a Holiday Soul Party [CANDY-CANE VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSharon Jones \u0026amp; The Dap-Kings are back to help fans get into the holiday spirit with the critically acclaimed, It's A Holiday Soul Party. Finally back in print and in its third and final incarnation, this modern classic is now sporting a new, shiny red \"old style\" jacket and candy cane striped vinyl. Kicking off with \"8 Days of Hanukkah\" - the band's ode to the festival of light - and rounding out the 11 song set with a festive mix of jubilant originals and reimagined standards, this is the only record you need for your upcoming holiday soirees. Be the envy of the neighborhood by giving the gift of SOUL! this holiday season.\u003c\/span\u003e\u003cbr\u003e\u003cb src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830881813\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2914506313\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" sea=\"\" seamless=\"\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3661274258\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/its-a-holiday-soul-party\"\u003eIt's a Holiday Soul Party by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":41216441188513,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3135793508_16.jpg?v=1636606316"},{"product_id":"bashford-greener-grasses-new-lp","title":"Bashford-  Greener Grasses [SEA BLUE VINYL Marked Down] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This is Bashford's 5th album and by far its most raucous. Written during a time of deep isolation, born out of boredom, comes the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ealbum \"Greener Grasses\". Songs\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003elike \"Bitter Masses\" point at the absurdity of routine living and \"Supermanic\" plays at the bands devil-may-care attitude. \"Spiraling\" talks about an innate desire to be wild and the track \"Unrefined\" showcases their chaotic nature and punk roots. Talking about relationship trauma is the song \"Serendipity\". And if you want a song that symbolizes the smell of sweat and beer in a packed basement punk show then \"Gateway To The Underworld\" is for you. Loud screaming vocals hover over heavily distorted guitars and fast drum beats to create an environment of controlled aggression.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3054260007\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bigneckrecords1.bandcamp.com\/album\/greener-grasses\"\u003eGreener Grasses by Bashford\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h4\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":41409663565985,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2971892956_16.jpg?v=1641271895"},{"product_id":"various-artists-gritty-60s-garage-punk-yellow-vinyl-new-lp","title":"Various Artists –  Gritty '60s Garage \u0026 Punk [Gold Vinyl]  – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEarly punk, garage rock, \u0026amp; psych monsters! Rare \u0026amp; originally unissued artifacts from the unstoppable ‘60s infestation of teenagers with guitars \u0026amp; drums that took over their parents’ garages! The grit, grease, and grime of the garage can be heard in each of the 17 tracks compiled here, all cooked up in the great state of California. Even the Beaver is growlin’ with attitude on this one! (seriously!)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile “garage band” was originally coined as a mildly derogatory label to describe rock ‘n’ roll groups deemed to be musical novices or amateurs, it has long since taken on a new, more positive meaning, one that describes the wave of creative, vital young bands that proliferated across America in the mid-1960s. This massive, unstoppable \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003einfestation of teenagers with guitars and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edrums took root in bedrooms, living rooms, basements and dens paneled with knotty pine, but the phenomenon was exemplified by the ultimate home practice space: the garage. That was especially true in California, a promised land of fast cars, fast food, drive-thru convenience, and miles and miles of freeways. In California’s sixties suburbs, every house came with a garage attached—but on practice days Dad had to park his car in the driveway. The grit and grease and grime of the garage can be heard in each of the 17 tracks compiled here, all cooked up in the great state of California. As this compilation proves, “garage band” can be a badge of honor to be worn with pride.\u003cbr data-mce-fragment=\"1\"\u003e- Mike Stax (Ugly Things Magazine)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=470701205\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gritty60sgaragepunk.bandcamp.com\/album\/gritty-60s-garage-punk\"\u003eGritty '60s Garage \u0026amp; Punk by Gritty '60s Garage \u0026amp; Punk\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eIncludes: The Sloths - Makin’ Love • The Poor Souls - I’ll Be Around • Trans Atlantic Train - You’re Bringing Me Down • Living Children - Crystalize Your Mind • The Shillings - I’m Over You • The Dutch Masters - In My Way • Rear Exit - Excitation • The Others - I’m In Need • Butch Engle \u0026amp; The Styx - No Matter What You Say • The Mourning Reign - Satisfaction Guaranteed • Beaver \u0026amp; The Trappers - Happiness Is Havin’ • The Soul Owners - I’ll Cry • The Mourning Reign - Our Fate • The Pullice - I’m A Lover Not A Fighter • The Chimney Sweeps - I’ll Get My Way • The Second Helping - Let Me In • The Daisy Chain - Final Hour\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Cut and pressed at Third Man Pressing on translucent gold vinyl!\u003cbr data-mce-fragment=\"1\"\u003e- Contains highly coveted gritty treasures and some cuts that hit LP for the first time!\u003cbr data-mce-fragment=\"1\"\u003e- Packaged in a reverse board jacket with liner notes by Ugly Things' Mike Stax!\u003c\/span\u003e\u003c\/span\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGritty 60’s Garage \u0026amp; Punk is a nickel tour of the vast Sundazed Music catalog of 60’s garage rock, early punk, \u0026amp; psych monsters. This collection has a West Coast slant highlighted by the Leave It To Beaver star himself, Jerry Mathers, who fronts the growling and driving Beaver And The Trappers!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"Beat Rocket Records \/ Sundazed Records","offers":[{"title":"Default Title","offer_id":41596359344289,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2675463749_16.jpg?v=1644813049"},{"product_id":"mind-the-edge-of-the-planet-red-vinyl-import-new-lp","title":"Mind, The – Edge Of The Planet [RED VINYL IMPORT Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The future has arrived. And so have THE MIND. A cross-country collaboration made possible by modern technologies but driven by that ancient spirit of creative cooperation between like-minded musical peers. Who are these people you ask? Would calling them two guys from HOMOSTUPIDS and DRYROT summon thoughts of screaming loud guitar rock and aggressive tempos? Perhaps I should refer to them as being members of URANIUM ORCHARD and PLEASURE LEFTISTS. That will get your head somewhere in the area code necessary to digest what has been laid down for us here. To add that they've also played in FACTORYMEN and COSMIC SAND DOLLARS should then make you raise an eyebrow just enough to realize that this LP goes out THERE to the perimeter. It's hard to pin down. Sci-fi post-punk new-wave punk-rock. It's beautiful and rhythmic and weird.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1337853362\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/edge-of-the-planet-lp\"\u003eEdge Of The Planet LP by The Mind\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e Robotic and organic. Future primitive. And I haven't even mentioned the vocals yet - radiant sonic transmissions tuned in straight out of the ether. A girl's voice to tie it all together with an elegant Gordian knot, giving warm life to the cold musical machinery. The cryptic lyrics she's singing so beautifully should not alarm you at all. The record is called 'Edge of the Planet'. The trip to get there\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003estarts now..\u003cbr data-mce-fragment=\"1\"\u003eRICH KRONEISS (Termbo)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"THE MIND – EDGE OF THE PLANET\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYeah, we get it. You picked up the Coneheads record and the Uranium Club discography and you love telling people how much you’ve fallen for these weird little bands. Got news for you though, dude – great though they evidently are, it’s time you realised how thoroughly un-weird your favourite bands truly are. Let’s take a journey into the world of The Mind.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eYou’d probably classify this as ‘post-punk’, if only because that’s the only bracket into which they (very loosely) fit. Basslines pulse robotically while guitars splutter discordantly across sheets of static and electronic drums; like dub music shorn of its Caribbean groove and reinvented by retro-futuristic robots, hellbent on kicking out some brain-busting skronk while they wait for Skynet to take over.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOpener ‘Blah Bla Nothin’ weighs in like Pere Ubu staring at the chasm between ‘Dub Housing’ and ‘Lady From Shanghai’ before drowning in hiss, and ‘Enjoy Your Fantasy’ is the soundtrack to This Mortal Coil’s nightmares, powered by the distant sound of rolling drums and a fuzzy tension that bristles the hairs on the back of your neck while leaving you thoroughly unsettled. Elsewhere studio trickery and a dystopian sci-fi gloom hang over the whole thing like dust on a lampshade - basically it’s all over the place. And in case you hadn’t guessed, YES, ‘Edge of the Planet’ is all the better for it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExactly how The Mind came together is a mystery for other people to figure out; it’s enough to know that members of Pleasure Leftists, Homostupids and other bands somehow concocted these creeped-out masterpieces of thrilling discomfort. They’re as idiosyncratic and thoroughly in tune with their own voice as the early days of Throwing Muses; throwing their glorious chaos at the wall and allowing its own order to settle. Buy a copy, dummy – make weird your new normal.\"\u003cbr data-mce-fragment=\"1\"\u003eWill Fitzpatrick\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Drunken Sailor Records [UK]","offers":[{"title":"Default Title","offer_id":41597512024225,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3465597681_16_4c6dadd4-362b-45e7-8bf7-baac7a01947e.jpg?v=1644831441"},{"product_id":"romero-turn-it-on-preorder-cream-vinyl-new-lp","title":"Romero –  Turn It On! [Cream Vinyl] – New LP","description":"\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe debut full length from Melbourne, Australia’s ROMERO is a burst of hard hitting, punk-laced powerpop. Well informed by the classics and every bit as relevant-as-it-is timeless, \"Turn It On!\" is a memorable party. An album that captures the vitality of a young band hitting their stride and doing it on their own terms without a single note of indecision. Much in the way that The Undertones, Blondie, and even Big Star debuted with a sense of purpose, ROMERO invite us to eleven tracks of soulful powerpop gold.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1027712577\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/romeromelbourne.bandcamp.com\/album\/turn-it-on\"\u003eTurn It On! by Romero\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eSharp production across \"Turn It On!\" catapults the impressive guitar work of both Adam Johnstone and Fergus Sinclair to the front of the mix alongside Alanna Oliver’s heart-pounding energy and show-stealing vocal prowess. Anchored by the smooth rhythm pocket of Justin “Murry” Tawil and Dave Johnstone, ROMERO waste no time in showing their hand on the quick-paced album opener ‘Talk About It’ - recalling 80’s powerpop rhapsodies. The title track beckons bodies to the dancefloor with a rich Runaways-like temper that naturally explodes into a fiery guitar solo. Meanwhile ‘Halfway Out The Door’ and ’White Dress’ show off the band’s adept ballad-writing, boasting truly emotional highs, lows and soaring choruses. Those hip to the incredible debut ROMERO single - ‘Honey’ b\/w ‘Neapolitan’\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e(Cool Death, 2020) will be overjoyed to see these relatable anthems recast in the album’s tracklisting.\u003cbr\u003e\u003cbr\u003e\"Turn It On!\" reveals stories of personal striving, restarting, mulling-over the unsaid, resisting control, deteriorating relationships, the emotional throes of uncertainty and celebrating growth through all such experiences. The rollercoaster of life is mirrored by the sonic and lyrical turns ROMERO have crafted into their debut album - a hopeful tonic for whatever you’re going through, and a dose of excitement for what’s to come.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases April  2022\u003cbr\u003e\u003cbr\u003eAll songs written and performed by Romero.\u003cbr\u003eRomero is: Alanna Oliver (Vocals \u0026amp; Keys), Adam Johnstone (Guitar), Fergus Sinclair (Guitar), Justin Tawil (Bass), \u0026amp; Dave Johnstone (Drums \u0026amp; Keys).\u003cbr\u003e\u003cbr\u003eRecorded and mixed at Soundpark Studios 2020-2021 by Andrew Hehir.\u003cbr\u003eMastered by Mikey Young.\u003cbr\u003eFront \u0026amp; Back cover photos by Izzie Austin.\u003cbr\u003eArt \u0026amp; Design by Dave Johnstone.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":41629506338977,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3817838676_16.jpg?v=1645474635"},{"product_id":"droids-blood-be-free-import-new-lp","title":"Droids Blood - Be Free [Turquoise VINYL IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDebut LP from this Chicago band that is a new iteration of Broken Prayer. If you were a fan of Broken Prayer it’s hard to imagine how you wouldn’t be on board with Droid’s Blood, since they rely on a similar combination of noisy hardcore and whirring synth topped with Scott Plant’s trademark topical lyrics and distinctive vocals.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=288931252\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/be-free-lp\"\u003eBe Free LP by Droids Blood\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince 2016 Plant has been fronting Droids Blood, whose lineup also includes Broken Prayer drummer Nick Donahue. On their new self-titled tape, they vary the tempos more and even add some borderline poppy hooks, but there's also lots of grimy, slightly industrial synth gunk and bass murk—\"Unreality\" sounds deranged in the best possible way.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"As a rush of drums introduces Droids Blood’s debut album Be Free, you might think you know what to expect. Maybe some snappily energetic powerpop in the vein of The Marked Men, or even some Uranium Club-styed post-garage oddball punk? As the guitars kick in, however, all your preconceptions are reduced to rubble; smashed to dust and debris by a singularly powerful wrecking ball of chaos and darkness. Something immediately goes very wrong – and it feels so\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efkn right.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album was initially self-released on cassette by the band, earlier this year in their hometown of Chicago. Featuring vocalist Scott Plant and drummer Nick Donahue – formerly of that city’s pleasingly gnarly synth-punx Broken Prayer, whose sole album was titled Misanthropocentric A.K.A. Droid's Blood, funnily enough – they make a whirling racket of post-punk noise, goth soundscape and beautifully bleak frustration illustrating the narrow line between aggression and desperation. If dystopia was a sound, it’d be this one.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Another world is possible \/ It’s possible, but how so?” growls Plant on the vitally urgent Capable, and it’ll make you wanna throw your Protomartyr records in the bin before hosting a ceremonial burning with a deathrock soundtrack. Familiar names will come up when you’re listening – Joy Division, Bauhaus, Iceage when they were good, Clan of Xymox in a brick fight, etc etc – and they out-pace and out-intense ‘em all. But ultimately Droids Blood uphold the fine traditions of all their city’s best punk by sounding like no one other than themselves. Just buy it, FFS.\"\u003cbr data-mce-fragment=\"1\"\u003eWill Fitzpatrick.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":41691886649505,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0170807749_16.jpg?v=1646891513"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/december-2024\/holiday.oembed","provider":"Green Noise Records","version":"1.0","type":"link"}