{"title":"August 2025","description":"\u003ch1\u003enew releases, reissues, restocks, preorders, preorder arrivals, marked down titles and used records added to the Green Noise webstore during August 2025!\u003c\/h1\u003e\n\u003cp\u003e(If you want to only see new releases that were recorded in\u003cspan\u003e \u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/2025\" rel=\"noopener\" target=\"_blank\"\u003e2025\u003c\/a\u003e\u003c\/span\u003e, see CHRONOLOGY section under INDEX.  Under the CHRONOLOGY you can sort years and decades according to when the music was created and recorded.  In contrast, NEW ARRIVAL pages sort according to when titles were added to the Green Noise site.)\u003c\/p\u003e","products":[{"product_id":"indian-wars-songs-from-the-north-lp","title":"Indian Wars - Songs From The North – New LP","description":"\u003cp\u003eNEW. BACHELOR RECORDS. Vancouver-based garage rock troublemakers unleash their second full lenght - and after the debut 7\" called \"If you want me\" and debut LP \"Walk around the Park\" - the third release on Bachelor Records.\u003cbr\u003e\"Songs from the North\" contains ten songs recorded in a one night session at Hive Studios, and resembles a very intense and also laid back collection of tracks. Order Now!\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cl4MdhkPmuA?si=h5rmmm5A6dDdgZoV\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThey booked a studio to record their sophomore album in just one night, in the wee hours, when the rate is cheap, with hardly any overdubs and with live vocals. Beside of their instruments, skill and musicianship they also used alcohol to finish this epic album, at least this is what I think of when I'm listening to the songs. The music is quite diverse, you can take a journey through roots country, rock and roll and garage punk-eske songs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAll Songs written by INDIAN WARS.\u003cbr\u003eRecorded by Tanis Gibbons at The Hive.\u003cbr\u003eMastered by Stu McKillop.\u003cbr\u003e\u003cbr\u003eLimited to 500 copies\u003cbr\u003eBlack Wax, with a 4 paged insert.\u003c\/p\u003e","brand":"Bachelor Records (Austria)","offers":[{"title":"Default","offer_id":821430671,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/indian_wars_cover-600x600.jpg?v=1751907476"},{"product_id":"big-eyes-almost-famous-lp","title":"Big Eyes - Almost Famous – Used LP","description":" with poster and printed inner sleeve.  hard rock pop punk: buy it!  It rocks.  KAIT ELDRIDGE for president.\n\u003cp\u003eGRAVE MISTAKE RECORDS.  \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRecorded in October 2012 by Adam Becker at Red Lantern Studios (Portland, OR)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eall songs written by: KAIT ELDRIDGE\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eKAIT ELDRIDGE - guitar\/vocals\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCHRIS COSTALUPES - bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDILLAN LAZZARESCHI - drums\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1939167276\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/bigeyes.bandcamp.com\/album\/almost-famous\"\u003eALMOST FAMOUS by BIG EYES\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe highly anticipated sophomore full length from Seattle's BIG EYES! With a solidified West Coast lineup, BIG EYES have stepped up their game with a more definitive sound and unified vision. \"ALMOST FAMOUS\" finds the band drawing even more of a hard rock influence, while maintaining both the pop sensibility and punk edge that you've come to know and love. Taking inspiration from a wide variety of bands ranging from 70's rock and roll staples like Cheap Trick and Blue Oyster Cult, power pop classics like The Nerves, The Shivvers and The Undertones, and 90's pop punk bands like Scared of Chaka and Mr. T Experience, the trio continue to develop their signature style - tastefully embracing the more glamorous aspects of rock and roll without compromising the attitude and grit.\u003c\/p\u003e","brand":"Grave Mistake Records","offers":[{"title":"Default Title","offer_id":821469607,"sku":"SKU-29113","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bigeyesalmost.jpeg?v=1552705652"},{"product_id":"warm-toy-machine-not-tired-to-blow-lp","title":"Warm Toy Machine - Not Tired To Blow [IMPORT Marked down] – New LP","description":"\u003cp\u003eNEW. P TRASH RECORDS. The band was established in 2008 in Toulouse (France) and they moved to Belgium (Brussels). They were strongly influenced by the rock'n'roll \/ garage scene from south France like The Magnetix, Sonic Chicken 4. They released in 2011 a 7 tracks vinyl selftitled, selfproduced and distributed by P.Trash Records (recorded by Lo' Spider, design by Elzo Durt).\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1583530252\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/warmtoymachine.bandcamp.com\/album\/not-tired-to-blow\"\u003eNot Tired To Blow by Warm Toy Machine\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"P Trash Records","offers":[{"title":"Default Title","offer_id":821476427,"sku":"SKU-29251","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/warmtoymachine.jpeg?v=1409867126"},{"product_id":"boys-the-alternative-chartbusters-lp","title":"Boys, The - Alternative Chartbusters [IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA punk classic, gloriously anthemic power pop from the cult UK outfit. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1972835165\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theboyscov.bandcamp.com\/album\/alternative-chartbusters\"\u003eAlternative Chartbusters by The Boys\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eOn 17 March 1978, a mere six months after the release of their self-titled debut, The Boys second album \u003cem\u003eAlternative Chartbusters\u003c\/em\u003e was released (once again, produced by Dangerfield \u0026amp; Steel). \"...way ahead of its time, a buried treasure that only got dusted off much later: Condemned at the time for offering up little more than a straight carbon copy of its predecessor, the second Boys’ album has since ascended to the pantheon of power pop greats, a combination of the band's own inestimable position at the forefront of what, by early 1978, was already a burgeoning movement, and their seemingly effortless grasp of the rudiments of, indeed, a great pop song' (AllMusic). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel\/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up \u003cem\u003eAlternative Chartbusters\u003c\/em\u003e in quick succession.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Call of the Void Records (UK)","offers":[{"title":"Default","offer_id":821483363,"sku":"SKU-29356","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3204187593_16.jpg?v=1718839043"},{"product_id":"bradley-charles-victim-of-love-lp","title":"Bradley, Charles - Victim Of Love - New LP","description":"Bradley and writer\/producer\/multi-instrumentalist Thomas \"TNT\" Brenneck returned to Dunham studios and recorded the most exciting Daptone release to date, Victim of Love. On this album, Bradley moves past his \"Heartaches and Pain\" to the great promise of hope and love. Though quite at home among the music that has affirmed Daptone as the world's #1 authority on Soul Music, Victim of Love proves to be a genre-bending masterpiece, picking up where the early 70's Temptations left off and edging boldly forward into psychedelic soul exploration.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1439946835\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/charlesbradley.bandcamp.com\/album\/victim-of-love\"\u003eVictim of Love by Charles Bradley\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":33808540622,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/bradleyvictim.jpg?v=1523741598"},{"product_id":"aaron-turner-daniel-menche-nox-lp","title":"Turner, Aaron \u0026 Daniel Menche - Nox - New LP","description":"\u003cp\u003eNox is a tunneling piece for vocals and electronics from two of extreme metal’s most persistent travelers; Aaron Turner (Sumac \/ Mamiffer \/ House of Low Culture \/ Old Man Gloom \/ Isis) and Daniel Menche (aka Beast).\u003cbr\u003eIn the course of 30 minutes the pair commit to a glacial descent from wide, airborne vocals drones and plaintive harmonies to Phurpa-like overtones, widescreen synth dimensions and spectralist noise without ever breaking the spell.\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1000978404\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sigerecords.bandcamp.com\/album\/nox\"\u003eNox by Aaron Turner, Daniel Menche\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Sige Records","offers":[{"title":"Default Title","offer_id":1869258948632,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1842169607_10.jpg?v=1509041701"},{"product_id":"cliterati-violation-wound-split-lp","title":"Violation Wound \/ Cliterati  - Split [MARKED DOWN] - New LP","description":"\u0026lt;br\u0026gt;\u0026lt;br\u0026gt;\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2124309951\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/downloads.tankcrimes.com\/album\/cliterati-violation-wound\"\u003eCliterati \/ Violation Wound by Violation Wound \/ Cliterati\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Tank Crimes Records","offers":[{"title":"Default Title","offer_id":12176107438150,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3365632545_10.jpg?v=1531954785"},{"product_id":"sunburst-ave-africa-lp","title":"Sunburst - Ave Africa [2xLP + 2 CDs IMPORT] - New LP","description":"\u003cspan\u003eStrut presents a definitive collection of recordings from one of Tanzania’s most revered bands of the early 1970s, Sunburst. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3309801531\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sunburstmusic.bandcamp.com\/album\/ave-africa-the-complete-recordings-1973-1976\"\u003eAve Africa: The Complete Recordings 1973-1976 by Sunburst\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eCovering their output from 1973 to 1976, this first retrospective features their singles for the Moto Moto and TFC labels, their sole album, ‘Ave Africa’ and an unreleased radio session recorded in Tanzania in 1973. By the time Zairean guitarist Hembi Flory Kongo had formed the band in Dar Es Salaam in 1970 playing “copyright” cover versions, soul and funk had long influenced young musicians in Dar and ‘boogies’, weekly soul events, were commonplace at the city’s clubs. Despite the Tanzanian government banning soul (both music and dancing) through their conservative Ujamaa policy in 1969, Sunburst grew as a band and developed their own musical direction which they later called Kitoto Sound, reflecting the diverse backgrounds of the band members. Lyrical themes included black pride and colonial oppression – the band even played a gig for visiting civil rights heroine Angela Davis. After June 1973, Sunburst gained a national audience through a live session for the state-owned Radio Tanzania, a crucial means for domestic bands to air their work. A month later, they won a band competition in Dar Es Salaam and their popularity in Tanzania grew further. They began recording singles in Kenya, standing apart from the predominantly rumba, jazz or taarab styles sung in local languages at the time. In 1974, Sunburst met Zambian musician Rikki Ililonga from Zamrock group Musi- O-Tunya and he invited them to Zambia. Meeting their later manager, car company employee Peter Bagshawe, they embarked on an ill-fated tour with Kenyan funk band Matata before working on a first full album in 1976 in Lusaka with new band members. The LP came out at the height of the Zamrock scene led by bands like Witch and Ngozi Family but Sunburst offered a more intricate sound as musicians born in six different countries tapped into a multitude of styles, languages and stories. “Our songs support freedom struggles and encourage peasants and workers to work harder,” singer James Mpungo recounted. “Our songs also criticize our people for allowing themselves to be too westernized.” After a handful of further singles for Tanzanian state label TFC, including the popular ‘Banchikicha’, the band split, frustrated by living on “bare minimum earnings” from their music. The result of three years’ painstaking work after tracking down bandleader Hembi Kongo, bassist Bashir and the band’s ex-manager Peter Bagshawe, this overdue retrospective is curated by Thomas Gesthuizen (DJ Gioumanne) of Africanhiphop. com and Dave Tinning of Santuri East Africa. The package features a full band biography alongside rare photos, press cuttings and memorabilia.\u003c\/span\u003e","brand":"Strut Records (Europe)","offers":[{"title":"Default Title","offer_id":12260564860998,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/SUNBURST_FINAL_FRONT_COVER_HI_RES.jpg?v=1532640257"},{"product_id":"plastic-s-t-lp","title":"Plastic - s\/t - New LP","description":"\u003cp\u003eChicago synthpunk...claustrophobic and scary and cold and crazed...Lumpy...dipped into the injection molds of plastic crates with locked gates and forgotten in the basement of the warehouse...that Hawk wind and them winter blizzards have obviously sent this crew into the dark corners where the light of sanity rarely reaches.  In other words, great stuff, dark like death rock, cold like industrial cinder blocks.  (Don't be too afraid of them: they are good people: they give proceeds to \u003cspan data-mce-fragment=\"1\"\u003eKARAM FOUNDATION TO HELP SYRIAN REFUGEE YOUTH) \u003c\/span\u003e-- winch \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3707002845\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/plasticchicago.bandcamp.com\/album\/plastic\"\u003ePlastic by Plastic\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded \u0026amp; Produced by Blake E. Clark\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll songs written by PLASTIC 2016\u003c\/span\u003e\u003c\/p\u003e","brand":"Lumpy Records","offers":[{"title":"Default Title","offer_id":12417471873094,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-11475449-1579115113-8207_png.jpg?v=1627382960"},{"product_id":"sex-tourists-s-t-lp","title":"Sex Tourists - s\/t  [Black Vinyl IMPORT]- New LP","description":"\u003cp\u003eA Sydney-borne future classic in the making.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eDowner synth-pop stylings that have New Order as a clear point of reference, but infuse the stuttering drum machines and shimmery guitars with a very Australian sense of anti-romantic fatalism. Some smart production brings these well-crafted poppers into the hi-fi field they belong in.\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1249439522\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/paradisedaily.bandcamp.com\/album\/sex-tourists-2\"\u003eSex Tourists by Sex Tourists\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eFeaturing members of Aloha Units, Natalia And Her Naptime and Houseband. Originally released on Paradise Daily Records.\u003c\/p\u003e\n\u003cp\u003e\"Incredible ten track 12\" from Australian synth punks SEX TOURISTS. I'd place this somewhere between the excellent, postpunk leanings of fellow Aussies ORION and the fine tuned, pop-inflected hits of TOTAL CONTROL. A serious contender and one of the best Aussie releases that I've heard in recent memory. Trust me, if this is your thing, you'll get plenty of spins outta this one.\"\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSam\/ Feel It Records.\u003c\/p\u003e\n\u003cp\u003eLimited European pressing.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":12436494942278,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/v600_bandcamp.jpg?v=1533251876"},{"product_id":"hot-victory-s-t-lp","title":"Hot Victory - s\/t - New LP","description":"\u003cp\u003eHOT VICTORY, Portland's extragalatic drum-synths duo have charted a course for who knows where. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3605930830\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hothotvictory.bandcamp.com\/album\/hot-victory\"\u003eHOT VICTORY by Hot Victory\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eA man and woman, joined at the drums, do the work of an entire crew as they launch themselves into galaxies far far away where alien sounds weave through the colliding polyrhythms of a cyborg drumline. Electronic, HC, industrial, experimental, head rock, krautrock, and New Age intersect to manifest heretofore unknown sonic forms. With their self-titled fourth LP (first on vinyl) HOT VICTORY has created an all-enveloping cybernetic structure of electroacoustic music powered by a relentless human pulse, opening portals deep into the hybrid mind and exposing the warped mathematics to their own theory of everything, transporting you to innerspace as much as it will to outerspace with its sci-fi vision of the future where man still controls the machines, where humanity still shines through a techno-trash society. Whether sonic keys to unlock the hidden doors of perception or soundtracks to your pending alien abduction, you are going somewhere. \u003c\/p\u003e","brand":"Eolian Empire Records","offers":[{"title":"Default Title","offer_id":19942338068550,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3292782596_10.jpg?v=1547861074"},{"product_id":"bikini-kill-pussy-whipped-lp","title":"Bikini Kill - Pussy Whipped - New LP","description":"\u003cp\u003e\u003cspan\u003eREISSUED!!! The debut full-length from BIKINI KILL originally released in 1993 on Kill Rock Stars. Includes the track \"Rebel Girl,\" listed # 27 on Rolling Stone's \"Most Excellent Songs of Every Year Since 1967\" list.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3548966483\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bikinikill.bandcamp.com\/album\/pussy-whipped\"\u003ePussy Whipped by Bikini Kill\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eBikini Kill was a feminist punk band that was based in Olympia, WA and Washington, DC, forming in 1990 and breaking up in 1997. KATHLEEN HANNA sang, TOBI VAIL played drums, BILLY KARREN (aka BILLY BOREDOM) played guitar and KATHI WILCOX played bass. Bikini Kill is credited with instigating the Riot Grrrl movement in the early ’90s via their political lyrics, zines, and confrontational live performances.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bikini Kill Records","offers":[{"title":"Default Title","offer_id":20801212547142,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5cc896e318976_main.jpg?v=1583695426"},{"product_id":"plaid-polymer-2xlp","title":"Plaid - Polymer [2xLP] – Used LP","description":"\u003cp\u003e\u003cspan\u003eNM\/NM\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eForging ever bolder and emotive paths through electronic music, Plaid are set to release their 10th studio album ‘Polymer’ on June 7th via Warp Records. The album’s 13 tracks cover energetic bangers, bright melodic visceral rhythms and hypnotic wombic textures to create perhaps their most cohesive, direct album to date.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe innovative duo Ed Handley and Andy Turner have been expanding the realm of electronic music as Plaid since they diverged from trio The Black Dog in the early 90s. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2114354857\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/plaid.bandcamp.com\/album\/polymer\"\u003ePolymer by Plaid\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eIn 2019, Plaid stand alongside the likes of Aphex Twin, Autechre and Nightmares on Wax as mainstays of the Warp label as it reaches its 30th anniversary, celebrating achievements in music like few others. Their adventurous and playful approach has taken them to working with Björk and drawing comparisons to fellow collaborators Mark Bell, Arca, Haxan Cloak and more recent Releases by Skee Mask and Daniel Avery. They’ve worked with the London Sinfonietta, the Southbank Gamelan Players, composed for Felix’s Machines robotic sculptures, and soundtracked events as diverse as reindeer migration in northern Europe to a level in popular platformer Little Big Planet 3. In a live capacity their show straddles both a contemporary and club capacity, able to pack venues from Sydney Opera House and Southbank to Bloc and Berghain.\u003c\/span\u003e\u003c\/p\u003e","brand":"Warp Records","offers":[{"title":"Default Title","offer_id":20820746371142,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/LP-WRP-303.jpg?v=1559935121"},{"product_id":"lover-no-dreams-please-e-p-new-lp","title":"Lover! - No Dreams Please E.P. - New 12\"","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2432498537\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/lover.bandcamp.com\/album\/no-dreams-please-ep\"\u003eNo Dreams Please EP by Lover!\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eRich Crook (from Lost Sounds) and the gang, with a classic Tennessee sound, garage-rock power pop...elements of punk, acid rock, and hillbilly...pieces of the Everly Brothers, Buddy Holly, The Box Tops, Neil Young and the Byrds (and others more knowledgeable about country \u0026amp; western could probably point out earlier sources)...a bit like some of the post-Oblivians output of fellow Memphian Greg Cartwright...but not really sounding like any of those comparisons.  So many great sounds came out of Memphis that we sometimes miss the lesser knowns and worthwhile finds, like Rich Crook for example.  -- winch\u003c\/p\u003e","brand":"Big Legal Mess","offers":[{"title":"Default Title","offer_id":29486552154182,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3869795860_16_dc19eaee-8870-4c55-adf7-2f782bbb7af5.jpg?v=1751910080"},{"product_id":"reatard-jay-blood-visions-new-lp","title":"Reatard, Jay - Blood Visions - New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2005246082\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/jayreatard.bandcamp.com\/album\/blood-visions\"\u003eBlood Visions by Jay Reatard\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eJay’s reputation was to smash disco balls and get in on-stage fights—the kind of guy who tried to make people laugh by shooting bottle rockets out his ass. As wild and ridiculous as he was, he took his music seriously. This album is the stuff of horror movies. - Evan Minsker of Pitchfork","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":29486591639622,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2853979018_10.jpg?v=1753303669"},{"product_id":"porter-david-sweat-love-used-lp","title":"Porter, David - Sweat \u0026 Love - Used LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eVG: some wear to both vinyl and sleeve, some crackle between songs; sleeve has ugly drill hole in bottom left corner.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDavid Porter: Under appreciated living legend from the world of North American music...born and raised at the center of it all in Memphis, staying in his hometown to become songwriting partner of Isaac Hayes in the 1960s, house composers for Stax, they penned most of Sam \u0026amp; Dave's hits, “Soul Man\" and \"Hold On! I'm Coming, Porter’s name ending up on the credits of hundreds of songs. While his songs traveled the world, he remains dedicated to his hometown, founding the Memphis-based Consortium MMT, a nonprofit organization seeking to develop the music industry in Memphis.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ePorter has a street named after him in Memphis and was awarded the Governor's Arts Award for his achievements including founding The Consortium MMT venture.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eEven fans aren’t always aware that he recorded his own albums at Stax, like this one just added to greennoiserecords.com, not surprisingly an enjoyable set, of course focusing on the many sides of falling hard, falling in and falling out, slow-burning waterbed soul and mid-tempo funky numbers, focused on originals by Porter and Ronnie Williams, featuring the Memphis Horns and a group of musicians called Ebony Web (who released at least one single on Hi in 1972), all enjoyable with several highlights.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Enterprise \/ Stax","offers":[{"title":"Default Title","offer_id":29506992832582,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/David_Porter.jpg?v=1565926702"},{"product_id":"damon-lochs-black-monument-ensemble-where-future-unfolds-new-lp","title":"Locks, Damon Black Monument Ensemble - Where Future Unfolds - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3239489699\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/intlanthem.bandcamp.com\/album\/where-future-unfolds\"\u003eWhere Future Unfolds by Damon Locks - Black Monument Ensemble\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eWhere Future Unfolds is a new work spirited by Chicago-based sound \u0026amp; visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble – featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir), and dancers (members of Chicago youth dance company Move Me Soul). Where Future Unfolds is a live capture of the ensemble's epic debut at the Garfield Park Botanical Conservatory on the West Side of Chicago. Recalling the spirits of Phil Cohran's Artistic Heritage Ensemble, Eddie Gale's Black Rhythm Happening, Archie Shepp's Attica Blues, and Public Enemy's It Takes a Nation of Millions to Hold Us Back, the album presents an inspired, innovative \u0026amp; immediate intersection of gospel, jazz, activism \u0026amp; 808 breaks.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\"The music moves easily between Afrofuturist gospel—typified by the spacy synths of “Which I Believe It Will” and the luminous electro beats of “Which I Believe I Am”—and hip-hop grime. “The Colors That You Bring” sets the choir’s soulful harmonies against wavering strings and murky boom-bap drums, like a civil rights protest movie scored the RZA. Upping the intensity, sampled fragments of archived speeches are embedded in the songs; on “Solar Power” a voice proclaims, “There's no black person on this planet that will disagree with freedom.” These spoken snippets give the album a militant edge, recalling interludes from the classic Public Enemy records, where speeches from social reformers like Frederick Douglass were fused with steely breaks.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cem\u003e\"Where Future Unfolds\u003c\/em\u003e began as a retelling of the Civil Rights movement of the ’50s and ’60s, but as the title suggests, it is also concerned with what is to come. At one point we hear the sweet, youthful voice of Rayna Golding—the daughter of Black Monument Ensemble singer Monique Golding—leading the choir in a vow: “I can rebuild a nation no longer working out.” The line comes to encapsulate the tenor of the album: gritty sentiments that radiate an optimistic glow. In the way that music from old eras can be sampled and repurposed into new forms, Locks’s majestic work strives to reach better days by looking back and learning from the past.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBlack LP in a heavyweight tip-on gatefold jacket *coated in metallic gold foil* with our standard dome-patterned inner-sleeve, and our Japanese-style obi strip. With 4 art prints.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e2019\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMusicians:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eAngel Bat Dawid (clarinets), Dana Hall (drums, percussion), Damon Locks (electronics, bells, voice), Arif Smith (percussion).\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eSingers:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePhillip Armstrong, Monique Golding, Rayna Golding (on \"Rebuild A Nation\"), Eric McCarter, Tramaine Parker, Lauren Robinson.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eDancers:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eAnna Martine Whitehead, Raven Lewis (Move Me Soul), Cheyenne Spencer (Move Me Soul), Mary Thomas (Move Me Soul), Bryonna Young (Move Me Soul), Tiarra Young (Move Me Soul).\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLyrics \u0026amp; Compositions by: Damon Locks.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eRecorded \u0026amp; Mixed by: Charlie Mammoser.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMastered by: Casey Rice \u0026amp; David Allen.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eCostumes Designed by: Jamie Hayes at Production Mode.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePhotography by: Daris Jasper \u0026amp; Chris Hershman\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAlbum Art by: Damon Locks\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eLayout \u0026amp; Liner Design by: Craig Hansen\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eRecorded Live at Garfield Park Conservatory, as part of Red Bull Music Festival, Chicago, November 15th, 2018.\u003c\/div\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":29519863808070,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Locks_Damon_Black_Monument_Ensemble_-_Where_Future_Unfolds.jpg?v=1631495671"},{"product_id":"terry-louie-a-thousand-guitars-black-vinyl-new-lp","title":"Terry \u0026 Louie - ...A Thousand Guitars - New LP","description":"\u003cp\u003e\u003cspan\u003eBLACK VINYL\u003c\/span\u003e\u003c\/p\u003eDAMAGED SLEEVE: Minor corner Crush\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2632533072\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/tuffbreak.bandcamp.com\/album\/a-thousand-guitars\"\u003e... A Thousand Guitars by Terry \u0026amp; Louie\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe debut LP from Terry Six \u0026amp; King Louie Bankston!!\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cblockquote\u003e\n\u003cspan\u003e“\u003c\/span\u003eI’ve gone through all ten tracks numerous times, and I can’t find a clunker in the bunch. Start to finish, this is an album that shows you what great songwriting is all about.\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e— LORD RUTLEDGE, \"FASTER LOUDER\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cblockquote\u003e\n\u003cspan\u003e“\u003c\/span\u003eThis album has been worth the wait...riffs, catchy hooks, and a sneer...purified Rock \u0026amp; Roll straight out of the tap. No filter and no gimmicks here.\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e”\u003c\/span\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e— NICHOLAS PANAGAKOS, \"I HEART NOISE\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Formed from the ashes of one the most tragic and beloved Punk bands in recent memory,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eThe Exploding Hearts\u003c\/strong\u003e, they are “Terry \u0026amp; Louie” AKA Terry Six and King Louie Bankston. And they are back! And with a brand new fulllength album entitled “… \u003cspan style=\"text-decoration: underline;\"\u003eA Thousand Guitars.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"Terry \u0026amp; Louie are THE premier songwriting partnership duo. Much like Nick Lowe and Dave Edmunds (Rockpile), Chin and Chapman, and Boyce and Hart before them. They combine the heart and soul from their predecessors with catchy upbeat blasts “It’s All Mine” and the title track, “…A Thousand Guitars” also solid jukebox powerhouse hits like “Pink Razor Blade” and “Rebel Ways” and bring it into the now with grit and rawness blitzing to the forefront.  Picking right back up where they left off from their days with The Exploding Hearts, “…A Thousand Guitars” has those huge, sonic signature guitar sounds and soulful vocal performances, includes tried and true bone crushers like, “(I’m) Looking For A Heart” – Record Turnover. “…A Thousand Guitars” is clearly a heavy contender for any record collection.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eI've had high hopes for this release since one particular member of this celebrated duo contacted me 20 months ago to warn me that \"this album is gonna have your ears melted down the sides of your face\". Let me tell you: he wasn't wrong! Terry \u0026amp; Louie spent a number of years writing this material and getting the recordings just the way they wanted them. I must say that was time well invested. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A lot of people will assume that a joint project involving Terry Six and Louie Bankston (of the late and beloved Exploding Hearts) would have to be the ultimate power pop experience. But while there are some great power pop \u003c\/span\u003e\u003ci\u003esongs\u003c\/i\u003e\u003cspan\u003e on \u003c\/span\u003e\u003ci\u003e...A Thousand Guitars\u003c\/i\u003e\u003cspan\u003e, I think trying to cram this album into one particular genre pigeonhole does it a great disservice. This is a record that touches on nearly every significant style of rock n' roll from the last 60 years. It incorporates everything from punk to power pop to glam rock to '60s pop to pub rock to new wave to '70s arena rock. Many of these songs are reminiscent of both artists' previous bands, but ultimately what defines Terry \u0026amp; Louie is the way their individual talents come together to form a unique songwriting partnership. These are two tremendously talented dudes, and the musical chemistry they possess as a duo is undeniable. As the one-sheet for this album eloquently puts it, their story stems from loss and heartbreak. Fortunately for all of us, that story continues on.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"You may recognize that the album title \u003c\/span\u003e\u003ci\u003e...A Thousand Guitars\u003c\/i\u003e\u003cspan\u003e is a Nick Lowe reference. It's also a perfect descriptor for this release - which delivers riffs, licks, and solos to the highest degree. Supported by drummer Aaron Hill (Missing Monuments), bassist Chad Savage (Battleme, The Savage Family Band), and mix-master to the stars Pat Kearns, Terry \u0026amp; Louie have turned out ten stellar tracks representing the finest in hook-laden rock n' roll. The duo comes out shooting fire on opener \"Rebel Ways\" - a glammy rocker worthy of anthem status. And while tracks such as \"Broken Forever\" and the immensely danceble \"It's All Mine\" tow the expected power pop line, I love that this record is full of surprises (which I suppose I'm about to ruin!). \"Pink Razor Blade\" brings together melodramatic vocals, doo-wop harmonies, bubblegum handclaps, a thunderous rock chorus, and a guitar break worthy of Thin Lizzy. \"Cheated By Love\", which successfully alternates between reggae and radio pop, sounds like something Joe Jackson might have written 40 years ago. Within seconds of my first listen to \"(I've Got The) Highway To Take\", I thought Malcolm Young had come back from the dead. The title track's marriage of riff rock boogie and ringing melodies brings to mind the immortal Big Star. I've gone through all ten tracks numerous times, and I can't find a clunker in the bunch. Start to finish, this is an album that shows you what great songwriting is all about. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eYears ago, long before Terry \u0026amp; Louie formed as a duo, I secretly hoped that they would make music together again someday. Those first two singles did not disappoint. But they were merely a prelude to \u003c\/span\u003e\u003ci\u003e...A Thousand Guitars\u003c\/i\u003e\u003cspan\u003e. The fellas knocked it out of the park with this one!\" - \u003c\/span\u003e\u003cspan\u003eLord Rutledge\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bachelor Records (Austria)","offers":[{"title":"Default Title","offer_id":29532435611718,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0040731155_10_75be6b07-b241-49ba-bec7-ae1162644b73.jpg?v=1566436614"},{"product_id":"various-artists-killed-by-death-3-used-lp","title":"Various Artists - Killed by Death #3 - New LP","description":"","brand":"Redrum Records","offers":[{"title":"Default Title","offer_id":29545594912838,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Various_Artists_-_Killed_by_Death_3.jpg?v=1578509957"},{"product_id":"dan-melchior-band-negative-freedom-new-lp","title":"Dan Melchior Band - Negative Freedom - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=837634026\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/dan-melchior.bandcamp.com\/album\/negative-freedom\" data-mce-href=\"http:\/\/dan-melchior.bandcamp.com\/album\/negative-freedom\"\u0026gt;Negative Freedom by Dan Melchior Band\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003eRecorded in Philadelphia, Negative Freedom encapsulates the moment when the horrible truth was just beginning to sink in. “Everything got broken while I was looking the other way” sings Dan Melchior on “Negative Freedom” and perhaps that’s a relatable sentiment. Elsewhere Melchior’s ever-withering gaze settles on prima donna self-googlers in “They Insulted Me In Mojo” and self-serving promoters get their own anthem in “A Nice Holiday”—”Be careful of enthusiasts who want you to play their island” sings Melchior, with a sense of weary experience that makes the song seem like it might just be autobiographical.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eThe rhythm section on this recording consists of two former members of Taiwan Housing Project (Adam Charles Cooper on bass and Pat Ganley on drums). They manage to lay down a solid but decidedly streamlined groove that perfectly compliments the songs. “This Is One” utilizes a re-discovered drum track laid down by the legendary Letha Rodman Melchior to great effect.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"post-content\"\u003e\n\u003cdiv class=\"body-text\"\u003e\n\u003cp\u003e“The political philosopher Isaiah Berlin defined negative liberty as an answer to the question, “\u003ci\u003eWhat is the area within which the subject—a person or group of persons—is or should be left to do or be what he is able to do or be, without interference by other persons?\u003c\/i\u003e” It’s the freedom to be left alone, then, and allowed to proceed towards some personal goal. It’s a lot to ask, especially in disciplines like art and music, where everybody on earth has an opinion and where forward progress can depend on lots of obstructive others: labels, bookers, radio DJs, reviewers, Spotify execs and fans. Dan Melchior’s career to date has been a case study in the costs and possibilities of negative freedom. Alongside the clattery, dissonant, sarcastic garage rock he is best known for, he has made sound collages, free-improv records, electric blues, art-pop theater and visual art. He has done whatever the fuck he wanted, repeatedly, and his unquantifiable-ness makes him interesting, but also narrows his appeal.\u003c\/p\u003e\n\u003cp\u003e“This latest album is not so far from Melchior’s best known work, an electrified blues rock pushed out so far into distortion that the forms become almost unrecognizable. Recorded with Adam Charles Cooper and Pat Ganley, two former members of Taiwan Housing Project, it submerges rock chants in corrosive baths of acid dissonance; it’s the corpse in the bathtub of \u003ci\u003eBreaking Bad\u003c\/i\u003e, breaking down to inchoate molecules and about to take out the tub, the floor beneath it and the floor beneath that. “\u003ci\u003eI got a bad review in Mojo, and I bitched like a surly prince,\u003c\/i\u003e” intones Melchior in “They Insulted Me in Mojo,” and the bitterness in the phrase, repeated and repeated, eats a hole in the storm and drone.\u003c\/p\u003e\n\u003cp\u003e“The songs clank and moan, letting loose intermittent bursts of incendiary guitar solos. They sound like they were recorded in a dungeon, fuzz and turmoil echoing off dank, chilly concrete walls. And yet there’s a ruckus being kicked up here, an undeniable force. “\u003ci\u003eCome out of the shower. You’ve been in there an hour. You’re as clean as you’re ever gonna get,\u003c\/i\u003e” chants Melchior in slyly named “Days of Future Past” (and its Side Two reprise), against a slanted hurricane of rock noise.\u003c\/p\u003e\n\u003cp\u003e“The disc closes with its title track, a firestorm of wah and scree and fuzz-crusted guitar pyrotechnics, powered up hard by a rupturing rhythm. “\u003ci\u003eNegative freedom, baby, it’s the only real ideal,\u003c\/i\u003e” sings Melchior, having a whack at all the folks who impinge on his. “\u003ci\u003eWhy don’t play acoustic guitar? Why don’t you sing your greatest hits?\u003c\/i\u003e” But seriously Dan, why don’t you do exactly what you want? You know you will anyway, and it will be brilliant like always.“.  — Jennifer Kelly\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"inline-meta post-extra has-tags\"\u003e\u003c\/section\u003e","brand":"In The Red Records","offers":[{"title":"Default Title","offer_id":29595466563654,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0006.jpg?v=1571569219"},{"product_id":"orquesta-akokan-s-t-new-lp","title":"Orquesta Akokán - S\/T [MARKED DOWN] - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1103010905\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/orquestaakokan.bandcamp.com\/album\/orquesta-akok-n\"\u003eOrquesta Akokán by Orquesta Akokán\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eStraight out of Havana, Cuba – a blazing presentation of deeply soulful mambo reminiscent of Benny Moré and banda gigante of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003ethe 1940’s and 50’s. Their latest self titled album boasts all original songs and was recorded at the historic state Areito Studio with Cuba’s finest players, young and old.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eDaptone Records is proud to introduce Orquesta Akokán, a big band collective of Havana’s top musicians both young and old, joining forces with some of the most creative and spirited talents of New York’s Latin music scene. Born out of a shared vision by singer José \"Pepito\" Gómez, producer Jacob Plasse, and arranger Michael Eckroth, the group reinvigorates the sound of the golden era of Cuban mambo with a bold new energy.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 30, 2018\u003c\/div\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":29597338632262,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Orquesta_Akokan.jpg?v=1567888432"},{"product_id":"shifka-chiefs-el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz-new-lp","title":"Shifka Chiefs -  El Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz - New LP","description":"\u003ch1\u003eGreen Noise Exclusive!  In the United States, these kick-ass punk releases by Twintoe Records (Berlin) are only available at Green Noise Records! \u003c\/h1\u003e\n\u003ch4\u003e\u003cspan\u003e\"Super-charged power pop group from Tel-Aviv that is now based in Berlin.  This music is extremely commanding and danceable. It reminds me of a mix of King Khan And The Shrines meets The Marked Men.\"  -- Razorcake \u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv id=\"customHeaderWrapper\"\u003e\n\u003cdiv class=\"band-navbar-wrapper flex\"\u003e\n\u003cbr\u003e\"All songs are originals by Shifka Chiefs, However the band is heavily inspired and motivated by the music of Miami, Florida's \"The Eat\", one of rock n' roll's true underground legends, and israel's Ariel Zilber, a pop genious and a lost soul in the micro-cosmose of rock n' roll.\" - Shifka Chiefs\u003c\/div\u003e\n\u003cdiv class=\"band-navbar-wrapper flex\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}'\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch4\u003eSome selections:\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892238155\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=3148596677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz by Shifka Chiefs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892238155\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=174135602\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz by Shifka Chiefs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892238155\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=2162220383\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz by Shifka Chiefs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892238155\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=1505547726\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz by Shifka Chiefs\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/h4\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892238155\/size=small\/bgcol=333333\/linkcol=2ebd35\/track=1991638524\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz by Shifka Chiefs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWhole album:\u003c\/h3\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1892238155\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/twintoe.bandcamp.com\/album\/el-picante-marroqui-and-khali-lombos-kilamba-on-their-fantastic-journey-to-planet-mayunz\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz by Shifka Chiefs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eComes with a limited riso print A3 poster with a MARROQUI or a KILAMBA figure, inner 'disco-bag' cardboard sleeve w\/ lyrics and a very special Fuzzgun crossword puzzle.\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"name-section\"\u003e\n\u003ch2 class=\"trackTitle\" itemprop=\"name\"\u003eEl Picante Marroqui And Khali Lombos Kilamba On Their Fantastic Journey To Planet Mayunz\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eMulti culture punk rock freaks - Shifka Chiefs and their debut LP that sums up the fantastic journey to planet Mayunz.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eEl Picante Marroqui - Vocals, Hot Sauce \u0026amp; Rahat Lukkum\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eKhali Lombos - Guitars \u0026amp; Vocals, Avocado \u0026amp; yamba Mayunz\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eHanni - Drums, Sorbian with Jewfron\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eDean - Bass \u0026amp; Majadra Master\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLive Chiefs:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eFabi - Bass \u0026amp; Beers\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eZipik - Bass \u0026amp; Hanukuklu #1\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eYoni - Drums \u0026amp; Ex-Jewfro\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eOffenbach - Keyboards \u0026amp; Itryot\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003eTracks 1-6 recorded by Bernard Camilleri, Assaf Bomgard and Francesco Fillipi, Mixed by Bernard Camilleri. At Caliente Studios, Berlin, Germany.  Vocals Recorded by Zappel at Reptile Tunes, Dresden, Germany\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eTracks 7-10 recorded and mixed by Gad Torrefranca at Koro, Tel Aviv, Israel\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAll tracks Mastered by Daniel Husayn at North London Bomb Factory Mastering studios\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eArtwork - Fuzzgun\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eProduced and written by Nadav Ben Horin \u0026amp; Assaf Bomgard\u003c\/h3\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit.\u003c\/h1\u003e\n\u003ch1\u003e \u003ca class=\"popupImage\" href=\"https:\/\/f4.bcbits.com\/img\/0013285006_10.jpg\" data-image-size=\"849,1200\" data-image-preload=\"true\"\u003e\u003cimg id=\"packageart.img_3\" src=\"https:\/\/f4.bcbits.com\/img\/0013285006_38.jpg\" width=\"144\" height=\"108\" alt=\"package image\"\u003e\u003c\/a\u003e\u003ca class=\"popupImage\" href=\"https:\/\/f4.bcbits.com\/img\/0013285008_10.jpg\" data-image-size=\"849,1200\" data-image-preload=\"true\"\u003e\u003cimg id=\"packageart.img_4\" src=\"https:\/\/f4.bcbits.com\/img\/0013285008_38.jpg\" width=\"144\" height=\"108\" alt=\"package image\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cul class=\"tralbumCommands dupe_purchases_fix\"\u003e\n\u003cli class=\"buyItem package\"\u003e\n\u003cdiv class=\"bd\"\u003eComes with a limited riso print A3 poster with a MARROQUI or a KILAMBA figure, inner 'disco-bag' cardboard sleeve w\/ lyrics and a very special Fuzzgun crossword puzzle\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"package-price-1493379264\" class=\"ft\"\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable class=\"track_list track_table\" id=\"track_table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=1\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Mayunz Intro\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e1.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/mayunz-intro\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eMayunz Intro\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time secondaryText\"\u003e01:59\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"info-col\"\u003e\n\u003cdiv class=\"info_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/mayunz-intro\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/mayunz-intro?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=2\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Naked\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e2.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/naked-2\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eNaked\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time 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class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/wood-2?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=5\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Gold Digger\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e5.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/gold-digger\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eGold Digger\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time secondaryText\"\u003e01:48\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"info-col\"\u003e\n\u003cdiv class=\"info_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/gold-digger#lyrics\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/gold-digger?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=6\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play The Snake\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number 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itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Hello My Friend\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e7.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/hello-my-friend\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eHello My Friend\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time secondaryText\"\u003e01:58\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"info-col\"\u003e\n\u003cdiv class=\"info_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/hello-my-friend#lyrics\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/hello-my-friend?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=8\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Darkness For Life\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e8.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/darkness-for-life\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eDarkness For Life\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time secondaryText\"\u003e01:03\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"info-col\"\u003e\n\u003cdiv class=\"info_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/darkness-for-life#lyrics\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/darkness-for-life?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=9\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Ze Zaz\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e9.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/ze-zaz\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eZe Zaz\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time secondaryText\"\u003e02:39\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"info-col\"\u003e\n\u003cdiv class=\"info_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/ze-zaz#lyrics\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/ze-zaz?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"track_row_view linked\" rel=\"tracknum=10\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"play-col\"\u003e\u003ca role=\"button\" aria-label=\"Play Stuff\"\u003e\n\u003cdiv class=\"play_status\"\u003e\u003c\/div\u003e\n\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e10.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/stuff\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003eStuff\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"time secondaryText\"\u003e01:24\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"info-col\"\u003e\n\u003cdiv class=\"info_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/stuff#lyrics\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"download-col\"\u003e\n\u003cdiv class=\"dl_link\"\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/track\/stuff?action=download\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e   \u003c\/h1\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29599854428230,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Shifka_Chiefs_-_Mayunz_-_New_LP.jpg?v=1567975946"},{"product_id":"kikes-los-s-t-new-lp","title":"Kikes, Los - S\/T - New LP","description":"\u003ch1\u003eGreen Noise Exclusive!  In the United States, these kick-ass releases by Twintoe Records (Berlin) are only available at Green Noise Records!  \u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3474443781\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u0026lt;a href=\"http:\/\/twintoe.bandcamp.com\/album\/los-kikes-s-t-lp\" data-mce-href=\"http:\/\/twintoe.bandcamp.com\/album\/los-kikes-s-t-lp\"\u0026gt;Los Kikes - s\/t LP by Los Kikes (היהודונים)\u0026lt;\/a\u0026gt;\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"name-section\"\u003e\n\u003ctable class=\"track_list track_table\" id=\"track_table\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"track_row_view linked mouseovertrack\" rel=\"tracknum=1\" itemprop=\"tracks\" itemscope=\"\" itemtype=\"http:\/\/www.schema.org\/MusicRecording\"\u003e\n\u003ctd class=\"track-number-col\"\u003e\n\u003cdiv class=\"track_number secondaryText\"\u003e1.\u003c\/div\u003e\n\u003c\/td\u003e\n\u003ctd class=\"title-col\"\u003e\n\u003cdiv class=\"title\"\u003e\n\u003ca href=\"https:\/\/theorions.bandcamp.com\/track\/mermaids-gone-wild-2\" itemprop=\"url\"\u003e\u003cspan class=\"track-title\" itemprop=\"name\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eI'll never forget when I put the CD version of this LP in my car stereo, as its menace grabbed me from the wheel and dragged me down to petroleum beach, deep up a sewer pipe that drained on the beach and was the source of all that grime, deep up the pipe under the manhole covers of the city...was siked to see this was one of Twintoe's releases, not like their more recent offerings, but powerful and disturbing--cool! -- winch\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eComes with big-ass poster and big-ass booklet.  \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\"Your speakers are fine.. this is the sound of Los Kikes - thrash, filth, hardcore, surf, d-beat, punk tunes straight out of the dungeon. This album, recorded back in 2004 by Charlie Megira became a cult within the Israeli hardcore\/punk scene. Originally was released by Sshaking Recordss at 2006 on CD. Now on vinyl LP available for the first time in the United States via Green Noise Records.  Green Noise got 20 of each vinyl variation, the only ones available in the US, the others available in Berlin through Twintoe Records.\u003cbr\u003e~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\u003cbr\u003e1st Vinyl press 12'' LP- 400 black + 100 transparent red and black marble \u003cbr\u003eall copies come with A1 poster, 20 page booklet and download code\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 18, 2017.  originally recorded and produced by Charlie Megira June 2004 at \"HaGarin\" studios, Tel Aviv, Israel.  Remixed and remasterd by Gad Torrefranca 2016, Tel Aviv, Israel\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eAll Songs by Los Kikes\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eLos Kikes are:\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eKirio - Vox\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eBatz - Drums\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eShuki - Bass\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eNadel - Guitar\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eYaniv - Guitar\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch1\u003eAt Green Noise, we strive to bring you the punk you know about and stuff we think you should know about, and for these releases, the stuff folks in the USA can't get anywhere else.  It took a lot of work (thanks Twintoe Records) to get these records to North America, and it was worth the effort!  Green Noise selected these Twintoe LPs with you in mind.  We knew most Green Noise customers would love this shit.  \u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":29600021184582,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Kikes_Los.jpg?v=1576434314"},{"product_id":"subhumans-crisis-point-new-lp","title":"Subhumans - Crisis Point - New LP","description":"\u003ch3\u003eThe first Subhumans album for over a decade, 10 songs showing the band have lost none of their drive power or attitude!\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559076708\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/subhumans.bandcamp.com\/album\/crisis-point\"\u003eCrisis Point by Subhumans\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/h3\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":30234546077833,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Subhumans.jpg?v=1575264212"},{"product_id":"peebles-ann-straight-from-the-heart-new-lp","title":"Peebles, Ann - Straight From The Heart - New LP","description":"\u003cp\u003eEssential 1971 set, some insane understated guitar and then keyboard coming to the front on the mini bridge, horns helping punch it home, rock solid rhythm section for the foundation that backs Ann without getting in the way.  That's just the opening cut, and the set never lets up, slinking in close and taking hold, grabbing you right from the get go and never letting go, \u003cmeta charset=\"utf-8\"\u003estaying strong from go to whoa.  Talk about totality and tight, in the pocket, bass, drum, and guitar in sync with Ann as she takes it all in and makes it her own, beauty and grit, funk and soul.  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=634545499\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/annpeebles.bandcamp.com\/album\/straight-from-the-heart\"\u003eStraight From The Heart by Ann Peebles\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf Al Green is heads on the Hi Records coin, ANN PEEBLES is tails. The signature female artist on the legendary Memphis soul and R\u0026amp;B label, Ann Peebles rocked the pre-disco '70s with songs of love, lost love, and love straight up taken. Released in 1972, Straight From The Heart preceded by just two years Peebles' über-classic, I Can't Stand The Rain, proving the young, soon to be American R\u0026amp;B icon didn't need worldwide fame and record sales for a license to be fierce and provocative (see the album track \"I Feel Like Breaking Up Somebody's Home Tonight\").\u003c\/p\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30901114994825,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/annstraight_36872425-a48f-4e77-b009-452bd1ada4f2.jpg?v=1571721912"},{"product_id":"copy-of-payton-asie-worried-new-lp","title":"Payton, Asie – Worried - New LP","description":"\u003cbr\u003ethe hip stand on their high horses and folks crowd around them all crazy with admiration and chuck them buckets of money...musicians trying to do what Payton did so much without getting credit or money....so so much better...rural blues: yes...gut-bucket boogie: yes...killer rock n roll...rawbone rhythm \u0026amp; blues...Asie does all that, often all that at the same time. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=99324731\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/asiepayton.bandcamp.com\/album\/worried\"\u003eWorried by Asie Payton\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eRecorded 1994\u003cbr\u003e\u003cbr\u003eAsie Payton died of a heart attack on May 19, 1997, in Holly Ridge, Mississippi. It occurred in the early afternoon, while he was driving a tractor in the same fields he’d worked most of his sixty years. For all of 1995 and most 1996, Fat Possum tried unsuccessfully to convince Asie that the world outside Mississippi needed to hear him. But despite living below the poverty level and desperately needing the easy money of a gig, he could not be lured away from Washington County for more than a couple of hours. Fat Possum succeeded in recording Asie twice: once at Junior Kimbrough’s club, and once at Jimmy’s Auto Care, Fat Possum’s old studio. Obviously, all the songs on Worried were recorded during these two sessions, and originally intended to be demo tapes. At the time, all we knew about Asie was that he lived in a shotgun shack — no phone, no a\/c; and that whenever the fields were dry enough for tractor tires, he was working in them. When they were too wet, Asie was impossible to find. He lived in Holly Ridge almost all of his life and, like his father before him, spent Saturday nights playing in one of the two small grocery stores that qualify Holly Ridge for a name on the map– a place, instead of just a county-road intersection. \u003cbr\u003e\u003cbr\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30946004729993,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/asie_worried.jpg?v=1571805416"},{"product_id":"townes-van-zandt-our-mother-the-mountain-new-lp","title":"Van Zandt, Townes - Our Mother The Mountain - New LP","description":"\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3575022448\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/townesvanzandt.bandcamp.com\/album\/our-mother-the-mountain\"\u003eOur Mother the Mountain by Townes Van Zandt\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/allmusic.com\/\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased April 1, 1969\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cspan\u003e1. Be Here to Love Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Kathleen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. She Came and She Touched Me\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Like A Summer Thursday\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Our Mother The Mountain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Second Lovers Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. St. John The Gambler\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Tecumseh Valley\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Snake Mountain Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. My Proud Mountains\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Why She's Acting This Way\u003c\/span\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30979720741001,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/4d26835c503c18e86c773dfccb5dc72d.500x500x1_bc42e4b6-94b0-4842-b320-9113029ea2c8.jpg?v=1571979435"},{"product_id":"cage-robert-can-see-what-youre-doing-new-lp","title":"Cage, Robert – Can See What You're Doing - New LP","description":"\u003cp\u003ecolor vinyl\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eRobert Cage was born in New Orleans on April 4th 1937. A year later, his family moved to Natchez and from there to Woodville, Mississippi, a small woodsy town forgotten by time (evenby Mississippi standards). Robert’s father owned a grocery store and it was there, on the porch, where Robert heard Scott Dunbar play and sing, as well as another performer named Pig. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1808569619\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/robertcage.bandcamp.com\/album\/can-see-what-youre-doing\"\u003eCan See What You're Doing by Robert Cage\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eRobert’s first guitar was a gift from his mother; it was new, from Sears and Roebuck, and had pictures of red cowboys on a white body. When Robert heard the electric sounds of John Lee Hooker, Muddy Waters, and Howlin’ Wolf, he lost interest in Scott Dunbar’s pre-war style. Robert wanted to catch up to the rest of America.\u003c\/p\u003e\n\u003cp\u003eIn 1958 Robert was in the house band at the State Line Club (Mississippi and Louisiana) and stayed loyal until it burned down, giving him little choice but to sign on at the Black Cat Club. In hope of earning more money, Robert went modern; he tightened up the same band, named them the Impalas, hired a saxophonist and added Sam Cooke and Chuck Berry numbers to their set lists. But the Impalas just weren’t meant to be– no matter what they added to their routine, or how many long, hard tours they made through Mississippi and Louisiana. Robert Cage weighed almost 200 pounds when he started the Impalas and at quitting time weighed in at less than 100. Thank you very much, whiskey.\u003c\/p\u003e\n\u003cp\u003eIn 1970 Robert married Minnie and began full-time work as a diesel mechanic. Robert continued gigging at local parties with an occasional club date. It was the constant hassle of finding good bands that turned Robert into a solo performer and back to the style he first learned, Scott Dunbar’s style, the way he plays today. Robert, though not excited about it, tours occasionally.\u003c\/p\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30979739779209,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-11869046-1566550539-3534.jpg?v=1690790196"},{"product_id":"wipers-is-this-real-new-lp","title":"Wipers - Is This Real? - New LP","description":"\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRemastered from original tapes as provided by Greg Sage himself, the LP pressed on audiophile grade vinyl.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1253571902\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wipers.bandcamp.com\/album\/is-this-real\"\u003eIs This Real? by Wipers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":33082441957513,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/wipers_is_this_real_cover_287a2394-f7a3-4cb6-af2e-3f06c16e9ab6.jpg?v=1586008697"},{"product_id":"outtacontroller-sure-thing-new-lp","title":"Outtacontroller – Sure Thing [IMPORT]– New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003ewith a kick blend of pop and punk-rock punch, power pop at its finest, a mix of The Nerves and Cheap Trick, \u003c\/span\u003e\u003ca data-auth=\"NotApplicable\" href=\"https:\/\/greennoiserecords.us16.list-manage.com\/track\/click?u=71a799573e6005b7f0e86c48b\u0026amp;id=717a8b9b9c\u0026amp;e=411c4e91bf\" target=\"_blank\"\u003eDirtnap\u003c\/a\u003e\u003cspan\u003e and the garage pop of the \u003c\/span\u003e\u003ca data-auth=\"NotApplicable\" href=\"https:\/\/greennoiserecords.us16.list-manage.com\/track\/click?u=71a799573e6005b7f0e86c48b\u0026amp;id=3d843f6b17\u0026amp;e=411c4e91bf\" target=\"_blank\"\u003e1960s\u003c\/a\u003e\u003cspan\u003e, soda pop with a shot of whiskey, good times with a cloud of melancholy hanging around without spoiling the fun or the forward motion that the school of \u003c\/span\u003e\u003ca data-auth=\"NotApplicable\" href=\"https:\/\/greennoiserecords.us16.list-manage.com\/track\/click?u=71a799573e6005b7f0e86c48b\u0026amp;id=7ad565aebc\u0026amp;e=411c4e91bf\" target=\"_blank\"\u003eRamones\u003c\/a\u003e\u003cspan\u003e taught us, the torch is passed like the last cigarette in the pack, take three chords and pass it on\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3717042889\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u0026amp;amp;amp;lt;a href=\"http:\/\/aliensnatch.bandcamp.com\/album\/outtacontroller-sure-thing\" data-mce-href=\"http:\/\/aliensnatch.bandcamp.com\/album\/outtacontroller-sure-thing\"\u0026amp;amp;amp;gt;OUTTACONTROLLER - Sure Thing by ALIEN SNATCH! RECORDS\u0026amp;amp;amp;lt;\/a\u0026amp;amp;amp;gt;\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003efasterandlouderblog.blogspot.com\u003cspan\u003e \u003c\/span\u003e(USA) March 2020 Outtacontroller has been around so long that it's kind of hard to believe that its new album Sure Thing is only its third full-length. The Halifax, Nova Scotia foursome was at the center of an incredible wave of Canadian-based powerpop\/punk bands in the early 2010s. And while the band has customarily gone several years between albums, it has never really stopped being the quintessential buzz-saw punk\/pop group. Longtime mainstays of the illustrious P. Trash Records (RIP), Outtacontroller have now turned up where almost every great powerpop\/punk band eventually lands: Alien Snatch Records! Sure Thing does not mess with a winning formula. It sticks to Outtacontroller's signature style of power pop meets garage punk meets the almighty Ramones. The band delivers ten tracks of thumping punk pop that ought to be cranked loud in the car en route to a night of fun times. Sure Thing offers up a solid mix of Ramones-inspired punk tunes (\"Glassy Eyes\", \"You For You\"), powerful pop numbers (\"Too Soon\", \"Operator\"), and big hooky rockers (\"Don't Need It\") to get your head bobbing and your toes tapping. Singer\/guitarists Terry A'hearn and James O'Toole handled the production themselves, and the record sounds absolutely great\u003cspan class=\"bcTruncateMore\"\u003e. Of course I'm a huge fan of this musical style, and Outtacontroller have put on a clinic on how to pull it off. Sometimes you don't need a band to reinvent the wheel. If you like good, simple punk tunes executed with energy and enthusiasm, you will be inclined to say that this is an album that very much lives up to its title.(Josh Rutlegde)\u003cbr\u003e-------------------\u003cbr\u003erpmonline.co.uk\u003cspan\u003e \u003c\/span\u003e(UK) March 2020 Wielding buzz saw guitars, power-punk riffs, and fuzzed-out garage vocals OUTTACONTROLLER comes crashing out of the gates of North End Halifax with frantic, gritty pop songs about girls, gumption, and graveyards. As soon as the first sonic blast hits the airwaves you know you’re in safe power pop punk rock hands as the familiar Ramones influence of lush melodies infuse with that caustic Buzzcocks raw guitar and skin-tight percussion. Hell as the record unfolds its like the layers of an onion as the influences get peeled away. The Boys, Ramones, Buzzcocks, as well as a whole host of chart lovelies from the 70s and 80s fill the airwaves. To be fair who wouldn’t be influenced by some top turns in the new wave punk rock scene ranging from Husker Du and the American alt scene or college radio days but always in the back of the engine room looms The Ramones. Songs like ‘Operator’ ease more into the laid back new wave category whilst I love the straight down the line rock and roll of ‘Nothing Comes From Nothing’ with its happy go lucky chord changes and gang vocals it gotta make you feel good and it bloody well does. The songs never outstay their welcome and they run through their set with consummate ease like their having the best of times and why wouldn’t they? ‘You For You’ rattles along as tight as hell with the treble up on the bass as it thumps out the rhythm towards the chorus. Great stuff. That buzz saw tempo is maintained for the next few tunes as we rattle along to the finale. Maybe if they used some keyboards you’d be hailing their Attractions influences but these guys don’t meddle too much with the formula and as we enter the home straight we double down on the Brudas gang vocals and melodies and wrap up a most enjoyable record. Nothing groundbreaking but like I say enjoyable none the less. They pay their respects to their forefathers and get lost in some great pop hooks along the way it certainly is a ‘Sure Thing’ that this was going to light up my day and have me singing along before I could even press loop on the old player. Power pop no matter how many bands play it as long as they do it well it always sounds great. (DD)\u003cbr\u003e--------------------------------\u003cbr\u003e50thirdand3rd.com\u003cspan\u003e \u003c\/span\u003e(UK) March 2020 Halifax, power poppers OUTTACONTROLLER have been the purveyors of fine punked out power-pop for almost 10 years now and their latest LP ‘Sure Thing‘ is another triumph. It’s pretty straight forward really, OUTTACONTROLLER play old school super hooky power-punk held together with wads of bubblegum that brings to mind all the usual suspects from the 70s like Cheap Trick, the Nerves, and of course the Ramones. With an album cover featuring a 70s-era television and a song about telephone operators, perhaps the band is even alluding to the golden era. But influences aside, OUTTACONTROLLER has a lot more to offer than just a revival, these dudes know how to lay down a hook. ‘Sure Thing‘ is a solid record combining the power of power-pop, the looseness of punk and a love of sugary pop melodies so it’s hard to pick out a favorite. But tracks like the opener ‘Too Soon‘,’Hurry Up and Wait‘ and the cavity-inducing ‘Glassy Eyes‘ will certainly become lodged in your brain Every song comes in at under three minutes, but like we’ve said before; who needs three minutes for a song when the magic happens in two! (Stephen)\u003cbr\u003e--------------------\u003cbr\u003eelgiradiscos.com\u003cspan\u003e \u003c\/span\u003e(ES) March 2020 La rueda lleva siglos inventada, pero sin ella el mundo se paralizaría. Outtacontroller tampoco inventan la rueda, pero después de llevar años en la carretera y hacer casi cinco años desde su último larga duración se descuelgan con otro vehículo repleto de riffs y desarrollos atemporales que no por mil veces oídos te suenan repetitivos. Los de Halifax, o sea básicamente, Terry A'hearn y James O'Toole, se han descolgado con diez nuevas canciones que aglutinan todos los esquemas que a los fans del punk y del power pop, o de su simbiosis, les abren el corazón. Juegan sobre seguro, por hacer un chascarrillo con el título de este, su tercer, larga duración. Un disco sólido donde los haya desde ese inicio catártico que es \"Too Soon\", con la urgencia del más acelerado punk, y que te retrotrae como no puede ser de otra manera a los grandes clásicos del género como si de unos incipientes Stiff Little Fingers se tratara, hasta la final \"Flashpoint\" y su \"Ouh Yeah\" que representa el punto de máxima ignición de los recuerdos más emblemáticos y canónicos del género. No hay ni un segundo de descanso, y el infeccioso coro de \"Glassy Eyes\" te inunda de power pop, de ese power pop iniciático de The Nerves y del espíritu de las grandes bandas ochenteras, como la aguerrida \"Operator\", plena de referencias desde su mismo título. \"Nothing Come Nothing\" es un puñetazo al estómago y el influjo de Buzzcocks rebosa en los coros rebeldes de pandillas alborotadoras a la salida del bar nocturno y que continúan en \"For You\" o en \"Hurry Up and Wait\". De eso se trata, de cervezas y buen rollo, y si por el camino se queda algún espejo retrovisor, pues qué se le va a hacer. \"Sure Thing\" es un disco sólido, bien construido, potente y enérgico como solo las grandes bandas del género han sido capaces de construir. Un disco para acelerar el coche, que no será el auto más despampanante del mundo, pero que discurre por carreteras conocidas y por ello la velocidad se hace amigable, disfrutable y segura, porque las ruedas en las que se apoyan parecen nuevas de lo que relucen. \"Don't Need It\" lo deja meridianamente claro. Un disco donde la magia de las canciones se resuelve en dos minutos ¿para que necesitan tres? (SP)\u003cbr\u003e\u003cbr\u003emanierenversagen.de\u003cspan\u003e \u003c\/span\u003e(GER) March 2020 Hey. Die Sonne scheint und die Straßen sind genauso leer wie die Köppe meiner Mitmenschen und die Regale im Supermarkt. Keine Konzerte, Kinos oder Kneipen geöffnet – also die perfekte Zeit, sich auf die Veranda zu hocken und die neue LP von Outtacontroller in voller Lautstärke den Nachbarn um die Ohren zu knallen. OK, eine Fensterbank oder ein Klo tuns auch, die 10 Songs von den 4 Kanadiern aus Halifax klingen überall ziemlich gut und wenn man mal drüber nachdenkt, ist die Akustik auf so einer Toilette bestimmt sogar besser als im Freien auf meiner großzügigen Front Porch. Außerdem bringt die Band diese optimistische Welle von Frühling und Scheißegal Stimmung mit, die so typisch für den kanadischen Power Pop Punk Rock ist. Ich brauch das gerade mal. Falls ihr mich sucht, ich sitz da vorne auf dem Schaukelstuhl.\u003cbr\u003e\u003cbr\u003evoixdegaragegrenoble.blogspot.com\u003cspan\u003e \u003c\/span\u003eMarch 2020: Déjà en regardant cette pochette on peut se faire une bonne idée de ce qu’on va entendre sur ce 3ème album : « 4 zazous qui prennent du fun en jouant une musique remuante »… Ces canadiens étaient jusque là passé sous mon radar (c’est peut-être pour ça qu’un de leur récent EP s’appelait ‘No echoe’). Mais je me dis que je vais rattraper vite mon retard ! Cependant je vais également, encore longtemps me raviver les oreilles avec ce ‘Sure thing’ !!! La vache ça fait du bien en ces temps morose de tomber sur ces chansons aussi enthousiaste et enthousiasmante ! Dès la 3ème écoute certaines chansons semblent faire partie de votre vie, comme tout droit sortie des compils Yellow Pills ! Et ce qui est formidable c’est pour entourer ces instant hits ils y a une collection de chansons toujours catchy et excitantes !\u003cbr\u003eDe la Power Pop par le versant sautillant ! Emballant. Euphorisant. Tout ce qu’on a aimé, aime, et aimera toujours dans le genre!\u003cbr\u003e\u003cbr\u003ealiensnatch.com\u003cspan\u003e \u003c\/span\u003eFEB 2020: I am a Rocker, I’m a Roller, I’m an OUTTACONTROLLER! Halifax, Novia Scotia’s own OUTTACONTROLLER unleash their next album after the exclusive killer EP \"No Echo\" on the spanish Jarama Records. Hell yeah, we loved the hit single \"Cheap Leather Jacket\" and spun it day-in and day-out. We’ve been full on fans of their fuzzed out BARRACUDAS surf pop and the perfect sing a long harmonies. For months our heads have been spinning from their album überhit \"Glassy Eyes\" - pure adrenalin RAMONES pop songs on the spot. OUTTACONTROLLER has this punchy punk rock bass line and overwhelming chorus - this the most powerful present day power pop. Five years after their last record \"Television Zombie\" on the sadly missed PTrash Records, \"Sure Thing\" continues to kick off on 45rpm. Comes with two sided colored insert.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 6, 2020\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Alien Snatch! Records","offers":[{"title":"Default Title","offer_id":33405400318089,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3019811981_16.jpg?v=1587081509"},{"product_id":"nervebreakers-we-want-everything-new-lp","title":"Nervebreakers – We Want Everything! – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e180 gram.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Nervebreakers are a late seventies \/ early eighties Texas punk band considered by many to be the first of their kind in the southwest. Like many others of this genre, they started out as a high school garage band doing sixties \/ early seventies cover songs. What made them unique was their range of material; from the music of the English Invasion to Yummy Yummy bubble gum as well as songs from punk pioneers MC-5 to true blue country artists like George Jones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=645269174\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/we-want-everything\"\u003eWe Want Everything! by The Nervebreakers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eThe array of influence from all those cover songs melded into a two guitar, bass and drum sonic assault with a wild child vocalist up front. The members of the band began writing some of their own songs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn July 24, 1977 the Ramones first blitzkrieged Dallas at The Electric Ballroom, Nervebreakers opened. In 1978 they opened for the Sex Pistols at The Longhorn Ballroom. In 1979 when the Clash were calling here at Dallas’ Palladium, Nervebreakers let them know they weren’t in London anymore. By 1980 when the Police came to town, they were Nervebreakers fans due to Random Notes in Rolling Stone. The list reads on and on in NME, Melody Maker and High Times. Like a who’s who of punk rock history, our guys held their own as the Texas band to see.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNervebreakers weren’t just playing, they were the real deal. Home grown - born and raised. Texas proud and ready to kill. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the pre - D.I.Y. days of 1978 they self-released the EP “Politics” featuring “My Girlfriend is a Rock”. ”Girlfriend” became a hit in San Francisco, Sacramento and Boston and was later covered by the Angry Samoans and Wool - among others. This song (and the US invasion of Iraq) inspired sixteen year old punk upstarts, Spector 45, to put their spin on the song as “My Girlfriend’s in Iraq” in 2003.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOther 7 inch gems that followed include “Hijack the Radio” b\/w “Why Am I So Flipped” The black and blue vinyl “Girls, Girls, Girls, Girls, Girls” b\/w a cover of the obscure Rolling Stones song “I’d much Rather be with the Boys”. The band also contributed two songs “So Sorry” (as the Barry Kooda Combo) and “I Love Your Neurosis” to the local punk rock compilation “Are We Too Late for the Trend” put out by ESR. Other acts featured on this late seventies Dallas area time capsule include the Telefones, The Vomit Pigs, The Skuds and Superman’s Girlfriend.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDespite being recognized as the biggest and baddest of them all locally, they were also huge fans of Texas predecessors such as the 13th Floor Elevators. This eventually led to the band contacting Psychedelic rock pioneer Roky Erickson. Roky had just walked out of a mental institution so they offered to open shows for him and provide the legendary musician with a backup group. The result helped Roky back in the public eye. And “Roky Erickson and the Nervebreakers Live at the Palladium in 1979” was issued on the French label New Rose Records.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1980 Nervebreakers took on their biggest endeavor yet, recording the full length album “We Want Everything”. Sadly due to band finances this effort was not to be released. Side projects and individual interest whittled away at the band until an eventual demise. Each and every off shoot has been and continues to be incredible. Vocalist Thom \"Tex\" Edwards has fronted bands including “The Swingin’ Cornflake Killers”, “The Loafin ' Hyenas” and most recently “Out on Parole”. Lead guitarist, Mike Haskins, has led the instrumental spaghetti western band “The Big Guns” for the last decade. And guitarist Barry Kooda had a great run with late 80's band “Yeah Yeah Yeah” and as one of three front men in the 1990's country outfit “The Cartwrights”. But those are all other long stories so for now let’s just stick with Nervebreakers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We Want Everything” did not see the light of day until 1994 when Texas rarities \/ reissue label ‘Existential Vacuum’ released it to rave reviews. This was followed by a single reuniting of the band for a release party at Trees in Deep Ellum. Shortly thereafter this effort was picked up by garage \/ punk label ‘Get Hip Records’ and made available worldwide. In 2000 Italian label “Rave Up Records” woke up and released “Hijack the Radio” a collection of singles, rarities and live cuts. Years after they laid the groundwork for thousands of other Texas bands, Nervebreakers were finally getting their due. \u003c\/span\u003e\u003cspan\u003e -Frank Campagna, Dallas, 2009\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33459510345865,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4283618856_16.jpg?v=1587292837"},{"product_id":"various-artists-killed-by-death-1-rare-punk-77-82-new-lp","title":"Various Artists – Killed By Death #1 (Rare Punk '77 - 82) –  New LP","description":"","brand":"Redrum Records","offers":[{"title":"Default Title","offer_id":33751003594889,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-2117819-1378736217-8806_jpeg.jpg?v=1588998678"},{"product_id":"subsonics-everything-is-falling-apart-new-lp","title":"Subsonics – Everything is Falling Apart – New LP","description":"\u003cp\u003e1996, \u003cspan\u003eATLANTA’S BAD-ASS BITTERSWEET POPSTERS, \u003c\/span\u003eglam-o-rama garage punk.\u003c\/p\u003e\n\u003cp\u003e180 gram black vinyl.  Excellent third album by Atlanta’s primitive, original and ultra-cool R\u0026amp;R-trio feat. The sultry Buffi Aguero on drums and talented guitar slinger and singer-songwriter Clay Reed. A must for fans of V.U., Gories and anything cool\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33876225589385,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/GH-1034H.jpg?v=1589694815"},{"product_id":"seratones-get-gone-new-lp","title":"Seratones - Get Gone - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLouisiana is kicking down your door and coming into your house, and you will welcome them with both arms, smoking set of rock 'n funk from the land that invented most of that anyway.  Bring it back home.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1965109340\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/seratones.bandcamp.com\/album\/get-gone\"\u003eGet Gone by Seratones\u003c\/a\u003e\u003c\/iframe\u003eGet Gone, the potent debut album by the Shreveport, Louisiana natives in Seratones, makes a strong case that this little-known corner of the state is fertile ground, musically speaking. A.J. Haynes (vocals), Connor Davis (guitar), Adam Davis (bass) and Jesse Gabriel (drums) serve up a combination of Southern musicality, garage rock ferocity, and general badassery.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cbr\u003eHaynes’s powerful singing voice, first honed at Brownsville Baptist Church in Columbia, Louisiana at age 6, rings across every track. Davis’s bass and Gabriel’s playing propel every song with the grit, energy, and rawness of punk, the feeling of soul, and occasionally, a little jazz swing. The other Davis offers a clinic in guitar riffs, from swaggering blues to searing interstellar leads.\u003cbr\u003e\u003cbr\u003eRecorded at Dial Back Sound studios in Mississippi, Get Gone is all live takes, a portrait of the Seratones in their element. Add the soul and swagger of a juke joint with the electricity coursing through a basement DIY show, and you’d begin to approach the experience of seeing this foursome live. The well-paced, multi-faceted set showcases a band dedicated to sonic exploration. “Don’t Need It,” which opens with a muscular swing and tight guitar lines, builds into a monster finish with a nasty corkscrew of a guitar line\u003cspan class=\"bcTruncateMore\"\u003e. “Sun,” a brawny thrasher, courses with huge, raw voltage riffs. “Chandelier,” a mid-tempo burner and vocal workout by Haynes, goes from croon to a crescendo that would shake any crystals hanging from the rafters.\u003cbr\u003e\u003cbr\u003eShared history in the city’s music scene brought the Seratones together a few years ago. All four had played together with one or another in various local punk bands, bonding through all-ages basement shows, gigs at skate parks and BBQ joints, and late nights listening to jazz and blues records. In a city of multiple genres, no fixed musical identity and a flood of cover bands, these adventurous musicians carved out their own path, personifying the do-it-yourself ethos. The group was quickly recognized after forming, winning the Louisiana Music Prize in 2013.\u003cbr\u003e\u003cbr\u003e“Shreveport is always shifting its identity,” says Haynes. “You can do a lot of different things when it seems like every band is its own genre.”\u003cbr\u003e\u003cbr\u003eSeratones’s music, created with collaborative songwriting and spontaneous creativity, is certainly their own, due perhaps in part to Shreveport’s unique sonic geography. The city sits at a nexus roughly equidistant from Memphis soul, Mississippi Delta Blues, and New Orleans jazz, with Texas swing located just over the nearby state border. The band’s sound draws from those touch points and more, ranging from Black Sabbath to Kind of Blue. They’ll happily connect the dots between Ornette Coleman and Jello Biafra.\u003cbr\u003e\u003cbr\u003eSeratones have different names for the amalgamation of styles found on their debut: Their own “expression of freedom,” music that’s “all about waking people up,” a safe space to feel what you want. However you choose to describe it, Get Gone is unexpected and unbowed, a head-snapping showcase of the twin pillars of Southern music, restlessness and resourcefulness.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 6, 2016\u003cbr\u003e\u003cbr\u003eProduced by Jimbo Mathus\u003cbr\u003eAdditional production on tracks 3, 7, 10, \u0026amp; 11 by Clay Jones\u003cbr\u003eEngineered by Bronson Tew \u0026amp; Scott Bomar at Dial Back Sound, Water Valley, MS\u003cbr\u003eAdditional engineering on track 9 by Darren Osborn at Sandbox Recording Studio, Shreveport, LA\u003cbr\u003eMixed by Clay Jones at Pete's Room, Oxford, MS\u003cbr\u003eMastered by Matthew Barnhart at Chicago Mastering, Chicago, IL\u003cbr\u003eBand photography by Shannon O'Rear\u003cbr\u003eArtwork by Nate Treme\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003ch3\u003e\u003cspan class=\"tags-inline-label\"\u003eTags\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":33876304035977,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/seratones_get_29cb1513-6a6d-4116-b29f-10039fc200d9.jpg?v=1589695024"},{"product_id":"balagan-suck-shit-fuck-split-import-green-noise-usa-exclusive-new-7","title":"BALAGAN \/ SUCK - SHIT \/ FUCK split (FREE w\/ PURCHASE OF any LP from TWINTOE RECORDS. IMPORT Green Noise USA Exclusive) - New 7\"","description":"\u003ch1\u003eOnly FREE with Purchase of other item from the\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe Label\u003c\/a\u003e).  ONLY ONE FREE ITEM WITH EACH ORDER.  Please make sure you only include this item if you have another\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" target=\"_blank\"\u003eTwintoe title\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ein your order.  \u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3390421008\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/album\/balagan-suck-shit-fuck-split\"\u003eBALAGAN \/ SUCK - SHIT \/ FUCK split by BALAGAN \/ SUCK\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eSplit from Balagran\/Suck, \u003c\/strong\u003eBalagan mixing Sabbath and punk, mashing metal\/acid rock\/punk into one song, and on the flipside some great punk from Suck, two blasts of punk rock, the two sounds quite different but both showing some Sabbath influences (although I never would have recognized that in the punk sounds of Suck without the placement of those cuts next to Balagran on this 7\") and both sounding like Germany\u003c\/span\u003e.  Start with the Suck cuts and end with Balagran; that just seems right to me.  Either way, a load of of great shit crammed into a 7\". \u003c\/p\u003e\n\u003cp\u003eReleased 2020\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":35018671325345,"sku":"","price":0.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4040874564_16.jpg?v=1594408893"},{"product_id":"endless-column-summer-import-green-noise-usa-exclusive-new-7","title":"Endless Column – Summer [FREE w\/ PURCHASE OF any LP from TWINTOE RECORDS. IMPORT Green Noise USA Exclusive]  - New 7\"","description":"\u003ch1\u003eOnly FREE with Purchase of other item from the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" rel=\"noopener\" target=\"_blank\"\u003eTwintoe Label\u003c\/a\u003e).  ONLY ONE FREE ITEM WITH EACH ORDER.  Please make sure you only include this item if you have another\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" rel=\"noopener\" target=\"_blank\"\u003eTwintoe title\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ein your order. \u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1102841524\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/album\/endless-column-summer-ep\"\u003eEndless Column - Summer EP by Endless Column\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eEndless Column offers \"sunny and sweet lo-fi punk ballads,\" the A-side recalling the US underground rock of the 1970s as well as the some of the more straightforward rock side of punk of the 1990s and some of Dirtnap roster; meanwhile the influence of 1960s garage much more clearly surfacing on \"Endless Column Summer\" and throughout the two songs of the B-side.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7\" 33 RPM vinyl including 2 songs on each side\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecord's cover are hand made screen printed on recycled thick paper done by Ayuhara Prints in Berlin\u003c\/span\u003e\u003c\/p\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":35019385045153,"sku":"","price":0.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0903370552_16.jpg?v=1594416170"},{"product_id":"copy-of-endless-column-summer-import-green-noise-usa-exclusive-new-7","title":"Akrabut \/ Turbo Torpedo – split [FREE w\/ PURCHASE OF any LP from TWINTOE RECORDS. IMPORT Green Noise USA Exclusive] - New 7\"","description":"\u003ch1\u003eOnly FREE with Purchase of other item from the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" rel=\"noopener\" target=\"_blank\"\u003eTwintoe Label\u003c\/a\u003e).  ONLY ONE FREE ITEM WITH EACH ORDER.  Please make sure you only include this item if you have another\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/store.greennoiserecords.com\/collections\/twintoe-records\" rel=\"noopener\" target=\"_blank\"\u003eTwintoe title\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ein your order.  \u003c\/h1\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2610630942\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/twintoe.bandcamp.com\/album\/akrabut-turbo-torpedo-split\"\u003eAkrabut \/ Turbo Torpedo split by AKRABUT \/ TURBO TORPEDO\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003esplit from Akrabut \/ Turbo Torpedo, each band rapid-firing through four cuts of blistering HC, no prisoners taken, noisey brutality driven home with jackhammer speed, essential listen for fans of raw D-Beat.\u003c\/p\u003e","brand":"Twintoe Records","offers":[{"title":"Default Title","offer_id":35019776000161,"sku":"","price":0.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0368211154_16.jpg?v=1594417499"},{"product_id":"dirtbombs-the-play-sparks-new-7","title":"Dirtbombs, The - Play Sparks - New 7\"","description":"\u003ch3\u003eTalent is an asset and Detroit's Dirtbombs surely have it. To accompany their new album, We Have You Surrounded, is this brand new 7-inch single on which the band pays homage to label-mates (and one of their favorite bands) Sparks. Side A is \"Sherlock Holmes\" (a cut also featured on the new album) which was originally released on Sparks' Angst In My Pants. Side B, available exclusively on this single, is \"Nothing To Do,\" a song originally released on the 1975 Big Beat LP. \u003cspan class=\"break\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"break\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eThis single comes in a handsome color picture sleeve, which also pays tribute to Sparks' record covers.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cbr\u003e","brand":"In The Red Records","offers":[{"title":"Default Title","offer_id":35549550575777,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Dirtbombs.jpg?v=1604684258"},{"product_id":"copy-of-green-al-green-is-blues-new-lp","title":"Green, Al - Green is Blues [GREEN\/BLUE VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAl Green's first release for Hi Records, celebrating its 50th anniversary with a special split green\/blue 180g vinyl release, with liner notes and a tip-on jacket. Available first at record stores for Record Store Day 2020. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. “One Woman” 2. “Talk To Me” 3. “My Girl” 4. “The  Letter” 5. “I Stand Accused” 6. “Gotta Find A New World” 7. “What Am I Gonna Do with Myself?” 8. “Tomorrow's Dream” 9. “Get Back Baby” 10. “Get Back” 11. “Summertime”\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yS3CBXym8HA?si=b4klMQYWNRoRFeBB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":35819002921121,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/3uHtO_9Q.jpg?v=1598084796"},{"product_id":"superchunk-af-new-lp","title":"Superchunk – Acoustic Foolish [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eAcoustic Foolish\u003c\/i\u003e\u003cspan\u003e is a re-recording of their 1994 album \u003c\/span\u003e\u003ci\u003eFoolish\u003c\/i\u003e\u003cspan\u003e. Long considered to be one of the most tender and well-received albums in their storied history, the band was interested in re-exploring what the songs mean to them 25 years later. To quote bandleader Mac McCaughan, don’t expect some kinda “acoustic demos recorded 25 years after the fact” thing here… This is full-band with new arrangements and contributions. Guest vocals by Jenn Wasner (\u003c\/span\u003eWye Oak\u003cspan\u003e, Flock of Dimes) and \u003c\/span\u003eAllison Crutchfield\u003cspan\u003e (\u003c\/span\u003eSwearin’\u003cspan\u003e, P.S. Eliot). Owen Pallett (\u003c\/span\u003ethe Mountain Goats\u003cspan\u003e, Frank Ocean, Arcade Fire) provides string arrangements while Peter Holsapple (The dB’s, R.E.M.) plays piano and Matt Douglas (the Mountain Goats) is on saxophone.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3848988306\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/superchunk.bandcamp.com\/album\/acoustic-foolish\"\u003eAcoustic Foolish by Superchunk\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"customHeaderWrapper\"\u003e\n\u003cdiv class=\"band-navbar-wrapper flex\"\u003eRecorded mainly live in the studio by John Plymale at Overdub Lane.\u003cbr\u003eStrings recorded by Owen Pallett. Sax recorded by Matt Douglas.\u003cbr\u003eMixed by John Plymale and Mac.\u003cbr\u003e\u003cbr\u003eMac’s notes:\u003cbr\u003e\u003cbr\u003eOur original idea for an all-acoustic album was for it to be a selection of songs from all our albums, played in the style of an acoustic performance in a record store or a radio station, which we have done quite a bit of over the years (and documented on the first of our “Clambake” series in 2001).\u003cbr\u003e\u003cbr\u003eBut with 2019 being the 25th anniversary of the Foolish album, it seemed weirder and more interesting to record an acoustic version of one whole album. I didn’t want this to sound like “acoustic demos recorded 25 years after the fact” or a band trying to “rock out” except on acoustic guitars, though to be fair we do some rocking out. Once we got into the process of learning how to play the songs on acoustic guitars—some of which we had never performed at all—it made sense to make this record its own thing altogether.\u003cbr\u003e\u003cbr\u003eWhen Foolish came out, people kind of freaked out that all the guitar sounds weren’t as distorted as they had been, and it was treated as a radical departure from what we had been doing\u003cspan class=\"bcTruncateMore\"\u003e. Which is funny listening to the original album now because it pretty much sounds like our other records. But I started thinking about the acoustic version of the album as “what Foolish would have sounded like if it were as different as people acted like it was.” So—we have guests, we have strings, we have piano, we have a saxophone!\u003cbr\u003e\u003cbr\u003eThe songs themselves, extracted from the drama of the moment and what people wanted to write about then, are more applicable to Real Life than I thought they would be. Without the embarrassing angst of the 25-year-old, they are just songs about transitions, holding grudges or trying not to, letting go of things that aren’t healthy, moving through difficult situations and relationships and trying to be “normal” in the course of all that, even though there’s no such thing.\u003cbr\u003e\u003cbr\u003eWe are lucky to have Allison Crutchfield, Matt Douglas, Peter Holsapple, Owen Pallett, and Jenn Wasner lend their great talents to the record and also lucky that Jon has an arsenal of small bells and a vibraslap.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" data-tooltips='{\"tooltips\":[],\"dash_seen\":null}'\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 31, 2019\u003cbr\u003e\u003cbr\u003eSuperchunk is Laura Ballance, Mac McCaughan, Jim Wilbur and Jon Wurster.\u003cbr\u003e\u003cbr\u003eStrings on “Like a Fool and “In a Stage Whisper” arranged and played by Owen Pallett.\u003cbr\u003eAdditional vocals on “The First Part” by Allison Crutchfield.\u003cbr\u003ePiano on “Driveway to Driveway” and “Stretched Out” by Peter Holsapple.\u003cbr\u003eSaxophone on “Saving My Ticket” by Matt Douglas.\u003cbr\u003eAdditional vocals on “Keeping Track” by Jenn Wasner.\u003cbr\u003e\u003cbr\u003eRecorded mainly live in the studio by John Plymale at Overdub Lane.\u003cbr\u003eStrings recorded by Owen Pallett.\u003cbr\u003eSaxophone recorded by Matt Douglas.\u003cbr\u003eMixed by John Plymale and Mac.\u003cbr\u003eMastered by Chris Boerner at The Kitchen.\u003cbr\u003e\u003cbr\u003eDogs by Laura, rabbits by Diane Jefferis.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"listing\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003eLike a Fool (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:37\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eThe First Part (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e4:14\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eWater Wings (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:45\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eDriveway to Driveway (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e4:05\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eSaving My Ticket (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:29\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eKicked In (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:50\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eWhy Do You Have to Put a Date on Everything (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e4:17\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eWithout Blinking (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:14\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eKeeping Track (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e4:01\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eRevelations (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:02\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eStretched Out (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e4:00\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"play\"\u003e\u003c\/td\u003e\n\u003ctd class=\"title\"\u003eIn a Stage Whisper (2019 Acoustic)\u003c\/td\u003e\n\u003ctd class=\"artist phonehide\"\u003eSuperchunk\u003c\/td\u003e\n\u003ctd class=\"duration phonehide\"\u003e3:47\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003eFormed in 1989 in Chapel Hill, North Carolina, Superchunk is Mac McCaughan (guitar, vocals), Jim Wilbur (guitar, backing \u003cspan class=\"peekaboo-text\"\u003evocals)\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e, Jon Wurster (drums, backing vocals), and Laura Ballance (bass, backing vocals). Since releasing their first 7-inch in 1989, Superchunk has run the gamut of milestone albums: early punk rock stompers, polished mid-career masterpieces, and lush, adventurous curveballs\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":35829041299617,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/10_700_700_642_superchunk_af_1400.jpg?v=1598150522"},{"product_id":"shutdown-66-welcome-to-dumpsville-new-lp","title":"Shutdown 66 – Welcome to Dumpsville – New LP","description":"\u003cp\u003e150 gram pressing. \u003cspan\u003eU.S. DEBUT AUSTRALIA’S GARAGE-PUNK KINGS.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3976709114\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/welcome-to-dumpsville\"\u003eWelcome to Dumpsville by Shutdown 66\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGarage rock from Australia, moving along like Rambler on a back road, slash crash short fast blasts of punk garage, organ on some cuts, harmonica on others, lots of different guitar sounds that never get in the way of the driving rhythms, wildman vocals for a live feel and not trying to hide Melbourne accents, The Pretty Things influence shows, but fed through punk, American garage and their own homeland and their own guts, straight at you like kangaroo kicks -- winch\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3976709114\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/welcome-to-dumpsville\"\u003eWelcome to Dumpsville by Shutdown 66\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eHailing from Melbourne, Australia, Shutdown 66 draws inspiration from--and well-earned comparisons to--fellow Oz rockers the Missing Links, as well as trash-god maestros the Pretty Things and a whole slough of '60s garage and British R\u0026amp;B icons.\u003cbr\u003e\u003cbr\u003eWelcome to Dumpsville is their fabulous debut album. Originally released as a limited edition LP on Corduroy Records in 1998, this essential album is available once again--on 12\" vinyl and CD--courtesy of Get Hip Recordings. Filled with killer original songs like \"Shutdown 66\" and the rollicking title track, Welcome to Dumpsville kicks with a '60s rock 'n' roll feel thick with intoxicating rhythms, harps, maracas, and raw guitars--all that good stuff garage fans love!\u003cbr\u003e\u003cbr\u003eThe Shutdown 66 story is like every young wannabe rock god's fairytale. Singer Nick Shutdown describes the band's unificaation: \"We formed a couple of years ago one night after a Breadmakers recording session. I just tried singing a song and the band sorta fell in behind me, and we made up our signature tune \"Shutdown 66\" on the spot and recorded it then and there and put it out on a 7-inch. To our amazement, people actually like the 7-inch, and we\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003estarted getting really good reviews in fanzines, etcetera, mainly from overseas.\" The band caught the attention of a British promoter (who Nick describes as producing \"wild three-day rock n' roll shows\"), and the band was whisked away to sunny Las Vegas, Nevada.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 10, 2003\u003cbr\u003e\u003cbr\u003eSHUTDOWN 66 is\u003cbr\u003eJamie Shutdown: Bass, backing vocals\u003cbr\u003eNicky Shutdown: Lead vocals, maracas, guitar\u003cbr\u003eScotty 66: Drums, backing vocals\u003cbr\u003eCamby Shutdown: Organ, guitar\u003cbr\u003eBad Micky Shutdown: guitar, backing vocals\u003cbr\u003e\u003cbr\u003eSpecial guests:\u003cbr\u003eRicky Shutdown: Harmonica and backing vocals on track 4\u003cbr\u003eDoogie Shutdown: Harmonica on tracks 1, 6 \u0026amp;13\u003cbr\u003e\u003cbr\u003eAll songs written by Nicky Shutdown, except tracks 3 \u0026amp; 11 by Jamie Shutdown and tracks 5 \u0026amp; 8 by Nicky \u0026amp; Micky Shutdown\u003cbr\u003ePublished by Penns Woods Music, BMI\u003cbr\u003e\u003cbr\u003eExecutive Producer: Ernie Douglas\u003cbr\u003eRecorded \u0026amp; Engineered by Deano at his Rock \u0026amp; Roll Central Studios in the Music Laboratory in Elwood, Australia\u003cbr\u003eMastered by Dino DiStefano\u003cbr\u003ePhotos by Chris Cassar\u003cbr\u003eLayout \u0026amp; Design by David C. Gutierrez c\/o Thrift Whore Graphics\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\n\u003cspan class=\"cc-icons commercial\"\u003e\u003c\/span\u003eall rights reserved\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":35965142696097,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3694988064_16.jpg?v=1598907284"},{"product_id":"pulsallamma-s-t-color-vinyl-new-lp","title":"Pulsallama ‎– S\/T [COLOR VINYL] – New LP","description":"\u003cp\u003eNonstop crazed fun, obviously owing something to the B52s and Pylon, but these girls got rid of the boys and the guitars!  Big thick double-dose of bass for a big fat bottom, the girls shaking it up, pounding it down, and kicking it out, all sorts of percussion fun, chucking up the arms and shouting \"STOP, GO...COWBUNGA!!\"  And sometimes even singing whole songs, and telling stories and talking trash!  Forget about calling this \"post-punk,\" that doesn't capture what this is.  This is the shit, great shit.  Chugging Molsons and pink champagne!!!\" -- winch \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2692619293\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/pulsallama.bandcamp.com\/album\/pulsallama\"\u003ePulsallama by Pulsallama\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable cellspacing=\"0px\" cellpadding=\"0px\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e“Pulsallama is the sound of girls–laughing, shouting, chanting, teasing, screaming girls–who are as hip and as hot as only girls can be when they’re alone together.” - High Times (July, 1982)\u003cbr\u003e\u003cbr\u003eThe exotic, tribalistic sounds of seven women fighting over a cowbell! Infectious melodies, driving rhythms, and a pulsating beat that will have you dancing like no one is looking! Twenty minutes of ‘80s post-punk pleasure that marks Pulsallama’s first full length recording! Known for their bombastic, ritualistic shows at Club 57 on NYC’s Lower East Side featuring jungle style rhythms, dual basses, and an all out assault of percussive perfection, this album captures that energy in what’s oddly a 1983 French radio broadcast recorded live in a studio in NYC!?! Featuring three supercharged versions of their most adored tracks that rival the originals, plus four more that are largely unheard.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eSeven woman post-punk percussion ensemble! \u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eFeatures unheard takes of their Danny Brown sampled “Ungawa Pt. II” and their underground hit, “The Devil Lives In My Husband’s Body”\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eUnheard outside of one French radio broadcast in '83!\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e“Pulsallama is the sound of girls–laughing, shouting, chanting, teasing, screaming girls–who are as hip and as hot as only girls can be when they’re alone together.” -\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHigh Times\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(July, 1982)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe exotic, tribalistic sounds of seven women fighting over a cowbell! Infectious melodies, driving rhythms, and a pulsating beat that will have you dancing like no one is looking! Twenty minutes of ‘80s post-punk pleasure that marks Pulsallama’s first full length recording! Known for their bombastic, ritualistic shows at Club 57 on NYC’s Lower East Side featuring jungle style rhythms, dual basses, and an all out assault of percussive perfection, this album captures that energy in what’s oddly a 1983 French radio broadcast recorded live in a studio in NYC!?!  featuring three supercharged versions of their most adored tracks that rival the originals, plus four more that are largely unheard.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn contrast to the more serious, sociopolitically-minded outlook of many acts of the post-punk era, Pulsallama fully embraced camp and kitsch, presenting as bizarro-world housewives in retro cocktail dresses and delivering lyrics with a darkly funny, tongue-in-cheek theatricality where no topic was off limits.\u003c\/p\u003e\n\u003cp\u003eWhile the group was relatively short-lived, Pulsallama has remained an enduring presence in narratives of the downtown Manhattan music scene of the 1980s, from appearances on several compilation albums of punk-funk and mutant disco classics of the era that have been released in the decades that followed, to their inclusion in the major Club 57 retrospective exhibit that opened at the Museum of Modern Art in 2017, to the echoes of their untamed, anarchic clamor that can be heard in any number of contemporary femme-centered bands inspired by early post-punk and No Wave. The recordings on this album, recorded in a New York studio but previously only ever heard on a French radio broadcast in 1983, are a small glimpse into the unbounded possibilities that were being charted by those women fighting over a cowbell.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIncludes:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eUngawa Pt. II (Way Out Guyana) • Temple Of The Sun • Rhythm Method • Trash • The Devil Lives In My Husband’s Body • Ulsapay Amallay • Oui-Oui (A Canadian In Paris)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sundazed Records \/ Modern Harmonic","offers":[{"title":"Default Title","offer_id":36032386039969,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1669231133_16.jpg?v=1599188787"},{"product_id":"slumb-party-spending-money-import-new-lp","title":"Slumb Party - Spending Money [IMPORT Marked Down] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eBlack vinyl. 2019.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eEveryone’s favourite herky-jerky Nottingham noiseniks Slumb Party return to blow minds once more. Maybe it’s time you polished all the hard surfaces in your house and strapped on your dancing shoes, cuz once this one lands on your stereo you’re gonna be pulling shapes and bouncing from the floor to the walls and back again.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1399496066\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/slumbparty.bandcamp.com\/album\/spending-money\"\u003eSpending Money by Slumb Party\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003eLast time round their influences were clear: James Chance, Minutemen and Gang Of Four rose to the surface in a heady concoction of skronking, sax-drenched post-punk and addictively wonky hooks. This time they’re no less deliciously addictive, but the pop factor rides higher in the mix, at the cost of precisely none of their aching smarts or visceral thrill. A wheezing synth powers opener Go To Work, with nods to the same heroes as before, but also a sense of Attractions-style powerpop appeal – if XTC had ever attempted to refract pub rock through their angular prism while shouting ‘CAN YOU BUY ME A PINT’, it might have felt something like this. Sound good? Of course it fucking does, and it sets the tone for the rest of the album.\u003cbr\u003e\u003cbr\u003eWhile their 2017 debut (and if you slept on that \u003cbr\u003e\u003c\/span\u003emasterpiece, then what are you waiting for, dummy?) dealt with working a day job and dealing with getting older, here the world weighs even more heavily on their shoulders. The snarling fury that characterised those songs is transposed to an exhausted rage that’s no less bilious or righteous – being skint, the overwhelming vacuum of ‘creative’ culture, and the general nature of just existing in 2019 all come under the microscope. No spoilers, but turns out all those things are bad; luckily they’re soundtracked and documented by a band that’s (whisper it) maturing (nah, fuck it, shout it: MATURING) into something far greater than the sum of their influences, that simply explodes from the speakers and demands your time. Like Molotov cocktails and lit matches, this is gonna seem daunting to swallow in one go, but the resultant explosion is messy and spectacular.\u003cbr\u003e\u003cbr\u003eSlumb Party describe this record as their ‘new\/no wavey post punk power pop effort’, and that’s a pretty accurate summary: certainly, there’s a Stiff Records\/Marked Men undercurrent to all those geometrical puzzles that make up their songs. Leave it to us, though, and we’ll just call it ‘one of the most essential records to emerge from the UK underground this year’. Or order you to drop everything and listen right now. ‘Spending Money’ is a keeper, alright.\u003cbr\u003eWill Fitzpatrick.\u003cbr\u003e\u003cbr\u003eMixed and Mastered by Mikey Young\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 30, 2019\u003c\/div\u003e","brand":"Drunken Sailor Records","offers":[{"title":"Default Title","offer_id":36047214117025,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1577722595_16_2a1cd479-be96-4c47-855e-530eb9300a7a.jpg?v=1609973851"},{"product_id":"idris-ackamoor-the-pyramids-shaman-new-lp","title":"Idris Ackamoor \u0026 The Pyramids – Shaman!  [2xLP IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e.\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eInfluential jazz collective Idris Ackamoor and The Pyramids return with an epic new opus, ‘Shaman!’, featuring a fresh line-up including original 1970s Pyramids member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, long-term associate Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums and Jack Yglesias on percussion. The band transitions from the political and social commentaries of 2018’s acclaimed ‘An Angel Fell’ into more introspective themes. “I wanted to use this album to touch on some of the issues that we all face as individuals in the inner space of our souls and our conscience,” explains Ackamoor. “The album unfolds over four Acts with personal musical statements about love and loss, mortality, the afterlife, family and salvation.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3175501341\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/idrisackamoor.bandcamp.com\/album\/shaman\"\u003eShaman! by Idris Ackamoor \u0026amp; The Pyramids\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eEvolving around Ackamoor's intricate compositions, the album takes us effortlessly across moods and emotions through a series of expansive, extended pieces. Starting with ritual, soul-searching, and masculine vulnerability on the title track, the band explores timeless existence on ‘Eternity’ and mourns the sudden loss of loved ones in the prescient ‘When Will I See You Again?’, a track which gains new relevance amidst the current COVID-19 crisis. Ackamoor pays tribute to his mentor Cecil Taylor on the angular ‘Theme For\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCecil’ and renders homage to the ancestors on ‘Salvation’ and ‘The Last Slave Ship’, recalling the last ship to bring slaves to the US from Africa, the Clotilda. The superb ‘Virgin’ is an anthem of forgiveness, new beginnings and self-healing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e‘Shaman!’ marks another significant landmark in The Pyramids' discography with the band at the peak of their powers. It is produced by Malcolm Catto at his analogue HQ, Quatermass Studio, in London. Cover artwork features an exclusive new painting by Japanese artist Tokio Aoyama.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased August 7, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePersonnel:\u003cbr data-mce-fragment=\"1\"\u003eIDRIS ACKAMOOR: Alto Saxophone, Tenor Saxophone, Vocals, Keytar\u003cbr data-mce-fragment=\"1\"\u003eDr. MARGAUX SIMMONS: Flutes, Vocals\u003cbr data-mce-fragment=\"1\"\u003eSANDRA POINDEXTER: Violins, Vocals\u003cbr data-mce-fragment=\"1\"\u003eBOBBY COBB: Guitar, Effects, Vocals, Mbira\u003cbr data-mce-fragment=\"1\"\u003eRUBEN RAMON RAMOS: Acoustic Bass, Electric Bass\u003cbr data-mce-fragment=\"1\"\u003eGIOELE PAGLIACCIA: Drums\u003cbr data-mce-fragment=\"1\"\u003eJACK YGLESIAS: Congas, Percussion\u003cbr data-mce-fragment=\"1\"\u003e2020, Strut Records - a division of K7 Music GmbH\u003c\/div\u003e","brand":"Strut Records","offers":[{"title":"Default Title","offer_id":36574146822305,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0991919912_16.jpg?v=1605317199"},{"product_id":"morwan-zola-zemlya-green-vinyl-ukraine-post-punk-new-lp","title":"Morwan ‎– Zola-Zemlya [Green Vinyl.  Ukraine Post Punk] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe flourishing Eastern European post-punk scene has given way to a boom of dark, rhythmic, and powerful new activity. One of the most original and captivating artists to recently emerge from this scene is Kiev, Ukraine's Morwan. The solo project of Alex Ashtaui, Morwan evolved from an earlier post-punk project, 563 (Pyat'shest'tri). Searching for a new direction, Ashtaui circled back to his half-Ukrainian, half-Arab roots, arriving at the perfect crossroads - a sonic aesthetic informed by both ethic tradition and the familiar territory of dark, driving post-punk. Ashtaui cites additional influence from contemporary Russian groups Utro and Shortparis, as well as the industrial\/experimental sounds of Swans. Zola-Zemlya, Morwan's second release, is an exceptionally original piece of work. It is an album that reaches to the furthest corners of post-punk, further revealing a deep connection to the ethnic sounds of both Arabic and Slavic tradition. There is a profound reverence for nature in Morwan's lyrics - as Ashtaui best explains, \"The nature in songs acts as a fundamental force, a given from which you cannot escape. With the help of metaphors associated specifically with nature I tell about some of my personal experiences and stories.\" Zola-Zemlya is equal parts primitive and contemporary\u003cspan class=\"bcTruncateMore\"\u003e, as traditional Middle Eastern instrumentation and structures are woven through driving, modern post-punk rhythms. Morwan's genius shines across all five tracks, a sound both genre-expansive and futuristic.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=359097467\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/morwan.bandcamp.com\/album\/zola-zemlya\"\u003eZola-Zemlya by Morwan\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e2nd vinyl pressing of Zola-Zemlya, packaged inside a full color jacket with lyric insert \u0026amp; download code.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 16, 2020\u003cbr\u003e\u003cbr\u003eКиев, Украина. 2020\u003cbr\u003eМузыка и слова — Алекс Аштауи.\u003cbr\u003e\u003cbr\u003eKyiv, Ukraine. 2020\u003cbr\u003eby Alex Ashtaui\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":37696003342497,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4188018560_16.jpg?v=1613019861"},{"product_id":"hot-snakes-jericho-sirens-used-lp","title":"Hot Snakes -  Jericho Sirens [Color Vinyl] - New LP","description":"\u003cp\u003ew\/ MP3 download code.  JOHN REIS (ROCKET FROM THE CRYPT, BACK OFF CUPIDS, DRIVE LIKE JEHU), RICK FORK a.k.a. ERIC FROEBERG (DRIVE LIKE JEHU), and JASON KURKOUNIS (DELTA 72, MULE). Guitars attack, drums pound, vocals destroy.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1928749296\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hotsnakes.bandcamp.com\/album\/jericho-sirens\"\u003eJericho Sirens by Hot Snakes\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6 item-meta\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6 item-meta\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSan Diego’s influential post-hardcore all-stars Hot Snakes – boasting members of Pitchfork, Rocket From the Crypt, Drive Like Jehu, Earthless, Obits, Burning Brides, OFF!, The Delta 72, and more – released three of our favorite rock records of the past 20 years: Automatic Midnight, Suicide Invoice, and Audit in Progress. All three were originally released on Swami Records, with art by singer\/guitarist and visual artist Rick Froberg. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Sub Pop Records","offers":[{"title":"Default Title","offer_id":37761999437985,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-11686550-1521056204-7693_jpeg.jpg?v=1613924853"},{"product_id":"fruit-bats-the-pet-parade-red-black-vinyl-new-lp","title":"Fruit Bats –  The Pet Parade [Red\/Black Swirl Vinyl MARKED DOWN] – New LP","description":"\u003cp\u003eNew album by Fruit Bats, sounds influenced by Dylan, the members of the Fab Four solo, Windy City indie artists of the 1990s, and many of those post-Beatles bands and artists of the 1970s who stripped it down and dressed it up, stripped it down to the songs, dressed it up with some production layers. -- winch\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene. While many of the songs on The Pet Parade were actually written before the pandemic, it’s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (The Hold Steady, Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anaïs Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Parade—drummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes, Muzz), singer-songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron \u0026amp; Wine)—were forced to self-record their parts in bedrooms and home studios across America.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eProduced by Josh Kaufman\u003cbr\u003e\u003cbr\u003eEngineered by Josh Kaufman and Eric D. Johnson\u003cbr\u003ewith additional engineering by Matt Barrick, Joe Russo, and Brian Kantor\u003cbr\u003e\u003cbr\u003eMixed and mastered by D. James Goodwin\u003cbr\u003e\u003cbr\u003eAll songs written by Eric D. Johnson (Furry Good Horns\/BMI)\u003cbr\u003eexcept “Discovering” by Eric D. Johnson and Josh Kaufman (Clarabelle Songs\/ASCAP)\u003cbr\u003e\u003cbr\u003eFront cover photo by Linda Beedy\u003cbr\u003eBack cover photo by Annie Beedy\u003cbr\u003eLayout and art direction by Daniel Murphy\u003c\/div\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":39658406150305,"sku":"","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0755298080_16.jpg?v=1618533736"},{"product_id":"nunofyrbeeswax-live-at-baby-satans-import-new-lp","title":"Nunofyrbeeswax – Live at Baby Satan's [IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor the first time available in North America, Nunofyrbeeswax's 2020 \u003cem data-mce-fragment=\"1\"\u003eLive at Baby Satan's\u003c\/em\u003e LP, with a killer indirect progression from yelping chaotic punk to focused Bo Diddley influenced garage, much of it obviously inspired by some of punk's greatest, and all of it obviously coming from the gut, punk gutted to the core.  I loved their latest studio album and couldn't wait to hear this live album, so great to listen to it, so excited Green Noise gets to introduce it to America.  I keep reaching that last cut just to flip it over again, sounds better each time I play it.  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3575427985\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nunofyrbeeswax.bandcamp.com\/album\/live-at-baby-satans\"\u003eLive at Baby Satan's by nunofyrbeeswax\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe got 14 copies, probably the only copies that will make it to the USA.  Grab one!\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Angela, Davide and Juan - Nunofyrbeeswax, write and play pop songs in a minimal setup - as raw as their heart beats. Their sound has been described as idiosyncratic blend of garage rock, post-punk, and proto-punk. Their music escapes easy associations , however, they have reminded audiences of bands such as Half Japanese, the Velvet Underground, The Ex, The Fall, B52's and The Cramps.\u003cbr\u003e\u003cbr\u003e\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003ereleased March 18, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded live by Martin Ortiz Carvalho at Urban Spree, Berlin, 06.06,2019\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMixed by Juan Manuel Puñales\u003cbr data-mce-fragment=\"1\"\u003eDrawings Eliana Fernandez\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLP released via Sanity Records\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Sanity Records \/ Twintoe Records","offers":[{"title":"Default Title","offer_id":40137073426593,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0199765521_16.jpg?v=1623541789"},{"product_id":"russell-gene-new-direction-new-lp-new-lp","title":"Russell, Gene ‎– New Direction – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first album released by the most sought-after label, bar none, among jazz collectors! And since keyboardist Gene Russell was at the artistic helm of Black Jazz, it was only natural that the label's debut record featured Russell himself, with the fitting title New Direction. Oft-bootlegged, with original copies commanding princely sums, New Direction, while a fairly straight-ahead piano trio outing, sets the tone for the entire label with its modal and soul jazz flourishes, and features such sidemen as double bassist Henry 'The Skipper' Franklin and drummer Steve Clover.  Reissue includes the distinctive original Black Jazz album art along with new liner notes by Pat Thomas, the author of Listen Whitey! The Sounds of Black Power 1965-1975. Remastered by Mike Milchner at Sonic Vision...a lost jazz classic sounding better than ever!\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vzyffb0Mweo?si=txY9IRImyxhClib9\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSide One\u003cbr data-mce-fragment=\"1\"\u003e1. Black Orchid\u003cbr data-mce-fragment=\"1\"\u003e2. Hitting The Jug\u003cbr data-mce-fragment=\"1\"\u003e3. Willow Weep For Me\u003cbr data-mce-fragment=\"1\"\u003e4. Listen Here\u003cbr data-mce-fragment=\"1\"\u003eSide Two\u003cbr data-mce-fragment=\"1\"\u003e1. On Green Dolphin Street\u003cbr data-mce-fragment=\"1\"\u003e2. Silver’s Serenade\u003cbr data-mce-fragment=\"1\"\u003e3. My Cherie Amour\u003cbr data-mce-fragment=\"1\"\u003e4. Making Bread\u003c\/p\u003e","brand":"Black Jazz Records","offers":[{"title":"Default Title","offer_id":40220839510177,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3798832618_16.jpg?v=1690935180"},{"product_id":"red-lights-s-t-1978-pre-gun-club-new-lp","title":"Red Lights - S\/T [1978 pre-Gun Club] – New 12\"","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWonderful glimpses of Pierce just before he formed the Gun Club, still just a teenager, delivering his own version of underground rock power pop, not just an interesting part of the story but an enjoyable listen as well.  While loads of the power pop of this era had a sound polished like a new suburban subdivision, this is stained and rough around the edges, more like the underground rock of Boston and NYC, less like a subdivision and more like a back alley in the seedy side of L.A.  -- winch\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xaYSDh92Wsc?si=ZwK29YEYd656QmqI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Prior to forming the Gun Club, Jeffrey Lee Pierce (1958-1996) fronted The Red Lights. While 1980 is viewed as ground zero for Pierce’s career—his autobiography Go Tell The Mountain starts with the founding of the Gun Club—Pierce was active as a rock critic for Slash magazine and had started songwriting years earlier. Throughout the late 1970s, Pierce’s primary musical interests were power pop and reggae. He was the president of the Blondie fan club and had interviewed Burning Spear. So when the Red Lights, Pierce’s first serious attempt at forming a band, started rehearsing it’s unsurprising that power pop (with a hint of reggae) was the group’s musical direction.\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e“The Red Lights existed throughout 1978. The lineup for the band’s debut show on July 14, 1978—opening for The Germs and The Middle Class at the Whisky—was Jeffrey Lee Pierce (vocals and guitar), Anna Statman (bass), Vitus Mataré (keyboards) and Jack Reynolds (drums). Mataré and Reynolds were members of The Last; Anna Statman was a contributing writer to Pleasant Gehman’s Lobotomy fanzine. This lineup was short-lived. Mataré dropped out afterwards; Jack Reynolds stuck around a little longer. Thanks to Flipside’s gig reviews, it’s known that the Red Lights played at least two more shows: one at The Arena in Culver City and another one at The Rock Corporation in Van Nuys on August 9, 1978, opening up for The Weasels. By the end of 1978, Pierce had moved to New York City, effectively ending the Red Lights\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e“At some point in the second half of 1978, The Red Lights recorded a demo. Little is known about the session. Mataré had already left the band, Statman vaguely remembers recording it. Unfortunately, Jack Reynolds passed away in 2009. The Red Lights were obscure; people familiar with the band were likely committed Gun Club fans. Few were aware that this demo tape existed; those who had a cassette copy likely received it from Pierce directly.\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e“Fast forward four decades and what’s surprising about the Red Lights’ material is how advanced Pierce’s songwriting was at 19 years old—the songs’ dynamic range, that voice—this is clearly the Gun Club’s Jeffrey Lee Pierce. Again, it’s all here.” —Ryan Leach\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Demo of pre-Gun Club Jeffrey Lee Pierce band, extremely obscure and rare!\u003cspan class=\"break\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Power-pop from 1978\u003c\/p\u003e","brand":"In the Red Records","offers":[{"title":"Default Title","offer_id":40234430038177,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-15941713-1600713091-9975_jpeg.jpg?v=1624780240"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/august-2025.oembed?page=7","provider":"Green Noise Records","version":"1.0","type":"link"}