{"title":"1982","description":"","products":[{"product_id":"x-under-the-big-black-sun-new-lp","title":"X - Under The Big Black Sun - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1030566542\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/xtheband.bandcamp.com\/album\/under-the-big-black-sun\"\u003eUnder The Big Black Sun by X\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003eA lot of people consider 1982's UNDER THE BIG BLACK SUN to be X's best album. And even those people who don't think it's their best album still consider it one of the best albums of the '80s.\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cul class=\"tralbumCommands dupe_purchases_fix\"\u003e\n\u003cli class=\"buyItem package\"\u003e“X’s first album issued on a major label, 1982’s Under the Big Black Sun, is arguably their finest record. All 11 songs are exceptional, from both a performance and compositional point of view. Ray Manzerek’s production is more akin to hard rock bands than their earlier punk works, but the songs still pack quite a punch. Before the recording of the album, singer Exene Cervenka’s sister was killed by a drunk driver, and the band decided to work out their grief in the music, as evidenced by two of the album’s best tracks: the melodic “Riding With Mary” and the vintage ’50s sound of “Come Back to Me.” The highlights don’t stop there, however; also included are the Led Zepplin’esque “The Hungry Wolf” (an early video favorite of MTV), the accelerating “Motel Room in My Bed,” the rocker “Blue Spark,” the spacious title track, and the album closer “The Have Nots.” Again, Cervenka and John Doe supply some great vocal harmonies (perhaps the only punk band to ever do so), while Billy Zoom shows off great rockabilly chops throughout. Under The Big Black Sun is one of the quintessential rock records from the ’80s.” – G.Prato\n\u003cdiv id=\"package-price-982197196\" class=\"ft\"\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":29480068382790,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3313473600_10.jpg?v=1750832069"},{"product_id":"tucker-maureen-im-sticking-with-you-new-lp","title":"Tucker, Moe – I'm Sticking With You [WHITE VINYL Velvet Underground] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eRecorded 1980 - 1998.  Released 2018. \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eWhite vinyl LP stuck in a Warholian package with removable sticker and liners by David Fricke!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=892927114\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/moetucker.bandcamp.com\/album\/im-sticking-with-you-an-introduction-to-moe-tucker\"\u003eI'm Sticking With You: An Introduction To Moe Tucker by Moe Tucker\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eDiminutive perpetual heartbeat of the Velvets!\u003cbr\u003e\u003cbr\u003eThe unmistakable beat of the Velvet Underground was malleted out on the unconventional kit of Moe Tucker. Her (at times) childlike, fallen angelic voice also shines on some VU fan favorites. Here Moe reinterprets some Velvet gems, sometimes playing all instruments, other times accompanied by the likes of Jonathan Richman, Jad Fair, Kim Gordon and more. In addition to VU faves, we’re treated to rough and jubilant covers of her favorite early rock \u0026amp; roll hits, and memorial odes to Sterling Morrison and Andy Warhol.\u003cbr\u003e\u003cbr\u003eStrength, beauty, truth: those words perfectly describe Tucker’s crucial role in the Velvets’ historic fray, across their first three studio albums: 1967’s The Velvet Underground and Nico, 1968’s White Light\/White Heat and the electrifying restraint of The Velvet Underground.\u003cbr\u003e\u003cbr\u003e“After Hours” was Tucker’s only starring role in the Velvets’ original lifetime, but her clockwork drumming and loyalty to those ideals were constants in the noisy and emotionally direct music Tucker made in her second, improbable career as a solo artist: particularly the nine tracks that comprise this unique introduction, selected from a dozen releases across two\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003edecades.\u003cbr\u003e\u003cbr\u003eThere are 1980 home-recorded versions of Chuck Berry’s “Around and Around” and the Shirelles’ “Will You Love Me Tomorrow?” with Tucker playing all of the instruments, a charming duet with Jonathan Richman of the Modern Lovers on “I’m Sticking With You,” iconic Velvets songs with instrumental support by Reed and original bassist-viola player John Cale, and the memorial ode “Andy,” a chant-like eulogy with liquid-jangle guitar named after the pop artist who produced, managed and mentored the Velvets from 1966 to 1968. This collection ends with another memorial: “Last Night,” written by Tucker and recorded in 1998 as he farewell to Sterling Morrison who died in 1995. I’m Sticking With You: An Introduction To Moe Tucker presents this vital part of the history and legacy of The Velvet Underground and a portrait of (as Lou Reed described her) “the driving force, the hardcore heart of the Velvets’ mindset.”\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 26, 2018\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Modern Harmonic","offers":[{"title":"Default Title","offer_id":31706764214409,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2481703381_16.jpg?v=1584575319"},{"product_id":"carsickness-1979-1982-new-lp","title":"Carsickness – 1979–1982 – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe classic Pittsburgh punk rock band that reeked havoc on the streets during the height of the punk era has returned! Carsickness has re-issued some of their most popular songs like “Bill Wilkinson,” “Police Dog,” and “For You” on a vinyl entitled 1979-1982. It also includes never-before-heard tracks, like “I Don’t Think So” which didn’t make the cut for the “Sharpen Up For Duty” album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCarsickness formed in Pittsburgh, PA in 1979 during the height of punk rock—a time when bands like the Ramones, The Clash, and The Sex Pistols were taking over the world. However, in Pittsburgh, there was a different kind of punk scene catching on, and Carsickness spearheading it. Their sound takes the rhythmically reckless speeds of punk rock and combines it with more complicated symphonic melodies creating tracks that make you want to sway and shout all at the same time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStarting off as a punk trio with Karl Mullen on guitar and vocals, Steve Sciulli on synthesizer and miscellany, and Dennis Childers on drums the band transformed with the addition of Chris Koenigsberg on bass, Dan Roelich on Saxophone, and Hans Werner on guitar and keyboards to become the punk rock orchestra of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe ages.\u003cbr\u003e\u003cbr\u003eTheir first show was in 1980, originally scheduled to be at Pittsburgh’s Mattress Factory, a contemporary art museum. However, Carsickness not only forgot to put the place, time, and date on their flyers, the museum also got nervous about the band’s hardcore reputation and, on the day of the show, canceled. Fortunately, it was rescheduled at a venue called Lions Walk for what turned out to be a sold-out show.\u003cbr\u003e\u003cbr\u003eDuring the height of their popularity, they were one of the first Pittsburgh punk bands to tour often outside of the city, moving the scene that was blossoming there forward to inspire bands such as Anti-Flag and Michael Chabon’s The Bats. “The music scene itself was bigger than us as individuals,” Childers always says.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4070203602\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/1979-1982\"\u003e1979-1982 by Carsickness\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eAll songs by Karl Mullen, Poulaphuca Music (BMI)\u003cbr\u003eMusical arrangements by Carsickness\u003cbr\u003eCover layout by Dennis Childers\u003cbr\u003ePhotographs by Stacy Weiss\u003cbr\u003e\u003cbr\u003eRemastered from the original tapes by Paul Michael Ferraro\u003cbr\u003eMastered for vinyl by George Ingram at National Record Productions\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33265057497225,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0262133912_16.jpg?v=1586243493"},{"product_id":"malaria-compiled-2-0-1981-1984-2-x-lp-import-new-lp","title":"Malaria! - Compiled 2.0 \/ 1981-84 • Full Emotion [2 x LP IMPORT All-female Berlin Band] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cspan\u003eGerman all-female band, formed in Berlin January 1981. \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGathers together all of the debut album, 1982's Emotion, as well as the first single and various other EP and compilation cuts.\u003c\/span\u003e","brand":"Moabit Musik","offers":[{"title":"Default","offer_id":35828878082209,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14223084-1570188200-6387_jpeg.jpg?v=1598210081"},{"product_id":"pigbag-dr-heckle-and-mr-jive-new-lp","title":"Pigbag - Dr. Heckle and Mr. Jive - New LP","description":"\u003cp\u003ereissue of 1982 album (recorded 1981).\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3025578173\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pigbagcov.bandcamp.com\/album\/dr-heckle-and-mr-jive\"\u003eDr. Heckle And Mr. Jive by Pigbag\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan\u003eAlong with \u003c\/span\u003ethe Pop Group\u003cspan\u003e and \u003c\/span\u003eRip Rig \u0026amp; Panic\u003cspan\u003e, \u003c\/span\u003ePigbag\u003cspan\u003e was a brilliant U.K. underground group who created a unique fusion of funk, disco, and post-punk that drew on the diverse, groove-oriented music of \u003c\/span\u003eCan\u003cspan\u003e, \u003c\/span\u003eFela Kuti\u003cspan\u003e, \u003c\/span\u003eMiles Davis\u003cspan\u003e, and \u003c\/span\u003eJames Brown\u003cspan\u003e. \u003c\/span\u003eDr. Heckle \u0026amp; Mr Jive\u003cspan\u003e was the debut album they cut in 1981 with producer \u003c\/span\u003eDick O'Dell\u003cspan\u003e for his Y Records label. The label was defining a new punk-funk sound with the scattered shards of the punk explosion; with groups such as \u003c\/span\u003ethe Pop Group\u003cspan\u003e, \u003c\/span\u003ethe Slits\u003cspan\u003e, and \u003c\/span\u003ePigbag\u003cspan\u003e, this scene started picking up on ethnic music grooves and melded them with the D.I.Y. approach of punk. The taut instrumental funk of \"Getting Up,\" \"Big Bag,\" \"Brian the Snail,\" \"Wiggling,\" and \"Brazil Nuts\" became an underground dance-floor classic. With their first single and anthem, \"Papa's Got a Brand New Pig Bag,\" the group incidentally scratched the surface of the mainstream and appeared in the pop charts. But overground success was very self-consciously avoided with their debut LP, which deals in experimental, long-form workouts and edgy funk grooves somewhat reminiscent of \u003c\/span\u003eA Certain Radio\u003cspan\u003e and the New York disco scene of the early '80s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Call of the Void Records","offers":[{"title":"Default Title","offer_id":35932062351521,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-135289-1152368022_jpeg.jpg?v=1598658390"},{"product_id":"pylon-box-color-vinyl-new-lp","title":"Pylon ‎– Box [4xLP BLACK VINYL + BOOK] – New LP","description":"\u003ch1\u003eBLACK VINYL. \u003c\/h1\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eNew West Records is proud to present Pylon Box — A comprehensive look at the band that features their studio LPs Gyrate and Chomp, both of which have been remastered from their original tapes, the 11-song collection Extra which includes rarities and 5 previously unreleased studio \u0026amp; live recordings, as well as Razz Tape, Pylon's first-ever recording: a 13-song unreleased session that pre-dates the band's seminal \"Cool\" b\/w \"Dub\" debut.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePylon Box also Includes a hardbound, 200 page full color book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker \u0026amp; Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52's, Bradford Cox of Deerhunter, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_2\"\u003eMission of Burma, Calvin Johnson of Beat Happening \u0026amp; K\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eRecords, Anthony DeCurtis, Chris Stamey of the dB's, Steve Wynn of the Dream Syndicate and many more. Includes an extensive essay chronicling the band's history with interviews with the surviving members of the band as well as members of R.E.M., B-52's, Gang of Four, Method Actors, and more. It also features never before seen images and artifacts from both the band's personal archives as well as items now housed at the Special Collections Library at the University of Georgia as well as the Georgia Museum of Art, UGA.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":36883688521889,"sku":"","price":128.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/0021457930_10.jpg?v=1702623980"},{"product_id":"ike-yard-a-fact-a-second-new-lp","title":"Ike Yard ‎– A Fact a Second [NYC 1982] – New LP","description":"\u003cp data-mce-fragment=\"1\"\u003eIke Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP.\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003eOriginally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. While historical analogues would be Cabaret Voltaire's Red Mecca or Front 242's Geography, opening track \"M. Kurtz\" makes starkly clear that Ike Yard is a far heavier proposition.\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=992416572\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/ikeyard-sv.bandcamp.com\/album\/ike-yard\"\u003eIke Yard by Ike Yard\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a thick porridge of bass, ringing guitar and strangled\/stunted layers of voice, these six pieces are densely packed and perversely danceable. \"Loss\" sounds like a minimal techno track that could have been made last week, while \"Kino\" combines Soviet-era imagery with sparse soundscapes à la African Head Charge's Environmental Studies.\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003eIke Yard somehow pull off the toughest trick in modern music: making repetition hypnotically compelling through subtle variation. The effect of Ike Yard's first LP can be heard in many genres – from industrial dance labels like Wax Trax to electro-punk bands and innumerable European groups (Lucrate Milk, Red Lorry Yellow Lorry, etc.).\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003eThe fact that the cover artwork does not include any photos of the band, but rather features the original catalogue number (FACT A SECOND) only further illustrates the release's importance and Ike Yard's timeless mystique.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• First album by legendary NYC band\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Originally released in 1982 on Factory\u003cspan data-mce-fragment=\"1\" class=\"break\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Recommended for fans of Clock DVA, Liaisons Dangereuses and Tuxedomoon\u003c\/p\u003e","brand":"Superior Viaduct Records","offers":[{"title":"Default Title","offer_id":37441973059745,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0093181267_10.jpg?v=1609698431"},{"product_id":"cotton-josie-convertible-music-color-vinyl-new-lp","title":"Cotton, Josie – Convertible Music [color vinyl] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eOriginally released in 1982 and regarded as a new wave classic, Josie Cotton’s “Convertible Music” has been out of print for decades, back to you on LTD COLOR VINYL, newly remastered, with one bonus track, and with its original artwork.\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThese look more pink (or my girlfriend says mulberry) than the one in photo, and while still translucent, these are more opaque than the one in photo, at least that's true for the one in the box that I opened.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=131676749\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/josiecottonmusic.bandcamp.com\/album\/convertible-music\"\u003eConvertible Music by Josie Cotton\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eThe album features the international hit “Johnny Are You Queer?” which was initially released as a single on BOMP! Records and got heavy airplay on L.A.’s KROQ. Both songs “Johnny Are You Queer?” and “He Could Be the One” were also performed by Josie in the 1983 film Valley Girl. “Convertible Music is a classic of the whole California girl-pop scene of the early ‘80s, on a level with the Go Go’s’ Beauty and the Beat, Bonnie Hayes’ Good Clean Fun, and the first Bangles EP.” – Stewart Mason, ALL MUSIC.\u003c\/h2\u003e","brand":"Bomp Records","offers":[{"title":"Default Title","offer_id":37464471011489,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3967357799_16.jpg?v=1609992546"},{"product_id":"morells-shake-and-push-used-lp","title":"Morells ‎– Shake and Push – Used LP","description":"\u003cp\u003eVG+\/VG+\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003cspan\u003eGreat set from Springfield, Missouri, 1982, or as someone else said about their other album, if it ain't great, it's certainly in that territory between really good and great, sort of recalling NRBQ's style (which of course goes back to the beginning of time, or at least back to the early 1950s).  These folks maybe get a bit more rockabilly and silly than NRBQ, opening the set with three originals, starting with “Gettin’ in Shape” (“\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eHere comes Betty \/ She’s so sweaty \/ I wish we were goin’ steady”).  To make sure this ain’t some stale neo-rockabilly museum music, they go into the Village People at the end of the song, enough to send some roots-rock purists to their graves where they belong.  \u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003eAfter that, the band launches into a song about food (the subject of some of the best songs ever recorded), this one about Red’s, the cafe that graces the sleeve.  (“The only thing that’s French on the menu is fried.”)  After that flavorful cliché, they go into some obscure covers, a song about the beautiful thing about “Ugly \u0026amp; Slouchy” women, and another about “Growin’ a Beard,” concluding with the instrumental “Bumble Boogie.”  If you don't like this album, they should lock you up in jail, in stupid jail.  -- winch (green noise records)\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Borrowed Records","offers":[{"title":"Default Title","offer_id":39840201998497,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-1856531-1532049162-8155_jpeg.jpg?v=1620534467"},{"product_id":"burnside-r-l-long-distance-call-europe-1982-new-lp-1","title":"Burnside, R. L. – Long Distance Call: Europe 1982 [BLACK \u0026 SMOKE VINYL] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor the first time, the 1982 recordings in Groningen, Netherlands with Leo Bruin have arrived on vinyl. Here you find R.L. Burnside, alone with only his guitar and his voice. Showing off his skills even in his younger days, in the vein of John Lee Hooker and Fred McDowell.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1. Death Bells Ringing 2. Ramblin On My Mind 3. When My First Wife Left Me 4. Walking Blues 5. Long Distance Call 6. If You Don't Want Me Baby 7. Early In The Morning 8. Sweet Blank Angel 9. Short Haired Woman 10. 44 Pistol 11. Sat Down On My Bed and Cried\u003c\/span\u003e \u003cbr\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\" data-tooltips='{\"dash_seen\":null,\"tooltips\":[]}'\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":40064203522209,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Burnside_1982_26533e6d-b8dd-41ab-a604-fc0e625e957d.jpg?v=1622760383"},{"product_id":"easy-money-s-t-new-lp","title":"Easy Money – S\/T [1979 - 1982 Canadian Power Pop] – New LP","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eComp housing unpolished power-pop gems from this Canadian outfit.  Rather than polishing the rock n roll, the band spits out the songs like infected teeth, maybe inspired by American underground rock, UK punk, Australian rock, The Who, the Monkees, The Stones and the Kinks in the 1960s, this continues the tradition of Canada Rock that went back a decade previous (and continued through the 21st century), but moves away from the polished glitter-rock of the 1970s, keeping it simple but never pulling the punches, most of it in the style of new wave from this era but instead of stiff and sterile and boring, this has a bone to pick and injects the low-rent new wave with some punk urgency and punch. People who dig through thrift stores and back rooms to find local rock n roll records from skinny-tie days of years gone by might get a humongus kick from this set. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=237049057\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/neontasterecords.bandcamp.com\/album\/collection-79-82\"\u003eCollection 79 - 82 by Easy Money\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompiling the original two 1980 singles and 9, two-track demos featuring Easy Money at their very best for the first time. A mandatory archival release for Canadian diy music and any fan of Powerpop\/Mod-Revival. Not your average, terrible quality, bad sounding 'why-bother' collections. This is a true hidden gem of Northwest Rock n Roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"tralbumCommands dupe_purchases_fix\"\u003e\n\u003cli class=\"buyItem package\"\u003e\n\u003ch3 class=\"hd\"\u003e\u003cspan id=\"package-title-4042413712\"\u003e\u003cbutton data-pkg=\"0\" type=\"button\" class=\"order_package_link buy-link\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText\"\u003e13 song LP collection\u003c\/span\u003e\u003c\/button\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"merchtype secondaryText\"\u003eRecord\/Vinyl + Digital Album\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003eCanada has a long and storied history of New Wave. We had some of the best records of the varying styles from Pointed Sticks to Viletones and DOA to Neos. Even our own KBD monsters like Dry Heaves and Siggy Magic. Powerpop wasn't just the previously mentioned Pointed Sticks though. In Victoria BC Canada there was a band that released two strong singles in 1980 on Richards Records and broke up 2 years later. Active for only 3 years, these singles were quickly forgotten and overshadowed by the blistering hardcore of the cities 2nd wave.\u003cbr\u003eThe band was called Easy Money.\u003cbr\u003eFast Forward a 2 or 3 decades.\u003cbr\u003ePiecing together Canada's involvement in punk and new wave has been a hobby of mine for years. Finding the obscurities\u003cspan class=\"bcTruncateMore\"\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003emistakes, the forgotten and the outright terrible has been fun and frustrating. Talking to old rockers, punks, promoters and fans, probing the local fanzines and looking for the things no one has heard before presents a whole slough of different emotions. It also presents a pretty stand-out record collection. To think that there were demo quality recordings of Easy Money - enough to make an LP - lying around un-comped and unheard with exceptional sound quality was truly dumbfounding. Solid songs, excellent playing, infectious, live off the floor, 2 track jamspace demos. They had to be heard. And now they can. Hosehead Records and Neon Taste Records in conjunction with the band are co-releasing Easy Money's demo LP with both singles for your listening pleasure and we guarantee you it is worth the price of admission.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eFFO Pointed Sticks, The Heats, Cheap Trick and Kidda Band.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neon Taste Records \/ Hosehead Records","offers":[{"title":"Default Title","offer_id":40291375841441,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3683546448_16.jpg?v=1625455335"},{"product_id":"gil-scott-heron-moving-target-new-lp","title":"Gil Scott-Heron – Moving Target – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMoving from plenty of funky numbers to the reggae of \"Ready or Not,\" from the blues of \"Blue Collar,\" to his rap-poetry \/ jazz workout with the marathon closer \"Black History \/ The World,\" giving the background and then moving into plans for today and the future, throughout it all, his eye focused keenly on the happenings of the world unfolding, continuing the vision he and his contemporaries had explored for the past decade and before, some of the sounds making it clear this comes from the early 1980s but also ignoring some of the styles and clearly coming out of the social commentary the early 1970s, another essential outing from Gil Scott-Heron.  -- winch\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eDan LeRoy: \"\u003c\/span\u003eGil Scott-Heron's last proper album for more than a decade,\u003cspan\u003e \u003c\/span\u003eMoving Target\u003cspan\u003e \u003c\/span\u003ewas recorded after a period of intense touring (hence the title) and, perhaps understandably, finds\u003cspan\u003e \u003c\/span\u003ethe Midnight Band\u003cspan\u003e \u003c\/span\u003eplaying a larger role than usual. It also may reflect the group's travels, as the typical, tastefully jazzy R\u0026amp;B and funk grooves -- like set-opener \"Fast Lane\" and \"Explanations\" -- are supplemented with more exotic sounds. Like\u003cspan\u003e \u003c\/span\u003eStevie Wonder, for whom he and\u003cspan\u003e \u003c\/span\u003ethe Midnight Band\u003cspan\u003e \u003c\/span\u003eopened a tour in 1980,\u003cspan\u003e \u003c\/span\u003eScott-Heron\u003cspan\u003e \u003c\/span\u003eand his bandmates were experimenting with reggae. \"No Exit\" has clear echoes of\u003cspan\u003e \u003c\/span\u003eBob Marley, while \"Ready or Not\" is a sultry island jam. Both tunes also had themes more personal than political, a shift noticeable elsewhere on the album (even \"Washington D.C.,\" with its seemingly obvious subject, is as much about the resilient spirit of D.C.'s citizens as it's about the city's politicians). That's somewhat surprising, given that\u003cspan\u003e \u003c\/span\u003eScott-Heron\u003cspan\u003e \u003c\/span\u003ehad recently enjoyed success with \"B-Movie,\" a pointed attack on then-president\u003cspan\u003e \u003c\/span\u003eRonald Reagan. But \"Blue Collar\" is a populist manifesto that gives shout-outs to working folks in a variety of professions across the fruited plain before concluding with the dispirited chorus, \"There ain't no place we ain't been down,\" and \"Black History\/The World\" offers nearly ten minutes of Afro-centric theorizing, beginning with a spoken introduction that hearkens back to\u003cspan\u003e \u003c\/span\u003eScott-Heron's sarcastic, poetic beginnings and ends with a plea for peace and world change.\"\u003c\/h3\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Studios:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlas Studio\/Springfield, Va.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarch 25-27 \u0026amp; May 28-29 1982\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTownhouse\/London, England\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApril 9-12 1982\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Manor\/Oxford, England\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eApril 19-21 1982\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecord Plant\/Los Angeles, Cal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJune 7-17 (Recorded \u0026amp; Mixed)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA\u0026amp;M\/Los Angeles, Ca.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastering, July 1982.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"spacer\"\u003e\u003c\/div\u003e","brand":"Arista Records","offers":[{"title":"Default Title","offer_id":40411761246369,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-6478911-1435561711-6807_jpeg.jpg?v=1626825591"},{"product_id":"reincarnate-leave-it-or-take-it-demos-and-rarities-nwobhm-new-lp","title":"Reincarnate - Leave It or Take It: Demos and Rarities [Marked Down 1982-1983 NWOBHM] - New LP","description":"\u003cdiv class=\"info\"\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficial reissue containing all track from the Take It or Leave It single and the 1983 Demo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IWh2lXkzRoo?si=uxZ0uwJxroXcCLXY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Splattered Records","offers":[{"title":"Default Title","offer_id":40578819424417,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-15013162-1585498929-5747_jpeg.jpg?v=1628810900"},{"product_id":"sun-ra-his-arkestra-celestial-love-new-lp","title":"Sun Ra \u0026 His Arkestra – Celestial Love [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003c\/h2\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eCelestial Love contains recordings made in September 1982 at New York's Variety Studios, which had hosted countless Sun Ra sessions since the late 1960s. This was one of the last extended sessions at Variety, and these recordings were the last studio works released on Sun Ra's own Saturn label (though the label did continue to press concert recordings, and new studio recordings did appear on other labels). Aside from their inclusion on Celestial Love, tracks from these sessions landed on the albums A Fireside Chat With Lucifer and Nuclear War. Since Nuclear War's contents overlapped with both Fireside Chat and Celestial Love, we have reconstituted the latter two as complete albums, thus covering all titles from these Variety dates.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=853939478\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sunramusic.bandcamp.com\/album\/celestial-love\"\u003eCelestial Love by Sun Ra \u0026amp; His Arkestra\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music on Celestial Love is mostly \"inside\" Ra, veering towards mainstream jazz (the lengthy and adventurous \"Fireside Chat,\" not on this album, being an exception). Ra's early hero, Duke Ellington, is represented twice with \"Sophisticated Lady\" and \"Drop Me Off in Harlem,\" and two other standards (\"Smile\" and \"Sometimes I'm Happy,\" both sung by June Tyson) are given snappy Ra arrangements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album contains the only known recordings of \"Celestial Love\" and \"Blue Intensity.\" \"Interstellarism\" is a reinvention\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eof \"Interstellar Low Ways,\" a composition Ra first recorded in 1959 (with reed stalwarts John Gilmore and Marshall Allen, who are on this version 23 years later). \"Nameless One #2,\" a blues workout, is reprised on \"Nameless One #3.\" (\"Nameless One #1\" has apparently not been written, but could yet arrive from a distant galaxy.)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough Sun Ra was renowned for outrageous music and performances, Celestial Love is a reminder that he was a man of many moods, with a deep respect for jazz history. His embrace of Futurism never implied a rejection of the past. Even rocket ships were constructed with raw materials discovered eons ago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e– I.C.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003ecredits\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased January 5, 2015\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e2015, Enterplanetary Koncepts\u003cbr data-mce-fragment=\"1\"\u003eAll tracks produced by Sun Ra\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePERSONNEL:\u003cbr data-mce-fragment=\"1\"\u003eSun Ra: piano, synthesizer, organ\u003cbr data-mce-fragment=\"1\"\u003eJune Tyson: vocals (2, 7)\u003cbr data-mce-fragment=\"1\"\u003eTyrone Hill: trombone\u003cbr data-mce-fragment=\"1\"\u003eWalter Miller: trumpet\u003cbr data-mce-fragment=\"1\"\u003eVincent Chancey: French horn\u003cbr data-mce-fragment=\"1\"\u003eJohn Gilmore: tenor sax\u003cbr data-mce-fragment=\"1\"\u003eMarshall Allen: alto sax, flute\u003cbr data-mce-fragment=\"1\"\u003eDanny Ray Thompson: baritone sax, flute\u003cbr data-mce-fragment=\"1\"\u003eJames Jacson: bassoon, infinity drum\u003cbr data-mce-fragment=\"1\"\u003eHayes Burnett or John Ore: bass\u003cbr data-mce-fragment=\"1\"\u003eSamarai Celestial: drums\u003cbr data-mce-fragment=\"1\"\u003eAtakatune: percussion\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTape transfers by Michael D. Anderson of the Sun Ra Music Archive\u003cbr data-mce-fragment=\"1\"\u003eDigital restoration by Michael D. Anderson and Irwin Chusid\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to John Sudduth, Peter Dennett, Christopher Eddy, Robert Campbell, Christopher Trent\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll tracks composed by Sun Ra © Enterplanetary Koncepts (BMI)\u003cbr data-mce-fragment=\"1\"\u003eexcept\u003cbr data-mce-fragment=\"1\"\u003e\"Sometimes I'm Happy\" (Caesar-Youmans-Grey)\u003cbr data-mce-fragment=\"1\"\u003e\"Sophisticated Lady\" (Ellington-Mills-Parish)\u003cbr data-mce-fragment=\"1\"\u003e\"Smile\" (Chaplin-Parsons-Phillips)\u003cbr data-mce-fragment=\"1\"\u003e\"Drop Me Off in Harlem\" (Ellington-Kenny)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIssued under license from Sun Ra LLC\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCover illustration adapted from a Saturn LP sticker; design by I.C.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":41464675500193,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0931546171_16.jpg?v=1642377168"},{"product_id":"bramly-sophie-yo-the-early-days-of-hip-hop-1982-84-import-new-book","title":"Bramly, Sophie – Yo! The Early Days of Hip Hop 1982-84 [IMPORT] - New book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003eArtist:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/b2b.redeyeworldwide.com\/?search_bar=1\u0026amp;search_reset=1\u0026amp;search_artist=Bramly%2C+Sophie\" class=\"vanilla\"\u003eBramly, Sophie\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTitle: Yo! The Early Days of Hip Hop 1982-84\u003c\/li\u003e\n\u003cli\u003eGenre: Rap \/ Hip Hop\u003c\/li\u003e\n\u003cli\u003eLabel: Soul Jazz Books\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"pt-2\"\u003eYo! The Early Days of Hip-Hop 1982-84 is a new book published by Soul Jazz Books\/Records featuring 300+ pages of stunning photographs documenting the rise of hip-hop in the early 1980s, by French photographer Sophie Bramly. With an introduction by Bill Adler and additional text by Fab Five Freddy, Grand Mixer D.St, Rahiem of The Furious Five, Arthur Baker , Zephyr, Muhamad of The Magnificent Force, Lady Pink , Mister Freeze of The Rock Steady Crew, Patti Astor \u0026amp; Slick Rick. Sophie Bramly lived in New York during this period and became firmly embedded in the emergent scene. The book features many stunning, intimate images of a star-studded roll call of legendary hip-hop figures, all of whom were only just getting known or in their ascendency. These include Kool Herc, Afrika Bambaataa, Grandmixer D.ST, Jazzy Jay, Red Alert, Grandmaster Melle Mel, Kurtis Blow, Lisa Lee, the Fat Boys, Run-DMC, Beastie Boys and more. Bramly knew that hip-hop was becoming a cultural force rather than just a musical fashion, and spent many hours photographing the four essential elements of this new world: emcees, deejays, graffiti artists and breakdancers. Legendary graffiti artists are captured at work and play, such as Keith Haring, Dondi, Futura, Phase One, Zephyr and Lady Pink, and breakdancers including members of Magnificent Force, Dynamic Breakers and the Rock Steady Crew. Sophie Bramly is a French photographer who moved to NYC in 1982 aged 22 and for two years documented the burgeoning hip-hop scene. She returned to France in 1984, bringing a number of US hip-hop artists to Europe, and in 1987 moved to London to host\/produce MTV’s first ever hip-hop show, Yo! MTV Raps. She lives in Paris and her work is featured extensively at the exhibition Hip-Hop 360 at the prestigious Philarmonie de Paris, France\/Dec 21–Aug 22\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan class=\"theme-text-color-1-2\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soul Jazz Books","offers":[{"title":"Default Title","offer_id":41627689615521,"sku":"","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374757224.jpg?v=1645440481"},{"product_id":"bus-boys-the-american-worker-used-lp","title":"BusBoys, the ‎– American Worker – Used LP","description":"\u003ch3\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cp\u003evinyl: VG\u003c\/p\u003e\n\u003cp\u003esleeve: VG-\u003c\/p\u003e\n\u003cp\u003eAmerican Worker Review by Alex Henderson: \"In 1980, the BusBoys sent shock waves through the music world with their song \"KKK,\" which found members of a mostly African-American band singing that they wanted to \"join the Ku Klux Klan and play in a rock \u0026amp; roll band.\" Of course, no one in the BusBoys really aspired to be a Klansman -- they were actually ridiculing institutional racism and asserting that if African-Americans were good enough to pay taxes and fight in the Vietnam War, they shouldn't be excluded from any part of the American dream, including the white-dominated rock \u0026amp; roll field. Unfortunately, a few simpletons took their lyrics out of context and assumed that the BusBoys were self-hating blacks, but to anyone with half a brain, it was clear where they were coming from. After using shock value and humor to get their anti-racism, pro-working-class message across on their first album, Minimum Wage Rock \u0026amp; Roll, the BusBoys brought an equally sociopolitical agenda to their sophomore effort, American Worker. This likable, if uneven, LP ranges from political offerings like \"American Workers,\" \"I Get Lost,\" and the reggae-influenced \"Opportunity\" to less provocative, more mainstream pop\/rock fare such as \"Last Forever\" and \"Heart and Soul.\" Regrettably, this 1982 release was the BusBoys' last album on Arista (they wouldn't record another album until the late '80s, when they shifted their focus from rock to synth-funk\/urban contemporary). The BusBoys had a lot of potential, and it's unfortunate that they didn't fully live up to it. But despite their imperfections, Minimum Wage Rock \u0026amp; Roll and American Worker are fun albums that deserve credit for taking some risks and making some sociopolitical statements that needed to be made.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist Biography by William Ruhlmann: \"The BusBoys were a Los Angeles-based rock \u0026amp; roll band made up of five African-Americans and a Hispanic who played satirically upon their ethnic origins in songs with titles like \"There Goes the Neighborhood.\" They were formed in the late '70s with a lineup of brothers Brian O'Neal (keyboards, vocals) and Kevin O'Neal (bass, vocals), Gus Louderman (vocals), Mike Jones (keyboards, vocals), Victor Johnson (guitar), and Steve Felix (drums). Essentially a novelty act, they nevertheless impressed listeners with their energetic bar band rock. They reached their peak of national exposure when they appeared in the 1982 Eddie Murphy film 48 Hrs. Their two Arista albums reached the charts, as did the 1984 single \"Cleanin' Up the Town,\" which was featured in the film Ghostbusters.\"\u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"bio-headline-container\"\u003e\n\u003ch2 class=\"bio-heading\"\u003eManufactured By – Arista Records, Inc. Produced For – Pete Solley Productions, Inc. Phonographic Copyright ℗ – Arista Records, Inc. Copyright © – Arista Records, Inc. Published By – WB Music Published By – Maitre D'Music Published By – Garcon Music Published By – Chinnichap Publishing Ltd. Published By – Rak Publishing Ltd. Pressed By – Monarch Record Mfg. Co. – △25572 Recorded At – United Western Studios Mixed At – Criteria Recording Studios Bass – Kevin O'Neal Booking – ICM (2), Rick Bloom Cover [Back], Art Direction [Back] – Sam McCay Cover [Front], Art Direction [Front] – Betsy Rodden Design [Package] – Davis Grimaldi Butler Drums – Steve Felix Engineer – Dennis Hetzendorfer (tracks: B5), Steve Klein (tracks: A1 to B4) Engineer [Assistant] – Patrice Carroll Engineer [Second] – Dave Ahlert* Executive-Producer – Clive Davis Guitar – Victor Johnson Illustration – Jeff \"Phoenix Is Alright\" Wack* Management – Michael Klefner Management [Business Manager] – Lawrey Goldberg Photography By [Back Cover, Inner Sleeve] – Von Thomas Piano – Brian O'Neal Producer – Pete Solley* Promotion [Publicity] – Bobbi Cowan And Associates Sleeve [Inner], Art Direction [Inner Sleeve] – Larry Brooks Synthesizer – Michael Jones (4) Vocals – Gus Loundermon\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eWritten-By – Brian O'Neal (tracks: A1 to A4, B1 to B4),\u003c\/p\u003e\n\u003cp\u003eN. Chinn And M. Chapman* (tracks: A5),\u003c\/p\u003e\n\u003cp\u003eKevin O'Neal (tracks: B5)\u003c\/p\u003e","brand":"Arista Records","offers":[{"title":"Default Title","offer_id":41759681708193,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-15777854-1597610247-9089.jpg?v=1648504527"},{"product_id":"de-press-product-import-vinyl-new-lp","title":"De Press –  Product [IMPORT WHITE VINYL marked down] – New LP","description":"\u003cp\u003eNew pressing of 1982 LP.  Limited to 500 worldwide.\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Product of the ‘80s”Product”(1982) was the sequel to “Block To Block”, the breakthrough album by Andrej Nebb, Ola Snortheim and Jørn Christensen. Like its predecessor, “Product” was produced by John Leckie and De Press. Both albums are now being re-released by Apollon Records on vinyl and CD. What is it about these two records? They still sound like nothing else from the Norwegian music scene. Both albums were on par with anything from the wider world, and this in a time were international New Wave and Post Punk classics were being released on an almost weekly basis. They encapsulate the sound of an entire era and may mirror the contemporary zeitgeist of its time so brilliantly that we still see ourselves in them.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3966987595\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/depress1.bandcamp.com\/album\/product-1982-2021-remaster\"\u003eProduct ( 1982, 2021 remaster) by De Press\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf its predecessor was the party before the proverbial bomb goes off, their sophomore album was the sound of the seconds leading up to the explosion. It sounds exciting and full of vitality—and fascinatingly dangerous. Like a Polish-Norwegian Joy Division from the underground of some forsaken city. Just listen to the intensity of songs like “The Fatal Day”, “Passages”, “In A Crowded Room”, and the title cut\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eNorwegian band whose debut album \u003ci\u003eBlock to Block\u003c\/i\u003e was one of the most influential Norwegian rock releases. With their unmistakable blend of typical early 80s dark new wave rock and Eastern European influences (complete with Polish refugee Andrej Nebb's often \u003cmeta charset=\"utf-8\"\u003eunintelligible Norwegian-English-Polish lyrics), they have remained an oft-referenced band in Norwegian rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Apollon Records (Norway)","offers":[{"title":"Default Title","offer_id":41866282631329,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2116178865_16.jpg?v=1650792664"},{"product_id":"kentrol-otto-no-mistakes-2xlp-new-lp","title":"Kentrol, Otto – No Mistakes [2xLP 1980s No Wave]  – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003eSax Driven NYC No Wave\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=423006836\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ottokentrol.bandcamp.com\/album\/no-mistakes\"\u003eNo Mistakes by Otto Kentrol\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003cp\u003eFinally the recorded studio work of Bill Ylitalo as Otto Kentrol and Faceless has been assembled! Featuring hard to find post punk \u0026amp; no wave cuts, four track demos, and previously unissued gems. Sax, strange electronic instruments, recitative vocals and sporadic bass, guitar and drums all spread over two LPs with liner notes by WFMU’s Erick Bradshaw, host of Spin Age Blasters!\u003c\/p\u003e\n\u003cp\u003eIn addition creating sought after EPs from the early 80s on German labels and self released cassettes, Bill (aka Otto) was also touring jazz clubs with the “Funky Drummer,” Clyde Stubblefield (as his entire horn section), and maintaining the toilets at CBGBs. Seriously! Bill was their plumber, you can’t make this stuff up!\u003c\/p\u003e\n\u003cp\u003eInspired by multi-instrumentalists like Stevie Wonder and conceptualists like Brian Eno, Ylitalo manifested\u003ci\u003e\u003cspan\u003e \u003c\/span\u003ethese no-wave faves\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eas a creative act of will. In addition to playing all the instruments, Ylitalo got the lyrics down by banging them out on his trusty Olivetti typewriter and then furiously editing them on his way to the studio. Perfectly complimenting the disjointed grooves of the record, the lyrics reveled in wry observations and street-level absurdism.\u003c\/p\u003e\n\u003cp\u003eWhen paired with drummer Rick Tarantelli and bassist James Quinlan, Ylitalo recorded as Faceless. After their\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFake\/Ghost Boy\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(included here) came out in 1983, Faceless toured Germany where they played with kindred spirits like Blurt, Sonic Youth and Einstürzende Neubauten.\u003c\/p\u003e\n\u003cp\u003eThe new wave movement was happening concurrently in New York City, but ultimately, Ylitalo was separate from the notorious downtown scene. Over the course of his first LP, the Otto Kentrol aesthetic is laid bare. Ylitalo seems to be constructing fractured songs out of spit, glue, rubber bands and broken furniture. There’s a certain kind of streetwise swagger inherent in the approach of Herr Kentrol. The music is like a lens through which Otto views the world, always slightly askew and irrevocably warped.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRECORD STORE DAY 2022 RELEASE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLIMITED TO 2,000 COPIES WORLDWIDE\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLIMITED TO 1,450 COPIES IN NORTH AMERICA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eINCLUDES:\u003c\/p\u003e\n\u003cp\u003e No Mistakes* (2:19) • What About My Engine Rebuild* (2:58) • At The Water* (1:41) • Learn Greek In Greece* (4:52) • Public Eye* (4:02) • My Generation (Townshend) (2:11) • Ghost Boy** (2:56) • Retread** (3:40) • Lady In Cement** (3:55) • Young** (2:54) • Who Are The Flowers From** (0:58) • Drive** (4:24) • Fly Line** (1:51) • Slut** (1:50) • Amgonna Kaar** (4:58) • Our Secret** (2:30) • The Man With The Flashlight** (2:55) • Fake** (2:53) • Looking Back*** (4:04) • Scrap Heap (2:35) • Ghost Boy Instrumental (2:43) • 283 (1:03) • County K (2:22) • Fun To Be Fake (2:05) • Kids In Kanvas (1:17) • A Light In A Line (0:53) • Meat (0:59) • Sing Along (1:08) • Wong Family (3:23)\u003c\/p\u003e\n\u003cp\u003e*Originally issued on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLearn Greek In Greece\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(Control Records 01, 1980)\u003c\/p\u003e\n\u003cp\u003e**Originally issued on Ghost Boy \/ Fake (Hasch Platten KIF 005, 1983)\u003c\/p\u003e\n\u003cp\u003e***Originally issued on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMusik Für Dich\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e(Hasch Platten KIF 006\/7, 1984)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":42070370255009,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Otto_Kentrol_900.jpg?v=1655262746"},{"product_id":"iko-83-extra-studio-works-2xlp-new-lp","title":"Iko – '83 \u0026 Extra Studio Works [2xLP] – New LP","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 style=\"text-align: left;\"\u003eL'emblématique album ’83 de formation minimal-synth montréalaise IKO a 40 ans! Pour l'occasion, nous le rééditons en version deluxe avec un 12\" supplémentaire comprenant quatre titres disponible en vinyle pour la première fois.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2542535608\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lebackstore.bandcamp.com\/album\/iko-83-extra-studio-works\"\u003eIKO - '83 \u0026amp; Extra Studio Works by IKO\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e__ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __ __\u003c\/h2\u003e\n\u003ch2\u003eIconic '83 album by Montreal minimal synth trio\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIKO\u003c\/em\u003e has 40 years! This double LP reissue includes the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e‘83\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealbum as it was released in 1982 and a second 12” record cut at 45rpm including four extra studio tracks available for the first time on vinyl.\u003c\/h2\u003e","brand":"LeBackstore Records","offers":[{"title":"Default Title","offer_id":42128800317601,"sku":"","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1077800097_16.jpg?v=1656358727"},{"product_id":"bad-brains-i-and-i-survive-new-12","title":"Bad Brains - I and I Survive – New 12\"","description":"\u003cp\u003erepress of 1982 EP\u003c\/p\u003e","brand":"Bad Brains Records","offers":[{"title":"Default Title","offer_id":42129270800545,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-19681837-1627670918-2461.jpg?v=1656370949"},{"product_id":"end-result-the-seven-year-locust-returns-white-vinyl-new-lp","title":"End Result – The Seven Year Locust Returns [WHITE VINYL] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnd Result‘s 1982 masterpiece The Seven Year Locust Returns on vinyl for the first time! This album was originally dubbed on cassette and distributed among friends in the Chicago punk scene. TSYLR represents End Result at their most formative stage. The recordings presented here contain the brutal roots of what would come later on their excellent, David Riley (Big Black, Savage Beliefs) produced, Ward 12″.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1714573109\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shop.alonasdreamrecords.com\/album\/the-seven-year-locust-returns\"\u003eThe Seven Year Locust Returns by End Result\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVia The Chicago Punk Database: End Result first rehearsed in July 1979 in a basement near Pill Hill on the south side. They were (ARE!) a well respected experimental \/ nowave band that had a changing lineup throughout the 1980s. Their style was much different than their “hardcore” peers and featured a style that couldn’t really be categorized by normal punk conventions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe best preserved copy of End Result's hand-dubbed The Seven Year Locust Returns cassette was located in the archive of Chicago experimental institution ONO. It was subsequently and expertly transferred and mastered by Carl Saff. Pressed into vinyl and placed inside a cardboard sleeve for you to buy, rip open and enjoy. Limited white vinyl version: recorded, mastered and pressed in Chicago. Includes printed inner sleeve with rare photos and excellent liner notes.\u003cbr\u003e\u003c\/p\u003e","brand":"Alona's Dream Records","offers":[{"title":"Default Title","offer_id":42185095217313,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0553141620_16.jpg?v=1657145725"},{"product_id":"dance-the-do-dada-orange-vinyl-new-lp","title":"Dance, The – Do Dada [ORANGE VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNYC 1980-1983 circa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eGroundbreaking Post-Punk Art-Funk! Do Dada captures The Dance surfing the emerging No Wave scene across their earliest recordings, featuring cuts from their early EPs paired with previously unissued gems! Pressed on colored vinyl!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=189470184\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sundazedmusic.bandcamp.com\/album\/do-dada\"\u003eDo Dada by The Dance\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA New York based early 80's No Wave band that spun off from The Model Citizens after one EP produced by John Cale while other old band-mates formed Polyrock. Material's Fred Maher joined them on drums for some recordings. The band was fronted by Eugenie Diserio, known for her sexy homemade fashion designs and her sultry voice that often played off suggestive lyrics.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eReview by Fred Thomas: New York band the Dance was active from late 1979 to sometime in 1983, rising out of Manhattan's downtown art punk scene with a sound that fused elements of funk, no wave, global rhythms, and danceable if dissonant high-energy rock. While they didn't reach the same levels of acclaim as the Talking Heads, the Slits, or even more immediate peers like DNA or the Bush Tetras, the Dance created a hybrid of high-tension sounds on the same level as all of those bands that was evident from their first self-produced, self-released 12\" EP, 1980's Dance for Your Dinner. Compilation release Do Dada collects that EP as well as alternate mixes of songs from later records, non-album tracks, and other unreleased material. The frenetic energy of the band's first four songs is almost uncontainable, from the eerie falsetto vocals and slippery bass line of \"She Likes to Beat\" to the caustic funk push, unexpected violin\/percussion breakdown, and constant unhinged vocalizations of \"Do Dada,\" a song emblematic of the anything-goes stylistic approach of the N.Y.C. scene the Dance were part of in the early '80s. There's an extended mix of the slick, slightly gothic groove \"In Lust\" (taken from the band's 1981 debut LP of the same name) as well as the dubby swells of non-album B-side \"Dubbin' Down\" and two versions of the previously unreleased \"Into the Future,\" an emphatic and chaotic original mix and a sample-heavy mix by Arthur Baker that sounds almost unrecognizable from the first. The material on Do Dada draws from every phase of their brief lifespan and offers a great idea of how their sound changed and held on to its core elements as they burned quickly and ferociously.\u003c\/span\u003e\u003c\/p\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":42204616392865,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0298564268_16.jpg?v=1657351589"},{"product_id":"johanna-went-hyena-new-lp","title":"Went, Johanna  – Hyena [RED VINYL 1982 weirdness] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released on Posh Boy in 1982\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracks B2-B4 are bonus tracks not on the original release.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased in conjunction with the Johanna Went exhibition \"Passion Container\" at The Box Gallery, Los Angeles.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes download card for WAV version of the album.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=447555086\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/boxeditions.bandcamp.com\/album\/hyena\"\u003eHyena by Johanna Went\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Box Editions Records","offers":[{"title":"Default Title","offer_id":42324595900577,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0855481538_16.jpg?v=1659379906"},{"product_id":"mcduff-jack-live-at-parnell-s-3xlp-import-new-lp","title":"McDuff, Jack –  Live at Parnell’s [3xLP IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003ch2 class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJazz organist ‘Brother’ Jack McDuff (born Eugene McDuffy in 1926 September 17, 1926 – January 23, 2001) was second only to the infamous Jimmy Smith in terms of fame and the impact he made with the King of keyboard instruments - the Hammond B-3 Organ.  \u003c\/span\u003e\u003cspan\u003eLive At Parnells’ is made up of 15 tracks selected from a week-long engagement in June 1982, featuring Danny Wollinski on sax, guitarist Henry Johnson and Garrick King on the drums. Stylistically, Jack and his group cover a lot of ground, especially for an organ quartet – from beautifully old school funky, gritty blues with tracks like \"Walkin’ The Dog\" \u0026amp; \"Blues 1 \u0026amp; 8,\" jazz standards \"April In Paris,\" and \"A Night In Tunisia.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3918015096\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/soulbankmusic.bandcamp.com\/album\/live-at-parnells\"\u003eLive at Parnell's by Jack McDuff\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA1. Make It Good\u003cbr\u003eA2. Untitled D Minor\u003cbr\u003eA3. Déjà vu\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eB1. Fly Away\u003cbr\u003eB2. Another Real Goodun’\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eC1. Blues in the Night\u003cbr\u003eC2. Satin Doll\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eD1. A Night in Tunisia\u003cbr\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eD2. Killer Joe\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eE1. Greensleeves\u003cbr\u003eE2. Take The A Train\u003cbr\u003eE3\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e. Wives \u0026amp; Lovers\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eF1. Walkin’ the Dog\u003cbr\u003eF2. Lover Man\u003cbr\u003eF3. Blues 1 \u0026amp; 8\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\nBiography by Ron Wynn: A marvelous bandleader and organist as well as capable arranger, \"Brother\" Jack McDuff has one of the funkiest, most soulful styles of all time on the Hammond B-3. His rock-solid basslines and blues-drenched solos are balanced by clever, almost pianistic melodies and interesting progressions and phrases. McDuff began as a bassist playing with Denny Zeitlin and Joe Farrell. He studied privately in Cincinnati and worked with Johnny Griffin in Chicago. He taught himself organ and piano in the mid-'50s, and began gaining attention working with Willis Jackson in the late '50s and early '60s, cutting high caliber soul-jazz dates for Prestige. McDuff made his recording debut as a leader for Prestige in 1960, playing in a studio pickup band with Jimmy Forrest. They made a pair of outstanding albums: Tough Duff and The Honeydripper. McDuff organized his own band the next year, featuring Harold Vick and drummer Joe Dukes. Things took off when McDuff hired a young guitarist named George Benson. They were among the most popular combos of the mid-'60s and made several excellent albums. McDuff experimented with electronic keyboards and fusion during the '70s, then in the '80s got back in the groove. While his health fluctuated throughout the '90s, McDuff released several discs on the Concord Jazz label before succumbing to heart failure on January 23, 2001, at the age of 74.","brand":"Soul Bank Music","offers":[{"title":"Default Title","offer_id":42631148372129,"sku":"","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1441619073_16.jpg?v=1665793896"},{"product_id":"various-artists-killed-by-death-8-1-2-new-lp","title":"Various Artists - Killed by Death #8 1\/2 - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e ALL AMERICAN PUNK!\u003c\/span\u003e\u003cbr\u003e","brand":"Redrum Records","offers":[{"title":"Default Title","offer_id":42683045380257,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-614220-1608393927-4881.jpg?v=1667613653"},{"product_id":"current-rage-seven-songs-georgia-1982-new-lp","title":"Current Rage ‎– Seven Songs [YELLOW VINYL Georgia 1982] – New LP","description":"\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eCURRENT RAGE – \"The missing musical link between Athens and Atlanta.  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTo celebrate the 40th Anniversary of the out-of-print forgotten classic, Propeller Sound Recordings is set to release and remastered and expanded edition of \"Seven Songs\". Fully immersed in the do‐it‐yourself aesthetic of the early-R.E.M. era, Current Rage's sole indie record is highly regarded by record collectors seeking out early eighties DIY releases. The relative scarcity of the original EP today suggests the item does not circulate on the marketplace very often making it ripe for reintroduction to the current marketplace with this expanded version. Anthony DeCurtis of Rolling Stone wrote, “an enviable and impressive explosion of new music was emerging from the Atlanta‐Athens area at this time”. Current Rage drew inspiration from Talking Heads and Pylon.\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Propeller Sound Recordings","offers":[{"title":"Default Title","offer_id":42704971202721,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374880741.jpg?v=1668332695"},{"product_id":"salvation-army-the-s-t-orange-vinyl-40th-anniversary-edition-new-lp","title":"Salvation Army, The - S\/T [ORANGE VINYL 40th Anniversary Edition] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan datr=\"\"\u003eBefore The Three O'Clock, Michael Quercio was the lead singer\/bassist of The Salvation Army, who released their self-titled album just six-months after releasing their debut, a 45, on D. Boon's (Minutemen) New Alliance label. In honor of it's 40th anniversary, this album is being released for the first time under its original title, since it was originally released in 1982. In celebration of the album's 40th anniversary, it's being pressed on orange vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\nSince Michael Quercio was the driving force from the start, this really isn't too far removed from the Three O'Clock material in general, but like the earliest Dream Syndicate singles, it's a good portrait of a band getting its particular act together. It's very rushed: a merry rave-up without being rampaging. While songs like \"The Seventeen Forever\" had the pace of L.A. punk, the band clearly didn't have an interest in the skull-bludgeoning impact, though Quercio brings in some fun snarl on \"Grimly Forming.\" A slew of the songs had already been attempted in earlier versions, giving the group a chance to punch them up and around a bit for these takes. \"She Turns to Flowers,\" \"Going Home,\" and \"Happen Happened\" all benefit in turn, finding Quercio in at once strong and light voice -- his best area contemporary might have been Peter Case, though Quercio has a dreamier, wistful feeling in his vocals in contrast. Like many psych revival records, it's interesting to hear both the similarities and differences with the past -- while Quercio clearly knows his trippy guitar tricks, Troy Howell's drums kick through just a little more strongly in a clearer mix than many '60s forebears tried. The keyboards throughout from Quercio and Gregg Gutierrez add extra giddy fuel and flavor, a welcome merriment.\u003c\/div\u003e","brand":"Yep Roc Records","offers":[{"title":"Default Title","offer_id":42750996545697,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374760923.jpg?v=1670204236"},{"product_id":"subhumans-ep-lp-white-black-galaxy-vinyl-1981-1983-new-lp","title":"Subhumans - EP LP [WHITE\/BLACK GALAXY VINYL 1981-1983] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eoriginally released December 1, 1985\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDick voice\/words\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce guitar\/voice\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrant bass\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrotsky drums\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2349187824\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/subhumans.bandcamp.com\/album\/eplp\"\u003eEPLP by Subhumans\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 1-6\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDemolition War 7\" EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Pickwick, Corsham 8\/8\/81\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer Steve Collinson\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased Dec 81\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003espiderleg SDL3\/bluurg XEP1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 7-10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReason for Existence 7\"EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Southern, London 31\/1\/82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer Pete Stennett\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased April 82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003espiderleg SDL5\/bluurg XEP2\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 11-14\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReligious Wars 7\" EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Pickwick, Corsham 9\/5\/82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer Steve Collinson\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased July 82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003espiderleg SDL7\/bluurg XEP3\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 15-19\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvolution 7\" EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Southern, London 29\/1\/83\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer John Loder\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased May 83\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebluurg Fish 2\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cspan class=\"x_order-list__item-variant\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":42898788384929,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2120893913_16.jpg?v=1677055686"},{"product_id":"savage-republic-tragic-figures-1982-la-post-punk-red-vinyl-2xlp-new-lp","title":"Savage Republic [aka Africa Corps]– Tragic Figures [1982 USA POST-PUNK RED VINYL 2xLP] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1982 Los Angeles.  \"...post-punk...avant-garde...scrap metal industrialists...sludgecore nihilists...Tragic Figures wasn't just a bold musical statement; it was an objet d'art in its own right.  The original album has been remastered from the original tapes by Mike Milchner at Sonic Vision, and this reissue includes an extra LP of largely unreleased rehearsal recordings taped in the bowels of UCLA parking garages, where the band used to practice to take advantage of the extended reverb afforded by all the concrete surfaces. Richie Unterberger’s liner notes feature interviews with band members, and the LP comes with the original cover graphics expanded into a gatefold jacket.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide One\u003cbr\u003e1. When All Else Fails…\u003cbr\u003e2. Attempted Coup: Madagascar\u003cbr\u003e3. The Ivory Coast\u003cbr\u003e4. Next to Nothing\u003cbr\u003e5. Exodus\u003cbr\u003e\u003cbr\u003eSide Two\u003cbr\u003e1. Machinery\u003cbr\u003e2. Zulu Zulu\u003cbr\u003e3. Real Men\u003cbr\u003e4. Flesh That Walks\u003cbr\u003e5. Kill the Fascists!\u003cbr\u003e6. Procession\u003cbr\u003e\u003cbr\u003eLP Two Side One\u003cbr\u003e1. Attempted Coup: Madagascar\u003cbr\u003e2. When All Else Fails\u003cbr\u003e3. Kill the Fascists!\u003cbr\u003e4. Real Men\u003cbr\u003e5. The Vampire Bites\u003cbr\u003e6. Next to Nothing Weirdness\u003cbr\u003e7. Thee Three Preserves\u003cbr\u003e\u003cbr\u003eLP Two Side Two\u003cbr\u003e1. Sliding into Arabia\u003cbr\u003e2. As It Was Written\u003cbr\u003e3. Procession (Into the Light)\u003cbr\u003e4. Exodus\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"review-headline-container\"\u003e\n\u003ch2 class=\"review-author\"\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Real Gone Records","offers":[{"title":"Default Title","offer_id":42912856866977,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374761953.jpg?v=1677733709"},{"product_id":"dead-nittels-anti-new-wave-liga-import-austria-punk-1982-new-lp","title":"Dead Nittels ‎– Anti New Wave Liga [IMPORT Austria PUNK 1982!] – New LP","description":"\u003ch2 style=\"font-weight: 400;\"\u003eYes, this is the legendary \"green tape\" of one of the first austrian punk bands DEAD NITTELS. Triggered by their gig with the UK SUBS on September 26, 1982 in Ampermoching \/ Dachau \/ Germany at the \"Gasthaus zur Post\", the DEAD NITTELS booked some studio time to lay down no less than 16 tracks in only three days, on a four track recorder - but the only used two of them - one track for the instruments and one for the vocals, they bought the cheapest tapes available -which happened to be ugly green, and dubbed 300 copies with the studio tracks plus seven live tracks from their UK SUBS show. Good luck if you want to track down one of the tapes... FOr all others, here's the remastered greatness of this early austrian punk album!\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/h2\u003e\n\u003cp\u003eSide A\u003cbr\u003eAnti New Wave Liga\u003cbr\u003eWien\u003cbr\u003eI wü ned\u003cbr\u003eDer Karl\u003cbr\u003eBla-Bla\u003cbr\u003e1984\u003cbr\u003eMutant World\u003cbr\u003eEin Tag in unserem Lebel\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eLeichenschändung\u003cbr\u003eAnton\u003cbr\u003eLiebe\u003cbr\u003eIbiza\u003cbr\u003eDer Papst\u003cbr\u003eLondon\u003cbr\u003ePolizei\u003cbr\u003eScheichts Eich\u003c\/p\u003e\n\u003ch2 style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003c\/h2\u003e","brand":"Bachelor Records","offers":[{"title":"Default Title","offer_id":43014450446497,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-24219686-1670512358-1294.jpg?v=1683185795"},{"product_id":"blue-oil-s-t-blue-vinyl-1980s-canada-new-lp","title":"Blue Oil – S\/T [Blue Vinyl 1980s Canada] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQUEBEC’S FIRST ALL-WOMEN PUNK GROUP! Formed in 1978, Blue Oil played relentlessly through Quebec’s early ’80s scene with their dynamic brand of punk, new wave, and post-punk. 12 songs from 1981–83, including their hit single “Money,” meticulously remastered.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2170449871\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/supremeecho.bandcamp.com\/album\/blue-oil\"\u003eBlue Oil by Supreme Echo\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Blue Oil was Quebec’s original all-female punk band, blazing trails for women in music who like it loud.” – Erica Ehm, Musi-Video\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Powerful, driving and highly respectable.” – Liz Janik, Music Express\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“This is the real thing, pure female punk expression with a \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eknack for pop melodies.” – Félix B. Desfossés, CBC Radio Canada\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDeluxe large-size 8-page bilingual English-French booklet with their story, photos, art, and gig posters. Two stickers. 600\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003ecopies on beautiful aqua-blue vinyl.\u003c\/span\u003e\u003c\/span\u003e","brand":"Supreme Echo Records (Canada)","offers":[{"title":"Default Title","offer_id":43036945186977,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1121729049_16.jpg?v=1684909520"},{"product_id":"various-artists-yo-boombox-early-independent-hip-hop-electro-and-disco-rap-1979-83-import-2xlp-w-7-new-lp","title":"Various Artists – YO! BOOMBOX: Early Independent Hip Hop, Electro And Disco Rap 1979-83 [IMPORT 2xLP w\/ 7\"] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYo! Boombox is the new instalment of Soul Jazz Records’ Boombox series on the early days of hip-hop on vinyl, featuring some of the many innovative underground first-wave of early rap and disco rap records made in the USA between 1979-83. \/\/ The album includes the first releases of seminal groups such as Grandmaster Flash \u0026amp; The Furious Five and The Funky Four Plus One More, through to rarities and little-known obscurities such as the Carver Area High School band’s ‘Get Live 83’, an awesome record made at a Chicago high school. \/\/ The deluxe 3xLP + 7\" single comes with extensive sleeve notes, exclusive photography and original label artwork. \/\/ It features the stunning photography of Sophie Bramly, one of a very select group of photographers who were allowed full access to document the exciting early days of hip-hop in NYC. \/\/ These first exuberant wave of innocent, upbeat, party-on-the-block rap records were the first to try and create the sounds heard in community centres, block parties and street jams that took place in the Bronx in the mid-1970s. Where the first DJs – Flash, Kool Herc and Bambaataa – were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s Apache or Babe Ruth’s The Mexican, these first pre-sampling rap records were all made using live bands, often replaying then current disco tunes. As Chic’s ‘Good Times’ was to ‘Rappers’ Delight’, the songs here feature then-current dancefloor hits such as the Tom Tom Club’s ‘Genius of Love’ or Cheryl Lynn’s ‘To Be Real’ while MCs rapped over the top, creating a unique new sound. \/\/ This new Soul Jazz Records collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan class=\"theme-text-color-1-2\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":43046723387553,"sku":"","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374896981.jpg?v=1685600799"},{"product_id":"progromo-heute-schlagt-der-bauer-den-konig-import-germany-1982-new-7","title":"PROGROMO – Heute schlägt der Bauer den König [IMPORT Germany 1982] – New 7\"","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003ePROGROMO was a short lived brain child of Bernd Zimmermann, the mastermind of bands like ADD, DEUTSCHDENCK and ISOLIERBAND. Zimmermann recorded a bunch of tracks in 1982 at Joswigstudio in Dusseldorf, this happened right after – as story goes – EA80 recorded their famous debut full length. Red Lounge Records head honcho Tex Dixigas himself unearthed these recordings durings the time of research with the ISOLIERBAND releases.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1979619783\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/progromo.bandcamp.com\/album\/heute-schl-gt-der-bauer-den-k-nig\"\u003eHeute schlägt der Bauer den König by PROGROMO\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch2 style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003c\/h2\u003e","brand":"Bachelor Records","offers":[{"title":"Default Title","offer_id":43096533729441,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2290724895_16.jpg?v=1688539732"},{"product_id":"riot-303-s-t-1981-1983-w-booklet-and-stickers-new-lp","title":"Riot .303 – S\/T [BLUE VINYL 1981-1983 w\/ booklet] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eCanadian Prairie Punk! Early 80s greats RIOT .303 from Calgary featuring ex-Sturgeons rhythm section and future Beyond Possession vocalist. 17 punk rock anthems recorded 1981-83, including their full studio output — four each from 1982’s super-rare Crowd Control EP and Thrasher’s Skate Rock Vol. 1, plus 9 powerful unreleased songs. Meticulously remastered by Audu Obaje. 8-page booklet with photos, art, and full-band interview. Stickers. 550 copies, colored vinyl.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2768098786\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/supremeecho.bandcamp.com\/album\/riot-303\"\u003eRiot .303 by Supreme Echo\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e“Punk rock that sounds very much like the Canuck SUBHUMANS” – Tim Yohannan, MRR #3, Nov.\/Dec. 1982\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Better than a February chinook … punchy and relevant lyrics in the style of U.K. Subs” – Bryan Williamson, Calgary Herald, Dec. 1982\u003c\/span\u003e","brand":"Supreme Echo Records (Canada)","offers":[{"title":"Default Title","offer_id":43099586461857,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2361776056_16.jpg?v=1688694653"},{"product_id":"waziri-oshomah-alhaji-vol-4-new-lp","title":"Waziri Oshomah, Alhaji – Vol. 4 – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2023 pressing of 1982 album, first repress.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1864230062\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/alhajiwazirioshomah.bandcamp.com\/album\/vol-4\"\u003eVol. 4 by Alhaji Waziri Oshomah\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWaziri hails from a small part of Edo State in southern Nigeria called Afemailand, known for being a harmonious region where Muslims and Christians live—and dance—together. And there, as a devout Muslim and an exemplar of religious piety in his community, Waziri’s music fuses Etsako\/Afemai folk styles with pan-Nigerian highlife and pop to create a sublime vehicle for his Islamic philosophy that gets everyone—Muslims, Christians, whoever—on the dancefloor.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWaziri made Vol. 4 the same year he traveled to Mecca and completed the hajj, and you can hear the impact of his journey in the music’s indescribably funky and spiritual potency. Every song here strikes his signature balance of traditional music, highlife, and funk, as he entreats you to stay on the straight and narrow, though there’s nothing straight about his beat.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Luaka Bop Records","offers":[{"title":"Default Title","offer_id":43124981989537,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1752553930_16.jpg?v=1690105012"},{"product_id":"skam-no-name-dc-punk-1982-new-lp","title":"Skam - No Name [DC punk 1982-1983] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eForty years later, hitting the streets this week, for the first time.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1553825394\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/skammer.bandcamp.com\/album\/no-name\"\u003eNo Name by SKAM\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"Here’s a blast of punk rock, representative of the swiftly changing times around Bailey’s Crossroads, just outside Washington DC, in the early 80s. Skam recorded this stuff in ‘82-‘83, then broke up, leaving these songs to be released….maybe never? Or more preferably, now, to race into the bloodstream of jaded, faded today with all the vigor and rigor of Skam’s eternal youth.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo Name 2:36\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOrganized Religion 2:37\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOpen Your Eyes 1:59\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI Want War 1:58\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSearch and Destroy 3:16\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCapital Punishment 1:04\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLeave Me Alone 1:37\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIdle Youth 2:10\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToxic City 2:13\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnother Statistic 2:10\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn the Shelf 3:39\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRespect 1:24\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHappen Anywhere 2:45\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnpaid Vacation (Live) 2:35\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCheated (Live) 1:26\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMiddle Class (Live) 4:27\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo Name (Live) 2:41\u003c\/p\u003e","brand":"Sea Note Records","offers":[{"title":"Default Title","offer_id":43228689334433,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374916096.jpg?v=1695598512"},{"product_id":"red-rockers-condition-red-louisiana-punk-1981-red-vinyl-w-zine-new-lp","title":"Red Rockers – Condition Red [Louisiana Punk 1981 RED VINYL w\/ zine] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"isPasted\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“Red Rockers sound like they’ve been locked in a cupboard with the Clash’s first album for three years. Yeah, great isn’t it?” \u003c\/strong\u003e- Lester Bangs\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813880561\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theredrockers.bandcamp.com\/album\/condition-red\"\u003eCondition Red by The Red Rockers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"It sounded like nothing else released in 1982 – not Signals by Rush, Avalon by Roxy Music, the Cure’s Pornography, Rio by Duran Duran, Bruce Springsteen’s Nebraska, Toto IV, Donald Fagan’s The Nightfly, nor Robert Plant’s Pictures At Eleven. It didn’t even seem akin to such ‘82 punk classics as the Circle Jerk’s Wild In The Streets, the Descendents' Milo Goes To College or Fear’s The Record. And it sure as hell didn’t sound like the Clash’s Combat Rock. Rather, Condition Red, the debut album from New Orleans punk band Red Rockers, echoed the power, aggression, and highly charged political anger of the Clash’s early work. And deliberately so. Eventually, the Red Rockers joined their inspirations on a few US tour dates, showing audiences how the Clash used to do things as they leaped about in spray-painted shirts before hammer and sickle-festooned amps, screaming about “Guns Of Revolution.” Both Creem and Rolling Stone featured them, the latter beknighting them “the American Clash,” telling of plans to tour Cuba and release a vicious new single called “Voice of America.” The song instead surfaced the following year as a B-side to massive MTV pop hit\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e“China,” an echo of what Red Rockers had been just the year before and were no longer. \"The missing 24” master tapes were found in a garage by Johnny Colla from (Huey Lewis \u0026amp;) The News at Sandy Pearlman’s estate sale. Thanks to Cris Cohen they were returned to us. We were able to mix the 80’s out of the record and discovered a missing track that wasn’t included on the original 1981 release.\" - Darren Hill (Red Rockers)\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sundazed Records","offers":[{"title":"Default Title","offer_id":43330855010465,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0318744560_16.jpg?v=1697262593"},{"product_id":"gaye-marvin-midnight-love-used-cd","title":"Gaye, Marvin - Midnight Love – Used CD","description":"\u003ch2\u003eCD • COMPACT DISC • \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCD • COMPACT DISC • \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCD • COMPACT DISC • \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCD • COMPACT DISC • \u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Columbia Records","offers":[{"title":"Default","offer_id":43701181939873,"sku":null,"price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/IMG-4769.jpg?v=1705443890"},{"product_id":"copy-of-davis-milton-let-me-in-portland-1977-blazermania-new-lp","title":"Youthsound –  S\/T [Portland live 1982]  – New LP","description":"\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOn May 2, 1982 the Youthsound Choir and Stage Band performed at Portland’s Jefferson High School. With youth ranging from elementary through high school, this 100-voice mass choir under the direction of Ken Berry was poised to sing an array of uptempo spirituals. Their backing big band contained a who’s who of Albina’s adult musicians interspersed with youth. The feeling in the air was electric. An audience of 1,500 had awaited this moment - along with the city’s fire marshall, insisting that maximum capacity had been reached.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1602204668\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/albinamusictrust.bandcamp.com\/album\/youthsound\"\u003eYouthsound by Youthsound\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eThe story of Youthsound is the story of resilience, mentorship, and mutual aid. With an approaching local bond measure that would increase Portland Public Schools’ investment in the arts, the Youthsound concert was made possible through efforts of recruitment, rehearsal, fundraising, and lobbying to demonstrate what this community was capable of with increased resources. According to band mentor Ronnye Harrison, “We didn’t wait around for the city or anyone else because we knew no one was coming. We just needed a place to rehearse that was safe for the kids and where their families felt safe.”\u003cbr\u003e\u003cbr\u003eThis is also the story of The World Arts Foundation. Youthsound is one of many programs that comprise WAF’s legacy\u003cspan class=\"bcTruncateMore\"\u003e. Later evolving into the Cultural Recreation Band and then the American Music Program, Youthsound marks the beginning of a legacy that has produced musicians such as Esperanza Spaulding, Charlie Brown III, and Domo Branch.\u003cbr\u003e\u003cbr\u003eTrue to AMT’s release format, this vinyl package contains a 12-page booklet featuring archival photography and a detailed oral history of the group - executive produced by Ken Berry, and with design and art direction by Brian Mumford and Bobby Smith respectively. Originally broadcast on community radio and cable access, the recording by Thomas Robinson and Evan Shales (The Wipers, The Rats) has been masterfully preserved by Gus Elg from a variety of source tapes. The backing band here is heavy, featuring members of nearly every band released in AMT’s catalog - not to mention members of Pleasure, the pianist Janice Scroggins, and the Ghanaian master drummer Obo Addy.\u003cbr\u003e\u003cbr\u003eIn the words of World Arts Foundation’s co-founder Michael ‘Chappie’ Grice, “We’re here to speak to you in a language that is universally understood throughout the world. It is called… music.”\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased December 15, 2023\u003cbr\u003e\u003cbr\u003eChoral direction by Ken Berry.\u003cbr\u003eStage band direction and arrangements by Greg McKelvey and Thara Memory.\u003cbr\u003eProgram production by Ken Berry and Michael Grice.\u003cbr\u003eRecording engineered by Thomas Robinson and Evan Shales.\u003cbr\u003eRecorded at Jefferson High School on May 2, 1982.\u003cbr\u003e\u003cbr\u003eYouthsound Choir\u003cbr\u003eCrona Adair, Tellisa Amos, Sheila Anderson, Angelique Bates, Winnie Battles, Jonathan Berry, Vickki Braswell, Angela Braxton, Jeanette Brown, Eileen Clark, Traci Clay, Grover Clegg, Cheryl Cobbs, Kyla Coppage, Detra Daniels, Monique Dials, Teri Duboise, Stan Edwards, Cheanice Easter, Chantell Fitz, Shirley Fitz, Cassandra Floyd, Doris Frazier, John Frazier, Earl Frederick Jr., Chris Fridge, Kelly Folks, Tracy Folks, Abdul Hall, Anise Hall, Ira Hammon, Donna Harris, Serita Harris, Anthonette Hardaway, Iris Holliday, Gypsy Hopkins, Goldie Irby, Martell Irons, Ada Jackson, Florence Jenkins, Mary Jenkins, Vicki Johnson, Angela Jones, Harold Jones, Rachel Jones, Felicia Kennedy, Kimberly Kimmons, Marilyn Keller, Sharon Lawrence, Doris Lewis, Yavonne Lincoln, Kimberly Loving, Patricia Marks, Shelly Matthews, Angela Minnieweather, Maggin Minnieweather, Lisa Minnieweather, Matt Minnieweather, Terri Ott, Jeanette Parker, Carin Parrish, Darla Probasco, Sheila Pryor, Joel Reese, Sonya Reynolds, Raushana Sadruddin, Tina Scarborough, Melisa Skidmore, Debra Smith, Jackie Smith Jr., Kathy Smith, Walter Smith Jr., Cheryl Stone, Linda Tellis, Wanda Thompson, John Useldinger, Frederick Warren, Stacey Washington, Katina Webster, Cliffton Welch, Paula Williams, and Rolanda Williams.\u003cbr\u003e\u003cbr\u003eYouthsound Stage Band\u003cbr\u003eBass Guitarists: Mel Able, Cedric Hinton, Darnell Love, David Minnieweather, and Wade Weekly.\u003cbr\u003eBrass Section: Peter Bellerby, Earl Frederick Jr., Ronnye Harrison, Thara Memory, Greg McKelvey, Kevin Moore, Rick Ollison, Carole Olsen, and Dennis Springer.\u003cbr\u003ePercussionists: Obo Ady, Jeff Minnieweather, Tommy Profit, Bruce Smith, Dee Wiggins, and Michael Williams.\u003cbr\u003eKeyboardists: Jill Baracco, Terry Davis, George McCrae, Gene McGee, Larry Patterson, John Sanders, Janice Scroggins, Ray Tellis, and Wanda Thompson.\u003cbr\u003e\u003cbr\u003eExecutive production by Ken Berry and Bobby Smith.\u003cbr\u003eCassette master courtesy of Ken Berry.\u003cbr\u003eCassette preservation, mixing, and mastering by Gus Elg.\u003cbr\u003eRecord Pressing by Cascade Record Pressing.\u003cbr\u003e\u003cbr\u003eDesign by Brian Mumford.\u003cbr\u003eArt direction by Bobby Smith.\u003cbr\u003ePhotos and printed materials courtesy of Ken Berry.\u003cbr\u003ePhotographers include Richard Brown, Nick Christmas, Jack Hasbrouck, and Brent Wojahn.\u003cbr\u003e\u003cbr\u003eOral history facilitated and edited by Ken Berry and Bobby Smith.\u003cbr\u003eOral histories recorded by Bobby Smith from September 24, 2023 to October 10, 2023.\u003cbr\u003eProject support by Jared White.\u003cbr\u003e\u003cbr\u003eThis project made possible with support from the Regional Arts \u0026amp; Culture Council and Multnomah County Cultural Coalition.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Albina Music Trust","offers":[{"title":"Default Title","offer_id":43945509290145,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0490781134_16_1.jpg?v=1711501371"},{"product_id":"logic-lora-pedigree-charm-deluxe-edition-2xlp-import-new-lp","title":"Logic, Lora – Pedigree Charm [DELUXE EDITION. 2xLP IMPORT] - New LP","description":"\u003cdiv class=\"row mt-3\"\u003e\n\u003cdiv class=\"col-lg-4 small\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-lg-4 small\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eOriginally released on Rough Trade Records in 1982, this is the first re-issue since then and now in a deluxe format for RSD UK with bonus tracks and new sleeve notes from Lora. Overlooked on release in 1982 when Punk became Funk, Essential Logic creator and X-Ray Spex co-founder Lora Logic's debut solo album retains her signature bouncing sax lines and vocal acrobatics but weaves an esoteric web of mutant disco, jazz and the very left-field of pop which sounds uncannily like now. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1072359370\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/essentiallogic.bandcamp.com\/album\/pedigree-charm-2023-remaster\"\u003ePedigree Charm [2023 Remaster] by Lora Logic\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eFeaturing the abstract swing of This Heat legend Charles Hayward on drums and clipped funk guitars from Phil Legg, songs like \"Wonderful Offer\" and \"Brute Fury\" share a DNA with New York noise merchants like Bush Tetras and James Chance but also Talking Heads with its sideways take on world music, the playful experimental innocence of contemporaries The Raincoats and the zesty funk of A Certain Ratio. Indeed, this punk-funk can be found in the latter generations of The Rapture, Franz Ferdinand (who owe a debt to \"Wonderful Offer\" specifically) and all the way up to The Orielles, while the album's stridently unconventional and fearless sonic palette has retained its freshness for modern times.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Hiss And Shake Records","offers":[{"title":"Default Title","offer_id":44276121075873,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374953813.jpg?v=1714097471"},{"product_id":"subhumans-the-day-the-country-died-red-vinyl-new-lp","title":"Subhumans - The Day The Country Died [RED VINYL] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThere was only one year to go when this record was recorded, and Orwell's paranoid classic work '1984' really informed Dick Lucas' lyrics. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1340600130\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/subhumans.bandcamp.com\/album\/the-day-the-country-died\"\u003eThe Day The Country Died by Subhumans\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eMost of the music press are in agreement that The Clash's 'London Calling' or The Sex Pistols 'Never mind the Bollocks here's the...' are the essential punk rock records. This is the same press that declared punk rock a spent force when Sid Vicious shook his mortal coil with a copious heroin dose courtesy of his doting mother. By 1983 The Clash had abandoned their furious punk rock roots, the Sex Pistols had disastrously split and the press was clamouring for the first publication of ''the next big thing''.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowever, punk rock was far from over. Once the movement had lost its mainstream popularity, only those who really wanted to be a part of it were left. Gone were Vivienne Westwood’s brilliantly offensive torn t-shirts, now it was more likely an all black uniform with striking symbols of peace and anarchy painted on the garments. The imagery of Crass and Discharge was the uniform of choice. But where was the sense of humour? Although Crass did use a lot of humour to make their points, so many people missed the joke. Where was the sarcasm and wit akin to Jello Biafra for the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eUK scene?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAllow me to introduce Dick Lucas, with sharp witted lyrics a raspy voice and a furious band The Subhumans, spelled [SUB][HUM][ANS] as many studded leather jackets will tell you. They were not the usual early eighties punk rock band, not quite falling in with the anarcho punks due to their melodic music, nor did they fit in with the Oi! Crowd, as their lyrics detailed more than football, fighting and alcohol.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe lyrics are one of the best things about this record, the well read band wrote very well informed and incisive lyrics, with a wide range of subjects. With subject matter ranging from nuclear war and destruction on a national scale to squat parties, the band has played many squat gigs over the years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe frightening front cover depicts an anarcho punk being shot through the head amidst a frenzy of oppressive imagery, such as the solemn priest, a policeman with a wicked grin and nuclear missiles flying through the air. This may lead people to believe it will be an equally frightening listen, however, the Subhumans have a keen ear for melody as well as damning riffs. One minute the melody is slow dark and frightening, the next fast paced, righteous and furious. This fits the subject matter perfectly, fast minor chords with anxious lyrics concerning Lucas’ smoking habits one minute, and terrifying warnings of a nuclear holocaust the next.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record begins with the ominous ambience of an empty wasteland, with the sound of a falling bomb, before the crash however the music begins with muted chords and the unforgettable chorus of “So long to the world, that’s what they said, it’s 1984 and it’s all gone dead”. Each song tears straight into the next, which unusual for early 1980s anarcho records, which often feature television and radio broadcasts between their songs, on this record, the Subhumans make their point just using their lyricism and fast paced punk rock music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe highlights of the record are “Minority”, “Mickey Mouse Is Dead”, “Subvert City”, “No” and “No More Gigs”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMinority makes an anxious attack on majority rules, angry that most of societies decisions are made to benefit the majority who don’t even understand the issue. This goes straight into the ‘’Dun dun dun dun’’ guitar intro to ‘’Mickey Mouse Is Dead’’ with Lucas’ angered chant tearing over the top, then the guitars thrash onwards at blistering speed, with lyrics concerning the tampering and over serious explanations of cartoons, this then builds up to the chant of “1 2 3 4 Look what you’ve done to Mickey Mouse” usually the tune of “We don’t want your ***ing war” this is an example of the way Subhumans were a bit too serious for most of the anarcho crowd.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Subvert City” is the most obvious nod towards Orwell’s 1984 novel. ‘’Borrowing’’ its riff from The Vibrators ‘’Troops Of Tomorrow’’ it is a narrative tale of those who fight for liberty now, will control with fear in the future, set in the midst of a nuclear holocaust, ‘’Subvert City’’ remains one of Subhumans finest moments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“No” begins with the ever memorable opening line of “No I don’t believe in Jesus Christ, cos my mother dies of cancer when I was five. No I don’t believe in religion, I was forced to go to church when I was five” the common punk rock subject of religion, getting a good hateful once over. The song doesn’t stop there though, continuing to disregard the police, fashion, the system and it’s media. Like a continuation of “Minority” this is written as a response to claims of “It’s not that bad” and “You’ll grow out of it”, something many punks believe they will NEVER do.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“No More Gigs” is the records ultimate statement; it’s a vicious attack on straight society. Angry at peoples apathy towards modern cultural efforts and information, and their willingness to conform to the whims of the music press “all their money wasted, on David Bowie LPs”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough a David Bowie record would not be an unwise purchase, this record is truly one of the best punk rock records of all time, and doesn’t deserve to be ignored or forgotten.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003eoriginally released February 1, 1983\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDick voice\/words\u003cbr data-mce-fragment=\"1\"\u003eBruce guitar\/voice\u003cbr data-mce-fragment=\"1\"\u003eGrant bass\u003cbr data-mce-fragment=\"1\"\u003eTrotsky drums\u003cbr data-mce-fragment=\"1\"\u003erecorded Pickwick studios Corsham 22-26 June 1982\u003cbr data-mce-fragment=\"1\"\u003eengineered by Steve Collinson\u003cbr data-mce-fragment=\"1\"\u003eart by Nick Lant\u003cbr data-mce-fragment=\"1\"\u003efirst released on Flux of Pink Indians' Spiderleg Records [SDL7]\u003cbr data-mce-fragment=\"1\"\u003ere-released on Bluurg Records [XLP1]\u003c\/div\u003e\n\u003cspan class=\"x_order-list__item-variant\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":44490266771617,"sku":null,"price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2827975541_16.jpg?v=1677054466"},{"product_id":"hypnotics-indoor-fiends-new-lp","title":"Hypnotics – Indoor Fiends [L.A. HC 1982]– New LP","description":"\u003cp\u003ereissue of 1982 debut LP \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcore Punk group from Los Angeles, CA, USA, founded 1982.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBass, Vocals, Guitar – Stephen Goldsmith \u003c\/p\u003e\n\u003cp\u003eDrum, Vocals, Keyboards – Richard Von Skully\u003c\/p\u003e\n\u003cp\u003eKeyboards, Synthesizer, Drum, Guitar – Marvin Wilson\u003c\/p\u003e\n\u003cp\u003eLead Guitar – Doug Wood\u003c\/p\u003e\n\u003cp\u003eLead Vocals – Marky De Sade\u003c\/p\u003e\n\u003cp\u003e4 Page Booklet\u003c\/p\u003e\n\u003cp\u003eHype Sticker- “FILTH” JERRY FALWELL\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection id=\"release-credits\" class=\"section_9nUx6 open_BZ6Zt\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul 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Rather than pose and slither in the music biz, Moore opted for a more genuine life and a spot on the staff at legendary indie radio station WFMU, sharing Bedroom Radio with the world. His independent streak extends to his record releases, the R. Stevie Moore Cassette Club successful and long-lasting enough that it became the R. Stevie Moore CD-R Club. By refusing to settle into any one genre or style, Moore has always dedicated himself to eccentric ideas and passions whether around the world or focused into his home. And as Moore now eases into a well-deserved retirement, ON EARTH stands as a powerful statement, an intimate companion, and a goofy guide through a storied career. Ranging all the way back to 1976's classic Phonography, the double-disc retrospective collects a full suite of dazzling power pop, psychedelia, and indie rock, and opens the gateway to the ultimate cult DIY hero.\u003c\/span\u003e\u003c\/p\u003e","brand":"Earth Libraries Records","offers":[{"title":"Default Title","offer_id":44783743795361,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374763624.jpg?v=1735255315"},{"product_id":"nama-folk-orchestra-the-ethnic-connection-used-lp","title":"NAMA Folk Orchestra – The Ethnic Connection - Used LP","description":"\u003cp\u003eVG\/VG (Nice copy)\u003c\/p\u003e\n\u003cp\u003eSome group from California going globe-trotting, offering songs from Serbia, Russia, Norway, Romania, Palestine, Brazil...swing, ragtime, Yiddish, Appalachian, Mexico, Ohio, \"Orange Blossom Special,\" the \"Charleston\"!   Whoa!  1982.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"NAMA Records","offers":[{"title":"Default Title","offer_id":44953442058401,"sku":null,"price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-10834228-1505060790-2983.jpg?v=1750468682"},{"product_id":"discharge-1980-1986-import-gatefold-new-lp","title":"Discharge - 1980-1986 [IMPORT Gatefold] - New LP","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFormed in the northern industrial town of Stoke on Trent in 1977, \u003cspan class=\"il\"\u003eDischarge\u003c\/span\u003e changed punk with its distinctive brand of hardcore, making minimalist music with distorted guitar, drone-like bass, shouted anarchist themes and propulsive drumming, known as D-Beat. Originally issued in 1987, this killer compilation charts the best of their early years with Clay Records, from the full-on assault of Realities of War, passing the chart-topping Why?,  to the shrieking sounds of Grave New World.\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yUVBULUJsFU?si=mZGeHytIQE8B30_c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTracks A1 to A4 - 'Realities Of War' 7\" 1980.\u003cbr\u003eTracks A5 to A9 - 'Fight Back' 7\" 1980.\u003cbr\u003eTracks A10 to A12 taken from their 'Why' 12\" 1981.\u003cbr\u003eTracks A13 to B15 - 'Decontrol' 7\" 1980.\u003cbr\u003eTracks B16 \u0026amp; B17 taken from their 'Never Again' 7\" 1981.\u003cbr\u003eTrack B18 taken from their 'State Violence State Control' 7\" 1982.\u003cbr\u003eTrack B19 taken from their 'The Price Of Silence' 7\" 1983.\u003cbr\u003eTrack B20 taken from their 'The More I See' 7\" 1984.\u003cbr\u003eTrack B21 taken from their 'Ignorance' 7\" 1985.\u003cbr\u003eTrack B22 taken from their 'Grave New World' LP 1986.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cb\u003eTRACKLIST\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA1\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRealities Of War\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA2\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThey Declare It\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eBut After The Gig\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSociety's Victim\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eFight Back\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA6\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eWar's No Fairytale\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA7\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAlways Restrictions\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA8\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eYou Take Part In Creating This System\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA9\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eReligion Instigates\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA10\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eA Look At Tomorrow\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA11\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAin't No Feeble Bastard\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA12\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eWhy (Reprise)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA13\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIt's No T.V. Sketch\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA14\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTomorrow Belongs To Us\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB15\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eDecontrol\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB16\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eNever Again\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB17\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eDeath Dealers\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB18\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eState Violence State Control\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB19\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe Price Of Silence\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB20\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe More I See\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB21\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIgnorance\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eB22\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eGrave New World\u003c\/span\u003e\u003c\/p\u003e","brand":"Radiation Records (Italy)","offers":[{"title":"Default Title","offer_id":44973681705121,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-24655187-1664360874-9066.jpg?v=1751643106"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/1982.oembed","provider":"Green Noise Records","version":"1.0","type":"link"}