{"title":"2026","description":"\u003cp\u003eRecorded circa 2026.\u003c\/p\u003e","products":[{"product_id":"preorder-dead-moon-keychain","title":"Dead Moon Keychain","description":"\u003ch2\u003eDead Moon key chain! 100% Toody-approved!\u003cbr\u003e(Logo design by Kelly Manahan).\u003c\/h2\u003e\n\u003ch2\u003eThe belt-buckle in mini!\u003c\/h2\u003e\n\u003cp\u003eø 3,5 cm\u003c\/p\u003e\n\u003cp\u003eHand\/custom-made in Uckermark (just North of Berlin) by Schnallenkunst.\u003cbr\u003eMade out of Zamak (nickel-free zinc alloy).\u003c\/p\u003e\n\u003ch4\u003e In Europe, \u003ca href=\"https:\/\/szim.bigcartel.com\/product\/dm-keychain\"\u003eorder from szim\u003c\/a\u003e\n\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dead Moon","offers":[{"title":"Default Title","offer_id":45012963950753,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/J586WgYDrzb0bqAS.png?v=1755010892"},{"product_id":"party-dozen-mad-rooter-ghost-rider-import-new-7","title":"Party Dozen – Mad Rooter \/ Ghost Rider [IMPORT] – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Australian duo Party Dozen — a feral blast of noise-funk chaos championed by Nick Cave and Amyl \u0026amp; The Sniffers — return with “Mad Rooter”. Built without a click track, it lurches and struts with wild, off-grid swagger, featuring a sax solo that channels late-night TV energy. Gritty samples from a battered, half-broken guitar add raw texture to a track that’s ten feet tall and gives zero fucks. \u003c\/span\u003e\u003cspan\u003eAnd that’s only the first hit: it’s followed by an insanely good cover of the Suicide classic “Ghost Rider.” It’s the cherry on top of this double-whammy. \u003c\/span\u003e\u003cspan\u003eThe band is touring the UK in November with shows in London, Brighton, Manchester, Glasgow and more.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=531836234\/size=small\/bgcol=333333\/linkcol=0f91ff\/license_id=5720\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/party-dozen.bandcamp.com\/album\/mad-rooter-ghost-rider\"\u003eMad Rooter \/ Ghost Rider by Party Dozen\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003eThe sax was made for improv.  Unleash the animal from the innards.  Mr. Adolphe Sax passes the baton...and Kirsty Tickle grabs it with both hands.  -- winch\u003cbr\u003e","brand":"City Slang Records","offers":[{"title":"Default Title","offer_id":45626933117089,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2875584185_16.jpg?v=1767758463"},{"product_id":"tauceti-guanyin-deluxe-edition-clear-vinyl-import-new-lp","title":"Tauceti – Guanyin [DELUXE EDITION, CLEAR VINYL, IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"I am pleased to announce the release of my very first ambient album on the Denovali label. This is probably the most personal record I produced so far, because it is in a way a tribute to my Middle Eastern and Asian origins. It is a hybrid and intimate object, at the border between futurism and cultural heritage, with a desire to approach a more contemporary environment at the limit of classical. I used traditional instrument pat- terns, sounds intimately linked to oriental instruments, all the while using my electronic touch composed of drone\/ ambient and sound distortions. This is the result of a year of reflection and increased exploration of new frontiers in the studio, which has gradually evolved into a desire to make an album concrete. Composed of eight tracks, some of you may have heard some of them during my ambient set during the last edition of Nuits Sonores, just before Vail and Rodhad’s magnificent live performance.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1231675022\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/taucetimusic.bandcamp.com\/album\/guanyin\"\u003eGuanyin by Tauceti\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTauceti (Lilou Chelal) is a producer \/ composer from Lyon. As a DJ, Chelal distills dark, tropical and sensual with percussive and vaporous rhythms. \u003cem\u003eGuanyin\u003c\/em\u003e is her very first full length - where she transfers the elegance of her sound into an unique journey.\u003c\/span\u003e\u003c\/p\u003e","brand":"Denovali Records","offers":[{"title":"Default Title","offer_id":45627001929889,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2184283525_16.jpg?v=1767760392"},{"product_id":"preorder-sweet-reaper-still-nothing-import-new-lp","title":"Sweet Reaper - Still Nothing [IMPORT] – New LP","description":"\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3027753578\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2883063752\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/sweet-reaper-still-nothing\"\u003eSWEET REAPER - Still Nothing by SWEET REAPER (ALIEN SNATCH! RECORDS)\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3027753578\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/sweet-reaper-still-nothing\"\u003eSWEET REAPER - Still Nothing by SWEET REAPER (ALIEN SNATCH! RECORDS)\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSWEET REAPER return with Still Nothing, their long-awaited new album featuring eleven ultra-catchy punk rock songs from California’s favorite skeleton crew. Blending X-ray power pop, restless don’t-wanna-grow-up energy, and classic RAMONES-style drive with moody melodic turns, Still Nothing delivers sharp, addictive hooks that stick fast and don’t let go. \u003c\/span\u003e\u003cspan\u003eDrawing from the lineage of the DICKIES and the ZEROS while nodding to modern standouts like RADIOACTIVITY, BAD NERVES, SPITS, and the LILLINGTONS, SWEET REAPER specialize in lean, melodic punk elevated by Seth’s unmistakable vocal presence. The result is a record that feels immediate, timeless, and \u003cmeta charset=\"utf-8\"\u003erelentlessly \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003ereplayable.  \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eThe album was recorded by K. Tupper and J. Jerome, handled with full analog care, lacquer-cut, and mastered by Jeff Burke (MARKED MEN, RADIOACTIVITY, LOST BALLOONS). Label trivia: SWEET REAPER now hold the record for most releases on ALIEN SNATCH!, cementing their status as true believers and longtime label favorites. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Alien Snatch Records (Berlin)","offers":[{"title":"Default Title","offer_id":45638380454049,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a4268334176_16.jpg?v=1768288558"},{"product_id":"preorder-kuken-palermo-import-new-7","title":"KÜKEN - Palermo [IMPORT] – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOrder now!  Shipping February 2026.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2936469556\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/k-ken-palermo\"\u003eKÜKEN - Palermo by KÜKEN (ALIEN SNATCH! RECORDS)\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e7\" 45rpm, black vinyl. KÜKEN, the Kings of No-Fillers KBD-Punk. In their St.Pauli brutalist bunker, they recorded last and previous year each two song only. Imagine, out of all the songs written in that period. All dismissed, that could have been KÜKEN IV!! But hey, these henchmen are not looking for the dairy industry awards. Expect nothing less then a hit-loaden four song 7\", twin-twin vocals, all songs clock in way before you find the end of the toilet paper. World is changing, stubborn KÜKEN are stalwarts not. Don´t ask us where they steal their hooks but they´re slicing! Songs are devoted to the sicilian ocean, the rock and roll intelligentsia and all other trustafarians. Feel obliged to fill your empty best of 2026 list already! No repress. On tour Oct 2026, call the W-I-L-D-W-A-X Feldgendarmerie.\u003c\/span\u003e\u003c\/p\u003e","brand":"Alien Snatch Records (Berlin)","offers":[{"title":"Default Title","offer_id":45638387892385,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a4154190203_16_8609bb10-9094-4c68-92c0-cab042f9e4e3.jpg?v=1768289000"},{"product_id":"fast-kids-my-advice-b-w-out-of-state-plates-new-7","title":"Fast Kids – My Advice b\/w Out of State Plates – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026 debut 45 from Fast Kids. FAST KIDS is the power-pop project of Mike Brandon (The Mystery Lights), paying homage to his power-pop roots. Both tracks written and performed by Mystery Lights' frontman, Mike Brandon, Fast Kids delivers two raw, saccharine dipped gems. Heavily inspired by Jack Lee \u0026amp; The Nerves, \"My Advice\" packs punchy bass lines, biting guitar and infectious harmonies into a three minute tale about giving unwanted advice. \"Out of State Plates\" is a soulful albeit playful story about the allure of spotting out of state plates in small-town USA. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4264840999\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2561960556\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fastkids.bandcamp.com\/album\/fast-kids-forever\"\u003eFAST KIDS FOREVER by FAST KIDS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wick Records (Daptone)","offers":[{"title":"Default Title","offer_id":45664194855073,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/kids.jpg?v=1769127759"},{"product_id":"sleaford-mods-the-demise-of-planet-x-green-vinyl-new-lp","title":"Sleaford Mods – The Demise of Planet X [GREEN VINYL \/ Glow-in-the-Dark Jacket] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Demise of Planet X is Andrew Fearn and Jason Williamson’s most expansive and ambitious release to date as Sleaford Mods. Boasting the duo’s most varied and expressive musical approach so far, it charts, critiques and satirises our times, while offering a universal cry of anger and release of energy that pushes against the encroaching cultural darkness.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3406829130\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sleafordmods.bandcamp.com\/album\/the-demise-of-planet-x\"\u003eThe Demise of Planet X by Sleaford Mods\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eContemplating the world coming to an end not with a big bang but in slowly rising tide of irritating mundanity, The Demise Of Planet X strikes back with vivid sonics, acerbic words, enveloping atmospheres and a engaging wit across 13 tracks that will move hearts, minds and feet. The album features a rare guest appearance from former Life Without Buildings frontwoman Sue Tompkins, plus collaborations with Aldous Harding, soul singer Liam Bailey and grime MC Snowy, the latter two both hailing from band’s hometown Nottingham. In her first foray into music, actress Gwendoline Christie (Wednesday\/ Severance\/ Game Of Thrones) also joins Midlands band Big Special on Sleaford Mods new single The Good Life, which is released today accompanied by a video directed by Ben Wheatley (The Kill List\/A Field In England\/Bulk).\u003cbr\u003e\u003cbr\u003e‘“The Demise Of Planet X’ represents a life lived\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eunder immense uncertainty, shaped by mass trauma,” declares frontman Jason Williamson. “When we wrote the last album, it was about stagnation, a country that felt like a lifeless corpse. Three years later, that corpse has been split open whilst social media has mutated into a grotesque, twisted form of digital engineering. It feels like we’re living among the ruins. A multi-layered abomination etched into our collective psyche.”\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased January 16, 2026\u003c\/div\u003e","brand":"Rough Trade Records","offers":[{"title":"Default Title","offer_id":45664345850017,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/mods.jpg?v=1769129221"},{"product_id":"sunset-images-oscilador-opaque-pink-vinyl-new-lp","title":"Sunset Images – Oscilador [OPAQUE PINK Vinyl] – New LP","description":"\u003cdiv id=\"name-section\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e“Dissonant ferocity meets industrial mechanical precision. ‘Oscilador’ is Mexico City’s Sunset Images’ latest pursuit of sonic resistance, a reflection of the perpetual cycle that rules our world’s history: birth, decay, chaos and resolution. Fueled by the collision of pulsating vocals, primitive drum beats, fractured synths and jagged guitars that create walls of feedback crashing into meditative drones. A visceral blend of noise rock, psychedelia and hypnotic repetition, an aural landscape that’s both disorienting and irresistible.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3090914019\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sunsetimages.bandcamp.com\/album\/oscilador\"\u003eOscilador by Sunset Images\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003e— Out Jan 23 on Dedstrange, for fans of A Place To Bury Strangers, Boris or Sonic Youth, ‘Oscilador’ is not just heard but felt—a record that thrives on chaos and beauty, an electrifying dive into transcendence.”\u003cbr\u003e\u003cbr\u003eOur world is cyclical; everything repeats itself: our history, our customs, our trends, our way of communicating. Everything oscillates; we are all a continuous cycle of decisions, mistakes, and the will to strive to be better. \"Oscilador\" attempts to reflect these aspects of life in music. As sound reaches a point of distortion and feedback, it oscillates and creates deeper, more difficult-to-understand soundscapes, but just as everything begins, everything has an end, the moment when everything starts\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eover and ultimately evolves. An album that speaks out on racism, forced displacement, forced disappearances and genocide that must not be tolerated anymore….\u003cbr\u003e\u003cbr\u003e~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~\u003cbr\u003e\u003cbr\u003eNuestro mundo es cíclico, todo se repite: nuestra historia, nuestras costumbres, las tendencias, nuestra forma de comunicarnos. Todo oscila, todos somos un ciclo continuo de decisiones, errores y la voluntad de intentar ser mejores. \"Oscilador\" intenta reflejar estos aspectos de la vida en la música.\u003cbr\u003e\u003cbr\u003eA medida que el sonido alcanza un punto de distorsión y retroalimentación, oscila y crea paisajes sonoros más profundos y difíciles de comprender. Pero como todo comienza, todo tiene un final, el momento en que todo vuelve a empezar y finalmente evoluciona.\u003cbr\u003e\u003cbr\u003e\"Oscilador\" es el mas reciente álbum de Sunset Images, y su disco más brillante y accesible hasta la fecha, que pasa de un sonido más experimental y caótico a un concepto más estructurado e influenciado por la música industrial, electrónica y agrega el uso de sintetizadores y cajas de ritmo por primera vez para crear una experiencia más cruda, más mecánica y a la vez orgánica y humana sin perder el sello caracteriztico del uso de dinamicas que chocan entre si y los altos volumenes ensordecedores y catárticos.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases January 23, 2026\u003cbr\u003e\u003cbr\u003eGrabación \u0026amp; Mezcla \/ Recording \u0026amp; Mixing:\u003cbr\u003eLo Obsoleto @ El Derrumbe, Ensenada, Baja California\u003cbr\u003eAlan Sieteoctavos @ 1993 Records, Ciudad de México\u003cbr\u003eSamuel Osorio @ Gravy HQ, Ciudad de México.\u003cbr\u003eMaster \/ Mastering: Oliver Ackermann @ Death by Audio, Queens, New York City.\u003cbr\u003e\u003cbr\u003eBaterías \/ Drums\u003cbr\u003e1, 2, 4 \u0026amp; 5: Alberto Gonzáles\u003cbr\u003e3 \u0026amp; 6: Alan López\u003cbr\u003e7: Samuel Osorio\u003cbr\u003eBajo \/ Bass\u003cbr\u003e3: Leo Rosales\u003cbr\u003eVoces Adicionales \/ Additional Vocals\u003cbr\u003e3 \u0026amp; 6: Aldonza Zúñiga\u003cbr\u003eGuitarras, Bajos, Voces y Sintetizadores \/ Guitars, Bass, Vocals \u0026amp; Synths\u003cbr\u003eTodos los tracks \/ All tracks: Samuel Osorio\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dedstrange Records (Germany)","offers":[{"title":"Default Title","offer_id":45664570474657,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/image_d0706f6e-3666-4995-9a0a-246b5b412068.jpg?v=1769139257"},{"product_id":"brutalligators-still-here-marbled-vinyl-import-new-lp","title":"Brutalligators – Still Here [MARBLED VINYL.  IMPORT.] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA queer indie-punk love letter to learning to accept all that life throws at you, with sing-along choruses and heart-on-sleeve lyrics about relationships, friendship and gender. Hitchin-based indie-punk 4 piece Brutalligators are back with their 2nd album, a powerful, cathartic, and joyously loud collection of songs about survival, identity, and moving forward. From shout-along anthems to intimate confessions, the album explores grief, friendship, queer identity, aging, and that ever-complicated feeling of simply trying to exist.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3447835099\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shop.fikarecordings.com\/album\/still-here\"\u003eStill Here by Brutalligators\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eFollowing This House is Too Big, This House is Too Small, the new record marks a sonic and emotional evolution for the band — trading heartbreak and endings for resilience, and healing, bringing the raw energy of Brutalligators debut with more melodic moments, blending the indie punk of PUP and Menzingers with the cleaner indie sound of Future Teens and Weezer. Still Here is an album with the mantra of “I’m still here, and I’m alive” says vocalist\/guitarist Luke Murphy (they\/them). “Looking at how me and my identity hasn’t been accepted in the past, and focusing on the attitude of ‘fuck you, I am who I am, this is what makes me me’”.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fika Recordings (UK)","offers":[{"title":"Default Title","offer_id":45708227543201,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/here.jpg?v=1770791340"},{"product_id":"modem-interface-new-lp","title":"Modem – Interface – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Helsinki-based Modem return with their second full-length album, Interface – a sleek, mirror-tiled exploration of identity, illusion, and emotional architecture.  \u003c\/span\u003e\u003cspan\u003eRooted in the cool pulse of minimal synth-pop, the noir haze of '80s film soundtracks, and the emotional tension of early Depeche Mode, Interface is both a love letter to the past and a razor-sharp commentary on the present. Gothic glamour, new wave gloss, and fluorescent melancholy all find their place in Modem’s sonic universe.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3248831079\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/tampuirecords.bandcamp.com\/album\/modem-interface\"\u003eModem - Interface by TR020\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach track acts like a layer in a system — personas flicker, masks glitch, and reality fragments. It’s a concept album for the age of curated selves and algorithmic intimacy. Identity isn’t a mirror — it’s an interface.\u003c\/span\u003e\u003c\/p\u003e","brand":"Don Giovanni Records","offers":[{"title":"Default Title","offer_id":45709850149025,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/modem.jpg?v=1770835439"},{"product_id":"nightbus-passenger-new-lp","title":"Nightbus – Passenger [BLUE VINYL Import] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFlickering in ultraviolet, there is an elusive place where blue pill meets red, ups become downs, and day merges with night. Those liminal spaces where anything is possible is where you’ll find Nightbus and their hypnotic debut album Passenger. Doom, uncertainty, and opportunity lurk in the shadowy corners of their murky existence with stops at disassociation, co-dependency, and addiction before reaching its final destination - a glimmer of hope.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3884083621\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nightbusuk.bandcamp.com\/album\/passenger\"\u003ePassenger by Nightbus\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e“We’re travellers in our own bodies; there’s an alter ego nurturing our secrets, fantasies, shame and fears, lost in the underworld of humanity. A dreamscape of tabu existence, things that define us but wouldn’t come up in casual conversations. This album is that traveller, the passenger,” Olive Rees reveals, who, alongside partner in crime Jake Cottier, is Nightbus. “This self-destructive side can be triggered at any moment, and you’ll experience life in a completely different light. It’s not about hiding that side, but if it were gone, what journey would it experience?”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'Passenger' is a late night ride into our inner selves, all the secrets, fantasies, shame and fears that don't normally surface. Nodding to The Knife, XX, Portishead, Chromatics, early Cure, Burial, Massive Attack, Everything But The Girl, it's an after-hours adventure into post-punk, trip-hop and otherworldly electronica.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBetween shows from Porto to Brighton taking in Great Escape; DJing; remixing; guesting; and hosting queer hyperpop club nights, heads are now being turned from sports brands to high-end fashion designers – all soon-to-be-announced. “We can’t reveal much right now,” tells Olive, “but we’re excited about the direction this beast we’ve created is heading.” As the album philosophises and asks one ultimate question; what does it truly mean to be Passenger? Nightbus may not claim to offer a definitive answer, but it might make you feel a bit better about those demons.\u003c\/span\u003e\u003c\/p\u003e","brand":"Melodic Records (UK)","offers":[{"title":"Default Title","offer_id":45709929775265,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/bus.jpg?v=1770838083"},{"product_id":"preorder-tek-deniz-radio-birdman-the-beat-import-green-noise-exclusive-red-vinyl-new-lp-copy","title":"Tek, Deniz [Radio Birdman] ‎–The Beat [IMPORT.  GREEN NOISE EXCLUSIVE RED Vinyl]  – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eAt the centre of \u003cem\u003eThe Beat\u003c\/em\u003e there is not an idea, a concept, or a plan. There is a rhythm. And the person who played it. In 2015, while working on material for the Mean Old Twister album, Deniz Tek and Ric Parnell spent time playing together without a goal. Ric on drums, Deniz on rhythm guitar. No rules, no formula, no songs to finish. Just following the moment. The sessions were recorded casually, then put away and forgotten.\u003cbr\u003eRic Parnell passed away in May 2022.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2085883568\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deniztek.bandcamp.com\/album\/the-beat\"\u003eThe Beat by Deniz Tek\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eParnell was a drummer with a long and distinctive history. He first came to prominence with Atomic Rooster in the early 1970s, contributing to their most influential work, and later became widely known as the drummer in Spinal Tap, where technical precision and musical intelligence were hidden behind satire. Beyond the credits, Ric was a deeply musical player, with a strong sense of dynamics, restraint and forward motion. He played for the song, always.\u003cbr\u003e\u003cbr\u003eYears later, Ron Sanchez came across the recordings and sent them to Deniz. Hearing them again for the first time in nearly a decade, Tek was struck by their clarity. Ric’s drum tracks were not loose ideas or rough sketches. Every take was close to perfection. Focused, musical, complete. Those performances became the\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003efoundation of a new album.\u003cbr\u003e\u003cbr\u003eThe Beat grew from that realization. Tek built new songs around Ric’s original drum performances, writing and arranging music that followed their natural flow rather than imposing structure. Some of the original rhythm guitar remains. All vocals and many guitar parts are new, with additional guitar and bass contributions from Anne Tek and Bob Brown.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003eThis is not an archival release, nor an exercise in reconstruction. The Beat is a record made in the present, guided by trust in the past. It reflects on continuity, on how music survives the moment it is played, and on the idea that rhythm does not end with absence. The beat goes on, not as a phrase, but as a reality. \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe Beat is Deniz Tek’s loving tribute to a dear departed friend, made by following the music where it wanted to go.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases April 17, 2026\u003cbr\u003e\u003cbr\u003eVocals and Harmonica: Deniz Tek\u003cbr\u003eGuitars: Deniz Tek, Anne Tek\u003cbr\u003eBass: Bob Brown\u003cbr\u003eDrums: Ric Parnell\u003cbr\u003e\u003cbr\u003eAll songs written by Deniz Tek\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eProduced by Bob Brown, Ron Sanchez and Deniz Tek\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch2 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wild Honey Records (Italy)","offers":[{"title":"Default Title","offer_id":45742029013153,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/tek.jpg?v=1771799390"},{"product_id":"dumpies-the-lub-dub-new-lp","title":"Dumpies, The –  Lub Dub – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eOregon’s own Dumpies are back with another batch of rapid fire snotty, scrappy, and queer as fuck punk songs for fans of FYP, Hickey, and Fleshies.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2192195644\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtcultrecords.bandcamp.com\/album\/lub-dub\"\u003eLub Dub by The Dumpies\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eFor the making of Lub Dub, the Dumpies traveled down to Austin, Texas to record at The BBQ Shack. The owner of The BBQ Shack, Jason Morales, moved to Austin in the 90’s and had an amazing band that was originally from Olympia, WA called Starfish. He has since become an important member of the Austin music scene in bands such as Tia Carrera and many others. Jason began engineering with Mike Vasquez at his Austin studio, Sweatbox, in the 2000’s and after the studio burnt down, he eventually opened his own. The BBQ Shack has much the same vibe as Sweatbox and is a favorite of Austin underground bands. Jason and Mike recorded and mixed the album in three days and sent it off to Chicago for Carl Saff to master. On the final day of recording in Austin, the Dumpies departed on a Texas tour with Night Court and Faulty Cognitions.\u003cbr\u003e\u003cbr\u003eSplit release with Hovercraft Records\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased February 20, 2026\u003c\/div\u003e","brand":"Dirt Cult Records \/ Hovercraft Records","offers":[{"title":"Default Title","offer_id":45805882507425,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0359422317_16.jpg?v=1773158217"},{"product_id":"preorder-hedgeburner-s-t-green-vinyl-import-new-lp","title":"Hedge Burners -  Fall Out Of The Future [Import] – New LP","description":"\u003ch3\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4227137517\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hedgeburners666.bandcamp.com\/album\/fall-out-of-the-future\"\u003eFall Out Of The Future by HEDGE BURNERS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003eHEDGE BURNERS\u003cbr\u003e– \u003cem\u003eFall Out of the Future\u003c\/em\u003e LP. \u003c\/strong\u003e\u003cstrong\u003eAustralia. IMPORT. LEGLESS RECORDS.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\"Fall Out Of The Future started with a picture and the chunky colours of a particular commute - The shipping containers, choppy cold city greys, all the blues of the sea and the pale concrete. Driving over the bridge that way is such a marker of getting distance on the day and \u003cem\u003eFall out of the Future\u003c\/em\u003e (the single and the album’s) words all seem to be about moving, stolen moments, the sea and loosening the grip on certainty. All of us wash up at jams after work in Rye or North Melbourne with different shrapnel from the day on our minds, and with our regularity there’s a language we’ve made - This album feels like all the colours, pictures and stories from our summer to winter together.\"\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eMore magic from Legless Records, new band featuring STEPH HUGHES - Vocals \u0026amp; Guitar (DICK DIVER, BOOMGATES) and ARRON MAWSON -(STIFF RICHARDS, SPLIT SYSTEM, LEGLESS RECORDS), more reflective than you've come to expect from Mawson but still clearly from the heart and clearly from the heart of Australia, still here to punch your chest and bowl you over. \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eLegless Records, exclusively in the USA through Green Noise.  Champ stuff up and down\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases March 19, 2026\u003cbr\u003e\u003cbr\u003eHEDGE BURNERS are -\u003cbr\u003eSTEPH HUGHES - Vocals \u0026amp; Guitar (DICK DIVER, BOOMGATES)\u003cbr\u003eARRON MAWSON - Guitar (STIFF RICHARDS, SPLIT SYSTEM)\u003cbr\u003eJACKSON ALLEN - Bass\u003cbr\u003eSHAUN GIONIS - Drums (BOOMGATES, THE GREEN CHILD)\u003cbr\u003e\u003cbr\u003eRecorded at Rolling Stock Studios By Andrew Robinson\u003cbr\u003eMixed by Andrew Robinson\u003cbr\u003eMastered by Mikey Young\u003cbr\u003eCover Art \/ Painting by Steph Hughes\u003cbr\u003eCover Layout \/ Design by Deon Slaviero\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Legless Records (Australia)","offers":[{"title":"GREEN VINYL","offer_id":45901240402081,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true},{"title":"BLACK VINYL","offer_id":45901240434849,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3936712780_16.jpg?v=1773636695"},{"product_id":"snuff-bite-me-import-green-vinyl-green-noise-exclusive-new-lp","title":"SNÜFF  – Silly Not Silly [IMPORT GREEN VINYL GREEN NOISE EXCLUSIVE] – New LP","description":"\u003cp id=\"x_isPasted\" class=\"x_default\" data-olk-copy-source=\"MessageBody\"\u003e\u003c\/p\u003e\n\u003cp class=\"x_default\" data-olk-copy-source=\"MessageBody\"\u003eItalian DIY trio SNÜFF.  Built on the chemistry of a power trio, an elastic groove, and melody...rock’n’roll that hides a more fragile core, touching on the feeling of inadequacy towards society and towards oneself.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3780562893\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/snuffznuf.bandcamp.com\/album\/silly-not-silly\"\u003eSilly Not Silly by snüff\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  In many ways,\u003cspan\u003e \u003c\/span\u003e\u003cem data-end=\"709\" data-start=\"692\"\u003eSilly Not Silly\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtinues along the same sonic path as the band’s 2024 debut\u003cspan\u003e \u003c\/span\u003e\u003cem data-end=\"785\" data-start=\"771\"\u003eThat’s Amore\u003c\/em\u003e. Recording, mixing and mastering were once again handled by Yuri Pierini, whose work helped define the raw but melodic sound of the trio. The influences remain similar too, rooted in garage rock, power pop and DIY energy. What changes, perhaps, is the songwriting: the new songs feel more reflective in tone. Even the brightest and most open moments carry subtle traces of melancholy, small shadows hiding beneath the surface. For SNÜFF, the DIY spirit remains central to everything they do. In today’s collapsing record market, DIY practices are often a necessity rather than a romantic choice. But for the band it is also about intention and shared decisions. Each step is shaped through discussion and the meeting of different sensitivities within the trio. DIY, for them, is not about rigid rules or obsessive control. It is about care and attention, about staying involved in every part of their artistic path.  Honest, slightly crooked, melodic and raw in equal measure. \u003cspan\u003e\u003ci\u003eFFO: \u003c\/i\u003eShannon \u0026amp; the Clams \u003c\/span\u003e\u003cspan\u003e\u003cem\u003e• \u003c\/em\u003eSheer Mag \u003c\/span\u003e\u003cspan id=\"x_isPasted\"\u003e\u003cem\u003e• \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003eearly Pixies \u003c\/span\u003e\u003cspan id=\"x_isPasted\"\u003e\u003cem\u003e• \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003eScreaming Females, and all the underground garage-pop-punk\u003c\/span\u003e\u003c\/p\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":45830049104033,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/snuff.jpg?v=1773817299"},{"product_id":"drakulas-midnight-city","title":"Drakulas - Midnight City [GREEN NOISE EXCLUSIVE RED VINYL (or black]  - New LP","description":"\n\u003ch1\u003eThis catches this Texas band in their prime…ten plus years of knocking you out…a decade deep into their history and sounding hungry as ever…hungry as hell…watch your ears, they might just chomp them off. Vital vinyl.  Check it out!  — winch (green noise) \n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1884174478\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drakulas.bandcamp.com\/album\/midnight-city\"\u003eMidnight City by Drakulas\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eDrakulas -\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cem\u003eMidnight City\u003c\/em\u003e LP\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eGREEN NOISE EXCLUSIVE \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRED VINYL (Edition of 200)\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2067987048\/size=small\/bgcol=333333\/linkcol=e99708\/track=3605076420\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtnaprecords.bandcamp.com\/album\/midnight-city\"\u003eMidnight City by Drakulas\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e(Also available in black vinyl)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2067987048\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtnaprecords.bandcamp.com\/album\/drakulas-midnight-city\"\u003eDrakulas - Midnight City by Dirtnap Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAustin’s creepiest bad boys are back!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAfter a few years of wandering in the wilderness, Drakulas return to their spiritual home at Dirtnap Records (and Wild Honey Records in Europe\/UK!) to unleash Midnight City upon the world!\u003cbr\u003e\u003cbr\u003eDrakulas move in the shadows of a neoned, late‑’70s city—proto‑punk bite, garage grit, ’80s synth ghosts and new‑wave chill wrapped in world-building, nocturnal lyrics.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eConceived as an art experiment by Savage Lord Mic, Sam Francisco  (Riverboat Gamblers) and Pink Rick (Rise Against), and filled out with a rotating cast of sketchy characters, Drakulas quickly shed their daylight skins—black turtlenecks, medallions, VHS flicker—and became emissaries of a cinematic underworld where drugs, arcade lights, pornography and occult whispers score the streets.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTheir 3rd LP, Midnight City turns up the musical quirk factor a bit, with fully-realized, inter-connected songs that are at the same time unsettling and yet weirdly danceable. Marvel as they emerge from the fog with a new full‑length on Dirtnap\/Wild Honey.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e\u003ca rel=\"noopener\" href=\"https:\/\/store.greennoiserecords.com\/products\/shipping?variant=42839890821281\" data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/products\/shipping?variant=42839890821281\" target=\"_blank\"\u003eINTERNATIONAL SHIPPING INFO.\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e  \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eIn Europe, order this Drakulas LP from \u003ca rel=\"noopener\" href=\"https:\/\/wildhoneyrecords.bandcamp.com\/\" target=\"_blank\"\u003eWild Honey Records\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h1\u003eThis catches this Texas band in their prime…ten plus years of knocking you out…a decade deep into their history and sounding hungry as ever…hungry as hell…watch your ears, they might just chomp them off. Vital vinyl.  Check it out!  It's one of a kind.  Some might note the 1980s influence on this band, but in the 20th century, most decades were clearly created in the previous...post-war rhythm \u0026amp; blues by Black artists (along with a bit of the hillbilly of the 1940s) created the sounds of the 1950s...nearly anything in the 1990s had been done (better?) in the 1980s...and while the 1980s had many things going on, beyond hardcore and hip-hop, a dominant sound helped define the decade, and that sound had been created the decade before...not just with the underground bands (because it's hard to argue influence if few knew of the music) but with well-known artists like Roxy Music, Alice Cooper, Sparks, Nerves, Kinks, Tubeway Army, The Cars, Talking Heads, Cheap Trick, Reed, Iggy, Bowie, Devo, Blondie...and to me, more than the 1980s (or even the 1970s via the 1980s), Drakulas maybe sound inspired by some of those originators of the 1970s...without sounding at all retro in any way...they charge ahead...and while plenty of examples exist, for punk rock, it's not so common that a punk band creates fictions and imagined histories so elaborate that they read like a novel...maybe risky territory for a punk band from Texas (or anywhere), but when you take risks and pull it off, it hits you like a hammer...so crank it, and pound them spikes in my chest. This catches this Texas band in their prime…ten plus years of knocking you out…a decade deep into their history and sounding hungry as ever…hungry as hell…watch your ears, they might just chomp them off. Vital vinyl.  Check it out!  — winch (green noise) \n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cpre class=\"tw-data-text tw-text-large tw-ta\" data-placeholder=\"Translation\" id=\"tw-target-text\" role=\"text\" data-ved=\"2ahUKEwiuobjs9KmTAxWFyOYEHbWhJxAQ3ewLegQIBBAW\" dir=\"ltr\" aria-label=\"Translated text: ¡PREVENTA EN DIRTNAP!\n\nDrakulas -\nMidnight City LP\n\nPREVENTA. ENVÍO EN MAYO DE 2026.\n\nEXCLUSIVA DE GREEN NOISE\nVINILO ROJO (Edición de 200)\n\n(También disponible en vinilo negro)\n\n¡Los chicos malos más inquietantes de Austin están de vuelta!\n\nTras unos años vagando por el desierto, Drakulas regresa a su hogar espiritual en Dirtnap Records (¡y Wild Honey Records en Europa\/Reino Unido!) para lanzar Midnight City al mundo.\n\nDrakulas se mueve entre las sombras de una ciudad neón de finales de los 70: la mordacidad del proto-punk, la crudeza del garage, los fantasmas del synth-pop de los 80 y la tranquilidad del new wave, todo ello envuelto en letras nocturnas que crean un universo propio.\n\nConcebidos como un experimento artístico por Savage Lord Mic, Sam Francisco (Riverboat Gamblers) y Pink Rick (Rise Against), y con un elenco rotativo de personajes turbios, Drakulas pronto se despojaron de su apariencia convencional —jerséis de cuello alto negros, medallones, efecto VHS— y se convirtieron en emisarios de un submundo cinematográfico donde las drogas, las luces de las salas de videojuegos, la pornografía y los susurros ocultistas impregnan las calles.\n\nSu tercer LP, Midnight City, eleva el factor de excentricidad musical, con canciones interconectadas y completamente desarrolladas que resultan a la vez inquietantes y extrañamente bailables. Déjate sorprender por su aparición con este nuevo álbum en Dirtnap\/Wild Honey.\n\nINFORMACIÓN DE ENVÍO INTERNACIONAL\n\nEn Europa, puedes pedir este LP de Drakulas a Wild Honey Records.\" tabindex=\"-1\"\u003e\u003cspan class=\"Y2IQFc\" lang=\"es\"\u003e¡PREVENTA EN DIRTNAP!\n\nDrakulas -\nMidnight City LP\n\nPREVENTA. ENVÍO EN MAYO DE 2026.\n\nEXCLUSIVA DE GREEN NOISE\nVINILO ROJO (Edición de 200)\n\n(También disponible en vinilo negro)\n\n¡Los chicos malos más inquietantes de Austin están de vuelta!\n\nTras unos años vagando por el desierto, Drakulas regresa a su hogar espiritual en Dirtnap Records (¡y Wild Honey Records en Europa\/Reino Unido!) para lanzar Midnight City al mundo.\n\nDrakulas se mueve entre las sombras de una ciudad neón de finales de los 70: la mordacidad del proto-punk, la crudeza del garage, los fantasmas del synth-pop de los 80 y la tranquilidad del new wave, todo ello envuelto en letras nocturnas que crean un universo propio.\n\nConcebidos como un experimento artístico por Savage Lord Mic, Sam Francisco (Riverboat Gamblers) y Pink Rick (Rise Against), y con un elenco rotativo de personajes turbios, Drakulas pronto se despojaron de su apariencia convencional —jerséis de cuello alto negros, medallones, efecto VHS— y se convirtieron en emisarios de un submundo cinematográfico donde las drogas, las luces de las salas de videojuegos, la pornografía y los susurros ocultistas impregnan las calles.\n\nSu tercer LP, Midnight City, eleva el factor de excentricidad musical, con canciones interconectadas y completamente desarrolladas que resultan a la vez inquietantes y extrañamente bailables. Déjate sorprender por su aparición con este nuevo álbum en Dirtnap\/Wild Honey.\n\nINFORMACIÓN DE ENVÍO INTERNACIONAL\n\nEn Europa, puedes pedir este LP de Drakulas a Wild Honey Records\u003c\/span\u003e\u003c\/pre\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1.     \u003c\/span\u003e\u003cspan\u003eGoing Going Gone Gone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2.     \u003c\/span\u003e\u003cspan\u003eSingin’ With My Tongue Cut Out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.     \u003c\/span\u003e\u003cspan\u003eHead In The Clouds\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4.     \u003c\/span\u003e\u003cspan\u003eIs It Enough\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e5.     \u003c\/span\u003e\u003cspan\u003eWhite Off Your Nose\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e6.     \u003c\/span\u003e\u003cspan\u003eGarbage Strike\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e7.     \u003c\/span\u003e\u003cspan\u003eSex\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e8.     \u003c\/span\u003e\u003cspan\u003eMorning Night\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e9.     \u003c\/span\u003e\u003cspan\u003eGuys Like Me, Girls Like You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cspan\u003eFAFO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e11. \u003c\/span\u003e\u003cspan\u003eLearn The Curve\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12. \u003c\/span\u003e\u003cspan\u003eWheelhouse\u003c\/span\u003e\u003c\/p\u003e","brand":"Wild Honey Records \/ Dirtnap Records","offers":[{"title":"RED VINYL","offer_id":45831681474721,"sku":null,"price":19.0,"currency_code":"USD","in_stock":true},{"title":"BLACK VINYL","offer_id":45831681507489,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/drakulas.jpg?v=1773850503"},{"product_id":"radio-days-i-wont-give-up-clear-vinyl-green-noise-usa-exclusive-import-new-7","title":"Radio Days ‎–  I Won't Give Up [CLEAR VINYL GREEN NOISE USA EXCLUSIVE IMPORT] – New 7\"","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=84158132\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/radiodays.bandcamp.com\/album\/i-wont-give-up-3\"\u003eI Won't Give Up by Radio Days\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eFor over two decades, Radio Days have chased the perfect chorus, shaping bright, high-voltage power pop from the glitter and grit of the late ’70s.\u003cbr\u003e\u003cbr\u003e“I Won’t Give Up” is the first taste of their forthcoming fifth album Off The Record (due September 4th 2026). Released on 7” via Wild Honey Records (physical) and Ammonia Records (digital), the single captures the band at their most direct and punchy.\u003cbr\u003e\u003cbr\u003eFormed in 2003, the Milan quartet fuse melody and momentum in the lineage of Elvis Costello, The Rubinoos, Big Star and The Knack. With over 350 shows across Europe, the UK and Japan, and festival appearances from International Pop Overthrow at the Cavern Club to Purple Weekend, they have shared stages with acts including Green Day and Weezer. “I Won’t Give Up” is a love letter to skinny-tie pop, pitched between The Jags, The Records and The Knack: a hypnotic riff, handclap-driven chorus and soaring harmonies delivering instant impact. On the B-side, “Bang Bang!” leans into glam swagger, nodding to T. Rex with a shuffle groove and melodic bass charge, while vocally bridging the theatrical punch of Gary Glitter and the\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eharmonies of The Beach Boys.\u003cbr\u003e\u003cbr\u003eLean, fast and melody-rich, “I Won’t Give Up” is not nostalgia. It is Radio Days at full throttle, closing in on the perfect chorus once again.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003eRadio Days are\u003cbr\u003e\u003cbr\u003eDario Persi - Vocals And Guitar\u003cbr\u003eMattia Baretta - Bass And Backing Vocals\u003cbr\u003ePaco Orsi - Drums And Percussions\u003cbr\u003e\u003cbr\u003eMassimiliano Raffa - Guitar And Vocals\u003cbr\u003e\u003cbr\u003eAll songs arranged and performed by Radio Days\u003cbr\u003e\u003cbr\u003eI Won’t Give Up music by Dario Persi - lyrics by Paco Orsi\u003cbr\u003eBang Bang! music by Dario Persi - lyrics by Mattia Baretta\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":45842464112801,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/radiossss.jpg?v=1774200165"},{"product_id":"various-artists-n-w-power-pop-punk-worx-volume-1-swirl-vinyl-new-lp","title":"Various Artists - N.W. Power Pop Punk Worx VOLUME 1  [Swirl Vinyl] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBRAND NEW NW POWER POP \u0026amp; PUNK (NWPPP) VOLUME 1 COMPILATION.\u003c\/p\u003e\n\u003cp\u003eSeattle sounds: Punk Rock, Power Pop and New Wave.  The compilation album features unreleased demo and live music of :\u003c\/p\u003e\n\u003cp\u003eThe Cowboys - \"AM\/FM\" (Previously unreleased live track from 1979)\u003cbr\u003eEagertones - \"The Cut\" (Rare track from limited 1984 Cassette)\u003cbr\u003eDebutant - \"Anything\" (Previously unreleased 1986 demo)\u003cbr\u003eLies of Liberty - \"Future is Now!\" (Previously unreleased 1988 demo)\u003cbr\u003eThe Meyce - \"I Trust You\" (Previously unreleased live track from 1977)\u003cbr\u003ePortrait of Poverty - \"Scumbags in Paradise\" (Rare live track from early 1990s)\u003cbr\u003eThe Enemy - \"Lies\" (Previously unreleased track from 1983)\u003cbr\u003eThe Puget Sound - \"Always Falling, Never Landing\" (Rare track from rare 1987 cassette)\u003cbr\u003eGirl Trouble - \"My Hometown\" (Previously unreleased live track from 1993 in Chicago)\u003cbr\u003eHester Pryne - \"Battman\" (Previously unreleased 1987 track)\u003cbr\u003eProtest - \"Enlist\" (previously unreleased 1986 demo track)\u003cbr\u003eStrypes - \"I Dream\" (from rare 1983 7\" single)\u003cbr\u003eLeMax - \"Cope U.S.A.\" (from rare 1983 7\" single)\u003cbr\u003eThe Heats - \"I Don't Like Your Face\" (previously unreleased 1983 live version).\u003c\/p\u003e\n\u003cp\u003eClear with Pink, White and Maroon Swirl Variant LP (Only 150 copies) \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"NW Metalworx Music","offers":[{"title":"Default Title","offer_id":45843143196833,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/IMG_0380.jpg?v=1774252000"},{"product_id":"pinky-tex-the-singing-angel-from-devil-rock-canyon-new-lp","title":"Pinky Tex – The Singing Angel From Devil Rock Canyon - New 12\"","description":"\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003ch3 class=\"license-label\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eNew record from Toody Cole (Dead Moon, Rats, Range Rats, Pierced Arrows).  4-song 12\" EP.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597179918\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pinkytex.bandcamp.com\/album\/the-singing-angel-from-devil-rock-canyon\"\u003eThe Singing Angel From Devil Rock Canyon by Pinky Tex\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3 class=\"license-label\"\u003e\n\u003cspan\u003eBorn in the ashes of WWII, the only girl of seven children, they called her Pinky. She grew up in the windy plains of the \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003eTexas panhandle\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e, singing in the church choir and dreaming of being on the stage one day. At 18, she met the love of her life and soon married rodeo cowboy Cole Tex. \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSharing a common thirst for adventure, they traveled the country roads together. He wrote the songs and Pinky sang them, performing in small roadhouses and honky-tonks all over the southwestern states. These are some of the few recordings that still exist.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eProduced by Sonny Smith\u003cbr\u003eMixed by James Finch Jr.\u003cbr\u003eMastered by Tim Stollenwork\u003cbr\u003eBacking vocals on Wild Horses by Kelly McFarling\u003cbr\u003eTitling by Sarah Colp\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases May 29, 2026\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Rocks in Your Head Records","offers":[{"title":"Default Title","offer_id":45889386381473,"sku":null,"price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/texsss.jpg?v=1775322302"},{"product_id":"various-artists-help2-import-new-lp","title":"Various Artists – HELP(2) [IMPORT 2xLP] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eHELP(2) is a brand new collaborative album, inspired by the landmark 1995 release 'HELP', which brings music lovers together in support of War Child's vital work delivering immediate aid, education, specialist mental health support, and protection to children affected by conflict around the world.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2396619978\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/warchildrecords.bandcamp.com\/album\/help-2\"\u003eHELP(2) by War Child Records\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eHELP(2) carries forward the spirit of the original ‘HELP’ album and was brought to life through a close collaboration with Abbey Road Studios, recorded predominantly across one extraordinary week in November 2025. Under the stewardship of acclaimed producer James Ford as Executive Producer, HELP(2) features an incredible line-up of contributors including Anna Calvi, Arctic Monkeys, Arlo Parks, Arooj Aftab, Bat For Lashes, Beabadoobee, Beck, Beth Gibbons, Big Thief, Black Country, New Road, Cameron Winter, Damon Albarn, Depeche Mode, Dove Ellis, Ellie Rowsell, English Teacher, Ezra Collective, Foals, Fontaines D.C., Graham Coxon, Greentea Peng, Grian Chatten, Kae Tempest, King Krule, Nilüfer Yanya, Olivia Rodrigo, Pulp, Sampha, The Last Dinner Party, Wet Leg and Young Fathers…amongst other musicians, engineers, mixers and producers.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIn addition to the stellar cast of musicians\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003einvolved, renowned filmmaker and Academy Award Winner Jonathan Glazer acted as Creative Director for ‘HELP(2)’, working with Academy Films to assemble a team of brilliant creatives and overseeing the filming and art direction for the project.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAll proceeds from this album support War Child UK to protect, educate, and stand up for the rights of children living through conflict around the world.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eHELP(2) represents hope for children whose lives have been torn apart by war. It is a testament to the generosity of artists and the music industry for making a positive difference towards securing a safer, brighter future for those children. Because no child should be part of war. Ever.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 6, 2026\u003c\/div\u003e","brand":"War Child Records (UK)","offers":[{"title":"Default Title","offer_id":45942130344097,"sku":null,"price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/warsssss.jpg?v=1776581841"},{"product_id":"whitney-johnson-lia-kohl-macie-stewart-body-sound-grapefruit-vinyl-new-lp","title":"Whitney Johnson, Lia Kohl, Macie Stewart – BODY SOUND [GRAPEFRUIT VINYL] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/body-sound\"\u003eBODY SOUND by Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereacting.\u003cbr\u003e\u003cbr\u003e“Improvisation has a special capacity to facilitate a kind of sonic intimacy,” says Kohl. “We're making choices together in the moment. We're creating time together before thought enters the equation. It's an incredibly intimate and intuitive space to share, and feels like the heart center of this music and this practice.”\u003cbr\u003e\u003cbr\u003eThe trio’s approach to improvisation is very much embedded in and informed by their Chicago music community. The city’s ongoing improvised music tradition, which can envelop every genre imaginable, is one where a working musician’s ideas can evolve at a near-constant pace and where anything can be explored in the name of sound. And with sound, there’s always space to consider.\u003cbr\u003e\u003cbr\u003eWhere will the improvisation take place?\u003cbr\u003eHow will that space shape the sounds being made?\u003cbr\u003eHow will that sound resonate in the dim light of a small neighborhood bar?\u003cbr\u003eHow will it sound in the chromatic refractions of an ornate church?\u003cbr\u003eCan it feel different-yet-equally perfect?\u003cbr\u003e\u003cbr\u003eFor Whitney Johnson, Lia Kohl, and Macie Stewart the answer to the last question is yes, definitely.\u003cbr\u003e\u003cbr\u003eStewart: Our quest as a crew is to explore space and every iteration of what that can mean, be it physical space, emotional space, sonic space, etc. Space is an instrument.\u003cbr\u003e\u003cbr\u003eJohnson: It’s more than the acoustic properties of the recording spaces. Our bodies, emotions, and relationships show up in those spaces with affordances and limitations for the music each time. We are vibrating beings, sensitive and expressive, an amoeba of physical and psychic pressures with specific resonances in time and space.\u003cbr\u003e\u003cbr\u003eKohl: The space we’re in always feels like a collaborator in this trio more than in other contexts. I can always feel us all responding to where we are and the resonances that live there.”\u003cbr\u003e\u003cbr\u003eOn BODY SOUND, the trio worked with International Anthem engineer and album co-producer Dave Vettraino to translate the sonic specificities of three recording locations: International Anthem studios on Iron Street (Chicago), Shirk Studios (Chicago), and Boyd’s Jig and Reel (Knoxville, TN, as part of Big Ears Festival). Vettraino also brought a deep knowledge of tape manipulation and a willingness to experiment. “All it took was for one of us to say, ‘What if that was a loop?’, and he was already setting up the reel-to-reel,” says Johnson of the album’s post-production, which leaned heavily into their shared love of saturated tape sounds.\u003cbr\u003e\u003cbr\u003eThat trust, it seems, was already there. In addition to the communal criss-cross inherent in sharing their Chicago home base, the trio worked with Vettraino on Stewart’s 2025 solo effort When the Distance Is Blue. It was her debut on International Anthem but far from her first appearance in the label’s catalog as a player. Ditto for Kohl and Johnson, whose collaboration and friendship with the label goes back years. Taken as a whole, we could argue that this most recent collaboration, the tape-manipulated fried beauty documented on BODY SOUND, has been a long time coming.\u003cbr\u003e\u003cbr\u003eIn the context of this work, tape sound is much more than a mixing treatment or a production tactic. Here Johnson, Kohl, and Stewart are using variations on the medium to edit and reshape the pieces themselves, employing multiple analog tape machines to reimagine their improvised material into meticulously crafted compositions (“another layer of improvisation,” says Stewart). It’s all a response to the spaces they were originally engaged with, and the use of a highly physical medium like analog tape deepens the spatial engagement of the trio’s work to striking, playful, and organically psychedelic effect.\u003cbr\u003e\u003cbr\u003eThe resultant BODY SOUND is deep, melancholy, and triumphant, coming across like a kind of lost or amalgamated folk music. It’s certainly part of an ongoing creative continuum, even boasting track titles adapted from Yoko Ono’s classic book of text scores Grapefruit.\u003cbr\u003e\u003cbr\u003eThe album’s opener “dawn | pulse” puts a morning drone at the threshold of their sound world. This undulating slow roller is a free time drift of bowed tonal clusters respiring in long, melodic swells, and unfurling among wordless singing. Despite the time marker in the title, this piece feels suitable for any part of the day—the morning stretch skyward, the afternoon ambling respite, or the late-nite chillout. Both majorly serene and deceptively avant garde, “dawn | pulse” is a perfect entrée into BODY SOUND.\u003cbr\u003e\u003cbr\u003e“laundry | blood” begins with a near-waltz percussive tumble created by a tape loop of Kohl’s barrette-prepared cello. Its soft and eerie triplet propels a deep and snarling viola-cello-violin drone forward à la the doomiest moments of the Berlin School canon or the repetitive outsider glory of Tony Conrad \u0026amp; Faust's Outside the Dream Syndicate. It’s a darkly cinematic take on the ambient ideal for the scarcely visible slow-moving night train chug. You can almost see it roll by.\u003cbr\u003e\u003cbr\u003eSome moments feel intentionally disconnected from the performance, instead tied more closely to the concept of LP format listenership: the disintegrated melodic pumps and clomps of “chewing gum”, the body shaking radiator hiss come-apart of “snow | touch”, the otherworldly bass and sub-bass of “stone | piece”.\u003cbr\u003e\u003cbr\u003eAcross the album’s 11 tracks, each piece manages to keep a foot in both worlds. “burning | counting (sleeping)” begins abruptly with massive bursts of heavily-bowed sawtooth strings looping in real time, creating a near-synthetic feeling. Deep stutter-step freneticism, tape-manipulated and rendered into overlapping moments of dense psychedelia give way to an oncoming long-note tranquility—an improvised cacophony evoking some long dissipated storm-paced Irish folk drone more so than a New Music exercise or a study of Kronos \/ Reich.\u003cbr\u003e\u003cbr\u003eAnd that seems to be the story with all of the material within BODY SOUND. It’s music with inexplicably broad appeal while maintaining a sort of mysterious outsider quality. Johnson, Kohl, and Stewart have created a stunning album—an exquisitely textured, spatially vivid, wordlessly expressive, sonically multitudinous collection—that manages to decode a slew of high level concepts while clearly and directly speaking to the human impulse. BODY SOUND is right.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 20, 2026\u003cbr\u003e\u003cbr\u003eWhitney Johnson viola, voice\u003cbr\u003eLia Kohl cello, voice\u003cbr\u003eMacie Stewart violin, voice\u003cbr\u003e\u003cbr\u003eTascam 58, Revox A77, Sony TC 580, TEAC 6600, Portastudio 414mkII\u003cbr\u003e\u003cbr\u003eAll music by Whitney Johnson, Lia Kohl, and Macie Stewart\u003cbr\u003eProduced by Whitney Johnson, Lia Kohl, Macie Stewart, and Dave Vettraino\u003cbr\u003e\u003cbr\u003eEngineered by Dave Vettraino at IARC studios on Iron Street (Chicago), Big Ears Festival 2025 (Knoxville), and Shirk Studios (Chicago)\u003cbr\u003eMastered by David Allen\u003cbr\u003e\u003cbr\u003eArtwork courtesy of Jovencio de la Paz and Chris Sharp Gallery\u003cbr\u003eDesign \u0026amp; layout by Matilde Santiago\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":45942145908897,"sku":null,"price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/macie.jpg?v=1776583149"},{"product_id":"adams-mark-this-is-neo-soul-new-lp","title":"Adams, Mark  – This is Neo-Soul – New LP","description":"\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003cdiv class=\"section credits toggle_section    toggle_section_remember\" data-toggle-section-id=\"credits\" id=\"credits\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eSpring\/Summer 2026! DownJazz Records announces This Is Neo-Soul, the new album from keyboardist, composer, and longtime Roy Ayers musical director Mark Adams. Featuring 15 veterans from the Roy Ayers, Chic, Lonnie Liston Smith, Luther Vandross, Gloria Gaynor, Gil Scott-Heron, and Chaka Khan circles, the ten-track album pushes Adams’ rare-groove language into a modern frame shaped by gospel harmony, jazz-fusion drive, dance-floor energy, and electronic texture. With standout performances from Kimberly Davis, Monte Croft, Steve Kroon, Dave Mullins, Kenyatta Beasley, the record reimagines Ayers staples (“Don’t Stop,” “Vibrations,” “Sweet Tears”), introduces new material, and highlights Adams’ role as a true heir to the neo-soul lineage.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1893586985\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/downjazz.com\/album\/this-is-neo-soul-by-mark-adams-lead-keys-rhodes-music-director-for-roy-ayers-a-70s-spiritual-jazz-retro-future-album-15-allstar-musicians-cosmic-covers-lonnie-liston-smith-expansions-roy-ayers-do\"\u003e\"This is Neo-Soul\" by Mark Adams. Lead keys\/rhodes, music director for Roy Ayers. A 70's spiritual jazz retro\/future album. 15 allstar musicians. Cosmic covers: Lonnie Liston Smith \"Expansions\", Roy Ayers \"Don't Stop the Feeling, \"Open Letter\" starring Kimberly Davis from Chic. by Mark Adams\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 20, 2026\u003cbr\u003e\u003cbr\u003e10 Tracks are featured including tribute versions of “Sweet Tears” \u0026amp; ʻVibrationsʼ along with a remake of “Expansions”, an oh-so timely classic by ʻLonnie Liston Smith \u0026amp; the Cosmic Echoes”. Many new funk fueled compositions perfectly align with the aforementioned iconic songs, resulting in an expertly crafted album that is brimming with stylish riffs, rolling bass, big brass stabs \u0026amp; an abundance of musical flair.\u003cbr\u003eJoining Adams on this exciting project are master musicians: Chris DeCarmine (drummer for Ubiquity), Kimberly Davis, vocals, ( Chic, Nile Rodgers), Dave Mullins, Sax ( Nile Rodgers, Roy Ayers, Gloria Gaynor, Gill Scott Heron), John Pressley, vocals ( Roy Ayers), Bill White, guitar, ( Chaka Khan, Lonnie Liston Smith, Brian Jackson, Hall \u0026amp; Oats), Kenyatta Beasley, trumpet, ( Shakira, Wynton Marsalis, Mary J Blige), Monte Croft, vibes ( Gladys Knight, Smokey Robinson, Valerie Simpson). Steve Kroon, percussion, ( Luther Vandross, Roberta Flack), Jonathan Quash, vocals ( Mark Adams), Miya Bass, (Broadway), Roy Bennett, bass, ( Bernard Perdie, Teddy Pendergrass), Donald Nicks, bass, ( Roy Ayers, Tom Browne, Bobbi Humphrey), John Smith, guitar, ( William Patterson, Bebe \u0026amp; CeCe Winans), Emanual Gatewood, bass ( Moss Def, Diana Reeves).\u003c\/div\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section barcodes toggle_section    toggle_section_remember\" data-toggle-section-id=\"barcodes\" id=\"barcodes\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NUBLU Records","offers":[{"title":"Default Title","offer_id":45942221176993,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/ADAMSZ.jpg?v=1776587594"},{"product_id":"oddfellows-lp","title":"Oddfellows – S\/T [GREEN NOISE EXCLUSIVE CLEAR VINYL (or black] – New LP","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eOddfellows - \u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cem\u003eS\/T\u003c\/em\u003e LP\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3924528890\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/oddfellows.bandcamp.com\/album\/oddfellows\"\u003eOddfellows by ODDFELLOWS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440546076\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1396656944\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtnaprecords.bandcamp.com\/album\/s-t-8\"\u003e\"s\/t\" by Oddfellows\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440546076\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1845002986\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/dirtnaprecords.bandcamp.com\/album\/s-t-8\"\u003e\"s\/t\" by Oddfellows\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eGREEN NOISE EXCLUSIVE \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eCLEAR VINYL (Edition of 200)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Also available in black vinyl)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eChips and dip. Turn and cough. Completely and fortunately what you'd expect from this band of Denton punk-rock royalty--short, catchy numbers focused on rhythm and song, songs that punch at you like a pogo stick and latch on like magnets--all the songs with plenty in common and plenty of variety, loads of curves and revs to keep your attention and stretch your neck like rubber...clearly showing that rhythm-rich Denton punk-rock sound that chugs along and pulls it taut and thumps into the bull's eye (but maybe sounding more like the so-called garage punk of the 1990s than other bands from this outfit's membership ...some cuts burning some of the fog from the bridges back to bands like Buddy Holly, the Kinks, Mirrors, and the underground rock and power-pop punk that came along after those bands)...urgent, careless, just brilliant, your sister just loves it, hop on your summer bike, your mom is looking good, just jump up and grab a copy of this record, another Dirtnap essential. Grab it today, and crank it when you get it. It's the shit, and it's not like anybody else. Hooks, line and sinker. It's Oddfellows! -- winch\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eBefore The Marked Men, Mind Spiders, O-D-EX, High Tension Wires — hell, even before The Reds — there was Oddfellows.  In December 1994, Chris Pulliam, Mark Ryan, and Mike Throneberry played their first show in Denton, Texas. That original lineup was short-lived and mostly played locally, but its members went on to spawn a hundred bands.\u003cbr\u003e\u003cbr\u003eFast-forward thirty years: Oddfellows reform. In three months they wrote and recorded a new album, added guitarist Peter Salisbury (also of Mind Spiders), and hit the road again. The 2026 Oddfellows are tight, punchy, and immediate — short songs that feel like the raw blueprint of a sound later honed across many bands\/decades. Thirteen new tracks plus a reworked Reds classic, this LP will prove to be an eye-opening experience for diehard fans and new listeners alike.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 class=\"x_MsoNormal\"\u003e\u003cspan\u003eTheir self-titled debut lands on Dirtnap \/ WildHoney. Get ready. \u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 class=\"x_MsoNormal\"\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpFirst\"\u003e\u003cspan\u003e1.    \u003c\/span\u003e\u003cspan\u003eDraw the Line\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e2.    \u003c\/span\u003e\u003cspan\u003eTime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e3.    \u003c\/span\u003e\u003cspan\u003eThe Burden\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e4.    \u003c\/span\u003e\u003cspan\u003eYeah Yeah Yeah\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e5.    \u003c\/span\u003e\u003cspan\u003eIt Kills\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e6.    \u003c\/span\u003e\u003cspan\u003eI Hate Rules\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e7.    \u003c\/span\u003e\u003cspan\u003eTick Tick Tick\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e8.    \u003c\/span\u003e\u003cspan\u003eLate on Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e9.    \u003c\/span\u003e\u003cspan\u003eThink Twice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e10. \u003c\/span\u003e\u003cspan\u003eI Burned Your Lawn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e11. \u003c\/span\u003e\u003cspan\u003eDumb Enough\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e12. \u003c\/span\u003e\u003cspan\u003eEraser\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpMiddle\"\u003e\u003cspan\u003e13. \u003c\/span\u003e\u003cspan\u003eYou'll Never Get to Mars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_gmail-MsoListParagraphCxSpLast\"\u003e\u003cspan\u003e14. \u003c\/span\u003e\u003cspan\u003eThey Want to Die\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eDigital Singles:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eThe Burden (date TBD)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e\u003cspan\u003eDraw The Line (date TBD)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003c\/p\u003e\n\u003ch1\u003e\n\u003cstrong\u003e\u003cspan\u003e\u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/products\/shipping?variant=42839890821281\" href=\"https:\/\/store.greennoiserecords.com\/products\/shipping?variant=42839890821281\" rel=\"noopener\" target=\"_blank\"\u003eINTERNATIONAL SHIPPING INFO.\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e  \u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eIn Europe, order this Oddfellows LP from Wild Honey Records.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cpre class=\"tw-data-text tw-text-large tw-ta\" data-placeholder=\"Translation\" id=\"tw-target-text\" role=\"text\" data-ved=\"2ahUKEwiq796p9_uTAxXeyOYEHZmCEacQ3ewLegQIDRAW\" dir=\"ltr\" aria-label=\"Translated text: Patatas fritas y salsa para dipear. Gírate y tose. Es exactamente —y afortunadamente— lo que cabría esperar de esta banda, auténtica realeza del punk-rock de Denton: canciones cortas y pegadizas que te golpean con la fuerza de un pogo rebotando contra el asfalto y se te adhieren como imanes pegados a la puerta de tu coche. Todos los temas comparten mucho entre sí, pero están repletos de giros y acelerones que mantienen tu atención y te hacen estirar el cuello como si fuera de goma; exhiben con claridad ese sonido punk-rock de Denton, tan rico en ritmo, que avanza con paso firme, mantiene la tensión y golpea con la precisión de una flecha clavándose justo en la diana (aunque, tal vez, suenen más a los años 90 que otras bandas formadas por estos mismos músicos)... pero también incluyen algunos cortes que despejan la niebla de los puentes que conectan con bandas como Buddy Holly, The Kinks, Mirrors y el power-pop punk de la segunda mitad de los años 70. Sencillamente brillante; a tu hermana le va a encantar, tu bici ya está lista para el verano y tu madre es muy guapa. ¡Levántate de un salto y hazte con una copia de este disco! Es otro título imprescindible del sello Dirtnap. Consíguelo hoy mismo y sube el volumen a tope en cuanto lo tengas. Es la hostia, y no se parece a nada que hayas escuchado antes. Te enganchará de principio a fin. ¡Son Oddfellows! — winch\" tabindex=\"-1\"\u003e\u003cspan class=\"Y2IQFc\" lang=\"es\"\u003ePatatas fritas y salsa para dipear. Gírate y tose. Es exactamente —y afortunadamente— lo que cabría esperar de esta banda, auténtica realeza del punk-rock de Denton: canciones cortas y pegadizas que te golpean con la fuerza de un pogo rebotando contra el asfalto y se te adhieren como imanes pegados a la puerta de tu coche. Todos los temas comparten mucho entre sí, pero están repletos de giros y acelerones que mantienen tu atención y te hacen estirar el cuello como si fuera de goma; exhiben con claridad ese sonido punk-rock de Denton, tan rico en ritmo, que avanza con paso firme, mantiene la tensión y golpea con la precisión de una flecha clavándose justo en la diana (aunque, tal vez, suenen más a los años 90 que otras bandas formadas por estos mismos músicos)... pero también incluyen algunos cortes que despejan la niebla de los puentes que conectan con bandas como Buddy Holly, The Kinks, Mirrors y el power-pop punk de la segunda mitad de los años 70. Sencillamente brillante; a tu hermana le va a encantar, tu bici ya está lista para el verano y tu madre es muy guapa. ¡Levántate de un salto y hazte con una copia de este disco! Es otro título imprescindible del sello Dirtnap. Consíguelo hoy mismo y sube el volumen a tope en cuanto lo tengas. Es la hostia, y no se parece a nada que hayas escuchado antes. Te enganchará de principio a fin. ¡Son Oddfellows! — winch\u003c\/span\u003e\u003c\/pre\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Wild Honey Records \/ Dirtnap Records","offers":[{"title":"CLEAR VINYL","offer_id":45942650110113,"sku":null,"price":19.0,"currency_code":"USD","in_stock":true},{"title":"BLACK VINYL","offer_id":45942650142881,"sku":null,"price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/oddblack.jpg?v=1776659632"},{"product_id":"spectre-twisted-views-import-green-noise-usa-exclusive-vinyl-new-12","title":"Spectre –   Twisted Views [IMPORT GREEN NOISE USA EXCLUSIVE VINYL] – New 12\"","description":"\u003cdiv data-automation-id=\"productBrand\" class=\"sui-font-bold\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThey’re back! The second album by Como-based band Spectre. The ideal album to listen to on your deathbed...\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=538806776\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/venti3.bandcamp.com\/album\/twisted-views\"\u003eTwisted Views by Spectre\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 31, 2026\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-automation-id=\"productDescription\" class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-automation-id=\"productDescription\" class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe rush of Spectre’s dark poignant sound makes the hair on the back of your neck bristle. My only complaint, I can’t play it loud enough!— James Dixon\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(58, 23, 230);\"\u003eGreen Noise USA exclusive.  Limited edition: worldwide 300 total.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(58, 23, 230);\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Spectre comes from Como, a small town in the north of Italy, just a few inches away from Switzerland. Born as Croutons in 2013, they recorded three records with that monicker, Possible Mood Disorder (LP) in 2014, a 7” in 2016 and a CD, Murmuring Voices in 2018. Heavily influenced by bands like Adolescents, T.S.O.L. and early Dead Kennedys, they recently changed their name in Spectre, adding a dark tone to their songs and a Christian Death (Rozz era) feel.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Venti3 Records","offers":[{"title":"Default Title","offer_id":46059063345313,"sku":null,"price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/spectre.jpg?v=1777440192"},{"product_id":"war-pigs-breakfast-music-new-lp","title":"War Pigs – Breakfast Music – New LP","description":"\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv itemprop=\"reviewBody\" class=\"text\"\u003e\n\u003cdiv class=\"signed-out-artists-bio-text\"\u003e\n\u003cp id=\"bio-text\"\u003eWar Pigs are Los Angeles' tiniest and mightiest kid political punk band. We've been writing original songs\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003eabout climate change, reading banned books, human rights, and fighting stormtroopers since 2020. We are Iggy (7th Grade) on guitar and vocals, Lolo (3rd Grade) on drums, and Jason on Fender dad bass. We will play your backyard party for pizza. FYI, no human is illegal.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3223555827\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/warpigs.bandcamp.com\/album\/breakfast-music\"\u003eBreakfast Music by War Pigs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e  \u003cmeta charset=\"utf-8\"\u003eDebut album from War Pigs. Thirteen tracks plus three extra demos. Limited edition of 200 12\" purple vinyl. Albums individually numbered. All proceeds will be donated directly to support ¡Listen Up!, a free music program for migrant, immigrant, and indigenous kids around the world sponsored by the Undocumented Migration Project and UMP Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003col id=\"band-links\"\u003e\n\u003cli\u003e\u003ca rel=\"nofollow ugc me\" href=\"https:\/\/www.undocumentedmigrationproject.org\/ump-records-1\" target=\"_blank\"\u003eundocumentedmigrationproject.org\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"UMP Records","offers":[{"title":"Default Title","offer_id":46061331316897,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/war.jpg?v=1777443289"},{"product_id":"chubby-the-twerks-one-second-with-import-green-noise-usa-exclusive-new-7","title":"Chubby \u0026 the Twerks –  One Second with... [IMPORT GREEN NOISE USA EXCLUSIVE] – New 7\"","description":"\u003ch1\u003eGreen Noise USA exclusive.  Venti3 continues their flawless reputation with another essential listen, this 7\" a collaboration between local punk heroes The Twerks and Charlie Manning Walker (frontman and guitarist of Chubby \u0026amp; The Gang, The Chisel... A brand new 7“ with two unreleased tracks, recorded between London and Milan: ‘Bangkok’ and ”Nothing at All“ are the perfect fusion between the Italian trio's punk rock and the English singer's vocal impetuosity. ”One Second with... Chubby \u0026amp; The Twerks\": a marriage made in hell!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1417150906\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/venti3.bandcamp.com\/album\/one-second-with\"\u003eOne Second with... by Chubby \u0026amp; The Twerks\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003ch1 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch1 class=\"tralbumData tralbum-credits\"\u003ereleased March 31, 2026\u003c\/h1\u003e\n\u003ch1\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eGreen Noise is proud to bring the releases of Venti3 Records (Italy) over to the States, a new punk label stationed in Milan\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h1\u003e","brand":"Venti3 Records","offers":[{"title":"Default Title","offer_id":46240741261473,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/twerk.jpg?v=1777833514"},{"product_id":"preorder-weird-bloom-silly-not-silly-import-green-vinyl-new-lp","title":"Weird Bloom  – Wrong Time, Wrong Place [IMPORT TEAL VINYL] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003eWeird Bloom  \u003c\/strong\u003e\u003cstrong\u003e– Wrong Time, Wrong Place! LP  \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGreen Noise exclusive TEAL VINYL                       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eIMPORT: WILD HONEY RECORDS (ITALY)\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657746\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/weirdbloomband.bandcamp.com\/album\/wrong-time-wrong-place\"\u003eWrong Time Wrong Place by Weird Bloom\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMore rock n roll good times from the unstoppable Wild Honey, release day for Weird Bloom's latest, exclusively in the US from Green Noise, in a beautiful Green Noise exclusive TEAL vinyl variant (it was suppose to be green vinyl to match the pants on the jacket, but teal seems more accurate description), mister berry shot through the funnest junk from the early 1970s in places like the UK, Canada and NYC... stomp, spin and duck walk yourself into spring, and bring that breeze with you all through the dog days of summertime...check it out! Crank it! -- winch \u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A sonic collision of junk-shop glam and punk-bubblegum... loud and wired straight into the red. Swinging between boogie riffs and blown-out textures, while the rhythm section drives with a steady, grounded force rooted in early 70s stomp and pub rock grit. Out of Rome’s underground, Weird Bloom have spent the past years on a relentless European touring run, shaping a sound built for impact. The band operates as a six-headed live force, locked into volume, repetition and physical momentum. That energy sits at the core of the record, channeled into repetition, distortion and fractured hooks. Melodies surface through the noise, and the whole structure moves with the logic of a ritual built on volume and persistence. The band’s glam DNA remains present, reshaped into something rougher and more immediate with a DIY sensibility that keeps every element slightly off-centre and alive. Wrong Time, Wrong Place stands as a record shaped by the road, carried by a band in constant motion, and driven by a clear instinct for impact, pressure and presence. Welcome to the wreckage.\" \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eIn Europe, order from Wild Honey.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleases May 6, 2026\u003cbr\u003e\u003cbr\u003eAll songs written by Weird Bloom except for Devil On The Hill written with Matteo Caminoli and Self Nature written with Don Bolles (Hammered Satin \/ The Germs)\u003cbr\u003e\u003cbr\u003eWeird Bloom are Luca Di Cataldo, Adriano Bartoccini, David Comanducci, Mattia Micalich, Lorenzo Masini, Edoardo Elia\u003cbr\u003e\u003cbr\u003eThis album was recorded in six days at Pom Pom Studio (Rome) by Edoardo Elia\u003cbr\u003eProduced by Luca Di Cataldo w David Comanducci\u003cbr\u003eMixed by Danilo Silvestri\u003cbr\u003eMastered by VDSS Studio\u003cbr\u003eArtwork by Luca Di Cataldo\u003cbr\u003eBackground photos are 100% vegan and were taken by Eliana Giaccheri\u003cbr\u003eAdditional musicians are Giampaolo Speziale, Victoria Reed, Martino Petrella, Marco Di Napoli (Mad Rollers)\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\u003c\/div\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":46240934559905,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/wrongtimeverde.jpg?v=1777950857"},{"product_id":"preorder-five-bucks-poo-poo-talks-import-clear-vinyl-new-lp","title":"Five Bucks \/ Poo Poo Talks [IMPORT GREEN NOISE EXCLUSIVE CLEAR VINYL] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003eFIVE BUCKS \/ POO POO TALKS – \u003cem\u003esplit\u003c\/em\u003e LP\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eGREEN NOISE EXCLUSIVE CLEAR VINYL.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eIMPORT: WILD HONEY RECORDS (ITALY)\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926410838\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/poopootalks.bandcamp.com\/album\/split-w-five-bucks\"\u003esplit w\/ Five Bucks by Poo Poo Talks\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3737398312\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fivebucks.bandcamp.com\/album\/split-w-poo-poo-talks\"\u003esplit w\/ Poo Poo Talks by FIVE BUCKS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eItaly has been quietly building its own restless, DIY undercurrent. Across basements, social centres and makeshift stages.  With this 12\" split LP, Wild Honey Records captures a fragment of that world, pairing two of its most unpredictable new voices: Five Bucks and Poo Poo Talks, both making their official debut.  DIY as identity, humour as disruption: raw, unstable.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003ePoo Poo Talks, from Rome, operate with a sharper edge. Rooted in egg punk absurdism, their music thrives on repetition, immediacy and a gleeful rejection of taste. Self-described as “poo poo music for pee pee people”, they turn stripped-down structures into something oddly confrontational and addictive.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cstrong\u003eFive Bucks started as the bedroom project of Jekke, cheap recordings and the occasional “stupid sci-fi keyboard” into something deliberately unsteady yet strangely coherent. What began as a solitary experiment soon evolved into a full band, pushing into a louder, more volatile dimension. Their sound now moves between fractured synth-punk, warped garage hooks and a kind of controlled collapse that never quite falls apart.\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eIn Europe, order from Wild Honey.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eAll songs by Jekke Jekke\u003cbr\u003e\u003cbr\u003eProducers:\u003cbr\u003eJekke Jekke (pre mix)\u003cbr\u003ePiff \/ Frizzer Studio (Stem Master)\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":46240995082401,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/five_bucks_clear_cfa4621b-c2bf-4a03-9e59-1c52c9bc4e15.jpg?v=1777860107"},{"product_id":"preorder-crocodiles-greetings-from-hell-import-green-noise-clear-vinyl-new-lp","title":"PREORDER: Crocodiles – Greetings From Hell  [IMPORT GREEN NOISE SALT\/PEPPER VINYL] – New LP","description":"\u003cp data-olk-copy-source=\"MessageBody\" class=\"x_default\"\u003ePREORDER.  SHIPPING IN JULY 2026. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=590015059\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/crocodilesband.bandcamp.com\/album\/greetings-from-hell\"\u003eGreetings From Hell by Crocodiles\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNearly 20 years ago two teenage punks met at an antifascist gathering in their hometown of San Diego. A quick bond was formed over politics, poetry and music and the two very quickly became inseparable. Many projects followed, ranging from abrasive punk bands to harmonious 60s-indebted pop groups. For the last 18 years Charles Rowell and Brandon Welchez have been creating together under the name Crocodiles. Forever shape-shifting, after nearly two decades, 9 albums (including 2026’s Greetings From Hell), and hundreds of shows around the globe the duo show no signs of letting up.\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eEuropean Pressing: Cutting by John Cutterio\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wild Honey Records","offers":[{"title":"Default Title","offer_id":46241007403169,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/crocs.jpg?v=1777860538"},{"product_id":"taxi-girls-static-eu-version-clear-vinyl-import-new-lp","title":"Taxi Girls – STATIC [EURO VERSION CLEAR VINYL. IMPORT] – New LP","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e\u003cspan style=\"color: #b22222; font-family: courier new, courier, lucida sans typewriter, lucida typewriter, monospace;\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan style=\"color: rgb(39, 180, 68);\"\u003e\u003cstrong\u003eKick debut longplayer from Canada's finest: Taxi Girls! Rockin' sweet and hard...let it rock, let it bleed...lipstick stains on a filter tip...put the rocks to the tumbler and polish with grit, coming out dirty and clean...the sweet sounds of girl group tuff'ned up like a mallet on meat with some Runaways-style sneer and piss, hard-rock power pop with a lot of facts and maybe a bit of fiction, this clearly coming a place in the heart that's full of experience... \"Try harder to make lemonade \/ Wash it down with some bittersweet nightshade.\" Indeed, the Taxi Girls perfected it this time around, the spirits of legends like Joan and Nikki are alive and kicking in Quebec. The early evening and late-night stories told...the soft tough feel of a leather jacket...hands in the pocket and secret hand shakes...pulling at the arms and pulling out a pack of smokes...a lemonhead at the bottom of the pocket dropped in dirt and then licked clean...melodies that taste like peppermint schnapps, and whiskey-throated confessions that turn into anthems. -- winch\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270242539\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/taxigirls.bandcamp.com\/album\/static-eu-version\"\u003eStatic (EU VERSION) by Taxi Girls\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eGreen Noise just has a limited quantity of the EU version in clear vinyl.\u003cbr\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch2\u003e\n\u003cspan\u003eCANADIANS: ORDER FROM STOMP RECORDS\u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/taxigirls.bandcamp.com\/album\/static\"\u003etaxigirls.bandcamp.com\/album\/static\u003c\/a\u003e\n\u003c\/h2\u003e\n\u003ch1\u003eIn Europe, order from Wild Honey Records.\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMontreal’s Taxi Girls don’t so much arrive as they crash through the door, guitars first, voices raised, and something urgent to say. Formed in 2022, the all-female quartet have quickly carved out a space for themselves in the city’s ever-restless underground, channelling garage punk grit into something hook-heavy, immediate and unmistakably their own. \u003c\/span\u003e\u003cspan\u003eTheir debut album Static captures that ascent in real time. It’s a record that hums with tension and release, where blown-out guitars meet sharp melodic instincts, and where dual vocalists Jamie Radu and Vera circle each other with a restless energy, trading lines, clashing perspectives, then locking together with intent. The effect feels instinctive rather than constructed, as if the songs are unfolding mid-conversation, half-confession, half-confrontation. \u003c\/span\u003e\u003cspan\u003eThere’s a tactile sense of place running through the album, the kind you can almost hold in your hands. Montreal after dark, streetlights refracted on wet pavement, cheap beer gone warm, the quiet comedown after the noise. That atmosphere seeps\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003einto Static, grounding its punch and propulsion in something lived-in and recognisable, rather than nostalgic for its own sake. Across the record, Taxi Girls lean into a palette that pulls as much from classic rock’n’roll attitude as it does from punk’s raw economy. Big choruses cut clean through the distortion, never losing their bite, while the band’s instinct for rhythm keeps everything moving with a sense of purpose. It’s a sound that nods to the lineage of The Donnas, Joan Jett or Bikini Kill, without settling into pastiche, driven instead by a clear sense of identity and momentum. Lyrically, Static reveals a band unafraid to sit with discomfort. Themes of love, loss and mental health run throughout, threaded with reflections on postpartum depression and the strange gravitational pull of nostalgia. Yet the record resists collapsing under its own weight. What emerges instead is a throughline of self-realisation, a gradual turning outward, where vulnerability becomes a source of strength rather than retreat. That tension between fragility and force is where Static finds its core. It’s a debut that feels both raw and deliberate, capturing a band in the act of defining themselves, not after the fact. There’s catharsis here, certainly, but also something celebratory in the way Taxi Girls push forward, claiming space and meaning it. Having already shared stages with the likes of NOFX, The Hives and Billy Talent, and earning early support from figures such as Iggy Pop, Taxi Girls arrive at Static with momentum behind them. What the album makes clear is that they are not simply riding that wave. They are shaping it. With Static, Taxi Girls step fully into focus. Loud, sharp, and impossible to ignore.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Wild Honey Records (Italy)","offers":[{"title":"Default Title","offer_id":46241382301857,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/taxxxi.jpg?v=1777861118"},{"product_id":"stepmother-australia-absurdus-manifestus-gray-vinyl-new-lp","title":"Stepmother [Australia] – Absurdus Manifestus [GRAY VINYL] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStepmother is an Australian power trio fronted by \u003cmeta charset=\"utf-8\"\u003elegendary underground guitarist Graham Clise (Annihilation Time, Lecherous Gaze, Rot TV, Witch).\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e  \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003eThe trio return with a sharper blade and heavier boot following their 2023 debut, Planet Brutalicon…\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2422077057\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/stepmother1.bandcamp.com\/album\/absurdus-manifestus\"\u003eAbsurdus Manifestus by Stepmother\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eFusing high velocity Motor City proto punk with fuzz, feedback and electric psych, the band draw once more upon the spirit of Blue Cheer, The Pink Fairies, Nervous Eaters, and The Damned, to wield hardened punk and nefarious nihilism, to confront the absurdity, violence, and dark comedy of modern existence. Channelling raw rock ’n’ roll urgency into feral anthems for society’s poor, depraved, and proudly miscreant, Absurdus Manifestus heralds the long overdue return of legendary Oz-outliers, Stepmother. \u003cbr\u003e\u003cbr\u003eFFO: Witch, Annihilation Time, Lecherous Gaze\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 2026\u003cbr\u003e\u003cbr\u003eStepmother is:\u003cbr\u003eGraham Clise - Guitar, Vox\u003cbr\u003eLee Parker - Drums\u003cbr\u003eRobert Muinos - Bass Guitar\u003cbr\u003e\u003cbr\u003eAll songs written by Stepmother, except for Journey To The Center Of The Mind.\u003cbr\u003e\u003cbr\u003eRecorded and Mixed by Robert Muinos at Rat Shack\u003cbr\u003eMastered by Carl Saff\u003cbr\u003eArtwork and Layout by Chad Yenny\u003c\/div\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"license\" class=\"info license\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tee Pee \/ Legless Records (Australia)","offers":[{"title":"Default Title","offer_id":46351004303521,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0704768233_10_76d3573a-f519-4d05-a383-415fb2a1a443.jpg?v=1778042715"},{"product_id":"itchy-the-nits-greetings-from-new-lp","title":"ITCHY \u0026 THE NITS – Greetings From...  - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eGreetings from Itchy and the Nits \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4102975568\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/totalpunkrecords.bandcamp.com\/album\/greetings-from\"\u003eGreetings From by ITCHY \u0026amp; THE NITS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch2 class=\"tralbumData tralbum-credits\"\u003e\n\u003cspan\u003e          \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eNow you're talking...again!  A punk rock postcard from Itchy and the Nits!!! just like with their debut long player, they jump-start the proceedings with another Theme Song! All your favorite pop bands (the Monkees, The Good Rats, Devo, Minor Threat, Minutemen, The Monks, The Gories...) has got theme songs, but this band's got 2! What?! You can say that again! A punk rock postcard from Itchy and the Nits!!! -- winch\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\nItchy \u0026amp; The Nits could very well hold the distinction of being the world’s most charming band. They possess a friendship that one could only imagine exists in teen sitcoms of the 60’s and 70’s and Saturday morning cartoons. The world could collapse tomorrow (seems probable) and with the rest of us hysterically running around, hands to the heavens, The Nits would be gathered in some cave banging on rocks, strumming rubber bands and putting each other in stitches. They are the real deal 21st century Monkees.\u003cbr\u003e“Welcome to The Itchy \u0026amp; the Nits show \/ Dance like you’re at the disco” sings the chorus to the Nits’ second Theme Song, which opens their sophomore album. “Greetings From...” contains odes to Smelly Boys, swimming at the Nudie Beach, and watching television on a beautiful day; more songs about relationships and less songs about getting crabs. 'Cartoon' is littered with classic sound effects swiped from the songs source material, which feels perfectly at home amongst this setting. Even at their most introspective, on song such as 'Waiting Around' and 'Gimmie a Break', the sounds are more suited for the beach than the funeral parlour, and simplicity is still the order of the day. We don’t hear a guitar solo till album closer 'City Line', most of the songs are two to three chords, and the\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003echoruses are generally a group chant sure to stick in your skull and crack you up. Itchy \u0026amp; The Nits have spent the last two year’s honing their craft while touring across the US, EU and Japan. They know how to boogie, make you laugh, and write a catchy melody. David Forcier’s outstanding production really allows those melodies to shine while still capturing the bands’ primal allure! “Greetings From…” Itchy \u0026amp; the Nits is out via Total Punk and Anti Fade Records.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003ereleased 2026\u003c\/div\u003e","brand":"Total Punk Records","offers":[{"title":"Default Title","offer_id":46424867602593,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3355906042_10.jpg?v=1778569874"},{"product_id":"razorcake-152-june-2026-july-2026-new-zine","title":"Razorcake #152 (JUNE 2026 \/ JULY 2026) – New Zine","description":"\u003ch1 id=\"headline-3-51684\" class=\"ct-headline\"\u003e\u003cspan id=\"span-5-51684\" class=\"ct-span\"\u003eRazorcake 152, Dry Socket, Cigarette Camp, John Curry (Flyboys, Plugz, Flesh Eaters), John Reis Part III, One Punk’s Guide to Volunteering at an Animal Shelter\u003c\/span\u003e\u003c\/h1\u003e\n\u003cdiv id=\"text_block-17-51684\" class=\"ct-text-block\"\u003e\u003cspan id=\"span-18-51684\" class=\"ct-span\"\u003eMay 11, 2026\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"text_block-10-51684\" class=\"ct-text-block\"\u003e\n\u003cdiv id=\"product-component-1778174152679\" class=\"shopify-buy-frame shopify-buy-frame--product shopify-buy__layout-vertical\"\u003e\u003ciframe name=\"frame-product-8495488925875\" title=\"Add to cart\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"has-medium-font-size\"\u003e“We can’t overthrow the government, but we can take care of each other. It can be political\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ejoyful.”–Dani, Dry Socket\u003c\/p\u003e\n\u003cp\u003eCover by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/zeroxed\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eJessee Zeroxed\u003c\/a\u003e\u003cbr\u003eCover photo by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/jerryskid1\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eAlbert Licano\u003c\/a\u003e\u003c\/p\u003e\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"\u003e\n\u003cdiv class=\"wp-block-embed__wrapper\"\u003e\u003ciframe class=\"lazyloaded\" title=\"Dry Socket LIVE @ Harsh Fest 2023 (Full Set)\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/poCpPBGB3JY?feature=oembed\" src=\"https:\/\/www.youtube.com\/embed\/poCpPBGB3JY?feature=oembed\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/drysocketpdx\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eDry Socket\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/sean_arenas\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSean Arenas\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eLet me make one thing clear: shit isn’t good in this country. We have a lunatic for a president, armed bootlickers abducting children off our streets, and innocent people being shot in broad daylight. When things feel most dire, I always turn to punk by playing the records that keep me inspired and catching up with like-minded friends at shows. Something is reassuring about a room full of pissed-off people coming together to find joy in their rage. Portland’s Dry Socket knows this intimately.\u003cbr\u003e\u003cbr\u003eFormed in 2018 as a “weekend band,” by their own admission, Dry Socket has since grown into one of the most lauded hardcore acts around. That didn’t happen by accident. The five members earned that reputation by paying their dues in countless other bands, booking shows for years, and writing relentlessly ripping songs. More importantly, as machismo and bigoted bullshit have begun creeping back into the scene, Dry Socket is here to put knuckleheads in their place.\u003cbr\u003e\u003cbr\u003eThey’re unapologetic about what they stand for, pointing a raised middle finger at racist, transphobic, and sexist assholes—both in power and on our stages. As they put it themselves: “Tired of being scared \/ Exhausted by their hate \/ No longer living to appease and placate \/ Their muzzle is a slow death.”\u003cbr\u003eDry Socket refuses to be muzzled.\u003c\/p\u003e\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"\u003e\n\u003cdiv class=\"wp-block-embed__wrapper\"\u003e\u003ciframe class=\"lazyloaded\" title=\"Cigarette Camp - Slowpoke EP - [Official Video]\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/G1e1o-2CzaM?feature=oembed\" src=\"https:\/\/www.youtube.com\/embed\/G1e1o-2CzaM?feature=oembed\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/cigarettecampbostonpunk\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eCigarette Camp\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/sandentotten\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eSanden Totten\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eCigarette Camp is a miracle.\u003cbr\u003eMusically, it’s a miracle how fantastic their songs are. It’s the same formula we’ve all adored for decades now. Four chords, fast drums, ragged singing, and punchy hooks. And yet it feels fresh and urgent, like you’re hearing punk for the first time again. All while being catchier than the flu.\u003cbr\u003e\u003cbr\u003eBut the fact that the band exists\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eat all\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis also a miracle. In 2020, guitarist and songwriter Jeff Poot practically died. He was found unconscious in his car, parked with the motor running. He’d been there for hours. Jeff suffered a serious brain injury and had half his skull removed. Doctors literally called him a miracle man for pulling through. He had to relearn everything from walking to eating… to sleeping. And somehow, after all that, Jeff started a new band and came back with one of the strongest albums of the year. A lot of their songs grapple with Jeff’s recovery, but other songs are just rippers about stuff like punk houses, getting records in the mail, and shitty landlords.\u003cbr\u003e\u003cbr\u003eIf you know Jeff, you know he’s a force in the Boston scene. He’s been in great bands like Witches With Dicks, Brain Killer, Sunshine Ward, and many others. He’s also a zine maker and photocopy savant. For Cigarette Camp he teamed up with Uncontrollable Frank (Orange Whip, Ancient Filth, Funeral Cone) on bass and drummers Keith Henderson (Shorebirds) and later Jamie McBaby (Awful Man). So far they’ve released three EPs, a cassette, and their debut LP\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSteps\u003c\/em\u003e.\u003c\/p\u003e\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"\u003e\n\u003cdiv class=\"wp-block-embed__wrapper\"\u003e\u003ciframe class=\"lazyloaded\" title='FlyBoys \"Picture Perfect\"' width=\"500\" height=\"375\" data-src=\"https:\/\/www.youtube.com\/embed\/NcCpkJ4p-rw?feature=oembed\" src=\"https:\/\/www.youtube.com\/embed\/NcCpkJ4p-rw?feature=oembed\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003cp\u003e\u003cstrong\u003eJohn Curry\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/gabrielhart77\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eGabriel Hart\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Lisa Fancher\u003cbr\u003e(The Flyboys, The Plugz, Flesh Eaters)\u003cbr\u003ePlay Fast, Bright Clothes, Jump Around\u003cbr\u003e\u003cbr\u003eMy first encounter with The Flyboys was sometime in the early ’90s at Underdog Records (owned by Mike Lohrman of The Stitches), where we hung out all day as teenagers. Among the rare records high up on the wall—all of them too expensive for us to casually afford—was The Flyboys 12” EP, the first release on Frontier Records that had somehow evaded our awareness. Its bright red and blue cover with silhouetted warplanes remained a mysterious relic staring down at us, until we finally asked to hear it on the store’s turntable. I remember being instantly transfixed by its manic jackhammer rhythm in tandem with pop sheen. Songs like “I Couldn’t Tell,” with delicate harmonies colliding with their pummeling buzzsaw riffs, others with space-age synths driving mini-epics like “Picture Perfect.” Like a lost band that seemed destined for the infamous\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBeach Blvd.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecompilation with their brother band The Crowd, but perhaps zigzagging too erratically to be captured into any regional scene.\u003cbr\u003e\u003cbr\u003eDespite us being second or third wave punkers, The Flyboys somehow felt like our own personal discovery. But because it was the pre-internet era with no easy way to find any details about them, we’d just ask our friend to climb up there and put the record on every time we came in, until those seven songs became part of our collective DNA. Eventually we found out they were the same band backing up Chris D. on the scorching debut Flesh Eaters 7” (another rare record we revered), so John “Jon Boy” Curry and his crew became cemented as essentials to our gang. And although The Flyboys were mainstays at clubs like The Masque and The Hong Kong Café in the late ’70s, they were one of those bands that got pulled under history’s riptides because of oddly timed happenstance, internecine sabotage, or cliquey associations (or lack thereof).\u003cbr\u003e\u003cbr\u003eThree years ago, I met John Curry by fateful accident, really. I’d been having breakfast with him and a dozen other recently transplanted artists every Friday at our high desert coffee klatch for months before he and I got to genuinely connect, before I first got to say, “Oh, you’re\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ethat\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eJohn Curry!” and hatched a genuine friendship. I soon found out he had a brief stint in The Plugz as well, co-writing one of my favorite songs from that era, “Better Luck.” Last year he let me know Frontier Records would be reissuing their discography\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Complete Flyboys 1978-1980\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eon April 10, 2026, and I appointed it my duty to sit down with him and Lisa Fancher of Frontier to shed proper light on a particularly underrated band of the original (and even pre-) L.A. punk era. –Gabriel Hart\u003c\/p\u003e\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"\u003e\n\u003cdiv class=\"wp-block-embed__wrapper\"\u003e\u003ciframe class=\"lazyloaded\" title='SWAMI AND THE BED OF NAILS \"KETCHUP, MUSTARD AND RELISH\" from the LP \"ALL OF THIS AWAITS YOU\"' width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/k9In07LPxxw?feature=oembed\" src=\"https:\/\/www.youtube.com\/embed\/k9In07LPxxw?feature=oembed\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/swami_john_reis\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eJohn Reis\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePart III interview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/razorcake_zine\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eTodd Taylor\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/jimvermin\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eJim Ruland\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003eAlthough it may not seem like it from my previous two introductions to John Reis, I’m not a nostalgic person. Far from it. I’m still striving towards a better world. We sure as fuck aren’t there now and I don’t yearn to return to a previous time. Sure, I’ve had my share of good times. I’m just not actively trying to re-create them in a futile attempt to recapture a “golden era.” I’ve seen too many people fossilize, become uptight, stop searching, and rope burn themselves for holding onto the past as it slips through their fingers.\u003cbr\u003e\u003cbr\u003eThere are bands I love and admire, who I grew up in punk in tandem with, but it’s hard to go see them live because they haven’t released any new music in over a decade. It’s tough for me because the punk I love isn’t just a commodity. A vehicle to fill up fests. A soundtrack to alcohol sales and overpriced parking. Glorified karaoke with a prewritten script and wardrobe. Continued creativity is a prerequisite for me. Your mileage may vary.\u003cbr\u003e\u003cbr\u003eIt’s just that I’ve spent almost thirty years constantly listening to John’s music. It’s not diminishing returns, watching a candle slowly extinguish, fooling myself that the puddle of wax is still a wildfire of creativity. I still make fun of dirty hippies yearning for a day that’s been dead for a long time. I don’t want to be a hypocrite.\u003cbr\u003e\u003cbr\u003eI find it incredible that I’m still high-rotating\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime to Let You Down,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSwami And The Bed Of Nails’ 2025 LP, as much as I did when I first heard\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCirca: Now!\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ein 1993.Let that soak in and absorb a little bit. How many musicians have more than five LPs in them that aren’t shameful at the end of the run, where it’s instantly recognizable as them, and their fire’s still burning unexpected holes in your ears? It’s a rarified place, especially in punk, where the narrative is often, “Their first 7” ruled. They sucked hard after that.” It’s like zines, in a sense. Pretty much anyone can do one. Or a handful. And I applaud the effort, but let’s see how you’re doing when you’ve released your hundredth. When you’re no longer shiny. No longer young. No longer novel.\u003cbr\u003e\u003cbr\u003eIn this third and final installment of the interview Jim and I did with John, we cover the end of the Hot Snakes, how Drive Like Jehu deciphered their music for a classically trained organist for a free outdoor reunion concert, the runs of The Night Marchers and The Sultans, and the rebirth of Rocket From the Crypt, thanks to a… kid’s show? We also talk about the unexpected death of Rick Froberg. The unparalleled grief and pain of losing a lifelong musical partner, the lingering effects of COVID still felt today, and John’s bold agreement to my assertion of him being the GG Allin of ketchup, mustard, and relish. –Todd Taylor\u003c\/p\u003e\n\u003cfigure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"\u003e\n\u003cdiv class=\"wp-block-embed__wrapper\"\u003e\u003ciframe class=\"lazyloaded\" title=\"Elmo Helps The Most Energetic Shelter Dog Find Perfect Forever Family With Dodo Kids + Sesame Street\" width=\"500\" height=\"281\" data-src=\"https:\/\/www.youtube.com\/embed\/B9VJwaUrhE8?feature=oembed\" src=\"https:\/\/www.youtube.com\/embed\/B9VJwaUrhE8?feature=oembed\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/figure\u003e\n\u003cp\u003e\u003cstrong\u003eOne Punk’s Guide to Volunteering at an Animal Shelter\u003cbr\u003e\u003c\/strong\u003eBy Jennifer Federico\u003cbr\u003e\u003cbr\u003eThroughout the time I’ve been volunteering at Los Angeles city animal shelters, I’ve realized a lot of people have no idea how they work or what happens inside them. This is understandable. If you’re not engaged, how would you know? I have no detailed knowledge of how a food pantry works, other than a general concept, for example. You don’t know until you know.\u003cbr\u003eNonetheless, when talking to people, or being on the receiving end of their anger, I’m frustrated with some of the misconceptions and straight up falsehoods that people carry with them—and, unfortunately, spread—related to animal shelters.\u003cbr\u003e\u003cbr\u003eAlthough I’ve been volunteering in Los Angeles, California for eight years and volunteered in Oakland for a year before I moved down here, these are the only places where I’ve volunteered at an animal shelter. Things might be very different in other cities, states, and countries. I’m only sharing information about Los Angeles and can’t speak for how things work in other places, although I suspect there are some similarities in other shelters in the U.S.\u003cbr\u003e\u003cbr\u003e“Empathy is not a finite resource. We all have extra space within our hearts and minds to criticize every detail and empathize with the people caught within this violent machine.” –\u003cstrong\u003eDonna Ramone\u003c\/strong\u003e (\u003ca href=\"https:\/\/www.instagram.com\/donnaramone\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003einstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e“We were angry about this unnecessary war of aggression, but we were united in our dissent.” –\u003cstrong\u003eJim Ruland\u003c\/strong\u003e (\u003ca href=\"https:\/\/instagram.com\/jimvermin\" rel=\"noopener noreferrer\" target=\"_blank\"\u003einstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e“I’ve built a web, not a pedestal. And webs are actually more resilient.”–\u003cstrong\u003eLorde Destroyer\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e“Progress isn’t inevitable…, Every victory has to be defended.” –\u003cstrong\u003eSean Carswell\u003c\/strong\u003e (\u003ca href=\"https:\/\/www.instagram.com\/sean.carswell\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003einstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e“That feeling of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNYYYYAAAAARRRRGHHHHH I LOST MY FUCKING BUTTON\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealways packs pretty much the same emotional wallop.”\u003cstrong\u003e–Rev. Nørb\u003c\/strong\u003e (\u003ca href=\"https:\/\/www.instagram.com\/norbrozek\" rel=\"noopener noreferrer\" target=\"_blank\"\u003einstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003eWars of distraction with a sleight of hand and a Napoleon complex. –\u003cstrong\u003eArt Fuentes\u003c\/strong\u003e (\u003ca href=\"https:\/\/www.instagram.com\/arf_the_artiste\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003einstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e“Will the punk rock shows in 2076 look like the polka festivals today?... this punk rock thing just keeps on spitting out great bands.” –\u003cstrong\u003eRhythm Chicken\u003c\/strong\u003e (\u003ca href=\"https:\/\/www.instagram.com\/czarnuszka71\" rel=\"noopener noreferrer\" target=\"_blank\"\u003einstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“\u003c\/strong\u003eTaking in new information, reflecting on it, and updating your worldview is how emotionally mature people behave.”\u003cstrong\u003e–Willow\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e“If I could’ve summoned a truly honest response to my life as an eighth-grade outcast, I would have woken up every morning and punched my dad in the face.”\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e–Molly McCloy\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e(\u003ca href=\"https:\/\/mollymccloy.com\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ewebsite\u003c\/a\u003e)\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eAnd photos from the lovely and talented:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/chrisboartslarson\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eChris Boarts Larson\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/mari_tam12\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eMari Tamura\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/jerryskid1\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eAlbert Licano\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis issue is dedicated to memories of Racimo, Lucy, and Squeakers\u003c\/p\u003e\n\u003cspan id=\"span-11-51684\" class=\"ct-span oxy-stock-content-styles\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Razorcake","offers":[{"title":"Default Title","offer_id":46440776695969,"sku":null,"price":1.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/download_51131c9c-7992-4524-9c22-9b7e82f1ade5.jpg?v=1778922437"},{"product_id":"razorcake-151-april-2026-may-2026-new-zine","title":"Razorcake #151 (APRIL 2026 \/ MAY 2026) – New Zine","description":"\u003cp class=\"MsoNormal\"\u003e“I just want people to know that punk and rebellious music can have melody and people can dance! –Jaded, Abi Ooze\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.instagram.com\/abi_ooze\/\"\u003eAbi Ooze\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/an_uplifting_gourmandizer\"\u003eDaryl\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.instagram.com\/hotload.la\/\"\u003eHot Load\u003c\/a\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/sean_arenas\/\"\u003eSean Arenas\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/joe_dana\/\"\u003eJoe Dana\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.instagram.com\/thereztones\/\"\u003eThe Reztones\u003c\/a\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/fleuretteestesphotography\/\"\u003eFleurette Farley Estes\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand Todd Taylor\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.instagram.com\/emilys_sassy_lime\/\"\u003eEmily’s Sasssy Lime\u003c\/a\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003einterview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/martinkendallwong\/\"\u003eMartin Wong\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003ca href=\"https:\/\/www.instagram.com\/swami_john_reis\/\"\u003eJohn Reis\u003c\/a\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ePart II interview by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/razorcake_zine\/\"\u003eTodd Taylor\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/jimvermin\/\"\u003eJim Ruland\u003c\/a\u003e. \u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eOne Punk’s Guide to Sobriety: Staying Clean and Navigating Recovery\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eBy\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/patricksoneil\"\u003ePatrick O’Neil\u003c\/a\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eMinnesota Versus ICE\u003c\/b\u003e:\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eThe morning before Renee Good was murdered, I watched ICE take my neighbors two doors down. I was awoken by whistle blasts outside and looked out the window to see ten masked ICE agents with automatic rifles storming into their house.”\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"None\"\u003e–\u003cb\u003eRob Taxpayer\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e(\u003ca href=\"https:\/\/www.instagram.com\/the_taxpayers\/\"\u003eInstagram\u003c\/a\u003e)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“Our commonality is rooted in a deep love of humanity… you yourself are also one of those beautiful, loved people.\u003cbr\u003e” –\u003cstrong\u003eDonna Ramone\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/donnaramone\/\" target=\"_blank\"\u003e\u003cspan\u003einstagram\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“\u003cspan\u003eBands make the music, but zines make the scene.\u003c\/span\u003e” –\u003cstrong\u003eJim Ruland\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ca href=\"https:\/\/instagram.com\/jimvermin\" target=\"_blank\"\u003e\u003cspan\u003einstagram\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003cbr\u003e\u003cbr\u003e“\u003c\/span\u003eIf someone wants my depth, my attunement, my devotion, they have to bring protection and structure.”–\u003cstrong\u003eLorde Destroyer\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e“Not exactly The Pixies’ loud quiet loud, the Hot Snakes are loud, less loud, louder... If you don’t have\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJericho Sirens\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAudit in Progress\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eby the Hot Snakes, buy those albums today.” –\u003cstrong\u003eSean Carswell\u003c\/strong\u003e \u003cspan\u003e(\u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/sean.carswell\/\" target=\"_blank\"\u003e\u003cspan\u003einstagram\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“It’s no small responsibility to be the singer in the first punk band someone else sees.\u003cem\u003e”\u003c\/em\u003e–\u003cstrong\u003eRev. Nørb\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/norbrozek\" target=\"_blank\"\u003e\u003cspan\u003einstagram\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“Donny Make a Boom Boom” (Over the entire United States)\u003cspan\u003e \u003c\/span\u003e–\u003cstrong\u003eArt Fuentes\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/arf_the_artiste\/\" target=\"_blank\"\u003e\u003cspan\u003einstagram\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003cbr\u003e\u003cbr\u003e“\u003c\/span\u003eMy favorite way of trying to fight hate is by sharing my odd little sideshow… If I can at least confuse one person, that person is at least momentarily distracted from the hateful shitshow around us.\u003cspan\u003e” \u003c\/span\u003e–\u003cstrong\u003eRhythm Chicken\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003ca href=\"https:\/\/www.instagram.com\/czarnuszka71\" target=\"_blank\"\u003e\u003cspan\u003einstagram\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003cbr\u003e\u003cbr\u003e“\u003c\/span\u003e\u003cspan\u003eThe Clash wasn’t telling us anything we didn’t already know, just confirming the humiliation and conditional nature of providing the monthly check and ration of food stamps that marked us as leaches of the system.” \u003cb\u003e–Michele Cruz Gonzales \u003c\/b\u003e(\u003ca href=\"https:\/\/www.instagram.com\/xicana_brava\/\"\u003einstagram\u003c\/a\u003e)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eAnd photos from the lovely and talented:\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/chrisboartslarson\/\" target=\"_blank\"\u003eChris Boarts Larson\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/mari_tam12\/\" target=\"_blank\"\u003eMari Tamura\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.instagram.com\/jerryskid1\/\" target=\"_blank\"\u003eAlbert Licano\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003eThis issue is dedicated to the birth of Glory Rose Greet-Plank\u003c\/p\u003e","brand":"Razorcake","offers":[{"title":"Default Title","offer_id":46440786755745,"sku":null,"price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/download_51131c9c-7992-4524-9c22-9b7e82f1ade5.jpg?v=1778922437"},{"product_id":"no-friends-band-to-all-my-friends-new-lp","title":"No Friends Band – to all my friends – New LP","description":"\u003ch3\u003e..chuck a rock through the atmosphere and it's gonna burn...charging ahead while crumbling apart...and down below on earth, sonic booms are heard wrapped in dirt...burning rocks smacking ground, sizzling in the mud puddles of the PNW...it's always easier to take rip things up than to put them together...21st century Puddletown but recalling the noisy origins of punk from the early-mid 1970s from places like Cleveland...includes cool muddy interpretations of \"Drifter's Escape\" by Bob Dylan, \"Unknown Passage\" by Dead Moon, and \"Street Waves\" by Pere Ubu...the latter two perhaps the most telling as maybe these sounds live in the dark voids between the two bands...and distinctively part of the PNW, wrapped up in and moving through that rain-soaked air and mud-puddles of that region. Check it out.  -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3131816222\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nofriendsband.bandcamp.com\/album\/to-all-my-friends-2\"\u003eto all my friends by No Friends Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eRecorded to 4-track cassette, 1999-2010, Portland, Or. Engineered by Evan Mersky. Produced by Mike Trouchon and Kevin Cascell. Copies of this LP can be ordered from Baggage Claim Records, contact them at baggageclaimrecords@gmail.com. Originally released as a cassette\/digital download from Union Pole Tapes.\u003cbr\u003e\u003cbr\u003eNo Friends Band is Kevin Cascell. John Schier plays on \"Lie Machine\" and \"Earthquake Bummer\".\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Baggage Claim Records","offers":[{"title":"Default Title","offer_id":46444140298401,"sku":null,"price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0026051538_10.jpg?v=1779127375"},{"product_id":"prize-the-in-the-red-import-new-lp","title":"Prize, the –  In the Red [IMPORT] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eMelbourne's fave three-guitar rock'n'roll power poppers The Prize have at long last announced the imminent release of their debut album In The Red.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3828887782\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drunkensailorrecords.bandcamp.com\/album\/in-the-red-lp\"\u003eIn The Red LP by The Prize\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe Prize made their debut for Anti Fade in 2022 with the EP Wrong Side of Town which prompted global interest in the band. They began recording the album in 2023 but the international tours caused delays, as did the departure of original bass player Jack Kong in early 2024. New bass player Ethan Stahl (formerly of UK band Chubby and the Gang) came on board a year ago after Jack helped the band finish the tracking process. Initial album sessions took place with Paul Maybury of Rocket Science at his A Secret Location studio, with subsequent tracks recorded with Matt Blach of the Murlocs at Gizz Studios  and, in January of this year, with Robin Mukerjee of TV Colours. The band, which features drummer Nadine Muller sharing lead vocals with guitarist Carey Paterson together with guitarists Joseph Imfeld and Austin Haire as well as new bass player Ethan, is known for its powerful three-guitar frontline and melodic twin\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003elead guitar. It combines punk and classic hard rock with power pop and new wave and cites its influences as Thin Lizzy, Cheap Trick, Pretenders, Blondie, Rolling Stones, Faces, Flamin' Groovies, Tom Petty, Dwight Twilley, Phil Seymour, The Toms, The Nerves and The Motors. As a premium live act with the tunes to back it up, The Prize have regularly found themselves playing with legendary groups like the Sunnyboys, Pavement, The Stems and Guitar Wolf in addition to their pals in The Murlocs and The Chats. Band members have recently started spreading themselves out into other bands as well, with Nadine and Ethan joining Josh Hardy of The Chats and The Unknowns in Loose Lips, Joe in The States and Austin in The Judges and his own solo venture, Ozzie Hair.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased 2026\u003c\/div\u003e","brand":"Drunken Sailor Records (UK)","offers":[{"title":"BLACK VINYL","offer_id":46480874995873,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true},{"title":"PINK VINYL","offer_id":46480875028641,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a4136141772_10.jpg?v=1780127866"},{"product_id":"preorder-s-u-g-a-r-iii-import-new-lp","title":"S.U.G.A.R. – III [IMPORT] – New LP","description":"\u003ch3\u003eBerliners S.U.G.A.R. are back with their kick-ass trash-compactor lick-laden punk rock n roll, loading it up and riffing it into action.\u003cspan\u003e  -- winch \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1593720235\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aliensnatch.bandcamp.com\/album\/s-u-g-a-r-iii\"\u003eS.U.G.A.R. - III by S.U.G.A.R. (ALIEN SNATCH! RECORDS)\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"The S.U.G.A.R. bravados are back on Berlin rooftops. Rising from their späti rebellion benches, the ringleaders return in full force, ready to take on the Go-West kamikaze drones. Their new album delivers fortified punk rock’n’roll songwriting, catchy double vocals, and a lowlife instinct for lo-fi recording craftsmanship, just the way we like it at ALIEN SNATCH! Recordings Of Kwality! S.U.G.A.R. are ex–Jonas Brothers, united by a shared dentist and a dedication to Australian rock, early punk from everywhere, and German Cold War monotony, somewhere between the LEFTOVERS and FUN THINGS burning through LIPSTICK \u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eKILLERS songs. After their last album\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e in 2024 — stuffed with government cheese and armed with Bon Scott grave-robber shovels, they toured Australia, all the way to Perth and Fremantle Cemetery. And surprise: now it’s gone. Not Scott’s bones, the record. [BUT GREEN NOISE IN THE USA STILL HAS A FEW COPIES]. Here comes the next one, packed with the best songs and titles they’ve ever had. Face it: “III” boss-hogs the rest. Put the others under the Christmas tree and let the family fight over them. Winfinity. Also on “III”: their jaw-dropping live hit “First Light,” striking like lightning straight out of NYC ’76, as if the TESTORS and LYRES only needed to write this one song. As with previous albums, “III” includes a printed inner sleeve with infamous Flo drawings, a comic about the album, lyrics, and valuable insights into the daily routines of the S.U.G.A.R. gods and masters. They’ve got the spell.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Alien Snatch Records","offers":[{"title":"Default Title","offer_id":46517341978785,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1851785285_10.jpg?v=1780826632"},{"product_id":"charlie-continental-snow-rain-new-7","title":"Charlie Continental – Snow \u0026 Rain – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1545486078\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/snappylittlenumbers.bandcamp.com\/album\/snow-rain-b-w-untethered\"\u003eSnow \u0026amp; Rain b\/w Untethered by Charlie Continental\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e“Snow \u0026amp; Rain b\/w Untethered” are two songs about love, loss, grief and uncertainty. Charlie lost his wife Febra in 2024 and these songs are about that journey from then to now. An old bandmate of his once said he writes the catchiest sad songs. Sometimes sadness leads to creativity and catharsis. Some listeners may hear them as pop songs, but other listeners may find comfort in them to help with their own difficult paths. If so, that’s a bonus that Chuck and Feb are glad to offer.  This is a limited-to-50 7\", all hand numbered. Pressing Info: 50 total.  \u003cstrong\u003eTHIS: 30 hand-numbered limited edition 7\"s on random recycled color econo-vinyl.  Green Noise copies are more gray based than one in the photo. \u003c\/strong\u003e(Pressing also included 20 hand numbered limited edition 7\"s on random recycled color econo-vinyl--but I'm not sure how those were different.)\u003c\/span\u003e\u003c\/p\u003e","brand":"Snappy Little Numbers","offers":[{"title":"Default Title","offer_id":46534516834465,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/chucke.jpg?v=1781243580"},{"product_id":"hooper-carry-your-own-saints-new-lp","title":"Hooper –   Carry Your Own Saints – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003eDenver 2026\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=833362830\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/snappylittlenumbers.bandcamp.com\/album\/carry-your-own-saints\"\u003eCarry Your Own Saints by Hooper\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Snappy Little Numbers","offers":[{"title":"Default Title","offer_id":46534533349537,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/hooper.jpg?v=1781244183"},{"product_id":"hunx-and-his-punx-the-punkettes-cherry-red-vinyl-new-7","title":"Hunx and His Punx – The Punkettes [CHERRY RED VINYL] – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHunx and His Punx featuring Seth Bogart, Shannon Shaw and Erin Emslie. Since they got back together, it seemed teenage dreams were coming true..played John Waters’ birthday party...toured with Bikini Kill...opened for The B-52s... never would have guessed they would soon be going through some brutal times - a tragic death, global pandemic and being impacted of one by one of California’s worst wildfires.  Emerging from the smoke, they delivered a great album, and now this single for the summer of 2026!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2374731575\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hunxandhispunx.bandcamp.com\/album\/the-punkettes\"\u003eThe Punkettes by Hunx and His Punx\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Get Better Records","offers":[{"title":"Default Title","offer_id":46536439496865,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/hunx.jpg?v=1781320323"},{"product_id":"uni-boys-s-t-baby-blue-vinyl-w-flexi-new-lp","title":"Uni Boys – S\/T [BABY BLUE VINYL w\/ flexi] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eUni Boys waltz back into our lives spinning thundering playful songs full of ideas on a self titled power-pop LP recorded all analogue across two weeks with Paul D. Millar in Brooklyn and once again with cameos from friends The Lemon Twigs. With a unique feel for classic melodies — worn proudly on their sleeves, delivered tongue in cheek, and charged with the swagger of restless youth — they’ve won the hearts of their young generation’s music scene and earned the respect of their legendary predecessors.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=502274077\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/uniboys.bandcamp.com\/album\/uni-boys\"\u003eUni Boys by Uni Boys\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003ePower Pop saviors recorded in all their analog glory on their third Curation Records long player UNI BOYS. Returning to NYC under the sonic thumb of Paul D. Millar (Lemon Twigs\/Tchotchke) Noah Nash and Lemon Twigs drummer\/guitarist Reza Matin have crafted 12 new songs of introspection, heartbreak and young love - the follow-up to their success with ‘BUY THIS NOW!’. The resulting ‘UNI BOYS’ album is their most listenable, radio-ready (if this was 1979) record to date, it's so super catchy you’ll not get away easily.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info license\" id=\"license\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Curation Records","offers":[{"title":"Default Title","offer_id":46542779187361,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/unis.jpg?v=1781491616"},{"product_id":"ngonda-jalen-doctrine-of-love-clear-vinyl-new-lp","title":"Ngonda, Jalen –  Doctrine of Love [CLEAR VINYL] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSince the release of his critically acclaimed debut full length, 2023’s \u003cem\u003eCome Around and Love Me\u003c\/em\u003e, Jalen’s career has undergone a meteoric trajectory.  Now, in 2026, with the embers of his debut still burning brightly, Jalen drops his eagerly awaited sophomore album, \u003cem\u003eDoctrine of Love\u003c\/em\u003e. His message: \"The doctrine of love holds that every thought and action should be guided first by compassion for others, because love is the highest measure of human worth.\" The tracks are born from this creed.\u003cem\u003e Doctrine of Love \u003c\/em\u003eblends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of \u003cem\u003eCome Around and Love Me\u003c\/em\u003e with flourishes of horns and gospel-kissed background vocals, creating a stylish exercise in modern soul artistry.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1013483949\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jalenngonda.bandcamp.com\/album\/doctrine-of-love\"\u003eDoctrine of Love by Jalen Ngonda\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Daptone Records","offers":[{"title":"Default Title","offer_id":46542797209761,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/jalen.jpg?v=1781493644"},{"product_id":"hammok-when-does-this-place-become-our-scene-red-vinyl-new-lp","title":"Hammok – When Does This Place Become Our Scene [RED VINYL] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eOn Hammok’s new album \u003cem\u003eWhen Does This Place Become Our Scene\u003c\/em\u003e, the Oslo trio’s sophomore outing and first release for Sargent House, their noise-rock, hardcore, and metal foundations expand into broader, more dynamic territory. Industrial textures, hip-hop-informed rhythms, synth-led passages, and progressive structures surface alongside classic punk urgency, revealing a band equally invested in abrasion and atmosphere. Produced by vocalist and guitarist Tobias Osland, the songs arrived in inspired bursts. Tasked with refining and expanding their sound, Hammok tweaked and explored each track until it held all their competing impulses at once: music that feels volatile and immediate yet dense with hooks and layered detail. True to its title, \u003cem\u003eWhen Does This Place Become Our Scene \u003c\/em\u003eexamines hardcore’s lineage and social politics while widening its focus to questions of belonging in an era shaped by the internet and hyperconnection. Equal parts scream-along cathartic and nod-along infectious.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=973055506\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hammokband.bandcamp.com\/album\/when-does-this-place-become-our-scene\"\u003eWhen Does This Place Become Our Scene by Hammok\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Sargent House Records","offers":[{"title":"Default Title","offer_id":46542886305953,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/ham.jpg?v=1781496973"},{"product_id":"earth-x-black-noi-e-geometry-of-murder-extra-capsular-extraction-inversions-crystal-clear-vinyl-2xlp-new-lp","title":"Earth x Black Noi$e – Geometry of Murder: Extra Capsular Extraction Inversions [CRYSTAL CLEAR VINYL 2xLP IMPORT] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew “Inversions” of drone rock pioneers Earth’s debut release. A collaboration between Dylan Carlson and Black Noi$e (Armand Hammer, Danny Brown, Earl Sweatshirt) formed in mutual respect and appreciation for one another. Both artists were intrigued by the creation of vast musical landscapes and the connection of music, with its ability to transport the listener. The music of Earth was recognised and celebrated for moving at a glacial pace and yet this new collaboration surprisingly saw Black Noi$e slowing things down even further.\u003c\/span\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ITcE4taK5tg?si=KmvRoVrvtpXsJzTd\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eThe debut, which originally came out in 1991, notably featured Kelly Canary and Kurt Cobain on vocals on the tracks “A Bureaucratic Desire for Revenge Part 2” and “Divine and Bright”. Black Noi$e reimagines the original recordings with his experimental sensibility and innovative multi-instrumental, cross genre exploration. Applying contemporary electronics to the heavy droning bass and guitars and languid rhythms, this inversion oscillates and reverberates with a different kind of energy whilst simultaneously highlighting the much loved low slow and distorted properties of the original.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e‘Extra Capsular Extraction’ was the first music Dylan made with Earth and his first time in a recording studio, which he recalls at the time as being “terribly exciting”. It also marked the first time collaborating with others and seeing it reified into a tangible object or product, a spirit that Dylan has carried through to the present. The original album is a document of a specific period and Dylan’s creative development. These inversions of Extra Capsular Extraction are, to quote Dylan, “an exciting way to reintegrate them into the present time and with my more expanded conceptions of musical endeavours”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fire Records (UK)","offers":[{"title":"Default Title","offer_id":46543993798817,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/earths.jpg?v=1781511778"},{"product_id":"dunietz-maya-solistenensemble-kaleidoskop-the-sound-of-difference-and-connection-new-lp","title":"Dunietz, Maya \u0026 Solistenensemble Kaleidoskop \/ The Sound of Difference and Connection – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMaya Dunietz is a prodigy pianist, an avant-garde sound artist, an award winning composer, a dubious character and mom of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\"\u003efour. Maya’s career has been abundant abundant - from playing with ‘Habiluim', 'Midnight Peacocks’, 'Boom Pam’ and countless projects worldwide through presenting her sound installations at Pompidou; France, to her work with Emahoy Tsegue Mariam Guebrou.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088962064\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mayadunietz.bandcamp.com\/album\/the-sound-of-difference-and-connection\"\u003eThe Sound of Difference and Connection by Maya Dunietz \u0026amp; Solistenensemble Kaleidoskop\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe Sound of Difference and Connection emerges from Maya Dunietz’s research into the irrational midpoint of the octave, a resonance zone where two close frequencies generate slow acoustic beatings and a third, emergent tone. Developed with Berlin’s Solistenensemble Kaleidoskop, the work divides the octave into fifteen unequal parts, placing musicians in a continuous process of attunement. Instead of tuning to fixed pitches, players adjust their physical proximity to shape the pulse: closer to slow it, farther to quicken it. The piece unfolds as a fragile, collective resonance that often feels as if it rises from the air itself. Composed during a time of global unrest, it offers a quiet act of attention and care amid instability. RIYL: Éliane Radigue, Catherine Lamb, Giacinto Scelsi, Pauline Oliveros, Alvin Lucier. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eEmerging from an artistic research of the irrational middle point of an octave, 'The Sound of Difference and Connection' is a composition that unfolds as both a musical and a poetic experiment. This exploration, which began with a question about attunement, revealed its irrational zone, a field of resonance where two slightly different frequencies meet and form a third, pulsating sound between them.\u003cbr\u003e\u003cbr\u003eThe piece operates within this narrow interval, not too far, not too close, producing slow acoustic beatings that vibrate inside the range of human alpha waves. Between the two original played tones, a third tone appears, a sound born out of the relation itself. This emergent voice becomes the sonic manifestation of the relation. The composition, developed in close collaboration with the Berlin-based Solistenensemble Kaleidoskop, divides the octave into fifteen unequal parts, positioning the musicians as living group organisms in motion. Each gesture creates delicate changes in time. This type of work demands radical attention and patience within playfulness, as each player tunes their instrument not to fixed frequencies, but to the beating of proximity. To quicken the pulse, they move apart; to slow it down, they move closer.\u003cbr\u003e\u003cbr\u003eThe result is a piece that listens to itself, breathing\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethrough the bodies of its players. At times, the sound seems to emanate not from the instruments but from the air itself: a shared, fragile resonance. Composed and recorded during a time of profound global unrest and war, this work stands as a quiet act of resistance, a music of care and listening amid violence and despair.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased June 5, 2026\u003cbr\u003e\u003cbr\u003eRecorded at DOCK 11 EDEN***** 12 – 16 June 2023\u003cbr\u003eRehearsed in Universe\u003cbr\u003ePlayed in Victory over the Sun, 2026\u003cbr\u003e\u003cbr\u003eSolistenensemble Kaleidoskop\u003cbr\u003eRebecca Beyer, violin\u003cbr\u003eMia Bodet, violin\u003cbr\u003eAnna Faber, violin\u003cbr\u003eMari Sawada, violin\u003cbr\u003eIldiko Ludwig, viola\u003cbr\u003eYodfat Miron, viola\u003cbr\u003eIsabelle Klemt, cello\u003cbr\u003eBoram Lie, cello\u003cbr\u003eSophie Notte, cello\u003cbr\u003eFatima Agüero, bass\u003cbr\u003eRecording and mixing: Daniel Meir\u003cbr\u003eText editing: Noa Shuval\u003cbr\u003eGraphic design: Avi Bohbot\u003cbr\u003ePhotography: Yael Bartana\u003cbr\u003eProducer: Adi Nachman\u003cbr\u003eSolistenensemble Kaleidoskop Production: Volker Hormann, Michael Hohendorf\u003cbr\u003eShowcase Beat Le Mot: Production: Olaf Nachtwey\u003cbr\u003e\u003cbr\u003eBig thanks to Solistenensemble Kaleidoskop, Showcase Beat Le Mot, Von Krahli, Yoav Beirach, Shai Ben Zvi, Nadia, Gal, Billy, Lev, Esti and Yaki Dunietz\u003c\/div\u003e","brand":"Orthodox Records","offers":[{"title":"Default Title","offer_id":46544176119969,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/Maya.jpg?v=1781512845"},{"product_id":"its-a-set-up-s-t-ep-new-7","title":"It's a Setup – S\/T EP – New 7\"","description":"\u003ch3\u003e\n\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ereleased May 8, 2026\u003cbr\u003eblack vinyl\u003cbr\u003ePNW  HC (Spokane)\u003cbr\u003eIt's A Setup is:\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2491129500\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/itsasetup.bandcamp.com\/album\/its-a-setup\"\u003eIt's A Setup by It's A Setup\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eHayes Noble - Guitar\/Vox\u003cbr\u003eMason Bytnar - Bass\u003cbr\u003eParker Bytnar - Drums\u003cbr\u003e\u003cbr\u003eDrums, Guitar, \u0026amp; Vox recorded at Spokane Falls Community College by Steve Gamberoni, Alex Beliaev, Alex Cover, Alam Estrada, Zayn Kennedy, \u0026amp; Ryan Marshall\u003cbr\u003eBass recorded at Leadmine No. 4 by Hayes Noble\u003cbr\u003e\u003cbr\u003eMixed by Hayes Noble at Leadmine No. 4\u003cbr\u003eMastered by Will Killingsworth at Dead Air\u003cbr\u003e\u003cbr\u003eAll songs written and performed by It's A Setup\u003cbr\u003e*Song #6 written in collaboration w\/ Everett Noble\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"_26haR\"\u003e \u003c\/p\u003e","brand":"Two Two One Press","offers":[{"title":"Default Title","offer_id":46546543345825,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/set_up.jpg?v=1781543570"},{"product_id":"whitney-johnson-lia-kohl-macie-stewart-body-sound-used-lp","title":"Whitney Johnson, Lia Kohl, Macie Stewart – BODY SOUND  – Used LP","description":"NM.  never played.  minor wear to jacket.  \u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/intlanthem.bandcamp.com\/album\/body-sound\"\u003eBODY SOUND by Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereacting.\u003cbr\u003e\u003cbr\u003e“Improvisation has a special capacity to facilitate a kind of sonic intimacy,” says Kohl. “We're making choices together in the moment. We're creating time together before thought enters the equation. It's an incredibly intimate and intuitive space to share, and feels like the heart center of this music and this practice.”\u003cbr\u003e\u003cbr\u003eThe trio’s approach to improvisation is very much embedded in and informed by their Chicago music community. The city’s ongoing improvised music tradition, which can envelop every genre imaginable, is one where a working musician’s ideas can evolve at a near-constant pace and where anything can be explored in the name of sound. And with sound, there’s always space to consider.\u003cbr\u003e\u003cbr\u003eWhere will the improvisation take place?\u003cbr\u003eHow will that space shape the sounds being made?\u003cbr\u003eHow will that sound resonate in the dim light of a small neighborhood bar?\u003cbr\u003eHow will it sound in the chromatic refractions of an ornate church?\u003cbr\u003eCan it feel different-yet-equally perfect?\u003cbr\u003e\u003cbr\u003eFor Whitney Johnson, Lia Kohl, and Macie Stewart the answer to the last question is yes, definitely.\u003cbr\u003e\u003cbr\u003eStewart: Our quest as a crew is to explore space and every iteration of what that can mean, be it physical space, emotional space, sonic space, etc. Space is an instrument.\u003cbr\u003e\u003cbr\u003eJohnson: It’s more than the acoustic properties of the recording spaces. Our bodies, emotions, and relationships show up in those spaces with affordances and limitations for the music each time. We are vibrating beings, sensitive and expressive, an amoeba of physical and psychic pressures with specific resonances in time and space.\u003cbr\u003e\u003cbr\u003eKohl: The space we’re in always feels like a collaborator in this trio more than in other contexts. I can always feel us all responding to where we are and the resonances that live there.”\u003cbr\u003e\u003cbr\u003eOn BODY SOUND, the trio worked with International Anthem engineer and album co-producer Dave Vettraino to translate the sonic specificities of three recording locations: International Anthem studios on Iron Street (Chicago), Shirk Studios (Chicago), and Boyd’s Jig and Reel (Knoxville, TN, as part of Big Ears Festival). Vettraino also brought a deep knowledge of tape manipulation and a willingness to experiment. “All it took was for one of us to say, ‘What if that was a loop?’, and he was already setting up the reel-to-reel,” says Johnson of the album’s post-production, which leaned heavily into their shared love of saturated tape sounds.\u003cbr\u003e\u003cbr\u003eThat trust, it seems, was already there. In addition to the communal criss-cross inherent in sharing their Chicago home base, the trio worked with Vettraino on Stewart’s 2025 solo effort When the Distance Is Blue. It was her debut on International Anthem but far from her first appearance in the label’s catalog as a player. Ditto for Kohl and Johnson, whose collaboration and friendship with the label goes back years. Taken as a whole, we could argue that this most recent collaboration, the tape-manipulated fried beauty documented on BODY SOUND, has been a long time coming.\u003cbr\u003e\u003cbr\u003eIn the context of this work, tape sound is much more than a mixing treatment or a production tactic. Here Johnson, Kohl, and Stewart are using variations on the medium to edit and reshape the pieces themselves, employing multiple analog tape machines to reimagine their improvised material into meticulously crafted compositions (“another layer of improvisation,” says Stewart). It’s all a response to the spaces they were originally engaged with, and the use of a highly physical medium like analog tape deepens the spatial engagement of the trio’s work to striking, playful, and organically psychedelic effect.\u003cbr\u003e\u003cbr\u003eThe resultant BODY SOUND is deep, melancholy, and triumphant, coming across like a kind of lost or amalgamated folk music. It’s certainly part of an ongoing creative continuum, even boasting track titles adapted from Yoko Ono’s classic book of text scores Grapefruit.\u003cbr\u003e\u003cbr\u003eThe album’s opener “dawn | pulse” puts a morning drone at the threshold of their sound world. This undulating slow roller is a free time drift of bowed tonal clusters respiring in long, melodic swells, and unfurling among wordless singing. Despite the time marker in the title, this piece feels suitable for any part of the day—the morning stretch skyward, the afternoon ambling respite, or the late-nite chillout. Both majorly serene and deceptively avant garde, “dawn | pulse” is a perfect entrée into BODY SOUND.\u003cbr\u003e\u003cbr\u003e“laundry | blood” begins with a near-waltz percussive tumble created by a tape loop of Kohl’s barrette-prepared cello. Its soft and eerie triplet propels a deep and snarling viola-cello-violin drone forward à la the doomiest moments of the Berlin School canon or the repetitive outsider glory of Tony Conrad \u0026amp; Faust's Outside the Dream Syndicate. It’s a darkly cinematic take on the ambient ideal for the scarcely visible slow-moving night train chug. You can almost see it roll by.\u003cbr\u003e\u003cbr\u003eSome moments feel intentionally disconnected from the performance, instead tied more closely to the concept of LP format listenership: the disintegrated melodic pumps and clomps of “chewing gum”, the body shaking radiator hiss come-apart of “snow | touch”, the otherworldly bass and sub-bass of “stone | piece”.\u003cbr\u003e\u003cbr\u003eAcross the album’s 11 tracks, each piece manages to keep a foot in both worlds. “burning | counting (sleeping)” begins abruptly with massive bursts of heavily-bowed sawtooth strings looping in real time, creating a near-synthetic feeling. Deep stutter-step freneticism, tape-manipulated and rendered into overlapping moments of dense psychedelia give way to an oncoming long-note tranquility—an improvised cacophony evoking some long dissipated storm-paced Irish folk drone more so than a New Music exercise or a study of Kronos \/ Reich.\u003cbr\u003e\u003cbr\u003eAnd that seems to be the story with all of the material within BODY SOUND. It’s music with inexplicably broad appeal while maintaining a sort of mysterious outsider quality. Johnson, Kohl, and Stewart have created a stunning album—an exquisitely textured, spatially vivid, wordlessly expressive, sonically multitudinous collection—that manages to decode a slew of high level concepts while clearly and directly speaking to the human impulse. BODY SOUND is right.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 20, 2026\u003cbr\u003e\u003cbr\u003eWhitney Johnson viola, voice\u003cbr\u003eLia Kohl cello, voice\u003cbr\u003eMacie Stewart violin, voice\u003cbr\u003e\u003cbr\u003eTascam 58, Revox A77, Sony TC 580, TEAC 6600, Portastudio 414mkII\u003cbr\u003e\u003cbr\u003eAll music by Whitney Johnson, Lia Kohl, and Macie Stewart\u003cbr\u003eProduced by Whitney Johnson, Lia Kohl, Macie Stewart, and Dave Vettraino\u003cbr\u003e\u003cbr\u003eEngineered by Dave Vettraino at IARC studios on Iron Street (Chicago), Big Ears Festival 2025 (Knoxville), and Shirk Studios (Chicago)\u003cbr\u003eMastered by David Allen\u003cbr\u003e\u003cbr\u003eArtwork courtesy of Jovencio de la Paz and Chris Sharp Gallery\u003cbr\u003eDesign \u0026amp; layout by Matilde Santiago\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"International Anthem Recording Company","offers":[{"title":"Default Title","offer_id":46547944112289,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/macie.jpg?v=1776583149"},{"product_id":"status-non-status-big-changes-new-lp","title":"Status\/Non-Status –  Big Changes [WHITE VINYL] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIndigenous\/Sludge\/Grunge\/Punk\/Psych\/Folk\/Post\/ band from London...London, Ontario!  across the lake from Cleveland, j\u003cmeta charset=\"utf-8\"\u003eust northeast from Detroit on the way to Toronto or Buffalo.\u003cb\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1099818701\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/statusnonstatus.bandcamp.com\/album\/big-changes\"\u003eBig Changes by Status\/Non-Status\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eAre we there yet? More specifically, are you there yet? There being the inflection point where the urge to recede into the blissful innocence of youth is in a constant tug of war with the inescapable pull of conscious adulthood. Where the joys of June and July descend into the autumnal weight of August and September. Are you at the point where you look around at the chaos and confusion swirling through our collective psyche and say, “It can’t get any worse than this,” or do you think, “This too shall pass”? Are you ready for Big Changes? Because Adam Sturgeon is. Over the years, Anishinaabe musician and artist Sturgeon has undergone a metamorphosis, shedding old monikers and reclaiming heritage. In 2021, the collective formerly known as WHOOP-Szo became Status\/Non-Status as part of Sturgeon’s ongoing exploration of the complex roots of his family history. Together with Zoon’s Daniel Monkman (who makes a guest appearance on Big Changes), Sturgeon introduced the world to OMBIIGIZI in 2022 via their Polaris shortlisted record Sewn Back Together. Regardless of which project Sturgeon is working on, though, the one thing that doesn’t change is how he treats it: like family, protecting it at all costs. Every reinvention, every reckoning, every return leads back to the same role:\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eprovider, protector, father. Big Changes comes from living through what Sturgeon describes as “a war on people and their ways of being” while engaging in the everyday domesticity of dropping the kids off at daycare, heading into work, doing chores around the house, and figuring out how to survive “what is beginning to feel like a real apocalypse.” Inspired by his in-the-moment work with OMBIIGIZI, and with over 40 rough song ideas on hand, Sturgeon recruited Dean Nelson (Beck, Thurston Moore, Stephen Malkmus \u0026amp; the Jicks) and Matthew Wiewel (of Deadpan Studios and engineer of Status\/Non-Status’ previous album, Surely Travel) to build a home studio in the old church he lives in with his family in London, Ontario. Everything on Big Changes “Is centralized around our Monday morning recording sessions,” he says, “and this routine of caring for my young family in a disintegrating and tough city.” For Sturgeon, Big Changes also reflects his lifelong dialogue with duality, a dichotomy “…felt through the contrast of being a mixed person,” who sees “racism perpetuated against people more visible than myself, while also not feeling like I’m Indian enough.” The record tussles with that uneasy and impossible balance of simultaneously walking in two worlds with conflicting values. It’s less a statement of intent than a lived reflection, one that acknowledges tension without resolving it. “I don’t feel conflicted about where I stand, but I’m not sure I’m always seen,” Sturgeon says, adding that, “[on Sewn Back Together, OMBIIGIZI] found balance in the dichotomy of being damaged and using it as a tool to move forward. Big Changes, however, is foreboding and inquisitive about what is to come.” The song “Big Changes” brings these big ideas and concepts down to street level, reflecting the daily realities of life just outside Sturgeon’s own front door. “This song is about my hood, where I live and raise my family and what I see when I walk out the door,” he says, describing a neighbourhood “mired by gaps in the system” and burdened by housing crises, addiction, and lateral violence. Caught in the crossfire between bureaucratic inaction and a community’s will to survive, “Big Changes” expresses how people are forced into change simply to keep going, whether that change leads somewhere better or somewhere harder doesn’t really matter. What matters is endurance, adaptation, and the resilience to find ways to live with what’s left. “Bones” looks backward to understand and forward to heal. Sturgeon calls it “another dive into and through the past to see where we have come and what is still very much out of our control,” tracing how the wounds of colonialism and the weight of history continue to echo through generations. The song is like a time capsule love letter to the next generation of Indigenous youth, who have inherited the burden of truth and reconciliation from systems they never built, carrying responsibilities born of oppression they never asked for. Though most of Big Changes took shape in Status\/Non-Status’s former church-turned-home studio, the album’s thematic crux originates with a song written shortly after the release of 2019’s Polaris Music Prize long-listed album, Warrior Down. “Bitumen Eyes” is a “post-colonial rock odyssey” in two parts. “Truth and Reconciliation \/ is out of the land and into the pocket \/ of an old white man,” sings Sturgeon on the reflective first half, as the music swells to match his rising delivery. “Black snake in a locket \/ with its bitumen eyes that only sees profit,” he declares, confronting the commodification of sacred ground. The song’s final lines—“What of the water?”— are a lament and a demand, a reminder that for Indigenous peoples, the preservation of land and water is also the preservation of self. “Bitumen Eyes II” answers the question not with words but with its raw, explosive, and urgent off-the-cuff arrangement that, by Sturgeon’s account, “really pissed off our neighbours with how heavy we were playing.” Despite its title, one thing that Big Changes doesn’t mess with is the music. Status\/Non-Status hold fast to their intuitive and fluid style, their musicianship grounded in connection, familiarity, and an overarching trust in the power of their glorious noise. If anything, Status\/Non-Status is more refined on Big Changes, summoning a sound that’s deliberate while retaining the untamed energy that first inspired them. Crunching guitars clock the daily grind of the nine-to-five on opening track “At All,” while bursts of ’90s indie-rock energy collide with sugar-coated power pop melodies on “Peace Bomb.” Ominous shades of gothic blues hang in the air on the title track, while the yin and yang of male and female harmonies (supplied by Broken Social Scene’s Kevin Drew and Rachel McLean) on “Blown Again” temper abrasion with warmth. On “Basket Weaving,” a collaboration with Odawa poet and artist Colleen “Coco” Collins, contemplative acoustics and ambient synth textures intertwine with anthemic rock flourishes in an exploration of “ancestral experience of reconnection.” The influence of Canadian noise-rock pioneers Eric’s Trip runs like an undercurrent through Big Changes, especially in its community-minded spirit. That lineage comes full circle on the delicate lullaby ballad “Good Enough,” featuring Eric’s Trip Julie Doiron. “Working with Julie Doiron, my teenage hero and favourite bass player,” says Sturgeon, “is something I could only ever dream of. I don’t take accomplishing my dreams for granted,” he adds. “I am just so lucky Julie is such a giving and wonderful community member.”  At its core, Big Changes is an act of community-building. Though its songs focus on reckoning, reflection, and resistance, the album derives its strength from the people who contributed to its creation. Alongside Sturgeon, there is a host of both long-time and new collaborators and friends—like Eric Lourenco, Jessica O’Neil, and Kirsten Kurvink Palm—as well as an extended circle of artists (including Steven Lourenco and Sunnsetter’s Andrew MacLeod) expanding Status\/Non-Status into an every growing collective of artists that embodies the push and pull that animates the album itself: the tension between consistency and change and living in solitude and solidarity. Big Changes is about survival, but also about making connections in order to endure. It is the big noise we make together when the world feels like it’s falling apart, and the harmony that comes when we keep time with one another.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased 2026\u003cbr\u003e\u003cbr\u003eRecorded at The Former First Spiritualist Church\u003cbr\u003eRecorded and Mixed by Dean Nelson\u003cbr\u003eAdditional recording by Adam Sturgeon, Matthew Wiewel and Dany Placard\u003cbr\u003eMastered by Kristian Montano\u003cbr\u003ePhotography - Natasha Roberts\u003cbr\u003eDesign and Layout - Black Stevenson\u003cbr\u003eText - Bennie Allain\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"info licernse\" id=\"license\"\u003e\u003c\/div\u003e","brand":"You've Changed Records","offers":[{"title":"Default Title","offer_id":46548004733089,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/status_abd5f12d-6e4d-418d-b574-cec35a7a22ac.jpg?v=1781573270"},{"product_id":"morris-hunter-mountain-of-youth-nowhere-nw-signed-new-lp","title":"Mountain of Youth – Nowhere, NW [SIGNED] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eAfter everything is said and done with regard to the path each of us chooses, we are all just passengers, willing or unwilling, floating to a final destination...enjoy the ride.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1156366728\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=1588341094\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mountain-of-youth.bandcamp.com\/album\/nowhere-nw\"\u003eNowhere, NW by Hunter Morris \/ Mountain of Youth\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eWe were told “All that glitters isn’t gold.”\u003cbr\u003eBut we started digging anyway\u003cbr\u003eIt only made us bolder\u003cbr\u003eWe were sold ‘til gravity took hold\u003cbr\u003eBut we were sinking anyway\u003cbr\u003eWe’re only getting older\u003cbr\u003e\u003cbr\u003eFault lines don’t care about the time zones\u003cbr\u003eOr continental divides\u003cbr\u003eDon’t lie, just tell me where the time goes\u003cbr\u003eAnd tell me why\u003cbr\u003e\u003cbr\u003eWe’re just stowaways\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased May 15, 2026\u003cbr\u003eHunter Morris - Lead Vocals, High Strung Guitar\u003cbr\u003ePhillip Brantley - Bass Guitar, Acoustic Guitar\u003cbr\u003eNick Robbins - Drums, Electric Guitar\u003cbr\u003eJojo Glidewell - Piano\u003c\/div\u003e","brand":"Strolling Bones Records","offers":[{"title":"Default Title","offer_id":46553438945441,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/hunter.jpg?v=1781731434"},{"product_id":"field-commander-ali-the-next-from-field-commander-import-new-lp","title":"Field Commander Ali – The Next From Field Commander [IMPORT] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eField Commander Ali is the solo project of Ali Mollica, a folk song person living on the South Coast of NSW, Australia . The Next From Field Commander, her new record and second under that taken name, was recorded in her bedroom in Stanwell Park, a beachside town surrounded by bushland. Here, where the Great Dividing Range meets the Tasman Sea, Mollica worked quickly in the early part of 2025, utilising little more than a classical guitar and a 4-track tape recorder to execute her vision. The result is a truly beguiling Australian folk record.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1239677119\/size=small\/bgcol=333333\/linkcol=0f91ff\/license_id=5883\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fieldcommander.bandcamp.com\/album\/the-next-from-field-commander\"\u003eThe Next From Field Commander by Field Commander Ali\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eWith a voice that balances understated vulnerability with determined stoicism, Mollica describes everyday scenes, passing interactions and the moments that follow moments between people, all with an astonishing clarity of expression. Full moons are felt but remain unwitnessed, great loves lean into praxis or strain against it, and time is a character that watches quietly on all the while. Despite its modest conception, both the songs and\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003erecordings are possessed by a unique density. Layered vocals are used undramatically but effectively. Conversational asides seem to open outwards like leaves, and offhand remarks reveal themselves to be quiet realisations through subtle repetition. There is an intimate spaciousness within these songs too, with shuffling pages, creaking chairs, and distant whistling all entering the sonic sphere. The spirit of folk song clairvoyants like Bridget St John, Anne Briggs and Maxine Funke may be sensed throughout, while Michael Hurley’s ‘Wildegeeses’ is given a faithful, though suitably idiosyncratic, re-reading. A tradition is being channeled here, though ultimately what you are hearing is the emergence of a distinct new voice. As such, The Next From Field Commander moves with a meandering yet captivating immediacy, clear and self-assured, while remaining deeply receptive to the world and all the things in it - ‘still reaching out, still finding out’. As Mollica notes herself: \"My songs often express the literal goings on in my life – the lyrics are raw and unbridled (and maybe a bit unhinged, too); but underneath this immediacy is a heavy hum that I think sounds like not knowing. How I wish to know!\" If knowing remains beyond us, the process of trying to work it out is compelling as ever.\u003c\/span\u003e\u003cspan\u003e  \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003ereleased 2026.  All songs written and recorded by Field Commander Ali, except \"wildegeeses\" (Michael Hurley)\u003cbr\u003e\u003cbr\u003eMusicians:\u003cbr\u003eAli Mollica (\u0026amp; Neve Ireland plays percussion on the first track)\u003cbr\u003e\u003cbr\u003eMastered by Timothy Stollenwerk\u003c\/div\u003e","brand":"World Of Echo Records (UK)","offers":[{"title":"Default Title","offer_id":46553590136993,"sku":null,"price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/ali.jpg?v=1781735183"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/2026.oembed?page=3","provider":"Green Noise Records","version":"1.0","type":"link"}