{"title":"August 2026","description":"\u003ch1\u003enew releases, reissues, restocks, preorders, preorder arrivals, and used records added to the Green Noise website (or marked down) during August 2026!\u003c\/h1\u003e\n\u003cp\u003e(If you want to only see new releases that were recorded in\u003cspan\u003e \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/2026\"\u003e2026\u003c\/a\u003e\u003c\/span\u003e see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.)\u003c\/p\u003e","products":[{"product_id":"modern-machines-take-it-somebody-cd","title":"Modern Machines - Take It, Somebody – New CD","description":"\u003cp\u003eNEW Dirtnap Records.\u003c\/p\u003e\n\u003cp\u003eGreat set!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMore honest, true energy and heart than 90% of the bands I've seen this year - Punk News Milwaukee, WI's Modern Machines return with their 4th CD (after a string of cassette-only releases), first for Dirtnap, and it's easily their best one yet! True pop smarts meets classic upper midwestern punk inspiration filtered thru modern day basement punk sensibilities. Husker Du meets early Replacements meets early Lemonheads meets Dillinger 4 meets The Figgs? While these comparisons remain fairly apt, Take It, Somebody sees the band incorporating older and more diverse influences into their distinctive songwriting style, including 60's garage rock, and even a little Americana-esque twang. Heartfelt, sincere, clever songwriting from one of the hardest working bands in punk rock, who, by the sound of things, are only beginning to hit their stride. Oh yeah, and it was recorded in a basement in Milwaukee for $200. What more could you possibly want.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":820904979,"sku":"4083","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-2302607-1331992791.jpg?v=1721342042"},{"product_id":"girls-the-yes-no-yes-no-yes-no","title":"Girls, The - Yes, No, Yes, No, Yes, No - New CD or New LP","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSeattle quintet of boys, THE GIRLS, deliver a punk-rock sound armed with both the intuition of the better half and the brawn of the other. We're talking impressively tight, clean punk-rock that clearly recognizes why bands like Devo and the Cars inspired a good chunk of the bands that inspired a good chunk of the bands that people are always losing-their-shit for these days.\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=631667164\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/dirtnaprecords.bandcamp.com\/album\/girls-the-yes-no-yes-no-yes-no\"\u003eGirls, The - Yes, No, Yes, No, Yes, No by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e Right from the start, THE GIRLS displayed a surplus of indisputably catchy hooks, a tightrope-dancing rhythm section, confident blurts and yelps from frontman Shannon Brown, razor-sharp synths, and the charisma to match. Critics were quick to take notice of the band's 2004 self-titled Dirtnap debut. Pitchfork proclaimed \"this is no fishnet-hawking electroclash fashionista rock; besides having more sexxx appeal than both Coreys combined, The Girls've got chops like Ralph Macchio\" while OC Weekly described the band as \"Early-Cars meets Richard Hell and The Voidoids synthed-up garage punk that any fan of The Briefs, The Spits, or The Lost Sounds (R.I.P.) would gravitate to.\"  Shannon Brown and guitar-slasher, Zache Davis, survived member changes to lead ?Griff? (bass\/back up vox), Derek Mason (keyboard), and Elie Goral on drums into brief and concise displays of new-wave\/punk excellence. THE GIRLS, who has at one time or another had members of the Briefs, Spits, Catheters, Steve E Nix And The Cute Lepers, delve even deeper into their well studied set of influences and have emerged with Yes No Yes No Yes No. These 10 twitchy new wave power pop gems continue THE GIRLS? worship at the feet of Richard Hell and The Voidoids, the Cars, Stiv Bators and Devo while venturing into the jagged pep pill-sped abstractions of Wire. The band again enlisted Martin Feveyear (Briefs, Epoxies) to press the buttons at Seattle?s Jupiter studios. From the quirky whirling synthes of ?Where Wolves Drink? and ?Who Are the Forgetters? to the rowdy punk-pop of ?Not I,? Yes No Yes No Yes No captures the energetic hooks and unique anxiousness of the band?s much-heralded live performance which has seen them share stages worldwide with the likes of Graham Coxon, the Black Lips, the Detroit Cobras and the Briefs. \u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"CD","offer_id":820972323,"sku":"SKU-8347","price":8.0,"currency_code":"USD","in_stock":true},{"title":"LP","offer_id":2580787527704,"sku":"SKU-8348","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Girls_The_-_Yes_No_Yes_No_Yes_No.jpg?v=1570888465"},{"product_id":"mob-the-let-the-tribe-increase-lp","title":"Møb, The - Let The Tribe Increase [IMPORT UK punk 1983] – New LP","description":"\u003cp\u003eNEW. OVERGROUND RECORDS. One of the seminal anarcho-punk albums.\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=279377299\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lazydogrecords.bandcamp.com\/album\/let-the-tribe-increase-the-singles\"\u003eLet The Tribe Increase + The Singles by lazydog\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Overground Records","offers":[{"title":"Default Title","offer_id":821535735,"sku":"SKU-30738","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-429383-1339733433-6297.jpg?v=1659318019"},{"product_id":"steve-adamyk-band-dial-tone-lp","title":"Steve Adamyk Band - Dial Tone - New LP","description":"\u003cp\u003eOttawa’s Steve Adamyk Band returns with their 4th LP (released barely a year since the last one), Dial Tone, and it’s their best yet!\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1480702044\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/steveadamykband.bandcamp.com\/album\/dialtone\"\u003eDialTone by Steve Adamyk Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eFor this release, SAB travelled to Oakland, CA to record with Matthew Melton of Warm Soda\/Bare Wires fame. Melton grew up in Memphis and that influence definitely shows on Dial Tone.\u003c\/p\u003e\n\u003cp\u003eWhile still plenty fast and catchy, Dial Tone shows the band dialing (ha!) back a little on the break-neck punk\/pop tempos of previous releases, with increasing nods to classic rock n’ roll form. If 2011’s Forever Won’t Wait was their “pop” LP, and 2013’s Third was their “punk” album, let’s call this one their “garage” rock masterpiece!\u003c\/p\u003e\n\u003cp\u003eThroughout their history, the sometimes 3, sometimes 4 piece Steve Adamyk Band has always had a fluid lineup. On these recordings (their first LP to have the same lineup as the previous album) SAB is Steve Adamyk (duh), Davey Quenselle, Dave Forcier, and Sebastien Godin (also of Sonic Avenues fame) alongside with guest appearances from Matthew Melton and the Primitive Hearts’ Danielle Agnew.\u003c\/p\u003e\n\u003cp\u003e2014 has already been a busy year for the band, releasing a 7” on La-Ti-Da Records, touring Japan with Needles\/\/Pins (7” on Dirtnap coming soon!) and playing Dirtnap showcases in NYC and Ottawa. Expect lot’s more to come, as prolific as these guys are, there’s no sign of ‘em slowing down anytime soon!\u003c\/p\u003e\n\u003cp\u003eALL COPIES COME WITH 320KPS DOWNLOAD COUPON.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":821581659,"sku":"SKU-32573","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Steve_Adamyk_Band_-_Dial_Tone.jpg?v=1570823338"},{"product_id":"various-artists-songs-from-under-the-floorboard-vol-1","title":"Various Artists - Songs From Under the Floorboard, Vol. 1 - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1748105612\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/accidentpronerecords.bandcamp.com\/album\/songs-from-under-the-floorboard-vol-1\"\u003eSongs From Under the Floorboard, Vol. 1 by Accident Prone Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e1. Shadow Age - Youth\u003cbr\u003e2. Annex - Modern Age\u003cbr\u003e3. Perralobo - Suelo de Cristal\u003cbr\u003e4. Ötzi - Zebra Cruiser\u003cbr\u003e5. Vice Device - Litanies \u0026amp; Lies\u003cbr\u003e6. Golden Apes - Voykova (The Healing)\u003cbr\u003e7. Ghost Noise - We Are Not Lovers\u003cbr\u003e8. Sculpture Club - Not Impressed\u003cbr\u003e9. Bernays Propaganda feat. Mike Watt - Ništo Nema da ne Razdeli\u003cbr\u003e10. Forever Grey - Trespasser\u003c\/p\u003e","brand":"Accident Prone","offers":[{"title":"Default Title","offer_id":3324552413208,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ap034_sfutf_vol1_cover.jpg?v=1519157368"},{"product_id":"real-kids-the-live-at-the-rat-january-22-1978-lp","title":"Real Kids, The - Live At The Rat, January 22, 1978 [IMPORT] - New LP","description":"\u003cspan\u003e“A three day engagement at Boston’s Rat club (Jan. 20, 21, 22) kicked off the release of THE REAL KIDS premier LP for Red Star Records. The club was packed to capacity despite the two-odd feet of snow and ice which had closed several of the city’s main thoroughfares during the week. Sunday, Red Star and The Real Kids celebrated the official release of RS-2 with friends, fans and members of the press with a party at a local bowling lane, with beer and pizza to boot. Everyone was a real kid (for the afternoon at least) as boots got traded in for bowling shoes and rock \u0026amp; rollers hit the pins to the tune of piped-in recordings of the Kids’ favorite records, past and present, including their own slice of vinyl history, of course. The highlight of the weekend came that evening with a live broadcast on WCOZ-FM, one of New England’s top FM stations. Featured on the live show were several tracks from the new LP, entitled simply, THE REAL KIDS.”—Miriam Linna (1978). And THIS here is that night. Imagine that the Real Kids have somehow drunkenly stumbled from the bowling alley over to the Rat. Then imagine that a hammered band could pull off a set like this. Yes. The Real Kids were just THAT DAMN HOT. Packaged in gatefold jackets with double-sided printed insert.\u003c\/span\u003e","brand":"Crypt Records","offers":[{"title":"Default Title","offer_id":12162680717382,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_9017.jpg?v=1583536474"},{"product_id":"mind-spiders-meltdown-new-cd","title":"Mind spiders - Meltdown - New CD","description":"\u003cbr\u003ehttps:\/\/store.greennoiserecords.com\/collections\/august-2024\/products\/mind-spiders-meltdown-new-cd\u003cbr\u003e","brand":"Dirtnap Recods","offers":[{"title":"Default Title","offer_id":29239813046342,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_9459.jpg?v=1608530985"},{"product_id":"copy-of-white-wires-wwiii-new-lp","title":"White Wires - WWIII - New CD","description":"\u003cp\u003eHere it is, the 3rd album from Ottawa Ontario's White Wires, and it's their best one yet! We're not just saying that, either!\u003c\/p\u003e\n\u003cp\u003eConfident, heart-felt, refreshingly irony-free pop that's just about the catchiest thing you've ever heard. This is a rock solid album that really hits a stride as it goes along. One thing we've always admired about this band is how each of their albums are very distinct from one another, but are unmistakably, undeniably The White Wires. The first record was the \"garage\" album, the 2nd was the \"punk\" album, this one is the pop masterpiece. Get ready.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4098474620\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thewhitewires.bandcamp.com\/album\/wwiii\"\u003eWWIII by the White Wires\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":29239846109254,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ww3x372_304f5fe0-246c-4f4f-87a3-d9a00b21f5bf.jpeg?v=1562132341"},{"product_id":"uv-tv-happy-new-lp","title":"UV-TV - Happy - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"NYC via Gainesville garage-rock band UV-TV play music that is rending, playful, and energizing. We’ve been big fans of them since their stellar dual releases, even going so far as to name them one of the\u003cspan\u003e \u003c\/span\u003ebest new bands. Thankfully, they’ve now made their grand return with their sophomore record,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHAPPY\u003c\/em\u003e.\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2297736338\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/derangedrecords.bandcamp.com\/album\/happy\"\u003eHappy by UV-TV\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eUV-TV is an effortless blend of fuzzy shoegaze, melodic hooks, and driving instrumentals. Born out of Gainesville, Florida’s thriving DIY scene in 2015, the band put out an excellent debut LP, Glass, in 2017 and spent last year relocating to New York City. Their move has brought a new record with cleaner production and a personal, serious release about moving on. Happy will be out July 19 but you can stream it in full below.\u003c\/p\u003e\n\u003cdiv\u003e“For this record, we really wanted to make something different and cleaner than our past two records. We rented a studio and had our buddy Neil help with engineering instead of recording it ourselves on a four-track in a bedroom. Happy was mixed by Jonathan Nunez of Torche and mastered by Jonathan Schenke here in NYC,” guitarist and singer Ian Bernacett shares. “I was listening to a lot of Neil Young stuff like On the Beach and Rust Never Sleeps. I was watching all of these live videos of Echo \u0026amp; the Bunnymen playing Rockpalast and Europe on YouTube in the early ’80s. I think they’re the best live band ever and kinda what I wanted our band to be like live. Lyrically the songs on Happy reference change and growing up a lot. We were planning a move to NYC while recording it. I feel like that kind of longing for something new or different is very present in the record. All in all, I think Happy is a testament to our time spent living in Florida and a time capsule of the bands first four years.\u003c\/div\u003e\n\u003cdiv\u003e------------------------------\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eQueens, New York by-way-of Gainesville, Florida band\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eUV-TV\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehave returned with their sophomore LP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHappy\u003c\/em\u003e. It was released this week on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDeranged Records\u003c\/strong\u003e, and it’s one of the best records to come out in 2019 yet.\u003c\/p\u003e\n\u003cp\u003eYou know who originally told me about this band was Paul Court from\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Primitives\u003c\/strong\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eUV-TV\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehad covered their punk pop classic “Really Stupid” on an excellent EP released on Stewart Anderson and Jen Turrell’s\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEmotional Response\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eimprint.\u003c\/p\u003e\n\u003cp\u003eI previously described them as\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTiger Trap\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon Adderall, but this new LP is more like “Galore” era\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePrimitives\u003c\/strong\u003e, as it’s steeped in some shoegaze elements. I’m quite particular about the genre, in that I need there to be teeth and melody beyond the dreamy vocals and reverb. This record has got it in spades. It’s just so well informed by diy traditions, it hits that nostalgic sweet spot but it also sounds modern.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eUV-TV\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehave done their homework.\u003c\/p\u003e\n\u003cp\u003eDrummer Ryan Hopewell is one of the best drummers going. He’s busy but precise and bangy, and it really elevates the music and makes them sound unique. Rose Vastola (Bass, Vox) and Ian Bernacett (Guitar, Vox) have spent the last year since relocating to NYC working on this record. I was lucky to get an advanced earful, and couldn’t wait to share the track “Inside Out” with everyone.\u003c\/p\u003e\n\u003cp\u003eWhen I saw the title I thought I might be in for a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMighty Lemon Drops\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecover, but it’s an original and it’s sparkling and magnificent with a payoff at the end when the song does a melodic change that brings to mind the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMary Chain\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewith the lyric “You’re always Upside Down, I’m always Inside Out”. 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(one of the few Marked Men-related records of recent years that Dirtnap DIDN’T put out!) The 2 play all the instruments (although there is a live lineup as well) and split singing\/songwriting duties. Hey Summer works fantastically well as an ALBUM, meant to be listened to from start-to-finish.\u003c\/p\u003e\n\u003cp\u003eWistful, sunshiney 60’s-inspired pop with a bit of 80’s college rock jangle and even a little modern garage\/Americana twang, Hey Summer represents a pretty big departure from a normal Jeff Burke project. (and although it’s sonically a LITTLE closer to Okada’s Suspicious Beasts, it veers farther afield of his normal songwriting comfort zone as well) Jeff says that this album is probably the least “punk” record he’s ever done. We would agree, but don’t think that that is a bad thing. Rather it confirms what we’ve long suspected: That these two can master any genre that they tackle, and make it fully their own.\u003c\/p\u003e","brand":"Dirtnap Records","offers":[{"title":"Default Title","offer_id":37346995339425,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Lost_Ballons_3x3_30379bcc-f25b-4eaa-85d3-a7d3bcb76c52.jpg?v=1573349178"},{"product_id":"throbbin-urges-s-t-new-lp","title":"Throbbin Urges – S\/T [marked down] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTHROBBIN URGES- 'S\/T' LP.  \"Debut full length here from these Kalamazoo. Michigan degenerates.  Loud, incorrigible scuzz-punk with frenzied beats, white-hot, overblown blasts of treble, and all sorts of other great stuff.  They sound just barely in control and that's actually a big part of what makes this record so great.  Stupid-wonderful titles like “Get Rad” and “Remote Control Pussy” provide as much background as you need!  Maybe it’s the weird keyboard intro, but when I listen to this record, I want it to be the soundtrack to Surf Nazis must die. Did I mention that I love this? No? Well I love this. Straight from their practice space to vinyl, and nothing lost on the way. This is just totally awesome!!  If you like The Pagans, Reatards, Guitar Wolf, Tenngenerate, Carbonas, Feelers etc. pick this up.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dead Beat Records","offers":[{"title":"Default Title","offer_id":31280123281545,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/51rgDuXUKyL._SY355.jpg?v=1574476774"},{"product_id":"straitjackets-los-the-utterly-fantastic-and-totally-unbelievable-sounds-of-los-straitjackets-new-lp","title":"Straitjackets, Los – The Utterly Fantastic And Totally Unbelievable Sounds Of Los Straitjackets – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eBass\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eE. Scott Esbeck*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDrums\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eL.J. Lester*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eEngineer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eBrad Jones (2)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eGuitar\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eDanny Amis,\u003cspan\u003e \u003c\/span\u003eEddie Angel\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eIllustration [Cover Illustration]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eBrad Talbott\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMastered By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eJonathan Wyner\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMixed By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eRodger Moutenout*\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003ePhotography By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eJim Hagans\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eProducer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eBen Vaughn\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003e\"The Utterly Fantastic and Totally Unbelievable Sound of Los Straitjackets \u003c\/i\u003ewas a stunning debut album, crackling with malevolent energy and laser-like musical focus. The sound of an explosion that opens the album-opening romp “Fury!” quickly falls away beneath a flurry of percussion, and then the razor-sharp guitars burst off the grooves and lobotomize your expectations. The 14 tracks are largely original instrumentals crafted by Amis or Angel, and the album was produced by singer\/songwriter Ben Vaughn, himself no stranger to retro sounds. The album offers the listener a veritable smorgasbord of rad sounds, from the band’s strutting theme song “Straitjacket” (more than a little inspired by “Peter Gunn,” but without the sax riffs) or the early ‘60s exploitation flick sound of “Caveman” (complete with grunts) to the high-gloss, Link Wray-textured oceanfront property of “Calhoun Street” (the album’s lone cover, of a Raybeats tune) or the rumbling “Tailspin.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Danny Amis and I had a pretty good backlog of songs we had written over the years,” writes Angel. “Danny had been in the popular guitar instrumental band the Raybeats and I had released an instrumental 45 in 1981, ‘Rampage’ backed\/with ‘Lynxtail’. We didn’t have a plan to speak of – we just did what came organically. We knew we wanted it to be like the bands we loved like the Ventures, the Shadows, and Link Wray. We also were big fans of the Beatles. I think the one thing that set us apart from a lot of other instrumental bands was our songwriting; we were more into having a good song than pyrotechnic guitar playing. Our philosophy was we wanted to be fun and entertaining and have good songs.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"The band’s sophomore effort, \u003ci\u003e¡Viva! \u003c\/i\u003e\u003ci\u003eLos\u003c\/i\u003e\u003ci\u003eStraitjackets\u003c\/i\u003e, appeared the following year and it stayed relatively true to the musical blueprint the band had mapped out with its debut, displaying but a slight expansion upon the surf-rock and rockabilly roots of its predecessor. Opening with the spry “Cavalcade,” the song features some rhythmic exotica worthy of Lex Baxter or Martin Denny. “Casbah” takes its inspiration from the other side of the globe, vaguely Middle Eastern rhythm patterns embroidered upon by the stinging fretwork of Amis and Angel, which sounds like a heady mix of Wray, Dick Dale, and Duane Eddy. The brilliant “Pacifica” is romantic mood music heavy with trembling guitars and emotional tremolo while the crazed sound of “Espionage” is pure 1960s-era film soundtrack with plenty of time changes and colorful instrumental passages. “Nightmare In Monte Cristo” is a more somber affair, the band painting a dark and disturbing tale with nothing more than the lonesome sound of their instruments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"What are Angel’s favorite memories of making these first two Los Straitjackets albums? “We had a bunch of songs from years past that this band was a perfect outlet for, plus we had been rehearsing for months before the first record. Ben Vaughn was in town and was staying at Danny’s house – we asked him to produce the record. We were funding this record on our own…we cut it live in two days at Brad Jones’ studio in Nashville. Ben basically left us to do our thing on this first record.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Continuing, Angel remembers, “(for) the second album, Ben Vaughn recommended we record at Mark Linett’s studio, ‘Your Place or Mine’, in Glendale, California. Ben had more involvement on this record; he brought many ideas to this album. One of my fondest memories was that Mark Linett had possession of some Beach Boys master tapes – he played us some individual tracks (isolated vocals, etc.) – that’s something I’ll never forget! Another memory…Mark had a pool with a cabana and a jukebox…we played Marlena (Frankie Valli \u0026amp; the Four Seasons) over and over. I also had my first introduction to Trader Joe’s in Glendale!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Although street-level DIY music zines provided both of these albums with lots of love, mainstream rags like \u003ci\u003eSpin\u003c\/i\u003e and \u003ci\u003eRolling Stone\u003c\/i\u003e completely ignored them. Only Ira Robbins, in \u003ci\u003eThe Trouser Press Guide to ‘90s Rock\u003c\/i\u003e, took notice of the Los Straitjackets’ brilliance. Writing about the band’s debut, Robbins says “On a scale of one to kowabunga, Los Straitjackets are mighty nifty, playing salty reverb-drenched originals…if Los Straitjackets add nothing new to the genre (though Angel’s memorable “University Blvd.” has the makings of a twang repertoire standard), they uphold its great traditions in jubilantly timeless fashion.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Los Straitjackets’ first two albums were recently reissued by Yep Roc Records on both CD and, for the first time, on vinyl, in celebration of the band’s 25th anniversary. Both albums have been long out-of-print and hard to come by, demanding collectors’ prices (when you can find them).\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":33264872456329,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14336784-1573145329-6055_jpeg.jpg?v=1586296167"},{"product_id":"beach-slang-the-deadbeat-bang-of-heartbreak-city-new-lp","title":"Beach Slang - The Deadbeat Bang of Heartbreak City [RED VINYL MARKED DOWN] - New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1085582289\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/beachslang.bandcamp.com\/album\/the-deadbeat-bang-of-heartbreak-city\"\u003eThe Deadbeat Bang Of Heartbreak City by Beach Slang\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Bridge Nine \/ Quiet Panic","offers":[{"title":"Default Title","offer_id":34511372648609,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2565436449_16.jpg?v=1593128247"},{"product_id":"sharon-jones-and-the-dap-kings-naturally-new-lp","title":"Sharon Jones and the Dap-Kings - Naturally - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eSharon Jones \u0026amp; the Dap-Kings are already well known as one of the world’s most exciting soul acts. On April 6th, 2010, the group released their fourth album, I Learned The Hard Way debuting at #15 on the Billboard 200. After a few weeks on record store shelves around the world, the album continued to climb the Billboard charts hitting at #2 for Independent albums and #6 for R\u0026amp;B\/Hip-Hop albums. Steeped in the gilded and gritty sounds of gospel, soul, and funk, the nine-piece act continues to electrify fans, disc jockeys, critics, record collectors, and journalists the world over with their heart-felt sound. Their devotion to soul music is clearly demonstrated on the band’s critically acclaimed albums. In addition to …Hard Way, the band has released Soul Time! (2011), a compilation of rare and previously unreleased tracks, 100 Days 100 Nights (2008), Naturally (2005) and Dap Dippin’ (2002) all on Daptone Records. Their albums recall an analog era of iconic studios like those at Motown and Stax Records and have thrust Jones and the Dap-Kings into the multimedia limelight.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased January 25, 2005\u003c\/div\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=597907474\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/naturally\"\u003eNaturally by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":34511595241633,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2641037909_16.jpg?v=1592834441"},{"product_id":"minima-s-t-new-lp","title":"Minima - S\/T [Import MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eKick set of punk, hard-driving, fist-pumping with the female vocal growling it out, the band ripping it out like a caged tiger jumping the gate to rip the ears from your skull. Cool.-- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485923804\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/staticshockrecords.bandcamp.com\/album\/minima\"\u003eMinima by Minima\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003ewith poster and insert\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003eFunny how the simplest forms  of punk are often the most titillating \u0026amp; an absolute delight for your  ears.  \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eHonest street punk , Two to three chord sewing machine hum with a really pissed off, cranky Latino Signorina . \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eWhen it first thumped through my speakers I cracked up laughing, (always a good sign) I was instantly in love with these guys. \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eSide two \u0026amp; I’m still laughing,… this is brilliant! A\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003end I knew she  really was upset, because she kept screaming “Bastardo “ in the chorus. \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eMaria ran down the stairs \u0026amp; said   “Who are they?” she’s great! \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eSo here is James (\u0026amp; Maria’s) NEW Favourite. The  Bitter, Barcelona Bangers called MINIMA ! \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eI’m just going to get the lyric sheet \u0026amp; google translate it to find out what it is that upsets her so much! \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003ePerfect. Spanish Hard Core classic! Beautiful stuff. -- James\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eThe first album by Minima, a new band comprising of members of No, Una Bestia Incontrolable, Snor and Barcelona is full of the kind of choice punk you'd expect of such a pedigree: jabbing riffs thrumming out, buzzed up with an insistent pull, clipped clattering beats pinning it down, vocals delivered with a potent snarl, accusatory and savage. From fizzing pogo of 'Adolescente', to 'Cicatriz's threatening hum, the whole album strikes a sharp balance between the big-riffing hardcore of someone like Glue or Nekra, and the Catalan \/ Spanish primitive-punk lineage that runs from Qloaqa Letal to dirt-raw rippers Pinen. (Joe Briggs)\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ereleased July 5, 2019\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFor those always anticipating more great Barcelona acts: welcome MINIMA, featuring the singer from BARCELONA, Guillem from DESTINO FINAL\/UNA BESTIA INCONTROLLABLE, and folks from UK’s NO and Malmö’s SNOR. Credentials aside, MINIMA’s basic two-riff approach to punk, accentuated by a teeth\/fist-clenching vocal scowl, should appeal to any discerning punk. Throughout thirteen tracks there’s somehow so much variety in the way of hooks in the songwriting, despite such a basic approach. It’s all in the execution. Some crazy combination of urgency, rage and coolness. Recommended pickup for fans of unpretentious, non-flashy punk and hardcore, and record covers featuring crotches.\u003c\/span\u003e\u003c\/p\u003e","brand":"Static Shock Records","offers":[{"title":"Default Title","offer_id":34922689822881,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1272400001_16.jpg?v=1599191378"},{"product_id":"digital-leather-new-wave-gold-gold-vinyl-preorder-new-lp","title":"Digital Leather – New Wave Gold [White Vinyl MARKED DOWN] – New LP","description":"\u003ch1\u003eMail-order only limited edition white vinyl pressing of 100!\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eComes with a download of the full album, plus bonus tracks!\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1349134648\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/nocoastrecordings.bandcamp.com\/album\/new-wave-gold\"\u003eNew Wave Gold by Digital Leather\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e200 Black (Distro + Mailorder + Band)\u003cbr\u003e100 Translucent Orange\/Gold (Mailorder + Band). SOLD OUT\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e100 White (Mail order only)\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003edownload comes with 4 bonus tracks not pressed on the vinyl because of space constraints: \"When I Blink\", \"Power Quest, \"V\" and \"Who Are They?\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eThis year marks almost 20 years since Foree has been making music under the alias Digital Leather. Yet even with releasing numerous albums and working with some well-known artists during this time, Digital Leather has clung to obscurity. The project, which began in Arizona with Foree and his childhood friend, Ryan Rousseau (Destruction Unit), was initially just an experiment, a toying around with some dusty synthesizers, the Cold Wave aesthetic, and a subversive disregard for audio clarity. Rousseau left early on to pursue other music, but Foree never stopped, and\u003cspan class=\"bcTruncateMore\"\u003e his writing game kept growing stronger. With New Wave Gold, Foree has shown creative maturity, and has proven himself to be a master songsmith as well as a competent producer with a penchant for sound texturing and a “mid-fi” aesthetic.\u003cbr\u003e\u003cbr\u003eRecorded in Foree’s apartment in Nebraska over the last couple of years, during which time Shawn also travelled the country doing environmental work, New Wave Gold is its own genre; something uniquely wonderful. Lyrically, each song is crafted of deceivingly simple lines, but the words soon reveal their true identities: culprits to a dazzlingly moody manifesto. It’s a mid-life crisis and a global crisis smashed together and thrown onto tape. Scattered with analog synths, acoustic guitars, and a fully operational DIY approach, New Wave Gold is also reminiscent of work from groups like Sebadoh and Psychic TV.\u003cbr\u003e\u003cbr\u003eReferences aside, New Wave Gold is a trenchant exploration of a self, coexisting with an often bleak and doubt-inspiring outer setting. It is the battle of the subject versus the all-consuming, fiery leviathan, the object, the world.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003edarkwave garage punk synth punk synth pop synth wave \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"No Coast Records","offers":[{"title":"Default Title","offer_id":35165017899169,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0398100457_16.jpg?v=1600101520"},{"product_id":"sharon-jones-and-the-dap-kings-i-learned-the-hard-way-new-lp","title":"Sharon Jones and the Dap-Kings - I Learned the Hard Way - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cp\u003eanother essential outing, grabbing you from the get-go, really grabbing you with both hands on that third cut \"Better Things to Do,\" and never letting go, solid from go to whoa with several highlights that really drive the message home, focusing on the hard times, but also focusing on carrying on, climbing out and lifting above.  If you just got (or ever got) a lesson in learning the hard way, give this one a spin. -- winch\u003cbr\u003e\u003cbr\u003e\u003cb src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830881813\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2914506313\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" sea=\"\" seamless=\"\"\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830881813\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=153963227\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/i-learned-the-hard-way\"\u003eI Learned The Hard Way by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830881813\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2936881837\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/i-learned-the-hard-way\"\u003eI Learned The Hard Way by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830881813\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/i-learned-the-hard-way\"\u003eI Learned The Hard Way by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=830881813\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2914506313\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/sharonjonesandthedapkings.bandcamp.com\/album\/i-learned-the-hard-way\"\u003eI Learned The Hard Way by Sharon Jones \u0026amp; The Dap-Kings\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003efourth album, I Learned The Hard Way debuting at #15 on the Billboard 200, hitting at #2 for Independent albums and #6 for R\u0026amp;B\/Hip-Hop albums. Steeped in the gilded and gritty sounds of gospel, soul, and funk, the nine-piece act continues to electrify fans, disc jockeys, critics, record collectors, and journalists the world over with their heart-felt sound. Their devotion to soul music is clearly demonstrated on the band’s critically acclaimed albums. In addition to …Hard Way, the band has released Soul Time! (2011), a compilation of rare and previously unreleased tracks, 100 Days 100 Nights (2008), Naturally (2005) and Dap Dippin’ (2002) all on Daptone Records. Their albums recall an analog era of iconic studios like those at Motown and Stax Records and have thrust Jones and the Dap-Kings into the multimedia limelight.\u003c\/p\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":36316680716449,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0013098247_16.jpg?v=1600635904"},{"product_id":"jazz-butcher-cult-of-the-basement-rsd-edition-new-lp","title":"Jazz Butcher, The – Cult of the Basement [IMPORT] – New LP","description":"\u003ch1\u003ereissue of 1990 LP.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3288904475\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thejazzbutcher.bandcamp.com\/album\/cult-of-the-basement\"\u003eCult Of The Basement by The Jazz Butcher\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003cspan data-mce-fragment=\"1\"\u003eAfter releasing a wealth of quality material in the '80s, \u003c\/span\u003ethe Jazz Butcher\u003cspan data-mce-fragment=\"1\"\u003e kicked off the next decade with this strong batch of originals. Featuring more of bandleader \u003c\/span\u003ePat Fish\u003cspan data-mce-fragment=\"1\"\u003e's lean, jazz and cabaret-style pop gems, \u003c\/span\u003eCult of the Basement\u003cspan data-mce-fragment=\"1\"\u003e would be the last full-band effort before Fish basically went solo as the lone \u003c\/span\u003eJazz Butcher\u003cspan data-mce-fragment=\"1\"\u003e during the first half of the '90s. Contributing this time out, though, are \u003c\/span\u003eButcher\u003cspan data-mce-fragment=\"1\"\u003e alum like saxophonist \u003c\/span\u003eAlex Green\u003cspan data-mce-fragment=\"1\"\u003e, guitarist Kizzy O'Callaghan, drummer \u003c\/span\u003ePaul Mulreany\u003cspan data-mce-fragment=\"1\"\u003e, and bassist Lawrence O'Keefe (O'Keefe and Fish made up the core duo on 1988's excellent \u003c\/span\u003eFishcoteque\u003cspan data-mce-fragment=\"1\"\u003e). Fish delivers his usual mixed bag of styles here, coming up with the cuts that range from the country-tinged \"My Zeppelin\" and surf-noir opener \"The Basement\" to melancholy-rich anthems like \"Girl Go\" and the Madness-inspired \"Mr. Odd.\" The playing is excellent all around, and there's not a duff track in the lot. In addition to the fine roundup of '80s highlights, Draining the Glass and \u003c\/span\u003e\u003ca href=\"https:\/\/www.allmusic.com\/album\/fishcoteque-mw0000199072\" class=\"album-link\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.allmusic.com\/album\/fishcoteque-mw0000199072\"\u003eFishcoteque\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e fans will want to check out this strong effort by the band.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h1\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":36433139335329,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-1023322-1185271808_jpeg.jpg?v=1601168856"},{"product_id":"jazz-butcher-the-big-planet-scary-planet-rsd-edition-new-lp","title":"Jazz Butcher, The – Big Planet Scary Planet [IMPORT] – New LP","description":"\u003ch1\u003ereissue of 1989 LP.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3676382990\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thejazzbutcher.bandcamp.com\/album\/big-planet-scarey-planet\"\u003eBig Planet, Scarey Planet by The Jazz Butcher\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \"\u003cspan data-mce-fragment=\"1\"\u003eThis is quite simply a brilliant album. \u003c\/span\u003ePat Fish\u003cspan data-mce-fragment=\"1\"\u003e (or \u003c\/span\u003ethe Jazz Butcher\u003cspan data-mce-fragment=\"1\"\u003e as he is known on this release) came up with melodic, melancholic, beuatiful rock\/pop songs that are jammed full of emotion. Although Fish has stated he is unhappy with the overall production, John a Rivers created a sound with these songs utilizing the tight band put together for this album. There are a number of highlights, but the album is worth buying just for the wonderful \"The Word I Was Looking For,\" which is lyrically very clever and has a tune that stays with you long after the album is over. This album is a brilliant example British guitar pop\/rock sound from the late '80s.\"\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h1\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":36433231806625,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-1019550-1427326213-8699_jpeg.jpg?v=1601170729"},{"product_id":"blitzen-trapper-holy-smokes-future-jokes-new-lp","title":"Blitzen Trapper - Holy Smokes Future Jokes [SPLATTER VINYL MARKED DOWN] - New LP","description":"\u003cp\u003e2020.  \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eSinger-songwriters have been tackling existential questions about life and death since time immemorial… or at least the 1960s. But when it came to Blitzen Trapper’s newest album, Holy Smokes Future Jokes, front man Eric Earley looked beyond mere existence—or even the end of it—to contend with grander cosmic explorations: namely, the intermediate period between a person’s separate lives on earth, “and what it means to escape the cycle of birth and rebirth,” he explains.\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4077403985\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/blitzentrapper.bandcamp.com\/album\/holy-smokes-future-jokes\"\u003eHoly Smokes Future Jokes by Blitzen Trapper\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eInspired by George Saunders’ 2017 experimental tome, Lincoln in the Bardo and the Tibetan Book of the Dead, Earley’s lyrics take the listener on a wild and dramatic journey through rivers of waist-high water in the aftermath of a tragic car wreck and the hazy morning before a murderous moment, and from getting blitzed to the point of extinction inside a masonic temple to a stop for chips and dip before the apocalypse. Along the way, there’s also an occasion to smoke dope with Abe Lincoln and play bones with Brian Jones, slide through the ether in a dream, and confront the Intermediate States while bathed in the glow of the bardo’s light - that transitional state between death and rebirth.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 25, 2020\u003cbr\u003e\u003cbr\u003eAll songs written and arranged by Eric Earley\u003cbr\u003eProduced and engineered by Raymond Richards at Long Play\u003cbr\u003eMixed by D. James Goodwin\u003cbr\u003eMastered by Adam Gonsalves at Telegraph Mastering\u003cbr\u003e\u003cbr\u003eGuest musicians:\u003cbr\u003eMichael Blake, keys\u003cbr\u003eHeather Woods Broderick, backing vocals\u003cbr\u003eHaley Johnsen, backing vocals\u003cbr\u003eBen Latimer, saxophone\u003cbr\u003eLuke Price, fiddle\u003cbr\u003eRaymond Richards, upright, keys, pedal steel\u003c\/div\u003e","brand":"Yep Roc Records","offers":[{"title":"Default Title","offer_id":36444250341537,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1785676480_16.jpg?v=1601241388"},{"product_id":"metz-atlas-vending-loser-edition-color-vinyl-used-lp","title":"Metz - Atlas Vending  – New LP","description":"\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith Atlas Vending, METZ - Alex Edkins (guitar \u0026amp; vocals), Hayden Menzies (drums) \u0026amp; Chris Slorach (bass) - not only continue\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003eto push their music into new territories of dynamics, crooked melodies, \u0026amp; sweat-drenched rhythms, they explore themes of growing up \u0026amp; maturing within a format typically suspended in youth. Atlas Vending delivers their most dynamic, dimensional, \u0026amp; compelling work yet.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1658697668\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/metz.bandcamp.com\/album\/atlas-vending\"\u003eAtlas Vending by METZ\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e“Change is inevitable if you’re lucky,” says guitarist\/vocalist Alex Edkins while talking about Atlas Vending, the fourth full-length album by Toronto’s METZ. “Our goal is to remain in flux, to grow in a natural and gradual way. We’ve always been wary to not overthink or intellectualize the music we love but also not satisfied until we’ve accomplished something that pushes us forward.” The music made by Edkins and his compatriots Hayden Menzies (drums) and Chris Slorach (bass) has always been a little difficult to pin down. Their earliest recordings contained nods to the teeming energy of early ‘90s DIY hardcore, the aggravated angularities of This Heat, and the noisy riffing of AmRep’s quintessential guitar manglers, but there was never a moment where METZ sounded like they were paying tribute to the heroes of their youth. If anything, the sonic trajectory of their albums captured the journey of a band shedding influences and digging deeper into their fundamental core—steady propulsive drums, chest-thumping bass lines, bloody-fingered guitar riffs, the howling angst of our fading innocence. With Atlas Vending, METZ not only continues to push their music into new territories of dynamics, crooked melodies, and sweat-drenched rhythms, they explore the theme of growing up and maturing within a format typically suspended\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ein youth.\u003cbr\u003e\u003cbr\u003eCovering seemingly disparate themes such as paternity, crushing social anxiety, addiction, isolation, media-induced paranoia, and the restless urge to leave everything behind, each of Atlas Vending’s ten songs offer a snapshot of today's modern condition and together form a musical and narrative whole. Album opener “Pulse” is a completely unnerving exercise in reductionist tension, with verses providing little more than a lone discordant chord, a hammering kick drum, and the occasional punctuation of a diving bass note. From there METZ launches into “Blind Youth Industrial Park,” an absolute scorcher of paranoid dissonance and malicious force centered on a chromatic descending riff and a merciless four-to-the-floor drum battery.\u003cbr\u003e\u003cbr\u003eThe album hits its stride with “No Ceiling”—a minute-and-a-half rager that comes about as close to containing a pop hook as anything METZ has ever written. Though it’s still saturated with in-the-red distortion, this truncated anthem about discovering love and purpose provides the rare counterpoint to the band’s grievous compositions. But there’s no yielding to complacency on Atlas Vending, and the mercurial nature of love and romance is expertly captured in the alternately brutal verses and beguiling choruses of “Hail Taxi.” If METZ’s current mission is to mirror the inevitable struggles of adulthood, they’ve successfully managed to tap into the conflicted relationship between rebellion and revelry with the song’s tactics of offsetting their signature bombast with anthemic melodic resolutions.\u003cbr\u003e\u003cbr\u003eThe song sequencing follows a cradle-to-grave trajectory, spanning from primitive origins through increasingly nuanced and turbulent peaks and valleys all the way to the climactic closer, “A Boat to Drown In.” The lyrics speak to this arc as well, with the songs addressing life’s struggles all the way through to death, as Edkins snarls “crashed through the pearly gates and opened up my eyes, I can see it now” before the band launches into the album’s cascading outro.\u003cbr\u003e\u003cbr\u003eWhile past METZ albums thrived on an abrasive relentlessness, the trio embarked on Atlas Vending with the goal to make a more patient and honest record—something that invited repeated listens rather than a few exhilarating bludgeonings. It’s as if the band realized they were in it for the long haul, and their music could serve as a constant as they navigated life’s trials and tribulations. The result is a record that sounds massive, articulate, and earnest. Bolstered by the co-production of Ben Greenberg (Uniform) and the engineering and mixing skills of Seth Manchester (Daughters, Lingua Ignota, The Body) at Machines with Magnets in Pawtucket, Rhode Island, METZ deliver the most dynamic, dimensional, and compelling work of their career.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases October 9, 2020\u003c\/div\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":36600898748577,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1721167726_16.jpg?v=1622586091"},{"product_id":"metz-automat-plus-free-edition-with-7-new-lp","title":"Metz - Automat [Plus Free Edition with bonus 7\"] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eMETZ, our own widely-adored and delightfully noisy 3-piece punk band from Toronto (ON, CANADA), have been laying waste to stages around the globe for over 10 years. During that tumultuous chunk of time METZ, comprised of Alex Edkins, Hayden Menzies, and Chris Slorach, have cemented their reputation as one of the planet's most exhilarating live acts and trusted providers of bombastic outsider rock.\u003cbr\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1824134362\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/metz.bandcamp.com\/album\/automat\"\u003eAutomat by METZ\u003c\/a\u003e\u003c\/iframe\u003e \u003cmeta charset=\"utf-8\"\u003eAlong the way, they’ve earned enthusiastic support from KEXP, The Guardian, Pitchfork, Stereogum, NME, The AV Club, Q, Uncut, Exclaim, DIY and a whole bunch of others.\u003cbr\u003e\u003cbr\u003eTheir love of the road and passion to create uncompromising and challenging music remains unwavering and has only grown over time.\u003cbr\u003e\u003cbr\u003eTheir recorded output to date, a cornucopia of pop-inflected noise punk and damaged fuzz anthems, includes 3 critically-acclaimed LPs with Sub Pop, as well as a plethora of limited-edition\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereleases, collaborations, covers, and rarities.\u003cbr\u003e\u003cbr\u003eWhich brings us to Automat…\u003cbr\u003e\u003cbr\u003eAutomat is a collection of METZ non-album singles, B-sides, and rarities dating back to 2009, available on LP for the first time, and including the band's long out-of-print early (pre-Sub Pop) recordings. And Automat is a chronological trip through the lesser known material of METZ.\u003cbr\u003e\u003cbr\u003eIncluded here are the band’s first three 7” singles, recorded 2009-2010 and originally released by We Are Busy Bodies Records; a demo version of “Wet Blanket,” the explosive single from 2012’s METZ; two tracks from the limited-edition bonus single that accompanied preorders of METZ; “Can’t Understand,” originally released in 2013 by [adult swim]; and both tracks from the band’s 2015 single on Three One G.\u003cbr\u003e\u003cbr\u003eConsumers of the vinyl format of Automat will be rewarded with a bonus single that includes three additional tracks: a cover of Sparklehorse’s “Pig,” from a very limited 2012 Record Store Day split single originally released by Toronto’s Sonic Boom record shop; “I’m a Bug,” a cover of The Urinals’ art-punk classic, originally released on YouTube (not an actual record label) in 2014; and METZ’s previously unreleased rendition of Gary Numan’s “M.E.”\u003cbr\u003e\u003cbr\u003eAll tracks on Automat have been lovingly remastered for maximum soundiness by Matthew Barnhart at Chicago Mastering Service.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased July 12, 2019\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":36602429243553,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3130256011_16.jpg?v=1602259848"},{"product_id":"copy-of-metz-strange-peace-plus-free-edition-new-lp","title":"Metz - II – New LP","description":"2015\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3292633564\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/metz.bandcamp.com\/album\/ii\"\u003eII by METZ\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":36602603831457,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1175010942_16.jpg?v=1622586093"},{"product_id":"beach-michael-dream-violence-white-vinyl-new-lp","title":"Beach, Michael - Dream Violence [White Vinyl] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSounding influenced by the 1970s underground rock bands that clearly had some VU running through their veins, and the less big city and more dirt-of-the-earth music and artists that rose out of those influences later in the 20th century, and hinting back to artists and albums of circa 1972, the solo albums of Bobby Whitlock (Memphis), Neil Young and the Stray Gators, Danny Whitten's Crazy Horse with and without Neil, Rolling Stones with Mick Taylor and Mick Taylor without the Stones from later that same decade, licks and lyrics perhaps nods to ancestors, bringing them into the light rather than trying to hide them in shadow, if you got the fever you might as well come out and admit it, and in the end and beginning this comes from the innards of a person and a band, and a specific time and place, serious as a casual conversation, and it's probably better to just let the music cover you like a blanket and let the music speak for itself.  Whatever comparison or genre you might want to slot this into, it will likely soon wiggle its way out of your expectations, and at the same time fulfill all of them.  \u003cmeta charset=\"utf-8\"\u003eIt's safe to say that Goner Records has found a way to continue its vision while serving up some new sounds without falling down that trap of watering down the whiskey, and it's safe to say this album succeeds at everything it set out to do and ends up nothing short of stunning, shaking dust from an old leather jacket, wide open and barren and full as desert lands and the sky above at night, gathering around flames in the fire, twirling upward like human thoughts and coyote yelps the embers and smoke into the starry night, working its way into your gut like warmth and hunger, clearly timeless but also resonating with this year as well as perhaps any album.  \u003c\/span\u003eI hear people again saying for the millionth time in my lifetime, not wanting to say it themselves, but telling me that the \u003cmeta charset=\"utf-8\"\u003erumors are circulating, that rock n roll is dead.  It always resurrects, rising from the grooves of records. -- winch (green noise records)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206439087\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/michaelbeach.bandcamp.com\/album\/dream-violence\"\u003eDream Violence by Michael Beach\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eDream Violence, Michael Beach’s fourth full-length, is an epic album that explores the duality of the human condition. Or, as Beach himself puts it, the album is about “human futility, passion, desire, anger, frustration, and the struggle to maintain hope in a somewhat hopeless time.” Dream Violence, then, addresses the existential crisis of being an artist in 2021.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eKnown for his work touring with the Australian guitar pop band Thigh Master and the late, brilliantly eccentric Israeli guitarist Charlie Megira, currently the focus of a number of reissues by the Numero Group, Beach is the architect of a sound that is both well-built and ramshackle, straightforward and indeterminably complex, out of the norm yet familiar in all the best ways.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDream Violence unfolds like a revelation, filled with sonic tumbleweeds that reference Neil Young’s On the Beach, Bruce Springsteen’s Nebraska, the Velvet Underground’s Loaded, and the Go Betweens’ Before Hollywood. Influences ranging from the enigmatic outlier Megira to Glenn Branca to the Oblivians are combined to create a new, exhilarating sound, part of the path that Beach has been on since 2008’s Blood Courses. A veteran of year-end indie rock round ups beginning with Golden Theft in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e2013 and continuing with Gravity\/Repulsion, released in 2017, Beach distills the best of those early albums and adds sharpened intent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDream Violence works beautifully as a start-to-finish album. There are magnificent stand-alone moments: “Spring,” a raggedly building ballad that perfectly captures the ennui attached to new beginnings; “De Facto Blues,” a born-to-lose anthem that, says Beach, “is the sound of people totally at their wits end;” “Curtain of Night,” a simultaneously derelict and bright tribute to the late Megira, which sounds like it could’ve been cut at Muscle Shoals Sound Studio after the Rolling Stones wrapped up sessions for Sticky Fingers; and the delicately vulnerable “You Found Me Out,” which evokes equal parts Lou Reed and Joni Mitchell. On the latter, the lyrics “You found me out, on a ship at sea, you pulled me in, made a wreck of me,” encapsulate “the aimless of a modern world view in a future without hope and the draw\/dependence of love in those times,” Beach explains.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough music, Beach strives to convey both passion and compassion, energy and action. “My hope is that something gets communicated that makes people think outside of themselves or their surroundings,” he says. “To ask questions, and consider the effects of their decisions. To communicate some essential part of the human spirit that understands intuitively how to feel connected to each other rather than divide, exploit, separate, ignore, and all the other heinous shit we have the ability to do with each other.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded on two continents, Dream Violence documents Beach’s move from Oakland, California to Melbourne, Australia as he navigated a new music scene, plenty of bureaucratic red tape, and, ultimately, citizenship. Parts of the album were recorded and mixed at Tiny Telephone Recording in Oakland, at the end of a 2019 tour with Kelley Stoltz producing. Other tracks were recorded at Beach’s new home in Melbourne, where he could be “relaxed and sloppy in all the right ways,” and partially remixed at Phaedra Studios.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn Melbourne, Beach worked with Matthew Ford and Innez Tulloch of Thigh Master (Beach has played bass on tour with the group), with Peter Warden on drums, to capture an off-the-cuff feel on songs like “Curtain of Night,” “Spring,” and “Life is Cheap.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“The dynamic of Pete, Matt, and Innez is a totally unique, very Australian sound,” says Beach, describing those sessions as “loose and tight, serious and taking the piss. A great balance and really fun. As a songwriter, I have a pretty laborious process of writing, editing, and arranging, and Matt and Innez were a perfect foil for that. Likewise, Pete’s self-taught and totally intuitive drumming complements perfectly.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeach went for more production on “De Facto Blues,” “Metaphysical Dice,” and “Irregardless,” which were recorded at Tiny Telephone with drummer Utrillo Kushner of Colossal Yes and Comets on Fire. “We had jammed in Oakland earlier in the year, then mostly made up stuff on the spot. Utrillo is an absolute pro at that sort of thing—no performance is ever the same, but they are always great,” Beach says. “We were totally fried from a month of sleeping on tours, we were stressed financially, we were pretty tired of each other, but despite that, everyone worked hard.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the Memphis-based Goner label, Beach joins an increasingly unique roster of international musicians that reaches far beyond garage or indie rock to encompass artists like gospel singer Rev. John Wilkins, Kentucky rockers Archaeas, New Orleans iconoclasts Quintron and Miss Pussycat, and no-wavers Optic Sink. Dream Violence will be released on Goner Records on March 19, 2021. In Australia and New Zealand the album will be released on Melbourne-based Poison City Records.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased March 19, 2021\u003c\/div\u003e","brand":"Goner Records","offers":[{"title":"Default Title","offer_id":39592910291105,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0469647952_16.jpg?v=1617757790"},{"product_id":"preservation-hall-jazz-band-thats-it-new-lp","title":"Preservation Hall Jazz Band - That's It - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history.  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePreservation Hall Jazz Band’s That’s It! is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eJazz Band?”\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=931669614\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/preservationhalljazzband.bandcamp.com\/album\/thats-it\"\u003eThat's It! by Preservation Hall Jazz Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Subpop Records","offers":[{"title":"Default Title","offer_id":39666699927713,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1635776139_16.jpg?v=1618623773"},{"product_id":"copy-of-preservation-hall-jazz-band-so-it-is-new-lp","title":"Preservation Hall Jazz Band - So It Is - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAt a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePreservation Hall Jazz Band’s That’s It! (2013) is an eclectic album that draws on the collective experience of players nurtured in the New Orleans tradition but determined to build something fresh and exciting on that foundation. It marks an important milestone in PHJB Creative Director Ben Jaffe’s crusade to carry forward the Hall’s original mission while making it relevant to today’s audiences.” For his part, co-producer Jim James (My Morning Jacket) is convinced that the PHJB has a future as vibrant as its past: “The music will speak forever,” he says. “Will people stop listening to Beethoven? Will people stop listening to Bob Dylan? Will people stop listening to the Preservation Hall\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eJazz Band?”\u003cbr\u003e\u003cbr\u003eSo It Is (2017) finds the classic Preservation Hall Jazz Band sound invigorated by a number of fresh influences, not least among them the band’s 2015 life-changing trip to Cuba. A visit to the island, so integral to the evolution of jazz and New Orleans culture in general, had long been in the works when President Obama’s diplomatic opening suddenly allowed for a more extensive journey than had originally seemed possible. Producer David Sitek, a founder of art rock innovators TV on the Radio who has helmed projects by Kelis, the Yeah Yeah Yeahs and Santigold among others, offered both a keen modern perspective and a profound respect for the band’s storied history.\u003cbr\u003e\u003cbr\u003eBoth albums are now back in print on vinyl and CD via Sub Pop, which signed Preservation Hall Jazz Band in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3021731837\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/preservationhalljazzband.bandcamp.com\/album\/so-it-is\"\u003eSo It Is by Preservation Hall Jazz Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Subpop Records","offers":[{"title":"Default Title","offer_id":39787948638369,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1389247537_16.jpg?v=1622684494"},{"product_id":"mullet-monster-mafia-inferno-yellow-vinyl-nstrumental-surf-rock-brazil-new-lp","title":"Mullet Monster Mafia, The -Inferno [COLOR VINYL; Surf Rock; Brazil] – New LP","description":"\u003ch2\u003eINSTRUMENTAL SURF ROCK FROM BRAZIL!!! \u003c\/h2\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eEvery now \u0026amp; again you come across a record that makes your hair stand on end. Whoaaa!!! WTF? \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eI like a lot of music, Punk, Hard Core, No wave, Rock n Roll, Rockabilly, Whatever? I like it or I don’t. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eInteresting I was asking the question just weeks before “Is there such as thing as “Hard Core instrumental “  and then \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eMonster Mullet Mafia\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003ehits my turntable. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eSteve Austin \u0026amp; Robocop were nearly killed in tragic accidents \u0026amp; they had to be rebuilt using bionic body parts. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eSurf Rock hasn’t died off, bands like \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eMonster Mullet Mafia\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eare just rebuilding it with Bionic parts. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eAt the moment \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eOtitis Media records\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eare putting out some of the most “super human strength” guitar records \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003ethat I have ever heard in my life, and  \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e“Monster Mullet Mafia”\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003ejust moved to the top. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eSome records have all their strength on side 1, and usually a few filler\/ballad  tracks to stretch the vinyl. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eNo such thing on \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eInferno,\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e and while commercial music mixes the vocal right up front \u0026amp; the instruments are incidental, \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003ewith \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eInferno\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e the percussion, guitar \u0026amp; bass all take equal front seat. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eThis LP is a classic power house of Surf Rock right until you hear the waves crashing on the last track.  \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003emore up tempo, punching hard with a bit of Brazilian Chilli in there to keep your musical taste buds titillated. \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003eI love this record, \u0026amp; it takes my vote for; \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003e\u003ci\u003e\u003cspan\u003e“The Six Million Dollar guitar”  for 2021.  (So Far). -- James (the Super Human Green Noiser from Down Under)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1062104350\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mmmbrazil.bandcamp.com\/album\/i-n-f-e-r-n-o\"\u003eI.N.F.E.R.N.O. by Mullet Monster Mafia\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003eRandom color vinyl.  While we've got the free streaming sampler below, I just listened to both that and the vinyl, and this is clearly meant to heard on vinyl, sounds radically better washed in the warmth of analog, sparking like a stone on flint, warm and welcoming like the surf off the coast of Brazil, the digital and analog like the difference between watching a surfer on a video and riding the waves yourself.  Take me away from this cold sterile pandemic and plant my feet in the soft sand warm as a glowing tube amp.  Another kick and killer set from the Otitis Media label.  -- winch (green noise) \u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":39876980244641,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2323216953_16.jpg?v=1620789883"},{"product_id":"boyscott-goose-bumps-new-lp","title":"Boyscott - Goose Bumps [BLUE MARBLE VINYL] - New LP","description":"blue marble \"smooth sailing\" vinyl edition\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/h1\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003eBoyscott manages to keep the bedroom pop charm while filling in the songs with lots of guitar, keyboards, voices and other sounds, the instrumentations an integral part of the proceedings but not getting in the way of the songs, recalling 1960s psychedelic pop but not sounding like that, sounding like the sleeve art and band photos suggests, nurdy friends trying to make something simple and endearing but not boring, all kind of jolly and happy-go-lucky (at least until the last 30 seconds sound a little unsettling).  I typically avoid most of the indie pop because it often makes me want to scrape the skin off my face and hate the things I love like pop music, oregon and bunny rabbits, but sometimes I need a break from the dark clouds, and this makes me feel like I'm reclining on the cool sand of a warm beach sipping a 10 ounce bottle of Nehi, and maybe I just need a serving of that this year.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1529761715\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/boyscott.bandcamp.com\/album\/goose-bumps\"\u003eGoose Bumps by Boyscott\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"credits-label\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\n\u003cspan\u003esongs written, recorded, + mixed by scott hermo jr.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eguitar, bass, synth, + vocals by scott\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003edrums, percussion, + lead guitar on track 5 by john lewandowski\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003evocals by ellen ivy mcguirk\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eorgan on track 8 by srujan bethi\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003emastered by gebre waddell\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eoriginally released by Pizza Tape Records in 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Topshelf Records \/ Babe City Records","offers":[{"title":"Default Title","offer_id":39907698802849,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2620454792_16.jpg?v=1621956341"},{"product_id":"xerobot-s-t-1990s-wisconsin-punk-insanity-new-lp","title":"Xerobot - S\/T (1990s Wisconsin Punk insanity]  - New LP","description":"\u003cp\u003eSpastic punk jabs of manic maniac no wave, 37 tracks, new release of 1990s recordings.  So much like the pop punk from this era: NOT!  With 20 page booklet and sticker.  Black vinyl pressing of 60 (180 total in this first pressing).\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3791221504\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/chunklet.bandcamp.com\/album\/xerobot\"\u003eXerobot by Xerobot\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e  \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe mid-90s in Madison, Wisconsin wasn’t necessarily the best time to be a band like Xerobot, but thank the gods that they decided to become one. Spastic, hyperactive scrawl evoking the original New York No Wave scene, Xerobot’s recorded output consisted of a CD, a couple split singles and a handful of comp appearances. This self titled LP assembles 37 tracks in almost as many minutes and collects all their releases and even additional unreleased material. This LP was mastered by Weasel Walter and includes a 20pp booklet featuring photos, first person accounts of the band and lyrics! First edition of 180 copies (60 black\/60 clear\/60 red).\u003cbr\u003e\u003cbr\u003eScott Bonneville: I never knew them to vary the hierarchy of those three sonic components– the skronk guitar, the lurching machine rhythms, Greg’s squeal-howling -- and they executed them as though it were a grim duty. I never knew whether I was feeling excitement or respect. They didn't pander or compromise.\u003cbr\u003e\u003cbr\u003eSarah Hennies: I’m glad someone remembers it - there was so much great music that happened right on the cusp of the internet becoming a thing. The obscure, weird bands that broke up before digital music really took off have often been lost in the shuffle of history and I think it’s never a bad idea to introduce people to a bizarre little\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eslice of history. It doesn’t surprise me at all, I’ve never seen another band like them.\u003cbr\u003e\u003cbr\u003eWeasel Walter: Xerobot was an extremely tight band and they blew people away by executing their somewhat complex material with a lot of vigor and control. Greg certainly was the wild card and the rest of the band seemed to react with a range of bemusement and\/or disgust at his antics and spontaneous in-between song banter.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 15, 2021\u003cbr\u003e\u003cbr\u003eTracks 1-22: Control Panel CD, Coat-Tail Records\u003cbr\u003eTrack 23: Second Sixty Second Compilation, Coat-Tail Records\u003cbr\u003eTracks 24-25: Duotron\/Xerobot split 7\", Coat-Tail Records\u003cbr\u003eTracks 26-28: Melt Banana\/Xerobot split 5\", Coat-Tail Records\u003cbr\u003eTrack 29: Previously unreleased\u003cbr\u003eTrack 30: The Money Shot compliation, Chunklet Industries\u003cbr\u003eTracks 31-37: Previously Unreleased\u003cbr\u003e\u003cbr\u003eTracks 1-23: Recorded by Eric Brusewitz, Madison, WI 1996\u003cbr\u003eTracks 24-25: Recorded at The Green Room, Madison, WI 1995\u003cbr\u003eTracks 26-30: Recorded by Steve Albini, Chicago, IL 1996\u003cbr\u003eTracks 31-37: Live recording, San Francisco, CA 1997\u003cbr\u003e\u003cbr\u003eLiner notes assembled by Ethan Swan\u003cbr\u003e\u003cbr\u003eAll tracks remastered by Weasel Walter, 2020\u003cbr\u003e\u003cbr\u003eA Chunklet Industries Release\u003cbr\u003eAll Rights Reserved\u003cbr\u003eManufactured and Assembled in the U.S.A.\u003cbr\u003eCHKLP032\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Chunklet Industries","offers":[{"title":"Default Title","offer_id":39982948974753,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1669572904_16.jpg?v=1629509799"},{"product_id":"superchunk-tossing-seeds-singles-89-91-new-lp","title":"Superchunk – Tossing Seeds (Singles '89 – '91) – New LP","description":"\u003cp\u003e 180 gram.  remastered from original tapes.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eFormed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing \u003cspan class=\"peekaboo-text\"\u003evocals)\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e, Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=848443104\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/superchunk.bandcamp.com\/album\/tossing-seeds-singles-89-91\"\u003eTossing Seeds (Singles 89-91) by Superchunk\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":41028185981089,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3440883926_16.jpg?v=1633735107"},{"product_id":"parker-jeff-the-relative-clear-w-hi-melt-gold-brown-color-vinyl-new-lp","title":"Parker, Jeff – The Relative [Clear w\/ Hi-Melt Gold \u0026 Brown COLOR VINYL] - New LP","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eIf you went looking for a poster-child for Chicago's multidirectional, cross- pollinating, interstylistic music scene, you couldn't find a better one than Jeff Parker. Parker: jazz guitarist with pro credentials, widely travelled and prized by top soul-jazzers and hard-boppers. Parker: inveterate rocker who revitalized Tortoise with his ferocious improvising and tasty licks. Parker: experimentalist willing to try new dub, hip- hop, electronic, collage, free, chamber - anything worthwhile, irrespective of genre or orientation. Community expander, boundary buster, restless explorer - Jeff Parker is constantly trying out new things with new partners. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3555107931\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jeffparker.bandcamp.com\/album\/the-relatives\"\u003eThe Relatives by Jeff Parker\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eA man on the move.\u003cbr\u003e\u003cbr\u003eSomehow, Jeff Parker manages flow through all these incarnations without copping a dilettante's superficiality. He applies the same depth of musicality and keen ear for quality to everything he does, which is part of what has made him one of the most sought-out musicians in the Windy City. Another part of that appeal, it must be said, is Parker's immense generosity and warm humility, the latter of which perhaps explains why he's only made one other CD as a \"leader,\" the acclaimed trio outing Like Coping, released on Delmark in 2003.\u003cbr\u003e\u003cbr\u003eFounded in 1995, The Relatives is a quartet of like\u003cspan class=\"bcTruncateMore\"\u003e-minded musicians drawn from the Chicago Underground Orchestra. Parker's been working with bassist Chris Lopes since college days, when they were at Berklee together in Boston in the mid-80s. Drummer Chad Taylor, who recently moved back to New York after a fruitful period in Chicago, has been a colleague of Parker's since just after the guitarist moved to Chicago in 1991. The newest comrade, Sam Barsheshet, who plays electric piano on the record, sat in on a gig with Parker in 2002. \"I enjoyed his playing and open conception,\" says Parker.\u003cbr\u003e\u003cbr\u003eParker says this session, which was waxed in January, 2004 at SOMA and engineered by John McEntire, is \"more 'song- oriented' than the previous album, and less of a jazz- oriented 'blowing date.'\" It includes original compositions by Taylor (\"Istanbul\") and Lopes (\"Sea Change,\" \"Bean Stalk,\"\"Toy Boat\"). Parker's own compositional contributions include \"Mannerisms,\" a piece that's become a local standard, prized by various groups - Chicago Underground Quartet, Ted Sirota's Rebel Souls - for its sinuous, groovy lines. \"Rang (for Michael Zerang)\" is a piece written by Parker for his friend and colleague, percussionist Michael Zerang. \"It was written when we were both on a tour of France with the Vega Trio, right at the start of the Iraq War.\"\u003cbr\u003e\u003cbr\u003e\"The Relative\" was composed by Parker and bassist Matthew Lux, with whom the guitarist worked in Isotope 217, the band for whom it was originally conceived. \"I decided to revive it for this recording,\" says Parker. \"I composed the bulk of the tune, but the weird, twisty bassline that roots the intro and outro was composed by Matt Lux. The first two-and-a-half minutes of the tune are my attempt at demonstrating an abstraction of my perception of Relativity, which essentially means that as one moves in space, one's perception of said space is altered by one's movement. I tried to aurally capture this by having everyone perform various repeating figures on different tracks that start at one tempo, then ramp up or down to another tempo, and end together at the original tempo.\"\u003cbr\u003e\u003cbr\u003eThe CD's one non-original is a gorgeous reworking of Marvin Gaye's \"When Did You Stop Loving Me, When Did I Stop Loving You,\" on which Barsheshet shines particularly brightly. \"I've always embraced the feelings of melancholy that I experience when I listen to the original version of this song,\" says Parker. \"I thought it would be a challenge to try and capture some of that spirit in a swinging, but slightly abstract version of the tune, which is, essentially, how I perceive the original version to be. The premise was to have the band improvise over the form of the tune, and then I overdubbed the guitar melody (with embellishments) over top of it. I was trying to get a vibe like some of the great jazz recordings from the 70s when they actually used to play good jazz on commercial radio and people dug it.\"\u003cbr\u003e\u003cbr\u003eOf the group and CD's name, Parker returns to his Einsteinian explanation: \"The Relatives refers to the notion of a community (in this instance a community of musicians) functioning much like a family does, and also the abstraction of Relativity, which implies that as one moves, one's perspective changes along with one's movements. Since we're always moving, we're always changing.\"\u003cbr\u003e\u003cbr\u003eAlways moving, always changing. Good thoughts for this polyglot poster-child.\u003cbr\u003e\u003cbr\u003e---John Corbett\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eoriginally released 2005, this pressing 2022\u003c\/div\u003e\n\u003cdiv id=\"notes\" data-toggle-section-id=\"notes\" class=\"section notes toggle_section    toggle_section_remember\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"tags-label\"\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Thrill Jockey Records","offers":[{"title":"Default Title","offer_id":41596133933217,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0606468503_16.jpg?v=1644807466"},{"product_id":"droids-blood-be-free-import-new-lp","title":"Droids Blood - Be Free [Turquoise VINYL IMPORT] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDebut LP from this Chicago band that is a new iteration of Broken Prayer. If you were a fan of Broken Prayer it’s hard to imagine how you wouldn’t be on board with Droid’s Blood, since they rely on a similar combination of noisy hardcore and whirring synth topped with Scott Plant’s trademark topical lyrics and distinctive vocals.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=288931252\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/be-free-lp\"\u003eBe Free LP by Droids Blood\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince 2016 Plant has been fronting Droids Blood, whose lineup also includes Broken Prayer drummer Nick Donahue. On their new self-titled tape, they vary the tempos more and even add some borderline poppy hooks, but there's also lots of grimy, slightly industrial synth gunk and bass murk—\"Unreality\" sounds deranged in the best possible way.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"As a rush of drums introduces Droids Blood’s debut album Be Free, you might think you know what to expect. Maybe some snappily energetic powerpop in the vein of The Marked Men, or even some Uranium Club-styed post-garage oddball punk? As the guitars kick in, however, all your preconceptions are reduced to rubble; smashed to dust and debris by a singularly powerful wrecking ball of chaos and darkness. Something immediately goes very wrong – and it feels so\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efkn right.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album was initially self-released on cassette by the band, earlier this year in their hometown of Chicago. Featuring vocalist Scott Plant and drummer Nick Donahue – formerly of that city’s pleasingly gnarly synth-punx Broken Prayer, whose sole album was titled Misanthropocentric A.K.A. Droid's Blood, funnily enough – they make a whirling racket of post-punk noise, goth soundscape and beautifully bleak frustration illustrating the narrow line between aggression and desperation. If dystopia was a sound, it’d be this one.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Another world is possible \/ It’s possible, but how so?” growls Plant on the vitally urgent Capable, and it’ll make you wanna throw your Protomartyr records in the bin before hosting a ceremonial burning with a deathrock soundtrack. Familiar names will come up when you’re listening – Joy Division, Bauhaus, Iceage when they were good, Clan of Xymox in a brick fight, etc etc – and they out-pace and out-intense ‘em all. But ultimately Droids Blood uphold the fine traditions of all their city’s best punk by sounding like no one other than themselves. Just buy it, FFS.\"\u003cbr data-mce-fragment=\"1\"\u003eWill Fitzpatrick.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Drunken Sailor Records (UK)","offers":[{"title":"Default Title","offer_id":41691886649505,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0170807749_16.jpg?v=1646891513"},{"product_id":"mr-teenage-automatic-love-import-red-new-7","title":"Mr Teenage -   Automatic Love [IMPORT Pink Vinyl] – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"We all know what teenagers are like. Bratty little gobshites. Moody shits. Forever toeing the line between cocky arrogance and whiny self-doubt, and to hell with anyone who gets caught in the crossfire. And this old fucker should know; he was really good at all of the above (still keeping on top of the ‘gobshite’ part, you’ll notice). \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4023637683\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/automatic-love-7\"\u003eAutomatic Love 7\" by Mr Teenage\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eFor some reason, the entirety of rock’n’roll is predicated on music made for and about these states of mind - well, I guess if you mix ‘em all together, they can make for one helluva sense of reckless abandon. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eSo it shouldn’t come as a surprise that Melbourne quartet Mr Teenage sound exactly like their name suggests: chaotic, raw, emotionally volatile… and of course they bind all this together with their own brand of heroically melodic garage rock. Produced by Billy Gardener (of Ausmuteants, Smarts, Cereal Killer and god knows how many other vital Aus-punx), this debut EP snarls, spits and swaggers with all the glorious self-belief of a drunken 4am stumble to the petrol station to buy a pack of skins. And the songs are fucking great too. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle track ‘Automatic Love’ expertly showcases the combined sounds of their cited influences (Thin Lizzy, Dictators, Martha\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eReeves, etc), with frontman Nic Imfeld’s voice at times edging close to the sandpaper soul of their countryman Shogun (ex-Royal Headache). Meanwhile ‘Waste Of Time’ sees him blending their garage licks with Joey Ramone bubblegum, just as ‘The Loser’ fashions a delightfully adolescent chorus of ‘the loser says what?’ from an airy melody that either The Shangri-Las or Del Shannon would be proud of. They wrap things up with another slab of pure punk\/pub rock genius called ‘Kids’ that’ll get the hairs on the back of your neck standing on end, as you fight the urge to crank-call your former school teachers and blame the kid who used to take your lunch money. Of course, singing about ‘kids these days’ marks Mr Teenage out as being older than their name suggests, and sure enough their name comes from an old wrestler rather than identifying with an age bracket they’ve outgrown. But with tunes like this… honestly, who gives a fuck what they’re called? This record is perfect.\" Will Fitzpatrick.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Drunken Sailor Records (UK)","offers":[{"title":"Default Title","offer_id":41710636695713,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2787360809_16.jpg?v=1647410832"},{"product_id":"kimbrough-junior-you-better-run-the-essential-2xlp-new-lp","title":"Kimbrough, Junior - You Better Run: The Essential [2xLP] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"You Better Run is the first career-spanning collection by Junior Kimbrough, one of the most influential and original blues players in the past 50 years. Hailed by Iggy Pop as a primal force in blues music, Junior never reached the mass audience that he deserved while alive, but his music endures, and continues to be discovered by music fans from all walks of life.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=116431852\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/juniorkimbrough.bandcamp.com\/album\/you-better-run-the-essential-junior-kimbrough\"\u003eYou Better Run - The Essential Junior Kimbrough by Junior Kimbrough\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The music is dark and vibrant, the sex nasty, the nights late and messy, and women not to be trusted.\" (★★★★) - Arion Berger, Rolling Stone\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":41941643886753,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4130897307_16.jpg?v=1652686182"},{"product_id":"jay-abner-folk-song-stylist-new-lp","title":"Jay, Abner - Folk Song Stylist [1964 - 1973] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAnother essential collection from the one and only Jay Abner, bare-bone folk songs full of fragile and strength, offering all forms of blues, acoustic and electric, some slow as a howl, others barking out with chain gang jangle and Bo Diddley beats, shouting out strong as the warning steam whistle on southbound freight train, GET MY MESSAGE, GET IT STRAIGHT, ALL I WANT IS A JOB, AND IT AIN'T GONNA WAIT!, great original compositions and unique and stunning versions of standards, \"Cotton Fields,\" \"\u003cspan data-mce-fragment=\"1\"\u003eSt. James Infirmary,\" \"\u003cmeta charset=\"utf-8\"\u003eShenandoah,\" \"Swing Low,\" bringing forth a soulful voice that needs to be heard, bringing depth and new meaning to these old songs.  Whether originals or covers, all of them made his own, all the songs windows into rooms of a building called America, built with sweat and the blood of others, rooms that need to be seen by all, full of suffering and defiance, sorrow and joy, death and life.  This is some of the most honest music ever recorded. -- winch (green noise record)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3039422366\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/abnerjay.bandcamp.com\/album\/folk-song-stylist\"\u003eFolk Song Stylist by Abner Jay\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLong awaited follow up to the \"True Story of Abner Jay\" LP. Abner Jay was a man who had a grand sweeping vision of what folk music was. In his lifetime his expression of what folk music could be encompassed some serious stylistic variations. Sometimes he was a one man band traveling troubadour playing an electric banjo, harmonica, \u0026amp; drums who tried to hoodwink audiences into believing that he was 150 years old \u0026amp; the standard bearer for authentic Americana. Sometimes he played in electric straight up R\u0026amp;B bands such as \"Koko Joe \u0026amp; the Jobhunters\".\u003cbr\u003e\u003cbr\u003eCulled from a mix of Abners' 45's \u0026amp; LPs spanning the period 1964 - 1973, including Abner's first LP. We hope that this release will help to further the current wave of understanding that Abner Jay is an important artist who deserves a wider audience than he ever received during his lifetime.\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003ereleased January 10, 2022\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cp\u003e1. Lord Randal 04:23\u003c\/p\u003e\n\u003cp\u003e2. St. James Infirmary 02:18\u003c\/p\u003e\n\u003cp\u003e3. Cotton Fields 02:35\u003c\/p\u003e\n\u003cp\u003e4. Starving To Death On My Government Claim 03:38\u003c\/p\u003e\n\u003cp\u003e5. 99 Years In Jail 02:19\u003c\/p\u003e\n\u003cp\u003e6. Shenandoah 04:02\u003c\/p\u003e\n\u003cp\u003e7. Depression 02:28\u003c\/p\u003e\n\u003cp\u003e8. Bring It With You When You Come 02:30\u003c\/p\u003e\n\u003cp\u003e9. I Wanna Job 03:03 1\u003c\/p\u003e\n\u003cp\u003e0. Georgia Bound 01:57\u003c\/p\u003e\n\u003cp\u003e11. Swing Low 04:15\u003c\/p\u003e\n\u003cp\u003e12. Beautiful Dreamer 04:16\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":41944568791201,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0305739882_16.jpg?v=1652756381"},{"product_id":"dropped-out-get-lost-color-vinyl-austin-tx-punk-new-lp","title":"Dropped Out – Get Lost [COLOR VINYL; Austin, TX Punk] – New LP","description":"\u003ch1\u003epop-punk from Austin, Texas.\u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583518981\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"https:\/\/atxdroppedout.bandcamp.com\/album\/get-lost\" data-mce-href=\"https:\/\/atxdroppedout.bandcamp.com\/album\/get-lost\"\u0026gt;Get Lost by Dropped Out\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003efaster and louder: “\u003cspan\u003eMy stripped-down review of Dropped Out's new album \u003c\/span\u003e\u003ci\u003eGet Lost\u003c\/i\u003e\u003cspan\u003e would read like this: \u003c\/span\u003e\u003ci\u003epop-punk done right\u003c\/i\u003e\u003cspan\u003e. That will entice some of you and send others running for the hills. But I think you all catch my drift. Austin-based trio Dropped Out makes no claims of reinventing the wheel. These guys are all about '90s pop-punk, and they execute the style exceptionally well. Out now on Otitis Media Records, \u003c\/span\u003e\u003ci\u003eGet Lost\u003c\/i\u003e\u003cspan\u003e is full of tight, well-crafted songs with likeable vocals and lyrics. Influence-wise, I'm picking up on everything from Screeching Weasel to Green Day to Teen Idols to Parasites. So this band is definitely in my sweet spot for pop-punk. Some songs touch on classic pop-punk themes of heartbreak and relationship woes. Others exhibit a self-deprecating sense of humor. I like that these 10 tracks deliver a nice mix of really poppy mid-tempo tunes (definitely my cup of tea) and fast-paced '90s style melodic punk numbers (not always my cup of tea, but surprisingly pleasing to my ears in the case of this band). If you're cynical about pop-punk as a genre, Dropped Out is not going to turn you to the dark side. That said, \u003c\/span\u003e\u003ci\u003eGet Lost \u003c\/i\u003e\u003cspan\u003eis everything a good pop-punk record ought to be. It's fun, catchy, and relatable to love and life. If I could somehow go back in time and play \"Nicola\" for 1996 me, he\/I would have absolutely\u003c\/span\u003e\u003ci\u003e flipped\u003c\/i\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Otitis Media Records","offers":[{"title":"Default Title","offer_id":42110086643873,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3516766154_16.jpg?v=1656040922"},{"product_id":"real-kids-the-we-don-t-mind-if-you-dance-2xlp-import-new-lp","title":"Real Kids, The - We Don’t Mind If You Dance: Live 1977\/78 [2xLP IMPORT] - New LP","description":"","brand":"Crypt Records","offers":[{"title":"Default Title","offer_id":42128563667105,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-12587971-1538145533-2274.jpg?v=1656354781"},{"product_id":"trin-tran-dark-radar-new-lp","title":"Trin Tran – Dark Radar - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLost in the post-Y2K punk-disco vogue, mechanical man Trin Tran rode alone on the robot train to tomorrow. His one man act left some digital footprints on the net, and now those have been recaptured for grooving on LP. It's not too late for the future again — catch the Tran, man! And welcome to a new label in your life — God?, that is.\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3827173620\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/trintran.bandcamp.com\/album\/dark-radar\"\u003eDark Radar by Trin Tran\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"God? Records","offers":[{"title":"Default Title","offer_id":42129153753249,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0955968289_16.jpg?v=1656366385"},{"product_id":"ar-kaics-ar-kives-volume-one-new-lp","title":"Ar-Kaics – Ar-Kives: Volume One- New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eIt’s all here, and fresh as a summer daisy; all of the out-of-print, pre-Wick Records 45s, an early demo standout, and an inexplicably unreleased song from their s\/t album sessions are all on offer. Remastered loud for maximum rock’n’roll, but unlike the late and great rag of the same name, these songs are here to stay, in print!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=791061119\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thearkaics.bandcamp.com\/album\/ar-kives-volume-one\"\u003eAr-Kives: Volume One by the Ar-Kaics\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor those not yet indoctrinated, Ar-Kives brings listeners up to speed on The Ar-Kaics’ off-brand of spot-on 60s garage punk originals, something they’ve been channeling back from the grave and making their own for the better part of the last decade.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNow, after 10 releases, it’s high time to rollout Dig! Number 1, simmering on the backburner since the label’s formation. Will this ultimately be the first or last release from Dig!? Only time – not to mention, the survival of humankind matched by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ethe insatiable appetites of music lovers the world over – will tell. In the meantime, stay home, kickback and order-in with this platter from Dig!’s favorite Virginia garage punk unknowns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLP available throughout Europe via Bachelor Records.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-12 col-lg-12 item-meta\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Dig! Records","offers":[{"title":"Default Title","offer_id":42138144047265,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1732816362_16.jpg?v=1656452433"},{"product_id":"dangus-tarkus-rocknroll-for-the-people-new-lp","title":"DANGÜS TARKÜS – Rock'n'Roll for the People [MARKED DOWN] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\nWhether doing covers (Nikki \u0026amp; the Corvettes, Sparks...) or originals, DANGUS an original punk rock n roll machine!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3076445459\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/digdangustarkus.bandcamp.com\/album\/rocknroll-for-the-people\"\u003eRock'n'Roll for the People by DANGÜS TARKÜS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-12 col-lg-12 item-meta\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eDIG004 – DANGÜS TARKÜS “Rock’n’Roll for the People”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter last years dazzling EP on Lumpy Recs, its high time for Dangüs Tarküs’ mysterious, heretofore cassette-only, killer 2013 glam punk debut, Rock ‘n’ Roll for the People, to get a proper (limited) vinyl release!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWho is Dangüs and what’s a Tarküs you ask (after all the searches of Google, Wiki and the works fail to reveal the truth…)? Dangüs Tarküs is the alter ego of Joe Sussman. So who is Joe Sussman? Joe Sussman –\u003cbr data-mce-fragment=\"1\"\u003eamong other distinctions* – is the front dude and guitar guru of NANCY (Brooklyn come Chicago’s dynamo punk duo). Loyal NANCY fans will recognize Dangüs Tarküs originals on the album (like “My Josie”, “Inverted Kingdom” and “Hot Love”) from NANCY’s sizzling live sets, fleshed out here and tracked with a full band (although little else is known of the rhythm section, comprised of bassist Tüsh M’Güsh and drummer YouTübe FartTübe).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWell worth the wait and it’s weight – in meatballs, tushy tickles and every last generation of pure AM\/FM gold – listeners at home can expect to find the best mutant punk blasts since the age of new records from The Spits (on bangers like “Apocalloyd”\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand “Brain Teaser”). Pressed for 45 RPM and lovingly remastered and cut at +5DB, it’s legitimately loud at ANY volume! And much like any serious Rock’n’Roll effort, this platter summons it’s kindred spirits and primordial forbearers in a slew of covers, ranging from the classics (Sparks and Nikki \u0026amp; the Corvettes) to the more obscure and underappreciated (Pantherman). They’re reinvented here, and newly indispensable – like all the songs The Cramps ever taught us!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDesperate times call for Dangüs Tarküs; now let Rock’n’Roll for the People ring-a-ding-ding!!!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e*founding member of the Bad Boy Club™ and original lifetime key holder at Coed Naked™\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Dig! Records","offers":[{"title":"Default Title","offer_id":42142396645537,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2463148562_16.jpg?v=1656493629"},{"product_id":"ventures-the-another-smash-new-lp","title":"Ventures, The ‎– Another Smash [COLOR VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eVentures 1961!  Their 3rd album! \u003c\/p\u003e\n\u003cp\u003eGhost Riders in the Sky • Wheels • Lonely Heart • Bulldog • Lullaby of the Leaves • Beyond The Reef • Raw-Hide • Meet Mister Callahan • Trambone • Last Date • Ginchy • Josie\u003c\/p\u003e\n\u003cp\u003eOn Colored Vinyl! If ever there was a \"band that launched a thousand bands,\" it would be the Ventures. Founded in Tacoma, Washington in 1958, their guitar-based instrumental sound would prove hugely influential, inspiring countless followers to pick up a guitar, bass or set of drumsticks and try to emulate their heroes. As these musical neophytes would soon learn, it wasn't as easy as it initially appeared. The Ventures were masters of tone and technique, deftly arranging their instruments in a seamless approach that was instantly recognizable. Because they were an instrumental group, their songs needed no translation, which resulted in a huge worldwide following. While many rock bands have claimed to be \"big in Japan\" over the years, the Ventures were the country's first rock superstars and they maintain a devoted worldwide following to this day. With over 100 million records sold, they are the best-selling instrumental group of all time. Sundazed is proud to rightfully address the magnificent Ventures' catalog--each title has been sourced from the original Dolton and Liberty Records-- reels and painstakingly mastered to sound and feel like they were originally intended. Along with precise artwork restoration on each vinyl LP title, these new Sundazed editions stand as the definitive re-releases of these monumentally important albums. Long may they rock!\u003cbr\u003e\u003c\/p\u003e","brand":"Sundazed Records","offers":[{"title":"Default Title","offer_id":42147827286177,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP5398-Ventures-AnotherSmash.jpg?v=1656551041"},{"product_id":"various-artists-baltimores-teen-beat-a-go-go-reissue-of-1966-comp-new-lp","title":"Various Artists –  Baltimore's Teen Beat A Go Go [reissue of 1966 comp]– New LP","description":"\u003cp\u003eReissue of 1966 comp from Dome Records, likely all white bands, opening with loads of focus on the melancholy of the heartbroken, \u003cmeta charset=\"utf-8\"\u003e picking up the pace on Side Two for the instrumentals \"Rampage\" and  \"The Rub,\" and cuts that sound like they are moving into 1966 garage, with The Rysing Suns, The Chadwicks, and the Destinations. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe great corny sleeve art is from the original 1966 issue.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of ultra-rare early 60's Dome Records original LP (pressing of 500 sold out fast in 1966) comp of teen garage bands from the Baltimore, MD area. These bands made up the Baltimore sound, contributing to the Garage Band Sound of the sixties.\u003c\/span\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":42148243177633,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-3492987-1477481166-5554.jpg?v=1656553682"},{"product_id":"los-explosivos-sonidos-rocanrol-new-lp","title":"Explosivos, Los – Sonidos Rocanrol!!! - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cp\u003e Kick set of snarling garage punk from Mexico City!\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1958893436\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ghrecordings.bandcamp.com\/album\/sonidos-rocanrol\"\u003eSonidos Rocanrol!!! by Los Explosivos\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":42154717151393,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1810068243_16.jpg?v=1656616487"},{"product_id":"king-freddy-gives-you-a-bonanza-of-instrumentals-new-lp","title":"King, Freddy - Gives You a Bonanza of Instrumentals - New LP","description":"\u003ch3 class=\"headline\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAll-instrumental LP from the guitarist idolized by Peter Green and many others. 180 Gram Vinyl Pressed at R.T.I. Freddie King's second all-instrumental album, Freddy King Gives You a Bonanza of Instrumentals, originally released in 1965 on King Records' Federal subsidiary, continued the artist's winning streak, with such memorable King originals as \"Manhole,\" \"Freeway 75,\" \"Low Tide\" and \"Funnybone.\" The 12-song LP demonstrates once again why King was one of his generation's most revered electric guitarists. Although his career was tragically cut short by his death at the age of 42, Freddie King was one of America's most distinctive and influential electric blues guitarists, leaving an indelible mark on more than one generation of guitar superstars, including Stevie Ray Vaughan and the Rolling Stones' Mick Taylor. The Texas-born axeman began playing guitar at the age of six, and in his teens moved with his family to the South Side of Chicago, where he was inspired by witnessing club gigs by such seminal electric bluesmen as Muddy Waters, Jimmy Rogers and Elmore James. Originally billed as Freddy King, he began recording in 1957, revealing a massively influential style that merged his Texas and Chicago influences, and soon achieved commercial success with a series of infectious instrumental hits. Sundazed Music's new vinyl edition of this electric blues landmark has been sourced from the original mono master, and pressed on 180-gram vinyl. It features an exact reproduction of the original LP cover art.\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xifEnTyrIFQ?si=DHvN5o0XEKMxwaOf\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/os9uxkAyGGc?si=c0o-wzsXiaQw9sg3\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"headline\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Sundazed Music","offers":[{"title":"Default Title","offer_id":42155836997793,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374740153.jpg?v=1656657135"},{"product_id":"cochran-eddie-eddie-cochran-live-at-town-hall-party-1959-new-lp","title":"Cochran, Eddie - Eddie Cochran Live At Town Hall Party 1959 - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLive-in-the-studio session from '59, Eddie Cochran. Taken from Tex Ritter's legendary Town Hall Party television series, our LP capture rockabilly legend Eddie Cochran at the absolute top of his game, playing incredible live material—and never before released on vinyl. If you missed the TV coverage a few decades ago, here's your chance to breathe in the sweet magic of this historic session!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eIncludes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTown Hall Party Intro • C’mon Everybody • Have I Told You Lately That I Love You • Don’t Blame It on Me • Summertime Blues (encore) • Interview with Eddie Cochran and band members • Town Hall Party Intro • School Days • Be Honest With Me • Money Honey • C’mon Everybody\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\u003c\/div\u003e","brand":"Sundazed Music","offers":[{"title":"Default Title","offer_id":42155861999777,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-5157_900.jpg?v=1656658382"},{"product_id":"tubeway-army-replicas-import-new-lp","title":"Tubeway Army  – Replicas [IMPORT] – New LP","description":"\u003cp\u003enuman 1979\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMastered From HD Digital 96\/24 Transfers Of Analogue Tapes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":42156277825697,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-49235-1485286584-9065.jpg?v=1656665625"},{"product_id":"bullnettle-s-t-blue-vinyl-new-lp","title":"Bullnettle - S\/T [BLUE VINYL marked down] - New LP","description":"\u003cp\u003eGreat set from Annie Saunders and the gang. I used to play this record all the time at the brick and mortar and never tired of it.  It's a heart punch of focused low-fi punk rock and roll, comes from the heart and hits you the same place. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=203550194\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/bullnettle\"\u003eBullnettle by Bullnettle\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"There are people in the world who, if asked (hell, even if not asked), will try to convince you that This Is My Fist! was one of the most exciting and important bands of the early 2000s. I should know, because I'm one of those people. They broke up in 2012, and since that time, lead singer Annie Saunders spent some time playing in the ripping hardcore band Manipulation. But though I liked that band, when Annie reached out to tell me that she was attending veterinary school in Urbana, IL and had started a new band where she was singing, playing guitar, and writing songs, I asked her to send me some songs. I had already decided that I'd ask to release a record before the tracks had finished downloading onto my computer.  Self-described as a \"punkish,\" Bullnettle plays urgent, melodic, raspy, and lo-fi rock n roll. Fans of This is My Fist!, rejoice! We're releasing your new favorite record.\" - Dirt Cult Records\u003cbr\u003e\u003c\/p\u003e","brand":"Dirt Cult Records","offers":[{"title":"Default Title","offer_id":42159647916193,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bullnett_11da0828-b140-4702-baaf-f051bb0f788f.jpg?v=1656731316"},{"product_id":"emerson-donnie-joe-still-dreamin-wild-the-lost-recordings-1979-1981-new-lp","title":"Emerson, Donnie \u0026 Joe -Still Dreamin' Wild: The Lost Recordings 1979-1981- New LP","description":"\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cdiv class=\"review-headline-container\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\"Still Dreamin’ Wild: The Lost Recordings 1979-81 presents that secondary stage of reissue culture, culling demos in the years after the younger Emerson graduated high school and began traveling to Los Angeles in the hopes of realizing his teenage dreams. Older brother Joe was already turning his attentions to the family farm, his presence only heard on two of the album’s twelve tracks. Donnie’s polymath musical skills are on full display, from drums to poly-Moog synth, and his ability to mimic the more popular hits on the radio of the day remains uncanny. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile Dreamin’ Wild seemed to float just out of its time, Still Dreamin’ for the most part embraces the tropes of early '80s pop radio. Had “Overture” lasted beyond a half-minute, it might have been a lost Panda Bear track, but it instead leads into the clean guitars and drums of “Don’t Fight.” The uptempo “Big Money”, featuring brother Joe’s walloping drums, is an album highlight, even if it only lasts two minutes.\" - Pitchfork\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=559648952\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/donniejoeemerson.bandcamp.com\/album\/still-dreamin-wild-the-lost-recordings-1979-81\"\u003eStill Dreamin' Wild: the Lost Recordings 1979-81 by Donnie \u0026amp; Joe Emerson\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Light In The Attic Records","offers":[{"title":"Default Title","offer_id":42160934158497,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0213344702_16.jpg?v=1656747580"},{"product_id":"subsonics-flesh-colored-paint-new-lp","title":"Subsonics – Flesh Colored Paint– New LP","description":"\u003cp\u003e\u003cspan\u003eATLANTA’S BAD-ASS BITTERSWEET POPSTERS, \u003c\/span\u003eglam-o-rama garage punk.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAtlanta’s SUBSONICS are a gutter-glam, minimal rock’n’roll trio. This is their 8th album and it’s called “Flesh Colored Paint.” \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3664410844\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/subsonics.bandcamp.com\/album\/subsonics-flesh-colored-paint-lp\"\u003eSUBSONICS \"Flesh Colored Paint\" LP by Subsonics\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eLike all their previous works, this is a distilled hodgepodge of decades of popular culture and classic literature culminating in a collection of short and groovy shambolar: Chuck Berry, Albert Camus, AM radio rock jocks, Bo Diddley, Golden Age TV, surrealism, Mad Magazine, kung-fu flicks, Herman Melville, Little Richard, self-negating philosophy, David Johansen, The Bible, Dee Dee Ramone, Lee Van Cleef, Cornell Woolrich, advertising jingles, Dada, Carole King, Bugs Bunny, and Casablanca; the poem, not the film. This is a gorgeous mess of a record, and it’s cool. REAL COOL, KILLER. We hope you’ll find something within to make you think, or at the very least, dance, if it’s too deep.\u003c\/span\u003e\u003c\/p\u003e","brand":"Slovenly Records","offers":[{"title":"Default Title","offer_id":42185343434913,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3077694458_16.jpg?v=1657147824"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/august-2026.oembed","provider":"Green Noise Records","version":"1.0","type":"link"}