{"title":"1979","description":"\u003cp\u003e\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/IMG_0460_8fdd603f-096d-44ba-a671-eac339f1acc5_480x480.jpg?v=1689808585\"\u003e\u003c\/p\u003e","products":[{"product_id":"shock-shock-proof-1976-1979-lp","title":"Shock - Shockproof: 1976-1979 – New LP","description":"\u003cp\u003eA 20-song LP featuring collected material from 1976 to 1979 with many never before released tracks. Hear SHOCK they way they were meant to sound in all their blazing rock'n'punk glory!\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c53Dwu-bRw0?si=JJSL9WNF7O729a7n\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Artifix Records","offers":[{"title":"Default Title","offer_id":1198119275,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/shockproof.jpg?v=1424815706"},{"product_id":"fall-the-totales-turns-lp","title":"Fall, the – Totales's Turns – New LP","description":"\u003cp\u003e\u003cspan\u003eGiven The Fall’s penchant for iconoclasm, it’s no surprise that they decided to say goodbye to the ’70s with a series of gigs at Northern England’s gruffest halls. The band’s formidable live show was met with even more derision and disorder than customary during these late ’79 and early ’80 performances, and they skillfully amplified such sentiments back at the crowd. Totale’s Turns, The Fall’s first live album, was released on Rough Trade just prior to their pivotal third album, 1980’s Grotesque.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003e“The difference between you and us is that we have brains,” shouts Mark E. Smith to open Totale’s Turns as the band breaks into the rollicking “Fiery Jack,” their latest single at the time. Each player is at their jagged best: Marc Riley and Craig Scanlon’s splintering guitars, Steve Hanley’s thunderous bass and Smith’s combative sneer reverberate over “Rowche Rumble,” “Choc-Stock” and “Spectre Vs. Rector” more than any studio would ever allow. Totale’s Turns never panders to live-record conventions, serving instead as a gripping exhibit of The Fall en masse and arguably the most accurate document of the group to date.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eSuperior Viaduct’s edition is the first time that Totale’s Turns has been available on vinyl domestically. Liner notes by Brian Turner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRecorded October, 1979 - February, 1980.  Originally released May 1980.\u003c\/span\u003e\u003c\/p\u003e","brand":"Superior Viaduct","offers":[{"title":"Default Title","offer_id":19460037148742,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5b8514340ad04_main.jpg?v=1544212888"},{"product_id":"johnson-syl-uptown-shakedown-new-lp","title":"Johnson, Syl – Uptown Shakedown – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"content\"\u003eSylvester Thompson\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003eProfile:\u003c\/div\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"readmore initialized uncropped\" id=\"profile\"\u003eb. 1st July 1936, Holly Springs, Mississippi, U.S.A.\u003cbr\u003e\u003cbr\u003eAmerican funk\/soul\/blues singer and music producer.\u003cbr\u003e\u003cbr\u003eJohnson sang and played with blues artists\u003cspan\u003e \u003c\/span\u003eMagic Sam,\u003cspan\u003e \u003c\/span\u003eBilly Boy Arnold,\u003cspan\u003e \u003c\/span\u003eJunior Wells\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eHowlin' Wolf\u003cspan\u003e \u003c\/span\u003ein the 1950s, before recording with\u003cspan\u003e \u003c\/span\u003eJimmy Reed\u003cspan\u003e \u003c\/span\u003efor\u003cspan\u003e \u003c\/span\u003eVee Jay Records\u003cspan\u003e \u003c\/span\u003ein 1959. He made his solo debut that same year with\u003cspan\u003e \u003c\/span\u003eFederal Records (2), a subsidiary of\u003cspan\u003e \u003c\/span\u003eKing Records (3)\u003cspan\u003e \u003c\/span\u003eof Cincinnati, backed by\u003cspan\u003e \u003c\/span\u003eFreddie King\u003cspan\u003e \u003c\/span\u003eon guitar.\u003cbr\u003e\u003cbr\u003eHe then began recording for\u003cspan\u003e \u003c\/span\u003eTwinight Records\u003cspan\u003e \u003c\/span\u003eof Chicago in the mid 1960s. Beginning with his first hit,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCome On Sock It to Me\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein 1967, Johnson dominated the label as both a hitmaker and producer.\u003cbr\u003e\u003cbr\u003eLike other black songwriters of the period, several of his records at this time explored themes of African-American identity and social problems in songs including\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIs It Because I’m Black\u003c\/i\u003e, which reached Number 11 in the R\u0026amp;B charts in 1969.\u003cbr\u003e\u003cbr\u003eIn 1971,\u003cspan\u003e \u003c\/span\u003eWillie Mitchell\u003cspan\u003e \u003c\/span\u003ebrought Johnson to\u003cspan\u003e \u003c\/span\u003eHi Records, for whom he recorded three albums and a number of singles. Produced in Memphis with the Hi house band, these yielded music of power and enduring value, including the hits\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWe Did It\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBack for a Taste of Your Love\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTake Me to the River\u003c\/i\u003e, his biggest success, reaching Number 7 on the R\u0026amp;B charts in 1975. However, at Hi Johnson was always to some extent in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/25261-Al-Green\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eAl Green\u003c\/a\u003e’s shadow commercially, if not artistically.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981053874313,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/syl.jpg?v=1572063083"},{"product_id":"carsickness-1979-1982-new-lp","title":"Carsickness – 1979–1982 – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe classic Pittsburgh punk rock band that reeked havoc on the streets during the height of the punk era has returned! Carsickness has re-issued some of their most popular songs like “Bill Wilkinson,” “Police Dog,” and “For You” on a vinyl entitled 1979-1982. It also includes never-before-heard tracks, like “I Don’t Think So” which didn’t make the cut for the “Sharpen Up For Duty” album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCarsickness formed in Pittsburgh, PA in 1979 during the height of punk rock—a time when bands like the Ramones, The Clash, and The Sex Pistols were taking over the world. However, in Pittsburgh, there was a different kind of punk scene catching on, and Carsickness spearheading it. Their sound takes the rhythmically reckless speeds of punk rock and combines it with more complicated symphonic melodies creating tracks that make you want to sway and shout all at the same time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStarting off as a punk trio with Karl Mullen on guitar and vocals, Steve Sciulli on synthesizer and miscellany, and Dennis Childers on drums the band transformed with the addition of Chris Koenigsberg on bass, Dan Roelich on Saxophone, and Hans Werner on guitar and keyboards to become the punk rock orchestra of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe ages.\u003cbr\u003e\u003cbr\u003eTheir first show was in 1980, originally scheduled to be at Pittsburgh’s Mattress Factory, a contemporary art museum. However, Carsickness not only forgot to put the place, time, and date on their flyers, the museum also got nervous about the band’s hardcore reputation and, on the day of the show, canceled. Fortunately, it was rescheduled at a venue called Lions Walk for what turned out to be a sold-out show.\u003cbr\u003e\u003cbr\u003eDuring the height of their popularity, they were one of the first Pittsburgh punk bands to tour often outside of the city, moving the scene that was blossoming there forward to inspire bands such as Anti-Flag and Michael Chabon’s The Bats. “The music scene itself was bigger than us as individuals,” Childers always says.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4070203602\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/1979-1982\"\u003e1979-1982 by Carsickness\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eAll songs by Karl Mullen, Poulaphuca Music (BMI)\u003cbr\u003eMusical arrangements by Carsickness\u003cbr\u003eCover layout by Dennis Childers\u003cbr\u003ePhotographs by Stacy Weiss\u003cbr\u003e\u003cbr\u003eRemastered from the original tapes by Paul Michael Ferraro\u003cbr\u003eMastered for vinyl by George Ingram at National Record Productions\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33265057497225,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0262133912_16.jpg?v=1586243493"},{"product_id":"holmes-richard-groove-groovin-with-groove-new-cd","title":"Holmes, Richard \"Groove\" – Groovin' with Groove – New CD","description":"\u003ch2\u003eCD.    COMPACT DISC.    CD.    COMPACT DISC.     CD.\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eHolmes 1978, 1979. \u003c\/p\u003e\n\u003cp\u003e o0\u003c\/p\u003e\n\u003cp\u003eRevered in soul-jazz circles,\u003cspan\u003e \u003c\/span\u003eRichard \"Groove\" Holmes\u003cspan\u003e \u003c\/span\u003ewas an unapologetically swinging\u003cspan\u003e \u003c\/span\u003eJimmy Smith\u003cspan\u003e \u003c\/span\u003eadmirer who could effortlessly move from the grittiest of blues to the most sentimental of ballads. A very accessible, straightforward, and warm player,\u003cspan\u003e \u003c\/span\u003eHolmes\u003cspan\u003e \u003c\/span\u003ewas especially popular in the black community and had been well respected on the Philadelphia\/Southern New Jersey circuit by the time he signed with Pacific Jazz in the early '60s. He started receiving national attention by recording with such greats as\u003cspan\u003e \u003c\/span\u003eBen Webster\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eGene Ammons. Best known for his hit 1965 version of \"Misty,\"\u003cspan\u003e \u003c\/span\u003eHolmes\u003cspan\u003e \u003c\/span\u003eengaged in some inspired organ battles with\u003cspan\u003e \u003c\/span\u003eJimmy McGriff\u003cspan\u003e \u003c\/span\u003ein the early '70s before turning to electric keyboards and fusion-ish material a few years later. The organ was\u003cspan\u003e \u003c\/span\u003eHolmes' priority in the mid- to late '80s, when he recorded for Muse (he also had stints throughout his career with Prestige Records and Groove Merchant).  Holmes\u003cspan\u003e \u003c\/span\u003ewas still delivering high-quality soul-jazz for Muse (often featuring tenor titan\u003cspan\u003e \u003c\/span\u003eHouston Person) when a heart attack claimed his life at the age of 60 in 1991 after a long struggle with prostate cancer. He was a musician to the end, playing his last shows in a wheelchair.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"section credits toggle_section    toggle_section_remember\" data-toggle-section-id=\"credits\" id=\"credits\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"LRC Limited","offers":[{"title":"Default Title","offer_id":34634707271841,"sku":"","price":3.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-1474055-1460149226-4256_jpeg.jpg?v=1591772938"},{"product_id":"numan-gary-the-pleasure-principle-new-lp","title":"Numan, Gary – The Pleasure Principle – New LP","description":"\u003cp\u003ereissue of debut solo, released September 1979 (January 1980 in the US)\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eVocals, Keyboards, Percussion [Synthetic]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eGary Numan\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eWritten-By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/12588-Gary-Numan\" class=\"rollover_link\" target=\"_blank\"\u003eGary Numan\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eAirlane\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:18\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eMetal\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:33\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A3\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eComplex\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:14\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A4\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eFilms\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:09\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"A5\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eM.E.\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e5:37\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B1\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eTracks\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:52\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B2\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eObserver\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e2:53\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B3\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eConversation\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e7:38\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B4\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eCars\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e3:53\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tracklist_track track\" data-track-position=\"B5\"\u003e\n\u003ctd class=\"track tracklist_track_title\"\u003e\u003cspan class=\"tracklist_track_title\"\u003eEngineers\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e4:00\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":34643057574049,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-45996-1478712716-1998_jpeg.jpg?v=1605068429"},{"product_id":"nervebreakers-hijack-the-radio-color-vinyl-new-lp","title":"Nervebreakers – Hijack the Radio! [Color Vinyl] – New LP","description":"\u003cp\u003e\u003cspan\u003e180 gram Blue and white COLORED VINYL!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNervebreakers 1975 - 1979, essential junk from the Lone Star State in the 1970s!!!  Nonstop fun!  Silly songs like \"My Girlfriend is a Rock\" will make you realize why punk is great and good for you, as if you didn't know...why it had to happen, in a place called Texas.  Without the constraints of what punk should sound like, they offer 70s punk\/garage power pop\/trash swagger (even one garage acid-rock instrumental that reveals what they were doing back in 1975, showing they had something going before punk came to Texas).  Their wacky-pack songs go back to the 1960s for some of their inspiration but also likely have some NYC\/Cleveland\/Detroit influences, and moves the influences into the present, the present then, which now is the past, it's a trip.  It's great. It's back in stock! -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4106663228\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/hijack-the-radio\"\u003eHijack the Radio! by The Nervebreakers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4106663228\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2412071248\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/hijack-the-radio\"\u003eHijack the Radio! by The Nervebreakers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4106663228\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=539785025\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/hijack-the-radio\"\u003eHijack the Radio! by The Nervebreakers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"An anthology of mid to late 70s studio recordings, some of which ended up on the Nervebreakers' late-70's 7\" vinyl releases on Wild Child Records, some on the 1979 Texas punk LP comp. Nervebreakers are a Texas punk band considered by many to be the first of their kind in the southwest. Like many others of this genre, they started out as a high school garage band doing sixties \/ early seventies cover songs. What made them unique was their range of material; from the music of the English Invasion to Yummy Yummy bubble gum as well as songs from punk pioneers MC-5 to true blue country artists like George Jones. The array of influence from all those cover songs melded into a two guitar, bass and drum sonic assault with a wild child vocalist up front. The members of the band began writing some of their own songs.\u003cbr\u003e\u003cbr\u003e\"On July 24, 1977 the Ramones first blitzkrieged Dallas at The Electric Ballroom, Nervebreakers opened. In 1978 they opened for the Sex Pistols at The Longhorn Ballroom. In 1979 when the Clash were calling here at Dallas’ Palladium, Nervebreakers let them know they weren’t in London anymore.  Like a who’s who of punk rock history, our guys held their own as the Texas band to see. Nervebreakers weren’t just playing, they were the real deal. Home grown - born and raised. Texas proud and ready to kill. In the pre - D.I.Y. days of 1978 they self-released the EP “Politics” featuring “My Girlfriend is a Rock”. ”Girlfriend” became a hit in San Francisco, Sacramento and Boston and was later covered by the Angry Samoans and Wool - among others. This song (and the US invasion of Iraq) inspired sixteen year old punk upstarts, Spector 45, to put their spin on the song as “My Girlfriend’s in Iraq” in 2003. Other 7 inch gems that followed include “Hijack the Radio” b\/w “Why Am I So Flipped” The black and blue vinyl “Girls, Girls, Girls, Girls, Girls” b\/w a cover of the obscure Rolling Stones song “I’d much Rather be with the Boys”. The band also contributed two songs “So Sorry” (as the Barry Kooda Combo) and “I Love Your Neurosis” to the local punk rock compilation “Are We Too Late for the Trend” put out by ESR. Other acts featured on this late seventies Dallas area time capsule include the Telefones, The Vomit Pigs, The Skuds and Superman’s Girlfriend.\u003cbr\u003e\u003cbr\u003e\"Despite being recognized as the biggest and baddest of them all locally, they were also huge fans of Texas predecessors such as the 13th Floor Elevators. This eventually led to the band contacting Psychedelic rock pioneer Roky Erickson. Roky had just walked out of a mental institution so they offered to open shows for him and provide the legendary musician with a backup group. The result helped Roky back in the public eye. And “Roky Erickson and the Nervebreakers Live at the Palladium in 1979” was issued on the French label New Rose Records. Years after they laid the groundwork for thousands of other Texas bands, Nervebreakers were finally getting their due.\"  -Frank Campagna\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":34801881841825,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1729440767_16.jpg?v=1593041348"},{"product_id":"tubeway-army-replicas-first-recordings-new-lp","title":"Numan, Gary \/Tubeway Army  – Replicas: First Recordings [Color Vinyl 2xLP IMPORT] – New LP","description":"\u003cp\u003e2019 release\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"description prod-desc\"\u003e\n\u003cp\u003e\"Gary Numan is a pioneer, and his influence on so many artists is unmistakable and grand. Gary’s style connects him with fans of multiple genres... electronic, industrial, indie-rock, metal, etc. He remains an innovator, and his fan base continues to grow.  This release concentrates on the early recordings made prior to the completed albums and present the evolution of the albums. The tracks have been sequenced as they appeared on the original tapes and the audio has been taken from the high resolution digital transfers made by John Dent in 2007. One of the Freerange studio tapes suffered irreparable print through damage on two tracks so they were not used in the 2009 release. However an alternative source has been located so the tapes can now be presented as complete for this release.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReplicas - The First Recordings\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eIn late 1978, Gary Numan was booked into a small studio in London’s Chinatown with the same musicians that had played on Tubeway Army’s debut album, released a month earlier. Two stereo master tapes were compiled of eleven tracks. A month later they again went to Gooseberry Studio and recorded an additional three tracks, including “Are ‘Friends’ Electric?” and “Replicas”. At the same time, the band recorded a session for the BBC’s John Peel show, taping alternate versions of three songs from the December recordings. Finally Numan returned to an upgraded studio, Marthus Music, in February to overdub and remix the Gooseberry recordings into their released versions. Only one alternative out take still exists (“Down In The Park”) which is included in this release.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ctable class=\"physicalalbumtracks Side A\" id=\"physicalalbumtracks-290851\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth colspan=\"3\"\u003eSide A\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e1\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eYou Are In My Vision (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e2\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eThe Machmen (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e3\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eDown In The Park (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e4\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eDo You Need The Service? (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e5\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eThe Crazies\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e6\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eWhen The Machines Rock (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"physicalalbumtracks Side B\" id=\"physicalalbumtracks-290851\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth colspan=\"3\"\u003eSide B\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e1\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eMe! I Disconnect From You (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e2\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003ePraying To The Aliens (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e3\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eIt Must Have Been Years (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e4\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eOnly A Downstat\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e5\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eI Nearly Married A Human 3 (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"physicalalbumtracks Side C\" id=\"physicalalbumtracks-290851\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth colspan=\"3\"\u003eSide C\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e1\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eReplicas (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e2\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eAre ‘Friends’ Electric? (Early Version)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e3\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eWe Have A Technical\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e4\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eDown In The Park (Outtake mix)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"physicalalbumtracks Side D\" id=\"physicalalbumtracks-290851\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth colspan=\"3\"\u003eSide D\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e1\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eAre ‘Friends’ Electric? (Early Version 2)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e2\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eReplicas (Early Version 2)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e3\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eMe, I Disconnect From You (BBC Peel Session)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e4\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eDown In The Park (BBC Peel Session)\u003c\/td\u003e\n\u003ctd class=\"trackrunningtime\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"tracknumber\"\u003e5\u003c\/td\u003e\n\u003ctd class=\"tracktitle\"\u003eI Nearly Married a Human (BBC Peel Session)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":35413817819297,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Tubeway.jpg?v=1596225466"},{"product_id":"redd-kross-red-cross-ep-new-lp","title":"Redd Kross - Red Cross EP - New 12\"","description":" \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJEFF McDonald – Vocals \u0026amp; Guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSTEVEN McDonald – Bass \u0026amp; Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGREG Hetson – Guitars\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRON Reyes – Drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEP:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngineered by Jim Mankey\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Roger Harris\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at The Shelter Studio – Hollywood, CA. Oct 1979\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDemos:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngineered by Spot\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Joe Nolte\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Media Art – Hermosa Beach, CA. Aug 1979\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Fun with Connie” recorded live July 1979, John Stielow – drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArt Direction by Jon Krop, Steven McDonald\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover Photos by Steven McDonald\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLive Photos by Al Flipside\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePoseur Photo by Karen “Ella Black” Leuschner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphic Design \u0026amp; Layout by Jon Krop\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIllustrations by Jeff McDonald\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4087464331\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/reddkross.bandcamp.com\/album\/red-cross\"\u003eRed Cross by Redd Kross\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Merge Records","offers":[{"title":"Default Title","offer_id":35556404265121,"sku":"","price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-15527164-1593033404-9139_jpeg.jpg?v=1597797094"},{"product_id":"numan-gary-pleasure-principle-first-recordings-orange-vinyl-2xlp-import-new-lp","title":"Numan, Gary – Pleasure Principle: First Recordings [Orange Vinyl 2xLP IMPORT] – New LP","description":"\u003cp\u003e2019 release.  1979 recordings.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e40th Anniversary Edition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDemos. Early Versions. Outtakes. BBC Session Tracks. Two previously unreleased tracks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOrange vinyl. Cut out sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eGary Numan is a pioneer, and his influence on so many artists is unmistakable and grand. Gary’s style connects him with fans of multiple genres... electronic, industrial, indie-rock, metal, etc. He remains an innovator, and his fan base continues to grow.\u003cbr\u003e\u003cbr\u003eBeggars Arkive are releasing two special titles to commemorate the legendary albums Gary Numan\/Tubeway Army issued in 1979 – These editions are titled Replicas – The First Recordings, and the debut under his own name, The Pleasure Principle – The First Recordings. They are both available on colored 2X vinyl. The Pleasure Principle… is on orange.\u003cbr\u003e\u003cbr\u003eWhile both of these albums have remained in print, these releases concentrate on the early recordings made prior to the completed albums and present the evolution of the albums. The tracks have been sequenced as they appeared on the original tapes and the audio has been taken from the high resolution digital transfers made by John Dent in 2007. One of the Freerange studio tapes suffered irreparable print through damage on two tracks so they were not used in the 2009 release. However an alternative source has been located so the tapes can now be presented as complete for this release.\u003cbr\u003e\u003cbr\u003eEven before the single “Are ‘Friends’ Electric?” was\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ereleased, Numan had recruited a permanent drummer and keyboard player and demoed an album’s worth of new material between April 9-12, 1979 at Freerange Studio in London’s Covent Garden. This was supplemented by a second session, probably the following June, that yielded four further songs and two re-recordings. Following the hectic schedule of promoting “AFE?”, Numan recorded a new session for John Peel the day after the single hit #1 on the UK charts. Rather than record as Tubeway Army, the session was credited to Gary Numan and the group name abandoned at the peak of its success. As before, rather than promote the current album, Numan chose to record four new songs. While the album Replicas hit #1, Numan was busy recording a follow up in Marcus Music Studio. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":35844897964193,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14268448-1571416647-3774_jpeg.jpg?v=1598254601"},{"product_id":"customs-long-gone-new-lp","title":"Customs, The – Long Gone - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDubbed in 1979 on Cinci Post as \"The loudest, drunkest, most Obnoxious Rock \u0026amp; Roll band in the city…fronted by a \"singer\" with the vocal ability of the local Greyhound bus dispatcher.\" Reissued with two bonus tracks. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2330504991\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2845301804\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/hozacrecords.bandcamp.com\/album\/we-were-living-in-cincinnati\"\u003eWe Were Living In Cincinnati by The Customs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA7 and B7 are previously unreleased.\u003cbr\u003e\u003cbr\u003eFrom the original first generation master tapes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe Customs were from Cincinnati, Ohio, formed in the late 1970s. The band included Thom Heil on vocals, Steve Carson on bass, Peter Greenberg on guitar and Billy Rosenthal on drums. They recorded Let's Get It On\/ Bring My Cadillac Back for the Shake It record label. The second lineup had Forrest Bivens on Bass and vocals and James Cole on organ and guitar and the second release was Long Gone\/ She'll Always be Mine. They broke up soon after.\u003c\/span\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":36689454399649,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-3717520-1341571277-6099_jpeg.jpg?v=1604634563"},{"product_id":"pylon-box-color-vinyl-new-lp","title":"Pylon ‎– Box [4xLP BLACK VINYL + BOOK Marked Down] – New LP","description":"\u003ch1\u003eBLACK VINYL. \u003c\/h1\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eNew West Records is proud to present Pylon Box — A comprehensive look at the band that features their studio LPs Gyrate and Chomp, both of which have been remastered from their original tapes, the 11-song collection Extra which includes rarities and 5 previously unreleased studio \u0026amp; live recordings, as well as Razz Tape, Pylon's first-ever recording: a 13-song unreleased session that pre-dates the band's seminal \"Cool\" b\/w \"Dub\" debut.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePylon Box also Includes a hardbound, 200 page full color book featuring pieces written by the members of R.E.M., Gang of Four, Steve Albini, Corin Tucker \u0026amp; Carrie Brownstein of Sleater-Kinney, Sonic Youth, Interpol, B-52's, Bradford Cox of Deerhunter, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_2\"\u003eMission of Burma, Calvin Johnson of Beat Happening \u0026amp; K\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\" id=\"package_description_2\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eRecords, Anthony DeCurtis, Chris Stamey of the dB's, Steve Wynn of the Dream Syndicate and many more. Includes an extensive essay chronicling the band's history with interviews with the surviving members of the band as well as members of R.E.M., B-52's, Gang of Four, Method Actors, and more. It also features never before seen images and artifacts from both the band's personal archives as well as items now housed at the Special Collections Library at the University of Georgia as well as the Georgia Museum of Art, UGA.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":36883688521889,"sku":"","price":98.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/0021457930_10.jpg?v=1702623980"},{"product_id":"pylon-cool-dub-red-vinyl-new-7","title":"Pylon ‎– Cool Dub [RED VINYL] – New 7\"","description":"\u003cdiv id=\"prod_desc\"\u003e\n\u003cdiv class=\"ztxt\"\u003e\n\u003cdiv class=\"ztitle\"\u003e\n\u003cdiv class=\"zcolor_light\"\u003eTheir first single (1979), reissued for the first time!\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491757501\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2162962486\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pylonband.bandcamp.com\/album\/pylon-box\"\u003ePylon Box by Pylon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491757501\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=2597329807\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pylonband.bandcamp.com\/album\/pylon-box\"\u003ePylon Box by Pylon\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\n\u003cbr\u003eAthens, Georgia has always been a hotbed for creative independent music. There exists a spirit that can be hardly found anywhere else in the world. The band Pylon emerged in the late seventies and forged this spirit with their post-punk jangle pop that would come to influence  for decades to come. In celebration of the 40th anniversary of their first release, New West Record is proud to partner with the band for a reissue of their first 7\" Cool \/ Dub.\u003c\/div\u003e\n\u003cdiv class=\"zcolor_light\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":37530828406945,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/E8A58262-254F-4C7E-BF91-6A6FA8625348.jpg?v=1611001403"},{"product_id":"whirlywirld-complete-discography-1978-80-new-lp","title":"Whirlywirld - Complete Studio Works 1978 - '80 - New LP","description":"\u003cp\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eWhirlywirld was an Australian Post-Punk band led by Ollie Olsen (Reals, Young Charlatans), and the first of his musical collaborations with drummer John Murphy (News). \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=821282532\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sorcererrecords.bandcamp.com\/album\/complete-discography-1978-80\"\u003eComplete Discography 1978 - '80 by Whirlywirld\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe band formed Whirlwirld in 1978 with their stated priority from the outset, to go electronic, determined as they were to take flight from the sonic limitations of the conventional, guitar-based rock format. A pioneer of synthesizer punk, the band came across with something of the experimentation of Suicide, Throbbing Gristle or Cabaret Voltaire, and also with the more song-oriented sound of Joy Division. Along with The Primitive Calculators they were supporters of the Melbourne 'Little Band' scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cbr\u003e\u003cspan\u003eWhirlywirld was completed by two keyboardists, who got credited with 'electronics', Andrew Duffield and Simon Smith (Olsen, by this point, had abandoned guitar in favour of 'electronics') together with guitarist Dean Richards.  The band made their live debut at The Crystal Ballroom in 1979, by which time Duffield left to join The Models and had been replaced by Philip Jackson. Whirlywirld would go on to play only fourteen performances in their entire career. Gradually, in accordance with a change in direction, Richards, Jackson and Smith departed, with Richards going on\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eto front a couple of cult combos, Equal Local and Hot Half Hour. Arnie Hanna came in on guitar and Greg Sun on bass. During this period Murphy played an array of percussion devices, natural, electronic or otherwise and Olsen even played saxophone as well as keyboards.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e","brand":"Sorcerer Records","offers":[{"title":"Default Title","offer_id":39799458726049,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2240243346_16.jpg?v=1620089336"},{"product_id":"marie-knight-and-her-singers-lord-ive-tried-new-lp","title":"Marie Knight And Her Singers ‎– Lord I've Tried  – Used LP","description":"\u003cp\u003eVinyl: VG (some crackle)\u003c\/p\u003e\n\u003cp\u003eSleeve: VG- (wear, see photo)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1979 stunner from Knight, amazing set of gospel...soulful rock n roll, simmering and \u003cmeta charset=\"utf-8\"\u003ecooking, rocking out on cuts likes  “Slipping and Sliding” and “(Don’t Forget) the Family Plan”... slinking in with “Old Soul of Mine,” I don’t even usually like slow blues but this just burns, uncredited electric guitar, Joe Slay on organ, Floyd Waite on piano, the rhythm section of Brent Brown and Johnny Valentine powering it along and up front just amazing vocal delivery, others coming in on cuts like “One Morning Soon\" but mostly \u003cmeta charset=\"utf-8\"\u003eKnight in the spotlight, punctuating and phrasing, sinking teeth into it, bringing it on and delivering the goods, the good news and trials and tribulations.  -- winch (green noise)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Savoy Records","offers":[{"title":"Default Title","offer_id":40042503995553,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_6300.jpg?v=1622994587"},{"product_id":"fashion-music-product-perfect-rsd-green-vinyl-reissue-of-1979-lp-new-lp","title":"Fàshiön music -  PRÖDUCT PERFECT [GREEN VINYL reissue of 1979 LP MARKED DOWN] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eOriginal studio half-inch tape mixes of Product Perfect by the original line-up of Fàshiön music, recorded at Grosvenor Studios, Handsworth, Birmingham, England 1979.  First vinyl reissue since 1979.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3778422284\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lukeskyscraperjames.bandcamp.com\/album\/pr-duct-perfect\"\u003ePRÖDUCT PERFECT by Fàshiön music\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"This band from Birmingham, England, blended offbeat funk with an independent spirit that seemed destined to ensure them commercial success. Originally a trio comprising John Mulligan (bass), Dix (drums) and Luke (guitar), Fashion issued three diverse singles on their own label, spurred on by the do-it-yourself attitudes in the wake of punk. After November 1978’s ‘Steady Eddie Steady’ came ‘Citinite’ in June and then Perfect Product, an impressive debut album. ‘Silver Blades’ followed in March 1980, ensuring a contract with Arista Records. Now swelled to a six-piece with Martin Stoker (ex-Dance; Bureau) on drums, vocalist Tony (ex-Neon Hearts) and main songwriter De Harriss, many predicted that their resultant singles would break the band on the back of the futurist scene of the early 80s. ‘Street Player - Mechanik’ in March 1982, ‘Love Shadow’ in August and later, ‘Eye Talk’ in January 1984, all scraped the lower reaches of the chart, but failed to establish the band in the public eye. Despite this, Fashion enjoyed a strong undercurrent of support, reflected in a UK Top 10 album, Fabrique, in June 1982. However, interest gradually waned, the band moved to Epic, and Twilight Of The Idols, issued exactly two years later, was not as warmly received.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"Product Perfect. Fashion's seminal album. A raw punk-ska-dub rhythm section meets Tubeway Army played at half speed. The bass and synths are DaDa. The drumming is tribal. The guitar delivers angst in spite of its reggae influences. Their nonsensical arrangements could only make sense within the dark green, dank, and sordid mixture of these things. You need to hear the vocals for yourself. I can't describe them. Fashion toured with the Police on their second trip to the US, U2 toured with them just as Boy was released, as did the B52's, Joy Division, and John Cooper Clarke. A quintessential almost-was, an overlooked treasure. And then, just like that, this magical incarnation was over. Luke left, and Fashion became a different band. To this day, Product Perfect is a little known masterpiece that makes sense of the cultural and stylistic collisions from that era\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Modern Harmonic Music","offers":[{"title":"Default Title","offer_id":40119337779361,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1300908711_16.jpg?v=1623357244"},{"product_id":"easy-money-s-t-new-lp","title":"Easy Money – S\/T [1979 - 1982 Canadian Power Pop] – New LP","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003eComp housing unpolished power-pop gems from this Canadian outfit.  Rather than polishing the rock n roll, the band spits out the songs like infected teeth, maybe inspired by American underground rock, UK punk, Australian rock, The Who, the Monkees, The Stones and the Kinks in the 1960s, this continues the tradition of Canada Rock that went back a decade previous (and continued through the 21st century), but moves away from the polished glitter-rock of the 1970s, keeping it simple but never pulling the punches, most of it in the style of new wave from this era but instead of stiff and sterile and boring, this has a bone to pick and injects the low-rent new wave with some punk urgency and punch. People who dig through thrift stores and back rooms to find local rock n roll records from skinny-tie days of years gone by might get a humongus kick from this set. -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=237049057\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/neontasterecords.bandcamp.com\/album\/collection-79-82\"\u003eCollection 79 - 82 by Easy Money\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompiling the original two 1980 singles and 9, two-track demos featuring Easy Money at their very best for the first time. A mandatory archival release for Canadian diy music and any fan of Powerpop\/Mod-Revival. Not your average, terrible quality, bad sounding 'why-bother' collections. This is a true hidden gem of Northwest Rock n Roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"tralbumCommands dupe_purchases_fix\"\u003e\n\u003cli class=\"buyItem package\"\u003e\n\u003ch3 class=\"hd\"\u003e\u003cspan id=\"package-title-4042413712\"\u003e\u003cbutton data-pkg=\"0\" type=\"button\" class=\"order_package_link buy-link\"\u003e\u003cspan class=\"buyItemPackageTitle primaryText\"\u003e13 song LP collection\u003c\/span\u003e\u003c\/button\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"merchtype secondaryText\"\u003eRecord\/Vinyl + Digital Album\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003eCanada has a long and storied history of New Wave. We had some of the best records of the varying styles from Pointed Sticks to Viletones and DOA to Neos. Even our own KBD monsters like Dry Heaves and Siggy Magic. Powerpop wasn't just the previously mentioned Pointed Sticks though. In Victoria BC Canada there was a band that released two strong singles in 1980 on Richards Records and broke up 2 years later. Active for only 3 years, these singles were quickly forgotten and overshadowed by the blistering hardcore of the cities 2nd wave.\u003cbr\u003eThe band was called Easy Money.\u003cbr\u003eFast Forward a 2 or 3 decades.\u003cbr\u003ePiecing together Canada's involvement in punk and new wave has been a hobby of mine for years. Finding the obscurities\u003cspan class=\"bcTruncateMore\"\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003emistakes, the forgotten and the outright terrible has been fun and frustrating. Talking to old rockers, punks, promoters and fans, probing the local fanzines and looking for the things no one has heard before presents a whole slough of different emotions. It also presents a pretty stand-out record collection. To think that there were demo quality recordings of Easy Money - enough to make an LP - lying around un-comped and unheard with exceptional sound quality was truly dumbfounding. Solid songs, excellent playing, infectious, live off the floor, 2 track jamspace demos. They had to be heard. And now they can. Hosehead Records and Neon Taste Records in conjunction with the band are co-releasing Easy Money's demo LP with both singles for your listening pleasure and we guarantee you it is worth the price of admission.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eFFO Pointed Sticks, The Heats, Cheap Trick and Kidda Band.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Neon Taste Records \/ Hosehead Records","offers":[{"title":"Default Title","offer_id":40291375841441,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3683546448_16.jpg?v=1625455335"},{"product_id":"matt-gimmick-detroit-renaissance-79-new-7","title":"Matt Gimmick – Detroit Renaissance '79  – New 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBehold, another classic gem from the Detroit punk underbelly of the late 1970s, the elusive Matt Gimmick ‘Detroit Renaissance ’79’ EP, which rose to notoriety in its second wind via the Year of the Rats LP compilation, one of the first ‘raw \u0026amp; rare KBD-style’ comps released just a few years ahead of the Killed By Death and Bloodstains compilations series. It’s slash and burn at it’s core, but anchored heavily into a punked up Stooges template, and as much as the EP rules on it’s own merit, with one slow-burn “Gimme Danger” -style original throbber, and the smoking hot title track oozing with enough factory grime to choke any Asheton on sight, this EP has come to stand as a bit of historical anomaly in the Detroit punk timeline.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwo of the four tracks included here are\/were actual unreleased Stooges songs the band learned from a late 1970 performance they had witnessed and recorded onto cassette. A few years earlier, the Matt Gimmick band was known as The Punks, another heavily-Stooges influenced band that never had any releases during their time, yet made their name around town and luckily stayed busy in the studio (checkout their 1974-era LP on Rave Up) despite the lack of label action. Both “Rag” and “Ya Don’t Want My Name” were the unreleased Stooges originals, performed during the band’s 1971 post\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e-Funhouse era with both Ron Asheton and James Williamson on guitar, and Jimmy Recca on bass. It wouldn’t be until 2010 that the Stooges original rough live versions would surface on their The Electric Circus live LP, albeit much lower in fidelity than the oily \u0026amp; slithering Matt Gimmick studio versions from 1979. All in all, a rare piece of Detroit punk history is finally accessible again, and a filthy reminder of seedier times and harder crimes that our ancestors took all in stride\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"leftColumn\" id=\"trackInfo\"\u003e\u003c\/div\u003e","brand":"HoZac Records","offers":[{"title":"Default Title","offer_id":40542433738913,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2798589004_16.jpg?v=1628432708"},{"product_id":"pop-rivets-the-fun-in-the-u-k-new-lp","title":"Pop Rivets, The - Fun in the U.K. – New LP","description":"\u003cp\u003eUK punk.  \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBilly Childish British punk wave band formed in 1977! This comp was originally released in the US in 1985 by Pittsburgh's own Jim's Records.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 to A5, A7 from \u003c\/span\u003eThe Pop Rivets - Greatest Hits\u003cspan\u003e LP 1979\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6, B2 to B4, B6 from \u003c\/span\u003eThe Pop Rivets - Empty Sounds From Anarchy Ranch!\u003cspan\u003e LP 1979\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1, B5 from \u003c\/span\u003eThe Pop Rivets \/ Sulphate - Back From Nowhere\u003cspan\u003e EP 1980\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB7 from When I Come Back\u003c\/span\u003e\u003cspan\u003e EP 1980\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lELFgoaRGKQ?si=A--PL69nsL00eHxF\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":40573527359649,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-2834026-1303146534_jpeg.jpg?v=1628751089"},{"product_id":"lowe-nick-labour-of-lust-pink-vinyl-new-lp","title":"Lowe, Nick- Labour of Lust [PINK VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginally released in 1979, Nick Lowe's Labour of Lust album has been remastered to its original glory and now includes both the U.K.-only track \"Endless Grey Ribbon\" and the U.S.-only track \"American Squirm,\" along with the bonus B-Side \"Basing Street.\" \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHailed by Trouser Press as \"a brilliant piss-taker that pairs sprightly pop and savage lyrical wit,\" Labour of Lust contains Nick Lowe's biggest hit, the album opener \"Cruel to Be Kind.\" The song climbed the charts on both sides of the Atlantic.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3083083927\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/nicklowe.bandcamp.com\/album\/labour-of-lust\"\u003eLabour of Lust by Nick Lowe\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e \u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e","brand":"Yep Roc Records","offers":[{"title":"Default Title","offer_id":41076460060833,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1573640243_16.jpg?v=1634424924"},{"product_id":"soul-patrol-mara-louisiana-punk-1979-new-lp","title":"Soul Patrol – \"Mara\" \/ \"Take Back the Night\" [Louisiana Punk 1979] – New 7\"","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eBack in the late 70's, a small Louisiana town would quietly become home to \"The Band That Souled The World\". The Soul Patrol hailed from the northwestern Louisiana town of Many (pronounced man-ny), just across the Toledo Bend Reservoir from Texas. Junior high pals Buckshot Coxe (vocals, guitar) and Kenny Weaver (vocals, bass, percussion) laid the groundwork for The Soul Patrol, later graduating from Many High and crossing state lines to jam in Denton, TX while Buckshot briefly attended college. Upon returning to Many, drummer Kerwin Alexander - and his particularly loose and soulful style - was added to round out the trio, now jamming in their basement space known as THE CAVE.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3411235494\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=3592752839\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thesoulpatrol.bandcamp.com\/album\/mara-b-w-take-back-the-night\"\u003eMara b\/w Take Back the Night by The Soul Patrol\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3411235494\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thesoulpatrol.bandcamp.com\/album\/mara-b-w-take-back-the-night\"\u003eMara b\/w Take Back the Night by The Soul Patrol\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eWhile their live shows at small clubs went over poorly - Weaver recalls, \"We were kinda anti-everything in the area and no one got us at the time\" - The Soul Patrol made it into a long-since-forgotten local studio to cut a two song demo in 1979. From there, the band decided to order a custom pressing of 50 copies (!) on their own STUD Records imprint. Almost all of the sleeveless 45s were given away to friends and at parties, vanishing into near-total obscurity for over four decades.\u003cbr\u003e\u003cbr\u003eOh yes, THAT single - well it's simply jaw dropping\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003estuff. A double-sided monster that simultaneously kills across the hard rock\/proto-punk\/Bloodstains\/Killed By Death spectrums. Loud, raw, loose, Southern, and WAY ahead of the curve. \"Mara\" is a bona fide rocker, anchored by Buckshot's brilliant vocal and guitar lines. But hell, \"Take Back the Night\" truly steals the show, with an incredible fuzz guitar tone driving the main riff home while Coxe screams \"HERE WE GO!\" to kick off the side. An incredible punk moment, almost like the cocaine mix of \"Raw Power\" Stooges bashing into the verse riff of \"Sub-mission\" by The Sex Pistols. And it's all totally replete with attitude, excelling in the same department as fellow US first wave punk regionalists like The Crap Detectors, The Gizmos, and The (Iowa) Dogs.\u003cbr\u003e\u003cbr\u003eThe Soul Patrol existed until 1981, turning in a second 45 and LP on the White Horse label - neither of which quite match the veracity and sheer raw excellence of their STUD 45. Shortly after their self-titled LP, Buckshot Coxe moved to Amsterdam and would later pass there, followed in passing by Kerwin Alexander.\u003cbr\u003e\u003cbr\u003eReissued and widely available for the first time ever, THE SOUL PATROL's debut 45 has been carefully transferred and remastered from Kenny Weaver's personal copy (one of a handful known in existence) and paired up with a newly created picture sleeve by resident Louisiana punk Drew Owen (Sick Thoughts). First 250 copies on translucent orange vinyl with 500 more on black, all with hand-stamped picture sleeves accompanied by an insert featuring liners from Kenny Weaver and a small treasure trove of reproduced ephemera from The Soul Patrol archives, plus a download code.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased September 9, 2021\u003cbr\u003e\u003cbr\u003eProduced by Buckshot Coxe (RIP).\u003cbr\u003eOriginally released on Stud Records (910-51) in an edition of 50 copies.\u003cbr\u003eTransfer and remaster by Caufield Schnug at Melody Men Mastering.\u003cbr\u003eArtwork by Drew Owen.\u003cbr\u003eExecutive producer for reissue: Sam Richardson.\u003cbr\u003e\u003cbr\u003eSpecial thanks to Craig Green, Ryan Richardson, Kenny Weaver, and Kendrick Weaver for making this reissue possible.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" itemprop=\"description\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":41228482609313,"sku":"","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2369337682_16.jpg?v=1636942124"},{"product_id":"hawks-the-obviously-5-believers-new-lp","title":"Hawks, the - Obviously 5 Believers [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e1979-1981\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Z-6w9e9cheE?si=sKqSeTJgJ0QNv2E4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"pt-2\" data-mce-fragment=\"1\"\u003eWhen TV Eye, the Second City’s Stooges-inspired garage punk band split, Daves Twist (drums) and Kusworth (guitar) and Paul Adams (guitar) approached Duffy (vocals) and Simon Colley (bass) from the first Duran Duran line-up to join their new project. So began Obviously Five Believers, who in turn became The Subterranean Hawks, before settling on The Hawks. Adored by most who saw them, they recorded constantly, spawning one highly collectable single, ‘Words Of Hope’. They lasted from ’79 until Christmas ’81 “falling apart in a myriad of acrimony,” as Duffy wrote in 1984..Years passed with the various members each finding degrees of success: Duffy solo, and with the Lilac Time; Kusworth with Nikki Sudden and numerous other bands, often alongside current Black Bomber Twist. In 2019, when Duffy and Kusworth last met, Duffy, as custodian of The Hawks’ ‘tape archive’, promised that the recordings would one day be released. Sadly this was not soon enough for Kusworth who tragically passed away last year. Duffy has remained as good as his word, however, in bringing these ten songs to release, in honour of his friend. Having languished on cassette for 40 years, they’re now set free, sounding the best they’ve done since the day they were recorded, thanks to the judicious mastering of Grammy-winning engineer John Paterno. ‘Twas ever thus.They were the perfect group. They had everything save for a parcel of good luck. If there were any justice the Hawks would be one of the most revered groups on planet earth. But this world is corrupt and the accolades and laurels they deserved never fell their way. They were such a great band. Possibly the best unknown band the world has ever seen.Nikki Sudden, The Last Bandit.\u003c\/div\u003e","brand":"Easy Action Records","offers":[{"title":"Default Title","offer_id":41285733875873,"sku":"","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-20078992-1630524524-4954_jpeg.jpg?v=1638246826"},{"product_id":"chrome-half-machine-lip-moves-new-lp","title":"Chrome - Half Machine Lip Moves - New LP","description":"2009 pressing (CLP 1991), reissue of 1979 LP.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2806324399\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/chromemusic.bandcamp.com\/album\/2-lphalf-machine-lip-moves-read-only-memory-digital-recordings\"\u003e2 LPHalf Machine Lip Moves + Read Only Memory Digital Recordings by Chrome\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Cleopatra Records","offers":[{"title":"Default Title","offer_id":41469715546273,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3893362354_16.jpg?v=1642464449"},{"product_id":"wright-o-v-live-new-lp","title":"Wright, O.V. – Live - New LP","description":"live 1979.\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\u003c\/div\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2464765967\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ovwright.bandcamp.com\/album\/live\"\u003eLive by O.V. Wright\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":41508701667489,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3692864332_16.jpg?v=1642937243"},{"product_id":"jars-the-make-love-not-war-east-bay-psycho-pop-1979-1982-color-vinyl-new-lp","title":"Jars, The ‎–Make Love Not War: East Bay Psycho-Pop 1979-1982 [Blue Vinyl MARKED DOWN] - New LP","description":"\u003ch1\u003e Small damage to one corner\u003c\/h1\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2528836669\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thejarssf.bandcamp.com\/album\/make-love-not-war\"\u003eMake Love Not War by The Jars\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cdiv class=\"section notes toggle_section    toggle_section_remember\" data-toggle-section-id=\"notes\" id=\"notes\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThe Jars helped spearhead the original Berkeley Punk\/New Wave scene, combining garage, kraut-rock and other wide influences with new wave and punk to create their own brand of “Avant-Garage Psycho-Pop.” Between 1979 and 1982 the Jars played all over the Bay Area with Roky Erickson, The Dickies, The Dead Kennedys, The Flamin’ Groovies and many more. This album combines tracks from the Jars singles, along with previously unheard studio recordings and live tracks.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ereleases February 18, 2022\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMik Dow - guitar \u0026amp; lead vocal\u003cbr data-mce-fragment=\"1\"\u003eMarc Time - drums, radio (11), sax (12)\u003cbr data-mce-fragment=\"1\"\u003eArmin Hammer - bass \u0026amp; vocal, electric guitar (9, 13), acoustic guitar (10), 12 string (12)\u003cbr data-mce-fragment=\"1\"\u003eGary Nervo - Farfisa organ on a shopping cart, Hammond pedals (4), Prophet 5 (11)\u003cbr data-mce-fragment=\"1\"\u003eMichael Montalto - lead guitar \u0026amp; vocal (6-15), Wurlitzer piano (12)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGuest musicians:\u003cbr data-mce-fragment=\"1\"\u003eTurn Out The Light - Dave. R. Driver, trumpet\u003cbr data-mce-fragment=\"1\"\u003eThe Psycho Chorale - Esther Cutshall, Barb Wire, Laura Rand\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003etracks 1-3 appear by kind permission of Subterranean Records, previously released on SUB-4, Produced and engineered by Michael Fox and The Jars at Target (1980)\u003cbr data-mce-fragment=\"1\"\u003etrack 4 previously released on Universal Records RON-1A, Produced by Richard Corsello, engineered by Danny Kopelson at Fantasy Studios (1981)\u003cbr data-mce-fragment=\"1\"\u003etrack 5 previously released on Universal Records RON-1B, Produced by The Jars and Dan Alexander at Hyde St. Studios (1981)\u003cbr data-mce-fragment=\"1\"\u003etracks 9-13 produced by Gary Hobish and The Jars at Fantasy Studios (1981)\u003cbr data-mce-fragment=\"1\"\u003etracks 6 and 15 recorded live at Berkeley Square, 6\/10\/81\u003cbr data-mce-fragment=\"1\"\u003etracks 7, 8 and 14 recorded live at The Old Waldorf, 2\/1\/81\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlbum mastered by Gary Hobish at A. Hammer Mastering, San Francisco\u003cbr data-mce-fragment=\"1\"\u003eArt Direction: Peter Montgomery\u003cbr data-mce-fragment=\"1\"\u003eNotes: Cory Linstrum\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThanks-\u003cbr data-mce-fragment=\"1\"\u003eBarb Wire, Margie Steele, Dave R.Driver, Marc Monosonic, Wes Robinson, Paladin, Pete \u0026amp; Steve Bizas at I Cafe, Mel Cheplowicz, Tim Yohannan, Sheets, Hugh Brown, Ray Farrell, Irene Dogmatic, Jello Biafra, Ron Blakeman, Steve Tupper, Mickey Creep, Karmin Ghia, Devorah Ostrov, Barry Simons, Rather Ripped Records, Universal Records, Dirk Dirksen, Mike Fox, Richie Corsello, Clayton Call, Morgan McDow, and thanks to all of the great bands of the East Bay scene 1978-1982\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003efor J.D. and Mik\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jars Records","offers":[{"title":"Default Title","offer_id":41586755502241,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3249918257_16.jpg?v=1644574732"},{"product_id":"toms-the-the-1979-sessions-black-vinyl-new-lp","title":"Toms, The - The 1979 Sessions [BLACK VINYL]  - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eFor many years, Tommy Marolda has been a versatile member of the American music industry: a multi-instrumentalist, producer, engineer, composer, Grammy-nominated songwriter...the list goes on. But record nerds like me know Tommy because of a single weekend in 1979. He was scheduled to record demos with the Smithereens in his New Jersey home studio, but their last-minute cancelation gave Tommy a small window to record something of his own. After three days of hitting the record button and dashing back to his instruments, Tommy had more than 30 slabs of pop perfection on tape, 12 of which became his seminal power pop LP 'The Toms'. Other tracks from that weekend session have trickled out via reissues of 'The Toms' over the years, but little did anyone know Tommy recorded enough material to fill up three long players! Presented here are the last of the 1979 Toms sessions. Savor them like the rare commodities that they are.\" -Scott Carlson, Tomologist\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3269083468\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thetomspowerpop.bandcamp.com\/album\/the-1979-sessions\"\u003eThe 1979 Sessions by The TOMS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eWritten, performed, produced, and mastered by Tommy Marolda.\u003cbr data-mce-fragment=\"1\"\u003eOriginally recorded September 1979 at Songgram Recording Studio in Mercerville, New Jersey.\u003cbr data-mce-fragment=\"1\"\u003e2019 tape transfers by KC Staples at The Record Outlet in Thousand Oaks, California.\u003cbr data-mce-fragment=\"1\"\u003eSleeve design by Scott Carlson for Frodis Graphics.\u003cbr data-mce-fragment=\"1\"\u003eVinyl mastering by Will Killingsworth at Dead Air.\u003c\/div\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":41702275809441,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1064944963_16_32993fcb-688b-4f5b-9db6-a59e1a9b4894.jpg?v=1647215948"},{"product_id":"fashion-music-s-t-new-lp","title":"Fàshiön Music -  S\/T [IMPORT 2xLP] - New LP","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGatefold sleeve with sleeve notes by Luke Sky. Printed inner sleeves.\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=87638055\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lukeskyscraperjames.bandcamp.com\/album\/foundation-f-shi-n-music-1978\"\u003eFoundation: Fáshiön music 1978 by Fáshiön music\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eTracks A: 1-5 \/ B: 1-4 original singles UK \u0026amp; USA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks B: 5 \/ C: 1-5 1980 demos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks D: 1-6 1978 demos'\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"tracklist_odjYc\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"heading_Yx9y2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleWithArtist_igX0j\"\u003eOriginal Singles UK \u0026amp; USA\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-1\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSteady Eddie Steady\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:30\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eKilling Time\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-3\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eCitinite\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-4\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eWastelife\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e4:26\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-5\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSilver Blades\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-6\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSilver Blades A Deeper Cut\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:39\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-7\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSodium Pentathol Negative\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e1:50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-8\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eThe Innocent\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:41\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-9\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eRed Green \u0026amp; Gold\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e4:45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"heading_Yx9y2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleWithArtist_igX0j\"\u003e1980 Demos\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-10\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eFiction Factory\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e6:20\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-11\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eDo It In The Dark\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-12\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSteady Eddie Steady (1980)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e4:24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-13\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eEmotional Blackmail\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:36\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-14\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eBad Move\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e4:23\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-15\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eLet Go\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:06\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"heading_Yx9y2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleWithArtist_igX0j\"\u003e1979 Demos\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-16\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eI Don't Take Drugs, I Don't Tell Lies\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:26\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-17\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eWe're The Fashion\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:49\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-18\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSmall People\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:05\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-19\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eBike Boys\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-20\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eThe Naff All Tango\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:43\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"1-21\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eKilling Time (1978 - Original)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"heading_Yx9y2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleWithArtist_igX0j\"\u003eLive At Brize Norton Royal Airforce Base\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-1\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSteady Eddie Steady\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e3:43\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eRed Green \u0026amp; Gold\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-3\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eDon't Touch Me \/ I Don't Take Drugs \/ Sodium Pentathol Negative\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e7:56\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-4\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eCitinite\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:46\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-5\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eKilling Time\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e2:36\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-6\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eBig John \/ Hanoi Annoys Me \/ The Innocent\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e8:31\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-7\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eDie In The West\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e4:26\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-8\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSymiane\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:31\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-9\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eBike Boys\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e5:25\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-10\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eWastelife\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e4:48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"heading_Yx9y2\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleWithArtist_igX0j\"\u003e-\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-11\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSodium Pentathol Negative (1978 Version)\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"duration_FhdYc\"\u003e1:53\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"2-12\"\u003e\n\u003ctd class=\"position_EvZ6Z\"\u003e\u003c\/td\u003e\n\u003ctd class=\"artist__Aq2S\"\u003e\u003c\/td\u003e\n\u003ctd class=\"trackTitleNoArtist_VUgUr\"\u003e\u003cspan\u003eSteady Eddie Steady (1978 Version)\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom 1978 to 1980, Fashion released one album and a handful of indie club hit singles mixing punk \u0026amp; reggae vibes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLimited Edition of 800 copies 2LP. All tracks completely remastered. Contains every studio recording of the first lineup of Fashion including US singles and unreleased tracks. Liner notes from lead singer\/guitarist Luke Sky... Fashion Music was formed originally in Birmingham, England, in 1978, when they also founded their own Fashion Music label; from this point forward, the band was generally (though not completely consistently) identified as Fashion, as distinct from the name of their self-owned label. Fashion released their first two singles (\"Steady Eddie Steady\" and \"Citinite\") as independent issues on the UK in November 1978 and June 1979 respectively. The group was quickly picked up by I.R.S., who put out a third single in the US in September 1979, \"The Innocent\". Their sound was varied, playing punk, post-punk and indie repertoire, although Mulligan at that time also had a synthesizer which later characterized the future synthpop years of the band. Still signed to I.R.S., in 1979 they recorded and released their first album, Product Perfect. All three members were credited as having written the songs collectively. They toured the UK with U2, both the UK and US with The Police, and opened for The B-52's on their first British tour. In March 1980, no longer associated with I.R.S., Fashion released their \"Silver Blades\" single, again on their own Fashion Music label. Later in 1980 they also released one more song, \"Let Go\", on a Birmingham bands compilation called Bouncing in the Red (EMI). In June 1980, after a last gig in London with U2, Luke James left the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"This band from Birmingham, England, blended offbeat funk with an independent spirit that seemed destined to ensure them commercial success. Originally a trio comprising John Mulligan (bass), Dix (drums) and Luke (guitar), Fashion issued three diverse singles on their own label, spurred on by the do-it-yourself attitudes in the wake of punk. After November 1978’s ‘Steady Eddie Steady’ came ‘Citinite’ in June and then Perfect Product, an impressive debut album. ‘Silver Blades’ followed in March 1980, ensuring a contract with Arista Records. Now swelled to a six-piece with Martin Stoker (ex-Dance; Bureau) on drums, vocalist Tony (ex-Neon Hearts) and main songwriter De Harriss, many predicted that their resultant singles would break the band on the back of the futurist scene of the early 80s. ‘Street Player - Mechanik’ in March 1982, ‘Love Shadow’ in August and later, ‘Eye Talk’ in January 1984, all scraped the lower reaches of the chart, but failed to establish the band in the public eye. Despite this, Fashion enjoyed a strong undercurrent of support, reflected in a UK Top 10 album, Fabrique, in June 1982. However, interest gradually waned, the band moved to Epic, and Twilight Of The Idols, issued exactly two years later, was not as warmly received.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Easy Action Records","offers":[{"title":"Default Title","offer_id":42001265098913,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374762609.jpg?v=1653983486"},{"product_id":"tubeway-army-replicas-import-new-lp","title":"Tubeway Army  – Replicas [IMPORT] – New LP","description":"\u003cp\u003enuman 1979\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMastered From HD Digital 96\/24 Transfers Of Analogue Tapes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Beggars Banquet Records","offers":[{"title":"Default Title","offer_id":42156277825697,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-49235-1485286584-9065.jpg?v=1656665625"},{"product_id":"skids-scared-to-dance-new-lp","title":"Skids - Scared to Dance [2xLP RED VINYL IMPORT] - New LP","description":"\u003cp\u003e\u003cspan style=\"color: #b22222; font-family: courier new, courier, lucida sans typewriter, lucida typewriter, monospace;\"\u003e\u003cspan\u003e\u003cstrong\u003eHey, I bought this album by these Scots in 1979, think I'd heard it on dinky WIDR FM (I was lucky enough to live by the student ghetto so I could pick up their airwaves) but maybe I just liked the sleeve art and the name of the band...who knows...probably heard it on WIDR because this is the kind of punk that college stations latched on to (while they ignored most USA bands that weren't experimental or arty...but I was still so so happy to have that radio station in my life)...the guitarist from Skids would go on to big success with Big Country after this band broke up...Sometimes Skids seem like a mix of influences as different as early post-punk and the Clash...\u003c\/strong\u003e\u003cstrong\u003eand I suppose you can hear hints of Big Country here on some cuts, but while (perhaps incorrectly) I think of Big Country as optimistic, Skids seems anything but (but without going into the bleak darkness of some of the early so-called post-punk)...and while the influences clearly pop up, Skids had their own sound. In 1979, I was insane about finding anything that didn't sound like the same bands on repeat on the so-called rock stations so returning to albums like this really bring me back to listening to WIDR and searching for bands that kids my age (and most everyone in the USA) didn't have clue even existed. If you like those bands that seemed to meet at the intersection of new wave\/post-punk\/art punk, this might be your thing...if you like one of the songs, you'll probably like them all. \u003cbr\u003e\u003cbr\u003eThis import reissue expands the album to four sides, remastered version of the album + early singles, live, etc.  I think this includes the entire discography of the first version of this band.\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"Scared to Dance, the debut LP from Scotland's Skids...This record may have been recorded over 40 years ago but the songs resonate as much, if not more, today. Featuring the glorious \u003cem\u003eInto The Valley\u003c\/em\u003e, title track, and \u003cem\u003eThe Saints Are Coming\u003c\/em\u003e.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \"The Scottish art-punk unit Skids formed in Dunfermline in 1977. Comprised of the dramatic vocalist Richard Jobson, guitarist Stuart Adamson, bassist William Simpson, and drummer Tom Kellichan, the group issued the single \"Reasons\" on their own No Bad label before signing to Virgin. After two more singles, \"Sweet Suburbia\" and \"The Saints Are Coming,\" Skids entered the U.K. Top Ten with \"Into the Valley,\" included on their 1979 debut LP Scared to Dance, a fine document of the anthemic guitar riffs and chanted choruses which typified the first phase of the group's music.  By 1981's Joy, only Jobson remained from Skids' original lineup. Prior to recording the album, Adamson quit to form his own group, the internationally successful Big Country. After the release of the Joy, Skids officially disbanded.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ctable class=\"cke_show_border\"\u003e\n\u003ctbody\u003e\n\u003ctr data-track-position=\"A1\"\u003e\n\u003ctd\u003eA1\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eInto The Valley\u003c\/td\u003e\n\u003ctd\u003e3:15\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A2\"\u003e\n\u003ctd\u003eA2\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eScared To Dance\u003c\/td\u003e\n\u003ctd\u003e3:17\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A3\"\u003e\n\u003ctd\u003eA3\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eOf One Skin\u003c\/td\u003e\n\u003ctd\u003e2:24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A4\"\u003e\n\u003ctd\u003eA4\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eDossier (Of Fallibility)\u003c\/td\u003e\n\u003ctd\u003e3:28\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A5\"\u003e\n\u003ctd\u003eA5\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eMelancholy Soldiers\u003c\/td\u003e\n\u003ctd\u003e3:01\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"A6\"\u003e\n\u003ctd\u003eA6\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eHope And Glory\u003c\/td\u003e\n\u003ctd\u003e3:16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B1\"\u003e\n\u003ctd\u003eB1\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eThe Saints Are Coming\u003c\/td\u003e\n\u003ctd\u003e2:37\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B2\"\u003e\n\u003ctd\u003eB2\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eSix Times\u003c\/td\u003e\n\u003ctd\u003e2:10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B3\"\u003e\n\u003ctd\u003eB3\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eCalling The Tune\u003c\/td\u003e\n\u003ctd\u003e3:58\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B4\"\u003e\n\u003ctd\u003eB4\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eIntegral Plot\u003c\/td\u003e\n\u003ctd\u003e2:36\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B5\"\u003e\n\u003ctd\u003eB5\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eCharles\u003c\/td\u003e\n\u003ctd\u003e2:45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"B6\"\u003e\n\u003ctd\u003eB6\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eScale\u003c\/td\u003e\n\u003ctd\u003e4:40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"C1\"\u003e\n\u003ctd\u003eC1\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eSweet Suburbia (A side to 1978 single)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"C2\"\u003e\n\u003ctd\u003eC2\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eOpen Sound (b-side to 1978 single)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"C3\"\u003e\n\u003ctd\u003eC3\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eNight And Day (from 3rd single 1978)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"C4\"\u003e\n\u003ctd\u003eC4\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eContusion (from 3rd single 1978)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"D1\"\u003e\n\u003ctd\u003eD1\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eT.V. Stars (Live)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"D2\"\u003e\n\u003ctd\u003eD2\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eCharles (Single Version)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"D3\"\u003e\n\u003ctd\u003eD3\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eReasons (from 1978 Charles EP)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-track-position=\"D4\"\u003e\n\u003ctd\u003eD4\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003eTest Tube Babies (from 1978 Charles EP)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cspan style=\"color: #b22222; font-family: courier new, courier, lucida sans typewriter, lucida typewriter, monospace;\"\u003e\u003cspan\u003e\u003cstrong\u003e  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #b22222; font-family: courier new, courier, lucida sans typewriter, lucida typewriter, monospace;\"\u003e\u003cspan\u003e\u003cstrong\u003ePlus, check this out, I made a page on the website just for\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: courier new, courier, lucida sans typewriter, lucida typewriter, monospace;\"\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003ca data-cke-saved-href=\"https:\/\/store.greennoiserecords.com\/collections\/1979?page=1\" href=\"https:\/\/store.greennoiserecords.com\/collections\/1979?page=1\" target=\"_blank\"\u003e1979\u003c\/a\u003e!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #b22222; font-family: courier new, courier, lucida sans typewriter, lucida typewriter, monospace;\"\u003e\u003cspan\u003e\u003cstrong\u003e Cool!\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Last Night From Glasgow Records","offers":[{"title":"Default Title","offer_id":42195958005921,"sku":"","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-23132711-1651846261-7965.jpg?v=1740363051"},{"product_id":"tjader-cal-la-onda-va-bien-used-lp","title":"Tjader, Cal ‎– La Onda Va Bien  - Used LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVG+\/VG+ \u003c\/p\u003e\n\u003cp\u003erecorded 1979, released 1980.  \u003c\/p\u003e","brand":"Concord Picante Records","offers":[{"title":"Default Title","offer_id":42294132703393,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-1357568-1301397876.jpg?v=1658682115"},{"product_id":"various-artists-instant-this-instant-that-ny-ny-1978-1985-sexy-clear-vinyl-new-lp","title":"TwinArt\/Various Artists – Instant This \/ Instant That: NY NY 1978-1985 [2xLP SEXY CLEAR VINYL] - New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eUnique female gazes into a micro-scene within the NYC Downtown art scene circa late ’78-’85: as seen through the lens of a variety of feminist perspectives on new wave and true next wave sound!\u003cbr\u003e\u003cbr\u003eAn ultra-violet time machine to a micro-scene viewed and heard through the curation of twin artists Linda and Ellen Kahn, who together are TwinArt. This magnificent journey features the music they created for the Manhattan Cable, along with other female voices from within their orbit.\u003cbr\u003e\u003cbr\u003eInstant This Instant That is built around the coveted flexi disc from an art mag that featured a song by Taste Test and a cut from Intense Molecular Activity (IMA). Joining the fun are Jill Kroesen, who contributes her cult A-side “I Really Want To Bomb You” along with two unissued cuts from her poetic and percussive headspace.\u003cbr\u003e\u003cbr\u003eMulti-media artist Julia Heyward, once known as Duka Delight, contributes two songs she put to tape working with IMAʼs Don Hunerburg that are poignant and powerful as the work sheʼs shown at the Whitney or the video she directed for The Talking Heads (”Burning Down The House”!?!?).\u003cbr\u003e\u003cbr\u003ePost-punk “Do-Dada-ists” The Dance contribute quite a bit here, including an unissued demo, a cut from an EP, and two\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ecollaborations with TwinArt.\u003cbr\u003e\u003cbr\u003eAll of these treasures are woven together by sound art shorts from IMA under the guidance of TwinArt. This album is as delightful as the cover art of Ellen and Lynda suggests.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Modern Harmonic Records","offers":[{"title":"Default Title","offer_id":42546460950689,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a2588764714_16.jpg?v=1663890452"},{"product_id":"pere-ubu-390-degrees-of-simulated-stereo-ubu-live-volume-one-import-1976-1979-used-lp","title":"Pere Ubu – 390 Degrees Of Simulated Stereo : Ubu Live Volume One [IMPORT 1976-1979] – New LP","description":"\u003cp\u003eClassic avant-garage from these Cleveland noise makers and trailblazers!  Live 1976 - 1979.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2399873869\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/pereubumusic.bandcamp.com\/album\/390-degrees-of-simulated-stereo\"\u003e390 Degrees Of Simulated Stereo by Pere Ubu\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The sound of a band at their anarchistic and experimental best, twisting the mainstream for their own ends. A white-knuckle cascade through their formative inventiveness, a unique document, now fully remastered.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A warts ‘n’ all snapshot of their career.. Ubu’s edginess and gleeful avant-gardisms are in full effect.” AllMusic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Pere Ubu engineered a dauntingly seamless coupling of arty introspection and old-school garage-rock squall.” Trouser Press\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e“The lo-fi recordings almost always sounded better to us than the hi-fi recordings.” David Thomas\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":42608812228769,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1190655241_16.jpg?v=1665243214"},{"product_id":"various-artists-killed-by-death-8-1-2-new-lp","title":"Various Artists - Killed by Death #8 1\/2 - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e ALL AMERICAN PUNK!\u003c\/span\u003e\u003cbr\u003e","brand":"Redrum Records","offers":[{"title":"Default Title","offer_id":42683045380257,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-614220-1608393927-4881.jpg?v=1667613653"},{"product_id":"various-artists-disco-reggae-rockers-2xlp-sun-yellow-vinyl-mport-new-lp","title":"Various Artists – DISCO REGGAE ROCKERS [2xLP SUN-YELLOW VINYL. MPORT.  1973-1986] – New LP","description":"\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e1973-1986\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDisco Reggae Rockers features wicked reggae disco versions of funk, soul and disco classics! This new album follows on from Soul Jazz Records' earlier highly successful 'Hustle: Disco Reggae' and features reggae covers of classic songs by Earth, Wind \u0026amp; Fire, Michael Jackson, The Isley Brothers, Candi Staton, Curtis Mayfield and more as performed by Derrick Harriott, Devon Russell, Hortense Ellis, Glen Adams, Dave Barker and others. The lineages of American soul and disco music on the one hand and Jamaican reggae on the other are so intertwined that its unsurprising that disco reggae – or reggae disco if you prefer – is such a winning and straightforward combination. American and Jamaican music has been influencing each other back and forth for many decades, and is one reason that the music of Diana Ross, Curtis Mayfield, the Isley Brothers and numerous other US soul artists is so widely appreciated in Jamaica. \/\/ The most-straightforward definition of ‘Disco Reggae’ is to describe it as American disco and soul songs covered by reggae artists. But the relationship is binary – this is no mere subservient island appreciation of North American dominant culture but instead an example of the interweaving thread of Jamaican and American music that travels back and forth between the major cities of Kingston, London, Toronto, New York, Chicago and Philadelphia. \/\/ Having said that all of the songs featured here are indeed cover versions of (or at least heavily based on) US soul and disco tunes. Curtis Mayfield, Diana Ross, Earth, Wind \u0026amp; Fire, Archie Bell, The Dramatics, Michael Jackson – the work of these artists resonated around the world and Jamaica was no exception. \/\/ This album is released as a one-off limited Sun Yellow coloured vinyl gatefold double LP edition + download, with full sleevenotes.\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"pt-2\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":42704226517153,"sku":"","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374842748.jpg?v=1668296863"},{"product_id":"risco-connection-risco-version-2xlp-import-new-lp","title":"Risco Connection –  Risco Version  [3xLP IMPORT] - New LP","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eStrut present the first ever official compilation bringing together the complete in-demand reggae \/ disco singles of Risco Connection between 1979 and 1980.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=306509517\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/riscoconnection.bandcamp.com\/album\/risco-version\"\u003eRisco Version by Risco Connection\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eDrummer “Drummie” Joe Isaacs had already created history as the house drummer at Studio 1 in Jamaica on countless pre-reggae classics before moving to Canada in 1968 and is credited with slowing down the fast pace of ska during the rocksteady era. With Risco Connection, Isaacs released a series of choice reggae \/ disco covers, from ‘Ain’t No Stopping Us Now’ and ‘Good Times’ to ‘I’m Caught Up (In A One Night Love Affair)’ and ‘It’s My House’ as limited 12” singles on his own Black Rose imprint. “Arriving in Canada, we were one of the first set of musicians out of Jamaica coming here,” explains Isaacs. “With Risco Connection, we wanted to try something new, songs that would have a crossover between disco and the rocksteady feeling and the right lyrics. We had trouble getting them well distributed widely at the time but people still picked up on the sound.”\u003cbr\u003e\u003cbr\u003eRecorded at Glen Johansen’s small studio Integrated Sound in Toronto, musicians included Jamaican, US and Canadian players with Isaacs on drums and percussion, bassist Clarence Greer\u003cspan class=\"bcTruncateMore\"\u003e, guitarist Tony Campbell and keyboardist\/singer Glen Ricketts. Isaacs also called on a number of great independent vocalists including Terry Hope (‘It’s My House’), Merlyn “Lorna” Brooks, (‘Caught Up’), Otis Gayle and Juliette Morgan (‘Bringing The Sun Out’ and ‘Sitting In The Park’) and Tobi Lark (‘Good Times’). The biggest hit of all the singles was Risco’s dynamite cover of McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’. selling over 5,000 copies in Toronto and New York with the dub version becoming a firm favourite of David Mancuso at his famed Loft parties.\u003cbr\u003e\u003cbr\u003e‘Risco Version’ brings together all of the vocal versions, dubs and extra tracks from the singles. Both formats feature an interview with Joe Isaacs and liner notes by journalist Angus Taylor. Audio is restored by Sean P and fully remastered and cut loud and proud by The Carvery.\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. AIN’T NO STOPPIN’ US NOW (Vocal) 7.03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. AIN’T NO STOPPIN’ US NOW (Version) 9.05\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. GOOD TIMES 7.25\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. ONE MORE TIME (Instrumental) 8.19\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. I’M CAUGHT UP 7.42\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. ARGUMENT 6.19\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. IT’S MY HOUSE (Special Disco version) 7.58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. IT’S MY HOUSE \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e(Version) 7.42\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eE1. BRINGING OUT THE SUNSHINE 6.21\u003cbr\u003eE2. RISCO MUSIC 6.09\u003cbr\u003eE3. REGGAE MUSIC 5.57\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eF1. SITTING IN THE PARK 5.22\u003cbr\u003eF2. PARK VERSION 4.23\u003cbr\u003eF3. STOPPING (Version) 4.51\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased July 1, 2022\u003cbr\u003e\u003cbr\u003eVocals by Otis Gayle, ​​Lorna Brooks, Terry Howe, Glen Ricketts\u003cbr\u003eProduced by Joe Isaacs.\u003cbr\u003eArranged by Joe Isaacs, Glen Johansen, Glen Ricketts, Jackie Mittoo\u003cbr\u003eEngineered \u0026amp; mixed by Glen Johansen \u0026amp; ​​Doug McClement\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003e\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"info license\" id=\"license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Strut Records (Europe)","offers":[{"title":"Default Title","offer_id":42714796720289,"sku":"","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1505234953_16.jpg?v=1668739247"},{"product_id":"williams-willie-no-one-can-stop-us-now-new-12","title":"Williams, Willie – No One Can Stop Us Now – New 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWillie Williams’ seminal ’No One Can Stop Us Now’ is a cover of Ashford and Simpson’s soul\/disco classic ‘Ain’t No Stopping Us Now’, and is simply one of the greatest, most soulful reggae\/disco cuts ever made and is the latest in the series of Limited Edition 12”s of all-time CLASSIC Studio One party bombs available on super loud 12”. \/\/ First released on Studio One in 1979, this party anthem features the sublime keyboards of Jackie Mittoo alongside the awesome studio group, The Brentford All Stars (here working under the name The Brentford Disco Set). \/\/ 100% essential monster Studio One tunes that rock any dancefloor! \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Studio One Records","offers":[{"title":"Default Title","offer_id":42724688003233,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374883330.jpg?v=1669187446"},{"product_id":"michigan-smiley-nice-up-the-dance-new-12","title":"Michigan \u0026 Smiley –  Nice Up The Dance – New 12\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMichigan and Smiley’s all-time Studio One anthem, the latest in the series of Limited Edition 12”s of all-time CLASSIC Studio One party bombs available on super loud 12”. \/\/ Michigan and Smiley’s ‘Nice Up the Dance’ is simply one of the biggest, wickedest dancehall tunes EVER made!  Originally released in 1979, Michigan and Smiley’s classic rhyming over the seminal 'Real Rock’ has proved one of the most enduring tunes in reggae EVER! 100% essential monster tunes that rock any dancefloor!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Studio One Records","offers":[{"title":"Default Title","offer_id":42724726603937,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/201374883329.jpg?v=1669188140"},{"product_id":"rubinoos-the-back-to-the-drawing-board-ruby-and-black-splatter-new-lp","title":"Rubinoos, The - Back to the Drawing Board [Ruby\/Black Splatter] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis classic power pop album from Berkeley, California's own, The Rubinoos, is the follow-up to their self-titled debut album and proves that the dreaded \"sophomore slump\" does not apply to them. It include the hit, \"I Wanna Be Your Boyfriend.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=983209822\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/therubinoos.bandcamp.com\/album\/back-to-the-drawing-board\"\u003eBack to the Drawing Board by The Rubinoos\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e This is the the second reissue, and the fourth release, from the Rubinoos on Yep Roc Records. This limited edition Record Store Day pressing is on Ruby w\/ Black Splatter color vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased February 1, 1979\u003cbr\u003e\u003cbr\u003e1979 Yep Roc Records.\u003cbr\u003e\u003cbr\u003eJon Rubin – lead vocals, rhythm guitar\u003cbr\u003eDonn Spindt – drums, percussion, vocals\u003cbr\u003eRoyse Ader – bass, vocals\u003cbr\u003eTommy Dunbar – guitars, keyboards, vocals\u003cbr\u003e\u003cbr\u003eProduced by Matthew King Kaufman and Gary Phillips\u003cbr\u003eRecorded at Ramport Studios, London \u0026amp; Wally Heider Studios, San Francisco\u003cbr\u003eEngineered by Mark Dodson\u003cbr\u003eAssistant Engineers – Jeffrey Norman, Butch Yates\u003cbr\u003e\u003cbr\u003eCover Art – John Seabury\u003cbr\u003eFront Cover Photo – Richard Blair\u003cbr\u003eArt Direction – Nina Port\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Yep Roc Records","offers":[{"title":"Default Title","offer_id":42734921384097,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3513877887_16.jpg?v=1669596707"},{"product_id":"j-m-tim-foty-african-funk-experimentals-1977-1979-new-lp","title":"J.M. Tim \u0026 Foty – African Funk Experimentals 1977-1979 [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2 class=\"tralbumData tralbum-about\"\u003e\u003cstrong\u003eOne small corner crush in upper left.\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eTim (aka Jean Marie Tiam) and the sadly departed Maurice Foty who died in 2011. The musical cousins hails from Bafoussam in Cameroon. Their signature vocal harmony sound may be the first thing you hear, however they also have produced a host of funkiest African funk around. They sing in their native language Ngomâlah, as well as Duala and English.  \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4290707738\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/africaseven.bandcamp.com\/album\/african-funk-experimentals-1977-1979\"\u003eAfrican Funk Experimentals (1977-1979) by J. M. Tim And Foty\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eWe start the album off slowly with the scene-setting and largely instrumental \"Douala By Night\". Tight guitar and choppy clavi drive this song along. The groove is so deep even Missy Elliot couldn't resist a cheeky sample. \"Funky Bafoussam\" carries on the theme and expands it to include a kick-ass horn section. \"More And More\" is next and here the vocals burst forth over this up tempo punchy pop-funk track. With \"Love Is Light\" the pair show their versatility with a smooth English-sung soul ballad.  The hopelessly upbeat \"Aie\" is next with its earworm keyboard riff, slice guitar and catchy falsetto vocal. \"Not So Bad\" brings on the boogie. \"I Love Yaounde\" is a smooth swinging boogie-ballad with a killer chorus hook. \"Eda\" is a hit from early in their career. We close of the comp with the disco funk of \"Funky Boogie Love\" and synth grooves of\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e\"Eya Mba\". The songs on the comp represent only a 2 year period but some of the finest from the duo. These days Tim keeps the Tim and Foty flame alive. He currently lives between France and Cameroon. A musical flame that most definitely is burning bright.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\n\u003cbr\u003e\u003cbr\u003e01. Douala By Night. Written by Alan Deloumeaux \u0026amp; J.M. Tiam.\u003cbr\u003e02. Funky Bafoussam. Written by Alan Deloumeaux \u0026amp; Mahmoud Houari.\u003cbr\u003e03. More And More. Written by Kembiwo Fotie.\u003cbr\u003e04. Love Is Light. Written by Kembiwo Fotie \u0026amp; J.M. Tiam.\u003cbr\u003e05. Aie. Written by Kembiwo Fotie.\u003cbr\u003e06. Not So Bad. Written by Kembiwo Fotie \u0026amp; J.M. Tiam.\u003cbr\u003e07. I Love Yaounde. Written by J.M. Tiam.\u003cbr\u003e08. Eda. Written by Kembiwo Fotie \u0026amp; J.M. Tiam.\u003cbr\u003e09. Funky Boogie Love. Written by by J.M. Tiam.\u003cbr\u003e10. Eya Mba. Written by Kembiwo Fotie.\u003cbr\u003e\u003cbr\u003eMastered by Eugene @ Cromon Tor. Audio Restoration by Timmy @ Tiger Bright Studios (\u003ca rel=\"nofollow ugc\" href=\"http:\/\/www.tigerbright.net\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.tigerbright.net\u003c\/a\u003e).\u003cbr\u003eArtwork by Rich Elson.\u003cbr\u003e\u003cbr\u003eCompiled by John Bryan.\u003c\/h3\u003e\n\u003cp class=\"font_8\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Africa Seven Records (UK)","offers":[{"title":"Default Title","offer_id":42844644638881,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3761029290_16.jpg?v=1674541631"},{"product_id":"moderns-suburban-life-import-new-lp","title":"Moderns, The - Suburban Life  [IMPORT] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSweden’s first and best mod-revival band The Moderns mixed the love of 60’s pop with the intensity of punk and had the big breakthrough around the corner during the short but intense career, including support to Echo \u0026amp; The Bunnymen on their first English tour in 1980. The band’s first EP The Year of the Pop from 1979 is a classic. Along with the second single, songs from a couple of compilation albums and some completely unreleased tracks, here comes the definitive collection with The Modern’s first lineup.\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tfJ21zqNKYI?si=ou9oCiVY0i5t6eUX\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CSFJXjhyZiI?si=lezuLuNS3mZBXTYC\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e","brand":"Busy Bee Production","offers":[{"title":"Default Title","offer_id":42916717527201,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374754797.jpg?v=1693816005"},{"product_id":"toms-the-s-t-2xlp-2023-edition-new-lp","title":"Toms, The - S\/T [2xLP expanded edition of 1979 LP] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eTHE TOMS was originally released in 1979. The project of Tom Marolda, a New Jersey musician, he recorded the album in his home studio, playing all the instruments himself. In the years since its release, it's become a highly prized treasure amongst power pop fans around the world, at least those lucky enough to discover it. Beatlesque melodies abound on a record that sounds anything but lo-fi. Feel It Records is proud to re-release this long sought after gem with 11 bonus tracks plus Peter Noone (Herman's Hermits) performing \"The Flame\" for the first time ever released! -John M. Borack, Author, Shake Some Action 2.0: An Updated Guide to the 200 Greatest Power Pop Albums\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1265848039\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thetomspowerpop.bandcamp.com\/album\/the-toms-2023-reissue\"\u003eThe TOMS by The TOMS\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"credits-label\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003ereleased March 10, 2023\u003cbr\u003e\u003cbr\u003eWritten, performed, and produced by Tommy Marolda.\u003cbr\u003eTracks 1-12 originally issued as The TOMS LP in 1979 by Black Sheep Records.\u003cbr\u003eTracks 1-19 originally recorded September 1979 at Songgram Recording Studio in Mercerville, New Jersey. Tracks 20-23 from the Songgram archives.\u003cbr\u003eTrack 24 recorded by Peter Noone (Herman's Hermits) - originally intended to be used in a film titled 'My American Boyfriend'.\u003cbr\u003e\u003cbr\u003eRemastered by Caufield Schnug at Melody Men Mastering.\u003cbr\u003eOriginal LP design by Tommy Marolda.\u003cbr\u003eDesign\/layout for reissue by Kenny Close.\u003cbr\u003eExecutive producer for reissue: Sam Richardson.\u003cbr\u003e\u003cbr\u003eSPECIAL THANKS:\u003cbr\u003eJohn Gervasoni, Richie Sambora, Bruce Foster, Ernie White, Marty Wereski, Scotty Carlson, The Maroldas, Sam Richardson, John Borack, David Bash, Pro-File Marketing\u003c\/div\u003e","brand":"Feel It Records","offers":[{"title":"Default Title","offer_id":42957803618465,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/0031256575_10.jpg?v=1680042516"},{"product_id":"niles-wilbur-thrust-new-lp","title":"McNeal and Miles – Thrust – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA track about an African king recorded in the back of a car wash.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3079843312\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/wilburniles.bandcamp.com\/album\/thrust\"\u003eThrust by Wilbur Niles\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/span\u003e\u003cspan\u003eAt the makeshift Man-Ray Studios in Akron, Ohio, where barrels of soap were rolled away to make room for recording, guitarist Wilbur Niles and his then-girlfriend — keyboardist Machelle McNeal — recorded “Ja Ja.” It was titled after King Jaja of Opobo in Nigeria, who lived during the 19th century, rising from slavery to become a wildly successful broker of palm oil.  \u003c\/span\u003e\u003cspan\u003eNiles learned about Jaja as an undergrad majoring in history; humid and dreamy, it would lead off the pair’s first and only album together, 1979’s rawly-produced Thrust. It begins with an elliptical little electric-piano hook by McNeal, an accomplished musician without much jazz experience, accompanied by wind sounds. The effect is of sparkles of sunlight through an otherwise dense sheet of fog.  \u003c\/span\u003e\u003cspan\u003eEven when “Summer Fun” goes for a four-on-the-floor feeling, the mid-fidelity production renders it diaphanous. \u003c\/span\u003e","brand":"We Are Busy Bodies Records (Canada)","offers":[{"title":"Default Title","offer_id":42963253919905,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-25871515-1674574640-4226.jpg?v=1680302300"},{"product_id":"various-artists-yo-boombox-early-independent-hip-hop-electro-and-disco-rap-1979-83-import-2xlp-w-7-new-lp","title":"Various Artists – YO! BOOMBOX: Early Independent Hip Hop, Electro And Disco Rap 1979-83 [IMPORT 2xLP w\/ 7\"] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e \u003c\/h1\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYo! Boombox is the new instalment of Soul Jazz Records’ Boombox series on the early days of hip-hop on vinyl, featuring some of the many innovative underground first-wave of early rap and disco rap records made in the USA between 1979-83. \/\/ The album includes the first releases of seminal groups such as Grandmaster Flash \u0026amp; The Furious Five and The Funky Four Plus One More, through to rarities and little-known obscurities such as the Carver Area High School band’s ‘Get Live 83’, an awesome record made at a Chicago high school. \/\/ The deluxe 3xLP + 7\" single comes with extensive sleeve notes, exclusive photography and original label artwork. \/\/ It features the stunning photography of Sophie Bramly, one of a very select group of photographers who were allowed full access to document the exciting early days of hip-hop in NYC. \/\/ These first exuberant wave of innocent, upbeat, party-on-the-block rap records were the first to try and create the sounds heard in community centres, block parties and street jams that took place in the Bronx in the mid-1970s. Where the first DJs – Flash, Kool Herc and Bambaataa – were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s Apache or Babe Ruth’s The Mexican, these first pre-sampling rap records were all made using live bands, often replaying then current disco tunes. As Chic’s ‘Good Times’ was to ‘Rappers’ Delight’, the songs here feature then-current dancefloor hits such as the Tom Tom Club’s ‘Genius of Love’ or Cheryl Lynn’s ‘To Be Real’ while MCs rapped over the top, creating a unique new sound. \/\/ This new Soul Jazz Records collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan class=\"theme-text-color-1-2\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Soul Jazz Records (UK)","offers":[{"title":"Default Title","offer_id":43046723387553,"sku":"","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374896981.jpg?v=1685600799"},{"product_id":"professor-longhair-crawfish-fiesta-new-lp","title":"Professor Longhair - Crawfish Fiesta - New LP","description":"The last, best album by the master musician who virtually invented New Orleans rock'n'roll piano.\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll songs Byrd, Professor Longhair Music except as indicated.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRemastered with bonus track previously unavailable, Percy Mayfield's \"River's Invitation\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4157179394\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/fesslonghair.bandcamp.com\/album\/crawfish-fiesta-remastered-with-bonus-track\"\u003eCrawfish Fiesta (Remastered with Bonus Track) by Professor Longhair\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eProfessor Longhair\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Piano,Vocals\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMac \"Dr. John\" Rebbenack\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTony Dagradi\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Tenor Saxophone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndy Kaslow\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Tenor Saxophone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJim Moore\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Baritone Saxophone\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAlfred \"Uganda\" Roberts\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Conga\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohnny Vidacovich\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Drums\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Lee Watson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e: Bass\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHorns arranged by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTony Dagradi\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAndy Kaslow\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced by Bruce\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIglauer, Andy Kaslow\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAllison Kaslow\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInvaluable production assistance by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMac Rebennack\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Sea-Saint Studios, New Orleans, LA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEngineer by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFred Breitberg\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAssociate Engingeer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSkip Goodwin\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed at Curtom Studios, Chicago, IL\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFred Breitberg\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBruce Iglauer\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum design by Ross \u0026amp; Harvey Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotos by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMichael Smith\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner notes by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMindy Giles\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTad Jones\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpecial thanks to \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTad Jones, Jon Foose, Parker Dinkins\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRoy Filson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Justly worshipped as a founding father of New Orleans R\u0026amp;B,\u003cspan\u003e \u003c\/span\u003eRoy \"Professor Longhair\" Byrd\u003cspan\u003e \u003c\/span\u003ewas nevertheless so down-and-out at one point in his long career that he was reduced to sweeping the floors in a record shop that once could have moved his platters by the boxful.  That\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003emade such a marvelous comeback testifies to the resiliency of this late legend, whose Latin-tinged rhumba-rocking piano style and croaking, yodeling vocals were as singular and spicy as the second-line beats that power his hometown's musical heartbeat.\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ebrought an irresistible Caribbean feel to his playing, full of rolling flourishes that every Crescent City ivories man had to learn inside out (Fats Domino,\u003cspan\u003e \u003c\/span\u003eHuey Smith, and\u003cspan\u003e \u003c\/span\u003eAllen Toussaint\u003cspan\u003e \u003c\/span\u003eall paid homage early and often).  Longhair\u003cspan\u003e \u003c\/span\u003egrew up on the streets of the Big Easy, tap dancing for tips on Bourbon Street with his running partners. Local 88s aces Sullivan Rock, Kid Stormy Weather, and\u003cspan\u003e \u003c\/span\u003eTuts Washington\u003cspan\u003e \u003c\/span\u003eall left their marks on the youngster, but he brought his own conception to the stool. A natural-born card shark and gambler,\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ebegan to take his playing seriously in 1948, earning a gig at the Caldonia Club. Owner Mike Tessitore bestowed\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ewith his professorial nickname (due to\u003cspan\u003e \u003c\/span\u003eByrd's shaggy coiffure).  Longhair\u003cspan\u003e \u003c\/span\u003edebuted on wax in 1949, laying down four tracks (including the first version of his signature \"Mardi Gras in New Orleans,\" complete with whistled intro) for the Dallas-based Star Talent label. His band was called the Shuffling Hungarians, for reasons lost to time! Union problems forced those sides off the market, but\u003cspan\u003e \u003c\/span\u003eLonghair's next date for Mercury the same year was strictly on the up-and-up. It produced his first and only national R\u0026amp;B hit in 1950, the hilarious \"Bald Head\" (credited to\u003cspan\u003e \u003c\/span\u003eRoy Byrd \u0026amp; His Blues Jumpers).  The pianist made great records for Atlantic in 1949, Federal in 1951, Wasco in 1952, and Atlantic again in 1953 (producing the immortal \"Tipitina,\" a romping \"In the Night,\" and the lyrically impenetrable boogie \"Ball the Wall\"). After recuperating from a minor stroke,\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003ecame back on Lee Rupe's Ebb logo in 1957 with a storming \"No Buts - No Maybes.\" He revived his \"Go to the Mardi Gras\" for\u003cspan\u003e \u003c\/span\u003eJoe Ruffino's Ron imprint in 1959; this is the version that surfaces every year at Mardi Gras in New Orleans.  \u003cspan\u003eOther than the ambitiously arranged \"Big Chief\" in 1964 for Watch Records, the '60s held little charm for \u003c\/span\u003eLonghair\u003cspan\u003e. He hit the skids, abandoning his piano playing until a booking at the fledgling 1971 Jazz \u0026amp; Heritage Festival put him on the comeback trail. He made a slew of albums in the last decade of his life, topped off by a terrific set for Alligator, \u003c\/span\u003eCrawfish Fiesta\u003cspan\u003e.  \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003etriumphantly appeared on the PBS-TV concert series Soundstage, co-starred in the documentary Piano Players Rarely Ever Play Together (which became a memorial tribute when\u003cspan\u003e \u003c\/span\u003eLonghair\u003cspan\u003e \u003c\/span\u003edied in the middle of its filming; funeral footage was included), and saw a group of his admirers buy a local watering hole in 1977 and rechristen it Tipitina's after his famous song. He played there regularly when he wasn't on the road; it remains a thriving operation. Longhair\u003cspan\u003e \u003c\/span\u003ewent to bed on January 30, 1980, and never woke up. A heart attack in the night stilled one of New Orleans' seminal R\u0026amp;B stars, but his music is played in his hometown so often and so reverently you'd swear he was still around.\"  -- Bill Dahl\u003c\/p\u003e","brand":"Alligator Records","offers":[{"title":"Default Title","offer_id":43052376031393,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1174906973_16.jpg?v=1686027999"},{"product_id":"dishrags-the-s-t-1970s-canadian-punk-w-booklet-stickers-new-lp","title":"Dishrags, The – Three [1978-79 Canadian Punk w\/booklet + stickers] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ekick set of punk songs from this Canadian outfit of teenage girls, three girls and two chords, 1-2-3-4, sounding like they grabbed up that BC influence that was lighting that shit on fire, taking new wave and strangling it with their own skinny ties, not squeezing all the 1960s pop from the music but making sure this is punk rock and not some watered-down new-wave version of that bottle of fire, shaking it up and ripping it out like there's no yesterday and no tomorrows.  Go! -- winch \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=655110152\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/supremeecho.bandcamp.com\/album\/the-dishrags\"\u003eThe Dishrags by Supreme Echo\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eThe Dishrags may very well be the first all-women punk rock group in North America. Formed in 1976 in Victoria and later relocating to Vancouver, the Dishrags played Vancouver’s first-ever punk rock gig and went on to bump elbows with the Clash, the Ramones, the Avengers, and countless others. features 20 songs – the trio’s entire studio output (3-song single, plus 2 songs for Vancouver Complication), 1 rare live track, and 14 high-quality soundboard recordings.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=655110152\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/supremeecho.bandcamp.com\/album\/the-dishrags\"\u003eThe Dishrags by Supreme Echo\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“A killer piece of Canadian punk history.”\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e– Gregory Adams, Exclaim!\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“This is an essential release for anyone who cares about \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003efirst-generation Vancouver punk, all-girl rock bands, or\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eearly punk in general.” – Allan MacInnis, The Georgia Straight\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Various unreleased studio recordings as well as some good quality live recordings (including their opening slot for the Clash in 1979). It’s raw, primal punk that sounds amazing!” – Ty Stranglehold, Razorcake\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eContains an updated 16-page booklet with detailed history, posters, tons of photos, two stickers. 1100 copies.\u003c\/span\u003e\u003c\/span\u003e","brand":"Supreme Echo Records (Canada)","offers":[{"title":"Default Title","offer_id":43096020811937,"sku":"","price":27.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3435837882_16.jpg?v=1688499142"},{"product_id":"onyeabor-william-tomorrow-new-lp","title":"Onyeabor, William – Tomorrow – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/div\u003e\n\u003cp\u003e\"Step right up ladies and gentleman, now hear this, the one, the only, Nigeria's answer to Motown.. We are proud to present, direct from the studios in Enugu, Nigeria, Mr. William Onyeabor and his complete opus, one record at a time. \u003cspan data-mce-fragment=\"1\"\u003eI think what you will find as we go through the whole William Onyeabor catalog, is how great it is. How many artists can release eight great or pretty great albums. It is really something we have been impressed by as we have learned more and more about what he issued and the circumstances, such as we have been able to learn, about when he released these albums. Original release 1979.\"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2621400224\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/williamonyeabor.bandcamp.com\/album\/tomorrow\"\u003eTomorrow by William Onyeabor\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Luaka Bop Records","offers":[{"title":"Default Title","offer_id":43100569043105,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a1722948927_16.jpg?v=1688746959"},{"product_id":"huns-the-live-at-the-palladium-1979-new-cd","title":"Huns, The – Live At The Palladium 1979 - New CD","description":"\u003ch2\u003eCD. COMPACT DISC. CD. COMPACT DISC. CD. \u003c\/h2\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eGet Hip Recordings (GH-1041)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Huns were one of Austin, Texas' best underground Punk bands circa 1978-79. The band's original lineup consisted of lead vocalist Phil Tolstead, Dan Transmission on keyboards and backing vox, bassist Joel Richardson, drummer Tom Huckabee and guitarist Manny Rosario.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=262131340\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gethiprecordings.bandcamp.com\/album\/live-at-the-palladium-1979\"\u003eLive at the Palladium 1979 by The Huns\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eManny was a tough-talking, paranoid Puerto Rican with an inferiority complex. He tended to write sincere, iconoclastic punk anthems, ripped riff-by-riff from other artists--usually the Buzzcocks. Punk Rock was his savior, and he considered himself one of a small handful of authentic Austin Punks. \"Faster\/shorter\/louder\" was his mantra. Manny would often threaten to beat up the rest of the band when they veered from the party line.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNotorious for their wild live performances, The Huns' popularity hit the fan when Phil got busted for kissing a cop during one of their shows. He was charged with disorderly conduct, resisting arrest, and abusive language. This incident pretty much ended the band's career.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGet Hip proudly presents this much needed reissue of one of the band's most electric live shows. The CD version includes a massive eight-page booklet featuring vintage photos and a complete oral history of The Huns, courtesy of drummer Tom Huckabee.\u003c\/div\u003e\n\u003ch3 class=\"credits-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll photos by Will Van Overbeek, 1979\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Omega Audio\u003cbr data-mce-fragment=\"1\"\u003eEngineered by Paul Christiansen\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released as EV 10 on Existential Vacuum Records\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":43113121218721,"sku":"","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a4075284659_16.jpg?v=1689339827"},{"product_id":"really-red-crowd-control-new-7","title":"Really Red - Crowd Control - New 7\"","description":"\u003ch3\u003etexas punk 1979.  2021 repress.\u003c\/h3\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3682426170\/size=small\/bgcol=333333\/linkcol=0f91ff\/track=1949753548\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/reallyred.bandcamp.com\/album\/teaching-you-the-fear-the-complete-collection-1979-1985\"\u003eTeaching You The Fear: The Complete Collection 1979-1985 by Really Red\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3682426170\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2614423765\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/reallyred.bandcamp.com\/album\/teaching-you-the-fear-the-complete-collection-1979-1985\"\u003eTeaching You The Fear: The Complete Collection 1979-1985 by Really Red\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Mad Butcher Records","offers":[{"title":"Default Title","offer_id":43118391460001,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-16647204-1609256578-5638.jpg?v=1689719454"},{"product_id":"new-math-die-trying-other-hot-sounds-1979-1983-new-lp","title":"New Math – Die Trying \u0026 Other Hot Sounds (1979-1983) [CLEAR VINYL] - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFormed in Rochester, NY in 1976, New Math opened for the likes of the Ramones, Pretenders, The Cramps, The Psychedelic Furs, The Damned, and The Gun Club at now-extinct local clubs. Offering up an endless supply of ascending guitar lines and catchy hooks of amphetamine-fueled power pop.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith ease, the band produced charming, should’ve-been hits like the adrenaline rush of “The Restless Kind,” the two-tone English Beat-inspired “Older Women,” and of course the hyper-melodic anthem “Die Trying.” The latter was produced by Howard Thompson, who was known for working with John Cale and the Psychedelic Furs. It was first released on Reliable Records in 1979 and then re-released on CBS in England with the same B-side “Angela,” a take on ‘60s girl groups that juxtaposed its innocent pop leaning with a tragic story. “Die Trying” did receive some airplay on John Peel’s radio show and landed somewhere near the bottom of the British Charts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith a 7” on CBS in the UK  and a debut EP on US indie label 415 Records, the band rode the new wave. This collection of out-of-print early singles and unreleased demos showcases why they made fans both in the US and UK.\u003c\/span\u003e","brand":"Propeller Sound Recordings","offers":[{"title":"Default Title","offer_id":43119053668513,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/201374898059.jpg?v=1689752169"},{"product_id":"hotmud-family-live-as-we-know-it-used-lp","title":"Hotmud Family – Live, As We Know It - Used LP","description":"\u003cp\u003eVG-\/VG-\u003c\/p\u003e\n\u003cp\u003eOhio bluegrass 1979.  Flying Fish.  Havin' a good ol' time with some old timey fun.\u003c\/p\u003e","brand":"Flying Fish Records","offers":[{"title":"Default Title","offer_id":43132273524897,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/R-3031469-1614963207-5787.jpg?v=1690576222"}],"url":"https:\/\/store.greennoiserecords.com\/collections\/1979\/color-vinyl.oembed","provider":"Green Noise Records","version":"1.0","type":"link"}