{"title":"Color Vinyl","description":"\u003ch1\u003eThis section features some of our records available on color vinyl, just the ones we remembered to tag \"color vinyl\"; there are many more throughout the site.  (If a record was originally offered in both black and color vinyl, but only black vinyl remains, it still might show up in this section.)\u003c\/h1\u003e","products":[{"product_id":"red-fang-s-t-lp","title":"Red Fang - s\/t [SPLATTER VINYL] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRed Fang is the formation of long time friends and collaborators Bryan Giles (Last of the Juanitas, Party Time), Aaron Beam (Dark Forces, Lachrymator), David Sullivan (Party Time, facedowninshit, Shiny Beast) and John Sherman (Party Time, Bad Wizard, Trumans Water, All Night). Unleashed on New Year's Eve of 2006 in Portland, Oregon, Red Fang stormed out of the gates, introducing a sweaty, seething basement to a new kind of unforgettable fist-pumping, beer-chugging rock music. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=468503817\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/redfang.bandcamp.com\/album\/red-fang\"\u003eRed Fang by Red Fang\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eSince that night, the band has continued with the same intensity, energy, and intimacy to quickly become a touring juggernaut, playing shows all over the US with bands like The Melvins, Big Business, and The Sword, to name just a few.  Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and horrifying. Synthesizing a variety of heavy music influences into their own distinct musical identity, the band easily shifts from barn-burning punk to mid-tempo, hyper-distorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualify the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive. Their instrumentation is fluid and effortless, and the vocals are delivered melodically and forcefully, with enough rasp and effect saturation to fit nicely within the music. Paired with elemental imagery, the lyrics are immense and satisfying without any pretense.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Sargent House Records","offers":[{"title":"Default","offer_id":820983995,"sku":"SKU-9360","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-30796806-1716838623-8357.jpg?v=1723074046"},{"product_id":"flip-tops-are-still-a-band-lp","title":"Flip Tops - Are Still A Band [BLUE VINYL IMPORT MARKED DOWN] – New LP","description":"\u003cp\u003e\"That's right pal!! REAL PUNK ROCK racket! 11 songs of pure hatred mixed with enough sugary syrup to give you that stomach ache you always wanted!! from the only surviving band from the Legendary Rip Off Records roster!!! That's right kids!\" - Bachelor Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“Indeed, it is to the planet’s benefit that the Flip Tops are still a band, as this fast-acting 12” 45 is the year’s first real ass-kicker album—fast punk with pop ruckus, tight playing, cool guitar bits, and colorful yelling, guaranteed to outrace your feeble attempts gain sturdy comprehension thereof. “Enslaved Outraged” sounds like someone kicking the living shit out of some Undertones song on “Hypnotised,” whereas “Boyfriend Street” is a chordy, riffy ascension to a higher spiritual plane where you wind up getting the living shit kicked out of you as well. I salute the band’s tenacity and dedication to their craft, in the face of overwhelming odds of artistic foreclosure! I also salute the blue, pink, orange and red color scheme on the front cover! Best of all, my top flipped an even number of times, so it wound up back on how it was when i left the house!” — Rev. Norb (Razorcake\u003c\/p\u003e","brand":"Bachelor Records","offers":[{"title":"Default Title","offer_id":821308035,"sku":"SKU-24252","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ft_500m-600x600.jpg?v=1671157095"},{"product_id":"come-on-die-young-s-t-7","title":"Come On Die Young - s\/t [color vinyl] – New 7\"","description":"\u003cp\u003eMAN IN DECLINE RECORDS.\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1279633396\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/manindeclinerecords.bandcamp.com\/album\/come-on-die-young-s-t\"\u003eCome On Die Young \"s\/t\" by Come On Die Young\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eOn their debut 7\", Come On Die Young delivers a high-spirited pummeling of melodic guitars, pulsing beat and charged scream. Reviews of this record have garnered comparisons to bands like HOT WATER MUSIC, FUEL, PLANES MISTAKEN FOR STARS and LEATHERFACE.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Man In Decline Records","offers":[{"title":"Red","offer_id":44541213704353,"sku":"SKU-29197","price":3.0,"currency_code":"USD","in_stock":false},{"title":"Clear w\/ black","offer_id":44541213737121,"sku":"SKU-29198","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Gold","offer_id":44541213769889,"sku":"SKU-29199","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2070599434_16.jpg?v=1723101656"},{"product_id":"braid-no-coast-lp","title":"Braid - No Coast – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYou don’t have to be a music industry insider to know that there’s currently a desire for ‘90s revivalism, with hordes of defunct bands coming out of the woodwork to do one quick lap on the festival circuit and get the praise they always deserved but never earned their first time around. But Braid knew from the start that this was never meant to be a cash-in reunion. With the ten-year anniversary of No Coast, it’s clear this isn’t where Braid’s story ended—it’s where a new chapter began.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2902859600\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/braid.bandcamp.com\/album\/no-coast\"\u003eNo Coast by Braid\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e“I hope No Coast can be an introduction for people who haven’t heard Braid before,” says Broach. “It’d be great if some of the old fans were into it as well, but we want to grow as a band. We worked hard on this record. We want it to be the album people listen to; the one where they go, ‘That’s the one.’”\u003c\/span\u003e\u003c\/p\u003e","brand":"Top Shelf Records","offers":[{"title":"Default","offer_id":821608335,"sku":"SKU-33203","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0607923722_16.jpg?v=1737405182"},{"product_id":"downtown-struts-hope-youre-done-12","title":"Downtown Struts - Hope You're Dope [SPLATTER VINYL] – Used 12\"","description":"\u003cp\u003eVG+\/VG+\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe beast has transformed. \"Victoria!\" took DTS all over the world, and this inward reflection clearly shows that Dan Cooper and the gang have come back with a new outlook on things - one that is likely to appeal to a whole new crowd, on top of the leagues of fans across the world who have already fallen in love with the struts. Tinges of this new direction were scattered through their recent split with NOTHINGTON (Asian Man Records, 2013), but this recording session definitely explores new musical avenues and influences; and yielded something leagues apart from their last full length, \"Victoria\" (2012). Much like you can follow the (musical) progression of hugely successful bands like WEEZER, BUILT TO SPILL, or GREEN DAY, this album allows you to gain a deeper understanding of a band that may not have left such a multi-dimensional impression with their first few releases. This band certainly has grown and evolved, and the men have as well. The spectacular songwriting that DTS has consistently pumped out will never stop, and it's refreshing to see that unlike so many bands, they're building upon it, not rehashing it; and not just giving fans a familiar, calculated new release to get bored with quickly. It's exciting to know these guys are still in their early 20's, and have so much more to offer as well... It's a fair assessment that lots of DOWNTOWN STRUTS' fans will absolutely love this right out of the package; and it will have to grow on others.  Staying true to the passion that DTS have for life, friendship, and making top-quality tunes, this EP really shows how diverse one band can be, and how their message and angst can manifest itself many ways!  Take a chance on this EP - you'll be glad you did!\u003c\/p\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":997811119,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-6316132-1464072871-6087.jpg?v=1659063528"},{"product_id":"phylums-phylum-phyloid-black-vinyl-lp","title":"Phylums - Phylum Phyloid - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=204809619\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/phylums-phylum-phyloid\"\u003ePhylums - Phylum Phyloid by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cem\u003eLike a spore in a petri dish, Phylums slowly cultivated in the dank basements of Milwaukee, Wisconsin in 2011. With a common goal of creating stripped-down, primitive rock n' roll, members of Wisconsin acts Goodnight Loving, Head On Electric, and Holy Shit! started banging out three-chord homages to the Sonics, Creedence, the Monks...any band with a simple message and no-frills attack.\u003cbr\u003e \u003cbr\u003e Phylums took this primitive drive into Kyle Motor's recording studio in Madison Wisconsin in summer 2014.  It took the band under 24 hours to record their complete debut album on reel-to-reel eight track. Surfy guitar leads and wandering fuzz combined with a rhythm section of driving toms and bass make up the core instrumentation, but a shades of organ, piano, and even a vacuum cleaner add to the sonic palette.\u003cbr\u003e \u003cbr\u003e The songs, ranging from party rave-ups to off-kilter introspections, eschew the traditional boy\/girl tropes of most three chord songs and instead focus on, amongst other things, alienation, the afterlife, speech impediments, and the frustrating beauty and monotony of modern life.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll copies come with 320 kps download coupon. \u003c\/em\u003e\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Green","offer_id":2580815544344,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/phylums300dpi_1bb27151-ad3d-4d38-99d5-3c73f3ea7d58.jpg?v=1439256870"},{"product_id":"jawbreaker-etc-dbl-lp","title":"Jawbreaker - Etc [2xLP] – New LP","description":"\u003chr class=\"no-margin-top\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6 item-meta\"\u003e\n\u003cspan\u003eBACK IN STOCK!!!  Black vinyl.  \u003c\/span\u003eThe long-anticipated collection of rare A-sides, B-sides, covers and unreleased outtakes from influential punk rock favorites and emo granddaddies JAWBREAKER. A twenty-track Alpha-Omega of rare and previously-impossible-to-find songs presented chronologically from their first demo in November of '88 (before they were even named Jawbreaker ) to their final studio recording, a version of \"Boxcar\" re-worked at the end of the DGC Dear You sessions. Beautifully packaged with inviting artwork and track-by-track commentary and lyrics (printed courtesy of AARON COMETBUS). 24-Hour Satisfaction Therapy, indeed.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4118721871\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jawbreakerband.bandcamp.com\/album\/etc\"\u003eEtc. by Jawbreaker\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6 item-meta\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6 item-meta\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\u003cspan\u003eBlake Schwarzenbach - guitar \u0026amp; vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Bauermeister - bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdam Pfahler - drums\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eProduced by Jawbreaker\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMastered by John Golden at Golden Mastering, Ventura, CA\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll songs c\u0026amp;p 1989-1995 Schwarzenbach \/ Bauermeister \/ Pfahler (BMI)\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Blackball Records","offers":[{"title":"Default Title","offer_id":6918358467,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/jawbreakeretc.jpg?v=1441153657"},{"product_id":"pageripper-bruce-lams-vol-iii-one-sided-12-ep","title":"Pageripper - Bruce Jams Vol. III one-sided 12\" [ORANGE VINYL MARKED DOWN!!!] – New 12\"","description":"7 new jams from this prolific, pissed-off, and punk band from Portland! Abrasive, yet catchy.  \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epageripper are a bunch of assholes from a rainy city.\"\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=493620349\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pageripper.bandcamp.com\/album\/bruce-jams-vol-iii\"\u003ebruce jams: vol. III by pageripper\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"1859 Records","offers":[{"title":"Default Title","offer_id":17054163203,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/pageripper.png?v=1456871389"},{"product_id":"cynics-the-living-is-the-best-revenge-lp","title":"Cynics, The - Living Is The Best Revenge - New LP","description":"\u003cp\u003eGARAGE-PUNK\/FOLK-ROCK+ENERGY R\u0026amp;R LP!  Red vinyl. 150 Gram.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eI’ve been always tried to see the Cynics live, always happy when I do, but really haven't spent a lot of time with their records. That's a shame. This one is from 2002, years into their catalog and it's just fucking great, recorded with Tim Kerr in Austin. How do you just keep writing great songs after all these years, straight from the gut, right from the heart. Mostly originals, a few covers from ‘66 - ‘67 (Elevators, Prunes, Satans), tons of moods and tempos, rocking and soulful, great as a grin from a girl on the corner, of course coming out of the 60s but never reeking of a stale museum, fresh as a breeze out the window of your old Mopar...the Kostelich\/Kastelic\/Kerr\/Hohn\/Hutchings connection, locked like a wrench on the rock and roll engine...humming like a slant six in a 1966 Barracuda...no wonder Fred Cole told me to listen to their records...I'd like to notch back the hands on the clock of time and put together a triple header with Reigning Sound, The Cynics and Dead Moon. Since that ain't gonna happen, Green Noise needs to start carrying all the Cynics' albums. It starts here. -- winch (Green Noise)\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=658491097\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"In May 2002 THE CYNICS hooked up with ace producer\/R\u0026amp;R spiritual counselor Tim Kerr in Austin, TX. to record their first studio album in 7 years and most likely their best one to date! Recorded at Sweat Box Studios with Mike Vasquez and Bryan Nelson engineering, the tracks were laid down in just three days and they capture the energy and intensity of the Cynics live performances. The songs cover quite a dynamic range -from howling, fuzzed-out punkers to mid-tempo melodic folk-rock nuggets to pure psych-garage mayhem. All with the ever-present Gretsch guitar sound of Gregg Kostelich and the gnarly great in-your-face vocals of Michael Kastelic. Completing the sound is Tom Hohn’s prime beat bashing and Smith Hutching’s solid bass.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“A slew of prime Cynics skree. Among my picks to click are the malevolent, “Psycho-edged ‘The Tone’ and the interstellar hard rock jam ‘Shine’ which sounds like Coltrane crossed with the old Alice Cooper Group. But there ain’t a duff track in the bunch! -FRED MILLS, MAGNET\u003c\/span\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":17225845187,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_5904.jpg?v=1578081917"},{"product_id":"steve-adamyk-band-graceland-black-vinyl-lp","title":"Steve Adamyk Band - Graceland - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1734907773\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/steve-adamyk-band-graceland-lp\"\u003eSteve Adamyk Band - Graceland LP by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eBlame Canada. Or for that matter, Ottawa. The Capital's kings of punk- power-fuzz are back and better than ever. After a whack of records and worldwide touring, \"Graceland\" is Adamyk's most dynamic and cohesive record to date, without breaking the mould. Colleen Green (Hardly Art) sings on it, Mike Krol  (Merge) croons on it and members of Sonic Avenues are now staples in the band.\u003c\/p\u003e\n\u003cp\u003eThis time, the band bunkered down in Montreal with engineer Adrian Popivich (Solids, The Dears) to bring Graceland to life. In the meantime, scream along to \"Through My Fingers\", or get lost in the depths of \"High Mile\"; the choice is yours.\u003c\/p\u003e\n\u003cp\u003eMr. Adamyk has been nothing but prolific since coming aboard the Dirtnap roster, this is already his fifth LP, with a sixth is in the planning stage.  We here at Dirtnap find that his trademark brand of speedy, caffeinated, catchy-but-not-too-wimpy pop perfectly exemplifies that aesthetic that the label strives for. We’ll keep putting these out as long as he keeps makin’ ‘em.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Clear","offer_id":1904231415832,"sku":"","price":12.99,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":26192813571,"sku":"","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Graceland_Art_4x4_a8c135e4-765e-4353-83e7-9fa241c1f908.jpg?v=1471738954"},{"product_id":"rats-rest-on-the-eastside-7","title":"Rat's Rest - On The Eastside [GREEN VINYL] – New 7\"","description":"Kansas-City melodic punk rock. Melodic, gritty, raging Region Rock style punk rock that we've grown so fond of over the years. This is the shit right here. Get on the damn train, ya hippie. (Members of: Hello Shitty People, Constant Insult, Hard Feelings, Street Legal+) 300 pressed on Clear Green vinyl. Comes w\/download.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116829706\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ratsrest.bandcamp.com\/album\/on-the-eastside-ep\"\u003eOn The Eastside EP by Rats Rest\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Dead Broke Records","offers":[{"title":"Default Title","offer_id":36922035854,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ratsrest.jpg?v=1489097041"},{"product_id":"lost-sounds-memphis-is-dead-lp-used","title":"Lost Sounds - Memphis Is Dead [CLEAR VINYL] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMemphis is Dead repress! Yes, we have repressed the Lost Sounds, Memphis is Dead LP again. It has been remastered and is now on Smokey Clear vinyl!!!\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4074603296\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lostsoundsbigneck.bandcamp.com\/album\/memphis-is-dead\"\u003eMemphis Is Dead by Lost Sounds\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eFINAL RESTOCK: \u003c\/strong\u003e\u003cstrong\u003e(Thanks to Big Neck Records for sending us the last copies of the final pressing...likely will NEVER be repressed again!) \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIf you ain't already got it, essential addition to your collection.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSynth garage punk band from \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/memphis\"\u003eMemphis, Tennessee, USA\u003c\/a\u003e with \u003ca href=\"https:\/\/store.greennoiserecords.com\/search?q=Alicja+Trout\"\u003eAlicja Trout\u003c\/a\u003e (Black Sunday, River City Tanlines, Sweet Knives, The Clears...)\u003c\/strong\u003e\u003c\/span\u003e \u003cspan\u003e\u003cstrong\u003eon synths, guitars, vocals; Jay Reatard on synths, guitars, vocals; and Rich Crook (The \u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/search?q=Reatards\" target=\"_blank\"\u003eReatards\u003c\/a\u003e) drums.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e(Check out Crook's \u003ca href=\"https:\/\/store.greennoiserecords.com\/products\/lover-no-dreams-please-e-p-new-lp?_pos=1\u0026amp;_sid=fce1a13fd\u0026amp;_ss=r\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/products\/lover-no-dreams-please-e-p-new-lp?_pos=1\u0026amp;_sid=fce1a13fd\u0026amp;_ss=r\" target=\"_blank\"\u003eLover! LP\u003c\/a\u003e too, also $17.)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Big Neck Records","offers":[{"title":"Default Title","offer_id":39634224545953,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/lostsoundmem.jpg?v=1505426415"},{"product_id":"fox-face-spoil-destroy","title":"Fox Face - Spoil + Destroy [WHITE VINYL] - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2769051944\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/fox-face-spoil-destroy\"\u003eFox Face - Spoil + Destroy by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eWitchy, twitchy and full of attitude, Fox Face is a fog-swirling, moonlit night where nothing’s as it seems. Blink, and they answer the question you didn’t even know you had. Both realized and reckless, Fox Face is an eerie musical force that would be just as much at ease holding a seance on a stormy, nighttime beach as they would be throwing a rager in a dark, beer-soaked basement bar.\u003c\/p\u003e\n\u003cp\u003eLead guitarist and vocalist Lindsay DeGroot is as comfortable in a Riot Grrrl shout in “(What You’re) Good For” as she is in the snarl of “I Believe In Science”, ambidextrously managing both pissed off \u003cem\u003eand \u003c\/em\u003ecreepy, the words “I believe \/ In research\/rationality” twisting like knives into her enemies. Fox Face’s explicitly feminist lyrics are undeniably bolstered by no-bullshit politics and inspired by the \u003cem\u003eBook of the Dead \u003c\/em\u003eand \u003cem\u003eThe Craft.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpoil + Destroy \u003c\/em\u003eis Fox Face’s first record for Dirtnap, recorded by Kyle “Motor” Urban at MotorCo Studio in Madison, WI, using an all-analog Ampex MM-1100 23\" 16-Track recorder. Urban also recorded the band’s debut \u003cem\u003eTeen Wiccan \u003c\/em\u003e7\". DeGroot leads this storm of sound, with bandmates Lydia Washechek (guitar, vocals), Mary Joy (bass, vocals) and Christopher Capelle (drums) playing countless furiously energetic sets in their hometown of Milwaukee, WI, and beyond.\u003c\/p\u003e\n\u003cp\u003eOn the tongue in cheek \u003cem\u003eSpoil + Destroy, \u003c\/em\u003eFox Face alternates between Sabbath-y vs. searing guitars (“Clever Girl”), surf-rock (“(What You’re) Good For”) and the creeped-out, organ-laced sonic seance of “The Moon and the Tide”. That realized and reckless attitude hangs hard on the vocals of everyone throughout, echoing the spirit of Kathleen Hanna and Neighborhood Brats’ Jenny Angelillo. This is what would happen if the Shivvers’ Jill Kossoris got pissed off and started plotting revenge on the date who didn’t call her back on the “teen line”, sitting “by the phone waiting for your ring”.\u003c\/p\u003e\n\u003cp\u003eFed up, Fox Face takes their own issues to hand, whether battling anti-feminist attitudes, panic attacks or the fear of the earthly unknown. Spaghetti Western styles intermingle with punk \u0026amp; roll and goth, making for a bubbling pot of riled-up, creeptastic tales, where the environs are trepidatious, dark and frustrating, yet you feel you can battle your way out. “You—you got this, you know you got this, you got it ‘cause you earned it.”\u003c\/p\u003e\n\u003cp\u003eRIYL: Grass Widow, Neighborhood Brats, The Sonics, The Breeders, Bikini Kill, The Cramps, The Raincoats, Sleater-Kinney\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"White","offer_id":1904225452056,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":1903460220952,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Spoil_Destroy_CoverWEB_21fedcc0-56fb-43cc-ac59-c5dc46c559b6.jpg?v=1509544363"},{"product_id":"bully-losing-lp-1","title":"Bully - Losing [CLEAR w\/ Black Vinyl, Loser Edition Gatefold] - New LP","description":"\u003cp style=\"font-weight: 400;\u0026lt;\/p\u0026gt;\n\u0026lt;p style=\" font-weight:=\"\"\u003eFirst run colored vinyl Loser edition.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2708727396\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bullythemusic.bandcamp.com\/album\/losing\"\u003eLosing by Bully\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\"While Bully’s 2015 debut\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eFeels Like\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003etumbled headlong into the precarious nature of Alicia Bognanno’s young adult life, its follow-up\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eLosing\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis their first for Sub Pop (which in many ways feels like their spiritual home; Bully’s sound is an outgrowth of the bands the label championed in the late ‘80s and ‘90s).\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eLosing\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/i\u003eis a document of the complexity of growth: navigating breakups with sensitivity, learning not to flee from your troubles but to face them down no matter how messy they may be (“Well, this isn’t the summer I wanted,” she muses on “Blame,” before admitting that she’s trying to “cut down on booze and you”). Written as the group slowed down from touring constantly and Bognanno attempted to adjust to how different a home schedule is from a road schedule, her songwriting has matured from the quick one-two punches of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eFeels Like\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eto tracks that contemplate the necessity of space in both song structure and emotion. Bognanno’s gruff yet dynamic voice is allowed to bloom, and it has a tenderness and openness to it here that’s new. There are multiple layers of wistfulness and care to her delivery of lines like “It just takes one disagreement for you to remember the one time I fucked up,” from “Spiral,” turning songs that could be one-dimensional kiss-offs into warm and complex expressions of regret.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\"The group returned to Electrical Audio in Chicago, another home for Bognanno, to record\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cem\u003eLosing\u003c\/em\u003e\u003c\/i\u003e. Their core—Bognanno, guitarist Clayton Parker and bassist Reece Lazarus—truly solidified during the process, a detail-oriented push for perfection in which each moving part was labored over and polished. Emily Lazar’s mastering adds the perfect cap to Bognanno’s engineering; this is a record that has both shimmer and heft. There’s power in the guitar attack, delicacy and toughness in the melodic hooks, precision in the drums, and backbone in the bass.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\"While Bognanno wouldn’t call this a political record, she doesn’t deny that the current political atmosphere and its urgency and tension haven’t shaped some of her ideas on this record, too—though she does not want that to be its focus. Mostly, this is an internal record, a universalized diary and an exorcism—not of any one specific demon, but of the host of them that characterize contemporary anxieties. Bully are growing up, sure, but their fire is in no way diminishing.\"\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":2168916082712,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bully-losing-3600x3600-300.jpg?v=1629650740"},{"product_id":"vvhile-more-lp","title":"VVhile - More [YELLOW VINYL Marked Down] - New LP","description":"\u003cul\u003e\n\u003cli\u003eTranslucent yellow vinyl!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eVVhile is duo from Belgrade, Serbia formed in May, 2011. The band is Stevan Cirovic on drums and vocals and Andrija Spicanovic on guitar and vocals.\u003c\/p\u003e\n\u003cp\u003eThe band plays atmospheric, psychedelic, and shoegazey rock reminiscent of early Ride or My Bloody Valentine, all the while remaining rooted in their hardcore pasts.\u003c\/p\u003e\n\u003cp\u003eFollowing the Dirt Cult release of their debut 7\", we jumped at the chance to be a part of releasing their debut LP in North America.\u003c\/p\u003e\n\u003cp\u003eAll copies on translucent yellow and come with a download code.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"VVhile is duo from Belgrade, Serbia formed in May, 2011. The band is Stevan Cirovic on drums and vocals and Andrija Spicanovic on guitar and vocals. The band plays atmospheric, psychedelic, and shoegazey rock reminiscent of early Ride or My Bloody Valentine, all the while remaining rooted in their hardcore pasts\". (Dirt Cult). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2575137899\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/vvvhile.bandcamp.com\/album\/more\"\u003eMore by VVHILE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eWhile they visit their punk pasts late in the set, this also seems a departure from their hardcore pasts (although I admitted know nothing about those pasts), mixing within songs and moving between cuts with rock-based soundscapes and songs that drive forward through the heavy melancholy with drumming and electric-guitar rhythms, recalling some of the so-called post punk and neo-psychedelic outfits of the 1980s, the ones that clearly had some connection with different years of the 1960s (surf, garage, freak out, psychedelic pop, acid rock), but also were clearly helping define some dominant elements of rock in the 1980s, offering pop songs wrapped in some more raw and menacing elements.  Of course, people with a better knowledge of the shoegazing bands that grew out of all that in the last 30 years can likely make other comparisons.  If you like those bands, you'll want to listen to all of this album.  While the sounds throughout have plenty of commonalities to create an effective cohesiveness, this also winds through different moods and tempos like a drive down a road that moves along rivers and ridges, through cities at night, towns in the twilight. -- winch\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}' itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDebut LP from the Serbian duo from Belgrad, Serbia - that throughout the last few years became already an integral band of the Twintoe family. With pleasure and warmth, we are glad to present the first full length which draws out brilliant wall of sounds, bright voices and wide ambiances with a punchy good ol' punk rock attitude. 3rd Release of VVHILE so far, though the first one to reveal MORE - come and find out\u003cbr\u003e\u003cbr\u003eThe record is a co-release between a few friends \/ labels:Twintoe Records\u003c\/span\u003e\u003cbr\u003eDirtcult Records (USA)\u003cbr\u003ePop Depresija (Serbia)\u003cspan\u003e \u003c\/span\u003epopdepresija.com\u003cbr\u003eNumavi Records (Austria)\u003cspan\u003e \u003c\/span\u003enumavi.bandcamp.com\u003cbr\u003eJazz Chairs\u003cspan\u003e \u003c\/span\u003evvhile.blogspot.com\/p\/jazz-chairs.html.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003eRecorded in VVhile's basement by Filip Vlatkovic\u003cbr\u003eProduced by Filip Vlatkovic and VVhile\u003cbr\u003eMixed by Filip Vlatkovic and VVhile at \"Beat Beat studios\", Novi Sad\u003cbr\u003eMastered by Nick Zampiello at New Alliance East, Cambridge\u003cbr\u003eCover artwork by Emir Sehanovic Esh\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":2580501790744,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/vvhile_20cover_original.jpg?v=1595306436"},{"product_id":"the-sea-and-cake-any-day-lp","title":"Sea and Cake, the - Any Day - New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2985455763\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theseaandcake.bandcamp.com\/album\/any-day\"\u003eAny Day by The Sea and Cake\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Thrill Jockey Records","offers":[{"title":"White","offer_id":8657201594487,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":8657201627255,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1937184010_10.jpg?v=1526074798"},{"product_id":"chasms-subtle-bodies-lp","title":"Chasms - Subtle Bodies - New LP","description":"\u003cspan\u003e++++ LP on milky clear vinyl \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1 - 4: Originally appeared on the 'Riser' EP cassette (Dream, 2013). Recorded \u0026amp; mixed by Jess Labrador at White Hole, San Francisco in early winter 2013. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e5 - 6: Originally appeared on the 'When It Comes' EP cassette (Dream, 2012). \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded \u0026amp; mixed by Wayne Schroeder and Jess Labrador at Blue Dot Studios, San Francisco in summer 2011. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e7: Recorded \u0026amp; mixed by Brad DerManouelian at Dunsmiur! in late winter 2013. \u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883180550\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/chasms.bandcamp.com\/album\/subtle-bodies\"\u003eSubtle Bodies by Chasms\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Sleep Genius","offers":[{"title":"Default Title","offer_id":8657530945655,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3751974676_10.jpg?v=1526154288"},{"product_id":"proud-parents-s-t-lp","title":"Proud Parents - s\/t [GALACTIC BLUE VINYL] - New LP","description":"\u003cspan\u003eQuite in contrast to the Fire Heads, the two bands have one thing in common--they both have plenty of punch and both are great.  While the equally great The Hussy swerved closer to the pop we have here, this parks the sound right into that garage built by pop.  Kick back the seat and give this a spin!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=396157796\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/proudparentsband.bandcamp.com\/album\/proud-parents\"\u003eProud Parents by Proud Parents\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e200 on galactic blue.\u003cbr\u003e\u003cbr\u003eStarting in Madison, WI as the musical culmination of a decade of friendship and playing in punk bands, Claire Nelson-Lifson and Tyler Fassnacht (Fire Heads) began writing the first of Proud Parent’s jangly, garage infused pop tunes in Claire’s living room. Shortly thereafter Heather Sawyer (the Hussy) joined on drums and vocals, turning the songwriting duo into a trio, and they quickly garnered a devout following both locally and regionally, and gained a reputation throughout the midwest as a live power-pop force to be reckoned with.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNow a full fledged four piece, originally with Alex Seraphin on bass and now with Maggie Denman, the band has established its own unique dynamic with three lead singers whose voices and songwriting stand strong individually, yet blend together with such comfort and ease that it is hard to imagine them apart.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAfter two live tapes (out on No Coast Records and Rare Plant) and a full length cassette Sharon Is Karen (also out on Rare Plant), Proud Parents is ready with their first self-titled LP on Dirtnap Records. This record also marks the first release \u003c\/span\u003e\u003cspan tabindex=\"0\" data-term=\"goog_705551406\" class=\"aBn\"\u003e\u003cspan class=\"aQJ\"\u003ein eighteen years\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e by a band from the label’s hometown of Madison, WI.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProud Parents begins and ends with a bang as the band blasts through a dozen tightly wound tunes full of infectious, harmony ladened choruses, ripping guitar solos and hooks for days as Claire, Heather and Tyler converse, support, and share lead vocal duties like passing around a bag of Halloween candy. The album, recorded and mixed by Bobby Hussy (the Hussy, Cave Curse, Fire Heads, TIT) at his own Hex Empire, is about self-reflection, jumping from saccharine adoration, to heartfelt confession. It touches on themes of isolation, be it intentional or otherwise, anxiety, loss and moving on, with each singer coming at the songs with their own distinct perspective, using humor, red herrings, pets and metaphors to mask the demons. The songs may deal with specific emotions both complex and straightforward, but as a whole Proud Parents stands as a testament to friendship, asking for help, and trying to get better.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProud Parents are proud of you, and you should be too.\u003c\/span\u003e","brand":"Dirtnap Records","offers":[{"title":"Galactic Blue","offer_id":8697359040631,"sku":"","price":13.99,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":8697359073399,"sku":"","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Proud_Parents_Front_Cover_5x5.jpg?v=1528908771"},{"product_id":"sunburst-ave-africa-lp","title":"Sunburst - Ave Africa [2xLP + 2 CDs IMPORT] - New LP","description":"\u003cspan\u003eStrut presents a definitive collection of recordings from one of Tanzania’s most revered bands of the early 1970s, Sunburst. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3309801531\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sunburstmusic.bandcamp.com\/album\/ave-africa-the-complete-recordings-1973-1976\"\u003eAve Africa: The Complete Recordings 1973-1976 by Sunburst\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eCovering their output from 1973 to 1976, this first retrospective features their singles for the Moto Moto and TFC labels, their sole album, ‘Ave Africa’ and an unreleased radio session recorded in Tanzania in 1973. By the time Zairean guitarist Hembi Flory Kongo had formed the band in Dar Es Salaam in 1970 playing “copyright” cover versions, soul and funk had long influenced young musicians in Dar and ‘boogies’, weekly soul events, were commonplace at the city’s clubs. Despite the Tanzanian government banning soul (both music and dancing) through their conservative Ujamaa policy in 1969, Sunburst grew as a band and developed their own musical direction which they later called Kitoto Sound, reflecting the diverse backgrounds of the band members. Lyrical themes included black pride and colonial oppression – the band even played a gig for visiting civil rights heroine Angela Davis. After June 1973, Sunburst gained a national audience through a live session for the state-owned Radio Tanzania, a crucial means for domestic bands to air their work. A month later, they won a band competition in Dar Es Salaam and their popularity in Tanzania grew further. They began recording singles in Kenya, standing apart from the predominantly rumba, jazz or taarab styles sung in local languages at the time. In 1974, Sunburst met Zambian musician Rikki Ililonga from Zamrock group Musi- O-Tunya and he invited them to Zambia. Meeting their later manager, car company employee Peter Bagshawe, they embarked on an ill-fated tour with Kenyan funk band Matata before working on a first full album in 1976 in Lusaka with new band members. The LP came out at the height of the Zamrock scene led by bands like Witch and Ngozi Family but Sunburst offered a more intricate sound as musicians born in six different countries tapped into a multitude of styles, languages and stories. “Our songs support freedom struggles and encourage peasants and workers to work harder,” singer James Mpungo recounted. “Our songs also criticize our people for allowing themselves to be too westernized.” After a handful of further singles for Tanzanian state label TFC, including the popular ‘Banchikicha’, the band split, frustrated by living on “bare minimum earnings” from their music. The result of three years’ painstaking work after tracking down bandleader Hembi Kongo, bassist Bashir and the band’s ex-manager Peter Bagshawe, this overdue retrospective is curated by Thomas Gesthuizen (DJ Gioumanne) of Africanhiphop. com and Dave Tinning of Santuri East Africa. The package features a full band biography alongside rare photos, press cuttings and memorabilia.\u003c\/span\u003e","brand":"Strut Records (Europe)","offers":[{"title":"Default Title","offer_id":12260564860998,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/SUNBURST_FINAL_FRONT_COVER_HI_RES.jpg?v=1532640257"},{"product_id":"allvaret-skam-och-skuld-lp","title":"Allvaret - Skam Och Skuld [BLUE VINYL Marked Down] - New LP","description":"\u003cdiv\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2523670721\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/erstetheketontraeger.bandcamp.com\/album\/ett-047-allvaret-skam-och-skuld-lp\"\u003eETT - 047 - ALLVARET - SKAM OCH SKULD LP by ALLVARET\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\"It’s always a good sign when you cannot explain why a band is so great. It means something new and inexplicable is at work in their music. Småland, Sweden’s\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eALLVARET\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis that great. The elements are easy enough to define: there are the surf-drenched guitars, the powerful vocals and the rock ‘n’ roll frenzy of X – a sound which has been brewing in Denmark and Sweden over the last decade with bands like MASSHYSTERI, THE VICIOUS, TERRIBLE FEELINGS, VANA INGET, and NO HOPE FOR THE KIDS. But there is something more than that, too. Their tuneful hooks take hold of you, drag you deep into their bleak and feral songs and threaten to tear you apart once you’ve been captured. Their music is simultaneously melancholic, frantic, and joyfully danceable. It’s wild and new and something wholly of its own. The energetic melodies that blast through\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eALLVARET\u003c\/span\u003e’s new album are simply mind-blowing. This Swedish punk band 2nd album may just be one of the best things that have ever been produced in the history of Swedish melodic punk rock. The anthemic vocals of Sushila are the perfect balance of aggression and sincerity, while the predominantly choppy guitar chords and the drumbeats keep up the motivating energy that drives their music. The ten short and catchy songs that make up this album are simple yet powerful, and the beginning of each new track jolts the listener back into their music. At first, the inability to understand their lyrics may seem jarring to the foreign listener. However, after listening to the entire album a few times, I forgot they were even singing in Swedish! The surf-rocky guitars and snappy punk drumming release sustaining energy, while the passionate tone of the harmonized male-female vocals, at times angry and at times melancholic, create the perfect blend of hooks that will grab you and lead you into a place set up by this musical phenomenon. Any fan of stripped-down garagey punk that is derived from the past but doesn’t live in it would be well-advised to check out\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eALLVARET\u003c\/span\u003e. Their latest album demonstrates the extent to which they have honed each of their many strengths, re-configuring rather than regurgitating influences and crafting songs which will lodge themselves firmly into the head of any listener, regardless of whether or not he or she can understand the lyrics.\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis is the US release of the record in support of a November 2018 West Coast tour. Previously released in Europe on the marvelous Erste Theke Tontrager.\u003c\/div\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":13063752679494,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Allvaret_cover.jpg?v=1583694828"},{"product_id":"columna-las-cosas-que-perdemos-lp","title":"Columna -  Las Cosas Que Perdemos [Burgundy Gold Vinyl MARKED DOWN] - New 12\"","description":"\u003cbr\u003e\u003cbr\u003eZaragoza, Spain’s Columna formed from the ashes of Warsong and released one of our favorite demo’s of 2017. “Las Cosas Que Perdemos”, the band’s debut 7-song LP, features several re-recorded songs from that session as well as some wonderful new additions.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=365953957\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/las-cosas-que-perdemos\"\u003eLas Cosas Que Perdemos by Columna\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe band plays moody, melodic, and political punk sung in Spanish. Fans of Arctic Flowers, Terrible Feelings, and Accidente should take note.\u003cbr\u003e\u003cbr\u003eA split release between Dirt Cult Records, Last Hour Records (US), and Sabotage Records (Europe). \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":13064037171270,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0808017859_10.jpg?v=1536274453"},{"product_id":"titus-andronicus-home-alone-on-halloween-lp","title":"Titus Andronicus - Home Alone On Halloween [ORANGE VINYL] - New 12\"","description":"\u003cp\u003e\u003cspan\u003eWith Home Alone on Halloween, noted rock band TITUS ANDRONICUS [hereafter +@] celebrate the spookiest of the seasons by staring into the abyss and confronting the bone-chilling terror which lies at the haunted heart of our human experience.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3116465347\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=84348286\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3140570701\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848356375\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/titusandronicus.bandcamp.com\/album\/home-alone-on-halloween\"\u003eHome Alone on Halloween by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eBearing the justly feared catalog number MRG666, the 12-inch EP spans 31 minutes and features three tracks recorded concurrently with the group’s most recent full-length A Productive Cough, offering an autumnal tableau of dread and decay to complement its LP companion’s springtime visions of rebirth and new possibilities. The title track remixes A Productive Cough’s hardest-rocking selection, foregrounding its ominous strings and swelling organ and featuring a soulful new lead vocal from frequent +@ special-teams captain MATT \"MONEY\" MILLER, while “Only a Hobo” plucks an oft-forgotten gem from the dusty corners of the Bob Dylan songbook to paint a grim portrait of hopes dashed and potential squandered. Eeriest of all is “A Letter Home,” which, across nearly 17 minutes and more than 1,200 words, drags the listener along for a harrowing descent into the darkness and proves definitively that this ceremony is no mere monster mash. Pressed on orange vinyl in an edition of 1.300 copies.\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":15014420054086,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1543811188_16.jpg?v=1754123929"},{"product_id":"steve-adamyk-band-paradise-lp","title":"Steve Adamyk Band - Paradise - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan class=\"il\"\u003eSteve\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eAdamyk\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBand\u003c\/span\u003e\u003cspan\u003e remains Canada’s premiere power-pop\/punk crossover  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003egroup. Throughout the last decade, the \u003c\/span\u003e\u003cspan class=\"il\"\u003eband\u003c\/span\u003e\u003cspan\u003e has toured Japan, Europe  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(four times) and all across North American, unleashing five albums and  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ea long list of seven inch singles. But it hasn’t been easy. Most  \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"il\"\u003ebands\u003c\/span\u003e\u003cspan\u003e, by this stage, would likely have called it quits, yet \u003c\/span\u003e\u003cspan class=\"il\"\u003eSteve\u003c\/span\u003e\u003cspan\u003e has  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epersevered. When their most-consistent lineup to date unraveled in  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2016, it would have been natural to end it where it stood, but the  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ewheels kept turning (and touring) regardless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2954673198\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/steve-adamyk-band-paradise\"\u003eSteve Adamyk Band - Paradise by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"il\"\u003e\u003cspan style=\"color: #ffff00;\"\u003e\u003cstrong\u003eOpaque Yellow vinyl limited to 200 copies (Green Noise gets 160!)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFast-forward to 2019 and the \u003c\/span\u003e\u003cspan class=\"il\"\u003eband\u003c\/span\u003e\u003cspan\u003e has been reborn. SAB is now  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esolidified as a three-piece live (with Pat Johnson of The Acorn on  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums and Johnny O of Uranium Comeback on bass) and are somehow  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etighter, more focused than ever, as a recent European tour proved last  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esummer. On record, the threesome have also retained original member  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDave Williams on vocals to give the songs the same vibe everyone has  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003egrown to love. Paradise - the album itself - is nothing short of a  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003emonster. Suitably with a new lineup, the \u003c\/span\u003e\u003cspan class=\"il\"\u003eband\u003c\/span\u003e\u003cspan\u003e has also beefed-up their  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esound. With their original feel in mind, there is nothing lo-fi about  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethis record.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Mike Bond at Wolf Lake (Crusades) and mixed by Jesse  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGander (White Lung, Japandroids) in Vancouver, Paradise is a sonically  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehuge offering, with just the right amount of scuzz and crud where  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eneeded. 12 new rippers, including an incredible cover of “Telephone”  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eby The Incredible Kidda \u003c\/span\u003e\u003cspan class=\"il\"\u003eBand\u003c\/span\u003e\u003cspan\u003e.  Keep an eye out for the \u003c\/span\u003e\u003cspan class=\"il\"\u003eband\u003c\/span\u003e\u003cspan\u003e in 2019 -  \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"il\"\u003eSteve\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eAdamyk\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eBand\u003c\/span\u003e\u003cspan\u003e is back and won’t be forgotten anytime soon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1.      The Letter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.      In Death\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3.      Paradise\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4.      Waiting To Die part 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5.      Waiting To Die part 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6.      When I Was Gone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7.      Something Vicious\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8.      Take It To The Top\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9.      No Help\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10.     Left In Pieces\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11.     Telephone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12.     The Deep End\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"tags-label\"\u003e\u003c\/h3\u003e","brand":"Dirtnap Records","offers":[{"title":"Opaque Yellow","offer_id":19941990170694,"sku":"","price":13.99,"currency_code":"USD","in_stock":false},{"title":"black","offer_id":32880312844425,"sku":"","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_3605.jpg?v=1752030361"},{"product_id":"fields-lee-the-expressions-it-rains-love-lp","title":"Fields, Lee \u0026 The Expressions - It Rains Love [RED VINYL] - New LP","description":"\u003cp\u003eCLEAR RED VINYL!! \u003c\/p\u003e\n\u003ch2\u003eNot a weak moment, going strong and giving it their all from go to whoa.  Essential.  -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4270137635\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leefieldsandtheexpressions.bandcamp.com\/album\/it-rains-love\"\u003eIt Rains Love by Lee Fields \u0026amp; The Expressions\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eAt the corner of Living Legend St. and OG Ave. you will find Lee Fields’ house. A home that was built with blood, sweat, and tears, and stands on the unshakable foundation of his god given talent. Lee has been singing for 50 plus years and is undeniably, yet amazingly, at the top of his game. Those who have paid attention know that Lee is part of the class that is directly responsible for the revival of old school funk and soul. He has inspired many of today’s younger artists who are doing their best to carry the torch. As long as the road has been, and heavy as the crown may be, Fields is proving yet again that he’s “still got it”. His latest offering is sure to be a warmly received instant classic. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eIt Rains Love is the 2nd album by Lee Fields \u0026amp; The Expressions on Brooklyn’s Big Crown Records and gives us yet another masterclass in soul. Teaming up again with frequent collaborator and producer Leon Michels and his devoted band, The Expressions, they have managed again to take a classic approach and update it. Traditional soul sensibilities are mixed with a hip-hop tinged, sample ready sound that is as much an homage to the old as to the new. Some of the songs sound like they could belong to any of the last 4 decades without it feeling like a throwback, while others are 60’s soul\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethrough and through. Lyrically, Lee runs the gamut from gushing admonishments of love to politically charged calls to action, from proclamations of God’s existence to love letters written to his wife. This record marks the fifth studio album from Lee Fields \u0026amp; the Expressions and we are very proud to add it to the already impeccable catalog they have created together. Another strong offering by a man many people consider to be a national treasure, the professor of love himself, Mr Lee Fields. It’s all love baby!\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 5, 2019\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Big Crown Records","offers":[{"title":"Default Title","offer_id":20623352266822,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3085067102_16.jpg?v=1672264359"},{"product_id":"arteries-s-t-12","title":"Arteries - s\/t - New 12\"","description":"PDX synth punk homies!! \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\"Portland's ARTERIES take everything we know about the last 40 years of punk, and distill it down to a concentrated liqueur of all the best elements. Freaky and experimental, they weave otherworldly anthems with haunting group vocals, effervescent synth effects, persistent post punk basslines, and unexpected turns. It brings to mind the unlikely combination of sounds like THE SCREAMERS and LOST CHERREES. Members of Portland's RED HERRING and LOST NERVES. I am blown away by how great this is.\" -Heather Blotto, MAXIMUM ROCKNROLL\u003c\/div\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2427177739\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/arteries-nadinerecords.bandcamp.com\/album\/arteries\"\u003eArteries by Arteries\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased March 22, 2019\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecca- Synth, Vocals\u003cbr data-mce-fragment=\"1\"\u003eBen- Guitar, Vocals\u003cbr data-mce-fragment=\"1\"\u003eErik- Drums\u003cbr data-mce-fragment=\"1\"\u003eAlex- Bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Adam Becker\u003cbr data-mce-fragment=\"1\"\u003eMastered by Tim Stollenwork\u003cbr data-mce-fragment=\"1\"\u003eLacquers cut by Amy Dragon at Telegraph\u003cbr data-mce-fragment=\"1\"\u003eGraphic Design by Morgan Reedy\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Marcus Griffin\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\" itemprop=\"description\"\u003eGreen Noise gives 100% of the sale of these items to the women who own these labels, either in advance or when item sells.  If you have a woman-owned label, Green Noise will do the same for you.  (Same goes for bands fronted by any person of color, any artist from any minority group, people of the original tribes and nations of this land, any artist from a third world country, or any immigrant from anywhere).\u003c\/h2\u003e","brand":"Nadine Records","offers":[{"title":"Default Title","offer_id":40973078233249,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3746220501_10.jpg?v=1555815136"},{"product_id":"reigning-sound-abdication-for-your-love-lp","title":"Reigning Sound - Abdication... For Your Love [RED VINYL] - New LP","description":"\u003cp\u003e\u003cspan\u003eLIMITED EDITION RED VINYL!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3835907711\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/reigningsound.bandcamp.com\/album\/abdication-for-your-love\"\u003eAbdication… For Your Love by Reigning Sound\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e“Several line-up changes had ensued after the original Memphis quartet disbanded, and I found myself considering the possibility of shedding the Reigning Sound moniker,” muses Cartwright. “I had decided to take a break to work on production for other people and write songs for THE PARTING GIFTS, my upcoming collaboration with Coco Hames.” But now, Reigning Sound had an offer on the table, and there was no band. Besides Cartwright, the one constant of Reigning Sound’s previous three years was keyboardist DAVE AMELS, who was moonlighting in THE JAY VONS, the Brooklyn soul combo formed by Long Island natives MICHAEL CATANESE, BENNY TROKAN and MIKEY POST. Sometimes Amels would even pull double duty at gigs where Reigning Sound and The Jay Vons shared a bill. When The Parting Gifts released their outstanding album Strychnine Dandelion in 2010, The Jay Vons opened shows for them on a brief tour. \u003c\/span\u003e\u003cspan\u003eDAN AUERBACH of the BLACK KEYS, who provided guitar for the Parting Gifts record, had just moved to Nashville and was busy putting the final touches on a private studio. “Dan was eager to do some work in the new studio in preparation for an upcoming session with Dr. John, and he offered us some studio time as well as his production assistance.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eTentative arrangements with Nashville players evaporated one after another due to prior engagements or last-minute snafus. “There I was, twiddling my thumbs in a Nashville studio, the clock ticking, with no band. On a long shot, I phoned Brooklyn and made a Hail Mary pass to The Jay Vons—and they said yes. In two days, we cut five songs. I paired these five with three outtakes from the previous Reigning Sound LP Love and Curses which featured LANCE WILLE and DAVE GAY on bass,” recounts Cartwright, adding, “The Greg + Jay Vons line-up of Reigning Sound continues to this day.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eAll songs written by Greg Cartwright and published by Big Gamble Music (ASCAP)\u003cbr\u003eTracks 2, 3, 4, 5 \u0026amp; 8 recorded and produced by Dan Auerbach.\u003cbr\u003eAll others produced by Greg Cartwright.\u003cbr\u003eThanks to all our friends. Dedicated to Jim Shaw.\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":20752793894982,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5c7d671e2511a_main.jpg?v=1560129619"},{"product_id":"moses-lee-how-much-longer-must-i-wait-singles-rarities-1965-1972-lp","title":"Moses, Lee - How Much Longer Must I Wait? Singles \u0026 Rarities 1965-1972 [RED\/TRANSPARENT VINYL] - New LP","description":"\u003cp\u003e\u003cspan\u003eStellar collection of cuts, vocals and instrumentals, both showing the skills of this man, from his guitar chops to his deeply soulful voice, both cutting deep into the groove and deep into the innards of anybody lucky enough to listen...click off the lights and crank this one for a deep listen...Moses moving from Georgia to NYC, the sounds capture both places, especially the former, Southern soul with clarity and crunch, cooking it up with grease and flame, stunning originals and kick-ass covers, each made his own, including stirring instrumental versions of \"Reach Out\" and \"Day Tripper,\" and the vocal cuts just grabbing you where it hurts, where it feels so good, the man from Atlanta pulling in the devil (sometimes dressed in drag) so close you can feel the fire on its breath, shoving the evil back and giving it the gate, slicing through the nonsense of a false life to get to the heart and soul of it all.  If this don't grab you, you might want to give up the ghost.  -- winch\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CgOgJJ1PBro?si=8Ti24JCfZNYS-xxG\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1801723902\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leemoses.bandcamp.com\/album\/how-much-longer-must-i-wait-singles-rarities-1965-1972\"\u003eHow Much Longer Must I Wait? Singles \u0026amp; Rarities 1965-1972 by Lee Moses\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1801723902\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leemoses.bandcamp.com\/album\/how-much-longer-must-i-wait-singles-rarities-1965-1972\"\u003eHow Much Longer Must I Wait? Singles \u0026amp; Rarities 1965-1972 by Lee Moses\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e After reissuing his much sought-after \u003cem\u003eTime and Place\u003c\/em\u003e LP, many questions still remained, but the one asked most was, “where’s “Bad Girl”?!” Not included on his lone LP, “Bad Girl” is an undisputed Southern soul classic—arguably the song LEE MOSES’ legacy rests on. While we may never know all we wish we knew about the man behind the music, we can finally complete the picture of his work. And what tunes they are. How Much Longer Must I Wait? Singles \u0026amp; Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer JOHNNY BRANTLEY. As for the unreleased recordings—much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"acordion_description\" id=\"Release-Detail\"\u003e\n\u003cdiv class=\"d-flex flex-wrap flex-lg-nowrap\"\u003e\n\u003cdiv class=\"product__info-description product__info-description--full product__info-description--open\"\u003e\n\u003cdiv class=\"section_height\"\u003e\n\u003cdiv class=\"release-description\"\u003e\n\u003cdiv class=\"release-description-complete\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe definitive collection of Lee Moses’ legendary non-album tracks available together for the first time\u003c\/li\u003e\n\u003cli\u003eContains three previously unreleased songs, plus the Southern soul classic \"Bad Girl” (both versions)\u003c\/li\u003e\n\u003cli\u003eRemastered audio\u003c\/li\u003e\n\u003cli\u003eLP housed in a deluxe Kraft board jacket with insert\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital mockups are not an exact representation of the colors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eColor Vinyl Edition pressed on “Day Trippin’” Split Color wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nVincent Lee Moses (March 13, 1941 – January 26, 1998), known as Lee Moses, was an American R\u0026amp;B and soul singer and guitarist. His recordings in the late 1960s as well as his 1971 LP Time and Place, are highly regarded within the deep soul genre. Life and career Lee Moses was born in Atlanta, Georgia, and attended Booker T. Washington High School. In the late 1950s he formed his first band, the Showstoppers. They became a popular live act in the Atlanta area, and were at one time the house band at the Royal Peacock club.\u003c\/div\u003e\n\u003cdiv class=\"section_height\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"section_height\"\u003eMoses moved to New York City in the mid-1960s, where he worked as a session musician and recorded with Johnny Brantley, who co-wrote and produced his first single, \"My Adorable One\", in 1965.  In 1966, he co-produced, with Johnny Brantley, several tracks by a virtually unknown Jimi Hendrix at Abtone Recording Studios in New York City. The tracks were later released as a 4-LP box set titled \"The Genius of Jimi Hendrix\".  In 1967, he recorded three singles – all commercially unsuccessful – for the Musicor label, including \"Bad Girl,\" and an instrumental version of The Four Tops' \"Reach Out, I'll Be There\". He also recorded a version of \"Dark End of the Street\", issued by Gates Records (probably in 1969). Moses' guitar style has been described as \"funky\" and likened to that of Jimi Hendrix, a contemporary of his on the club scene of the mid-1960s. He has also been praised for his \"rough and powerful deep soul singing style\". In 1970, Moses released a single, \"Time and Place\", on the Maple label, a subsidiary of All Platinum Records. This was followed by a nine-track LP of the same name - also produced by Brantley - that included his versions of several classic songs of the period including \"Hey Joe\" and \"California Dreaming\". The album featured several members of The Ohio Players, as well as Moses' own band, the Diciples (sic). Although the album has since been described as \"a revered and highly sought-after lost treasure for deep soul fans and collectors,\" it was a commercial failure at the time.  Moses also worked with fellow Atlanta native The Mighty Hannibal on his 1973 album, Truth. He returned to Atlanta in the early 1970s, and continued to perform locally, but did not record again. He died there from lung cancer in 1998.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"acordion_description\" id=\"Artist-Bio\"\u003e\n\u003cdiv class=\"d-flex flex-wrap flex-lg-nowrap\"\u003e\n\u003cdiv class=\"product__info-description product__info-description--full\"\u003e\n\u003cp class=\"section_title\"\u003e \u003c\/p\u003e\n\u003cp class=\"section_title\"\u003e---------------------\u003c\/p\u003e\n\u003cdiv class=\"section_height\"\u003e\n\u003cdiv class=\"artist-bio-description\"\u003e\n\u003cdiv class=\"artist-bio-complete\"\u003e\n\u003cp\u003eIn New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s “My Adorable One”, The Four Tops’ “Reach Out, I’ll Be There” and The Beatles’ “Day Tripper”.\u003c\/p\u003e\n\u003cp\u003eIt was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime And Place\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efor Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R\u0026amp;B.\u003c\/p\u003e\n\u003cp\u003eThe LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTime And Place\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esoon became a much-sought after item for collectors, and its cult has continued to grow over the years. Here, we represent it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Future Day Recordings","offers":[{"title":"Default Title","offer_id":44516093821089,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5c64619af1ecd_main.jpg?v=1720036870"},{"product_id":"titus-andronicus-an-obelisk-lp","title":"Titus Andronicus - An Obelisk [GRAYSCALE VINYL] - New LP","description":"Limited Edition GRAYSCALE color vinyl!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=851086212\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/titusandronicus.bandcamp.com\/album\/an-obelisk\"\u003eAn Obelisk by Titus Andronicus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv id=\"content\" class=\"content uk-container uk-padding-remove white-section\"\u003e\n\u003cdiv class=\"uk-container uk-padding-sides uk-margin-top uk-margin-large-bottom\"\u003e\n\u003cdiv class=\"uk-grid \"\u003e\n\u003cdiv class=\"uk-width-1-1 uk-width-medium-1-1 uk-width-large-1-1 item-meta\"\u003e\n\u003cp\u003eAn Obelisk is the sixth album from TITUS ANDRONICUS, which finds the band under stewardship of producer and legendary rocker BOB MOuLD (Hüsker Dü, Sugar). This trans-generational meeting of the minds has yielded the most immediate and unadorned Titus Andronicus record to date. Clocking in at 38 minutes, it is also the shortest. Recorded over six days at Steve Albini’s Electrical Audio studio in Chicago, An Obelisk presents the sound of Titus\u003cspan class=\"break\"\u003e \u003c\/span\u003eAndronicus, rock band, at its most irreducible, as monolithic as the album’s titular monument.\u003cspan class=\"break\"\u003e \u003c\/span\u003eTitus Andronicus is led by singer-songwriter PATRICK STICKLES, now flanked by longtime guitarist LIAM BETSON and the indomitable rhythm section of R.J. GORDON on bass and CHRIS WILSON on drums. An Obelisk is the first record to showcase this lineup from tip to tail, each track bearing distinctive fingerprints of each musician, their particular chemistry honed through extensive touring and rigorous rehearsals. Excepting the background vocals of RALPH DARDEN (Ted Leo and the Pharmacists), no outside musicians were utilized, leaving ample room for the pummeling drums and slashing guitars to thrive under the notoriously economical hand of Mould. Limited edition LP version pressed on gray and black vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":29202753716294,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5ce85576e614c_main.jpg?v=1583272353"},{"product_id":"sinkane-depayse-new-lp","title":"Sinkane - Dépaysé [IMPORT ORANGE VINYL Marked Down] - New LP","description":"\u003cp\u003eLimited Edition: Orange vinyl.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2308265289\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sinkane.bandcamp.com\/album\/de-payse\"\u003eDépaysé by SINKANE\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\"Under the name\u003cspan\u003e \u003c\/span\u003eSinkane, singer, songwriter, and multi-instrumentalist,\u003cspan\u003e \u003c\/span\u003eAhmed Gallab\u003cspan\u003e \u003c\/span\u003ehas spent over a decade steadily building up a catalog that explores more than anything else his dueling affinities for '70s funk and Aro-pop. Complemented by veins of indie rock, jazz, psych, and reggae, his work has trended toward the biographical and at times, the philosophical. Raised for the most part in the U.S., his narrative bears the complexities of immigration; an African Muslim in origin, he was born in London, lived his early childhood in Sudan, and at the age of five settled with his family in the American Midwest. More so than on any of his previous\u003cspan\u003e \u003c\/span\u003eSinkane\u003cspan\u003e \u003c\/span\u003ereleases, 2019's\u003cspan\u003e \u003c\/span\u003eDépaysé\u003cspan\u003e \u003c\/span\u003edelves deeply into\u003cspan\u003e \u003c\/span\u003eGallab's personal experience as an immigrant in an increasingly divided and discordant American era. The album's title is a French word referring to being \"removed from one's habitual surroundings,\" which succinctly describes the feeling of cultural displacement he'd endured many times throughout his life. Ultimately more celebratory than cynical,\u003cspan\u003e \u003c\/span\u003eDépaysé\u003cspan\u003e \u003c\/span\u003ebegins on a defiantly optimistic note with the rousing funk of \"Everybody\" and its thematic partner \"Everyone,\" a pair of inclusionary tracks praising unity through diversity. Elsewhere,\u003cspan\u003e \u003c\/span\u003eGallab\u003cspan\u003e \u003c\/span\u003ecomes to terms with what he refers to as his duality, merging his competing American and Sudanese cultures on the hard, circular grooves of \"The Searching\" and the colorful Afro-pop of \"Ya Sudan.\" The title cut dramatically pairs serpentine wah-wah guitar leads with a cinematic East-African melody while alternating between English and Arabic lyrics that apparently came to him a dream. Ironically, it's\u003cspan\u003e \u003c\/span\u003eGallab's unfailingly straightforward vocal delivery that provides some of the biggest juxtapositions in his music: the rich palette of soulful musical styles he draws from is often at odds with his strangely plain American diction. Yet, the vivid tones of his African heritage transmuted through his Ohio upbringing are a major part of his story, and with his melting pot of styles, influences, and cultures,\u003cspan\u003e \u003c\/span\u003eSinkane\u003cspan\u003e \u003c\/span\u003esets out to prove that we can be many things at once and still find acceptance and love.\" - Timothy Monger\n\u003cp\u003ein his own words:\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"It’s easy to be angry in moments like now. And that’s OK. But it takes courage to turn that anger into productive energy. The previous Sinkane album, 2017's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLife and Livin' It\u003c\/em\u003e, was released at a very crazy time: things like the Muslim ban, police shooting unarmed people of color, massive corruption in my native Sudan, fake news, Donald Trump, Brexit and so many other calamities all really forced me to think about my place in the world as a musician. I began to think about how I could use my music in a constructive way — not only to help myself but to help others who feel frustrated and powerless.\u003c\/p\u003e\n\u003cp\u003eI’m not a newbie to hate: I’m black, Muslim and even though I'm an American I'm often made to feel like a foreigner in my own country. And sometimes I\u003cspan\u003e \u003c\/span\u003e\u003cem\u003edo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeel like a foreigner — in fact, I once made a whole album, 2012's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMars\u003c\/em\u003e, about that feeling. I’ve made a lot of music out of my life story but I’ve always kept things vague enough that anyone listening to my music could relate to it on their own terms. And yet I have to admit that I never truly felt satisfied with that. I eventually realized that, in order to truly connect with other people, I first needed to connect with myself on a deeper level than before.\u003c\/p\u003e\n\u003cp\u003eThroughout the making of my new album I kept asking myself the same question: “As an immigrant to America, where do I belong?” So, during the writing process, I worked mainly by myself so that I could ensure the most honest and personal answers to that question. I read books by Joseph Campbell, the late novelist\/cultural theorist Daniel Quinn, Ta-Nehisi Coates, Pakistani novelist Mohsin Hamid, and the late African-American memoirist Philippe Wamba, hoping they’d guide me to some kind of answer. Then, one day when I was wandering around the fertile desert of the internet, I stumbled upon an amazing word: dépaysé.\u003c\/p\u003e\n\u003cp\u003eDépaysé is a French word that basically means “to be removed from one’s habitual surroundings.” By extension, it means to be disoriented, homeless. That's a feeling I relate to very much in these times — and I don’t think I’m the only one who feels this way. That word gave me clarity and made the journey inward that much more exciting.\u003c\/p\u003e\n\u003cp\u003eAfter I finished writing the album I brought the music to my band. Sinkane is an American band comprised of people from all over the world: I am Sudanese, guitarist Jonny Lam is Chinese, keyboardist Elenna Canlas is Filipina, drummer Chris St. Hilaire is Trinidadian, and bassist Michael “Ish” Montgomery is Black American. Our collective experience as children of the diaspora helped bring the music to life in the most honest way possible.\u003c\/p\u003e\n\u003cp\u003eSo here we are.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDépaysé\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the story of an immigrant’s journey of self-discovery in the Trump era. The music is loud and raw, and it's bursting with energy unlike anything I’ve ever done before. It starts with a call to arms: “Everybody,” a rock \u0026amp; roll song in the spirit of Sly Stone and funky early-'70s Afro-rock bands like the Funkees and the Hygrades. Every day we wake up to another horror story about racism, and it’s left many of us angry, confused and frustrated. But we can change the news for the better. We can show people that a multicolored world is a beautiful one. Celebrating our differences yields beauty in life. And that takes... everybody.\u003c\/p\u003e\n\u003cp\u003eThe second song of the album, the desert blues\/dancehall-tinged “Everyone,” continues that line of thought to its logical conclusion: love is the key to helping us understand one another.\u003c\/p\u003e\n\u003cp\u003eThe psychedelic, groovy East African-inspired title track came to me in a dream: I dreamed I was walking the streets of Omdurman at night, a city along the Nile in my native Sudan, when I heard someone playing guitar and singing in Arabic. It turned out to be my father! He was sitting cross-legged on the ground, under a streetlight in front of my childhood home. His voice sounded hypnotic, raw and powerful as he sang: “I am your life\/And all of our lives\/From within the city until our uprising\/Our days have left us in the city and, with our imagination, we move forward.” He sang that over and over, and I sing those same words in my song. This, along with the rest of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDépaysé\u003c\/em\u003e, has given me peace. I am no longer afraid of the unknown. I’m no longer confused about my duality of my Sudanese and American identities. Now I accept it. And it's made me feel new.\u003c\/p\u003e\n\u003cp\u003e“Ya Sudan” and “The Searching” explore that duality. In “Ya Sudan” I pay homage to my country of origin and in “The Searching” I discuss what it means to move forward from that. Truly understanding one's duality means seeing beyond where you came from: let go of any definition that others put on you and then you can truly see the beauty of your life experience. “Stranger” and “Be Here Now” address one of the most confusing aspects in the diaspora experience: religion. Lots of people have questions about their faith: What does this all mean? After all this work why do I still feel uncertain? What about all the bad people who are like me? And the good who are not? Those questions loom larger when you grow up with people different from you. I wanted to bring this up and let people like me know that they’re not alone in questioning their faith. I also thought it would be funny to spitefully ask God to take accountability for his actions. The Arabic lyrics translate to “Oh God, aren’t you our protector? Help me through these murky waters that seem part of your master plan.”\u003c\/p\u003e\n\u003cp\u003eAs always, I'm inspired by Sly Stone, Fela Kuti, George Clinton and Bob Marley, as well as the beautiful music of east Africa (especially the Dur Dur Band from Somalia, Mulatu Astatkefrom Ethiopia, and Mohammed Wardi from Sudan). These people all spoke their minds confidently in front of a beat that made you dance. They welcomed every kind of person into their worlds with open arms. We live in an often terrible time but that shouldn’t silence our desire to have a good time. To dance. To dream. To love. To be one with the world. To realize that we’re not alone.\u003c\/p\u003e\n\u003cp\u003eI want to make it clear that the world is a better place because of our differences. We’re all strangers in this ever-stranger land of America. We are\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eall\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ethe American Dream.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDépaysé\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a place we can all know as home, with elements of all our homes. It's an act of imaginary cartography — on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMars,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eI called that place “Caparundi,” a place where Africa, North America, South America, Asia, and the Caribbean all meet in joyous harmony. The music is playing there all night long. Come in and dance and sing. And stay for the conversation.\u003c\/p\u003e\n\u003cp\u003eSincerely,\u003c\/p\u003e\n\u003cp\u003eAhmed Gallab\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Default Title","offer_id":29240378261574,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/SINKANE.jpg?v=1562146044"},{"product_id":"hussy-the-looming-new-lp","title":"Hussy, The - Looming - New LP","description":"\u003ch1\u003e\u003cspan\u003e\u003cspan style=\"color: #ffff00;\"\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813453384\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=868929967\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/the-hussy-looming\" data-mce-href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/the-hussy-looming\"\u0026gt;The Hussy - Looming by Dirtnap Records\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813453384\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=985001512\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/the-hussy-looming\" data-mce-href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/the-hussy-looming\"\u0026gt;The Hussy - Looming by Dirtnap Records\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003eGreen Noise exclusive: 160 opaque yellow vinyl!\u003c\/span\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813453384\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/the-hussy-looming\" data-mce-href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/the-hussy-looming\"\u0026gt;The Hussy - Looming by Dirtnap Records\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eThe Hussy -\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLooming\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eLP (Dirtnap)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\"This band is an explosive can of trick snakes on every song on this record.\u003cspan\u003e  \u003c\/span\u003eSometimes you get girl group garage stuff, sometime you get full throttle synth buzzing psyche-punk, but whatever it is you get rest assured it is played with a lot of gusto and charisma.\u003cspan\u003e  \u003c\/span\u003eYou can say a lot about The Hussy but boring isn’t EVER one of them.\u003cspan\u003e  \u003c\/span\u003eGreat record!\" - JC (Audio Ammunition)\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp\u003e“It may surprise a few to learn that \u003cstrong\u003eThe Hussy\u003c\/strong\u003e formed over a decade ago, their erratic path has seen them tour pretty much everywhere and with pretty much everyone and release recordings for over twenty record labels, now the duo of \u003cstrong\u003eBobby Hussy\u003c\/strong\u003e and \u003cstrong\u003eHeather Hussy\u003c\/strong\u003e have augmented the \u003cstrong\u003eThe Hussy\u003c\/strong\u003e‘s line up with the addition of new full time guitarist \u003cstrong\u003eTyler Fassnacht\u003c\/strong\u003e\u003cstrong\u003e.\u003c\/strong\u003e Armed with a new heavier direction and an expanded line up and with \u003cstrong\u003eDirtnap Records\u003c\/strong\u003ebecoming their latest record label, \u003cstrong\u003eThe Hussy\u003c\/strong\u003e have today released their sixth studio album “\u003cstrong\u003eLooming\u003c\/strong\u003e” that follows on from 2015’s “\u003cstrong\u003eGalore\u003c\/strong\u003e“. \u003c\/p\u003e\n\u003cp\u003e“You may well have encountered \u003cstrong\u003eThe Hussy\u003c\/strong\u003e before and not realised, not content with their prolific output the band’s members have also recorded and played in \u003cstrong\u003eNobunny\u003c\/strong\u003e, \u003cstrong\u003eProud Parents\u003c\/strong\u003e, \u003cstrong\u003eCave Curse\u003c\/strong\u003e and\u003cstrong\u003e Fire Heads\u003c\/strong\u003e to name but a few, but they always return to \u003cstrong\u003eThe Hussy. \u003c\/strong\u003eFor those not familiar with \u003cstrong\u003eThe Hussey\u003c\/strong\u003e‘s long and chequered history a glance at the album art for “\u003cstrong\u003eLooming\u003c\/strong\u003e” with it’s primary colours, pyramids, plants and floating eye you might be forgiven for presuming that this is some kind of neo-psychedelic throwback, if you have made such an assumption then you are about to be schooled in the art of not judging a book (or album) by it’s cover.\u003c\/p\u003e\n\u003cp\u003e“From the opening onslaught of “\u003cstrong\u003eCoast\u003c\/strong\u003e” it’s clear this ain’t the summer of love, this is a supercharged eccentric hybrid of punk rock, power pop and snarling garage, sixteen tracks are packed into an intense 27 minute rollercoaster that packs a real punch. Everything is delivered in an amphetamine blur, the alternating lead vocals of \u003cstrong\u003eBobby Hussy\u003c\/strong\u003e and \u003cstrong\u003eHeather Hussy \u003c\/strong\u003egive each track a different character and moments of eccentricity act as punctuation. You can’t compare \u003cstrong\u003eThe Hussy\u003c\/strong\u003e to anyone else, there will be moments of fleeting recognition, but these are short lived as \u003cstrong\u003eThe Hussy \u003c\/strong\u003eonce more head off down their own eccentric and idiosyncratic path, a path that you’ll inevitably find yourself following them down.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003ca href=\"https:\/\/audioammunition.blogspot.com\/2019\/10\/music-to-purge-post-summer-blues.html?fbclid=IwAR3uzuSu4RV0kZEh4AlXlR49Yh5tD1KyR1_x4rckHypRAvV3aH5dOoLjy9I\"\u003e\u003c\/a\u003eCatalog Number: ZZZ-161.  Format: LP\/CD\u003c\/p\u003e\n\u003cp\u003eTrack List:\u003c\/p\u003e\n\u003cp\u003e1. Coast\u003cbr\u003e2. Have To Hide\u003cbr\u003e3. Down In The Dirt\u003cbr\u003e4. No Credit\u003cbr\u003e5. Sorry\u003cbr\u003e6. Tower\u003cbr\u003e7. Better Stuff\u003cbr\u003e8. Hung Up (Circle)\u003cbr\u003e9. Tyler’s Jazz Odyssey\u003cbr\u003e10. Ode To Self\u003cbr\u003e11. Erase\/Her\u003cbr\u003e12. Cornflakes\u003cbr\u003e13. History Lesson – Part III\u003cbr\u003e14. Be My Girl\u003cbr\u003e15. That’s The Way It Is (It Is)\u003cbr\u003e16. Rewind\u003c\/p\u003e\n\u003cp\u003eAt the end of 2018, The Hussy started tracking their new LP, \u003cem\u003eLooming\u003c\/em\u003e, the follow-up to their fifth studio album, \u003cem\u003eGalore\u003c\/em\u003e (2015 - Southpaw Records). \u003cem\u003eGalore\u003c\/em\u003e saw the band move into a more focused direction with earnest mid-fi production and added arrangements, while still keeping true to Bobby and Heather's knack for writing catchy pop morsels. \u003cem\u003eLooming\u003c\/em\u003e takes the band in a decidedly dismal and defiantly dark direction. It tackles topics such as death, sudden loss, divorce, addiction and these politically times we live in. The record is 16 tracks of trash-pop that run the entire gamut of punk-rock-n-roll. There are spacey leads, heavy sonics, slicing rhythms and generally gnarly sounds all tucked beneath The Hussy's patented blanket of hook. This is the \"new\" heavier three-piece version of The Hussy, but the band hasn't lost any of it's knack for a sugar sweet melodies. Looming will be released by Dirtnap Records in Fall of 2019 and the band will be embarking on US and European Tours.\u003c\/p\u003e\n\u003cp\u003eThe Hussy formed as a duo in Madison, WI during in June 2008. Fronted by both Bobby Hussy (Guitar\/Vocals) and Heather Hussy (Drums\/Vocals), the band carved a trash-punk path through the 2000s into the 2010s playing shows alongside contemporary peers and timeless classics such as Mudhoney, Ty Segall, Thee Oh Sees, Reigning Sound, The Black Lips, King Khan \u0026amp; BBQ, The Faint, Tenement....and way too many more to all mention here. Known for their intensely chaotic live shows, The Hussy quickly gained a cult following in the Midwestern underground.  After the release of the band's classic and long sold-out sophomore LP, \u003cem\u003eWeed Seizure\u003c\/em\u003e (2012 - Tic Tac Totally), they played pinnacle garage rock festival Gonerfest in Memphis. The band is slated to play Gonerfest 16 later this year. In 2014 The Hussy pulled double duty as both the opening and backing band for punk rocker NOBUNNY through tours of the US and Australia\/New Zealand. Bobby Hussy has since moonlighted with Nobunny on-and-off as bass player extraordinaire during a 2018 European Tour and some US tour dates.\u003c\/p\u003e\n\u003cp\u003eThe Hussy's hyper-prolific output has spanned 20+ different record labels and every format imaginable. Both Bobby and Heather write songs and contribute equally to the project. Nearly all releases have been tracked by Bobby Hussy himself. In 2015 The Hussy added Tyler Fassnacht (Fire Heads, Proud Parents, T.S. Foss) as an official full-time third member to help fill out the sound. Now bolder and noisier than ever, The Hussy is exciting old and new fans alike with scuzz-pop gems chock full of hooks that rot and stick.\u003c\/p\u003e\n\u003cp\u003eBobby and Heather have spent the last few years performing and touring in a few other Midwestern projects. Heather's jangle pop outfit Proud Parents released an LP via Dirtnap Records in 2018. Bobby's synthwave post-punk band, Cave Curse, released an LP via FDH Records and P. Trash in late 2017. Bobby also performs in Fire Heads with Tyler Fassnacht and they are currently releasing records via Big Neck Records.\u003c\/p\u003e\n\u003cp\u003eJanuary 2019: \"Here in the midwestern tundra, January can be a sleepy time for shows by touring bands, but no matter where or when Madison garage punks the Hussy play a gig, they heat things up—or even set them on fire. Guitarist-vocalist Bobby Wegner (who also runs DIY label No Coast) estimated that since he and drummer-vocalist Heather Sawyer joined forces in the summer of 2008, he’s set his instrument ablaze about 100 times. Bobby Hussy, is plenty twisted, but it comes out in waves of ecstatic feedback and grimy, fuzzed-out guitar, which he uses to fan the flames of feel-good punk-rock chaos. They’ll make it worth your while to leave home on a cold winter night.\" \u003c\/p\u003e\n\u003cp\u003e\"The best scuzzy rock'n'roll bands make it look easy, but it isn't...Heather Hussy's vocal work is dynamic—the perfect foil to the track's instrumental barrage, with no need to lean on some flashy guitar solo. The power here is in speed and volume; with a solid \"WOO!\" at the finish.\" PITCHFORK \u003c\/p\u003e\n\u003cp\u003e\"The Hussy hail from what the psych-punk duo describes as “the politically charged cheese rectum that is Madison, Wisconsin,” but Bobby and Heather Hussy’s surf-squall sounds born of the same West Coast garages where Ty Segall and crew conjure vast volumes of fuzz.\" SPIN \u003c\/p\u003e\n\u003cp\u003e\"Bobby and Heather Hussy are really good at writing songs that ramp up aggression...Their tambourines and acoustic guitar offer an ideal contrast to their fuzz pedals...they're writing strong, catchy songs.  PITCHFORK \u003c\/p\u003e\n\u003cp\u003e \"Kicks in the face. Guitars on fire. Catchy psychedelic punk that shakes you. Madison duo the Hussy is getting so good at what it does it may not stay underground for long.\" MILWAUKEE JOURNAL SENTINEL\u003c\/p\u003e\n\u003cp\u003e\"The Hussy, a punk duo from Madison, Wisconsin reads like a flashback jingle from the era pre-Drake and his overproduced cronies. The Hussy bring purity back to rock and roll...hum-along sweetness anyone who owns a Squeeze record will appreciate.\" \u003c\/p\u003e\n\u003cp\u003e\"They are catchy and upbeat, which i always like. They're also raw and very lo-fi, which I also happen to like. The fact that they have the male\/female competing vocals just seals the deal, I am not kidding you. From Madison, Wisconsin, This is the Shit.\" MAXIMUM ROCK N ROLL\u003c\/p\u003e\n\u003cp\u003e\"This awesome slab of trash genius is guaranteed to cause mass Huss-teria at your high school dance, book club, circle jerk, PTA meeting, rumble, yoga class, or any other gathering where you are ready to get things batshit out of control. Best thing created in Wisconsin since they constructed the turrets on the Mars' Cheese Castle.\" ROCTOBER\u003c\/p\u003e\n\u003cp\u003e\"Just when we were starting to think the world didn't need another retro-tinged garage band, the Hussy come along and prove the world needs at least one more.\"  THE BOSTON PHOENIX \u003c\/p\u003e\n\u003cp\u003e\"This is super fun pop-punk that's lyrically clever and musically talented. The Hussy is total rock, complete with sleazy, distorted solo-ing and bizarre, chant-like lyrics that are almost provocative, but instead make no sense - which rules because it makes it super easy to bounce around to and not be bored.\" -MAXIMUM ROCK N ROLL\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Opaque Yellow Vinyl","offer_id":29382228738118,"sku":"","price":13.99,"currency_code":"USD","in_stock":false},{"title":"Black Vinyl","offer_id":29382213566534,"sku":"","price":13.99,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":29382234931270,"sku":"","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Hussy_Looming.jpg?v=1571569339"},{"product_id":"kicker-pure-drivel-new-lp","title":"Kicker - Pure Drivel [Coke Bottle \u0026 Black Half-n-Half Vinyl MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e 2019. UK meets East Bay punk rock. Fronted by Pete the Roadie and backed by members from Operation Ivy, Dystopia and Neurosis.\u003c\/p\u003e\n\u003cp\u003e“That Kicker is solid punk rock shenanigans” —Ami Lawless.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCoke Bottle Green \u0026amp; Black Half-n-Half Vinyl \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2560900729\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/downloads.tankcrimes.com\/album\/pure-drivel\" data-mce-href=\"http:\/\/downloads.tankcrimes.com\/album\/pure-drivel\"\u0026gt;Pure Drivel by Kicker\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRAZORCAKE: \"I kind of avoided this band for a while. I used to stay in a building next to a punk house and I got to know the tenants. We put up with each other despite my haircut and imported clothing—and I loved bonding with them over shared favorites like His Hero Is Gone—but when they suggested I check out this “very English punk-sounding” band Kicker I didn’t really take them seriously. Somehow the “ex members of” list, including folks from great bands like Dystopia and Neurosis, turned me off even more because I figured they should be sticking to what they do well and leave the whole crappy street punk thing to suburban bar bands dreaming of becoming the next Street Dogs (because that’s a barometer for success these days) and damn if I’m not eating my words on this one because this piece of plastic—their third full length release—is chock-full of straight rippers that are a blend of the darker elements of Sub\/Hum\/Ans, rough melodies of Oxymoron, and the intensity of early Rudimentary Peni, but with a more rock back beat. It’s such a simple, stupid sound that is the result of several people who obviously own way too many fucking records putting all them together. Great lyrics that aren’t cheesy. This is cheeky in a good way. It rocks in a good way. It’s punk in a good way.\" –Ian Wise \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"As a teenaged asshole hating every option I’d ever been given in life, fuckin’ music for that matter, it was the 20 minute hardcore 12″ that finally had me pissing up a rope trying to write about music that excited me. What the hell ever mattered to me at that point, jerking off or getting high (or both), died screaming as soon as I’d picked up a few shitty Portland-assed 90’s zines and a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBad Brains\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erecord. Today the futility of growing up and not calming down is probably some kind of cosmic torture, somehow even worse than listening to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePleasants-\u003c\/em\u003eera\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSuicidal Tendencies\u003c\/strong\u003e, yet I feel like less of a worthless heel in firing up Oakland, California punks\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e‘s third full-length ‘Pure Drivel’. Not because they ‘get’ it or because they’ve re-lit that old idealism in my failing mind but, because they’ve finally shoved that pretense off a three story building and popped my skull like a melon.\u003c\/p\u003e\n\u003cp\u003e\"You’re getting all that old straight-forward anarcho-punk spirit with some ’79 Oi! from the jocularly outrage of \u003cem\u003ePete the Roadie\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewhose ‘fuck, whatever’\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMicky Fitz\u003c\/em\u003e-esque jawing lends a classic UK punk retch to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e‘s evolved form of post-and-pre-Gilman East Bay punk rock. Though\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePete\u003c\/em\u003e‘s presence was a big deal from the start I don’t feel like he made it a big stink until the band’s second album, ‘Rendered Obsolete’ (2016), despite how memorable the single for “Innit” was on the debut; There he and bassist\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDave Edwardson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eNeurosis\u003c\/strong\u003e) would trade off once in a while but\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker \u003c\/strong\u003ewouldn’t truly feel like a ‘classic’ band until\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePete\u003c\/em\u003e‘d get weirder with his snot. Specific punk nostalgia is messy thing to work with because it can be a sore reminder that nothing was as it ever was; The twisted looks on my face after disproving any reminiscing over similarities with classic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eConflict\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAus Rotten\u003c\/strong\u003e must have been priceless. I wouldn’t say \u003cem\u003eMatt Parrillo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eDystopia\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMindrot\u003c\/strong\u003e) cranks far outside of the box on ‘Pure Drivel’ but this is a clean, composed and tightly wound record clearly not whipped out by drug-addled teenagers. That precision is even more pronounced throughout ‘Pure Drivel’ as drummer\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDave Mello\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cstrong\u003eOperation Ivy\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSchlong\u003c\/strong\u003e) has a style that feels a bit more effortless than drummers previous. If you want to see the album as any kind of ‘throwback’ beyond its songwriting, flick on a pair of deeply rose-colored glasses and pretend this isn’t a professional record from way old pros.\u003c\/p\u003e\n\u003cp\u003e\"That old feeling and this new fidelity is the knife that the war-disturbed veteran would use to slit their wet-nurse’s throat before escape and it is a glorious sort of violence when it works. My favorite example might be the return of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDischarge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecirca 2002 but, it is all the more exciting when those names we know crank out a new original, so I appreciate that this certifiable ‘supergroup’ don’t appear to be screaming ‘remember us, you fucking cunts?’ at any point. What I love about ‘Pure Drivel’ is that you’re getting a raw point of view, a personality and an attitude that persists by ‘classic’ means but isn’t a forced chunk of worship. The tracklist is a minefield for the overly serious listener and a few key moments will diffuse anyone who’d show up to a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ealbum looking for a call to arms or revolution; Instead\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePete\u003c\/em\u003e‘s a storyteller, a man of many gripes who’ll have just as many jokes to tell, and this comes up front with the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBiafra\u003c\/em\u003e-esque “Mrs. Arnold” and doesn’t let up ’til the excessive end of “Goodnight and Fuck Off”. That mix of California hardcore punk and UK ’82 should feel like some sort of long forgotten mid-80’s record that has been remastered for 2019 and I’m grateful they haven’t phoned in the songwriting.\u003c\/p\u003e\n\u003cp\u003e\"I’m still an irritable shit, though, and there were a couple tracks here that I’d ended up skipping over beyond the tenth or so spin (“Goodnight and Fuck Off”, “Wankers on the Bus”). The strongest points of interest for my own taste came when\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKicker\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewere at their most straight forward, “Down in the Bunker” is so pure I had to check if it was a cover, “Can’t Sleep” could very well be my theme song for the last few years, and I really liked “TL: DR” if only because I got more\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEdwardson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecirca ‘Pain of Mind’ (with a brief\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBlatz\u003c\/strong\u003e-like progression on the side) thanks to his shouts. Again, “Mrs. Arnold” is a centerpiece that comes after the almost melodic hardcore intro track, it resonated with me a bit like\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Business\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecirca ’97 when they’d comeback from the flop of ‘Keep the Faith’ going a bit harder. I could go on but each of these songs has its own appeal, some better than others, and the overall “Fuck off” of the experience resonates longer than any of the catchy punk songs within. I had fun with ‘Pure Drivel’ and I’d give moderately high recommendation of it to the punk inclined. For preview I’d say “Pure Drivel” or “Oxycontin and Vodka Pills” are good introductions to their sound and “Down to the Bunker” is my favorite but, “Mrs. Arnold” makes the most compelling first impression.\" - terraasymmetry\u003c\/p\u003e","brand":"Tankcrimes Records","offers":[{"title":"Default Title","offer_id":29436181643334,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-13229725-1592888769-7232_jpeg.jpg?v=1625893149"},{"product_id":"harrington-saints-1-000-pounds-of-oi-new-lp","title":"Harrington Saints - 1,000 Pounds of Oi! [RED VINYL] - New LP","description":"\u003cp\u003eRed vinyl.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258539581\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/harringtonsaints.bandcamp.com\/album\/1000-pounds-of-oi\"\u003e1000 POUNDS OF Oi! by Harrington Saints\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Despite my love of oi and street punk, I had somehow never heard the Bay Area’s Harrington Saints. They’ve been around for a decade already, and \u003c\/span\u003e\u003ci\u003e1,000 Pounds of Oi!\u003c\/i\u003e\u003cspan\u003e Is their third full length. I did recognize the familiar voice as soon as the needle hit the groove. Vocalist Darrel Wojick also sings in a side project called Suede Razors, a glam and pub rock band that has released a slew of great singles that I’ve enjoyed over the last couple of years. The mission of Harrington Saints is much more straightforward. As a matter of fact, the name of the record pretty much sums it up. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"If you’re going to call your album \u003c\/span\u003e\u003ci\u003e1,000 Pounds of Oi!\u003c\/i\u003e\u003cspan\u003e, it better have a hell of a lot of oi on it. I’m happy to report that it does. You’ll hear classic influences like Cock Sparrer, Cockney Rejects and the Oppressed. The title track opens the record with \u003c\/span\u003e\u003ci\u003e“They called us thousand pounds of oi!\/When we first hit the stage”\u003c\/i\u003e\u003cspan\u003e. These are five good sized boys. They might be up to 1,100 pounds of oi by now! The majority of the record is political. “Red State” and “Fremont Train” take aim squarely at conservative America. As a matter of fact, “State of Emergency”, “Broken Windows”, “Now More Than Ever” and “Rise Up” are all calls to action. Harrington Saints are certainly more left leaning than many of their street punk peers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"“Pressure” and “Counter Attack (Bread \u0026amp; Roses Pt. 2)” offer more standard oi fare and talk about the struggle of the working man. The only light hearted song, other than maybe the title track, is “Rock-N-Rolla”. Not surprisingly, that’s the one that sounds most like a Suede Razors tune. If passionate, politically charged oi and street punk is your thing, you should definitely check out Harrington Saints. If you’re like me, it will be better late than never. The old school black and white boombox on the cover is pretty cool too. Besides, \u003c\/span\u003e\u003ci\u003e1,000 Pounds of Oi!\u003c\/i\u003e\u003cspan\u003e, breaks down to 100 pounds of oi per song. That really is a hell of a lot of oi!\" - Tom Trauma (punknewsorg.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e---------------\u003c\/p\u003e\n\u003cp\u003e\"They called us 1000 Pounds of Oi! when we first hit the stage. No one could have known the fire in our hearts. We play it hard. We play it true. It’s all we wanna do. So, come along and we’ll do it just for you!\"\u003cbr\u003e\u003cbr\u003eThis band couldn’t have led off their new album with a more fitting synopsis of why they’ve been so loved for the last decade. Relentless, they never give up. They never give in. Only their third proper full-length amidst a dozen singles and EP’s, this in-your-face contribution to the world of streetpunk and Oi! is hands-down their finest work to date.  Never without a poignant message for the working class, these guys have delivered in prime fashion one of the best Bay Area streetpunk albums released in a long time!\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThese 10 songs are a pulse-pounding, thought-provoking, scathing critique of the status quo, and an empowering call-to-arms for people to come together as a community and society, to resist against all forms of oppression!\u003cspan\u003e  \u003c\/span\u003eAn uplifting message to the working class is what fans of Harrington Saints have come to expect and revel in - and with this album, they deliver 1000 POUNDS of it.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTRACK LISTING:\u003cbr\u003e1. 1000 lbs. of Oi!\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e2. Red State\u003cbr\u003e3. Fremont Train\u003cbr\u003e4. Pressure\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e5. State Of Emergency\u003cbr\u003e6. Rock N Rolla\u003cbr\u003e7. Broken Windows\u003cbr\u003e8. Counter Attack\u003cbr\u003e9. Rise Up\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e10. Now More Than Ever\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis release contains a digital download.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDuring the band's early days, they were constantly referred to as the cream of the new Street Punk and Oi! crop, HARRINGTON SAINTS picked up the banner to lead the charge of the world-wide resurgence of the genre. The new breed are coming. HARRINGTON SAINTS are behind the wheel \u0026amp; gassed up. Get on board. It's relentless.\u003c\/p\u003e","brand":"Pirate's Press Records","offers":[{"title":"Default Title","offer_id":29448250064966,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Harrington_Saints_-_1_000_Pounds_of_Oi.jpg?v=1564383252"},{"product_id":"armada-bandeira-negra-new-lp","title":"Armada - Bandeira Negra - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhite vinyl. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215670051\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/armadapunkrock.bandcamp.com\/album\/bandeira-negra\"\u003eBandeira Negra by Armada\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor over two decades the Brazilian punk rock flagship, Blind Pigs, sailed the wild and tempestuous seas of what punk rock can be in South America. They were hailed by many to be Brazil’s answer to Rancid, singing in their native tongue and amazing audiences with the sheer energy and passion of their live performances. In early 2016, after the passing of a key contributor, that battle-weary ship cast anchor, never to sail again. Four of its remaining seamen boldly decided to carry on, enlisting one more sailor to join the ranks of the ARMADA.\u003c\/p\u003e\n\u003cp\u003eArmada will go where the Blind Pigs couldn't go. Fans expected straight-up street punk, and that's what they delivered. With Armada, these five talented and experienced musicians can finally try to play with new sounds, and incorporate new influences - and ultimately play whatever the fuck kind of punk they want to play.\u003c\/p\u003e\n\u003cp\u003eThis release contains a digital download.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LISTING:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSide A:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e1. Semper Adversus\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e2. 1982\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e3. Armada\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e4. Punk da Pedreira\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e5. Eterno Marujo\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e6. Mares Bravios\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e7. O Odio Venceu\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e8. Indios Corsarios\u003c\/p\u003e\n\u003cp\u003eSide B:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e9. Bandeira Negra\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e10. Proxima Estacao\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e11. Comandos Em Acao\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e12. Lisboa\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e13. Faca \u0026amp; Fogo\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e14. Tirania\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e15. Desperdicio de Milagre\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e16. Cobra Criada\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e17. Um So Refrao\u003c\/p\u003e\n\u003ch3\u003ePRESSING INFORMATION\u003c\/h3\u003e\n\u003cp\u003e250pcs. - 12\" White Vinyl\u003c\/p\u003e","brand":"Pirate's Press Records","offers":[{"title":"Default Title","offer_id":29448369340486,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Armada.jpg?v=1564384216"},{"product_id":"vicious-cycles-the-motorcycho-new-lp","title":"Vicious Cycles, The - Motorcycho - New LP","description":"Now we're talkin', Billy Bones and the boys!  From Vancouver!  Motorcycle songs!  Enough about love and alligators!  More songs about food and motorcycles!   R\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eed \u0026amp; Baby Blue \"Galaxy\" Vinyl - 500 Copies Pressed.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2468065984\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/theviciouscycles.bandcamp.com\/album\/motorcycho-2\"\u003eMotorcycho by The Vicious Cycles\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":29448464236614,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Vicious_7606dcc2-e96b-4d55-983e-99a6df2867e7.jpg?v=1564385420"},{"product_id":"earth-full-upon-her-burning-lips-2xlp-new-lp","title":"Earth - Full Upon Her Burning Lips [2xLP] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2729236552\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/earth.bandcamp.com\/album\/full-upon-her-burning-lips\"\u003eFull Upon Her Burning Lips by Earth\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith their latest album 'Full Upon Her Burning Lips', Earth have stripped away the layers and auxiliary instrumentation that embellished some of their previous records and have deconstructed their dynamic to the core duo of Dylan Carlson on guitar and bass and Adrienne Davies on drums and percussion. The ten tracks on 'Full Upon Her Burning Lips' came together in bits and pieces. Some songs stemmed from a handful of musical phrases and repeating patterns concocted in moments of downtime during their 2017 tour schedule, while others came from rehearsals in the months leading up to recording or in moments of divine inspiration in the studio. The record was engineered, mixed, and mastered by longtime associate Mell Dettmer at Studio Soli. Knowing their process and their sound, Dettmer helped harness, shape, and document the songs in a manner that highlights the depth of Earth’s sparse components, capturing a hidden dimension to the patterns and creating a kaleidoscope of auditory activity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eParing down the band's lineup to just himself and longtime drummer Adrienne Davies, Carlson places his own focus on riff and rhythm over drone, which is not to say that he's left the latter behind. Far from it. What is different is the prominence of Davies' drums here, which previously held a subservient role in the articulation of Earth's music. Here they act as a proper foil for Carlson's glorious, hypnotic repetition delivering accents, fills, and even breaks and spiny shuffles as the guitarist explicates the hidden melodies inside the layered guitars and basses. Set-opener \"Datura's Crimson Veils\" commences with single notes and droning feedback before Davies enters; Carlson showcases the hub of the primal Black Sabbath-ian riff that he explicates throughout in unison with the drummer as subtle overtones, peals of feedback, and distortion project Earth's power and rawness for more than 12 minutes. \"Cats on the Briar\" is another rockist undertaking, but the snare and kick drum shuffle at its heart makes room for Carlson to highlight his melody as the riff. A stop-and-start pattern inserted into the framework of changes on \"The Colour of Poison\" contrasts deliciously with undulating waves of volume. \"Descending Belladonna\" is a circular cascade of notes that travel down the neck, with pauses for feedback, a brief cymbal or snare accent, and a low-tuned bass that creates a circular pulse. The M.O. on the nearly-13-minute \"She Rides an Air of Malevolence\" is to parse angular, psychedelic riffs that slowly envelop the listener. The shuffling drums add heft and authority to the layered guitar and basses. Davies' kit does takes a more backseat approach on the languid \"Maiden’s Catafalque,\" with its undulating Americana phrasing and languorous syrup of delay that ultimately creates a seductive yet disquieting theme. \"A Wretched Country of Dust\" is a cinematically inspired, inverted processional with three harmonically interactive guitar melodies. Combined with Davies' kit, the layered harmonics open spaces and tensions inside the changes, offering the impression of a sunlit intro rather than a set closer. Full Upon Her Burning Lips is sumptuous, a return to basics informed by Earth's decade-and-a-half period of discovery. The album's impeccable balance of those poles places it among the band's finest recorded offerings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sargent House Records","offers":[{"title":"Default Title","offer_id":29479879966790,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-SH-209_748d4770-db2c-456f-8114-687a7d49bfd6.jpg?v=1578287073"},{"product_id":"human-switchboard-whos-landing-in-my-hangar-new-lp","title":"Human Switchboard - Who's Landing in my Hangar? [Marbled purple vinyl] - New LP","description":"\u003cp\u003e2019 reissue of 1981 album.  Marbled purple vinyl.  Ohio rocks!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003eMark Demming: \"Most music writers seemed incapable of discussing\u003cspan\u003e \u003c\/span\u003eHuman Switchboard\u003cspan\u003e \u003c\/span\u003ewithout mentioning\u003cspan\u003e \u003c\/span\u003ethe Velvet Underground, and there's no getting around the fact\u003cspan\u003e \u003c\/span\u003eRob Pfeifer's melodic style and clipped vocal delivery bears a certain resemblance to what\u003cspan\u003e \u003c\/span\u003eLou Reed\u003cspan\u003e \u003c\/span\u003ewas doing back in his formative days. But there's an emotional tension and sexual paranoia in\u003cspan\u003e \u003c\/span\u003ePfeifer's work that sets him decidedly apart from\u003cspan\u003e \u003c\/span\u003ethe Velvets\u003cspan\u003e \u003c\/span\u003eand their many followers, and songs like \"This Town\" and \"Refrigerator Door\" speak of a grim, landlocked existence that would likely not have occurred to anyone outside of the Midwest. And while\u003cspan\u003e \u003c\/span\u003ePfeifer's jagged guitar has a certain\u003cspan\u003e \u003c\/span\u003eVelvets-like quality, the homey buzz of\u003cspan\u003e \u003c\/span\u003eMyrna Marcarian's Farfisa organ makes it clear there's more than a little garage in this band's formula, and there's a weary wisdom to\u003cspan\u003e \u003c\/span\u003eMarcarian's occasional vocals that's human and endearing. While\u003cspan\u003e \u003c\/span\u003eHuman Switchboard\u003cspan\u003e \u003c\/span\u003eleft behind a pair of live documents,\u003cspan\u003e \u003c\/span\u003eWho's Landing in My Hangar?\u003cspan\u003e \u003c\/span\u003ewas their only studio album, and while the Spartan, low-budget production isn't always flattering to the band's sound, the cutting emotional clarity of these songs shines through; perhaps this isn't the ideal\u003cspan\u003e \u003c\/span\u003eHuman Switchboard\u003cspan\u003e \u003c\/span\u003ealbum, but it leaves no doubt that they were a great, passionate band with plenty to say, and\u003cspan\u003e \u003c\/span\u003eWho's Landing in My Hangar\u003cspan\u003e \u003c\/span\u003epreserves ten of their best songs for the ages.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eDaggerZINE: \"Back in the 90’s a pal, Don Rettman actually, was visiting me out in California and he had gone to a record store and found this album, handed it to me and said “I got this for you…you like melodic stuff, I think you’ll really like it.” He was right. The Cleveland, OH-based trio of Bob Pfeifer on guitar vocals, Myrna Marcarian on piano\/organ\/vocals and drummer Ron Metz certainly created a unique sound, one that’s hard to pin down, even today. There’s an obvious love of the Velvet Underground but I also hear garage rock of the 60’s and some snarls of the punk scene that was just getting started. The way these three (with a rotating cast of bass players) blended all of these elements into this spell binding stew is, well, unique and spell binding. They set the tone from the get go with the incredible opener “(say no to) Saturday’s Girl’ and then rip right into the classic title track. Later on “No Heart’ goes off the rails in a frenzied freakout (in the best way possible) while the Marcarian-sung “I Can Walk Alone” is a pulsing, driving monster. That’s just a handful of the tunes here but there’s 10 songs in all and not a dog in the pack. This was the band’s only full-length but they \u003c\/span\u003e\u003ci\u003edefinitely \u003c\/i\u003e\u003cspan\u003emade it count. This beautiful reissue that was long overdue (it got reissued on cd on the Bar None label in 2011). Keep this one in print now and forever. \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":29489120084038,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Human_Switchboard_-_Who_s_Landing_in_my_Hangar.jpg?v=1565557283"},{"product_id":"active-listening-night-on-earth-new-lp","title":"Empath - Active Listening: Night On Earth [ROYAL BLUE VINYL Marked Down] - New LP","description":"\u003cp\u003e\u003cbr\u003eroyal blue vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1205052735\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/empathx.bandcamp.com\/album\/active-listening-night-on-earth\"\u003eActive Listening: Night on Earth by empath\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCatherine Elicson: Vocals and Guitar\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eEmily Shanahan: Keys\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eRandall Coon: Keys\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eGarrett Koloski: Drums\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe noise punk band broke onto the national scene with the release of 'Liberating Guilt and Fear' EP with renowned DIY Philly punk label Get Better Records which drew praise from Pitchfork, FADER, Rolling Stone and more, being compared to acts such as Broken Social Scene, Sonic Youth, Times New Viking, New Age and Priests. \u003c\/span\u003eEmpath began in 2016 when Garrett Koloski, Emily \"Jem\" Shanahan, and Catherine Elicson moved into a house in West Philadelphia together, with Randall Coon joining shortly after. Even with the simple vision to shred, there’s a natural sensitivity in the way Empath communicates. Between the contrast of Elicson’s lush, almost delicate vocals, Koloski’s boisterous drumming, and the half-harmonious wash of guitar and Shanahan and Coon’s synths, Empath equips us with a healthy dose of emotional repose.\u003cspan\u003e \u003c\/span\u003e Empath cemented themselves as\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eone of the buzziest emerging bands in indie music, being heralded as “America’s most inventive young psychedelic band” by Rolling Stone Magazine. They also garnered more support from Pitchfork, FADER, Stereogum, and more around “Soft Shape” and “Hanging Out of Cars,” the two standout singles from 'Active Listening: Night on Earth' LP. Their last single “Roses That Cry” received the “Best New Track” title from Pitchfork. Upon releasing the debut LP it received rave reviews from the top music publications in the world; being called “a noise pop gem” and given a 3.5\/5 stars by Rolling Stone Magazine and receiving an 8.0 from Pitchfork.\u003cspan\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003eAfter cultivating great success at the grass roots level Empath is ready to take the next step into their meteoritic rise with indie taste-maker Fat Possum Records. With the new global support of Fat Possum Records, Empath will be reissuing both 'Active Listening: Night on Earth' LP and 'Liberating Guilt and Fear' EP as a special edition dual-release with Get Better Records and taking to the road both in North America and overseas!\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Shaun Sutkus at Walter Schreifels's house in North Branch, NY\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMastered by Clay Jones at Pete’s Room, Oxford, MS\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"title\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Get Better Records","offers":[{"title":"Default Title","offer_id":29575251296326,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Empath_-_Active_Listening-_Night_On_Earth.jpg?v=1567389793"},{"product_id":"poison-idea-pick-your-king-e-p-new-lp","title":"Poison Idea - Pick Your King E.P. [WHITE VINYL] - New 12\"","description":"2023 reissue of the 1983 classic debut.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=729437053\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/poisonidea.bandcamp.com\/album\/pick-your-king\"\u003ePick Your King by Poison Idea\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n• New liner notes by Jerry A.\n• Features sticker, lyric sheet, credit sheet, and liner notes.\n• White vinyl edition limited to 1500 copies","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":29598604755014,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0705.jpg?v=1567964785"},{"product_id":"tanning-bats-on-the-assembly-line-of-heads-white-vinyl-new-lp","title":"Tanning Bats - On the Assembly Line Of Heads [IMPORT WHITE vinyl Green Noise USA Exclusive] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e (IMPORT WHITE vinyl Green Noise USA Exclusive) - New LP\u003c\/h1\u003e\n\u003cp class=\"Ld6Rm\"\u003e \u003c\/p\u003e\n\u003ch1\u003eGreen Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records! \u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"_3ikEe\"\u003eIf you want everything in your order to ship except the preorder, add the following $5 item to your order: \u003c\/p\u003e\n\u003cp class=\"Ld6Rm\"\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/products\/ship-early\" title=\"SHIP EVERYTHING EXCEPT PREORDER\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehttps:\/\/store.greennoiserecords.com\/products\/ship-early\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThis limited white-vinyl pressing (100 worldwide, all copies in the USA exclusively available at Green Noise Records).  Selling fast!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2863577067\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\"\u003e\u0026lt;a href=\"http:\/\/tanningbats.bandcamp.com\/album\/on-the-assembly-line-of-heads\" data-mce-href=\"http:\/\/tanningbats.bandcamp.com\/album\/on-the-assembly-line-of-heads\"\u0026gt;On The Assembly Line Of Heads by Tanning Bats\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit. \u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTanning Bats \u003c\/span\u003e\u003cem\u003eOn the Assembly Line of Heads\u003c\/em\u003e\u003cspan\u003e featured on \u003c\/span\u003e\u003cem\u003eRazorcake\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/razorcake.org\/razorcake-podcast-655-with-thirsty-thursdays-presented-by-the-dollar-boys\/\"\u003ePodcast #655\u003c\/a\u003e\u003cspan\u003e with Thirsty Thursdays Presented By The Dollar Boys (August 30, 2019).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBass: Robert Müller \u003cbr\u003eDrums \u0026amp; Percussions: Thomas Müller \u003cbr\u003eGuitars, Synth, Organ, Vocals \u0026amp; Backup Vocals: Assaf Bomgard \u003cbr\u003eAdditional Backup Vocals on 'The Riddle' - Andrija Spicanovic \u003cbr\u003eVocals on 'Malheur' - Zooey Agro \u003cbr\u003e\u003cbr\u003eAll songs are written and composed by Assaf Bomgard \u0026amp; Tanning Bats, apart from 'Malheur' - written by Zooey Agro, composed by Tanning Bats. \u003cbr\u003e'Rush Push Cash' - originally written by Yello, composed and arranged by Tanning Bats \u003cbr\u003e\u003cbr\u003eProduced and Arranged by Assaf Bomgard \u0026amp; Tanning Bats \u003cbr\u003eRecorded in June 2018 at the Bat Spa by Georg Pester \u003cbr\u003eMix - Felix-Florian Tödtloff \u003cbr\u003eMaster - Mikey Young \u003cbr\u003eArtwork - Burnbjoern \u003cbr\u003eOut on Twintoe Records June 2019\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599727943750,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Tannning_Bats_white_detail.jpg?v=1592197024"},{"product_id":"tanning-bats-on-the-assembly-line-of-heads-mint-vinyl-new-lp","title":"Tanning Bats - On the Assembly Line Of Heads [IMPORT GREEN-MINT vinyl Green Noise USA Exclusive) - New LP","description":"\u003ch1\u003eTanning Bats - On the Assembly Line Of Heads GREEN-MINT vinyl  Green Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records! \u003c\/h1\u003e\n\u003cp\u003eThis limited mint-colored vinyl pressing (100 worldwide, all copies in the USA exclusively available at Green Noise Records).  \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2863577067\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/tanningbats.bandcamp.com\/album\/on-the-assembly-line-of-heads\"\u003eOn The Assembly Line Of Heads by Tanning Bats\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit. \u003c\/h1\u003e\n\u003cp\u003eBass: Robert Müller \u003cbr\u003eDrums \u0026amp; Percussions: Thomas Müller \u003cbr\u003eGuitars, Synth, Organ, Vocals \u0026amp; Backup Vocals: Assaf Bomgard \u003cbr\u003eAdditional Backup Vocals on 'The Riddle' - Andrija Spicanovic \u003cbr\u003eVocals on 'Malheur' - Zooey Agro \u003cbr\u003e\u003cbr\u003eAll songs are written and composed by Assaf Bomgard \u0026amp; Tanning Bats, apart from 'Malheur' - written by Zooey Agro, composed by Tanning Bats. \u003cbr\u003e'Rush Push Cash' - originally written by Yello, composed and arranged by Tanning Bats \u003cbr\u003e\u003cbr\u003eProduced and Arranged by Assaf Bomgard \u0026amp; Tanning Bats \u003cbr\u003eRecorded in June 2018 at the Bat Spa by Georg Pester \u003cbr\u003eMix - Felix-Florian Tödtloff \u003cbr\u003eMaster - Mikey Young \u003cbr\u003eArtwork - Burnbjoern \u003cbr\u003eOut on Twintoe Records June 2019\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599763693638,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0730.jpg?v=1592196074"},{"product_id":"kikes-los-s-t-red-vinyl-new-lp","title":"Kikes, Los - S\/T [RED VINYL] - New LP","description":"\u003ch1\u003eGreen Noise Exclusive!  In the United States, these kick-ass releases by Twintoe Records (Berlin) are only available at Green Noise Records!  \u003c\/h1\u003e\n\u003ch2\u003eRED VINYL VERSION.  100 pressed for worldwide distribution, all the red ones in the USA available exclusively through Green Noise records.\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3474443781\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/twintoe.bandcamp.com\/album\/los-kikes-s-t-lp\" data-mce-href=\"http:\/\/twintoe.bandcamp.com\/album\/los-kikes-s-t-lp\"\u0026gt;Los Kikes - s\/t LP by Los Kikes (היהודונים)\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"name-section\"\u003e\n\u003ctable class=\"track_list track_table\" id=\"track_table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"track_row_view linked mouseovertrack\" rel=\"tracknum=1\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e1.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/theorions.bandcamp.com\/track\/mermaids-gone-wild-2\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eI'll never forget when I put the CD version of this LP in my car stereo, as its menace grabbed me from the wheel and dragged me down to petroleum beach, deep up a sewer pipe that drained on the beach and was the source of all that grime, deep up the pipe under the manhole covers of the city...was siked to see this was one of Twintoe's releases, not like their more recent offerings, but powerful and disturbing--cool! -- winch\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eComes with big-ass poster and big-ass booklet.  \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\"Your speakers are fine.. this is the sound of Los Kikes - th \u003cspan\u003eNow on vinyl LP available for the first time in the United States via Green Noise Records.  Green Noise got 20 of each vinyl variation, the only ones available in the US, the others available in Berlin through Twintoe Records.\u003c\/span\u003erash, filth, hardcore, surf, d-beat, punk tunes straight out of the dungeon. This album, recorded back in 2004 by Charlie Megira became a cult within the Israeli hardcore\/punk scene. Originally was released by Sshaking Recordss at 2006 on CD. \u003cbr\u003e~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\u003cbr\u003e1st Vinyl press 12'' LP- 400 black + 100 transparent red and black marble \u003cbr\u003eall copies come with A1 poster, 20 page booklet and download code\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 18, 2017.  originally recorded and produced by Charlie Megira June 2004 at \"HaGarin\" studios, Tel Aviv, Israel.  Remixed and remasterd by Gad Torrefranca 2016, Tel Aviv, Israel\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAll Songs by Los Kikes\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLos Kikes are:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eKirio - Vox\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eBatz - Drums\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eShuki - Bass\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eNadel - Guitar\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eYaniv - Guitar\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit.  \u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29600067518534,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Kikes_Los_7061660f-e91e-4a3b-8499-977067b50a23.jpg?v=1576434452"},{"product_id":"harm-wulf-hijrah-new-lp","title":"Harm Wülf - Hijrah [MARKED DOWN RED VINYL] - New LP","description":"\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1048079547\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/harmwulf.bandcamp.com\/album\/hijrah\"\u003eHijrah by Harm Wülf\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eTransparent-red, part of a first pressing of two colors.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eHarm Wülf is G. Hirsch, known for his lyric and vocal work in Blacklisted. Harm Wülf is inspired by a range of artists: from the tranquil resonance of Low, to the rhythmic acoustic strumming of Strength Through Joy, and the ascending power of Angels Of Light. Even calling to the insular\/grotesque Americana of Cormac McCarthy and Flannery O’Connor, etc. Most times sparse and austere and at others apocalyptically orchestrated, Harm Wülf has the sound of something long since missing.\u003cbr\u003e\u003cbr\u003e“Hijrah” is the sophomore album from Harm Wülf. Where the debut album (Deathwish, 2013) was primarily built on the singer\/songwriter experience, “Hijrah” introduces a wash of stark instrumentation with Jon Nean of Blacklisted on Bass and engineer\/musician Arthur Rizk (Inquisition, Prurient) on Percussion backing G. Hirsch as he performs all vocal, guitar, and harmonica duties. Altogether they have created a dark and emotional atmosphere that is more fully realized than ever before.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Deathwish Records","offers":[{"title":"Default Title","offer_id":30673028153481,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/harm_wulf.jpg?v=1571029040"},{"product_id":"burnside-r-l-burnside-on-burnside-new-lp","title":"Burnside, R. L. – Burnside on Burnside [Aqua Vinyl] – New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1403706735\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"customHeaderWrapper\"\u003e\n\u003cdiv class=\"band-navbar-wrapper flex\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}'\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eAll tracks recorded live in Portland, OR at the Crystal Ballroom Jan. 21, 2001, except 3, 10-12 recorded live in San Francisco, CA at the Great American Music Hall, Jan. 24, 2001.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 23, 2001\u003cbr\u003e\u003cbr\u003eWritten-By – R.L. Burnside (tracks: 1 to 3, 5, 7 to 12)\u003cbr\u003eRecorded By – Steve Beatty (3)\u003cbr\u003eProducer – Bruce Watson (2), Matthew Johnson (4)\u003cbr\u003eMastered By – Mark Yoshida\u003cbr\u003e\u003cbr\u003eVocals, Guitar – R.L. Burnside\u003cbr\u003eDrums – Cedric Burnside\u003cbr\u003eGuitar – Kenny Brown (2)\u003cbr\u003e\u003cbr\u003eMixed at the Money Shot in Water Valley, MS.\u003cbr\u003eMastered at AudioGraphic Masterworks in Memphis, TN.\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eR.L. Burnside’s first break came in the early ‘90s when the documentary film based on author Robert Palmer’s book Deep Blues featured R.L. as one of its highlights. Subsequently Palmer produced R.L.’s Too Bad Jim for the fledgling Fat Possum label. Along with Junior Kimbrough’s All Night Long, Too Bad Jim was one of the most important and influential blues albums of the ‘90s. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToo Bad Jim brought R.L. to the attention of post-punk musician Jon Spencer. R.L. toured extensively with the Jon Spencer Blues Explosion and this led to the collaboration between the two, the result was A Ass Pocket of Whiskey, a teenage party record. Ass Pocket of Whiskey made R.L an unlikely champion in the indie rock world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1997 R.L. released Mr. Wizard, Fat Possum’s debut record on their new distribution label Epitaph. The album featured R.L’s hardcore touring mates, grandson Cedric Burnside and adopted son Kenny Brown.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1998 R.L. released Come On In, which pitted his raw blues against modern electronica, courtesy of producer Tom Rothrock (Beck, Elliot Smith). The album was a critical and commercial success, and one of its tracks, “It’s Bad You Know,” became a respectable radio hit and was featured in The Sopranos and on its soundtrack.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the year 2001, R.L. Burnside was still breaking down boundaries, and bringing the blues to where it had never gone before. Listen up.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Shake ‘Em On Down\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Skinny Woman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Miss Maybelle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Rollin’ \u0026amp; Tumblin’\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Long Haired Doney\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Walkin’ Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. He Ain’t Your Daddy\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Bad Luck And Trouble\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Jumper On The Line\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Goin’ Down South\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Alice Mae\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12. Snake Drive\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30899168247945,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/burnside_on_burnside.jpg?v=1623214460"},{"product_id":"cage-robert-can-see-what-youre-doing-new-lp","title":"Cage, Robert – Can See What You're Doing - New LP","description":"\u003cp\u003ecolor vinyl\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eRobert Cage was born in New Orleans on April 4th 1937. A year later, his family moved to Natchez and from there to Woodville, Mississippi, a small woodsy town forgotten by time (evenby Mississippi standards). Robert’s father owned a grocery store and it was there, on the porch, where Robert heard Scott Dunbar play and sing, as well as another performer named Pig. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1808569619\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/robertcage.bandcamp.com\/album\/can-see-what-youre-doing\"\u003eCan See What You're Doing by Robert Cage\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eRobert’s first guitar was a gift from his mother; it was new, from Sears and Roebuck, and had pictures of red cowboys on a white body. When Robert heard the electric sounds of John Lee Hooker, Muddy Waters, and Howlin’ Wolf, he lost interest in Scott Dunbar’s pre-war style. Robert wanted to catch up to the rest of America.\u003c\/p\u003e\n\u003cp\u003eIn 1958 Robert was in the house band at the State Line Club (Mississippi and Louisiana) and stayed loyal until it burned down, giving him little choice but to sign on at the Black Cat Club. In hope of earning more money, Robert went modern; he tightened up the same band, named them the Impalas, hired a saxophonist and added Sam Cooke and Chuck Berry numbers to their set lists. But the Impalas just weren’t meant to be– no matter what they added to their routine, or how many long, hard tours they made through Mississippi and Louisiana. Robert Cage weighed almost 200 pounds when he started the Impalas and at quitting time weighed in at less than 100. Thank you very much, whiskey.\u003c\/p\u003e\n\u003cp\u003eIn 1970 Robert married Minnie and began full-time work as a diesel mechanic. Robert continued gigging at local parties with an occasional club date. It was the constant hassle of finding good bands that turned Robert into a solo performer and back to the style he first learned, Scott Dunbar’s style, the way he plays today. Robert, though not excited about it, tours occasionally.\u003c\/p\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30979739779209,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-11869046-1566550539-3534.jpg?v=1690790196"},{"product_id":"copy-of-thigh-master-now-for-example-red-vinyl-new-lp","title":"Thigh Master - Now For Example (Fruit Punch Vinyl MARKED DOWN) - New LP","description":"\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom Brisbane (via Melbourne), Australia. Second LP 'Now For Example'\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1463719903\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dippers.bandcamp.com\/album\/now-for-example\"\u003eNow For Example by Thigh Master\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHere it is! Brisbane (via Melbourne), Australia-based quartet Thigh Master are back with the long awaited second album Now For Example—the follow up to their debut Early Times. Following a string of sold-out singles as well as tours of U.S., Japan and Europe, the guitar-pop-guardians of the Brisbane underground deliver this latest, a twelve song hook-laden exertion, filled with imperious string bends and riffage framing witty tales of lethargic social observation, concocted by band leader Matthew Ford.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eNow For Example sees the most compelling and virtuosic combination of Thigh Master members to date, with Innez Tulloch (guitar \/ keys), Dusty Anastassiou (drums) and Daniel Ford (bass) contributing heavily to its foundations and creating a bulk of their parts off-the-cuff during recording sessions, which took place in various houses between Melbourne and Brisbane. The intervals of ragged, jangly guitar riffs interspersed with waves of distorted sonic mischief recall the late ’80s \/ early ’90s Flying Nun sound of The Clean, Bats and 3Ds.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Goner Records","offers":[{"title":"Default Title","offer_id":31009078378633,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Thigh_Master_cc490214-d149-4b6c-a15b-8aaed624bead.jpg?v=1572559638"},{"product_id":"super-unison-stella-new-lp","title":"Super Unison - Stella [PURPLE VINYL] – New LP","description":"\u003ch1\u003e\u003c\/h1\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3395064729\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/superunison.bandcamp.com\/album\/stella\"\u003eStella by Super Unison\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eOakland, CA trio Super Unison features Meghan O’Neil (formerly of PUNCH) on bass and vocals, Kevin DeFranco on guitar, and Justin Renninger (formerly of Snowing) on drums. Formed in 2014, the band released their acclaimed album \"Auto\" on Deathwish in 2017.\u003cbr\u003e\u003cbr\u003eTheir new album \"Stella\" was recorded by Steve Albini (Nirvana, Pixies, Jawbreaker), produced by Don Devore (Ink \u0026amp; Dagger), and mastered by Jack Shirley (Deafheaven, Oathbreaker). It is an aggressive and sonically dynamic outpouring of post punk emotion. Though they tackle dark and personal subject matter, they ultimately find a light that cuts through the dark, and a way to get through the loss and loneliness we all face.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 26, 2018\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"tags-label\"\u003e\u003c\/h3\u003e\n\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e","brand":"Deathwish Records","offers":[{"title":"Default Title","offer_id":31205357715593,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/super.jpg?v=1573268718"},{"product_id":"witches-the-a-haunted-persons-guide-to-new-lp","title":"Witches, The – A Haunted Person's Guide To... – New LP","description":"\u003cbr\u003e\u003cbr\u003eEssential set for fans of psychedelic garage rock, this album housing cuts from The Witches albums from late in the 20th century and early in the next one, not a weak moment, the tempo slowed compared to some of these Detroit musicians' other projects, clearly coming from the Motor City at the turn of the century while clearly influenced by the 1960s (and on a few cuts the 70s glitter that the 1960s music helped create), the cuts purposely selected to create an album of songs that pour together like gravel and gray mud from the groove in the funnel of a cement mixer, never forced horror but instead exploring the macabre and the darkness and flickers of light of everyday thoughts and life, and rather than exploration and excess, the instrumentations focus on the garage pop songs that could fit on one side of a 7\", the production never overdone but songs rolling thick as syrup on a Michigan November morning, stirring sounds like haunting thoughts when you wake in the darkness with your skull full of dreams and demons.  -- winch (green noise)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eMark Deming\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003eIt takes a very special artist to collaborate with\u003cspan\u003e \u003c\/span\u003eFlotsam and Jetsam,\u003cspan\u003e \u003c\/span\u003eKilling Joke,\u003cspan\u003e \u003c\/span\u003ethe Dirtbombs, and\u003cspan\u003e \u003c\/span\u003eSpiritualized, and\u003cspan\u003e \u003c\/span\u003eTroy Gregory\u003cspan\u003e \u003c\/span\u003eis just that kind of musician. While\u003cspan\u003e \u003c\/span\u003eGregory\u003cspan\u003e \u003c\/span\u003ehas an impressive and eclectic résumé, some of his best work has also been his least appreciated, namely the albums he cut with his band\u003cspan\u003e \u003c\/span\u003ethe Witches. A revolving collective of Detroit musicians (members of\u003cspan\u003e \u003c\/span\u003ethe Electric Six,\u003cspan\u003e \u003c\/span\u003eOutrageous Cherry,\u003cspan\u003e \u003c\/span\u003ethe Sights,\u003cspan\u003e \u003c\/span\u003ethe Go, and\u003cspan\u003e \u003c\/span\u003eLarval\u003cspan\u003e \u003c\/span\u003eall played with the group between 1996 and 2007) with\u003cspan\u003e \u003c\/span\u003eGregory\u003cspan\u003e \u003c\/span\u003eas the leader and principle songwriter,\u003cspan\u003e \u003c\/span\u003ethe Witches\u003cspan\u003e \u003c\/span\u003eoffered up a deliciously twisted take on classic pop in which the dark throb of\u003cspan\u003e \u003c\/span\u003ethe Velvet Underground\u003cspan\u003e \u003c\/span\u003esquares off against various archetypes of mid-‘60s rock \u0026amp; roll (psychedelia, bubblegum, and garage rock) in the midst of a seance. Unfortunately,\u003cspan\u003e \u003c\/span\u003ethe Witches' body of recorded work has appeared on small independent labels that have been poorly distributed outside the Midwest, but Alive Natural Sound Records have given their music the second chance it richly deserves with\u003cspan\u003e \u003c\/span\u003eA Haunted Person's Guide to the Witches, a 12-song collection that features representative tracks from the group's four albums as well as a tune from their unreleased debut, Everything Changes Reality, and two unreleased performances. Considering this album was assembled from songs recorded over the space of 11 years, it's a pleasant surprise that\u003cspan\u003e \u003c\/span\u003eA Haunted Person's Guide\u003cspan\u003e \u003c\/span\u003ecoheres like a proper album rather than a compilation; the dark echoes, insistent rhythms, dark but tasty melodies, and playfully surreal lyrics are a constant throughout, as are\u003cspan\u003e \u003c\/span\u003eGregory's rich vocals, passionate with just the right touch of period sneer, and the impressive musicianship from his various accompanists. If this album has a flaw, it's that at just 37 minutes, it leaves out more memorable material from\u003cspan\u003e \u003c\/span\u003ethe Witches\u003cspan\u003e \u003c\/span\u003ethan it includes, and a 20-song set could have given the band the proper, full-bodied anthology they merit. But as an introduction to a group that deserves a significantly higher profile,\u003cspan\u003e \u003c\/span\u003eA Haunted Person's Guide to the Witches\u003cspan\u003e \u003c\/span\u003eleaves little doubt\u003cspan\u003e \u003c\/span\u003eGregory\u003cspan\u003e \u003c\/span\u003eand his associates have made some brilliant, idiosyncratic pop music, and if you like your music tuneful, a wee bit creepy, and lots of fun to sing along with, then you and\u003cspan\u003e \u003c\/span\u003ethe Witches\u003cspan\u003e \u003c\/span\u003ewere made for one another, and this album will show you why in concise, convincing fashion.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003eDetroit band.  Anthology housing cuts from all five albums (1998-2011).  Color vinyl.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eEveryone The Greatest\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eDown On Ugly Street\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A3\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eLost With The Real Gone\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A4\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eWho Wants 2 Sleep With The Birthday Grrl\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A5\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003ePeople What's Wrong With U\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A6\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eSpirit World Rising\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B1\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eWhy Do U Make Me Feel Like That\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B2\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eThe Haunted Regulars\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B3\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003e(She Got Some Kinda) Thing\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B4\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eAttack Ov Thee Misfit Toyz\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B5\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eSleepin' On A Demons Tree\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B6\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eCreepin' Thru Yer Galaxy\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1459535753\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2337408319\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/lets-go-to-the-no-go-zone\"\u003eLet's Go To The No Go Zone by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1459535753\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2641764985\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/lets-go-to-the-no-go-zone\"\u003eLet's Go To The No Go Zone by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2533796344\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1576110799\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/universal-mall\"\u003eUniversal Mall by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2533796344\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3482752227\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/universal-mall\"\u003eUniversal Mall by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2759544186\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=4190313071\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/on-parade\"\u003eOn Parade by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2759544186\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=4190313071\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/on-parade\"\u003eOn Parade by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2927165493\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1797001862\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/thriller\"\u003eThriller! by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2927165493\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1136696400\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/thriller\"\u003eThriller! by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2927165493\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3688057831\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewitches.bandcamp.com\/album\/thriller\"\u003eThriller! by The Witches\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cbr\u003e","brand":"Alive Records","offers":[{"title":"Default Title","offer_id":31210077323401,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_1884.jpg?v=1611077663"},{"product_id":"dmz-relics-new-lp","title":"DMZ – Relics [PINK MARBLE VINYL BOSTON 1978] – New LP","description":"\u003cp\u003eessential Boston underground rock from the 1970s.  Color vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eJoe Viglione\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003e\"When\u003cspan\u003e \u003c\/span\u003eDMZ\u003cspan\u003e \u003c\/span\u003emade their debut on Sire, it was as disappointing as major-label debuts by fellow Bostonians\u003cspan\u003e \u003c\/span\u003ethe Nervous Eater and\u003cspan\u003e \u003c\/span\u003eWillie Alexander's Boom Boom Band. Flo \u0026amp; Eddie\u003cspan\u003e \u003c\/span\u003ejust didn't know what to do with\u003cspan\u003e \u003c\/span\u003eDMZ.  Meanwhile, four\u003cspan\u003e \u003c\/span\u003eCraig Leon-produced tracks released on BOMP -- which is the parent company of Voxx -- and five demo tapes that were recorded on four-track comprise this excellent collection. \"When I Get Off\" was the number two Garage Record of the Year in 1978 in Boston's Real Paper, and it is a psychedelic masterpiece. The dueling guitars, slashing riff, and great Corraccio bass complement\u003cspan\u003e \u003c\/span\u003eMono Mann\u003cspan\u003e \u003c\/span\u003eaka\u003cspan\u003e \u003c\/span\u003eJeff Connolly's blitzkrieg vocals. Here is a slice of pyschedlia that is the fans outdoing the bands they idolize. Also, as with\u003cspan\u003e \u003c\/span\u003eWillie Alexander's demos, it seems\u003cspan\u003e \u003c\/span\u003eCraig Leon\u003cspan\u003e \u003c\/span\u003edid a much better job on smaller budgets. The lyrics are sexist, but fun in \"Barracuda\" -- definitely not the\u003cspan\u003e \u003c\/span\u003eHeart\u003cspan\u003e \u003c\/span\u003esong -- \"Lift up Your Hood,\" and the aforementioned \"When I Get Off.\" There is also a cool cover of\u003cspan\u003e \u003c\/span\u003eRoky Erickson's \"You're Gonna Miss Me\" and a fantastic album jacket of the band photographed at what looks like the Rat nightclub inside a red background covered in barbed wire fence. A definite statement about the heart and soul of demos having a special something major-label homogenization fails to establish.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Voxx Records","offers":[{"title":"Default Title","offer_id":31384231903369,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/MI0000864567.jpg?v=1584387316"},{"product_id":"frecuencia-de-muerte-death-frequency-new-lp","title":"Frecuencia De Muerte – Death Frequency [BLACK\/BLUE VINYL Marked Down] – New LP","description":"\u003cp\u003eBlack\/blue mix vinyl.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003eIt's good to be working with Brad Boatright and FDeM on their first LP release. Been a number of years since he has been on the playing side of the line - instead of making everyone's recordings sound awesome via Audiosiege for mastering and recording in Portland. Nice to hear him back with a guitar strapped on and tearing up some hardcore punk.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4255387948\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/armageddonlabel.bandcamp.com\/album\/death-frequency\"\u003eDeath Frequency by Frecuencia De Muerte\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eFrecuencia De Muerte (FDeM) formed in late 2017 in Portland OR. The band has Eduardo Agostocrates (Terokal) on vocals, Jeff Carlisle (Aütocracy) on bass, Brad Boatright (From Ashes Rise) on guitar and Ian Makau (Lowered, Dödläge) on drums. In 2018 they released a four song 7\" EP that featured Manny from Peligro Social on 2nd guitar. A few months after his departure they entered the historic Falcon\/Audiosiege complex to begin recording their debut\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eLP titled \"Death Frequency\". A slight departure from the raw, reverb-drenched sound of the EP. \"Death Frequecny\" features seven songs of hardcore punk played by four hardcore punk lifers with lyrics in Spanish leading the battle cry.\u003cbr\u003e\u003cbr\u003eMembers have played in:\u003cbr\u003eFrom Ashes Rise, World Burns To Death, Terokal, Speedwitch, Lebanon, No Parade, Warcry, Lowered, Dödläge, Aütocracy, Peligro Social, Deathreat, and more.\u003cbr\u003e\u003cbr\u003eLINE-UP\u003cbr\u003eEduardo Agostocrates: vocals\u003cbr\u003eIan Makau: drums\u003cbr\u003eJeff Carlisle: bass\u003cbr\u003eBrad Boatright: guitar\u003cbr\u003e\u003cbr\u003eBacking vocals on \"F. 'Em\" by Jerry A. \/ Poison Idea\u003cbr\u003e\u003cbr\u003eRELEASES\u003cbr\u003eFrecuencia De Muerte - s\/t 7\" (Odio Los Discos 2018)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 27, 2019\u003cbr\u003e\u003cbr\u003eRecorded and mixed by Derek Leisy at Falcon Recording Studio (Poison Idea, Final Warning, Wehrmacht) and Audiosiege September 2018-April 2019\u003cbr\u003eMastered by Brad Boatright at Audiosiege (Poison Idea, Converge, Disrupt, Pentagram)\u003c\/div\u003e\n\u003cbr\u003e","brand":"Armageddon Label","offers":[{"title":"Default Title","offer_id":31518216978569,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/FDEM_Front_Cover_1200x_d3348bc4-8317-478c-a1bb-5a002eb57097.jpg?v=1577414452"},{"product_id":"runaways-the-live-in-concert-at-the-starwood-los-angeles-9-13-76-used-lp","title":"Runaways, The – Live in Concert at the Starwood Los Angeles 9–13–76 – Used LP","description":"\u003cp\u003evinyl and sleeve: NM \u003c\/p\u003e\n\u003cp\u003ecool screen-printed sparkly textured-ink sleeve.  white vinyl.  \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA1\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eCherry Bomb\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA2\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eTake It Or Leave 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\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eWild Thing\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"bootleg","offers":[{"title":"Default Title","offer_id":31590945521801,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14207322-1569862585-5542_jpeg.jpg?v=1578277106"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/color-vinyl.oembed?page=29","provider":"Green Noise Records","version":"1.0","type":"link"}