{"title":"1981","description":"","products":[{"product_id":"wipers-youth-of-america-lp","title":"Wipers - Youth Of America - New LP","description":"Historic 2nd LP by this influential Portland punk band. Re-mastered from the original mastered tapes released in 1981. - Jackpot Records\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485223875\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wipers.bandcamp.com\/album\/youth-of-america\"\u003eYouth of America by Wipers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":42994195534,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/wipersyouth624_original.jpg?v=1522269669"},{"product_id":"x-wild-gift-new-lp","title":"X - Wild Gift - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003eX's 1981 classic, their second studio album, originally produced by Ray Manzerek. Rolling Stone Magazine has called it \"the finest American punk album ever\".\u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1926795682\/size=small\/bgcol=333333\/linkcol=2ebd35\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/xtheband.bandcamp.com\/album\/wild-gift\"\u003eWild Gift by X\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":29480105869382,"sku":"","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/xwild_76103135-70dd-4f88-bd08-29de596ea4a4.jpg?v=1565311238"},{"product_id":"human-switchboard-whos-landing-in-my-hangar-new-lp","title":"Human Switchboard - Who's Landing in my Hangar? [Marbled purple vinyl] - New LP","description":"\u003cp\u003e2019 reissue of 1981 album.  Marbled purple vinyl.  Ohio rocks!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003eMark Demming: \"Most music writers seemed incapable of discussing\u003cspan\u003e \u003c\/span\u003eHuman Switchboard\u003cspan\u003e \u003c\/span\u003ewithout mentioning\u003cspan\u003e \u003c\/span\u003ethe Velvet Underground, and there's no getting around the fact\u003cspan\u003e \u003c\/span\u003eRob Pfeifer's melodic style and clipped vocal delivery bears a certain resemblance to what\u003cspan\u003e \u003c\/span\u003eLou Reed\u003cspan\u003e \u003c\/span\u003ewas doing back in his formative days. But there's an emotional tension and sexual paranoia in\u003cspan\u003e \u003c\/span\u003ePfeifer's work that sets him decidedly apart from\u003cspan\u003e \u003c\/span\u003ethe Velvets\u003cspan\u003e \u003c\/span\u003eand their many followers, and songs like \"This Town\" and \"Refrigerator Door\" speak of a grim, landlocked existence that would likely not have occurred to anyone outside of the Midwest. And while\u003cspan\u003e \u003c\/span\u003ePfeifer's jagged guitar has a certain\u003cspan\u003e \u003c\/span\u003eVelvets-like quality, the homey buzz of\u003cspan\u003e \u003c\/span\u003eMyrna Marcarian's Farfisa organ makes it clear there's more than a little garage in this band's formula, and there's a weary wisdom to\u003cspan\u003e \u003c\/span\u003eMarcarian's occasional vocals that's human and endearing. While\u003cspan\u003e \u003c\/span\u003eHuman Switchboard\u003cspan\u003e \u003c\/span\u003eleft behind a pair of live documents,\u003cspan\u003e \u003c\/span\u003eWho's Landing in My Hangar?\u003cspan\u003e \u003c\/span\u003ewas their only studio album, and while the Spartan, low-budget production isn't always flattering to the band's sound, the cutting emotional clarity of these songs shines through; perhaps this isn't the ideal\u003cspan\u003e \u003c\/span\u003eHuman Switchboard\u003cspan\u003e \u003c\/span\u003ealbum, but it leaves no doubt that they were a great, passionate band with plenty to say, and\u003cspan\u003e \u003c\/span\u003eWho's Landing in My Hangar\u003cspan\u003e \u003c\/span\u003epreserves ten of their best songs for the ages.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eDaggerZINE: \"Back in the 90’s a pal, Don Rettman actually, was visiting me out in California and he had gone to a record store and found this album, handed it to me and said “I got this for you…you like melodic stuff, I think you’ll really like it.” He was right. The Cleveland, OH-based trio of Bob Pfeifer on guitar vocals, Myrna Marcarian on piano\/organ\/vocals and drummer Ron Metz certainly created a unique sound, one that’s hard to pin down, even today. There’s an obvious love of the Velvet Underground but I also hear garage rock of the 60’s and some snarls of the punk scene that was just getting started. The way these three (with a rotating cast of bass players) blended all of these elements into this spell binding stew is, well, unique and spell binding. They set the tone from the get go with the incredible opener “(say no to) Saturday’s Girl’ and then rip right into the classic title track. Later on “No Heart’ goes off the rails in a frenzied freakout (in the best way possible) while the Marcarian-sung “I Can Walk Alone” is a pulsing, driving monster. That’s just a handful of the tunes here but there’s 10 songs in all and not a dog in the pack. This was the band’s only full-length but they \u003c\/span\u003e\u003ci\u003edefinitely \u003c\/i\u003e\u003cspan\u003emade it count. This beautiful reissue that was long overdue (it got reissued on cd on the Bar None label in 2011). Keep this one in print now and forever. \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":29489120084038,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Human_Switchboard_-_Who_s_Landing_in_my_Hangar.jpg?v=1565557283"},{"product_id":"skyy-skyy-line-used-lp","title":"Skyy – Skyy Line – Used LP","description":"\u003cp\u003esleeve: VG\u003cbr\u003evinyl: G+  (good listening copy, considerable wear but nothing extreme, still has a sheen and sounds good.)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePretty classic disco funk, with emphasis on the latter.  Includes their biggest hit \"Call Me.\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"headline\"\u003eArtist Biography by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eRon Wynn\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003eA New York City octet, one of three funk and\/or disco bands in which producer\/keyboardist\u003cspan\u003e \u003c\/span\u003eRandy Muller\u003cspan\u003e \u003c\/span\u003ewas involved. The original lineup featured\u003cspan\u003e \u003c\/span\u003eDenise, Delores, and\u003cspan\u003e \u003c\/span\u003eBonny Dunning\u003cspan\u003e \u003c\/span\u003eas vocalists, with guitarists\u003cspan\u003e \u003c\/span\u003eSolomon Roberts\u003cspan\u003e \u003c\/span\u003eand Anibal Anthony Sierra, keyboardist\u003cspan\u003e \u003c\/span\u003eLarry Greenberg, bassist\u003cspan\u003e \u003c\/span\u003eGerald Lebon, and drummer\u003cspan\u003e \u003c\/span\u003eTommy McConnell.\u003cspan\u003e \u003c\/span\u003eMuller\u003cspan\u003e \u003c\/span\u003eorganized the group and they recorded for Salsoul from the late '70s until 1984. Their biggest hit was \"Call Me\" in 1981, an R\u0026amp;B chart-topper. They could do sweeping funk tracks, dance-oriented cuts, or light ballads, although they never enjoyed the crossover success of a group like\u003cspan\u003e \u003c\/span\u003eAtlantic Starr.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Salsoul Records","offers":[{"title":"Default Title","offer_id":31203436888201,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/skyy.jpg?v=1573192397"},{"product_id":"tucker-maureen-im-sticking-with-you-new-lp","title":"Tucker, Moe – I'm Sticking With You [WHITE VINYL Velvet Underground] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eRecorded 1980 - 1998.  Released 2018. \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eWhite vinyl LP stuck in a Warholian package with removable sticker and liners by David Fricke!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=892927114\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/moetucker.bandcamp.com\/album\/im-sticking-with-you-an-introduction-to-moe-tucker\"\u003eI'm Sticking With You: An Introduction To Moe Tucker by Moe Tucker\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003eDiminutive perpetual heartbeat of the Velvets!\u003cbr\u003e\u003cbr\u003eThe unmistakable beat of the Velvet Underground was malleted out on the unconventional kit of Moe Tucker. Her (at times) childlike, fallen angelic voice also shines on some VU fan favorites. Here Moe reinterprets some Velvet gems, sometimes playing all instruments, other times accompanied by the likes of Jonathan Richman, Jad Fair, Kim Gordon and more. In addition to VU faves, we’re treated to rough and jubilant covers of her favorite early rock \u0026amp; roll hits, and memorial odes to Sterling Morrison and Andy Warhol.\u003cbr\u003e\u003cbr\u003eStrength, beauty, truth: those words perfectly describe Tucker’s crucial role in the Velvets’ historic fray, across their first three studio albums: 1967’s The Velvet Underground and Nico, 1968’s White Light\/White Heat and the electrifying restraint of The Velvet Underground.\u003cbr\u003e\u003cbr\u003e“After Hours” was Tucker’s only starring role in the Velvets’ original lifetime, but her clockwork drumming and loyalty to those ideals were constants in the noisy and emotionally direct music Tucker made in her second, improbable career as a solo artist: particularly the nine tracks that comprise this unique introduction, selected from a dozen releases across two\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003edecades.\u003cbr\u003e\u003cbr\u003eThere are 1980 home-recorded versions of Chuck Berry’s “Around and Around” and the Shirelles’ “Will You Love Me Tomorrow?” with Tucker playing all of the instruments, a charming duet with Jonathan Richman of the Modern Lovers on “I’m Sticking With You,” iconic Velvets songs with instrumental support by Reed and original bassist-viola player John Cale, and the memorial ode “Andy,” a chant-like eulogy with liquid-jangle guitar named after the pop artist who produced, managed and mentored the Velvets from 1966 to 1968. This collection ends with another memorial: “Last Night,” written by Tucker and recorded in 1998 as he farewell to Sterling Morrison who died in 1995. I’m Sticking With You: An Introduction To Moe Tucker presents this vital part of the history and legacy of The Velvet Underground and a portrait of (as Lou Reed described her) “the driving force, the hardcore heart of the Velvets’ mindset.”\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased October 26, 2018\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Modern Harmonic","offers":[{"title":"Default Title","offer_id":31706764214409,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2481703381_16.jpg?v=1584575319"},{"product_id":"vangelis-chariots-of-fire-soundtrack-used-lp","title":"Vangelis – Chariots of Fire Soundtrack – Used LP","description":"\u003cp\u003eVG+\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAnybody who survived the 1980s knows the opening \"Titles\" theme and has seen this album countless times, but listeners should probably forget the images of runners and give the set a listen...sheets of synthesizers waving in an electric breeze far above the earth below, alien ships and thunder approaching in the distance. Composed, arranged, produced and performed by the artist.  The first side closes with Sir Hubert Parry's 1916 composition \"Jerusalem\" (which was inspired by William Blake's \"And did those feet in ancient time\" and earlier covered by ELP on \u003cem\u003eBrain Salad Surgery\u003c\/em\u003e in 1973). The flipside returns to the \"Title\" theme with a side long composition called \"Chariots of Fire,\" which, like sides of other soundtracks, may just be the artist filling the side with additional material inspired by the film. This flipside features plenty of acoustic piano, as well as plenty of synthesizers--sheets, flutters and laser beam shots--these elements dominating the closing moments of the compositions...fans of electronic music might be wishing for more of that throughout, and fans of classical music will likely roll their eyes, but this is a great entry point for fans looking to explore this composer. This certainly put the Greek on the map, and likely caused other filmmakers to seek him out, for projects such as the original \u003cem\u003eBlade Runner\u003c\/em\u003e (which was scored in 1982, but the soundtrack apparently wasn't released for a decade).\u003c\/span\u003e\u003c\/p\u003e","brand":"Polydor Records","offers":[{"title":"Default Title","offer_id":31760356311177,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-684693-1340417230-2758_jpeg.jpg?v=1578738904"},{"product_id":"carsickness-1979-1982-new-lp","title":"Carsickness – 1979–1982 – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe classic Pittsburgh punk rock band that reeked havoc on the streets during the height of the punk era has returned! Carsickness has re-issued some of their most popular songs like “Bill Wilkinson,” “Police Dog,” and “For You” on a vinyl entitled 1979-1982. It also includes never-before-heard tracks, like “I Don’t Think So” which didn’t make the cut for the “Sharpen Up For Duty” album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCarsickness formed in Pittsburgh, PA in 1979 during the height of punk rock—a time when bands like the Ramones, The Clash, and The Sex Pistols were taking over the world. However, in Pittsburgh, there was a different kind of punk scene catching on, and Carsickness spearheading it. Their sound takes the rhythmically reckless speeds of punk rock and combines it with more complicated symphonic melodies creating tracks that make you want to sway and shout all at the same time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStarting off as a punk trio with Karl Mullen on guitar and vocals, Steve Sciulli on synthesizer and miscellany, and Dennis Childers on drums the band transformed with the addition of Chris Koenigsberg on bass, Dan Roelich on Saxophone, and Hans Werner on guitar and keyboards to become the punk rock orchestra of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe ages.\u003cbr\u003e\u003cbr\u003eTheir first show was in 1980, originally scheduled to be at Pittsburgh’s Mattress Factory, a contemporary art museum. However, Carsickness not only forgot to put the place, time, and date on their flyers, the museum also got nervous about the band’s hardcore reputation and, on the day of the show, canceled. Fortunately, it was rescheduled at a venue called Lions Walk for what turned out to be a sold-out show.\u003cbr\u003e\u003cbr\u003eDuring the height of their popularity, they were one of the first Pittsburgh punk bands to tour often outside of the city, moving the scene that was blossoming there forward to inspire bands such as Anti-Flag and Michael Chabon’s The Bats. “The music scene itself was bigger than us as individuals,” Childers always says.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4070203602\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/1979-1982\"\u003e1979-1982 by Carsickness\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eAll songs by Karl Mullen, Poulaphuca Music (BMI)\u003cbr\u003eMusical arrangements by Carsickness\u003cbr\u003eCover layout by Dennis Childers\u003cbr\u003ePhotographs by Stacy Weiss\u003cbr\u003e\u003cbr\u003eRemastered from the original tapes by Paul Michael Ferraro\u003cbr\u003eMastered for vinyl by George Ingram at National Record Productions\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33265057497225,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0262133912_16.jpg?v=1586243493"},{"product_id":"redd-kross-red-cross-ep-new-lp","title":"Redd Kross - Red Cross EP - New 12\"","description":" \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJEFF McDonald – Vocals \u0026amp; Guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSTEVEN McDonald – Bass \u0026amp; Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGREG Hetson – Guitars\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRON Reyes – Drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEP:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngineered by Jim Mankey\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Roger Harris\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at The Shelter Studio – Hollywood, CA. Oct 1979\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDemos:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngineered by Spot\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Joe Nolte\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Media Art – Hermosa Beach, CA. Aug 1979\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Fun with Connie” recorded live July 1979, John Stielow – drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArt Direction by Jon Krop, Steven McDonald\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover Photos by Steven McDonald\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLive Photos by Al Flipside\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePoseur Photo by Karen “Ella Black” Leuschner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphic Design \u0026amp; Layout by Jon Krop\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIllustrations by Jeff McDonald\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4087464331\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/reddkross.bandcamp.com\/album\/red-cross\"\u003eRed Cross by Redd Kross\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":35556404265121,"sku":"","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-15527164-1593033404-9139_jpeg.jpg?v=1597797094"},{"product_id":"malaria-compiled-2-0-1981-1984-2-x-lp-import-new-lp","title":"Malaria! - Compiled 2.0 \/ 1981-84 • Full Emotion [2 x LP IMPORT All-female Berlin Band] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cspan\u003eGerman all-female band, formed in Berlin January 1981. \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGathers together all of the debut album, 1982's Emotion, as well as the first single and various other EP and compilation cuts.\u003c\/span\u003e","brand":"Moabit Musik","offers":[{"title":"Default","offer_id":35828878082209,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14223084-1570188200-6387_jpeg.jpg?v=1598210081"},{"product_id":"pylon-box-color-vinyl-new-lp","title":"Pylon ‎– Box [4xLP BLACK VINYL + BOOK] – New LP","description":"\u003ch1\u003eBLACK VINYL. \u003c\/h1\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eNew West Records is proud to present Pylon Box — A comprehensive look at the band that features their studio LPs Gyrate and Chomp, both of which have been remastered from their original tapes, the 11-song collection Extra which includes rarities and 5 previously unreleased studio \u0026amp; live recordings, as well as Razz Tape, Pylon's first-ever recording: a 13-song unreleased session that pre-dates the band's seminal \"Cool\" b\/w \"Dub\" debut.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePylon Box also Includes a hardbound, 200 page full color book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker \u0026amp; Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52's, Bradford Cox of Deerhunter, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_2\"\u003eMission of Burma, Calvin Johnson of Beat Happening \u0026amp; K\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eRecords, Anthony DeCurtis, Chris Stamey of the dB's, Steve Wynn of the Dream Syndicate and many more. Includes an extensive essay chronicling the band's history with interviews with the surviving members of the band as well as members of R.E.M., B-52's, Gang of Four, Method Actors, and more. It also features never before seen images and artifacts from both the band's personal archives as well as items now housed at the Special Collections Library at the University of Georgia as well as the Georgia Museum of Art, UGA.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":36883688521889,"sku":"","price":128.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/0021457930_10.jpg?v=1702623980"},{"product_id":"ixna-knotpop-new-lp","title":"IXNA – Knotpop [1981 MARKED DOWN] – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\n\u003c\/p\u003e\u003cp\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\"Recorded at the Center For Contemporary Music at Mills in 1981, the album combines Cloidt's studio wizardry, sampling abilities and vibrant bass with La Palma’s expressive vocals, and love of made-up and invented languages (Esperanto). Knotpop is a revelatory lost album of deviant new wave from San Fransisco duo IXNA. Like Eno and The Flying Lizards, the album is a sideways and inverted take on pop music. \"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376334714\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1875633544\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/ixna.bandcamp.com\/album\/knotpop\"\u003eKnotpop by IXNA\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376334714\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=761637489\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/ixna.bandcamp.com\/album\/knotpop\"\u003eKnotpop by IXNA\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eJay Cloidt and Marina La Palma were students of David Behrman and Robert Ashley at Mills College, inspired by their infamously irreverent faculty to nudge the avant-garde out of its stuffy tweed and into something more exciting, something clad in denim \u0026amp; leather. IXNA only released one 7\" during that time, featuring two songs from this unrealized album, which became sought after over the decades. The discovery of Knotpop will feel like manna from heaven for previous fans, and a welcome addition to the cannon of avant-inverted-pop ur-classics by Suicide, impLOG, Naffi, General Strike, Thick Pigeon and UnknownMix. Concentric Circles is honored to present Knotpop to the world for the first time. Mastered from the original reels.\u003cbr\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376334714\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=862196651\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/ixna.bandcamp.com\/album\/knotpop\"\u003eKnotpop by IXNA\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Concentric Circles","offers":[{"title":"Default Title","offer_id":37362524979361,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1496035260_16.jpg?v=1608683027"},{"product_id":"new-age-steppers-s-t-reissue-of-1980-debut-new-lp","title":"New Age Steppers – S\/T [REISSUE OF 1980 DEBUT] - New LP","description":"\u003ctable cellspacing=\"0px\" cellpadding=\"0px\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eThe landmark first album on the On-U Sound label, this self-titled debut announced a gathering of the tribes: producer Adrian Sherwood bringing together members of the Slits, the Pop Group, the Flying Lizards and the Raincoats and getting them to collaborate with the likes of the Roots Radics’ Style Scott, Creation Rebel’s Crucial Tony, and Aswad’s George Oban to form a potent post-punk\/dub fusion. \u003cbr\u003e\u003cbr\u003eA certified classic of the era back on wax for the first time in 40 years and an essential addition to any post-punk record collection. Includes download card and printed inner with new sleevenotes and interviews by Oli Warwick.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=9699038\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/newagesteppers.bandcamp.com\/album\/new-age-steppers\"\u003eNew Age Steppers by New Age Steppers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe New Age Steppers were one of Adrian Sherwood's first pet projects for On-U Sound, the label he started with then-wife Kishi Yamamoto, Creation Rebel's Tony Phillips, Martin Harrison, Pete Holdsworth, and a gent named Lizard. The label's first release was the New Age Steppers' single for \"Fade Away\" (a brilliant, reverent remake of a Junior Byles song), which made a reappearance on the ad-hoc group's self-titled debut LP. Released in early 1981, New Age Steppers features contributions from well over a dozen post-punk and reggae scenesters and, like the following Action Battlefield, the record epitomizes the spirit of the exciting late-'70s\/early-'80s crossbreeding that took place between punk and reggae. Central to this record, Style Scott of the Roots Radics and George Oban of Aswad provide most of the rhythms, and the originals were penned predominantly by Sherwood and Scott, with the occasional outside contribution factoring into the whole. The Pop Group's Mark Stewart pipes in with \"Crazy Dreams and High Ideals,\" a winding, warping dub composition filled with random surges of snare drums, searing, trebly effects, and crazy vocal tricks -- Stewart seems to be yelping from the bottom of a well one moment, and then suddenly you'll feel as if you need to wipe his spittle off your ear. Ari Up's relaxed vocals highlight some of the album's most song-based material; both \"Love Forever\" and the aforementioned \"Fade Away\" feature galloping pianos and thick, rhythmic bases that Up merely sails along with. The remainder of the record is comprised of instrumentals that throw all sorts of manipulations and funhouse oddities into the mix. The best of the bunch is a dub of Viv Goldman's \"Private Armies,\" which treats a melodica (?) so heavily that it resembles a violin. Wild, unpredictable, and great.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e","brand":"On-U Sound Records","offers":[{"title":"Default Title","offer_id":39495107936417,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1665758654_16.jpg?v=1616720718"},{"product_id":"gang-of-four-solid-gold-new-lp","title":"Gang of Four - Solid Gold - New LP","description":"2021 pressing","brand":"Matador Records","offers":[{"title":"Default Title","offer_id":39748781408417,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-18341044-1619114830-7483_jpeg.jpg?v=1619489750"},{"product_id":"easy-money-s-t-new-lp","title":"Easy Money – S\/T [1979 - 1982 Canadian Power Pop] – New LP","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eComp housing unpolished power-pop gems from this Canadian outfit.  Rather than polishing the rock n roll, the band spits out the songs like infected teeth, maybe inspired by American underground rock, UK punk, Australian rock, The Who, the Monkees, The Stones and the Kinks in the 1960s, this continues the tradition of Canada Rock that went back a decade previous (and continued through the 21st century), but moves away from the polished glitter-rock of the 1970s, keeping it simple but never pulling the punches, most of it in the style of new wave from this era but instead of stiff and sterile and boring, this has a bone to pick and injects the low-rent new wave with some punk urgency and punch. People who dig through thrift stores and back rooms to find local rock n roll records from skinny-tie days of years gone by might get a humongus kick from this set. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=237049057\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/neontasterecords.bandcamp.com\/album\/collection-79-82\"\u003eCollection 79 - 82 by Easy Money\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompiling the original two 1980 singles and 9, two-track demos featuring Easy Money at their very best for the first time. A mandatory archival release for Canadian diy music and any fan of Powerpop\/Mod-Revival. Not your average, terrible quality, bad sounding 'why-bother' collections. This is a true hidden gem of Northwest Rock n Roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"tralbumCommands dupe_purchases_fix\"\u003e\n\u003cli class=\"buyItem package\"\u003e\n\u003ch3 class=\"hd\"\u003e\u003cspan id=\"package-title-4042413712\"\u003e\u003cbutton data-pkg=\"0\" type=\"button\" class=\"order_package_link buy-link\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText\"\u003e13 song LP collection\u003c\/span\u003e\u003c\/button\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"merchtype secondaryText\"\u003eRecord\/Vinyl + Digital Album\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003eCanada has a long and storied history of New Wave. We had some of the best records of the varying styles from Pointed Sticks to Viletones and DOA to Neos. Even our own KBD monsters like Dry Heaves and Siggy Magic. Powerpop wasn't just the previously mentioned Pointed Sticks though. In Victoria BC Canada there was a band that released two strong singles in 1980 on Richards Records and broke up 2 years later. Active for only 3 years, these singles were quickly forgotten and overshadowed by the blistering hardcore of the cities 2nd wave.\u003cbr\u003eThe band was called Easy Money.\u003cbr\u003eFast Forward a 2 or 3 decades.\u003cbr\u003ePiecing together Canada's involvement in punk and new wave has been a hobby of mine for years. Finding the obscurities\u003cspan class=\"bcTruncateMore\"\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003emistakes, the forgotten and the outright terrible has been fun and frustrating. Talking to old rockers, punks, promoters and fans, probing the local fanzines and looking for the things no one has heard before presents a whole slough of different emotions. It also presents a pretty stand-out record collection. To think that there were demo quality recordings of Easy Money - enough to make an LP - lying around un-comped and unheard with exceptional sound quality was truly dumbfounding. Solid songs, excellent playing, infectious, live off the floor, 2 track jamspace demos. They had to be heard. And now they can. Hosehead Records and Neon Taste Records in conjunction with the band are co-releasing Easy Money's demo LP with both singles for your listening pleasure and we guarantee you it is worth the price of admission.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eFFO Pointed Sticks, The Heats, Cheap Trick and Kidda Band.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neon Taste Records \/ Hosehead Records","offers":[{"title":"Default Title","offer_id":40291375841441,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3683546448_16.jpg?v=1625455335"},{"product_id":"clean-the-boodle-boodle-boodle-new-lp","title":"Clean, the –  Boodle Boodle Boodle [white \u0026 black swirl vinyl 40th anniversary Peak edition w\/ zine] – New 12\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2021 reissue of 1981 12\" EP.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhat can be said about \u003c\/span\u003e\u003cstrong\u003eThe Clean\u003c\/strong\u003e\u003cspan\u003e? In 1978, they were the seeds of New Zealand, and as such, they carved out a big sandbox for everyone to play in. Their influence resonated not only in New Zealand but around the world. Not only do bands like Yo La Tengo, Guided By Voices, Sonic Youth, Pavement, and their ilk owe a debt to The Clean, but many of today’s young upstarts such as Times New Viking, Eat Skull, and a band from China called Carsick Cars have the Dunedin godfathers deeply etched into their DNA.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=773766975\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theclean.bandcamp.com\/album\/boodle-boodle-boodle\"\u003eBoodle Boodle Boodle by The Clean\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhile \u003c\/span\u003eSplit Enz\u003cspan\u003e came first and hit bigger worldwide, one could argue that there would be no New Zealand rock scene as it is known today if it weren't for \u003c\/span\u003ethe Clean\u003cspan\u003e; the sainted Flying Nun label was formed to put out their debut single, their willingness to go the D.I.Y. route in recording their early material set the standard for any number of bands (Kiwi and otherwise), and their playful yet aggressive mixture of pop hooks, jagged guitar lines, neo-\u003c\/span\u003eVelvets\u003cspan\u003e minimalism, and edgy wit paved the way for \u003c\/span\u003ethe Bats\u003cspan\u003e, \u003c\/span\u003ethe Chills\u003cspan\u003e, \u003c\/span\u003ethe Verlaines\u003cspan\u003e, \u003c\/span\u003ethe Jean-Paul Sartre Experience\u003cspan\u003e, and a handful of other bands who helped New Zealand develop its own musical identity for the first time. Despite their importance and longevity, \u003c\/span\u003ethe Clean\u003cspan\u003e have never been especially well-served on record in the United States; their important early singles and EPs received little circulation in America, and their post-reunion albums have been only sporadically available, thanks to the collapse of several indie labels.\u003c\/span\u003e\u003c\/p\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":41223213187233,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4154999177_16.jpg?v=1636755910"},{"product_id":"hawks-the-obviously-5-believers-new-lp","title":"Hawks, the - Obviously 5 Believers [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e1979-1981\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Z-6w9e9cheE?si=sKqSeTJgJ0QNv2E4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"pt-2\" data-mce-fragment=\"1\"\u003eWhen TV Eye, the Second City’s Stooges-inspired garage punk band split, Daves Twist (drums) and Kusworth (guitar) and Paul Adams (guitar) approached Duffy (vocals) and Simon Colley (bass) from the first Duran Duran line-up to join their new project. So began Obviously Five Believers, who in turn became The Subterranean Hawks, before settling on The Hawks. Adored by most who saw them, they recorded constantly, spawning one highly collectable single, ‘Words Of Hope’. They lasted from ’79 until Christmas ’81 “falling apart in a myriad of acrimony,” as Duffy wrote in 1984..Years passed with the various members each finding degrees of success: Duffy solo, and with the Lilac Time; Kusworth with Nikki Sudden and numerous other bands, often alongside current Black Bomber Twist. In 2019, when Duffy and Kusworth last met, Duffy, as custodian of The Hawks’ ‘tape archive’, promised that the recordings would one day be released. Sadly this was not soon enough for Kusworth who tragically passed away last year. Duffy has remained as good as his word, however, in bringing these ten songs to release, in honour of his friend. Having languished on cassette for 40 years, they’re now set free, sounding the best they’ve done since the day they were recorded, thanks to the judicious mastering of Grammy-winning engineer John Paterno. ‘Twas ever thus.They were the perfect group. They had everything save for a parcel of good luck. If there were any justice the Hawks would be one of the most revered groups on planet earth. But this world is corrupt and the accolades and laurels they deserved never fell their way. They were such a great band. Possibly the best unknown band the world has ever seen.Nikki Sudden, The Last Bandit.\u003c\/div\u003e","brand":"Easy Action Records","offers":[{"title":"Default Title","offer_id":41285733875873,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-20078992-1630524524-4954_jpeg.jpg?v=1638246826"},{"product_id":"jars-the-make-love-not-war-east-bay-psycho-pop-1979-1982-color-vinyl-new-lp","title":"Jars, The ‎–Make Love Not War: East Bay Psycho-Pop 1979-1982 [Blue Vinyl MARKED DOWN] - New LP","description":"\u003ch1\u003e Small damage to one corner\u003c\/h1\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2528836669\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thejarssf.bandcamp.com\/album\/make-love-not-war\"\u003eMake Love Not War by The Jars\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"section notes toggle_section    toggle_section_remember\" data-toggle-section-id=\"notes\" id=\"notes\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe Jars helped spearhead the original Berkeley Punk\/New Wave scene, combining garage, kraut-rock and other wide influences with new wave and punk to create their own brand of “Avant-Garage Psycho-Pop.” Between 1979 and 1982 the Jars played all over the Bay Area with Roky Erickson, The Dickies, The Dead Kennedys, The Flamin’ Groovies and many more. This album combines tracks from the Jars singles, along with previously unheard studio recordings and live tracks.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleases February 18, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMik Dow - guitar \u0026amp; lead vocal\u003cbr data-mce-fragment=\"1\"\u003eMarc Time - drums, radio (11), sax (12)\u003cbr data-mce-fragment=\"1\"\u003eArmin Hammer - bass \u0026amp; vocal, electric guitar (9, 13), acoustic guitar (10), 12 string (12)\u003cbr data-mce-fragment=\"1\"\u003eGary Nervo - Farfisa organ on a shopping cart, Hammond pedals (4), Prophet 5 (11)\u003cbr data-mce-fragment=\"1\"\u003eMichael Montalto - lead guitar \u0026amp; vocal (6-15), Wurlitzer piano (12)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGuest musicians:\u003cbr data-mce-fragment=\"1\"\u003eTurn Out The Light - Dave. R. Driver, trumpet\u003cbr data-mce-fragment=\"1\"\u003eThe Psycho Chorale - Esther Cutshall, Barb Wire, Laura Rand\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003etracks 1-3 appear by kind permission of Subterranean Records, previously released on SUB-4, Produced and engineered by Michael Fox and The Jars at Target (1980)\u003cbr data-mce-fragment=\"1\"\u003etrack 4 previously released on Universal Records RON-1A, Produced by Richard Corsello, engineered by Danny Kopelson at Fantasy Studios (1981)\u003cbr data-mce-fragment=\"1\"\u003etrack 5 previously released on Universal Records RON-1B, Produced by The Jars and Dan Alexander at Hyde St. Studios (1981)\u003cbr data-mce-fragment=\"1\"\u003etracks 9-13 produced by Gary Hobish and The Jars at Fantasy Studios (1981)\u003cbr data-mce-fragment=\"1\"\u003etracks 6 and 15 recorded live at Berkeley Square, 6\/10\/81\u003cbr data-mce-fragment=\"1\"\u003etracks 7, 8 and 14 recorded live at The Old Waldorf, 2\/1\/81\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlbum mastered by Gary Hobish at A. Hammer Mastering, San Francisco\u003cbr data-mce-fragment=\"1\"\u003eArt Direction: Peter Montgomery\u003cbr data-mce-fragment=\"1\"\u003eNotes: Cory Linstrum\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThanks-\u003cbr data-mce-fragment=\"1\"\u003eBarb Wire, Margie Steele, Dave R.Driver, Marc Monosonic, Wes Robinson, Paladin, Pete \u0026amp; Steve Bizas at I Cafe, Mel Cheplowicz, Tim Yohannan, Sheets, Hugh Brown, Ray Farrell, Irene Dogmatic, Jello Biafra, Ron Blakeman, Steve Tupper, Mickey Creep, Karmin Ghia, Devorah Ostrov, Barry Simons, Rather Ripped Records, Universal Records, Dirk Dirksen, Mike Fox, Richie Corsello, Clayton Call, Morgan McDow, and thanks to all of the great bands of the East Bay scene 1978-1982\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003efor J.D. and Mik\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jars Records","offers":[{"title":"Default Title","offer_id":41586755502241,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3249918257_16.jpg?v=1644574732"},{"product_id":"vitamin-recordings-1981-new-lp-1","title":"Vitamin  – Recordings 1981 – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003eIt was 1979 when Boston teenagers Jason Shapiro and Mike McGlinchey saw the wide-open door of punk as it turned to art-punk and no wave, and scurried straight in. Shapiro was 14. McGlinchey was only a few years older. Neither had played an instrument for long when Vitamin formed. Eventually, violinist Margie Politzer and drummer Chris Gill joined to complete the line-up.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eInspired by the no wave impulse to tear rock apart and build something new from the blistering pieces, Vitamin’s sound was raucous and careening but playful, with a dash of conceptualism for good measure. Truly joyful noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir brief life stands as a difficult-to-top example of art-making for its own sake, and a document of youthful collective creation.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=490198046\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/vitamin1981.bandcamp.com\/album\/recordings-1981\"\u003eRecordings 1981 by Vitamin\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Don Giovanni Records","offers":[{"title":"Default Title","offer_id":41744534405281,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0664577556_16_4c6d7347-af8e-4e38-9e7b-d4c7a0f5e188.jpg?v=1648113203"},{"product_id":"gordons-the-the-gordons-future-shock-lp-7-nz-1980-new-lp","title":"Gordons, the –  The Gordons + Future Shock  [LP+7\". NZ 1980] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEssential release! Packaged together with restored artwork and remastered audio, the legendary 1980 three song Future Shock EP and the 1981 self-titled LP.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3651075081\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gordons.bandcamp.com\/album\/the-gordons-future-shock\"\u003eThe Gordons + Future Shock by The Gordons\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \"This album may end up the hands of people who weren’t even born when these performances took place, so, let me tell you what it was like. The Verlaines. at the time, were Graeme Downes, Jane Dodd and Robbie Yeats. We lived in Dunedin at the near-bottom of the South Island of New Zealand. We were at University. These gigs were recorded to try to capture a live version of Slow Sad Love Song for the upcoming Birddog album that we recorded later that year.\"\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Gordons crashed upon the do-it-yourself scene of early 1980s Christchurch with torrential force, self-releasing two foundational planks of the vibrant New Zealand underground. “Future Shock,” a three-song 7” released in 1980, is a wild-eyed rampage, as staggering as any feedback-addled punk then being recorded at Southern Studios. The Gordons LP, which followed in 1981, matches the abandon with motorik churn and livewire dissonance, evoking New Zealand antecedents as divergent as This Kind of Punishment and the Dead C. Brought together on this release, they’re a noise-rock landmark anticipating fans such as Sonic Youth.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"1972 Records","offers":[{"title":"Default Title","offer_id":42122936844449,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1549517692_16.jpg?v=1656301601"},{"product_id":"shatterbox-strung-out-on-the-line-seattle-1981-new-lp","title":"Shatterbox –  Strung Out on the Line [Seattle Punk 1981] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e• Rare \u0026amp; Raw Seattle Punk Rock'n'roll from ’81\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=123864462\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/digrecordsusa.bandcamp.com\/album\/strung-out-on-the-line-81-seattle-archival\"\u003eStrung Out on the Line ('81, Seattle – Archival) by Shatterbox\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Official Reissue\u003cbr data-mce-fragment=\"1\"\u003e• Restored and Remastered from Original Reels\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDIG! Records Archeological Division presents Strung Out on the Line, the all but lost private press powerhouse LP from SHATTERBOX.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe band formed in 1979, at a major and sketchy (read: majorly sketchy) generational crossroads for what threatened to be the last gasp of Rock’n’roll in the ‘70s, and the new directions it’d take in the ‘80s. Recorded in their Seattle basement, the band utilized a mobile studio unit ala a low-rent D.I.Y. Exile Main on St., and self-released the album on New Year’s Day 1981 in an unknown – or, at least now forgotten – quantity, and an array of handmade album art designs: stencil and spray paint; paste-on Xerox cutout; and bare-white factory sleeves, SHATTERBOX never followed standard operating procedures and Strung Out on the Line captures the band’s wild and ragged original sound and style in full.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNewly restored and re-mastered by David Eck from the original quarter-inch reels and housed in properly printed jackets with liner notes displaying the numerous versions of album art and an oral history from the band’s sole surviving member, Richard\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePleasant, this LP is finally receiving the presentation it deserves – now, nearly forty years down the line.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRocketing through twelve brash and energetic cuts of exuberant Punk Rock and raw Power Pop, the album sonically falls somewhere between THE HEARTBREAKERS, NERVOUS EATERS and either –or, better yet – both iterations of THE GIZMOS. Archetypal subject matter ranging from Sex to Drugs and onto Rock‘n’roll are all addressed on tracks like “Anytime”, “Got To Have It”, “Dance Tonight”, “Just Can’t Help It”, “Go Down” and “Brand New Girl” – typically all in the same song! More complex themes surface on a Proustian examination of time (“Time”) and the quantifiable burden of modern life (“Too Much Traffic”), while the band’s own creative force can be summed up by the chorus to “Pop City”: Ain’t nothin but a rock song. Ain’t nothin but a pop song. Ain’t nothin but a punk song. So whose doin right or wrong?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStrung Out on the Line is an unlikely album for rediscovery, given its diamond in the rough mystique – the precious few remaining copies fetch hundreds in collector circles – but fortunately for today’s rocker, there’s no expiration date on the musical contents contained herein. SHATTERBOX made their own way, shirking record industry conventions and sidestepping the musical trends touted by their Hardcore Punk and New Wave peers, to create something at once their own, and now ours again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMODERN LISTENERS - RECOMMENDED IF YOU DIG: DIRTY FENCES, KING TUFF \u0026amp; DANCER\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003ca data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Dig! Records","offers":[{"title":"Default Title","offer_id":42142519689377,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2251436460_16.jpg?v=1656494637"},{"product_id":"end-result-the-seven-year-locust-returns-white-vinyl-new-lp","title":"End Result – The Seven Year Locust Returns [WHITE VINYL] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnd Result‘s 1982 masterpiece The Seven Year Locust Returns on vinyl for the first time! This album was originally dubbed on cassette and distributed among friends in the Chicago punk scene. TSYLR represents End Result at their most formative stage. The recordings presented here contain the brutal roots of what would come later on their excellent, David Riley (Big Black, Savage Beliefs) produced, Ward 12″.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1714573109\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shop.alonasdreamrecords.com\/album\/the-seven-year-locust-returns\"\u003eThe Seven Year Locust Returns by End Result\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVia The Chicago Punk Database: End Result first rehearsed in July 1979 in a basement near Pill Hill on the south side. They were (ARE!) a well respected experimental \/ nowave band that had a changing lineup throughout the 1980s. Their style was much different than their “hardcore” peers and featured a style that couldn’t really be categorized by normal punk conventions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe best preserved copy of End Result's hand-dubbed The Seven Year Locust Returns cassette was located in the archive of Chicago experimental institution ONO. It was subsequently and expertly transferred and mastered by Carl Saff. Pressed into vinyl and placed inside a cardboard sleeve for you to buy, rip open and enjoy. Limited white vinyl version: recorded, mastered and pressed in Chicago. Includes printed inner sleeve with rare photos and excellent liner notes.\u003cbr\u003e\u003c\/p\u003e","brand":"Alona's Dream Records","offers":[{"title":"Default Title","offer_id":42185095217313,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0553141620_16.jpg?v=1657145725"},{"product_id":"dance-the-do-dada-orange-vinyl-new-lp","title":"Dance, The – Do Dada [ORANGE VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNYC 1980-1983 circa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eGroundbreaking Post-Punk Art-Funk! Do Dada captures The Dance surfing the emerging No Wave scene across their earliest recordings, featuring cuts from their early EPs paired with previously unissued gems! Pressed on colored vinyl!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=189470184\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sundazedmusic.bandcamp.com\/album\/do-dada\"\u003eDo Dada by The Dance\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA New York based early 80's No Wave band that spun off from The Model Citizens after one EP produced by John Cale while other old band-mates formed Polyrock. Material's Fred Maher joined them on drums for some recordings. The band was fronted by Eugenie Diserio, known for her sexy homemade fashion designs and her sultry voice that often played off suggestive lyrics.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eReview by Fred Thomas: New York band the Dance was active from late 1979 to sometime in 1983, rising out of Manhattan's downtown art punk scene with a sound that fused elements of funk, no wave, global rhythms, and danceable if dissonant high-energy rock. While they didn't reach the same levels of acclaim as the Talking Heads, the Slits, or even more immediate peers like DNA or the Bush Tetras, the Dance created a hybrid of high-tension sounds on the same level as all of those bands that was evident from their first self-produced, self-released 12\" EP, 1980's Dance for Your Dinner. Compilation release Do Dada collects that EP as well as alternate mixes of songs from later records, non-album tracks, and other unreleased material. The frenetic energy of the band's first four songs is almost uncontainable, from the eerie falsetto vocals and slippery bass line of \"She Likes to Beat\" to the caustic funk push, unexpected violin\/percussion breakdown, and constant unhinged vocalizations of \"Do Dada,\" a song emblematic of the anything-goes stylistic approach of the N.Y.C. scene the Dance were part of in the early '80s. There's an extended mix of the slick, slightly gothic groove \"In Lust\" (taken from the band's 1981 debut LP of the same name) as well as the dubby swells of non-album B-side \"Dubbin' Down\" and two versions of the previously unreleased \"Into the Future,\" an emphatic and chaotic original mix and a sample-heavy mix by Arthur Baker that sounds almost unrecognizable from the first. The material on Do Dada draws from every phase of their brief lifespan and offers a great idea of how their sound changed and held on to its core elements as they burned quickly and ferociously.\u003c\/span\u003e\u003c\/p\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":42204616392865,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0298564268_16.jpg?v=1657351589"},{"product_id":"eddie-and-the-subtitles-skeletons-in-the-closet-new-lp","title":"Eddie and the Subtitles – Skeletons In The Closet – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"customHeaderWrapper\"\u003e\n\u003cdiv class=\"band-navbar-wrapper flex\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eIt’s 1980 in Orange County, California, and PUNK ROCK has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE MIDDLE CLASS get Eddie and the Subtitles rolling for a slew of shows with comrades BLACK FLAG, ADOLESCENTS, CIRCLE JERKS and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO LABELS on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by Jon St. James at his legendary Casbah studio (THE VANDALS, SOCIAL DISTORTION, BERLIN), these sessions also yielded a handful of tracks that would appear on the exceedingly rare “Skeletons In The Closet” LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” appear here as the opening trio on\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethis newly re-sequenced reissue. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=752176024\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/slovenly.bandcamp.com\/album\/eddie-and-the-subtitles-skeletons-in-the-closet-lp\"\u003eEDDIE AND THE SUBTITLES \"Skeletons In The Closet\" LP by Eddie and the Subtitles\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eGeza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (GERMS, WEIRDOS) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ RHINO 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive “Fuck You Eddie!” single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks Jon Blair (of surf cats Jon and the Nightriders) and Bobby Paine (later of rockabilly hepsters The Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. “Skeletons In The Closet” remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased July 1, 2022\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"trackView leftMiddleColumns has-art\" data-tooltips='{\"tooltips\":[],\"dash_seen\":null}' itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicAlbum\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Slovenly Recordings","offers":[{"title":"Default Title","offer_id":42215829340321,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0706753107_16.jpg?v=1657585460"},{"product_id":"slugfuckers-transformational-salt-new-lp","title":"Slugfuckers – Transformational Salt [1981] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003eBlack vinyl.\n\nFirst-time reissue of Slugfuckers' Transformational Salt, originally released on Dogfood Production System in 1981. Cover designed by Craig Wilcox but messed up a little by John Laidler.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1656960268\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/digitalregress.bandcamp.com\/album\/transformational-salt\"\u003eTransformational Salt by Slugfuckers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\nComes with double sided insert, fold out poster and download card.\nThe B side label is plain pink on all copies.","brand":"Digital Regress Records","offers":[{"title":"Default Title","offer_id":42340330242209,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0582255842_16.jpg?v=1659597816"},{"product_id":"various-artists-instant-this-instant-that-ny-ny-1978-1985-sexy-clear-vinyl-new-lp","title":"TwinArt\/Various Artists – Instant This \/ Instant That: NY NY 1978-1985 [2xLP SEXY CLEAR VINYL] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eUnique female gazes into a micro-scene within the NYC Downtown art scene circa late ’78-’85: as seen through the lens of a variety of feminist perspectives on new wave and true next wave sound!\u003cbr\u003e\u003cbr\u003eAn ultra-violet time machine to a micro-scene viewed and heard through the curation of twin artists Linda and Ellen Kahn, who together are TwinArt. This magnificent journey features the music they created for the Manhattan Cable, along with other female voices from within their orbit.\u003cbr\u003e\u003cbr\u003eInstant This Instant That is built around the coveted flexi disc from an art mag that featured a song by Taste Test and a cut from Intense Molecular Activity (IMA). Joining the fun are Jill Kroesen, who contributes her cult A-side “I Really Want To Bomb You” along with two unissued cuts from her poetic and percussive headspace.\u003cbr\u003e\u003cbr\u003eMulti-media artist Julia Heyward, once known as Duka Delight, contributes two songs she put to tape working with IMAʼs Don Hunerburg that are poignant and powerful as the work sheʼs shown at the Whitney or the video she directed for The Talking Heads (”Burning Down The House”!?!?).\u003cbr\u003e\u003cbr\u003ePost-punk “Do-Dada-ists” The Dance contribute quite a bit here, including an unissued demo, a cut from an EP, and two\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecollaborations with TwinArt.\u003cbr\u003e\u003cbr\u003eAll of these treasures are woven together by sound art shorts from IMA under the guidance of TwinArt. This album is as delightful as the cover art of Ellen and Lynda suggests.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":42546460950689,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2588764714_16.jpg?v=1663890452"},{"product_id":"various-artists-killed-by-death-8-1-2-new-lp","title":"Various Artists - Killed by Death #8 1\/2 - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e ALL AMERICAN PUNK!\u003c\/span\u003e\u003cbr\u003e","brand":"Redrum Records","offers":[{"title":"Default Title","offer_id":42683045380257,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-614220-1608393927-4881.jpg?v=1667613653"},{"product_id":"various-artists-disco-reggae-rockers-2xlp-sun-yellow-vinyl-mport-new-lp","title":"Various Artists – DISCO REGGAE ROCKERS [2xLP SUN-YELLOW VINYL. MPORT.  1973-1986] – New LP","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e1973-1986\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDisco Reggae Rockers features wicked reggae disco versions of funk, soul and disco classics! This new album follows on from Soul Jazz Records' earlier highly successful 'Hustle: Disco Reggae' and features reggae covers of classic songs by Earth, Wind \u0026amp; Fire, Michael Jackson, The Isley Brothers, Candi Staton, Curtis Mayfield and more as performed by Derrick Harriott, Devon Russell, Hortense Ellis, Glen Adams, Dave Barker and others. The lineages of American soul and disco music on the one hand and Jamaican reggae on the other are so intertwined that its unsurprising that disco reggae – or reggae disco if you prefer – is such a winning and straightforward combination. American and Jamaican music has been influencing each other back and forth for many decades, and is one reason that the music of Diana Ross, Curtis Mayfield, the Isley Brothers and numerous other US soul artists is so widely appreciated in Jamaica. \/\/ The most-straightforward definition of ‘Disco Reggae’ is to describe it as American disco and soul songs covered by reggae artists. But the relationship is binary – this is no mere subservient island appreciation of North American dominant culture but instead an example of the interweaving thread of Jamaican and American music that travels back and forth between the major cities of Kingston, London, Toronto, New York, Chicago and Philadelphia. \/\/ Having said that all of the songs featured here are indeed cover versions of (or at least heavily based on) US soul and disco tunes. Curtis Mayfield, Diana Ross, Earth, Wind \u0026amp; Fire, Archie Bell, The Dramatics, Michael Jackson – the work of these artists resonated around the world and Jamaica was no exception. \/\/ This album is released as a one-off limited Sun Yellow coloured vinyl gatefold double LP edition + download, with full sleevenotes.\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"pt-2\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":42704226517153,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374842748.jpg?v=1668296863"},{"product_id":"indian-dream-by-butchamana-and-the-big-bang-brothers-band-new-lp","title":"Butchamana and the Big Bang Brothers Band – Indian Dream – New LP","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHopi native Bruce Hamana recorded his psychedelic loner-folk classic Hamana almost entirely by himself. For his follow up he enlisted John Wagner–fresh off the heels of recording albums for Indigenous psych groups like Winterhawk and XIT–to produce a full band studio album of solo-laden rural psychedelic rock. Originally released in 1981 in an impossibly small pressing by Mother Earth Records. Re-mastered from the original tapes by Bob Weston at Chicago Mastering.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3869643604\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/brucehamana.bandcamp.com\/album\/indian-dream\"\u003eIndian Dream by Butchamana and the Big Bang Brothers Band\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"title\" data-mce-fragment=\"1\"\u003eBruce Hamana \u003c\/span\u003e\u003cspan class=\"location secondaryText\" data-mce-fragment=\"1\"\u003eKykotsmovi Village, Arizona\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-notes\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cdiv class=\"notes_1LXvZ\"\u003e\n\u003cbr\u003eRecorded at John Wagner Studios, Albuquerque, New Mexico\u003c\/div\u003e\nBacking Vocals – Kathryn Silversmith Bass – Roy Deneh-Deal Drums – Tinky Nez Guitar – Pius Henry Whirlwind Soldier Keyboards, Synthesizer – Marty Delano Songwriter, Vocals, Guitar, Harmonica – Bruce Hamana\u003c\/div\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"content_1TFzi\"\u003eOriginally released 1981, LP, 8-track and cassette\u003c\/div\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"content_1TFzi\"\u003eRecorded at John Wagner Studios, Albuquerque, New Mexico\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Don Giovanni Records","offers":[{"title":"Default Title","offer_id":42844040822945,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2854769141_16.jpg?v=1674505546"},{"product_id":"subhumans-ep-lp-white-black-galaxy-vinyl-1981-1983-new-lp","title":"Subhumans - EP LP [WHITE\/BLACK GALAXY VINYL 1981-1983] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eoriginally released December 1, 1985\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDick voice\/words\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce guitar\/voice\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrant bass\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrotsky drums\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2349187824\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/subhumans.bandcamp.com\/album\/eplp\"\u003eEPLP by Subhumans\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 1-6\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDemolition War 7\" EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Pickwick, Corsham 8\/8\/81\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer Steve Collinson\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased Dec 81\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003espiderleg SDL3\/bluurg XEP1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 7-10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReason for Existence 7\"EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Southern, London 31\/1\/82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer Pete Stennett\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased April 82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003espiderleg SDL5\/bluurg XEP2\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 11-14\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReligious Wars 7\" EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Pickwick, Corsham 9\/5\/82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer Steve Collinson\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased July 82\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003espiderleg SDL7\/bluurg XEP3\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etracks 15-19\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvolution 7\" EP\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded Southern, London 29\/1\/83\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eengineer John Loder\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ereleased May 83\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ebluurg Fish 2\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cspan class=\"x_order-list__item-variant\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Pirates Press Records","offers":[{"title":"Default Title","offer_id":42898788384929,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2120893913_16.jpg?v=1677055686"},{"product_id":"violin-sect-s-t-uk-1980s-new-lp","title":"Violin Sect – Vile Insect  [Wales Post-Punk 1981] – New 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe Violin Sect 7\" from 1981 is one of the rarest and largely unknown documents of 1980's \"UK DIY\" post-punk. Touching on the same sounds as contemporaries such as Scritti Politti, the Raincoats and the Pop Group, the Wales-based quartet existed for only a short time, managing to play just a few shows and record and self-release one two-song 7\" on their own label Cheek to Cheek (A Porky Prime Cut!). \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=398015363\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/minimumtablestacks.bandcamp.com\/album\/vile-insect\"\u003eVile Insect by Violin Sect\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe record remained obscure for decades, even managing to evade the gaze of compilers of \"the lists\" that got the collectors salivating. No Kugelberg's \"Top 100\", no \"Messthetics\" compilation entry, not even a mention in \"45 Revolutions\". Then, nearly four decades later, the band's bassist Steve Walker dug up the perfectly preserved original 1\/4\" studio tapes with both songs from the 7\" plus two more songs the band recorded at the same session but never released. Presented here for the first time, digitally remastered, are all four songs on 12\" 45rpm, along with a fold out poster insert with liner notes from Steve, original photos and ephemera from his archive and a reprint of a 1981 fanzine interview with the band. Minimum Table Stacks is proud to present this amazing artifact from one of our favorite eras of independent music ever! (300 copies)\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleased February 7, 2023\u003c\/div\u003e","brand":"Minimum Table Stacks Records","offers":[{"title":"Default Title","offer_id":42902075506849,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0954472888_16.jpg?v=1677206635"},{"product_id":"blue-oil-s-t-blue-vinyl-1980s-canada-new-lp","title":"Blue Oil – S\/T [Blue Vinyl 1980s Canada] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eQUEBEC’S FIRST ALL-WOMEN PUNK GROUP! Formed in 1978, Blue Oil played relentlessly through Quebec’s early ’80s scene with their dynamic brand of punk, new wave, and post-punk. 12 songs from 1981–83, including their hit single “Money,” meticulously remastered.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2170449871\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/supremeecho.bandcamp.com\/album\/blue-oil\"\u003eBlue Oil by Supreme Echo\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Blue Oil was Quebec’s original all-female punk band, blazing trails for women in music who like it loud.” – Erica Ehm, Musi-Video\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Powerful, driving and highly respectable.” – Liz Janik, Music Express\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“This is the real thing, pure female punk expression with a \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003eknack for pop melodies.” – Félix B. Desfossés, CBC Radio Canada\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eDeluxe large-size 8-page bilingual English-French booklet with their story, photos, art, and gig posters. Two stickers. 600\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cspan\u003e \u003c\/span\u003ecopies on beautiful aqua-blue vinyl.\u003c\/span\u003e\u003c\/span\u003e","brand":"Supreme Echo Records (Canada)","offers":[{"title":"Default Title","offer_id":43036945186977,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1121729049_16.jpg?v=1684909520"},{"product_id":"riot-303-s-t-1981-1983-w-booklet-and-stickers-new-lp","title":"Riot .303 – S\/T [BLUE VINYL 1981-1983 w\/ booklet] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eCanadian Prairie Punk! Early 80s greats RIOT .303 from Calgary featuring ex-Sturgeons rhythm section and future Beyond Possession vocalist. 17 punk rock anthems recorded 1981-83, including their full studio output — four each from 1982’s super-rare Crowd Control EP and Thrasher’s Skate Rock Vol. 1, plus 9 powerful unreleased songs. Meticulously remastered by Audu Obaje. 8-page booklet with photos, art, and full-band interview. Stickers. 550 copies, colored vinyl.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2768098786\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/supremeecho.bandcamp.com\/album\/riot-303\"\u003eRiot .303 by Supreme Echo\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003e“Punk rock that sounds very much like the Canuck SUBHUMANS” – Tim Yohannan, MRR #3, Nov.\/Dec. 1982\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Better than a February chinook … punchy and relevant lyrics in the style of U.K. Subs” – Bryan Williamson, Calgary Herald, Dec. 1982\u003c\/span\u003e","brand":"Supreme Echo Records (Canada)","offers":[{"title":"Default Title","offer_id":43099586461857,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a2361776056_16.jpg?v=1688694653"},{"product_id":"new-math-die-trying-other-hot-sounds-1979-1983-new-lp","title":"New Math – Die Trying \u0026 Other Hot Sounds (1979-1983) [CLEAR VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormed in Rochester, NY in 1976, New Math opened for the likes of the Ramones, Pretenders, The Cramps, The Psychedelic Furs, The Damned, and The Gun Club at now-extinct local clubs. Offering up an endless supply of ascending guitar lines and catchy hooks of amphetamine-fueled power pop.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith ease, the band produced charming, should’ve-been hits like the adrenaline rush of “The Restless Kind,” the two-tone English Beat-inspired “Older Women,” and of course the hyper-melodic anthem “Die Trying.” The latter was produced by Howard Thompson, who was known for working with John Cale and the Psychedelic Furs. It was first released on Reliable Records in 1979 and then re-released on CBS in England with the same B-side “Angela,” a take on ‘60s girl groups that juxtaposed its innocent pop leaning with a tragic story. “Die Trying” did receive some airplay on John Peel’s radio show and landed somewhere near the bottom of the British Charts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith a 7” on CBS in the UK  and a debut EP on US indie label 415 Records, the band rode the new wave. This collection of out-of-print early singles and unreleased demos showcases why they made fans both in the US and UK.\u003c\/span\u003e","brand":"Propeller Sound Recordings","offers":[{"title":"Default Title","offer_id":43119053668513,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374898059.jpg?v=1689752169"},{"product_id":"carrington-terri-lyne-tlc-friends-import-new-lp","title":"Carrington, Terri Lyne – TLC \u0026 Friends [IMPORT] – New LP","description":"\u003cp\u003eReview by Matt Collar: Recorded in 1981, just a few months after her 16th birthday, TLC \u0026amp; Friends captures Grammy-winning drummer Terri Lyne Carrington at the inception of her career. Here, she is joined by an all-star cadre of veterans, including saxophonist George Coleman, pianist Kenny Barron, and bassist Buster Williams. Also lending his warm support is her father, saxophonist Sonny Carrington, who jumps in at the end for a jovial take on Sonny Rollins' \"Sonny Moon for Two.\" Although essentially her debut album, TLC \u0026amp; Friends was never widely available, recorded primarily as a showcase for the Medford, Massachusetts-born jazz prodigy, who was by then already a student at the Berklee College of Music. Most people would be introduced to Carrington either by her more commercial-leaning 1989 studio album, \u003cem\u003eReal Life Story\u003c\/em\u003e, or her much lauded work for artists like Wayne Shorter, Cassandra Wilson, and Mulgrew Miller, among others. Of course, by then she had developed into a highly adept crossover star, just as likely to lay down a clipped funk groove as a swinging cymbal rhythm. TLC \u0026amp; Friends takes you back to her nascent early days of blowing sessions when Carrington was clearly trying to prove her mettle against the hard bop jazz tradition. Of that she leaves no doubt, tearing into standards like \"What Is This Thing Called Love\" and \"Seven Steps to Heaven\" with the muscular ferocity of Art Blakey, her crackling cymbal pushing Coleman to ever throaty heights. Particularly exciting is her one original composition, the Latin-tinged \"La Bonita,\" whose dusky, minor-key melody nicely evokes the noir-ish '70s post-bop of artists like Woody Shaw and Art Pepper. She also takes a joyously kinetic solo on another Sonny Rollins classic, \"St. Thomas,\" revealing just how much of a percussion virtuoso she already was as a teenager.\"\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VnAuFm3nbQc?si=Av5CQdWjNieHVVNE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"At the age of 5, she sat in with Rahsaan Roland Kirk, the very first musician to let her stand on stage. By age 10, she was playing at the prestigious Wichita Jazz Festival in Kansas with Clark Terry and his All-Stars consisting of Eddie \"Lockjaw\" Davis, Al Cohen, Garnet Brown, George Ouvivier, Jimmy Rowles, and Louis Bellson. It was also there that she first met Buddy Rich, who later featured her on his national television show.  \u003cspan data-mce-fragment=\"1\"\u003eAround the time of this recording she was awarded a full scholarship to Berklee College of Music in Boston after the founders of the school, Lawrence and Alma Berk, heard her sit in with the great Oscar Peterson, who had featured her at the suggestion of Ella Fitzgerald.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Candid Records","offers":[{"title":"Default Title","offer_id":43130965491873,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374897420.jpg?v=1690491907"},{"product_id":"zits-the-back-in-blackhead-new-lp","title":"Zits, The – Back in Blackhead [BLUE VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eSecond pressing on translucent blue vinyl - edition of 100! Includes printed inner sleeve, Zits \"1981 tour\" sticker, and download code with bonus tracks.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3755627450\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/zitmusic.bandcamp.com\/album\/back-in-blackhead\"\u003eBack in Blackhead by The Zits\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe Zits were a short-lived phenomenon, forming in February 1981 and disbanding upon graduation from Oakton High School in late May. Initially dubbed Nic Beery and The Zits, the group quickly shortened things to The Zits while rehearsing and playing a mix of basement parties, high school events, and community centers. Within a few months, The Zits had a solid repertoire of punk originals and covers, which included The Ramones and The Undertones (see track 5 for a great version of \"Can't Get Over You\"). Inspired by a classmate who had pressed a solo 45, The Zits pre-sold copies of their very own single, and booked time at Eastern Recording in Glen Burnie, Maryland to record their two strongest tracks. Produced by Scott Watson of regional new wave act The Intentions, the two tracks - \"Sick on You\" and \"Beat Your Face\" were quickly mixed and sent off to be released as a 45 on singer Nic Beery's own Olympic Records. Both tracks are total teen punk hits with great snotty vocals, crunchy guitar, keyboard, and some of the best dry heaves ever committed to tape! Nearly 40 years later, the single - and its appropriately low-brow picture sleeve - has gained a reputation as a bonafide Killed By Death\/Bloodstains-comp level hitter, and appears here remastered from the original 8\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003etrack tape.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan class=\"bcTruncateMore\"\u003eBut that's not all! The Zitmusic archives yielded an incredible cache of unreleased cassette material taken from rehearsals and live shows. \"Back in Blackhead\" also features 7 previously unheard cuts, including what could have been the second Zits single - the killer \"Bertha Was a Slut\", the warped twelve bar \"No Dough Blues\", and several other exuberant teen-punk anthems. The Zits may have not had the sex or the drugs, but they certainly tackled the rock'n'roll better than most other class of 1981 bands can claim. After receiving a promo copy of The Zits 45, Greg Hawkes of The Cars replied via postcard, \"I played your record and thought it was pretty ridiculous.\" Thankfully that ridiculousness has been preserved on \"Back in Blackhead\" - the ultimate Zits collection.\u003cbr\u003e\u003cbr\u003e\"Back in Blackhead\" includes a printed inner sleeve featuring liner notes from Zits members Nic Beery + Bill Sykes and tons of unreleased photos \u0026amp; ephemera from the Zitmusic archives, plus a download code with bonus tracks, and \"1981 World Tour\" sticker.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eAll songs performed by The Zits, Nickey Beery, Billy Sykes, Joey Rogers, Stevie Smith.\u003cbr\u003eSongs written by Nic Beery and Bill Sykes. Opera Show written by Nic Beery and Jim Sweeney\u003cbr\u003eCan’t Get Over You written by John O’Neill. Sick on You and Beat Your Face recorded on April 26th, 1981 at Eastern Recording Studios in Glen Burnie, MD. Engineered by Hank Burnett, Produced by Scott Watson and The Zits. Re-mixed from the original 8-track source tape in 2020 by Grahame Davies. All other tunes recorded live at Oakton High School, and around the school March-May 1981.\u003cbr\u003eAll songs Re-Mastered in 2020 by Grahame Davies.\u003cbr\u003eAlbum design by Sam Richardson and Nic Beery.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":43150353858721,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0393571248_16_1.jpg?v=1691975940"},{"product_id":"red-rockers-condition-red-louisiana-punk-1981-red-vinyl-w-zine-new-lp","title":"Red Rockers – Condition Red [Louisiana Punk 1981 RED VINYL w\/ zine] – New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"isPasted\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e“Red Rockers sound like they’ve been locked in a cupboard with the Clash’s first album for three years. Yeah, great isn’t it?” \u003c\/strong\u003e- Lester Bangs\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1813880561\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theredrockers.bandcamp.com\/album\/condition-red\"\u003eCondition Red by The Red Rockers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\"It sounded like nothing else released in 1982 – not Signals by Rush, Avalon by Roxy Music, the Cure’s Pornography, Rio by Duran Duran, Bruce Springsteen’s Nebraska, Toto IV, Donald Fagan’s The Nightfly, nor Robert Plant’s Pictures At Eleven. It didn’t even seem akin to such ‘82 punk classics as the Circle Jerk’s Wild In The Streets, the Descendents' Milo Goes To College or Fear’s The Record. And it sure as hell didn’t sound like the Clash’s Combat Rock. Rather, Condition Red, the debut album from New Orleans punk band Red Rockers, echoed the power, aggression, and highly charged political anger of the Clash’s early work. And deliberately so. Eventually, the Red Rockers joined their inspirations on a few US tour dates, showing audiences how the Clash used to do things as they leaped about in spray-painted shirts before hammer and sickle-festooned amps, screaming about “Guns Of Revolution.” Both Creem and Rolling Stone featured them, the latter beknighting them “the American Clash,” telling of plans to tour Cuba and release a vicious new single called “Voice of America.” The song instead surfaced the following year as a B-side to massive MTV pop hit\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e“China,” an echo of what Red Rockers had been just the year before and were no longer. \"The missing 24” master tapes were found in a garage by Johnny Colla from (Huey Lewis \u0026amp;) The News at Sandy Pearlman’s estate sale. Thanks to Cris Cohen they were returned to us. We were able to mix the 80’s out of the record and discovered a missing track that wasn’t included on the original 1981 release.\" - Darren Hill (Red Rockers)\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003c\/div\u003e\n\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sundazed Records","offers":[{"title":"Default Title","offer_id":43330855010465,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0318744560_16.jpg?v=1697262593"},{"product_id":"various-artists-soul-jazz-records-presents-holy-church-of-the-ecstatic-soul-a-higher-power-gospel-funk-soul-at-the-crossroads-1971-83-2xlp-import-new-lp","title":"Various Artists – Holy Church Of The Ecstatic Soul - A Higher Power: Gospel, Funk \u0026 Soul At The Crossroads 1971-83 [2xLP IMPORT] – New LP","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eSoul Jazz Records’ Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caeser, Dorothy Norwood, Andrae Crouch and others crossed over into secular soul music during this period. \/\/ Many of the most successful soul artists - from Aretha Franklin to Al Green, The Staple Singers to Sam Cooke - all drew upon their upbringing in the church for their musical inspiration. This album discusses how important the links between the black church and soul music were in creating soul music and spotlights some of the many important (and also little-known) gospel artists who walked this line between sacred music and soul, funk and disco in the 1970s and early 1980s. \/\/ Holy Church of the Ecstatic Soul shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Bilge.\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"pt-2\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":43694825111713,"sku":null,"price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374916777.jpg?v=1705277385"},{"product_id":"nico-drama-of-exile-lavender-vinyl-new-lp","title":"Nico – Drama of Exile [Lavender Vinyl MARKED DOWN] – New LP","description":"\u003cul\u003e\n\u003cli\u003eA 1981 Nico saunters through synth \u0026amp; post punk vibes on seven haunting originals and jaw dropping takes on both the Velvets and Bowie! \u003c\/li\u003e\n\u003cli\u003eA new Kevin Gray cut pressed on lavender vinyl at Citizen Vinyl!\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eINCLUDES: Genghis Khan (3:56) • Purple Lips (4:14) • One More Chance (5:43) • Henry Hudson (3:57) • Waiting For The Man (4:17) • Sixty Forty (4:54) • The Sphinx (3:33) • Orly Flight (4:00) • Heroes (6:09)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=553526385\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nicomodernharmonic.bandcamp.com\/album\/drama-of-exile\"\u003eDrama Of Exile by Nico\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":43761101013153,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3432080862_16.jpg?v=1707038993"},{"product_id":"logic-lora-pedigree-charm-deluxe-edition-2xlp-import-new-lp","title":"Logic, Lora – Pedigree Charm [DELUXE EDITION. 2xLP IMPORT] - New LP","description":"\u003cdiv class=\"row mt-3\"\u003e\n\u003cdiv class=\"col-lg-4 small\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-lg-4 small\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eOriginally released on Rough Trade Records in 1982, this is the first re-issue since then and now in a deluxe format for RSD UK with bonus tracks and new sleeve notes from Lora. Overlooked on release in 1982 when Punk became Funk, Essential Logic creator and X-Ray Spex co-founder Lora Logic's debut solo album retains her signature bouncing sax lines and vocal acrobatics but weaves an esoteric web of mutant disco, jazz and the very left-field of pop which sounds uncannily like now. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1072359370\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/essentiallogic.bandcamp.com\/album\/pedigree-charm-2023-remaster\"\u003ePedigree Charm [2023 Remaster] by Lora Logic\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eFeaturing the abstract swing of This Heat legend Charles Hayward on drums and clipped funk guitars from Phil Legg, songs like \"Wonderful Offer\" and \"Brute Fury\" share a DNA with New York noise merchants like Bush Tetras and James Chance but also Talking Heads with its sideways take on world music, the playful experimental innocence of contemporaries The Raincoats and the zesty funk of A Certain Ratio. Indeed, this punk-funk can be found in the latter generations of The Rapture, Franz Ferdinand (who owe a debt to \"Wonderful Offer\" specifically) and all the way up to The Orielles, while the album's stridently unconventional and fearless sonic palette has retained its freshness for modern times.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"license-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Hiss And Shake Records","offers":[{"title":"Default Title","offer_id":44276121075873,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374953813.jpg?v=1714097471"},{"product_id":"various-artists-ipunk-45-there-is-no-such-thing-as-society-get-a-job-get-a-car-get-a-bed-get-drunk-underground-punk-and-post-punk-in-the-uk-1977-81-blue-vinyl-2xlp-import-new-lp","title":"Various Artists – PUNK 45: There Is No Such Thing As Society – Get A Job, Get A Car, Get A Bed, Get Drunk! Underground Punk And Post-Punk in the UK 1977-81 [BLUE VINYL 2xLP IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"10th anniversary edition of the long-out-of-print Punk 45: There Is No Such Thing as Society. This is a one-off limited-edition heavyweight special-edition cyan coloured vinyl pressing + download code. The album charts the rise of underground punk and post-punk in the UK from 1977-81. This album is fully remastered, relicensed and includes five new tracks from 23 Skidoo, Notsensibles, Pretty Boy Floyd, The Astronauts and The Impossible Dreamers. The album is a collection of seminal, classic, obscure and rare punk and post-punk singles from the likes of The Mekons, Johnny Moped, The Killjoys, The Rings and many more which all chart the rise of independent music and Do It Yourself culture that exploded in the wake of punk and during the years of Britain under Margaret Thatcher. The album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork and is newly available as a limited-edition super-loud, super-heavy double gatefold-sleeve vinyl edition complete with full sleeve-notes plus download.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":44365368131745,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374949562.jpg?v=1716495511"},{"product_id":"various-artists-in-the-beginning-there-was-rhythm-2xlp-import-new-lp","title":"Various Artists –  In The Beginning There Was Rhythm [2xLP IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnavailable for over 20 years, In The Beginning There Was Rhythm was Soul Jazz Records' first foray into post-punk and punk-funk in the UK and captures the ground-breaking and seminal groups that crossed the divide of punk and dance music for the first time. \/\/ \"In the Beginning is essential missing-link history – and body-rockin' fun\" THE GUARDIAN \/\/ \"In the Beginning doesn't have a single limp tune. It'll amaze new listeners and give old ones some hard-to-find tracks. Buy it.\" PITCHFORK \/\/ \"There's no denying that In the Beginning There Was Rhythm is a great gateway into this expansive, fruitful, trailblazing era.\" ALL MUSIC \/\/ First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat. \/\/ As Muzik magazine noted on its initial release, 'In The Beginning' is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst. \/\/ The bands featured come (mostly) from the then bleak post-industrial North of England – Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time. \/\/ The title of the album comes from The Slits track of the same name. \/\/ This double vinyl edition with download code comes complete with two bespoke inner bags containing extensive sleevenotes and original photography.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":44428467142817,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-30650389-1715433484-2191.jpg?v=1718249263"},{"product_id":"delta-5-singles-and-sessions-1979-1981-sea-glass-vinyl-new-lp","title":"Delta 5 – Singles and Sessions 1979-1981  [Sea Glass Vinyl] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePart of the Leeds\/UK art\/music scene in the late 70s that launched The Gang of Four and The Mekons, Delta 5 was signed to Rough Trade after only a few months in existence, and released their first single recording, \"Mind Your Own Business\/Now That You've Gone\" in 1979. No less an authority than legendary BBC host and producer John Peel received an advance copy of the single and played it twice that same night. He then requested that the band do a \"Sessions\" gig for him and the band was officially on its way. Relentless gigging with The Gang of Four, Echo and the Bunnymen, B52s, Specials, Teardrop Explodes, and U2 put the band on the map worldwide. They continued touring and recording until various members departed in late 1981, when they recorded one last single and then broke up for good in 1982.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=980868223\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/delta5.bandcamp.com\/album\/singles-and-sessions-1979-81\"\u003eSingles and Sessions 1979-81 by Delta 5\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDelta 5 - Biography\u003cbr\u003eBy Alan Riggs\u003cbr\u003e\u003cbr\u003eRos Allen - Bass guitar \u0026amp; vocals\u003cbr\u003eKelvin Knight - Drums\u003cbr\u003eBethan Peters - Bass guitar \u0026amp; vocals\u003cbr\u003eAlan Riggs - Guitar \u0026amp; vocals\u003cbr\u003eJulz Sale - Vocals\u003cbr\u003e\u003cbr\u003eFormed in Leeds, Yorkshire, England, UK 1979.\u003cbr\u003e\u003cbr\u003eThere was a Leeds music scene at the time that revolved around the Leeds University Art Department, and local bands The Gang of Four and The Mekons were doing well. Kelvin had briefly replaced Hugo in The Gang of Four and was recommended to Delta 5 as a drummer. Kelvin and I played in a band in York together so I went along to audition and joined in May 1979.\u003cbr\u003e\u003cbr\u003eFirst release \"Mind Your Own Business\" \/ \"Now That You've Gone\" - 1979. The Gang of Four were recording their album, Entertainment, in the WorkHouse in the Old Kent Road and they decided that they could help us out at the same time. We stayed with them on a houseboat on the Thames at Cheney Walk, Chelsea and their manager Rob Warr arranged for us to go in and record\u003cspan class=\"bcTruncateMore\"\u003e whilst they were out at a Madness\/Specials gig in Camden.\u003cbr\u003e\u003cbr\u003e\"You\" was supposed to be the first recording but it wasn't happening so we changed tack and recorded both songs in about 8 to 10 hours. We had only been together a few months and done about 3 or 4 gigs by this time. Rob took the tapes to EMI who were paying for the studio but they passed - no surprise there - so Rob went to Geoff Travis at Rough Trade. Geoff came to see us at The Global Village (later Heaven) and we met him afterwards and agreed to a deal on a handshake.\u003cbr\u003e\u003cbr\u003eThe single came out in December.\u003cbr\u003e\u003cbr\u003eJohn Peel was given a pre-release copy and he decided to play it twice that night. The next day we got a call asking if we'd like to do a session for him - yes please!! Then, we were off and running.\u003cbr\u003e\u003cbr\u003e\"Delta 5\" and \"Make Up\" included on this CD are from that session of February 1980. We recorded a follow-up, \"Anticipation\" \/ \"You\" in February 1980. We were gigging more often at this point and \"You\" turned out pretty well. More gigging in Europe and the UK; around 1980 - 81, we played quite a bit at The Lyceum in London and shared the bill with The Gang of Four a few times, Echo and the Bunnymen, B52s, Specials, Teardrop Explodes and U2 to name a few. We toured with The Gang of Four and Pere Ubu in 1980.\u003cbr\u003e\u003cbr\u003eIn September 1980 we did our second Peel session, which included \"Triangle,\" which is included on this CD. Later in September 1980 we went to the USA.\u003cbr\u003e\u003cbr\u003eWe played New York and all along the East Coast. Then we went West, and \"Shadow,\" \"Circuit,\" and \"Journey\" are all from a show we did at the Berkeley Square in Berkeley, CA. Back to England in October and we recorded \"Try\"\/ \"Colour\" with the Bad Manners horn section who we had met at a festival In Finland. In February 1981 we toured Holland and Belgium. In March 81 we signed with the Pre record label in April we went into Rak Studios in St John's Wood to record an album. Rak was Mickie Most's studios and The Animals, Hot Chocolate and Sweet had recorded there.\u003cbr\u003e\u003cbr\u003eWe experimented quite a bit on the album and perhaps we should have just recorded the songs as they were - the session versions included here are more a reflection of how we were live as they were all recorded quickly in one or two takes.\u003cbr\u003e\u003cbr\u003eNone of us really liked the title of the album but it was a compromise - I think we argued quite a lot back then. We did a UK tour culminating in a headline gig at The Venue London. We even had a horn section including Rico on trombone.\u003cbr\u003e\u003cbr\u003eWe went back to the USA for a few shows on the East Coast in May and came back to England in June. We recorded \"Innocenti,\" \"Train Song,\" \"Final Scene\" and \"Singing The Praises\" for a Richard Skinner session in July 1981.\u003cbr\u003e\u003cbr\u003eThe album came out somtime late in 1981 and we went to Holland in October - I decided it was time to leave when we got back - I think Julz and then Kelvin left and Bethan \u0026amp; Ros made one more single with new personnel before calling it a day in 1982.\u003cbr\u003e\u003cbr\u003eThe early days were the best and although we did argue a lot, (what band doesn't!), we also had a lot of laughs - for a couple of years we got to play live and make some records, and then that was enough.\u003cbr\u003e\u003cbr\u003eAlan Delta 5 \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Kill Rock Stars Records","offers":[{"title":"Default Title","offer_id":44484394746017,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3986009831_16.jpg?v=1720388542"},{"product_id":"d-o-a-hardcore-81-new-lp","title":"D.O.A. - Hardcore '81 [YELLOW VINYL] – New LP","description":"\u003cdiv class=\"main_2FbVC\"\u003e\n\u003csection class=\"section_9nUx6 open_BZ6Zt\" id=\"release-barcodes\"\u003e\n\u003cdiv class=\"content_1TFzi\"\u003e\n\u003cul class=\"simple_iPiaF\"\u003e\u003c\/ul\u003e\n\u003cp\u003esay no more...\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sudden Death Records","offers":[{"title":"Default Title","offer_id":44500719665313,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-23671148-1656006087-7228.jpg?v=1721097540"},{"product_id":"kuti-fela-original-suffer-head-light-green-vinyl-new-lp","title":"Kuti, Fela –   Original Suffer Head [Light Green Vinyl] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOriginal Sufferhead begins with a minimal and otherworldly improv with a Fela’s new band, Egypt 80, before building up into a bold, intricately structured Afrobeat anthem decrying the situation of the masses in Nigeria. “Let’s sing a nice song together,” Fela suggests, as the chorus parallels the agile melody of his of sax. He then, with the help of the chorus, launches into a list of the problems that plague the people: no water supply, the exorbitant price of living, no health care, double digit inflation. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2639513002\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/felakuti.bandcamp.com\/album\/original-sufferhead-1981\"\u003eOriginal Sufferhead (1981) by Fela Kuti\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe “big big people” have turned the people into Coffin For Head of State: After the sacking and burning of Fela’s Kalakuta Republic in 1977, Fela wrote several musical responses directly attacking the culpable Nigeria government, inculding this mournful tribute to his mother, Coffin for Head of State. After his mother’s passing due to complications from injuries sustained after being thrown out a window during the raid on Kalakuta, Fela, his wives, and his followers carried his mother’s coffin to the front gate of the army barracks: a bold act of defiance. “Coffin For Head of State” is Fela’s somber excoriation of those that, “through Jesus Christ our Lord”, corrupt, steal and rob the African people. The song’s wlo, steady beat and repetitive structure mimics the march up to the barracks, while the lyrics directly address Fela’s\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eoverwhelming sadness over the loss of his mother and the state of his beloved Nigeria. a nation of permanent sufferers. Don’t be passive, he urges: stand up for your rights.\u003cbr\u003e\u003cbr\u003eThe B-side, Power Show, builds on the same theme, highlighting the ruling class oppression of the masses. The lyrics tell the story of a rich man in a fancy car who, pulling alongside a poor man traveling alone, verbally abuses the man. Fela calls this the “Power Show”, and excoriates the behavior - it’s not the right thing to do for your fellow human being.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Partisan Records \/ Knitting Factory Records","offers":[{"title":"Default Title","offer_id":44532890435745,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1598002370_16.jpg?v=1722484119"},{"product_id":"creation-rebel-psychotic-jonkanoo-import-new-lp","title":"Creation Rebel – Psychotic Jonkanoo [IMPORT] – New LP","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFirst time available on vinyl since 1982. Psychotic Jonkanoo was the sixth Creation Rebel album in three years, originally licensed to the post-punk oriented Glaswegian label Statik. Another solid set of killer dub, albeit less instrumentally inclined than their previous efforts and more focussed on militant-style conscious chants. Bandleader Crucial Tony was aided on the vocal front by harmonies from other group members, in a style reminiscent of Black Uhuru, plus the occasional guest such as John Lydon of the Sex Pistols and Public Image Limited providing backing harmony on “Mother Don’t Cry”, and the legendary Deadly Headley Bennett adding saxophone to the opening track.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=480121032\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/creationrebel.bandcamp.com\/album\/psychotic-jonkanoo\"\u003ePsychotic Jonkanoo by Creation Rebel\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“Anybody searching Adrian Sherwood's catalogue for an easy point of entry would do well to start here, and everyone else can simply applaud Psychotic Jonkanoo as the last truly great roots reggae album of the 1980s.” All Music\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOriginally the backing group for the late reggae great Prince Far-I, Creation Rebel worked with Adrian Sherwood from 1978 - \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"peekaboo-text\"\u003e1982\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\"\u003e, recording some of the best reggae dub music this side of Lee Perry during the early English punk era. Brilliant musicians such as Eskimo Fox, Bigga Morrison, Style Scott and Crucial Tony made music that is languorous, funky, spacey, and totally intoxicating.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"license\" class=\"info license\"\u003e\u003c\/div\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"license-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"info license\" id=\"license\"\u003e\u003c\/div\u003e","brand":"On-U Sound Records (UK)","offers":[{"title":"Default Title","offer_id":44536528634017,"sku":null,"price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1499510252_16.jpg?v=1722812495"},{"product_id":"various-artists-d-i-y-do-it-yourself-punk-post-punk-punk-funk-beyond-the-rise-of-the-independent-music-industry-transparent-orange-vinyl-2xlp-import-new-lp","title":"Various Artists – D-I-Y: DO-IT-YOURSELF – Punk, Post Punk, Punk Funk \u0026 Beyond: The Rise of the Independent Music Industry [TRANSPARENT ORANGE VINYL 2xLP IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOut of print for 15 years, Soul Jazz Records’ “Do It Yourself” features a host of post-punk, punk, punk funk and electronic experimentation from UK bands in the late 70s and 80s that all arrived in the aftermath of punk. As well as loads of great music, the album also charts the rise of the independent music industry in Britain that similarly thrived during this time. \u003c\/span\u003e\u003cspan\u003eFeaturing classic groups such as The Buzzcocks, A Certain Ratio, The Fire Engines, Glaxo Babies and a host of lesser known, rare and obscure tracks and artists, this new 2024 edition comes as a limited edition special coloured version double vinyl pressing, complete with deluxe gatefold sleeve with two unique inner sleeves. This fully remastered album comes with extensive sleevenotes and photography as well as interviews with key behind-the-scene players – including studios, cutting rooms, print works – that together bring a fantastic insight into the DIY music and culture of this period and the explosion in the independent music industry after punk.\u003c\/span\u003e\u003c\/p\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":44714784260257,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374989336.jpg?v=1731375509"},{"product_id":"poison-idea-darby-crash-rides-again-the-early-years-volume-1-2024-remaster-new-lp","title":"Poison Idea - Darby Crash Rides Again: The Early Years, Volume 1 [2024 Remaster] - New LP","description":"\u003cp\u003eSince forming at the dawn of the 1980s, Portland Oregons’ POISON IDEA have released a staggering amount of vinyl, toured the world many times over and been celebrated as one of the pioneering bands of the American Hardcore punk movement.\u003c\/p\u003e\n\u003cp\u003eThe origins of their protracted campaign of mayhem can be found on Darby Crash Rides Again - The Early Years Volume 1, a collection of the band's earliest and most potent recordings.\u003c\/p\u003e\n\u003cp\u003eOriginally released as a seven-inch EP on the band's own American Leather imprint in 1989, it was expanded in 2011 by TKO to the twelve-inch format, adding on the legendary Boner’s Kitchen demos from 1981 as well as a blistering live set recorded on the air in 1983 for a KBOO public radio fundraiser. \u003c\/p\u003e\n\u003cp\u003eSeeing that Darby Crash Rides Again - The Early Years Volume 1 was the maiden release that began the tenure between POISON IDEA and TKO thirteen years ago, it was essential that it would be treated with the utmost care as the second installment in this year's POISON IDEA REMASTER series.\u003c\/p\u003e\n\u003cp\u003eFor this latest edition, the antiquated audio sources were returned to and improved upon in an effort to hold fast to their rough-and-tumble charm while boosting their sonic qualities. The results are a stupendous roar of POISON IDEA's  nascent energy while continuing TKO’s detail-oriented history lesson on the undisputed Kings of Punk.\u003c\/p\u003e\n\u003cp\u003e2024 PRESSING INFO:\u003c\/p\u003e\n\u003cp\u003e-900 copies pressed on BLACK VINYL\u003c\/p\u003e\n\u003cp\u003eTRACK LIST:\u003c\/p\u003e\n\u003cp\u003eSide A (Demos 1981-1982)\u003cbr\u003e1. Theme\u003cbr\u003e2. Poser\u003cbr\u003e3. Death Pact\u003cbr\u003e4. Swallow It\u003cbr\u003e5. New Right\u003cbr\u003e6. Give It Up ('81)\u003cbr\u003e7. Give It Up ('82)\u003cbr\u003e8. This Thing Called Progress\u003cbr\u003e9. M.I.A.\u003cbr\u003e10. Think Twice\u003cbr\u003e11. Bounce The Rubble\u003cbr\u003e12. All Right\u003cbr\u003e13. Underage\u003cbr\u003e14. Castration\u003cbr\u003e15. Pure Hate\u003cbr\u003e16. Young Lord\u003c\/p\u003e\n\u003cp\u003eSide B (Live on KBOO 1983)\u003cbr\u003e1.Typical\u003cbr\u003e2. Legalize Freedom\u003cbr\u003e3. Spy\u003cbr\u003e4. Motorhead\u003cbr\u003e5. (I Hate) Reggae\u003cbr\u003e6. Think Fast\u003cbr\u003e7. Ugly American\u003cbr\u003e8. Rich Get Richer\u003cbr\u003e9. Pure Hate\u003cbr\u003e10. Thorn In My Side\u003c\/p\u003e","brand":"TKO Records","offers":[{"title":"Default","offer_id":44722039226529,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3958712401_16.jpg?v=1731801356"},{"product_id":"pet-products-s-t-1981-orchid-vinyl-new-lp","title":"Pet Products – S\/T [Olympia 1981 ORCHID Vinyl] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ethe Reagan era was just getting started and Pet Products came crashing through as the first Olympia punk band made up of all local kids.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2422466672\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/petproducts.bandcamp.com\/album\/pet-products\"\u003ePet Products by Pet Products\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eNow the band's lo-fi frenetic energy and glimpses of pop brilliance are available on vinyl for the first time. 16 tracks providing the perfect snapshot of Olympia's emerging punk scene and its pioneers who went on to other great Olympia bands (Lush, Young Pioneers) and Sub Pop bands (Swallow, Creep). Found somewhere in that mixtape playlist between Dead Boys and The Damned providing all the rebellion power and snarl to feed any and all teenage frustrations.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kill Rock Stars Records","offers":[{"title":"Default Title","offer_id":44764393406625,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0754148286_16.jpg?v=1734207825"},{"product_id":"shelley-pete-homosapien-2xlp-new-lp","title":"Shelley, Pete – Homosapien [2xLP] - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2025 reissue of 1981, 2xLP w\/ bonus 12\", insert and download card.\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/D3ExNJOspOg?si=_jfygAOI1jdITdcp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter Buzzcocks disbanded in 1981, frontman Pete Shelley teamed up with Martin Rushent, embracing the producer’s newly acquired synths and drum machines to rework his tracks, crafting a new blueprint for electronic pop music in the process. A production blueprint that would soon achieve massive mainstream success with another Rushent production; Dare by the Human League. \u003c\/span\u003e\u003cspan\u003eAcross both LPs, Shelley combines his urgent songwriting with chugging synthesisers and electronic percussion creating records that straddle rock radio and London’s nascent club scene. These albums sound as fresh today as they did upon release, but the innovative nature of Homosapien and XL-1 has been overlooked. Overshadowed by the influence of Pete’s former band and by the Human League’s runaway hit, not helped by the BBC banning the ‘Homosapien’ single on homophobic grounds (though it became an electro LGBT anthem in gay dance clubs). Domino reissues both albums as standalone double LPs, housed in gatefold sleeves with new liner notes by Clinton Heylin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"It is like a dialogue between me and myself. I put in the deep dark feelings and what I gain out of the music helps give me a release to keep me sane” - Pete Shelley, to Richard Cook, NME April 1983.\u003c\/span\u003e\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Default Title","offer_id":44946906218657,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201375028990.jpg?v=1749609500"},{"product_id":"welders-the-our-own-oddities-1977-81-import-blue-vinyl-new-lp","title":"Welders, the ‎– Our Own Oddities 1977-81 [IMPORT Turquoise Vinyl] – New LP","description":"\u003ch2\u003eFIRST PRESSING, LIMITED \u003cmeta charset=\"utf-8\"\u003e\n\u003ci\u003eTurquoise variant (200)\u003c\/i\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003ci\u003e(First pressing also included 800 in black)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e The Welders were an all-female Punk Pop band from St. Louis, MO. Formed by four young, teenage women in 1975; they started playing shows in 1976, in one of the toughest climates to get booked for bands playing original material. The Welders bonded over their love of The Monkees, The Beatles and early glam rock. The comedy of the National Lampoon Radio Hour and the Marx Brothers were just as big of an influence.\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YkI_MduWzaI?si=acTZqdgiyithTTbH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Welders played several shows in the St. Louis metro area and eventually caught the attention of a local photographer and newspaper owner. He financed a recording session in 1979, with plans to release a four song EP. The newspaper folded before the release could happen, and all that survived was a cassette copy of the recordings.\u003c\/p\u003e\n\u003cp\u003eThe Welders continued for a couple more years after recording the EP. They had brief line up changes, and added an organ which shifted their sound more towards a '60s garage pop sound. They were ahead of their time again, pre-dating most of the neo-garage explosion of the '80s. By 1981, the band had moved on to other interests.\u003c\/p\u003e\n\u003cp\u003eIn 2010 BDR Records (a sub-label of Rerun, designated for St. Louis area artists) issued that previously unreleased EP. The EP was well received worldwide and has been sold out for several years.  This new collection includes a newly remastered and improved version of the 1979 EP tracks, along with other studio, rehearsal and live recordings. The LP includes a large, six panel insert filled with amazing photos of the band. The first pressing has a limited number of 100 blue vinyl copies.\u003c\/p\u003e\n\u003ch2 style=\"font-weight: 400;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e \u003c\/h2\u003e","brand":"Bachelor Records (Austria)","offers":[{"title":"Default Title","offer_id":44957482811553,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/OTUtNzg2OC5qcGVn.webp?v=1752437903"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/1981.oembed?page=2","provider":"Green Noise Records","version":"1.0","type":"link"}