{"title":"1970s","description":"\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/IMG_6509_480x480.jpg?v=1579056739\" alt=\"\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/IMG_0460_8fdd603f-096d-44ba-a671-eac339f1acc5_480x480.jpg?v=1689808585\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/IMG_0460_8fdd603f-096d-44ba-a671-eac339f1acc5_480x480.jpg?v=1689808585\"\u003e","products":[{"product_id":"new-dawn-theres-a-new-dawn-lp","title":"New Dawn, The - There's A New Dawn [1970 Yamhill] - New LP","description":"\u003cp\u003eNEW. JACKPOT RECORDS. This is not the new 2023 pressing; instead this is the early pressing that I found in a box.\n  \n1970.  Yamhill rocks!  If you don't know about Yamhill, you are not alone, but I lived out that way when I first moved to Oregon, and I can tell you that it's a tiny town in the middle of nowhere, at the edge of the Willamette Valley where the coastal mountains rise up in the near distance, a rain-soaked setting where I'm sure they get a lot more rain there than in Puddletown PDX.\u003cbr\u003eSort of a NW garage version of the Byrds, Love or the Moody Blues...to be fair, Moody Blues at their very best...if you like both Simon \u0026amp; Garfunkel and Iron Butterfly this might be your bag...the fuzz guitar and sound FX helping make it appealing to fans of psychedelic...rain-soaked sadness so much a part of the Pacific Northwest...jangly for a few cuts coming somewhere between \"Solitary Man\" and \"Season of the Witch\" and other songs at the edge of my mind...but mostly drenched in organ, thick as a rain-soaked blanket over the shoulder of a wandering soul who looks homeward but knows he can never go there, looks at the pretty girl but knows he'll never know her, looks at the hill on the house but knows he could never live there, traipsing out of the 1960s without a place to go, hoping someday a label like Jackpot will take notice and reissue his songs of melancholy...some may see this as why Sabbath and the Stooges had to happen....while fans of psychedelic will likely find this essential listening.\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1856473965\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/thenewdawn.bandcamp.com\/album\/theres-a-new-dawn\"\u003eThere's A New Dawn by The New Dawn\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Fuzz guitar, minor-chord organ dirges, tender vocals and monumental bass are the calling cards of this private press gem. Maybe it's all the rain, but like their Northwest counterparts, the New Tweedy Brothers and the Sonics, The New Dawn helped to establish a regional musical perspective that is hauntingly addictive.  Initially released in July of 1970, five hundred copies were pressed, but it's estimated that only around 200 may still exist.  After being highly sought after by collectors, we are proud to release this definitive reissue which was produced in close collaboration with Dan Bazzy, singer, songwriter, and founder of The New Dawn.\"\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":821340435,"sku":"SKU-25479","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a0237524370_16.jpg?v=1692746047"},{"product_id":"boys-the-alternative-chartbusters-lp","title":"Boys, The - Alternative Chartbusters [IMPORT] – New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA punk classic, gloriously anthemic power pop from the cult UK outfit. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1972835165\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theboyscov.bandcamp.com\/album\/alternative-chartbusters\"\u003eAlternative Chartbusters by The Boys\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eOn 17 March 1978, a mere six months after the release of their self-titled debut, The Boys second album \u003cem\u003eAlternative Chartbusters\u003c\/em\u003e was released (once again, produced by Dangerfield \u0026amp; Steel). \"...way ahead of its time, a buried treasure that only got dusted off much later: Condemned at the time for offering up little more than a straight carbon copy of its predecessor, the second Boys’ album has since ascended to the pantheon of power pop greats, a combination of the band's own inestimable position at the forefront of what, by early 1978, was already a burgeoning movement, and their seemingly effortless grasp of the rudiments of, indeed, a great pop song' (AllMusic). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel\/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up \u003cem\u003eAlternative Chartbusters\u003c\/em\u003e in quick succession.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Call of the Void Records (UK)","offers":[{"title":"Default","offer_id":821483363,"sku":"SKU-29356","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/files\/a3204187593_16.jpg?v=1718839043"},{"product_id":"shock-shock-proof-1976-1979-lp","title":"Shock - Shockproof: 1976-1979 – New LP","description":"\u003cp\u003eA 20-song LP featuring collected material from 1976 to 1979 with many never before released tracks. Hear SHOCK they way they were meant to sound in all their blazing rock'n'punk glory!\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c53Dwu-bRw0?si=JJSL9WNF7O729a7n\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Artifix Records","offers":[{"title":"Default Title","offer_id":1198119275,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/shockproof.jpg?v=1424815706"},{"product_id":"green-al-greatest-hits-lp","title":"Green, Al - Greatest Hits - New LP","description":"While I ain't big on greatest hits collections, there are exceptions, EWF for example, and of course this.  This is where it's at, classic sleeve, classic songs: no reason to mess with perfection. -- winch\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3367580338\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/algreen.bandcamp.com\/album\/greatest-hits\"\u003eGreatest Hits by Al Green\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":3272838053912,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/al-green-greatest-hits_grande_ad154ce2-e885-49c8-a706-8044fc0afc83.jpg?v=1625451222"},{"product_id":"real-kids-the-live-at-the-rat-january-22-1978-lp","title":"Real Kids, The - Live At The Rat, January 22, 1978 [IMPORT] - New LP","description":"\u003cspan\u003e“A three day engagement at Boston’s Rat club (Jan. 20, 21, 22) kicked off the release of THE REAL KIDS premier LP for Red Star Records. The club was packed to capacity despite the two-odd feet of snow and ice which had closed several of the city’s main thoroughfares during the week. Sunday, Red Star and The Real Kids celebrated the official release of RS-2 with friends, fans and members of the press with a party at a local bowling lane, with beer and pizza to boot. Everyone was a real kid (for the afternoon at least) as boots got traded in for bowling shoes and rock \u0026amp; rollers hit the pins to the tune of piped-in recordings of the Kids’ favorite records, past and present, including their own slice of vinyl history, of course. The highlight of the weekend came that evening with a live broadcast on WCOZ-FM, one of New England’s top FM stations. Featured on the live show were several tracks from the new LP, entitled simply, THE REAL KIDS.”—Miriam Linna (1978). And THIS here is that night. Imagine that the Real Kids have somehow drunkenly stumbled from the bowling alley over to the Rat. Then imagine that a hammered band could pull off a set like this. Yes. The Real Kids were just THAT DAMN HOT. Packaged in gatefold jackets with double-sided printed insert.\u003c\/span\u003e","brand":"Crypt Records","offers":[{"title":"Default Title","offer_id":12162680717382,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_9017.jpg?v=1583536474"},{"product_id":"sunburst-ave-africa-lp","title":"Sunburst - Ave Africa [2xLP + 2 CDs IMPORT] - New LP","description":"\u003cspan\u003eStrut presents a definitive collection of recordings from one of Tanzania’s most revered bands of the early 1970s, Sunburst. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3309801531\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/sunburstmusic.bandcamp.com\/album\/ave-africa-the-complete-recordings-1973-1976\"\u003eAve Africa: The Complete Recordings 1973-1976 by Sunburst\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eCovering their output from 1973 to 1976, this first retrospective features their singles for the Moto Moto and TFC labels, their sole album, ‘Ave Africa’ and an unreleased radio session recorded in Tanzania in 1973. By the time Zairean guitarist Hembi Flory Kongo had formed the band in Dar Es Salaam in 1970 playing “copyright” cover versions, soul and funk had long influenced young musicians in Dar and ‘boogies’, weekly soul events, were commonplace at the city’s clubs. Despite the Tanzanian government banning soul (both music and dancing) through their conservative Ujamaa policy in 1969, Sunburst grew as a band and developed their own musical direction which they later called Kitoto Sound, reflecting the diverse backgrounds of the band members. Lyrical themes included black pride and colonial oppression – the band even played a gig for visiting civil rights heroine Angela Davis. After June 1973, Sunburst gained a national audience through a live session for the state-owned Radio Tanzania, a crucial means for domestic bands to air their work. A month later, they won a band competition in Dar Es Salaam and their popularity in Tanzania grew further. They began recording singles in Kenya, standing apart from the predominantly rumba, jazz or taarab styles sung in local languages at the time. In 1974, Sunburst met Zambian musician Rikki Ililonga from Zamrock group Musi- O-Tunya and he invited them to Zambia. Meeting their later manager, car company employee Peter Bagshawe, they embarked on an ill-fated tour with Kenyan funk band Matata before working on a first full album in 1976 in Lusaka with new band members. The LP came out at the height of the Zamrock scene led by bands like Witch and Ngozi Family but Sunburst offered a more intricate sound as musicians born in six different countries tapped into a multitude of styles, languages and stories. “Our songs support freedom struggles and encourage peasants and workers to work harder,” singer James Mpungo recounted. “Our songs also criticize our people for allowing themselves to be too westernized.” After a handful of further singles for Tanzanian state label TFC, including the popular ‘Banchikicha’, the band split, frustrated by living on “bare minimum earnings” from their music. The result of three years’ painstaking work after tracking down bandleader Hembi Kongo, bassist Bashir and the band’s ex-manager Peter Bagshawe, this overdue retrospective is curated by Thomas Gesthuizen (DJ Gioumanne) of Africanhiphop. com and Dave Tinning of Santuri East Africa. The package features a full band biography alongside rare photos, press cuttings and memorabilia.\u003c\/span\u003e","brand":"Strut Records (Europe)","offers":[{"title":"Default Title","offer_id":12260564860998,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/SUNBURST_FINAL_FRONT_COVER_HI_RES.jpg?v=1532640257"},{"product_id":"fall-the-totales-turns-lp","title":"Fall, the – Totales's Turns – New LP","description":"\u003cp\u003e\u003cspan\u003eGiven The Fall’s penchant for iconoclasm, it’s no surprise that they decided to say goodbye to the ’70s with a series of gigs at Northern England’s gruffest halls. The band’s formidable live show was met with even more derision and disorder than customary during these late ’79 and early ’80 performances, and they skillfully amplified such sentiments back at the crowd. Totale’s Turns, The Fall’s first live album, was released on Rough Trade just prior to their pivotal third album, 1980’s Grotesque.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003e“The difference between you and us is that we have brains,” shouts Mark E. Smith to open Totale’s Turns as the band breaks into the rollicking “Fiery Jack,” their latest single at the time. Each player is at their jagged best: Marc Riley and Craig Scanlon’s splintering guitars, Steve Hanley’s thunderous bass and Smith’s combative sneer reverberate over “Rowche Rumble,” “Choc-Stock” and “Spectre Vs. Rector” more than any studio would ever allow. Totale’s Turns never panders to live-record conventions, serving instead as a gripping exhibit of The Fall en masse and arguably the most accurate document of the group to date.\u003c\/span\u003e\u003cspan class=\"break\"\u003e \u003c\/span\u003e\u003cspan\u003eSuperior Viaduct’s edition is the first time that Totale’s Turns has been available on vinyl domestically. Liner notes by Brian Turner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRecorded October, 1979 - February, 1980.  Originally released May 1980.\u003c\/span\u003e\u003c\/p\u003e","brand":"Superior Viaduct","offers":[{"title":"Default Title","offer_id":19460037148742,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5b8514340ad04_main.jpg?v=1544212888"},{"product_id":"van-zandt-townes-sky-blue-lp","title":"Van Zandt, Townes - Sky Blue - New LP","description":"\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSky Blue, a collection of unreleased songs by one of the most celebrated songwriters of the twentieth century, is a time capsule that TOWNES VAN ZANDT created forty-six years ago, and we’re only now just unearthing and opening it to find the treasures inside. This album shows the artist working out some of his most iconic songs in an intimate, comfortable setting with one of his lifelong confidantes.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086107546\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/townesvanzandt.bandcamp.com\/album\/sky-blue\"\u003eSky Blue by Townes Van Zandt\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"th-RW4GC-installed\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1. All I Need  \u003cbr\u003e\u003cbr\u003e2.Rex's Blues \u003c\/p\u003e\n\u003cp\u003e3.Hills of Roane County \u003c\/p\u003e\n\u003cp\u003e4.Sky Blue  \u003c\/p\u003e\n\u003cp\u003e5.Forever For Always For Certain \u003c\/p\u003e\n\u003cp\u003e6.Blue Ridge Mountain Blues (Smoky Version)  \u003c\/p\u003e\n\u003cp\u003e7.Pancho and Lefty \u003c\/p\u003e\n\u003cp\u003e8.Snake Song \u003c\/p\u003e\n\u003cp\u003e9.Silver Ships of Andilar \u003c\/p\u003e\n\u003cp\u003e10.Dream Spider \u003c\/p\u003e\n\u003cp\u003e11.The Last Thing On My Mind \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNicholas Hamnett: \"I've always felt it a nonsense to rate artists of any sort competetively.That said: Townes Van Zandt is THE GREATEST POETIC SONGWRITER OF ALL TIME, \u003c\/span\u003e\u003cspan\u003eand given my local pub now has Townes on the juke box, it's confirmation that his music is no longer just the cult listening of the few.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"I first discovered Townes Van Zandt whilst living in Ciudad Real, at the beginning of this Century.Which put like that does sound momentous but entirely in keeping with the man who devotees like me, quite rightly, regard as the greatest songwriter ever to have lived.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"He was what Bob Dylan had once promised to be: the enternally wandering troubador with a disregard for the commercial bordering on the negligent; a man who would give away his finest snake-skin jacket if a friend happened to like it, or give away his money to those less fortunate, as he did in Mexico when he handed all his earnings to children in the street.And Townes Van Zandt only ever turned electric after his death - that on a production steered by the careful keeper of his estate: his widow, the very thorough, Jeanene. 'A Far Cry From The Dead' is often frowned upon by purists, but it's an album I \u003c\/span\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/like.it\/\" target=\"_blank\"\u003ell\u003c\/a\u003eike\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Townes has been called a shamen, poet, prophet; a social commentator, a saviour but most acurately, a songwriting genius.He was also a troubled, weary, sometime suicidal feeling man, who, being only human and not in fact an Angel, could be selfish and irresponsible in persuence of his own myth. Though occassionally callous, or even cruel, his overriding trait was, I think, one of material and spiritual genrosity.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"Townes could quite psychotic on occassion, as he himself admitted in the brilliant documentary of his life, 'Be Here To Love Me,' leading him to behaviours that could see him playing Russian Roulette with a trusty pistol (just to get rid of a too-mouthy young acolyte called Steve Earl). Depression and booze could drive Townes Van Zandt to horrid levels of self-\u003c\/span\u003e\u003cspan\u003edegredation: see him incoherent and howling like a dog gigs, or locked up by exasperated cops not unused to finding him asleep in a dumpster after another bender. Worse was the time he spent confined to a mental institution at the behest of his parents, where the ECG treatment he was subjected to did less to cure him than it did to burn away vital memories that were essential to his already fractured sense of identity.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"After I had discovered Townes he pretty much obsessed me for the next decade and a half. I'm still listening now.I was gutted back in 2000 to discover Townes was already dead from the alcohol that plagued him and comforted him.Worse was that he had played one of his legendary, intimate, gigs (see: 'Live at The Old Quarter' for a towering example of that!) in Koblenz, Germany, during the time I had lived there.If you had asked me in the 90's about Townes Van Zandt, I'd have only given you a blank stare and said: \"Townes Van...what?? Is that a place in Holland?\"\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"I spent years obsessively digging up and pawing over anything and everything I could find, remotely Townes related.And, like any anthropologist worth their salt, I've been alert ever since to any new artifacts that are 'biblically' unearthered.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"I was lucky enough, for a time, to be in contact with members of Townes' family. Jeanene, Townes Widow, and her wonderful mother, Mary.That due to the wonders of the internet.They were very kind, and even gifted me a number of CD's and a poster or two, when I was too down on my luck to afford to pay for them.The sort of gesture Townes himself would have approved of.The fact that they also asked if they could put a recording of song I had written about Townes in the official TVZ library totally blew my mind, as it still does.Though I still worry they were only humouring me!\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"I came across Townes' music, entirely by chance purchase You might say his spirit helped carry me through almost two decades.Townes delivered exactly what I was looking for then: something to rescue me from a spiritual malais (God never really did cut it for me as an adult) and an impasse I had found myself mired in after a couple of years hooked on Brit Pop.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\"To find a new release of original recording of TVZ is something; when it includes songs not previously heard or available, it's a minor miracle.He often delivered his best on live recordings.Over production did lead to Townes to being smothered occassionally by vulgar tech from mainstream recording.  In \u003c\/span\u003e\u003cspan\u003ehis case purity is far far better.If there's any good Science that can prove Townes isn't the greatest poet songwriter of all time I'd like to hear that without bells or whistles.Or God's own belief. \u003c\/span\u003e\u003cspan class=\"fav-track\"\u003eFavorite track: All I Need.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":20522622877766,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5c3cd19cd52ef_main.jpg?v=1630288602"},{"product_id":"moses-lee-how-much-longer-must-i-wait-singles-rarities-1965-1972-lp","title":"Moses, Lee - How Much Longer Must I Wait? Singles \u0026 Rarities 1965-1972 [RED\/TRANSPARENT VINYL] - New LP","description":"\u003cp\u003e\u003cspan\u003eStellar collection of cuts, vocals and instrumentals, both showing the skills of this man, from his guitar chops to his deeply soulful voice, both cutting deep into the groove and deep into the innards of anybody lucky enough to listen...click off the lights and crank this one for a deep listen...Moses moving from Georgia to NYC, the sounds capture both places, especially the former, Southern soul with clarity and crunch, cooking it up with grease and flame, stunning originals and kick-ass covers, each made his own, including stirring instrumental versions of \"Reach Out\" and \"Day Tripper,\" and the vocal cuts just grabbing you where it hurts, where it feels so good, the man from Atlanta pulling in the devil (sometimes dressed in drag) so close you can feel the fire on its breath, shoving the evil back and giving it the gate, slicing through the nonsense of a false life to get to the heart and soul of it all.  If this don't grab you, you might want to give up the ghost.  -- winch\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CgOgJJ1PBro?si=8Ti24JCfZNYS-xxG\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1801723902\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leemoses.bandcamp.com\/album\/how-much-longer-must-i-wait-singles-rarities-1965-1972\"\u003eHow Much Longer Must I Wait? Singles \u0026amp; Rarities 1965-1972 by Lee Moses\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1801723902\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/leemoses.bandcamp.com\/album\/how-much-longer-must-i-wait-singles-rarities-1965-1972\"\u003eHow Much Longer Must I Wait? Singles \u0026amp; Rarities 1965-1972 by Lee Moses\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e After reissuing his much sought-after \u003cem\u003eTime and Place\u003c\/em\u003e LP, many questions still remained, but the one asked most was, “where’s “Bad Girl”?!” Not included on his lone LP, “Bad Girl” is an undisputed Southern soul classic—arguably the song LEE MOSES’ legacy rests on. While we may never know all we wish we knew about the man behind the music, we can finally complete the picture of his work. And what tunes they are. How Much Longer Must I Wait? Singles \u0026amp; Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer JOHNNY BRANTLEY. As for the unreleased recordings—much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"acordion_description\" id=\"Release-Detail\"\u003e\n\u003cdiv class=\"d-flex flex-wrap flex-lg-nowrap\"\u003e\n\u003cdiv class=\"product__info-description product__info-description--full product__info-description--open\"\u003e\n\u003cdiv class=\"section_height\"\u003e\n\u003cdiv class=\"release-description\"\u003e\n\u003cdiv class=\"release-description-complete\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe definitive collection of Lee Moses’ legendary non-album tracks available together for the first time\u003c\/li\u003e\n\u003cli\u003eContains three previously unreleased songs, plus the Southern soul classic \"Bad Girl” (both versions)\u003c\/li\u003e\n\u003cli\u003eRemastered audio\u003c\/li\u003e\n\u003cli\u003eLP housed in a deluxe Kraft board jacket with insert\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDigital mockups are not an exact representation of the colors\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eColor Vinyl Edition pressed on “Day Trippin’” Split Color wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nVincent Lee Moses (March 13, 1941 – January 26, 1998), known as Lee Moses, was an American R\u0026amp;B and soul singer and guitarist. His recordings in the late 1960s as well as his 1971 LP Time and Place, are highly regarded within the deep soul genre. Life and career Lee Moses was born in Atlanta, Georgia, and attended Booker T. Washington High School. In the late 1950s he formed his first band, the Showstoppers. They became a popular live act in the Atlanta area, and were at one time the house band at the Royal Peacock club.\u003c\/div\u003e\n\u003cdiv class=\"section_height\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"section_height\"\u003eMoses moved to New York City in the mid-1960s, where he worked as a session musician and recorded with Johnny Brantley, who co-wrote and produced his first single, \"My Adorable One\", in 1965.  In 1966, he co-produced, with Johnny Brantley, several tracks by a virtually unknown Jimi Hendrix at Abtone Recording Studios in New York City. The tracks were later released as a 4-LP box set titled \"The Genius of Jimi Hendrix\".  In 1967, he recorded three singles – all commercially unsuccessful – for the Musicor label, including \"Bad Girl,\" and an instrumental version of The Four Tops' \"Reach Out, I'll Be There\". He also recorded a version of \"Dark End of the Street\", issued by Gates Records (probably in 1969). Moses' guitar style has been described as \"funky\" and likened to that of Jimi Hendrix, a contemporary of his on the club scene of the mid-1960s. He has also been praised for his \"rough and powerful deep soul singing style\". In 1970, Moses released a single, \"Time and Place\", on the Maple label, a subsidiary of All Platinum Records. This was followed by a nine-track LP of the same name - also produced by Brantley - that included his versions of several classic songs of the period including \"Hey Joe\" and \"California Dreaming\". The album featured several members of The Ohio Players, as well as Moses' own band, the Diciples (sic). Although the album has since been described as \"a revered and highly sought-after lost treasure for deep soul fans and collectors,\" it was a commercial failure at the time.  Moses also worked with fellow Atlanta native The Mighty Hannibal on his 1973 album, Truth. He returned to Atlanta in the early 1970s, and continued to perform locally, but did not record again. He died there from lung cancer in 1998.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"acordion_description\" id=\"Artist-Bio\"\u003e\n\u003cdiv class=\"d-flex flex-wrap flex-lg-nowrap\"\u003e\n\u003cdiv class=\"product__info-description product__info-description--full\"\u003e\n\u003cp class=\"section_title\"\u003e \u003c\/p\u003e\n\u003cp class=\"section_title\"\u003e---------------------\u003c\/p\u003e\n\u003cdiv class=\"section_height\"\u003e\n\u003cdiv class=\"artist-bio-description\"\u003e\n\u003cdiv class=\"artist-bio-complete\"\u003e\n\u003cp\u003eIn New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s “My Adorable One”, The Four Tops’ “Reach Out, I’ll Be There” and The Beatles’ “Day Tripper”.\u003c\/p\u003e\n\u003cp\u003eIt was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTime And Place\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efor Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R\u0026amp;B.\u003c\/p\u003e\n\u003cp\u003eThe LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTime And Place\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esoon became a much-sought after item for collectors, and its cult has continued to grow over the years. Here, we represent it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Future Day Recordings","offers":[{"title":"Default Title","offer_id":44516093821089,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/5c64619af1ecd_main.jpg?v=1720036870"},{"product_id":"various-artists-nashboro-records-used-lp","title":"Various Artists - Nashboro Records - Used LP","description":"\u003cp\u003eStill sealed but shrink ripped along several seams and sleeve has considerable wear.  \u003c\/p\u003e\n\u003cp\u003e1977 comp from this classic gospel label out of Nashville.  It looks like it contains about 40 selections so this must be a sampler in the true sense, just samples of the many groups that graced this label, about 40 artists and 40 songs.  (Other copies of this album are double albums while this one is a single LP.)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"\u003cb\u003eNashboro Records \u003c\/b\u003erecorded some of the most potent and forceful gospel music of the time period. Although initially begun in response to overwhelming demand for gospel locally, Nashboro quickly became nationally applauded for its curatorial prowess (under the guidance of Rev. Dr. Morgan Babb of the Radio Four) and signature production style. The lightly-reverbed, clear sound of a Nashboro record is unmistakable...a far too overlooked and important chapter in Nashville’s music history. These musicians, store employees and businesspeople played a critical role in building the infrastructure for independent music to flourish in their city.\" -- Third Man Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Ernest L. Young\u003cspan\u003e learned the music business from the ground up, starting in the jukebox operating field, and soon became one of the largest suppliers in the Nashville area. He opened Ernie's Record Mart on Third Avenue North in Nashville as a means to move more records, and realizing the advantages in making his own product, he built a small studio in the back of the store, later expanding into a larger space on the third floor of his shipping department building, finally opening the pioneering gospel label Nashboro Records in 1951. \u003c\/span\u003eYoung\u003cspan\u003e launched a secular subsidiary label, the more famous Excello Records, four years later in 1955. Always hands-on, \u003c\/span\u003eYoung\u003cspan\u003e oversaw every phase of making records at his labels, and gospel artists responded by giving \u003c\/span\u003eYoung\u003cspan\u003e's Nashboro imprint one of the finest rosters of gospel in the genre's history, while his roster for the Excello blues and R\u0026amp;B subsidiary was pretty singular too -- but that's another story.  Gritty, exuberant black gospel from a label that had as much to do with shaping the sound of pop music in the latter part of the 20th century as more famous labels like Sun and Chess Records did. The roots of soul and so much more are heard here,\u003c\/span\u003e\u003cspan\u003e the best little gospel label that ever was.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Nashboro","offers":[{"title":"Default Title","offer_id":29233093804102,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/image_2370d1c1-68f8-4c2f-b45f-9561fa886833.jpg?v=1561970860"},{"product_id":"matthews-milt-milt-matthews-inc-used-lp","title":"Matthews, Milt - Milt Matthews Inc. - Used LP","description":"\u003cp\u003eNew vinyl.  Old stock.  Rare soul\/funk 1970. \u003c\/p\u003e\n\u003cp\u003eVaried set, but it's full of DIY charm from go to whoa and features some standout numbers that stand above the others.   It looks like a folk or folk blues set, but it's North Carolina soul, with electric organ and electric guitars.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"...an overall excellent album by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMilt Matthews Inc.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Milt Matthews\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewas born in North Carolina, but relocated to Washington, DC in the mid-60s, where he worked as a session guitarist and songwriter.\u003c\/p\u003e\n\u003cp\u003e\"His 1970 debut LP is an outstanding example of the intersection of soul, folk and funk, which was bubbling up into the zeitgeist at the time.\u003c\/p\u003e\n\u003cp\u003e\"Matthews spends the album working out all manner of mellow grooves, sounding like a soulful singer-songwriter in the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBill Withers\/Lou Bond\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etradition, but with a solid, funky underpinning.\u003c\/p\u003e\n\u003cp\u003e\"‘It Ain’t Your Fault’ is one of the more upbeat tunes on the album, mixing jazzy lead guitar with organ and nice, solid rhythm section locked into the groove.\u003c\/p\u003e\n\u003cp\u003e\"Matthews talent as a vocalist is well-displayed in his version of the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eO.C. Smith\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e‘Little Green Apples’. Here we have a song that I thought I never needed to hear again, yet Matthews takes it and really digs in, playing with the tempo and delivering an epic reading of the song that clocks in at over eight minutes. It’s rare to hear someone get their hands on a ‘standard’ and really do something interesting and new with it, and Matthews really makes the song his own.\u003c\/p\u003e\n\u003cp\u003e\"Try and get your hands on a copy of the album, which is excellent from start to finish.\u003c\/p\u003e\n\u003cp\u003e\"Oddly enough, Matthews second LP ‘For the People’ moves in a more psych-rock direction and is sought out by collectors of the genre.\" - Larry (Funky16Corners)\u003c\/p\u003e","brand":"Commonwealth United Records","offers":[{"title":"Default Title","offer_id":29448071610438,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Matthews_Milt_-_Milt_Matthews_Inc..jpg?v=1564380961"},{"product_id":"porter-david-sweat-love-used-lp","title":"Porter, David - Sweat \u0026 Love - Used LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eVG: some wear to both vinyl and sleeve, some crackle between songs; sleeve has ugly drill hole in bottom left corner.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDavid Porter: Under appreciated living legend from the world of North American music...born and raised at the center of it all in Memphis, staying in his hometown to become songwriting partner of Isaac Hayes in the 1960s, house composers for Stax, they penned most of Sam \u0026amp; Dave's hits, “Soul Man\" and \"Hold On! I'm Coming, Porter’s name ending up on the credits of hundreds of songs. While his songs traveled the world, he remains dedicated to his hometown, founding the Memphis-based Consortium MMT, a nonprofit organization seeking to develop the music industry in Memphis.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ePorter has a street named after him in Memphis and was awarded the Governor's Arts Award for his achievements including founding The Consortium MMT venture.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eEven fans aren’t always aware that he recorded his own albums at Stax, like this one just added to greennoiserecords.com, not surprisingly an enjoyable set, of course focusing on the many sides of falling hard, falling in and falling out, slow-burning waterbed soul and mid-tempo funky numbers, focused on originals by Porter and Ronnie Williams, featuring the Memphis Horns and a group of musicians called Ebony Web (who released at least one single on Hi in 1972), all enjoyable with several highlights.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Enterprise \/ Stax","offers":[{"title":"Default Title","offer_id":29506992832582,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/David_Porter.jpg?v=1565926702"},{"product_id":"thin-lizzy-the-definitive-collection-new-c","title":"Thin Lizzy - The Definitive Collection - New CD","description":"","brand":"Mercury Records","offers":[{"title":"Default Title","offer_id":29531835203654,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Thin_Lizzy_-_The_Definitive_Collectioncover.jpg?v=1566420425"},{"product_id":"various-artists-killed-by-death-3-used-lp","title":"Various Artists - Killed by Death #3 - New LP","description":"","brand":"Redrum Records","offers":[{"title":"Default Title","offer_id":29545594912838,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Various_Artists_-_Killed_by_Death_3.jpg?v=1578509957"},{"product_id":"winch-junk-like-that-book-one-motor-city-jailbait-new-book","title":"Winch - Junk Like That: Book One (Motor City Jailbait) - New Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBook One in a two-book series. The first generation of bussing in Michigan. Inner-city juvenile delinquency in the 1970s. The children of divorce, edging toward the punk and hip-hop subcultures. Rust Belt romance. Love, Michigan style. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"I loved this novel. It is an amazing story about Tria and her closest friends Rook and Wick. The characters come to life and imprint themselves on your brain. You can't help but fall in love with the trio as they explore their world and try to stake their claim on it. This first volume can absolutely stand alone, but is also a beautiful prelude to the second book. This is more amazingly colorful language from Winch, and I couldn't have asked for more.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"I have fallen madly in love with Tria! Winch writes such an amazingly touching story about a day in the life of a very broken young woman. Winch beautifully balances the gruff inner-city voice with the anxiety and insecurity of an adolescent girl. He dives deep into the inner workings of Tria allowing us to see her true, honest voice as she balances love, loss, and life with her two friends. Wick and Rook. She is such an incredible girl that I couldn't help but love her immediately. The writing in this is excellent; it is entertaining and enlightening at once. You can read this book alone (the ending of it is satisfying on its own) or pair it with the second part.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Eight Track Publishing","offers":[{"title":"Default Title","offer_id":29600374849606,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Winch_-_Junk_Like_That-_Book_One_Motor_City_Jailbait.jpg?v=1567993300"},{"product_id":"winch-junk-like-that-book-two-motor-city-junior-high-new-book","title":"Winch - Junk Like That: Book Two (Motor City Junior High) - New Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBook Two in a two-book series. The first generation of bussing in Michigan. Inner city juvenile delinquency in the 1970s. The children of divorce, edging toward the punk and hip-hop subcultures. Rustbelt romance. Love, Michigan style.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"In this second part of \"Junk Like That\", we continue on with Tria as she endures a day of school. With Rook and Wick, she tortures teachers, protects friends, and try to learn a little bit about herself. She is a character that has stuck with me, and I'm still thinking about sweet Tria. These kids force you to care about them and want to help them. You want to shout \"don't do that!!!\" while offering them a stable home and good food. While the whole novel is filled with the harsh reality facing adolescents, the ending somehow has hope. Winch's writing is once more beautiful to read, and his descriptions of the experiences around the trio of friends pulls me right into their world. An incredible novel.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Eight Track Publishing","offers":[{"title":"Default Title","offer_id":29600377798726,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Winch_-_Junk_Like_That-_Book_Two_Motor_City_Junior_High.jpg?v=1567993575"},{"product_id":"winch-kalamazoo-growing-up-sideways-in-the-1970s-new-book","title":"Winch - Kalamazoo: Growing Up Sideways in the 1970s - New Book","description":"\u003cp\u003eThirty two stories written by Green Noise's own Marty Winch! \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-type=\"element\" class=\"wsb-element-shape\" id=\"wsb-element-986b24da-d8b7-4a03-9abf-692f25b68476\"\u003e\n\u003cdiv class=\"wsb-shape shape_circle customStyle\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-type=\"element\" class=\"wsb-element-text\" id=\"wsb-element-8d1d10f9-93a0-45f0-97af-f16d211ad142\"\u003e\n\u003cdiv class=\"txt\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMarissa Magic \u003cem\u003eMaximum RockNRoll\u003c\/em\u003e magazine: \"So this is the waxing nostalgia of adolescent boyhood in Kalamazoo. Stupid stunts, drugs\/booze, girls. The writing is kind of redneck with a lot of boner talk, getting into fights, trying to cop a feel. I was strangely fascinated by it. Apparently, there is a part two to it, I want it. It’s not really romanticized and it’s not a bummer, it’s just a story. It’s good.\" \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"If you grew up in the midwest you have to read this. If you grew up a little on the wild side you have to read this. If you're from Michigan, if you love rock and roll, if you're still somewhat wishing you were young and both confused and so sure of yourself and having the whole world at your naive fingertips, you have to read this. It's actually really thoughtful and taps really deeply into the human experience, the emotions (or lack thereof) of a young boy, even some good insight on racial issues and family life and how we're supposed to treat each other as decent people. As other reviewers have said, you feel like you're right there with Winch, remembering what it was like to live so crazy and young yourself, once. Crack a beer, crack open the book, lay back in a hammock and have a good read.\"  \u003c\/span\u003e5 out of 5 stars \u003cspan\u003eApril  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Some people really know how to tell a story, and Winch certainly has that gift. You do not need to be from the Midwest, or have grown up in the 70's, to appreciate Winch's writing - it is raw and heartfelt. I read the zines, and was stoked to see [\u003cem\u003eKalamazoo\u003c\/em\u003e] in book form... there are two others now, and I cannot wait to read them!\"  \u003c\/span\u003ePaul Nama (\u003cspan\u003eauthor) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e-- Dedicated to Fred Cole, for inspiring me to DIY!!!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eight Track Publishing","offers":[{"title":"Default","offer_id":29600389398598,"sku":"SKU-21921","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/kzoograph_92b07f8c-1ddc-498e-8580-d7d416fa92fe.jpeg?v=1602929024"},{"product_id":"peebles-ann-straight-from-the-heart-new-lp","title":"Peebles, Ann - Straight From The Heart - New LP","description":"\u003cp\u003eEssential 1971 set, some insane understated guitar and then keyboard coming to the front on the mini bridge, horns helping punch it home, rock solid rhythm section for the foundation that backs Ann without getting in the way.  That's just the opening cut, and the set never lets up, slinking in close and taking hold, grabbing you right from the get go and never letting go, \u003cmeta charset=\"utf-8\"\u003estaying strong from go to whoa.  Talk about totality and tight, in the pocket, bass, drum, and guitar in sync with Ann as she takes it all in and makes it her own, beauty and grit, funk and soul.  -- winch (green noise)\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=634545499\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/annpeebles.bandcamp.com\/album\/straight-from-the-heart\"\u003eStraight From The Heart by Ann Peebles\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf Al Green is heads on the Hi Records coin, ANN PEEBLES is tails. The signature female artist on the legendary Memphis soul and R\u0026amp;B label, Ann Peebles rocked the pre-disco '70s with songs of love, lost love, and love straight up taken. Released in 1972, Straight From The Heart preceded by just two years Peebles' über-classic, I Can't Stand The Rain, proving the young, soon to be American R\u0026amp;B icon didn't need worldwide fame and record sales for a license to be fierce and provocative (see the album track \"I Feel Like Breaking Up Somebody's Home Tonight\").\u003c\/p\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30901114994825,"sku":"","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/annstraight_36872425-a48f-4e77-b009-452bd1ada4f2.jpg?v=1571721912"},{"product_id":"louisiana-red-sweet-blood-call-new-lp","title":"Louisiana Red – Sweet Blood Call [MARKED DOWN] – New LP","description":"\u003cp\u003e1975.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"review-author headline\"\u003e\u003cspan itemprop=\"author\"\u003eEugene Chadbourne: \u003c\/span\u003eAt the time this album was recorded, the particularly intense blues artist\u003cspan\u003e \u003c\/span\u003eLouisiana Red\u003cspan\u003e \u003c\/span\u003ewas a protégé of the Blue Labor\/Labor recording empire, which was actually two guys,\u003cspan\u003e \u003c\/span\u003eKent Cooper\u003cspan\u003e \u003c\/span\u003eand jazz arranger and composer\u003cspan\u003e \u003c\/span\u003eHeiner Stadler. \u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4240051795\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/louisianared.bandcamp.com\/album\/sweet-blood-call\"\u003eSweet Blood Call by Louisiana Red\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003eCooper's involvement with\u003cspan\u003e \u003c\/span\u003eRed\u003cspan\u003e \u003c\/span\u003eled, as in many cases of blues producers and their clients, to co-authorship on some of the songs recorded. Cooper and Stadler regarded\u003cspan\u003e \u003c\/span\u003eRed\u003cspan\u003e \u003c\/span\u003eas an artist cut from the same cloth as\u003cspan\u003e \u003c\/span\u003eJohn Lee Hooker\u003cspan\u003e \u003c\/span\u003eor Lightning Hopkins, and of the same quality -- meaning an intense, mood-setter of a bluesman with a sizzling improvisatory style. They were certainly accurate in their appraisal of his talent, and their interest in recording\u003cspan\u003e \u003c\/span\u003eRed\u003cspan\u003e \u003c\/span\u003eled to several classic blues albums. The fine studio sound they got on these solo recordings makes for a superior album, and it was the first\u003cspan\u003e \u003c\/span\u003eRed\u003cspan\u003e \u003c\/span\u003ewould record unencumbered by a combo backing him up. Every nuance of his playing is captured, and he is definitely the type of blues player who thrives on solo work. He rarely sticks to a formula bar structure and likes to stretch out his licks as if casting out a line for fish, but he isn't a player who just stays on one chord like Hooker often did. One of\u003cspan\u003e \u003c\/span\u003eRed's original blues, in which he describes how his wife died of cancer, has got to set some kind of a record for misery described in a blues song, meaning it is the saddest of the sad.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"review-author headline\"\u003e\u003cspan\u003e1. The Whole World\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Had A Date With Barbara Last Night\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. First Degree\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Sweetblood Call\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. I Was Out Walking\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Thirty Dirty Women\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. King Bee\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Death of Ealase\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Who Been Fooling You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10. Going Home\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11. Too Poor To Die\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"read-more-toggle\"\u003e\u003c\/div\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30946100740233,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Red.jpg?v=1595256335"},{"product_id":"johnson-syl-uptown-shakedown-new-lp","title":"Johnson, Syl – Uptown Shakedown – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"content\"\u003eSylvester Thompson\u003c\/div\u003e\n\u003cdiv class=\"head\"\u003eProfile:\u003c\/div\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"readmore initialized uncropped\" id=\"profile\"\u003eb. 1st July 1936, Holly Springs, Mississippi, U.S.A.\u003cbr\u003e\u003cbr\u003eAmerican funk\/soul\/blues singer and music producer.\u003cbr\u003e\u003cbr\u003eJohnson sang and played with blues artists\u003cspan\u003e \u003c\/span\u003eMagic Sam,\u003cspan\u003e \u003c\/span\u003eBilly Boy Arnold,\u003cspan\u003e \u003c\/span\u003eJunior Wells\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eHowlin' Wolf\u003cspan\u003e \u003c\/span\u003ein the 1950s, before recording with\u003cspan\u003e \u003c\/span\u003eJimmy Reed\u003cspan\u003e \u003c\/span\u003efor\u003cspan\u003e \u003c\/span\u003eVee Jay Records\u003cspan\u003e \u003c\/span\u003ein 1959. He made his solo debut that same year with\u003cspan\u003e \u003c\/span\u003eFederal Records (2), a subsidiary of\u003cspan\u003e \u003c\/span\u003eKing Records (3)\u003cspan\u003e \u003c\/span\u003eof Cincinnati, backed by\u003cspan\u003e \u003c\/span\u003eFreddie King\u003cspan\u003e \u003c\/span\u003eon guitar.\u003cbr\u003e\u003cbr\u003eHe then began recording for\u003cspan\u003e \u003c\/span\u003eTwinight Records\u003cspan\u003e \u003c\/span\u003eof Chicago in the mid 1960s. Beginning with his first hit,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCome On Sock It to Me\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein 1967, Johnson dominated the label as both a hitmaker and producer.\u003cbr\u003e\u003cbr\u003eLike other black songwriters of the period, several of his records at this time explored themes of African-American identity and social problems in songs including\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIs It Because I’m Black\u003c\/i\u003e, which reached Number 11 in the R\u0026amp;B charts in 1969.\u003cbr\u003e\u003cbr\u003eIn 1971,\u003cspan\u003e \u003c\/span\u003eWillie Mitchell\u003cspan\u003e \u003c\/span\u003ebrought Johnson to\u003cspan\u003e \u003c\/span\u003eHi Records, for whom he recorded three albums and a number of singles. Produced in Memphis with the Hi house band, these yielded music of power and enduring value, including the hits\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWe Did It\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBack for a Taste of Your Love\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTake Me to the River\u003c\/i\u003e, his biggest success, reaching Number 7 on the R\u0026amp;B charts in 1975. However, at Hi Johnson was always to some extent in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.discogs.com\/artist\/25261-Al-Green\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eAl Green\u003c\/a\u003e’s shadow commercially, if not artistically.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981053874313,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/syl.jpg?v=1572063083"},{"product_id":"clay-otis-i-cant-take-it-new-lp","title":"Clay, Otis – I Can't Take It – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"The shadows of both\u003cspan\u003e \u003c\/span\u003eAl Green\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003eAnn Peebles\u003cspan\u003e \u003c\/span\u003elooming large over Hi, the record label's second league will always remain criminally overlooked. Being second to a soul superstar and a critics' favorite isn't necessarily a bad thing, though, as quality control at the label was always on a high level. A case in point is the sampler of sorts Al Bennett released on his own Cream imprint after buying the Hi catalog from Willy Mitchell in 1977. Titled A History of Soul, the double album contained strong single releases and non-album tracks by Hi second-leaguers\u003cspan\u003e \u003c\/span\u003eO.V. Wright,\u003cspan\u003e \u003c\/span\u003eSyl Johnson, and\u003cspan\u003e \u003c\/span\u003eOtis Clay. The latter's appearance proved most promising, as both 1973's \"I Didn't Know the Meaning of Pain\" and \"The Woman Don't Live Here No More\" from 1974 indicated the promise of a rewarding follow-up to his 1972 debut album,\u003cspan\u003e \u003c\/span\u003eTrying to Live My Life Without You. However, these songs weren't included on\u003cspan\u003e \u003c\/span\u003eClay's follow-up,\u003cspan\u003e \u003c\/span\u003eI Can't Take It. Instead, his final Hi album reprises \"Home Is Where the Heart Is,\" his first ever recording for the label. It quite possibly served as a means of reacquainting the public with\u003cspan\u003e \u003c\/span\u003eOtis Clay, since a five-year hiatus separated his lone two albums for Hi. During this period he kept himself busy with his own label. Apart from \"Slow and Easy,\" the album was comprised of leftover sessions from 1972. Still,\u003cspan\u003e \u003c\/span\u003eI Can't Take It\u003cspan\u003e \u003c\/span\u003efares strongly in opener \"Pussyfootin' Around,\" the scorching ballad \"House Ain't a Home (Without a Woman),\" and the gut-wrenching title track. As always, the Hi house band does an ace job.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn on 11th February 1942 in Waxhaw, Mississippi, U.S.A.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDied on 8th January 2016, U.S.A.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe moved to Chicago to start his career, where he started singing in gospel groups. In 1965 he was signed at \u003c\/span\u003eOne-derful\u003cspan\u003e. When this label folded, in 1968 he moved at \u003c\/span\u003eAtlantic\u003cspan\u003e's \u003c\/span\u003eCotillion\u003cspan\u003e and in 1971 at \u003c\/span\u003eHi Records\u003cspan\u003e. He kept on recording all through the 70's and 80's at various labels.  \u003c\/span\u003e\u003cspan\u003eHe was one of the 2013 inductees to the \u003c\/span\u003e\u003cb\u003eBlues Hall Of Fame.\u003c\/b\u003e\u003c\/p\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981074321545,"sku":"","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Otis_clay.jpg?v=1572063920"},{"product_id":"wright-o-v-into-something-cant-shake-loose-new-lp","title":"Wright, O.V. – Into Something (Can't Shake Loose) - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003eReview by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eQuint Kik\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003eO.V. Wright's secular career started off in 1964 with \"That's How Strong My Love Is.\" Wright's delivery proves to be in the same league as the more famous version by\u003cspan\u003e \u003c\/span\u003eOtis Redding. After a few short spells in jail for narcotic offenses during the mid-'70s,\u003cspan\u003e \u003c\/span\u003eWright\u003cspan\u003e \u003c\/span\u003ere-emerged in 1977 with\u003cspan\u003e \u003c\/span\u003eInto Something (Can't Shake Loose). It was his first album for Hi, although producer\u003cspan\u003e \u003c\/span\u003eWillie Mitchell\u003cspan\u003e \u003c\/span\u003ehad overseen many of his Backbeat sides from the earlier days. For this comeback, the producer made sure\u003cspan\u003e \u003c\/span\u003eWright\u003cspan\u003e \u003c\/span\u003ewas supported by nothing but the best, from\u003cspan\u003e \u003c\/span\u003ethe Memphis Horns and Strings\u003cspan\u003e \u003c\/span\u003evia the rhythm section of Grimes and all three Hodgeses to the background vocals of Rhodes-Chalmers-Rhodes. Even\u003cspan\u003e \u003c\/span\u003eJames Brown\u003cspan\u003e \u003c\/span\u003eturned up for piano duties, but let's assume he's just a namesake. Obviously not as strong as the Hi albums\u003cspan\u003e \u003c\/span\u003eMitchell\u003cspan\u003e \u003c\/span\u003emade with\u003cspan\u003e \u003c\/span\u003eAl Green\u003cspan\u003e \u003c\/span\u003eor\u003cspan\u003e \u003c\/span\u003eAnn Peebles, it's still an example of genuine Southern soul. Highlights include \"I Feel Love Growin',\" the aforementioned medley, and the gospel-influenced title track with its chilling prologue. The medley would reappear integrally on\u003cspan\u003e \u003c\/span\u003eO.V. Wright Live, with an extra addition of \"You're Gonna Make Me Cry.\" \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3192340108\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ovwright.bandcamp.com\/album\/into-something-cant-shake-loose\"\u003eInto Something Can't Shake Loose by O.V. Wright\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981088346249,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/O.v._wright.jpg?v=1572065092"},{"product_id":"mitchell-willie-robbins-nest-new-lp","title":"Mitchell, Willie - Robbin's Nest – New LP","description":"\u003cp\u003eReissue of 1970 LP.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4115989545\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/williemitchell.bandcamp.com\/album\/robins-nest\"\u003eRobin's Nest by Willie Mitchell\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Hi Records \/ Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981152768137,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Willie_Robbin_s.jpg?v=1572068606"},{"product_id":"green-al-im-still-in-love-with-you-new-lp","title":"Green, Al - I'm Still in Love with You - New LP","description":"\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3554788493\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/algreen.bandcamp.com\/album\/im-still-in-love-with-you\"\u003eI'm Still In Love With You by Al Green\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981158731913,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/al_green_still_in_love.jpg?v=1572070557"},{"product_id":"green-al-gets-next-to-you-new-lp","title":"Green, Al - Gets Next To You - New LP","description":"1971","brand":"Fat Possum Records","offers":[{"title":"Default Title","offer_id":30981160534153,"sku":"","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Al_green_gets_next.jpg?v=1572070830"},{"product_id":"green-al-lets-stay-together-new-lp","title":"Green, Al - 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\"I Wanna Be Your Boyfriend\" \/ \"Judy is a Punk\" (1975 Demos) - Used 7\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003esleeve and vinyl: VG+  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Norton Records","offers":[{"title":"Default Title","offer_id":31207054573705,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/ramones.jpg?v=1573283333"},{"product_id":"fred-toody-szim","title":"Fred \u0026 Toody \/ Szim (split) – \"Lone Shane\" \/ \"Once Again\" [IMPORT]– New 7\"","description":"\u003ch1\u003e \u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003e\n\u003cstrong\u003eThis is a Green Noise Exclusive in the United States!!! \n \u003c\/strong\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2512849622\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/topdown-pdx.bandcamp.com\/album\/lone-shane-fred-toody-once-again-szim\"\u003eLone Shane (Fred \u0026amp; Toody) \/ Once Again (szim) by Fred \u0026amp; Toody Cole \/ szim\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003ch1\u003e\u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cspan\u003eToody \u0026amp; Fred \/ szim split 7\"\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cspan\u003eLost and forgotten Fred Cole song called \"LONE SHANE\" that returned from oblivion and hasn’t seen the daylight yet!  \u003c\/span\u003e\u003cspan\u003eOriginal recording from 2013 with Fred playing guitar and Toody playing bass. Vocals by Toody in 2019. Written by Fred in 1970\/71.  \u003cbr\u003e...\u003c\/span\u003e\u003cspan\u003eMixed by Laura Großer and mastered by NLBF \/ Daniel Husayn \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eflipside by the szim (TOP DOWN, No Chance Records, Dead Moon book...) fitting perfectly to conclude this gem.\u003cbr\u003egreat packaging with slip jacket (I don't know the correct term, but you know, like a small version of an LP jacket) with insert and amazing photos the Cole family building a home in the Yukon.\n\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"No Chance Berlin","offers":[{"title":"Default Title","offer_id":31208216592521,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/fred_front.jpg?v=1573344080"},{"product_id":"hooker-john-lee-alone-volume-1-new-lp","title":"Hooker, John Lee – Alone Volume 1 – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAlone is a two-volume set consisting of live recordings of John Lee Hooker's 1976 performance at New York's Hunter College.\u003c\/p\u003e\n\u003cp\u003eVolume 1:\u003c\/p\u003e\n\u003cp\u003e1. Miss You So\u003c\/p\u003e\n\u003cp\u003e2. Jesse James\u003c\/p\u003e\n\u003cp\u003e3. Dark Room\u003c\/p\u003e\n\u003cp\u003e4. I'll Never Get out of These Blues Alive\u003c\/p\u003e\n\u003cp\u003e5. Boogie Chillum\u003c\/p\u003e\n\u003cp\u003e6.When My First Wife Left Me\u003c\/p\u003e\n\u003cp\u003e7. Boom! Boom!\u003c\/p\u003e\n\u003cp\u003e8. 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A mindblowing ten-inch 33 1\/3 RPM slab of wax by NRBQ that finds the revered fivesome latching onto the out-there New Thing jazz pioneered by intergalactic heroes Sun Ra \u0026amp; His Arkestra--and riding the music to universes beyond the beyond. Cut live in 1970 at Cincinnati's Ludlow Garage and Clinton Hollow in upstate New York, these revolutionary sounds, says NRBQ mainman Terry Adams \"opened up new possibilities in rock 'n' roll. We had a thousand teenagers chanting along with us to 'Rocket #9.\" That stunning Sun Ra classic and his equally wonderful \"Next Stop Mars\"--extended experimental workouts that incorporate Adams' stellar originals \"Venusian Sunset\" and \"Approach The Planet\"--are guaranteed to send you clear out of this world!\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"tracklist\" class=\"section tracklist\" data-toggle=\"tracklist\"\u003e\n\u003cdiv class=\"section_content\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1.a\"\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\n\u003cspan class=\"tracklist_track_title\"\u003eRocket #9\u003c\/span\u003e\n\u003cblockquote\u003e\u003cspan class=\"tracklist_extra_artist_span\"\u003eWritten-By –\u003cspan\u003e \u003c\/span\u003eRa*\u003c\/span\u003e\u003c\/blockquote\u003e\n\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e12:46\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A1.b\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA1.b\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\n\u003cspan class=\"tracklist_track_title\"\u003eVenusian Sunset\u003c\/span\u003e\n\u003cblockquote\u003e\u003cspan class=\"tracklist_extra_artist_span\"\u003eWritten-By –\u003cspan\u003e \u003c\/span\u003eAdams*\u003c\/span\u003e\u003c\/blockquote\u003e\n\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1.a\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB1.a\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\n\u003cspan class=\"tracklist_track_title\"\u003eNext Stop Mars\u003c\/span\u003e\n\u003cblockquote\u003e\u003cspan class=\"tracklist_extra_artist_span\"\u003eWritten-By –\u003cspan\u003e \u003c\/span\u003eRa*\u003c\/span\u003e\u003c\/blockquote\u003e\n\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e11:32\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1.b\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB1.b\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\n\u003cspan class=\"tracklist_track_title\"\u003eApproach The Planet\u003c\/span\u003e\n\u003cblockquote\u003e\u003cspan class=\"tracklist_extra_artist_span\"\u003eWritten-By –\u003cspan\u003e \u003c\/span\u003eAdams*\u003c\/span\u003e\u003c\/blockquote\u003e\n\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section credits toggle_section    toggle_section_remember\" data-toggle-section-id=\"credits\" id=\"credits\"\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003e\n\u003cul class=\"list_no_style\"\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eBass Guitar, Vocals\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eJoey Spampinato\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eDrums\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eTom Staley\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eGuitar, Vocals\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eSteve Ferguson\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eKeyboards, Vocals\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eTerry Adams (2)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eLiner Notes\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eTerry Adams (2)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eMastered By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eBob Irwin,\u003cspan\u003e \u003c\/span\u003eJayme Pieruzzi,\u003cspan\u003e \u003c\/span\u003eTerry Adams (2)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eRecorded By\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eRick Lemker\u003cspan\u003e \u003c\/span\u003e(tracks: A1.a, A1.b)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eSleeve [Sleeve Design]\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eJeff Smith (17)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eTenor Saxophone\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eKeith Spring\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eTrombone\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eDonn Adams\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"role\"\u003eVocals, Cowbell\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eFrank Gadler\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section notes toggle_section    toggle_section_remember\" data-toggle-section-id=\"notes\" id=\"notes\"\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\"\u003eNotes\u003c\/h3\u003e\n\u003cdiv class=\"section_content toggle_section_content\"\u003eNotes from the back cover:\u003cbr\u003eSide One recorded January 24, 1970 at Ludlow Garage, Cincinnati, Ohio by Rick Lemker. Side Two recorded October 11, 1970 at Folly Farm, Clinton Hollow, New York.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sundazed","offers":[{"title":"Default Title","offer_id":31283092062345,"sku":"","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-2799084-1301766169_jpeg.jpg?v=1574661054"},{"product_id":"ramones-raw-used-dvd","title":"Ramones - Raw – Used DVD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Image Entertainment","offers":[{"title":"Default Title","offer_id":31297329135753,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-3876008-1521834291-7263_jpeg.jpg?v=1575180868"},{"product_id":"ramones-end-of-the-century-used-dvd","title":"Ramones - End of the Century – Used DVD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Rhino","offers":[{"title":"Default Title","offer_id":31297344274569,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-4865073-1377878383-8923_jpeg.jpg?v=1575181018"},{"product_id":"diddley-bo-s-t-new-lp-1","title":"Diddley, Bo - Where It All Began - New LP","description":"\u003cp\u003ereissue of 1972 album.  \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003e\n\u003cspan itemprop=\"author\"\u003eReview by Bruce Eder: \u003c\/span\u003eJohnny Otis\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003ePete Welding\u003cspan\u003e \u003c\/span\u003eproduced this surprisingly successful soul effort by\u003cspan\u003e \u003c\/span\u003eBo, which succeeded in reshaping his sound, not as a\u003cspan\u003e \u003c\/span\u003eSly Stewart\u003cspan\u003e \u003c\/span\u003ewannabe or a lounge act covering\u003cspan\u003e \u003c\/span\u003eCreedence Clearwater Revival\u003cspan\u003e \u003c\/span\u003ehits.\u003cspan\u003e \u003c\/span\u003eBo\u003cspan\u003e \u003c\/span\u003esounds comfortable and natural doing songs like \"Look At Grandma\" and \"Woman,\" and the latter is a pretty damn good song --\u003cspan\u003e \u003c\/span\u003eBo\u003cspan\u003e \u003c\/span\u003efinally emerged as a soul singer in his own right, and it worked, artistically at least. \"Hey Jerome\" even recalls tracks like \"Say Man\" in a not-unflattering light. Unfortunately, none of this mattered to the people who still cared about\u003cspan\u003e \u003c\/span\u003eBo Diddley\u003cspan\u003e \u003c\/span\u003e-- they wanted the beat and the old sound, which was present here on \"I've Had It Hard,\" and the extraordinary \"Bo Diddley-itis,\" but not in the kind of quantity they craved. He gave them his classics in concert, but not on this album. Where It All Began\u003cspan\u003e \u003c\/span\u003evanished from sight, leaving scarcely a trace or a ripple on the charts.\u003c\/h3\u003e\n\u003cp\u003eGH\u003c\/p\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Chess","offers":[{"title":"Default","offer_id":31311634759817,"sku":"SKU-31867","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-3955855-1350425817-8973_jpeg.jpg?v=1575690736"},{"product_id":"dmz-relics-new-lp","title":"DMZ – Relics [PINK MARBLE VINYL BOSTON 1978] – New LP","description":"\u003cp\u003eessential Boston underground rock from the 1970s.  Color vinyl.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"review-author headline\"\u003eAllMusic Review by\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"author\"\u003eJoe Viglione\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cdiv class=\"text\" itemprop=\"reviewBody\"\u003e\n\u003cp\u003e\"When\u003cspan\u003e \u003c\/span\u003eDMZ\u003cspan\u003e \u003c\/span\u003emade their debut on Sire, it was as disappointing as major-label debuts by fellow Bostonians\u003cspan\u003e \u003c\/span\u003ethe Nervous Eater and\u003cspan\u003e \u003c\/span\u003eWillie Alexander's Boom Boom Band. Flo \u0026amp; Eddie\u003cspan\u003e \u003c\/span\u003ejust didn't know what to do with\u003cspan\u003e \u003c\/span\u003eDMZ.  Meanwhile, four\u003cspan\u003e \u003c\/span\u003eCraig Leon-produced tracks released on BOMP -- which is the parent company of Voxx -- and five demo tapes that were recorded on four-track comprise this excellent collection. \"When I Get Off\" was the number two Garage Record of the Year in 1978 in Boston's Real Paper, and it is a psychedelic masterpiece. The dueling guitars, slashing riff, and great Corraccio bass complement\u003cspan\u003e \u003c\/span\u003eMono Mann\u003cspan\u003e \u003c\/span\u003eaka\u003cspan\u003e \u003c\/span\u003eJeff Connolly's blitzkrieg vocals. Here is a slice of pyschedlia that is the fans outdoing the bands they idolize. Also, as with\u003cspan\u003e \u003c\/span\u003eWillie Alexander's demos, it seems\u003cspan\u003e \u003c\/span\u003eCraig Leon\u003cspan\u003e \u003c\/span\u003edid a much better job on smaller budgets. The lyrics are sexist, but fun in \"Barracuda\" -- definitely not the\u003cspan\u003e \u003c\/span\u003eHeart\u003cspan\u003e \u003c\/span\u003esong -- \"Lift up Your Hood,\" and the aforementioned \"When I Get Off.\" There is also a cool cover of\u003cspan\u003e \u003c\/span\u003eRoky Erickson's \"You're Gonna Miss Me\" and a fantastic album jacket of the band photographed at what looks like the Rat nightclub inside a red background covered in barbed wire fence. A definite statement about the heart and soul of demos having a special something major-label homogenization fails to establish.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Voxx Records","offers":[{"title":"Default Title","offer_id":31384231903369,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/MI0000864567.jpg?v=1584387316"},{"product_id":"runaways-the-live-in-concert-at-the-starwood-los-angeles-9-13-76-used-lp","title":"Runaways, The – Live in Concert at the Starwood Los Angeles 9–13–76 – Used LP","description":"\u003cp\u003evinyl and sleeve: NM \u003c\/p\u003e\n\u003cp\u003ecool screen-printed sparkly textured-ink sleeve.  white vinyl.  \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable class=\"playlist\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"first tracklist_track track\" data-track-position=\"A1\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA1\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eCherry Bomb\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A2\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA2\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eTake It Or Leave It\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A3\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA3\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eSecrets\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A4\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA4\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eYou Drive Me Wild\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"A5\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eA5\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eDon't Abuse Me\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B1\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB1\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eIs It Day Or Night?\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B2\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB2\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eC'mon Everybody\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B3\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB3\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eJohnny Guitar\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd width=\"25\" class=\"tracklist_track_duration\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\" tracklist_track track\" data-track-position=\"B4\"\u003e\n\u003ctd class=\"tracklist_track_pos\"\u003eB4\u003c\/td\u003e\n\u003ctd class=\"track tracklist_track_title \"\u003e\u003cspan class=\"tracklist_track_title\"\u003eWild Thing\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"bootleg","offers":[{"title":"Default Title","offer_id":31590945521801,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-14207322-1569862585-5542_jpeg.jpg?v=1578277106"},{"product_id":"death-for-the-whole-world-to-see-new-lp","title":"Death - For The Whole World To See - New LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEssential listening, crank it, close your eyes and let this one transport you back to 1974, classic hard rock from Detroit now taking its proper place as seminal Detroit proto-punk, the Hackney Brothers originally a funk band in the 1960s but inspired by seeing shows by The Who and the Alice Cooper Group (1968-1974), the brothers recorded this back in 1974…restocked again on the Green Noise website, ready for the world. -- winch (green noise)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2883137404\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/deathfromdetroit.bandcamp.com\/album\/for-the-whole-world-to-see\"\u003e…For The Whole World To See by Death\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\"The first time the stereo played \"Politicians in My Eyes,\" I couldn't believe what I was hearing. When I was told the history of the band and what year they recorded this music, it just didn't make sense. Ahead of punk, and ahead of their time.\" -- Jack White\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMOS DEF SAYS: \u003c\/span\u003e\u003cspan\u003e\"These dudes were pre-Sex Pistols, pre-Bad Brains, pre-all that shit, and nobody knows about them. I don't understand how the world could forget them.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Drag City Records","offers":[{"title":"Default Title","offer_id":32269620576393,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a3481109001_16.jpg?v=1742953410"},{"product_id":"new-york-dolls-endless-party-new-lp","title":"New York Dolls – Endless Party – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e180-gram vinyl release featuring original artwork!  Pre-Mercury demos licensed from Red Star music. New York City’s legendary Dolls recorded the tracks contained on this album prior to their debut album on Mercury Records, and it captures these punk rock pioneers at their finest. The Dolls are raw and alive; it even includes some studio chat among members between songs. The brand new sleeve artwork includes rare color photos by renowned photographer Bob Gruen. A must have for the serious Dolls fan!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBabylon\u003c\/li\u003e\n\u003cli\u003ePrivate World\u003c\/li\u003e\n\u003cli\u003eSubway Train\u003c\/li\u003e\n\u003cli\u003eWho Are The Mystery Girls\u003c\/li\u003e\n\u003cli\u003eFrankenstein\u003c\/li\u003e\n\u003cli\u003eIt’s Too Late\u003c\/li\u003e\n\u003cli\u003eBad Detective\u003c\/li\u003e\n\u003cli\u003e7 Day Weekend\u003c\/li\u003e\n\u003cli\u003eEndless Party\u003c\/li\u003e\n\u003cli\u003eHuman Being\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":32743140524169,"sku":"","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_9485.jpg?v=1584228452"},{"product_id":"pere-ubu-the-modern-dance-new-lp","title":"Pere Ubu – The Modern Dance [IMPORT WHITE VINYL] – New LP","description":"Classic avant-garage debut album from these Cleveland noise makers and trailblazers!  Reissue, originally released in January 1978.\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3458715057\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/pereubumusic.bandcamp.com\/album\/the-modern-dance\"\u003eThe Modern Dance by Pere Ubu\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e","brand":"Fire Records (UK)","offers":[{"title":"Default Title","offer_id":32926880989321,"sku":"","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/R-436909-1422678113-2682_jpeg.jpg?v=1617751653"},{"product_id":"carsickness-1979-1982-new-lp","title":"Carsickness – 1979–1982 – New LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe classic Pittsburgh punk rock band that reeked havoc on the streets during the height of the punk era has returned! Carsickness has re-issued some of their most popular songs like “Bill Wilkinson,” “Police Dog,” and “For You” on a vinyl entitled 1979-1982. It also includes never-before-heard tracks, like “I Don’t Think So” which didn’t make the cut for the “Sharpen Up For Duty” album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCarsickness formed in Pittsburgh, PA in 1979 during the height of punk rock—a time when bands like the Ramones, The Clash, and The Sex Pistols were taking over the world. However, in Pittsburgh, there was a different kind of punk scene catching on, and Carsickness spearheading it. Their sound takes the rhythmically reckless speeds of punk rock and combines it with more complicated symphonic melodies creating tracks that make you want to sway and shout all at the same time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eStarting off as a punk trio with Karl Mullen on guitar and vocals, Steve Sciulli on synthesizer and miscellany, and Dennis Childers on drums the band transformed with the addition of Chris Koenigsberg on bass, Dan Roelich on Saxophone, and Hans Werner on guitar and keyboards to become the punk rock orchestra of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe ages.\u003cbr\u003e\u003cbr\u003eTheir first show was in 1980, originally scheduled to be at Pittsburgh’s Mattress Factory, a contemporary art museum. However, Carsickness not only forgot to put the place, time, and date on their flyers, the museum also got nervous about the band’s hardcore reputation and, on the day of the show, canceled. Fortunately, it was rescheduled at a venue called Lions Walk for what turned out to be a sold-out show.\u003cbr\u003e\u003cbr\u003eDuring the height of their popularity, they were one of the first Pittsburgh punk bands to tour often outside of the city, moving the scene that was blossoming there forward to inspire bands such as Anti-Flag and Michael Chabon’s The Bats. “The music scene itself was bigger than us as individuals,” Childers always says.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4070203602\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/1979-1982\"\u003e1979-1982 by Carsickness\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"trackInfo\" class=\"leftColumn\"\u003e\n\u003cdiv id=\"trackInfoInner\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eAll songs by Karl Mullen, Poulaphuca Music (BMI)\u003cbr\u003eMusical arrangements by Carsickness\u003cbr\u003eCover layout by Dennis Childers\u003cbr\u003ePhotographs by Stacy Weiss\u003cbr\u003e\u003cbr\u003eRemastered from the original tapes by Paul Michael Ferraro\u003cbr\u003eMastered for vinyl by George Ingram at National Record Productions\u003c\/div\u003e\n\u003ch3 class=\"license-label\"\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-tags tralbum-tags-nu\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33265057497225,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a0262133912_16.jpg?v=1586243493"},{"product_id":"jay-abner-man-walked-on-the-moon-new-lp","title":"Jay, Abner - Man Walked on the Moon - New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAbner Jay is an extraordinary one-man-band with one of the deepest emotive voices ever recorded. “Man Walked On The Moon” features Abner material from two different periods. Side A opens with an early deep 1970s' version of his signature song “I’m So Depressed,” which has never before been reissued on LP. The hit is followed by four previously unreleased songs from the same period - “The Royal Palm” (a classic train song), “Old Black Joe,” “I’m A Hard Working Man,” and his paen to space travel, “Man Walked On The Moon.” All are sung and played by Abner with his standard one man band set up - electric banjo, drums played by his feet, and harmonica. Side B of the LP features Abner’s emotionally charged last recordings. These were made two months before Abner passed away, and here we find him pensively playing acoustic guitar and singing. The songs are incredibly emotional and not for the faint of heart. These mournful tracks were previously released on a Mississippi 10” EP back in 2011 (“Last Ole Minstrel Man”), which is long out-of-print. This LP collects some of Abner’s greatest work from across his career, all rare or previously unreleased classics! LP comes housed in an old school “tip on” jacket and includes a 20 page booklet with photos and a loving tribute to Abner Jay written by Jack Teague. All tracks fully licensed from Brandie Jay, Abner’s daughter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Side: 1) I'm So Depressed 2) The Royal Palm 3) Ole Black Joe 4) I'm A Hard Working Man 5) Man Walked On The Moon B Side: 1) I Cried 2) Sitting On Top Of The World 3) My Middle Name Is The Blues 4) Love Wheel 5) Cocaine Blues 6) Too Poor To Live, Too Poor To Die\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ewith booklet!\u003c\/span\u003e\u003c\/p\u003e","brand":"Mississippi Records","offers":[{"title":"Default Title","offer_id":33296708632713,"sku":"","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/IMG_0337.jpg?v=1590695608"},{"product_id":"nervebreakers-we-want-everything-new-lp","title":"Nervebreakers – We Want Everything! – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e180 gram.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Nervebreakers are a late seventies \/ early eighties Texas punk band considered by many to be the first of their kind in the southwest. Like many others of this genre, they started out as a high school garage band doing sixties \/ early seventies cover songs. What made them unique was their range of material; from the music of the English Invasion to Yummy Yummy bubble gum as well as songs from punk pioneers MC-5 to true blue country artists like George Jones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=645269174\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/gethiprecordings.bandcamp.com\/album\/we-want-everything\"\u003eWe Want Everything! by The Nervebreakers\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cspan\u003eThe array of influence from all those cover songs melded into a two guitar, bass and drum sonic assault with a wild child vocalist up front. The members of the band began writing some of their own songs.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn July 24, 1977 the Ramones first blitzkrieged Dallas at The Electric Ballroom, Nervebreakers opened. In 1978 they opened for the Sex Pistols at The Longhorn Ballroom. In 1979 when the Clash were calling here at Dallas’ Palladium, Nervebreakers let them know they weren’t in London anymore. By 1980 when the Police came to town, they were Nervebreakers fans due to Random Notes in Rolling Stone. The list reads on and on in NME, Melody Maker and High Times. Like a who’s who of punk rock history, our guys held their own as the Texas band to see.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNervebreakers weren’t just playing, they were the real deal. Home grown - born and raised. Texas proud and ready to kill. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the pre - D.I.Y. days of 1978 they self-released the EP “Politics” featuring “My Girlfriend is a Rock”. ”Girlfriend” became a hit in San Francisco, Sacramento and Boston and was later covered by the Angry Samoans and Wool - among others. This song (and the US invasion of Iraq) inspired sixteen year old punk upstarts, Spector 45, to put their spin on the song as “My Girlfriend’s in Iraq” in 2003.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOther 7 inch gems that followed include “Hijack the Radio” b\/w “Why Am I So Flipped” The black and blue vinyl “Girls, Girls, Girls, Girls, Girls” b\/w a cover of the obscure Rolling Stones song “I’d much Rather be with the Boys”. The band also contributed two songs “So Sorry” (as the Barry Kooda Combo) and “I Love Your Neurosis” to the local punk rock compilation “Are We Too Late for the Trend” put out by ESR. Other acts featured on this late seventies Dallas area time capsule include the Telefones, The Vomit Pigs, The Skuds and Superman’s Girlfriend.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDespite being recognized as the biggest and baddest of them all locally, they were also huge fans of Texas predecessors such as the 13th Floor Elevators. This eventually led to the band contacting Psychedelic rock pioneer Roky Erickson. Roky had just walked out of a mental institution so they offered to open shows for him and provide the legendary musician with a backup group. The result helped Roky back in the public eye. And “Roky Erickson and the Nervebreakers Live at the Palladium in 1979” was issued on the French label New Rose Records.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 1980 Nervebreakers took on their biggest endeavor yet, recording the full length album “We Want Everything”. Sadly due to band finances this effort was not to be released. Side projects and individual interest whittled away at the band until an eventual demise. Each and every off shoot has been and continues to be incredible. Vocalist Thom \"Tex\" Edwards has fronted bands including “The Swingin’ Cornflake Killers”, “The Loafin ' Hyenas” and most recently “Out on Parole”. Lead guitarist, Mike Haskins, has led the instrumental spaghetti western band “The Big Guns” for the last decade. And guitarist Barry Kooda had a great run with late 80's band “Yeah Yeah Yeah” and as one of three front men in the 1990's country outfit “The Cartwrights”. But those are all other long stories so for now let’s just stick with Nervebreakers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We Want Everything” did not see the light of day until 1994 when Texas rarities \/ reissue label ‘Existential Vacuum’ released it to rave reviews. This was followed by a single reuniting of the band for a release party at Trees in Deep Ellum. Shortly thereafter this effort was picked up by garage \/ punk label ‘Get Hip Records’ and made available worldwide. In 2000 Italian label “Rave Up Records” woke up and released “Hijack the Radio” a collection of singles, rarities and live cuts. Years after they laid the groundwork for thousands of other Texas bands, Nervebreakers were finally getting their due. \u003c\/span\u003e\u003cspan\u003e -Frank Campagna, Dallas, 2009\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Get Hip Records","offers":[{"title":"Default Title","offer_id":33459510345865,"sku":"","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a4283618856_16.jpg?v=1587292837"},{"product_id":"skabbs-the-idle-threat-new-lp","title":"Skabbs, The – Idle Threat [MARKED DOWN] – New LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFirst time ever issued – a street date 35 years in the making, a collection of never before issued recordings from 1977-78 Lawndale, California punks, The Skabbs. In tandem with the birth of punk, these music obsessed nerds, bored and listless at the end of the 70’s, became disenchanted with the increasingly plastic tendencies of modern music. The Skabbs concocted some truly outsider sounds, melding jagged Devo-esque rhythms with lightning-fast technical touches. Includes band history and unpublished photos\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=766084554\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theskabbs1977.bandcamp.com\/album\/idle-threat\"\u003eIdle Threat by The Skabbs\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Default Title","offer_id":33602623275145,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/Skabbs_Idle_Threat_ALBUM_ART_PRESS.png?v=1588521561"},{"product_id":"elizabeth-king-the-gospel-souls-the-d-vine-spirituals-recordings-new-lp","title":"Elizabeth King \u0026 The Gospel Souls – The D-Vine Spirituals Recordings – New LP","description":"\u003cp\u003eStunning gospel recording from 1972, the vocals and guitar work on spot and so great, moving from bluesy reflective to jump-up funky, made in Memphis and built to bring you down to your knees and rise you up to them tippy toes on your tired feet. -- winch \u003c\/p\u003e\n\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3020763827\/size=small\/bgcol=333333\/linkcol=0f91ff\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/elizabethkinggospel.bandcamp.com\/album\/the-d-vine-spirituals-recordings\"\u003eThe D-Vine Spirituals Recordings by Elizabeth King \u0026amp; The Gospel Souls\u003c\/a\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTracklist: \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Heard The Voice\u003c\/li\u003e\n\u003cli\u003eWait On The Lord\u003c\/li\u003e\n\u003cli\u003eStretch Out\u003c\/li\u003e\n\u003cli\u003eDown Here Waiting\u003c\/li\u003e\n\u003cli\u003eJesus Is My Captain\u003c\/li\u003e\n\u003cli\u003eI Found Him\u003c\/li\u003e\n\u003cli\u003eCan't Do Nothing\u003c\/li\u003e\n\u003cli\u003eSo Soon\u003c\/li\u003e\n\u003cli\u003eThis Man\u003c\/li\u003e\n\u003cli\u003eI'll Fly Away\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e“Going through your trials, I guarantee you, trouble gonna come and you need something. Music soothe your mind. You still be in pain but you can sleep,” says Elizabeth King of the power of gospel music, during a conversation upstairs at producer Bruce Watson’s Delta-Sonic Studio in her hometown of Memphis, TN.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThis first reissue from the D-Vine Spirituals Recordings showcases King, who has an incredible ability to simmer and then raise the heat. The gospel hit from King’s pen, “I Heard the Voice” is only the tip of the iceberg. Witness her intensity on “Jesus Is My Captain,” with a wah-wah guitar grooving, which also drives the funky “Wait on the Lord.” “Down Here Waiting” is the very definition of a Memphis backbeat. “I Found Him” finds her singing, “I found him to be my hellhound chaser. I found him to be my midnight rider.” The traditional “I’ll Fly Away” is done here a la Chuck Berry’s “Maybellene,” fast and joyful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eBorn in Grenada, MS, King grew up in Charleston to a mother who taught her to sing. “I would sing hymn songs,” she says. Often ill as a child, she turned to song as a way to get through. As she grew up, she learned to interpret them in her own style. She laughs as she says, “I like to move when I sing.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMarried and moving to Memphis in 1960, followed by a short stint in Chicago (“I couldn’t get used to the weather or how they went to church”), then back to Memphis, King first joined the Gospel Souls in 1969 after seeing them in concert. (The male vocal band had previously been on Halo Records and Designer Records, the latter catalogue explored in several exemplary Big Legal Mess releases.) She had always envisioned being backed by male singers. She was told, “If they got jealous wives, I wouldn’t.” But it worked out. She says, “I stayed 33 years with them.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eProducer Juan D. Shipp, a gospel DJ-cum-label impresario, thought he would get a richer sound than the gospel music studios in common use in Memphis at the time when he stumbled on Tempo Studios downtown, which became his go-to. “It was a compact studio but boy did it sound good,” Shipp recalls, continuing, “You had to walk up the stairs to it.” He first recorded King and the Gospel Souls in 1972, issuing “I Heard The Voice” (which was later sub-leased to the Messenger label).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eShipp continues, “When you come to the studio, I worked the devil out of you to make it what it should be. We were working at ‘I Heard The Voice.’ I said, ‘Sing it like you making love to God.’ That song skyrocketed. It was 5½ years at #1. Nobody could sing it like the original!”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eShipp brought in Lynn Askew on guitar and musicians affiliated with Tempo Studios for the rhythm section and keys.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWorking a day job for a florist, she was in a serious car accident that inspired “I Heard The Voice” B-side “Waiting on the Lord.” King says, “I had no feeling in my body. I couldn’t do nothing but pray. The fire department had to cut me out of it. I thought about it that day, that song.” She still has pain in her body every day.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eWhen the single was released, it caught on quickly. “I was riding down Union Ave.,” says King. “Rev. Shipp, he was on [the radio]. I say, ‘What,’ turn up the radio real loud. A guy from Memphis was at the red light. I said, ‘It’s me!.’ Every day, look like every twenty minutes, they was playing it. The phone started to ring. It kept us going everywhere.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIn order for King and the Gospel Souls to tour, but keep their day jobs and church commitments in town, they would hit the road on weekends, playing Saturday night and Sunday evening, eating after each concert, and driving back to Memphis in time to be at work by 8AM Monday morning. Plus, King would attend church services during the weeknights and work on choir rehearsals on Tuesday nights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe band was once asked to perform for inmates at the Tennessee State Prison farm near downtown Nashville, TN. “Everything was on lockdown ‘cause womens was fighting. I was so scared. You talk about somebody singing that day: I sang!,” says King.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe last two songs on this collection are sung by Walter Boone (on “So Soon”) and John Powell (“on This Man”), lead singers of the band before King joined. Even with her on board, they would take a solo or two at longer concerts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eKing went on to raise 15 children and still sings in church, as well as on WMQM-AM Memphis on Saturday mornings around 10AM.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAskew later worked in construction, painting, and as a mechanic, but tragically died on the job.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eKing says she hopes this recording keeps people focused on the soul, saying, “You need joy. If you mind got joy, if you keep your mind set on Jesus, he give you perfect peace.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bible \u0026 Tire Recording Company","offers":[{"title":"Default Title","offer_id":33718624190601,"sku":"","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/products\/a1574073405_16.jpg?v=1589029653"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/1427\/collections\/IMG_6509.jpg?v=1579056751","url":"https:\/\/store.greennoiserecords.com\/collections\/1970s.oembed?page=18","provider":"Green Noise Records","version":"1.0","type":"link"}